#i can't believe this arc was so long ago in the manga

[unicornpopcorn14]

Dazai and his (dis)association with Guns

It's interesting to me how Dazai conically wields no firearms on him, neither in the PM nor in the ADA.

I mean, taking how dangerous both jobs are into consideration, and how he isn't as physically capable as the strongest ability users out there, you'd think he'd at least ensure a safety measure with him at all times.

But every gun he wields in the series is someone else's.

Every. single. one.

Even the handgun he wields in the Azure messanger arc, despite belonging to the agency, he doesn't constantly use:

While in Stormbringer, Dazai uses a tazer gun before meeting Adam and relying on him:

I've had many speculations regarding this pattern (feel free to add onto them), one of them being that Dazai thinks he doesn't even need guns, since strategies are his weapons, his hands alone are his weapons. In a world of crazy abilities, and users completely relying on said abilitis, being a nullifier might be considered the biggest threat, and a pretty sturdy weapon to rely on.

After some thinking, however, I found that while this might be part of the reason, it isn't enough to just disregard firearms as weapons entirely. Dazai's plans/predictions aren't foolproof, and as he'd explained, they are full of uncertanties, contrary to Fyodor's plans.

And Dazai's ability can't be relied on all the time. Having to touch the enemies/maintain proximity in order to activate it is definitely a hindrance. Besides, some enemies can be physically competent without their abilities, some might not even have abilities, but are formidable. Firearms in these situations would be extremely useful, given their range, and a good precaution.

Aside from combat, tw: suicide Let's not forget that a shooting oneself is subjectively the most painless way to die. So if anything, Dazai should be eager to have one on him and even attempt with it. But he doesn't, he never even seems interested in using guns at all in his suicide methods, hence he would have succeeded long ago...

So if it isn't out of unnecessity, then what might be the reason? I mean, having to count on your enemies to have guns in order to use one is rather inconveniet, right? Why can't he just carry the agency's gun or, before that, any of the countless PM's firearms? Well...

Here is what I think: Killing with guns is triggering for Dazai

Let's rewind a little...

15!Dazai is the earliest we see him using a firearm, and one of the few times he does shoot with said firearm, resulting in this fiasco:

He's clearly having a mental breakdown, spiraling, can't stop, and most importantly: can't think straight. This is Dazai's lowest moment in the whole series.

Thing worth mentioning: in the manga/lightnovel, Dazai does stop after shooting the man one time (basically killing him) and pauses, before he continues again and again and agian...

So I believe the triggering factor is either the death/corpse itself, or how the recoil felt.

We can't exactly determine what it might be, since remember, this is before Dazai even joins the Mafia. He's known Mori for mere weeks at this point. Whatever Dazai's going through in this moment has to related to his past prior to the mafia that we have yet to (or might never) see.

You'd get why Dazai, a person whose greatest ability is his mind above all else, would never wish to go through a moment where he can't keep his thoughts in check. Where he'd lose control.

And you know what's crazy? Dazai seems to avoid that outcome since then, as This is the only moment we see him actively kill someone with a gun in the series.

18!Dazai, through his (abusive) teaching moment with Akutagawa, shoots three times in hopes the other finally uses his ability defensively. There is a cause, and a motif, that a gun has to be involved in. And he knows Akutagawa is going to succeed in repelling them, he knows that won't kill him. Which is why wielding a gun is safe along with shooting it.

While in the ADA, in the instances Dazai wields a gun, he doesn't even shoot:

And that checks. Each one of these example were mere empty threats, but now I see that, as much as it's a threat to whoever he's pointing the barrel at, he's also under the mercy of it. Which means that every time he's used a gun since fifteen was a means to scare and not kill, if only to avoid the worst outcome which is losing control.

Dazai's sanity is on the line whenever the trigger is at the tip of his finger...

So why would he carry guns when he never even plans to shoot? When properly putting them to use threatens to send him into a breakdown, to overthrow his entire line of thinking?

One moment out of control might cost him his plans, his objectives, his subordinates, the lives he wishes to protect. And unless there is a motif for the gun (other than of course, killing) using it is a threat looming over him.

[lev1hei1chou]

Why i believe Gojo could come back

This chapter left us in a devastated state and was absolutely uncalled for, but I personally believe this isnt the end of the strongest sorcerer. There are several reasons as to why (These are just opinions, I could be wrong in certain areas AND personal feelings might make an occassional appearance.)

LEAKS:

This whole panel was obviously made for a reason. And we dont see gojo making a decision. Considering the fact that this is literally THE Gojo Satoru, he's more likely to choose north since there's numerous things left as plot holes. We'll get to that.

Here in this page, he mentions that Toji should've cut his head off to actually kill him. In the leaks, whats cut off is his upper body but not the head! I still can't quite wrap my head around RCT but lets say he's not able to heal himself. You know who can and who would? Yuta and Shoko

Now moving on

"Gojo then bids farewell to everyone." If hes truly gone then why would he be bidding farewell to the fallen comrades? If he's dead then isn't he supposed to stay in the afterlife with them?

Pretty self explanatory

What if Kashimo is going in to distract Sukuna while Shoko and Yuta can heal Gojo?

Now think about this. Gojo is gone, Shoko doesnt fight and who are all left? A bunch of sorcerers who are literally under 20, need guidance and we havent really seen any panel where they actually plan how they're going to go about in the whole battle. Gojo isnt a want, hes a NEED, a NECESSITY.

Remember, Toji who was dead long ago pretty much appeared out of nowhere in Shibuya Arc LMAO so- yes

WHAT IS THIS EVEN SUPPOSED TO MEAN

Theres no way Gojo would be left sealed for 3 whole years, brought him back just to kill him off in the most disrespectful way possible.

Besides, things that Gojo wanted to do haven't happened yet.

He wanted to tell megumi about his father

He wanted to see his students surpass the strongest sorcerer, aka him

He wanted to get rid of the higher ups

He wanted to properly mourn suguru (for which kenjaku has to be defeated but oh well)

He wanted to save Megumi

How'd we know what Gojo said here.

On to the other aspects of why killing off Gojo was a bad idea. We barely ever saw what happened to him, and an off screen death to the so called strongest sorcerer is just senseless. Gojo is a fan favourite. People started watching the show for Gojo (myself included) and there's a high possibility of multiple people dropping the manga since he isn't even there anymore.

The ending could take a turn for the worse considering the fact that Sukuna is just overpowered and Kenjaku hasn't done anything as of now. Unless there's some heavy plot armor I dont think the students even stand a chance against Sukuna and Kenjaku. Both outcomes- the students and others emerging as victors or sukuna emerging as a victor could make the ending absolutely terrible and this might as well top AOT for being the manga with the most disliked ending.

Gojo Satoru is the mentor for multiple; for Yuji, Nobara, Megumi, Yuta, Maki, Panda, Toge and the third years and its necessary for them to have someone to teach them. It is one of Satoru's wishes to see his students surpass him, which can happen only when he's there since there's nobody else who is actually capable of teaching them and leading them into the world as actual graduated sorcerers.

So Gojo dying will make the manga take a turn for the worse. Killing him off in the middle makes absolutely no sense and is just plain bad writing. People are prolly gonna kill me for this but lets admit the truth. Hyping this battle, building up tension just to finish him off screen is NOT good writing.

Anyways. There is factual proof of Gojo potentially making a return. Maybe at a cost, like him losing his power, losing his "strongest" title or anything else. He may not even be the same anymore but honestly as long as he's back, I'm fine.

It happened previously, and could happen again.

Satoru Gojo may not be the strongest and the honoured one, but may be reborn as a newer version of himself after getting humbled. Lotuses, as mentioned above symbolise rebirth, which is why i believe this is not the end.

A small bit of advice for gojo fans: Go watch haikyuu or highschool babysitters as a form of self care <3

[candyskiez]

Thinking about ???%/Shigeo as a character today and losing my mind. Like he's so funny to joke about but also he's SUCH an interesting character (especially from a plural angle, ESPECIALLY when you're a system yourself) and he makes me want to explode. Imagine forming to protect a little kid and deciding you love him so so much and you'll always be there for him, and you love his little brother, and you love his best friend, even though the world doesn't love you very much. But you take it anyway because you have those three and your little family so you're happy. And you have powers and they're a part of you and the other kid and it's fine until it very suddenly Isn't, and nobody's explaining why, just that you need to Stop Having Them. And the kid just decides, okay, I'm sorry, I'll be normal. And you get no explanation. You just have to be suppressed that little bit more. You form because he can't handle being suppressed yet he suppresses you. And then one day it all blows up and you make a mistake trying to protect your little brother and suddenly everyone hates you. Everyone thinks every little thing you've ever done is proof you're a monster and you always would've turned out like this, and you have no idea what they're talking about. You made a mistake trying to save your brother. But because you look scary and act different, even though you've always been there suddenly you existing is dangerous. Because you made a mistake, you are now Irredeemable.

That would fuck ANY kid up. But like, think about it. Shigeo had no one except Tsumobi and Mob and Mob's family. And suddenly he has no one. Mob represses him so deeply. He makes one mistake and suddenly he's not allowed to talk to anyone, suddenly he's completely alone and isolated. He has to share a brain with someone who despises him. He has the trauma of the accident AND the trauma of suddenly losing everyone he loves on top of it. He literally had no one for years. No wonder he's so fucking cynical. All of the shit about "I don't trust anyone" in the manga? Yeah, of course he doesn't. The rug was pulled out from under him so fast. In his eyes everyone just hated him for no reason, because he existed, and everyone would hurt him for existing, so he could only trust himself. Yeah, no wonder he's so selfish, he has no one else there at ALL. It's just...holyyyy hell.

And the thing is if you actually look the little things point to him yearning for connection so desperately. He's still so aggressively protective of his family (even though he lost them a long time ago, they're Mob's now, they don't even know he's there. Don't get me started on that from a plural view. I won't shut up and will probably pour my heart out.), and just ...world domination arc. When he's so upset about losing his family. We know he doesn't trust Reigen. Yet he's running to Reigen for some sort of comfort because he's scared and doesn't want his family to die and wants someone to tell him everything's fine. And Reigen DOES and he believes him. He believes him and immediately passes out. The guy who doesn't trust anyone wants to be loved so so bad and wants to believe Reigen more than anything. He really clearly WANTS to be able to trust Reigen. But he can't. More on this later.

And also thinking about why the build up in confession arc broke him like that is just fucking sad, man. Everyone was telling them to change. Shigeo's been told to change and it meant "be normal". Mob isn't even the one who actually likes Tsumobi like that. Shigeo's being completely repressed and Mob wants to live without him completely. Everyone wants to live without him now that they've used his powers to get this nice perfect life (in his eyes, at least.) Everyone's just trying to forget he ever existed so they can be happy without him, when Shigeo never GOT to heal. He never got to move on. He never got to process any of the god awful shit that happened to him. Everyone's telling him, change. Be normal. Be normal so Tsumobi will like you. And Shigeo's so fucking stressed out of his mind because lying about who he is didn't even help Mob make friends, it didn't make him popular, it didn't make anyone like him, it just made them both miserable. He doesn't want to be stuck like this. Of course he's freaking out. We see in his encounter with the body improvement club that being told to go back to normal sets him off HARD. It's clearly a sensitive subject. "Normal" means "Don't exist" to Shigeo. Do you see why this fucked me up as a system yet. Oh my god.

And his breakdown is just...painfully understandable. Like, actually think about it for a second. Shigeo has never been shown forgiveness or compassion or any amount of understanding for his mistakes. He never was taught to mature or see any nuance. He fucked up, so he doesn't deserve any second chance. Nobody ever taught him compassion. He has such a completely black and white view of the world. If someone did something bad once, they are forever The Bad Thing. If someone was kind to him once, they are forever Good and Perfect. Teru was a threat once, so he is now Always A Threat. Reigen was a liar before so he is Always A Liar. Ritsu was sweet and kind as a kid so he is always His Innocent Little Brother. And Tsumobi accepted him as a kid, so now she's the only person who could ever possibly accept him. Teru sees Shigeo at his most terrifying, when he's actively hunting him down, and in the manga looks at him with fucking hearts in his eyes. Ritsu might not be all perfect, but he's trying so hard and understanding no, Shigeo isn't just a scary part of Mob. Shigeo isn't Evil. But because neither of their acceptance is perfect, and because they aren't from Tsumobi, he can't see it's even there. And also, another thing, his response to people acting outside of his perception of him is to get them away. It scares him. Teru isn't acting how he expected? Attack maim. Ritsu isn't afraid of him anymore? Teleport him away so he doesn't have to confront the change. Reigen acts different? Throw shit at him until he hates him.

It's just so...fuck man. Of course he's like that. He's immature and selfish because nobody taught him not to be. Nobody helped this kid when he needed it and this is the result. He thinks he's an irredeemable monster so he acts like one when he's told to just be himself. He doesn't see change as being realistic. He's been treated the same no matter what he does so he assumes this is how the world naturally is. He's just a bitter mentally ill kid who nobody gave any reason to believe that maybe the world is nice sometimes.

Another thing: I think he really really wants Reigen to care about him. Him going "I can't listen to him" is so intense with the context of the fact he immediately passes out to rest and let Mob take care of it once Reigen says his parents are safe. Reigen can convince him like nobody else can. He cares about him and wants to believe him and that's terrifying! He hates him and resents him and wants him to be proud of him and wants nothing to do with him and it's confusing and he just wants something that is (supposedly) guaranteed. He wants Reigen to care so badly and it feels impossible. Why would he ever care? He just wants to use him. The only way to bring Shigeo back from his breakdown was to show him that people can be kind without wanting something back in return. Reigen saying "you don't need me anymore" was the only real way to help him, to show him that he's not doing this for himself, but because he cares about his student(s). Because he cares about BOTH of them. He cares about every version he's seen and interacted with, not because of his powers but because they were them. He had to let go of them to truly help them here, so Shigeo wouldn't have any lingering fear. What helps Shigeo is the display of kindness with nothing to be gained and Mob finally realizing that Shigeo's just...flawed. They both realize that sometimes people are just flawed and fucked up and make bad decisions and just straight up hurt people. And they'll still love you. They'll still be worth saving. But you can't deny their flaws, for Mob, and you don't need to seek the perfect relationship to have someone there, for Shigeo. It just. Agh! God! I am always losing my mind over this story. Fuck. This SHOW .

[sabh0]

What's your opinion on the anime? I find it pretty funny, but I can't say that I am not disappointed to see so many scenes missing.

For exemple, I wanted to see Dazai cry laugh at Chuuya's young mistress act, show that it was a joke shared by both of them, rather than one made to us at the expense of Chuuya. They took a genuinely funny moment and made me cringe SO hard for no reason T^T

God i could go on for hours about how Bones ruined this series. I'm obviously thankful we have an anime adaptation but. Well just compare bsd anime to jjk one or smth and yeah.

I will be complaining more under the cut,,

First the overall writing choices:

-Deleting or changing skk scenes to the point im not even shocked when ppl think these two actually somehow hate each other.

-The way they portrayed Sigma. They deleted half of his personality and backstory. And just speedrunned the Sky Casino arc like if seeing that place was giving them nightmares. No wonder he gets mischaracterized now.

-Tachihara's internal conflict about belonging to either Port Mafia or The Hunting Dogs? Bones never heard about it. It's not like IT'S A VERY IMPORTANT PLOT POINT.

-Akutagawa's whole character in the anime is just 'edgy and angry and bad grr'. In the manga he had some 'kind' or even seelf-reflection moments that were ommited in the anime. Like where he realizes defeating Atsushi didn't satisfy him (ship fight, season 1). Or when he gives files about the orphanage Director to Atsushi and says he won't fight him today because he lost someone impirtant to him. Sskk vs Fukuchi fight?? No scene where Sskk r helping each other walk. Instead we get Akutagwa just pushing Atsushi away. Won't even start on that last smile that looked more like another angry expression.

-THE WAY THEY CHANGED "DAZAI'S ENTRANCE EXAM" INTO SOME CURRENT TIMELINE EPISODES. IT MAKES ME SO ANGRY LIKE. THIS NOVEL WAS SO GOOD. Showing both Dazai and Kunikida's characters and partnership so well. But no. Let's just??? Put Atsushi there. Let's delete the fact this thing happened 2 years ago. And let's delete everything that was actually important about it, too.

-also some changes in the Dark Era arc. Like. Lord. Dazai is so much more emotional in the novel. His expressions r described so well. But the anime either shows him from the back at those moments (him finding out Oda was almost killed by a sniper in Ango's room) or just deletes/changes the thing (Oda dying. This scene is so emotional in the novel. From the description u can tell Dazai was crying/on the verge of it as Odasaku died. But in the anime he looks calm and then we get a far aeay frame and he just. Gets up and that's it yeah.) They also deleted the scene of him visiting Oda's grave.

-The way they rushed seasons 4 and 5. Just to give us an episode that goes further than the manga and has the shittiest writing ever when it comes to skk's plan revelation (im so angry about this u guys have no idea. I sincerely believe that if this episode never came out, the manga would go differently bc there's no way that Asagiri who wrote things like Stormbringer suddenly thought that some dollar store vampire make up will fool a guy who's centuries old and literally lived next to vampires. But well!! Seems like these two speeches Dazai gave weren't important at all and now we can just forget about them yippiee)

I could definitely mention WAYY more examples of that but this is already long af. Like guys. I know u cant fit everything in an animated show. It takes time to make it and all but. Bro. The character's in the anime r so shallow compared to their original versions.

.

Now onto the artstyle of the anime.

Lord. U know? It was actually pretty in the first 2 seasons. The official arts at the time were also really nice to look at.

No idea what happened later. Why did Bones suddenly decide that those ugly turtle smiles r gonna become the main thing in the character design. Why so many fisheyes. Atp sometimes i look at the official art and i go oh lord even i could fix it. It really feels like they draw some characters ugly on purpose now (Chuuya being the main victim for unknown reasons).

Tho i must say they have their moments even now. Some last episodes of season 5 weren't really bad, especially the Meursault part (love them for animating Dazai and Sigma dancing so well. And for that 101 animation. And maybe for the heartattack they gave me with 109 and Chuuya shooting Dazai so many times.)

.

On some other things, i really like the music! Bsd openings and endings never miss,,,

[general-cyno]

y'know, one zolu moment I don't talk about nearly as much as I should but that I love and find super interesting is the bar fight on jaya. and though I know there's mixed opinions on the latter, I also like the contrast between jaya AND whiskey peak.

when it comes to whiskey peak... I'm somewhere in the middle. as a concept I find it interesting too, since it involves zoro doing things on his own for the sake of the crew for the first time (iirc) and luffy being faced with the possibility of zoro not acting as honorably as he believes or trusts zoro to be at that point. thing is, luffy is someone who places great value in the kindness he receives and returns it tenfold. it's something we see throughout the story and in jaya as well actually, with cricket and his crew! this is also what's attracted him to most of the straw hats (if not every) and his allies also. so in theory, I don't think luffy reacting negatively to zoro attacking the ppl who'd been kind to him and the crew for seemingly no reason is entirely out of character, especially after waking up so disorientedly, and at least not that early on in the manga. he emphasizes it too, when he shows up to fight zoro,

the problem for me lies more on the actual execution of it rather than the idea as a whole. kinda goofy for luffy and zoro to drop lines like "now we'll find out who's superior" during it as if they'd had some sort of fighting style rivalry beforehand and it's kinda removed from the og point of the fight but they're dumb kids and the story can take some goofy turns at times so. shrugs.

I can't tell if whiskey peak was originally meant to have an impact or effect on their relationship afterwards (some opinions I've read insist oda was forced to include it) but if anything, it ended up demonstrating zoro and luffy are better off fighting together than against each other, even as they're going on about killing and beating the other up over a misunderstanding. it reminds me of one comment I read on a r/ddit post a while ago (about another topic though) that pointed out how in terms of fighting styles, zoro and luffy kind of complement and make up for each other's weaknesses, which is such a nice detail and layer to their relationship imo.

and assuming there was a genuine point to it all (it's more fun that way heh), I'd say that it really highlights the importance of moments like those in jaya and luffy choosing to trust zoro not to fight back against bellamy's crew.

as luffy has learned this far, zoro would never hurt anyone for no reason and if there's a "reason" it's usually, if not always, rooted in his wish and duty to keep everyone safe (in whiskey peak, the townsfolk were actually baroque works agents, bounty hunters, who had a tendency to trick pirates like them at the start of the grand line). plus, zoro may enjoy battle but he doesn't fight for revenge or feelings/motives of the sort, as he admits later in skypiea. he does, however, react when the people he cares about are in danger (*waves hand and points at anything involving luffy*), hurt (chopper in skypiea as an example, but there's plenty more) or he witnesses great injustice (like yasuie's execution in wano). he's also not the type to enjoy beating up someone weaker, much less for shits and giggles. he will even save enemies if luffy asks him to, as long as it doesn't pose a bigger or immediate (real) threat to the crew.

compare zoro saving smoker in alabasta vs him refusing to accept x drake as an ally at first due to his known status as a traitor in the wano arc, for example.

and of course jaya isn't an exception. when bellamy attacks luffy, zoro responds as usual:

luffy himself stands up ready to fight too, at first. but as nami brings up the sky island and everyone mocks them for it, then bellamy specifically takes it upon himself to ridicule them - insisting on how foolish it is for ppl to "waste time" chasing their dreams, especially pirates, luffy decides not to fight back and tells zoro to do the same.

this is one of those instances in which the "lu" of zolu really shines through, if you ask me. zoro's got a handful of grand gestures toward luffy on his belt, but this is one in which luffy does the heavy lifting for me. this is acknowledgedment and an insane amount of trust, a moment in which luffy's relying on zoro to understand his motives and to push back his usual protectiveness when faced with an enemy displaying a lot of hostility. and zoro gets it, stays true to the trust luffy's placing on him. he doesn't fight back, not even as nami watches and wonders why.

I sound like a broken record at this point, but OP's brought up in several and different circumstances the fact that luffy and zoro are actually pretty similar. they tend to behave the same way or echo each other's words even when they're apart, share similar views on death, on growing stronger for the sake of the ppl they care about, and more so when it comes to chasing and fighting for their dreams.

in the aftermath of the bar encounter, blackbeard tells nami that luffy and zoro actually won that fight. this includes a curious panel in which luffy reminisces both shanks and ace.

it makes sense why luffy shared this particular moment with zoro, when you think about it. those two are dreamers through and through, and if there's characters who can understand the importance of not only chasing those dreams but also keeping a promise, it's them - whose dreams they initially shared with ppl they cherished as kids and made promises to. for luffy there's ace and sabo, and shanks. for zoro it was kuina, then as an adult there was luffy himself. in a lot of ways, the straw hat is to luffy what wado ichimonji is to zoro. during that fight, bellamy represented everything luffy and zoro stand against both as characters and thematically speaking. and that, along with everything luffy's learned/come to know so far about zoro, is what he relied on. it's so good.

later, there's this scene with zoro and the rest, where nami wonders why zoro didn't go with luffy to face bellamy again:

(fun bit here is that zoro actually asked luffy before if he needed his help. it's a small panel but cute! he trusts that luffy can handle himself, as luffy told him he could, and knows there's no stopping him when he's made up his mind lol.)

whether zoro was referring to bellamy's strength or his lack of belief in/mockery of dreams, or both, it's clear he understood why luffy chose to do what he did and asked him to stay put back in the bar, and he could relate to luffy's motives as well. as I mentioned above, it makes sense why zoro in specific would, without luffy voicing them out loud.

the nicest part is how all of these moments are a product of the writing that's gone into luffy and zoro's relationship/dynamic. when luffy chooses to trust zoro with stuff like this, there's a chunk of context that precedes it (like whiskey peak). and when zoro decides to follow him, too, it's because his loyalty for and understanding of luffy has been continually built as the story progresses which is super compelling, and also wonderful to see.

[gazeopard]

Some Long-awaited Beastars Rambling

I was thinking about this for a while, but upon rereading the Dropout arc a couple months back, and looking back on my earlier review on the Beastars finale from October 2020, I can’t believe it took me as long as December 2023 and January 2024 to realize Yahya refused the offer of trading fish meat onto the land.

“You land creatures have matured quite a bit”…? How is this a sign of maturity and growth?

Just, why...........? What was the point of destroying the Black Market and the stupid whale offering fish if it was just going to be denied anyway?? AND what is stopping another Black Market from being created after all of this?

What was the point of destroying the Black Market if now NONE of the carnivores have anything to satisfy their cravings for meat? Louis said not to turn a blind eye to the Black Market. I thought the Market was going to stay as a necessary evil since some mammals include fish in their diets and others can't. But now that the fish trade has been shot down and the market was destroyed, there are going to be MORE predation attacks than ever! How is this supposed to be a happy ending??

What was the point of Kyuu as a character? She did absolutely nothing, everything she introduced in the story (the Imaginary Chimeras, betraying Legoshi, her involvement with Melon, etc) amounted to nothing, and the story's pacing would have been so much better if she (and San) were never included. San literally disappeared a chapter after he was properly introduced, and we never saw him again ffs.

What was the point of building up Louis and Juno's romantic relationship and all their sexual tension together if they were never going to become a couple?

And worst of all, what was the point of building up Legoshi and Haru's relationship if Haru was just going to become a secondary-character in Vol.6/Season 2, while Legoshi kept ghosting AND avoiding her throughout the rest of the manga? Didn't he say he was going to get stronger for her at the end of the Meteor Festival arc? So why did he wait until after being attacked by Riz in the school grounds to start his meat-resistance training with Gouhin? Why was he suddenly back to hating himself for being a wolf and a carnivore all throughout the Riz Arc, the Dropout Arc, and the Melon Arc? While fighting the Chief Lion, he had appeared to come to terms with that side of himself when he realized he could take responsibility for his strength and use it to protect Haru and the herbivores from other carnivores. So why did he start avoiding that side of himself again? He has to have GOUHIN remind him to see his carnivore side as a good thing, when two arcs ago Legoshi swore to himself that the reason why he was born a wolf: to protect Haru and the other herbivores. Why does he suddenly start claiming he doesn't need his fangs to fight for herbivores, why does he rip out his own teeth to make a point to Yahya, never mind that he once told himself that his fangs and claws were for Haru? And what was even the POINT of him ripping out his own teeth if they were just going to grow back anyway by the magical power of Komodo Dragon genes, Protagonist Plot-Armor, and the narrative's post-Season 2 refusals to hold him or Louis accountable for their actions?

Speaking of Louis, WHY would Legoshi go back to putting Louis on the same pedestal after their fight in S01? By attacking him, Legoshi realized that Louis was not the noble person he thought he was and was a selfish social-climber who was going to let Haru die for the sake of securing his future as a Beastar. Even if Louis didn't want to do it, he still shook hands with the Mayor anyway. Why would Legoshi go back to idolizing Louis and forget about it like their fight never happened?? Speaking of which, why didn’t Haru EVER find out about it? Why didn't Legoshi EVER bring it up with Haru, ESPECIALLY when she was confessing her worries about Louis to him?? We could have gotten some serious character development for Louis right there!

Why was Louis' sudden liking for carnivores so rushed, and why didn't the narrative ever hold him accountable for the things he did? Making a deal with the Mayor to keep Haru's kidnap and potential death a secret? Allowing the Shishigumi to beat the tar out of Legoshi instead of ordering them to stop? Selling herbivore children in the market, which was literally what he went through as a child himself? I literally forgot that happened in the manga until someone else pointed it out.

Why couldn't he have saved the herbivore children while also making sure the carnivores didn't suffer in the market after Ibuki showed him his tattoos and after witnessing the alligator (or was it a crocodile?) get castrated? He was a racist (specist?) asshole to Legoshi and the others (he threatened to shoot Bill, he accused Zoe of eating the script without any evidence all while stereotyping goats and threatened to kill him after falling off the stage, etc.) all throughout the Seasons 1 and 2, until he suddenly realized he admired carnivores right before Ibuki's death. To me, there was not enough buildup and foreshadowing to lead to this transformation. If I recall correctly.

Also, somebody already mentioned this on the Subreddit forums, and I totally agree, but rather than having it be Louis, Haru should have been the one to offer her foot to Legoshi in his fight against Riz. It would have made more sense since Riz's relationship with Tem was the antithesis of Legoshi's relationship with Haru, so it would have been far stronger, and it would have shown just how much she trusts him not to completely eat her. It would have mirrored what had happened to Tem, but without the tragedy. It also would have lined up with what she told him in the Love Hotel in Season 1: That Legoshi could make love to her or eat her, and she would be fine with either choice. And slowly, Legoshi could have obliged, silently vowing to never eat a piece of her again.

Hell, Louis still could have been there after leaving the Shishigumi and could have helped bandage Haru up to prevent her from dying of bloodloss. Then to make up for what he did in Season 1, he could have had his company make a prosthetic foot for Haru. And hell, Legoshi informing him not only of his duel with Riz but also Riz's capture of Haru could have also been Louis's real moment of redemption. He could have told Ibuki that his two friends were going to die, and he made the mistake of nearly letting one of them get killed by their old boss. If Haru and Legoshi die tonight because he became a bystander again, he could never forgive himself.

Something I also thought about, but I think Paru wanted Louis to save Legoshi's life because he felt responsible for Ibuki's death, and he would feel like the weak helpless fawn in the cage that he was in the market. For some reason, upon reading it for the first time it initially came off that way to me, but looking back now it wasn't fully executed, because we never saw and/or heard Louis' inner thoughts feeling responsible for Ibuki getting shot and refusing to watch another carnivore die in front of him… if I recall correctly. Instead, it ended up becoming more about him wanting Legoshi to eat his foot because of the ties it had to his past, unintentionally coming off as more selfish than selfless.

And rather than convincing Legoshi to eat his foot, the closure to his arc could have been him coming to terms with his dark past so it couldn't hurt him anymore and move on. Maybe he could have started training to become the next Beastar, maybe he could have met Yahya, and Yahya could have been a sort of mentor-ish role like Gouhin had been for Legoshi? And if Paru really wanted Louis to lose his leg, he could have lost it in the final battle against Melon. He could have jumped in front of Haru or pushed her out of the way just as Melon lunged for her? Maybe Melon could have finally gotten his sense of taste?? And maybe he could have figured out Louis was the former boss of the Shishigumi somehow?

And speaking of the Shishigumi, it pisses me off that they, like Louis, were never held accountable for their actions towards Haru. Yeah, they were sent to prison, but I hate that their kidnapping of Haru AND their witness to the Chief Lion's sexual harassment of Haru, was NEVER brought up again. And Haru never found out that Louis became their boss either. Looking back now, it kind of reminds me of what Kique did to the Meteor Tribe after Ronja became leader.

When they were first introduced, they were known to have killed many herbivores, mostly white-furred herbivores for the Chief Lion to consume. In the manga, they hanged the decomposing bodies of those they killed up on display as warnings, they kidnapped Haru and were present (in the manga anyway) to her being stripped naked and humiliated in front of their boss, they fought Legoshi and Gouhin and nearly killed both of them. They also would have eaten Louis had Ibuki not suggested a vote for an herbivore leader.

Then when Louis was their boss, he sold herbivore children to the market with them (which, as mentioned, did not happen in the anime since it would have made him look like an irredeemable monster), they beat up Legoshi, and then tried to kill him again in the Melon arc (but Legoshi's Plot-Armor saved him), they kidnapped Kyuu (which ultimately ended up being pointless anyway because Melon never used her betrayal to get the upper-paw in his final fight with Legoshi), and then they got arrested while leading Louis to help Legoshi. If Paru had wanted them to be more misunderstood and redeemable, she could have shown some of them at least hesitating or exchanging looks of disgust or unease as the Chief Lion goes over Haru, or at least considering leaving the room. If I recall correctly, the anime didn't show them being present in the room when Haru was being "examined", which I can see why.

But even while the Chief Lion was their boss, none of them made any effort to overthrow him, challenge his cruelty and opinions, and/or appoint Ibuki as the new boss. They did not express any regret for their previous actions or what they did to Haru. And when Melon became their new boss, they made very little effort to overthrow him despite his weaker form. Agata (the dark-furred lion) attempted to overthrow him, but he still ultimately failed. They could have easily shot him when his back was turned and easily overpowered him as a pride, but they didn't do it because I guess making them act smart or logical would have ruined the Melon plot... 😑

I mean, if Paru really wanted to show off how dangerous Melon truly was to these guys, why couldn't we have a scene where Melon became the boss, instead of getting a hand-waved explanation from Free? Why couldn't we get a scene where the lions tried ganging up on Melon only to be overpowered by the hybrid due to the guy's enhanced speed and senses? We could have had a scene where he'd hear about their former deer boss, take it to his advantage, waltz right into the mansion in full gazelle-disguise, announce his presence to the lions, and declare himself as their new boss while promising that he'd bring them back to glory. Then he could have removed his mask and reveal himself to be a half-breed after they'd vote on it, only to scare the living shit out of them after killing or injuring somebody for disagreeing with his new set of rules, causing some of them to try to attack him... only for him to nearly shoot at them at an almost supernatural speed and accuracy, just for shits and giggles. Thus, establishing him as dangerous and a new kind of threat to the remaining lions and giving them a reason to fear conspiring against him.

I would have loved to have seen how Melon became their boss and how he managed to strike so much fear into them. Also, why didn't any of them try to poison him? We could have gotten a scene or two where Melon uses his cunning and hybridized instincts to avoid attempted assassination attempts, and these scenes, as well as his introduction, could have established the fear and the stranglehold of power he had over the Shishigumi.

Also, Legoshi never brought up Louis' affiliation with the Shishigumi with Haru, and neither did Louis. I don't remember if Louis told Legoshi how he became the boss (by blowing the chief's brains out, thus saving not only Legoshi's life but also Haru's), but we also could have gotten some accountability on Louis' part from Haru's discovery or realization, and his moment of redemption could have been him giving her a prosthetic leg from Legoshi's predation act. Maybe Louis could have told her and Legoshi the truth at some point. He could have told her what he did, that he was wrong to have made the deal with the Mayor, that he went to save her after his fight with Legoshi anyway, and how he had killed the boss and had temporarily taken over the Shishigumi for a while.

Perhaps during the Melon arc, while he, Legoshi and Haru could have been trying to stop Melon, he could have introduced Haru to the lions, and they could have realized that she was his friend, and they could have bowed and apologized for the things they did under the chief lion's rule. Maybe we could have had more humanizing moments between the Shishigumi, maybe they could have had some serious character growth and could have eventually viewed Haru as someone to protect as well? Maybe if Paru hadn't made them as bad in the first few chapters of their introduction, maybe it could have been pulled off well...?

But we didn’t get any of that. I get that Paru wanted to humanize the Shishigumi a bit when they made Louis their new boss, and I know they're supposed to be morally gray characters, but there's a line that needs to be drawn to distinguish them from very evil characters like Melon. These guys were present to what was essentially Haru being sexually-assaulted by their leader, and made no attempts to stop it...

Even if we got to know a couple of their backstories (particularly Ibuki's and Agata's), it didn't excuse any of their previous actions. It just felt like Paru was trying to make them seem not as bad once Louis became their leader. As if solely by association with Louis, it suddenly erased their horrible deeds or something. So, looking back now, the way she went about it feels more like Kique redeeming the Meteor Tribe. I just can't buy that ALL the male rapists were miraculously killed by Kargo and Ferah during the first and second rebellions.

But I digress.

The huge amount of screen-time Legoshi and Louis had gotten post-Arc 2 should have gone to Legoshi and Haru, instead of Legoshi ghosting her throughout most of the manga. And honestly, Legoshi suddenly saying stuff like how Louis was "his most precious scent" and his later line ("You were always there to keep me from becoming a monster") in the Riz Arc just felt more like things he'd say to Haru. And her giving up her leg to him would have felt more selfless, since Louis forcing Legoshi to eat it just so he could break free from his cursed past just felt more benefiting to HIM than to Legoshi, since the wolf got a predation record as a result. And yet he never apologized for it, and later had the audacity to joke about it and then say something like, "You ate my foot and dropped out of school without even telling me" after Legoshi told him it was not funny. Dude, you offered your foot to him, it was your idea to give him your leg in the first place, what the hell?

It sucks that Louis had more screen-time with Legoshi during the Dropout arc and especially the Melon arc, but not Haru. I don't know if Louis replacing Haru as the deuteragonist was Paru's intention all along after she decided to spare him, or if the publishers pressured her into toning down the romance and everything Haru-related, tone up the action for the target audience, and turn Louis into the Sasuke to Legoshi's Naruto in the process, because they assumed the target audience (teenage boys) wouldn't be interested watching multiple scenes of Haru or Legoshi and Haru together… :( Which is frankly misogynistic, but considering how women don't have the best representation in Shonen manga (though Bleach had very good strong female characters and plenty of diverse representation of ethnic groups), it doesn't sound too farfetched unfortunately.

Maybe if Paru had just gone with her original plan and killed off Louis from the beginning instead of sparing him solely because he became popular with fans (no different than what Tite Kubo apparently did when he spared Byakuya Kuchiki from dying like he should have at the hands of Äs Nodt). Or if the publishers had just given her a lot more time to plan out the rest of the manga instead of going with what seemed to be first-drafts, Legoshi and Haru's relationship would have gotten more development than it did. Hell, it BARELY got ANY development. And maybe Louis and Juno's relationship would have gotten significantly more development and more buildup to it in the earlier arcs. I thought they were going to be parallel to Legoshi and Haru's relationship, and they were going to be the secondary protagonist power-couple next to Legoshi and Haru's. And it bums me out that (much like Luke, Leia, and Han in the Disney Star Wars trilogy) we NEVER got a scene where all four of them were in the same room together!

Literally NOTHING was properly resolved, and because of the lack of proper development in their relationship, Legoshi and Haru getting together and FINALLY dating, which should have started happening several chapters ago, was unearned.

Also, why didn't we learn of Legoshi's reason for dropping out? He told Haru that he dropped out, if I recall correctly, and he told her about his fight with Riz, his predation record, and how he got it, but we never really found out why he had dropped out. I always thought it was because he got a predation record, but looking back it apparently wasn't? Someone suggested on the Subreddit already in the earlier link that Legoshi could have dropped out due to regret for consuming Haru's leg, and man, that would have made perfect sense. It also could have worked after eating Louis' foot too. He was already suffering from meat-withdrawal in the beginning of the Dropout arc, but after talking with Sebun, we were TOLD more about it and not SHOWN. Maybe that could have been the reason Legoshi dropped out of school in the first place? Because we never got a reason for why he even dropped out at all. Perhaps eating Haru's foot (or Louis' foot) could have reawakened his carnivorous urge to devour her, and Legoshi could have wanted to protect her by avoiding her again? His dropping out was just an excuse for the narrative to explore the world beyond Cherryton. It's because of Legoshi's neglect of Haru during the Melon arc that caused her to nearly offer herself to Melon, and she considered breaking up with Legoshi at a few points, but never went through with it. So why didn't she tell him about it? She told Louis of all people, but not Legoshi himself? It could have given Legoshi the slap of reality he needed to stop neglecting her! They could have realized that, for their relationship and their future together to work, they'd have to remain honest with each other. They could have promised it, too. That would have been great character growth for both of them!

And why didn't we ever see Legoshi lose control of his carnivore instincts again? After the water fountain accident, his wolf/carnivore instincts never come up again, not even in Season 1. Just like we're not even SHOWN them being discriminated against while he and Haru are out together in public.

And after the love-hotel scene, it bums me out that Haru never overcame HER instincts, and that we were TOLD rather than SHOWN that she stopped seeking validation through sex. We never saw her overcome her self-loathing and learning to love herself. After being rescued from the Shishigumi, her body's suicidal urge to climb into Legoshi's jaws was never shown again, so we never got to see her overcome that part of her instincts either. We never saw her overcome her herbivore instinct to flee from him or other carnivores, and after the Shishigumi kidnapped her, I'm surprised she didn't suffer from PTSD.

Haru suffering from not only PTSD but also her instincts and going through her own fight to get stronger for her future with Legoshi, would have been so empowering and it would have actually given her stuff to do, instead of making her character solely revolve around Legoshi. If we were given more scenes of him struggling with his carnivore instincts, showing us that he still has urges to eat Haru rather than telling us (since actions speak louder than words), giving him a valid reason for dropping out of school and if we were given more scenes of him and Haru suffering from discrimination as an interspecies couple in public, and if we were shown him AND Haru struggling to overcome their respective instincts and fighting against the society that keeps them apart all in an effort to be together… the ending of them finally getting together would have been well-earned.

Ugh... My head. I guess this is what happens when you make the rest of a story up as you go because you're under pressure and need to meet a deadline.

Here's to hoping against hope that Studio Orange somehow manages to salvage the final season/arc of Beastars... 🙏

[mari-lair]

I have noticed a lot of the stuff you have been saying about Tsukasa and I just want to point out: Tsukasa isn't Tsukasa. As in, he isn't Hanako's brother.

This was revealed during the Red House arc. The OG Tsukasa made a wish to the spirit of the red house and as a price for granting it, the real Tsukasa would be trapped in the red house forevermore and the spirit took Tsukasa's place. (at least that's how I understood it).

This spirit was able to do what is canonically impossible for the school mysteries to do at present. For one thing, Amane was supposed to die at age 3 (supposedly) but OG Tsukasa wished for him to live and the spirit granted it.

You could argue that Amane could have gotten better regardless, but we don't know that for sure. At present, the spirit changed Amane's future which shouldn't be possible.

This spirit that poses as Amane's brother has powers far beyond the School Mysteries... so it's not exactly breaking canon to have him be able to defeat them.

This chapter wasn't a good look for the series, but it's not entirely out of canon for fake Tsukasa to have these abilites.

Sorry, this got a little long. My question is: What are your general thoughts on Tsukasa? Why do you think Hanako killed him and do you think Hanako will do it again? If Tsukasa is his yorishiro then the only people who can destroy him are Hanako and Yashiro.

I really like seeing your TBHK theories and art!

Thank you, I'm happy you enjoyed my art and thoughts.

I will not go on a rant on Tsukasa here. Despite what my last post may indicate, I don't like to talk about the aspects of a show that I dislike, I preffer to focus on the moments I enjoy.

But thankfully I did do a small analysis on Tsukaka before! At least, on my take about the Red House and what is going on there.

Personally, I believe there is only one Tsukasa. He is Hanako's brother through the entire thing. If you wanna check my reasoning as to why I believe this, here is the explanation.

As for the other part of the ask...

I am not saying it is unbelievable that Tsukasa got a rule-breaking power that makes the mysteries look weak in comparation, he kidnapped no.4, destroyed no.3, and so on. I didn't even mention that he used kokujoudai without permission on another mystery boundary (ya-rr-ow made a short post that this is a rule break: here ) because that's not the point. He is op. I may dislike his deux ex machina energy, but it is consistent that he is more powerful than basically everyone, that's not an issue that suddenly showed up in this chapter.

What I do have a problem with is the way he damages other characters for the sake of this "I am so op!" energy, taking away from established narratives and tension (like how it was established he can't escape No.1 restraints, and feels weak with them, so Aidairo just made the clock keepers not restraint him again. Made them be incompetent to make Tsukasa shine) and that makes me ironically not care about his character anymore, when a long time ago, he used to be one of my favorites.

[epickiya722]

I do not know if it was you, or another blogger that made a character analysis of Gojo that made me like the character and discover more about him through the manga.

While I never read the manga before or watched the anime, I had been exposed to it by my friends and some BNHA bloggers. Back then, I found Gojo to be overhyped (discount Kakashi) while liking the animation(?) style, bit still no interest.

BNHA and its Endeavour Redemption arc in the doing was tiring me to the point that I stopped reading it and manga altogether. For mayne six months or so, until now, at least. I randomly found your blog last week , and it got me a new hyper fixation 😃. You got me to start reading JJK (Megan cos playing also helps).

I bought Number 0 and Number 1 of the mangas. Only to remember midway in Number 0 that Walmart Kakashi will be snapped in two like a Kit Kat🥲. I saw that leak in one of the BNHA blogs, and I didn't mind it back then since I wasn't in the fandom, but Lord, now it sucks.

Anyways, all this long rant to say that I like reading your posts.

Gojo, rest in pain, I guess?

Probably was someone else, I don't write much analysis posts about Gojo. I think once or twice I did, I can't recall. Probably reblogged one though you saw!

I don't know, they're really just two different characters to me. Also... I was never really an active reader or watcher of Naruto like that (just very familiar) so when I first saw Gojo, Kakashi didn't register to me at all.

Like, I did not get similar vibes at all. And it actually annoys me that people will be like "He copied Kakashi's flow"! Kakashi ain't the only white haired, face covering character out there with magical eyes, y'all stop. 😆

Even funnier when, by this point, Gojo has probably been unmasked more than he has been wearing something on his face and switches up what he puts on his face. Kakashi been wearing the same mask for...? Also, didn't it take years for Kakashi's whole face to be shown or something? Took like seven episodes for Gojo to show that face.

**

I always been a fan of Megan's music and then when I found out she was into anime I was like "YYYYYEEEEEAAAAH". She cosplayed as Miruko one Halloween and it made my year. I am a former believer that Miruko would vibe to her music.

Just seeing other Black women being unapologetic fans of anime (or anything) does wonders for me and I hate it when people act as if it's such a foreign idea to understand. Honey, we can have interests, too, like everyone else. It's normal.

**

I always try to be careful about spoilers for anything I'm into. Like, I can talk about a chapter that happened two years ago, but I'll still mark as a spoiler because I know some people don't read Mangas or even if they do haven't caught up to that specific part.

That actually what set me off when Usher cosplayed as Gojo because he literally put "rest in peace, Gojo" or something along those lines and the amount of people who weren't even aware of 236... like bro, come on.

I knew it just had to be a marketing tactic because I know damn well Usher ain't seen JJK a day in his life and how convenient it is he comes out with that cosplay around the time when "Daddy's Home" becomes a fairly popular song used in Gojo's edits. I can't go watching one video on YouTube without hearing that song play when Gojo pops up. And even if he has... WHY WOULD YOU TAG IT LIKE THAT?!

Oh, but Megan definitely doesn't know any of the characters she be cosplaying, alright... okay... 🙄

I'm just going off on a whole tangent here, I apologize for that. I've been sick for like three days and just woke up from a nap. 😅

**

Also, thank you! Glad you enjoy my posts!! Anytime anyone says they like reading my posts, I still get shocked. They're really are just random thoughts I been having and really I'm still learning grasping the characters and story myself. And this is just for any. I don't even for them to get read, let alone for anyone to actually agree with me. I guess because, at the end of the day, I really just needed to throw a thought out there before I lose it or keep rethinking about it over and over.

[chaoslynx]

Hi! I don't know if you've answered this before, but I wanted to ask what your thoughts are on the Banana Fish ending? I honestly can't tell how I feel about the way it ended.

Oh my gosh I'm so sorry, I think this ask got lost and I'm not sure how long ago you sent this lol. Anyway!

I've talked about this a bit before so I won't go into detail right now, but honestly, I think the ending makes sense from a story perspective? My issue with it really has nothing to do with the story arcs or anything from a fiction perspective. Honestly, I just find it rather ... irresponsible, if that makes sense? As a creator, you have to be aware that your work has the potential to have an impact. This (obviously) does not mean that you have to write everything "correctly" or that you can only portray "good" things, but it DOES mean that you should be thinking about how people will react to the messages you're sending.

Banana Fish is far from the only story to portray what is essentially a suicide completed by a character who's gone through hell. However, what really upsets me about the Banana Fish ending specifically is that it almost romanticizes Ash's death? After a whole series of very intentionally NOT romanticizing any of the pedophilic or abusive relationships, the story then goes on to portray Ash's death in an almost positive light. This is countered a little bit in the manga side story Garden of Light, because we get to see Eiji living the impact of Ash's death seven years later. However, even there, I don't personally believe that's really enough to counter the message that the anime/manga ending seems to send to people who might have seen themselves in Ash.

I think it makes sense for Ash to die there, both from his own perspective and from a storytelling perspective. However, just because it's a poetic and tragic ending doesn't mean it's a responsible one or that it's a choice I can necessarily endorse on Yoshida's part.

I hope that makes sense, but let me know if there's anything I can help clarify!

[hijinks-n-lowjinks]

I can't believe y'all are gonna me defend gege’s writing 💀💀💀💀💀

thoughts on the recent chapter and story arc below the cut:

I know it’s feeling repetitive or that he’s writing himself into a corner but people thought the same about gege “forgetting” sukuna’s enchain and the whole star plasma vessel/tengen thing but look at how that waiting game turned out! They had a major impact on the plot and gege had a plan!

Another thing to keep in mind is that this arc feels so repetitive and long is because we're only getting 2-3 chapters a month. That's a huge gap in between chapter releases! This was how I felt when reading The Culling Games: it felt very long and drawn out and slightly boring? But I just reread all of the published volumes that include the CG arc and it was wayyyyyyy more palatable. I actualy enjoyed myself!

Kashimo jumps in to fight Sukuna around chapter 237 and we're only 17 chapters past that. In manga terms, this isn't a lot of time especially when you're reading it all at once. People complain about the final battle in Demon Slayer being long and drawn out, but I only finished the manga a year or two ago so I was able to read it all at once instead of waiting; it felt very normal with it's pacing. I suspect that jjk is gonna be the same way.

I won’t really be judging gege’s writing until the very end of the story and I’ve been pleased with nearly everything except for Yuki’s ending. Everything else has felt very accurate to jjk’s themes and character. I’m forcing myself to trust gege as he's said he's always had a vision of what the ending would be and I hope that he'll able to pull through.

[yamcha-thelonewolf]

How would you feel if Toriyama made Yamcha a fighter again and was actually stronger this time? I'll always be thinking how when he smacked Beerus in the back he made a face. What if he wasn't taken just by surprise that he did it but by the power behind it?

Like what if Toriyama did Yamcha dirty and decided he's not strong unless he does not want to fight?

Good question. Yamcha is still a fighter, for me. He never really gave up, even though what DBS showed us seems to say otherwise. I can't accept the fact that he threw in the towel, that was never like him. Yamcha always shows to us, in his own way, that he still has a passion for martial arts. Get it? Martial arts. That thing that long ago in Dragon Ball was the leitmotif of the whole story.

However, I don't think Yamcha has really stopped believing in his potential. It is virtually impossible to do so after reaching such a power level that makes him literally one of the strongest human beings in the world. Plus if we consider the fact that, between him, Tien and Kuririn, Yamcha's features are the most "normal" (he's got a nose and only two eyes) we can also safely say that Yamcha is the strongest human being in the world.

Okay, this is a bit of nonsense that I sometimes like to bring up.... But think about it, it might as well be so if we have to be really precise.

«JUST LOOK HOW SERIOUS HUMAN MY FACE IS!»

So, I would just be happy if his warrior attitude, that was never really buried, was put on display again. Even a little sentence, a hint, a tiny scene where he is seen fighting or training with one of his friends... That would be enough for me.

Yeah, something like that... Dragon Buddies.

For example, I am so glad that he made his return in Moro Arc as a Z-Fighter; I would like to see the animated version of his moment. Unfortunately, I think this is not the beginning of his rebirth. I have always thought that Yamcha's only enemy is Yamcha himself, and partly so, but the truth is that the real villain of his story is Akira Toriyama himself. It pains me to admit it, but it is so. I can't understand why he is pandering so much to the idiocy of the DB fandom making fun of Yamcha.

Yamcha laughing at memes about Yamcha knowing that he could destroy everyone with one finger.

The hell, even in Majin Buu Arc he was amazing. All right, I know, they're fillers, but you want me to be honest? The fillers took better care of him than the canon episodes and the manga. I mean, at the beginning he was presented to us as a 40-year-old man who had now given up martial arts for good, wearing a banana yellow suit, expensive and sadly unsuitable for battles. He just doesn't seem to want to hear about it. But then, after several episodes of him goofing off or being a fanboy in the stands, like everyone else Yamcha dies, and it is in the afterlife that his will to fight is reawakened after so long. As it was with King Kai before. For those who have followed him from the beginning of Dragon Ball, to be able to see Yamcha again happy, excited and strong, with his uniform on like the old days, is a joy to behold.

Relative joy.

Guys, I can't accept the fact that Yamcha has to be dead to feel even more alive, or even worse that his existence depends only on fillers. Yes, I know, it's still better than nothing, though...

Another good job was also done by the OVA Dragon Ball: The Return of Son Goku and Friends!, probably the last work that remembers that Yamcha also exists and especially treats him as a very valuable fighter. I'll talk about it.

This moment is still one of my favorite. It is one of the most badass things about Yamcha, plus it reminds me so much of a scene where Tarzan does the same...

Look! On one side we have the ape man (no, not a saiyan), on the other side the wolf man... Damn, I love it! Well, maybe I'm digressing, but it is curious to notice how the act of undressing is cathartic for both characters. They both strip off a garment that does not really belong to them and wildly bring out their true nature, their animal instincts, but most of all their desire to protect those they love. That's Yamcha. After all, who says Yamcha has to save the world to redeem himself as a character? He can also do so by protecting someone. That is something he can do very well, and I will prove it to you. Anyway, I sincerely hope that his role in the world of Dragon Ball will also be recognized in DBS. I also hope he can use again even his sword, but unfortunately he became a meme and, apart from the Moro Arc, we only saw him slaughtered and humiliated even by his own friends. This is the saddest thing that could have happened, also because in OG Dragon Ball it would NEVER have happened. There is no more demeaning thing than seeing Goku completely ignore one of his close friends, one of the first, and treat him as if he were worth less than zero. Seriously... WTF?! The Goku I love would never have done that.

Alright, that's the real Goku! Thank you!

I mean, maybe Goku wouldn't have invited him to the Tournament anyway, but at least he would have stopped in front of him to say a few comfortably words. As he once did.

Because, you know, that's what you do with friends and those who have been there for you in the good and in the worst of times. Let us remember that Yamcha took care of Goku together with Chichi when the virus struck him in the heart...

Well, I try hard to think that this is all a joke, though I doubt it. I strive to think that the whole attitude that the characters have had in DBS toward Yamcha is just the result of a studied plan to piss him off and spur him to undress again and howl like he used to. But... I know it's not.

Therefore, even though Moro Arc slightly brought our Z warrior back to the forefront and confirmed that Yamcha is still very strong, I still do not consider myself satisfied. What I would like more than anything else is just a confrontation between him and the protagonist, Goku, in which the saiyan helps him believe in himself again. And if it is not Goku, someone else is fine as long as Yamcha is reconsidered with dignity.

I don't think I'm asking for that much. Goku has helped so many people, dinosaurs, mice, monkeys, strangers he has met only once in his life, even bad guys... So why not help the first character who consciously believed in his abilities?

...Guess I have started a new topic. I will definitely talk about the relationship between Yamcha and Goku as soon as I can. Being the main character, a positive assessment of Yamcha by Goku could change the current idea of this character and make him much stronger as a result. I mean, Goku is the Mr. Satan of the real world. What he says is the truth, so it is only up to him to make sure that Yamcha can come back stronger than before.

Thanks for asking! 💕

[gojuo]

Gojo has his head. In season 2 he tells toji he failed to kill him because he didn't cut off his head. Sukuna didn't cut off his head. He can still heal his body.

Plus we see Nanami tell gojo that there are two paths. One to change you or one to stay who you are. Gojo says goodbye to his dead friends and we see him walk away showing he's taking the second path. We also see a lotus then.

Which symbols strength and renewal.

Gojo is not dying. He may be gone a few chapters but everything his hunting he will heal his body and be back.

Gojo will live.

i wish i had your hopium but i gotta correct a few things here ... 1) it was said by i think kashimo (i dont even remember) that cursed energy comes from the gut, and gojo has been split into two from his stomach. toji never bisected him, even if he managed to stab him through the cranium. 2) gojo didn't say goodbye to his friends in the afterlife, that was a mistranslation. 3) he's not walking away from anything either ?? 4) the chapter title is called "going south" bruh...

listen. i so badly want him to come back. i really fucking do. i read jjk 0 when it came out in jump giga in 2017 and when it wasn't called jjk yet (it was called tokyo metropolitan curse technical school btw). i've been with gojo since mfing 2017... 2017!!! i've loved him for over 6 years now i can't even believe it's been so long.. i never expected that silly oneshot manga to become this popular 🥹 kinda makes me happy how loved jjk is currently :')))) but the fact of the matter is that gege has stated numerous times that he wants to finish jjk soon. he actually stated in late 2022 that he was planning on finishing it in 2023. gege's editor has come out and said that the manga will not be ending this year though, so my guess is somewhere around spring 2024 everything will be wrapped and and be donezo so that gege can move on to that goddamn idol manga he's been yapping about for a while now. so what am i trying to say with this tangent? i'm saying that jjk is ending soon and that gege has stated multiple times how difficult it was for him to write around the powerhouse that is gojo (which is just an admission of his own shitty writing/planning because mf YOU 🫵 are the writer like you are the one that created him!!! learn how to plan out your story and how to utilize the characters you yourself have created for it you stupid fucking cat i swear to god....). this all just screams to me that it's over. it's finished. gojo already died once and came back enlightened, he's not gonna have it a second time. not this close to the end. not after having been removed from the narrative for over a hundred chapters. not after seeing sukuna back at full health in his heian era form, something gege didn't even have gojo force out of him. like gege really got him out of the box so that he could be done with him unarguably and conclude his character arc because he wants to finish jjk.

gojo is dead, nobara is for sure dead, megumi is basically done for (we'll see him once more within the mind once yuuji does his soul cursed technique whatever bullshit on sukuna to have a talk but he's not coming back no more), and yuuji, the kid whose execution started this story, will be the only one left alive. gege said in an interview a while ago that he wanted to end jjk with either 1 of the main 4 dead, or only 1 of the main 4 alive. i think it's pretty obvious that person is supposed to be yuuji. "die surrounded by your friends" from the first chapter is going to turn into "all your dead friends will surround you". i am wholeheartedly convinced of this. i'm sorry, but after 3 years of having to sit through that worthless culling game arc leading to absolutely nowhere for our heroes, after realizing that there will never be a pay off for the last 100+ chapters because the whole point of the arc is now fucking dead just like that, i do not have it in me to have any faith nor hope in gege's writing skills. it's become painfully clear to me how mid that guy is at writing and how hard he is rushing towards the end. i have lost all faith and goodwill i used to hold for gege.

[real-life-senshi]

hellow, i hope so far you´re doing ok since i saw you were struggling a bit with your health. though i'm quite new to your content i finally got the time to check some of your writings, i'd say i ended pretty hooked on them ahsfgsdjhs, tbh i'm not much of a fic reader of anything at all, specially since i don't think i have seen anything sailor moon related since my teens lmao. But i still wanted to let you know that i'm glad i have found it, as i tried to recall some about the pgsm plot (there's a chance i must have ended rewatching it ahsjhdsj and my gosh there were so many subtle things i missed 'cause i watched it when i was quite young haha) there were some other things that came to my mind that i wish were explored on the series, curiously most of it i found it on your fics 🤣 (i really like the way you expanded the pgsm characters through your stories) there were even some parts when i could 100% visualize them, may i have randomly doodle some stuff, who knows(?, oh! and your drawings as well, i saw this one about the Final Act *chef kiss*👌

There are other things i'd like to comment but i don't want to spoil anything as in Ao3 there are only 6 of the rest unlike the other fic site; i'm a big fan of the V manga (it's probably the one i sometimes read to remind myself why Minako is one of my fave characters ever! though my 11 year old self would disagree cause was obssesed with Manga/tokusatsu Mars😂 ) and also the continuity of the past life lore, whether if at some point in a near future as long as you're doing ok, please take care, for real. I'm looking forward to stay tuned if there's anything new from you 🙌

omg omg omg omg!!!!

You are the sweetest! 🥹Thank you for dropping by and leaving this lovely message in my inbox. Your keyboard smashing makes me go askdfhdsafdk as well! It's the highest praise one can give me. LOL😂

And jfc your amazing EoT based art? And there's potentially more doodles???? I can't believe that's happening to one of my stories. It's just not something I thought would ever be possible I don't even know what else to say except for repeating 'thank you' x10000 time.

Your message definitely encouraged me to finish chapter 7 instead of stalling some more. Made my week knowing one more person enjoys my attempt at writing a sequel. <3 My plan for the story is so ambitious sometimes I wonder if I'll be able to finish it. I even have plans to write a past life prequel and hope to do a bridging Black Moon story before introducing a Mugan arc sequel to EoT... That's 3 more stories total... and right now writing at a snail's pace, I don't know if that's ever possible... :'(

I'm finally on the road to recovery so it's getting easier for me to sit in front of my laptop for hours on end again. I've been mostly using video games to distract myself from the discomfort coz I can easily change positions while holding the console with no problem. With a laptop... there's a limitation with the keyboard for writing and the mouse for drawing. (LMAO I still use a mouse to draw. Never learnt to properly use a drawing tablet, even though I bought one long ago it just gathering dust now...)

Yeah... I think I peaked with the final act illustration when it comes to fanart. lol Knowing I did manage to make something with a quality that even surprised me, I've been overthinking and overcomplicating all the new ideas I want to do and then my brain and hand freeze and things are left as wip. 🙈

I'm really glad you enjoy my blog content. I practically owe my life to PGSM, I Iove the series with my whole being, cheesiness and faults and all. So it makes me really happy when my blog can help introduce or reignite interest in the series for other people! <3

I hope you don't mind me posting this reply instead of responding privately. I want to keep your message archived on my blog coz I love it so much. <3

[kyouka-supremacy]

hello, kyouka supremacy! ☺️🙋

if you don't mind, may I hear your thoughts and the latest chapter? (and don't be afraid to go all out btw!) I'd love to see you rant over the fukuchi and the teruko thing. (and other stuff if there are too!)

I'm just curious to read your thoughtss 👀

#nopressureaskbtw! 💗

Tried to answer this ask. Realized 90% of the ask had turned into political theory analysis unrelated to the last chapter with only a small side of actual thoughts on it. Deleted that. Regarding the rest of the chapter:

I think it was a cool chapter, I'm glad to see the plot moving forward again!! When reading this chapter, specifically, I felt a lot of “I can't tell if it's intentionally that deep or the author is just doing all of it unintentionally”, but overlooking that, it's been fun ahah. I feel like I don't have very high expectations for bsd, and the main manga is nothing more of a pastime while I wait for new ss/kk interactions, so it's hard for me to be let down, I'm just trying to have a good time.

I've said already that so far we really know too little about Dostoyevsky's backstory for me to judge whether I like its direction or not, but it sure made for such an exciting turn of the plot!! It's a character that was introduced 10 years ago and we're finally going to learn what's his deal, I can't help but be enthusiast!!!

Chuuya's redundant comment on Dostoyevsky being dead persuaded me that he's alive more than one hundred detailed analysis lol. I'm not very thrilled at the perspective: I LOVE Dostoyevsky, I loved this whole doa arc and believe it's the strongest in the manga so far, but also,,,, it's been dragging on for SO long, I just want to get this over with and move over to something new ahah. The Order of the Clock Tower. Akutagawa's cool outfit. The cool ss/kk fight against Fukuchi / not Fukuchi. The ada-pm deal. The ss/kk six months fight,,,,,, I love Dostoyevsky, but at this point I just want to be done with this arc and move to the next one ahah.

I've been asked by a few more people about the Teruko thing, so please check out the following asks if you'd like!!

[fma03envy]

mami tomoe for the character ask hehehe

First impression: The first time watching PMMM was ages ago and I didn't watch it all the way through then but one thing I do remember about that time was legitimately not believing Mami was dead. Like I thought the show was faking me out bc I didn't think they would kill off a character from the intro three eps in (it's important to know here that I didn't realize that PMMM was only 12 eps total; I thought there were more and Netflix just had the first season or smth. The only other anime I'd been into before that was BNHA and FMAB so I kind of thought all animes were long)

Impression now: All the PMMM characters are tragic in their own ways but in Mami's case what gets me is how she was just starting to open up at the time of her death. Most of the time she tries so hard to seem like the mature, responsible one who others can lean on, but in reality she's literally just a 9th grader whose life is in danger on a daily basis. She's so scared of burdening others but then she finally does admit to Madoka that she needs help, and then immediately gets fucking. chomped. The futility of it all messes with me

Favorite moment: Her confession to Madoka always and forever. The "I don't deserve [your admiration]; you should find a better role model" bit is soooo telling about her self esteem. And what's so ironic here is that Mami was very clearly afraid that admitting weakness to Madoka would make Madoka feel obligated to help her out as a magical girl even if she didn't want to (the fate Mami was already stuck with). But in opening up to Madoka is Mami's actually giving Madoka more autonomy, bc with more information Madoka can make a more informed choice about whether she wants to be a magical girl! The "refusing to accept help when you need it actually hurts the people you're trying to help" theme that's later prevalent with Sayaka is also very visible here. (On a very different note, my second fave Mami moment is her gunfight with Homura in Rebellion purely bc it was sick)

Idea for a story: I would say I want to see her interact more with Kyoko but I am aware that that literally happens at some point in the manga that I haven't read (set in one of Homuras other timelines iirc) so

Unpopular opinion: I feel like people underestimate Mami's importance on Sayaka's arc? Ik I've talked abt this before but it still stands. Sayaka not being there during aforementioned scene with Madoka and thus unquestionably believing Mami to be this virtuously selfless platonic ideal of a magical girl is soooo crucial. I think this combined with her survivor's guilt about Mami's death is a huge part of why Sayaka's Like That. IMHO Sayaka's way more like Mami than she thinks, it's just that neither of them are much like the idealized version of Mami that Sayaka thought was real (and also clearly had issues with guilt)

Favorite relationship: Sayaka but I've already talked about that so, Mami and Homura! I think I said to you once awhile back that what I find really tragic about them is that in another world without Madoka coming between the two they'd be friends, but they can't be here bc of their competing needs for companionship make them butt heads over her. And I don't remember if you ended up watching Rebellion so to say this in a way that avoids spoilers as much as possible, I feel like their portrayal there really confirms this interpretation. I wonder a lot how they interacted in early timelines when Homura wasn't so focused on solely Madoka

Favorite headcanon: If there is anything in canon that actually contradicts this ah well but I hc that she's not actually big on tea and has more just learned to tolerate it. Both bc it feels like it would be thematically fitting with her "wanting to appear mature even when it makes her miserable" thing and bc I'm a flavor of autistic wherein I don't like tea

[aquaburst3]

With the weird and confusing update of the game, I think it's time to bring up all of Yana's writing flaws. I can't comment on Black Butler. I haven't read it since I was a teenager, so commenting on that would be unfair. But for twst? I've also noticed that…

She has that same tendency to throw shit at the wall without thinking about how it affects the story she has set up.

It genuinely seems like she has no end goal in mind for TWST. (As a side note, I was talking with another friend who knows a lot more about Black Butler about this topic before. She said that it's the same for Black Butler as well. That's a big reason why she dropped the manga ages ago. With that manga going on forever and needing to end a long time ago, I believe her.)

The worldbuilding is sloppy and sticks far too close to real life. It also doesn't make any sense when you stop and think about it. (Which is a big reason why I came up with my own).

She frequently sets things up and forgets about them, dropping them completely. (Vil and Jack's friendship, Jamil bringing up that he has items to cure poison in Pomefiore, the fact that Vil has martial arts knowledge, etc.)

She sticks way too closely to the plot of the corresponding Disney movie, even when it doesn't fit HER own plot or characters. The most obvious example is during Book 2 Leona plans to take out Malleus with the stampede in order to possibly win the tournament. This plot point is ripped straight out of The Lion King where Scar does the same thing to Mufasa. But, that makes no sense when applied to TWST. Scar was able to do that in The Lion King, because they are just both normal lions. Whereas in TWST, Malleus is one of the most powerful mages in the world, who can just teleport away. The fact that Leona, who is really smart in the rest of the game, never ONCE considered this is mind-boggling. But yet she forced it in to be just like the movie. There are many other examples of this as well. (Jamil being after the dorm leader position, the beginning of Ignihyde where Idia kidnaps everyone, etc.)

She also loves turning her characters into idiots to force her plots to work. Like in Ignihyde, Idia kidnaps everyone in broad daylight. One, that's an awful bold and stupid move for one of the smartest characters in the game. He should know better. If he didn't have plot armour and his family's influence, he would've gotten arrested. Two, Vil is a trained martial artist and Jamil took out assassins. Why didn't they just kick their asses or kill them, even with their magic deflecting armour? The only reason I can think of is "the plot needed to happen, and this was the only way how". Again, there are other examples of this. (Leona and Ruggie during Book 2, Vil not undoing the aging spell himself when he's a potions master, etc.)

All of the characters are completely static. They don't change or grow like well rounded characters should. The overblot gang never face zero repercussions for their actions, thus making them never grow or learn anything. (You would think they'd want revenge, since they are twisted from Disney villains, especially in Ruggie's case, since Leona almost MURDERED his ass.) Unless you are writing a flat arc, characters MUST grow or change by the end. It can be for the better. It can be for the worst. But there MUST be some sort of change within the major character. Otherwise what the fuck is the point?

Malleus acts like a Deus-Ex Machina where he swoops in and saves the day, even at the expense of the other character's intelligence. (Endings of Books 5 and 6).

She's horrible at foreshadowing. Huge plot beats like what the deal is with Grim and Crowley are hardly alluded to and brought up far too late for them to be affective.

She picks favourites. She loves showering them with screen time while neglecting others.

The pacing issues. Just the pacing issues.

Over all, one of my friends told me her writing feels like a first draft. I a 1000% agree. Her works have a lot of good ideas. However, Yana REALLY must go back and finetune her works in order to make them up to snuff.

However, with all this said, these are all issues that I want to correct in my works. While I'm an amateur and not an amazing writer myself, I still want to try and do better.