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realvicoba · 15 days

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Gon and Meruem acted as foils to each other during the chimera ant arc.

Typically, we get to see the main villain and the hero fight, but these two never once met— and yet the way they've been written gave us an interesting dynamic without the need for a meeting.

The monster expressing his humanity,

And the human expressing his monstrosity.

But what if I were to say that the beginning of Meruem's character arc with Komugi parallel's Killua's more than it does Gon's?

Both expressed shock at the other's triumph, shock that they somehow bested them.

How can this normal human who is, by all means, weaker than me, do something so incredible?

Just like how Komugi gives Meruem a new perspective on what strength and worth is, Gon does so for Killua. There is more that goes into an individual's worth than their physical strength. And alongside that, they introduced connection into their lives.

But by the time the chimera ant arc begins, the parallels shift.

Gon is the King.

I believe something a little different and interesting happens here— Killua becomes Pitou, just as much as he is Komugi, and Komugi can also represent what Kite is for Gon.

It's a bit confusing! But let's start from the easy one. Gon-Meruem and Killua-Komugi.

Komugi finds her worth in Meruem. Gungi to them is what nen is to Gon and Killua, something they both advance at together— something they have talent in and share. Komugi believes her worth and life's meaning was meeting Meruem, while she also pulls Meruem into a reasonable reality; she's his voice of reason, forcing him to think objectively without the looming responsibility of being "king".

Killua finds his worth in Gon. He saved him, he lit the path for him to progress in this world and helped turn his past traumas into a source of mental strength. In turn, he's Gon's voice of reason, anchoring him into reality and being there to calm his rage.

Both Killua and Komugi wonder if they're even worth being in their "king's" presence, if they're worth that connection. Is it okay if I stay by your side? Am I even worthy? Despite being such a useless person who can't even begin to shine as brightly as you do?

And the biggest difference is that Meruem's complete obsession is on Komugi, unlike Gon's focus being on Kite.

And here's where the dynamic begins to shift. Meruem grows more gentle, his love more blinding. While Gon grows a little colder, his rage being what blinds him.

Meruem and Komugi went on to do what Killua had wanted to— dying by each other's sides.

Him and Gon though? Their focuses don't match. Gon was completely focused on vengeance, and Killua, who loved him to the point of selflessness, did everything in his power to support his "king."

Like Pitou who put himself in a vulnerable situation to protect someone who is important to the person he loves most.

Killua's biggest fear was Gon losing himself at the knowledge of Kite's death. In the end, he felt completely powerless.

It's a little tragic, in a way. Killua failed to do what both Komugi and Pitou could for their most beloved. He could only save Gon with Alluka's help, and that was all after the worst came to pass.

I also find this page very interesting!!

I don't think Killua ever expected himself to protect something weaker than he is either, at least not at the start of the story. And when he did, he started taking an almost maternal role while protecting those he loves (supporting Gon and practically adopting Alluka).

I love the parallels between them. The things they say and do, their positions and roles, and their feelings— they all match. And in the end, it's the humans who are the most imperfect, failing at so much yet ending up the victors.

But failure is what helps Killua grow.

Meruem, Komugi and Pitou die.

Gon, Kite and Killua survive.

While Gon's mostly back at square one with some new trauma and some suicidal thoughts, Killua's at a stage of his life where he's starting to believe that there is more to his worth and importance than he initially thought, that he can live to protect others while simultaneously living for himself.

Komugi and Meruem had nothing before them in life, but Gon and Killua do. They are more than lovers on their deathbeds.

#hxh #gon #hunter x hunter #killua #gon freecss #killua zoldyck #hxh thoughts #killugon #i'm going insane #chimera ant arc #pitou #hxh pitou #komugi hxh #meruem #merukomu

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le-trash-prince · 8 months

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Dean & Kenta

So I am obsessed with the parallels between these two scenes in Episode 10, and I’d like to break it down a bit.

Here we have two characters who have failed their father figures due to their involvement with Charlie's accident. These conversations both begin with physical blows.

Both Kenta and Dean deny that they intended for Charlie to die.

Tony tells Kenta not to bother coming back if he messes up again (I interpret this as a veiled death threat—does Tony ever let people just walk away?). And Alan asks North to call the police on Dean. Both Kenta and Dean are each facing exile from their families.

There is, however, a contrast in the setting for these conversations. Tony and Kenta are at Tony's house, which we know is full of people. They are even out in the open, rather than in Tony's office. But they are completely isolated, as is the standard for this home. They are standing on a black walkway with a black doorway behind them.

Alan and Dean, on the other hand, are surrounded by the X-Hunter team, by people who are directly affected by what is happening. Even though it is just the two of them talking to each other, North is literally right there with them. They are standing in a beam of light with a bright window behind them.

I think there is a lot to be said about the connection these scenes draw between Tony and Alan, although I'm not equipped to comment on parenting styles (I welcome any input). But I don't think any other part of the series has drawn such a clear comparison between these two and the roles they are trying to fill. Their emotional reactions speak a lot to the difference in their character. While both are angry, Tony is filled with entitlement—his finances have been damaged by Charlie’s, while Alan is filled with grief—his family has been broken.

One thing I’d also like to highlight is Alan’s constant use of the word “family” towards his employees throughout the entire show (I know this can be problematic irl sometimes, but it’s quite apparent here that Alan really thought of them as his family), while that word seems to be entirely missing from Tony’s vocabulary, even though these people are legally his children. X-Hunter is Alan’s family, while the Chen Foundation orphans are Tony’s property.

Family is a recurring theme in Pit Babe (insert Fast & Furious reference here), and these scenes do a great job of showing contrasting perspectives on family. "Family is not everyone's safe zone." Family can hurt, family can heal, and family can fail you.

In the end, as seen below, Tony quite literally throws Kenta away from him, while Alan lets Dean slip from his embrace.

Kenta ends the scene framed almost completely by black, but his face is bathed in light, and he is standing upright, while Dean is the opposite; he is on his knees, bracketed by light, his face entirely in shadow.

I also find it interesting how much this dialogue of Dean's feels like it could have come directly from Kenta himself.

To me, Kenta and Dean are on very similar trajectories, but moving in opposite directions. They have both been background characters, observers in someone else's story, and they're both unhappy with where they are.

Dean was revealed in his scene to be a traitor to his people, and I think Kenta’s scene is showing us that he is in the same position—without coming out and saying it directly. In my opinion, it’s some very nice visual storytelling that’s doing a great job of building up what is coming for Kenta’s arc.

#em post #pit babe #pit babe the series #pit babe meta #kenta pit babe #tony chen #alan pit babe #dean pit babe #long post

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gourmetofglut · 8 months

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The Mischaracterization of Ferris: A thread analyzing Re: Zero's most misinterpreted and overlooked character.

Note: This is a re-edit of a thread I wrote on Twitter. I recently decided to start using Tumblr a bit more. Since I've also been wanting to back up most of my threads, I figured I might as well move everything here. This is the first re-edit I'll be posting on this site. It was one of my favorites to write, so I hope it's enjoyable!

Side story spoilers for the entire thread. Arc 8 spoilers in the speculation section (will be marked since so many people aren't caught up).

For novel readers of Re: Zero, Ferris stands as one of the most divisive characters in the fandom. Considering his poor utilization in the anime and his role in the story within Arc 3, it's easy to see why.

On one hand, Ferris is one of the most outwardly aggressive characters toward Subaru in Arc 3. He makes no secret of his disdain from the start and consistently throws jabs at him every opportunity he gets. This behavior can certainly leave a negative first impression.

On the other hand, Ferris is quite a fascinating character who serves an important role within the narrative of Arc 3. He doesn't let Subaru off as easy as everyone else, which is exactly what makes seeing him grow respect for Subaru satisfying.

Whichever opinion you hold, that’s mostly irrelevant today. Instead, I will be simply discussing his character and his role in the story, as well as arguing in favor of many of his merits that people overlook.

Ferris's primary role is similar to all the Royals Candidates' knights: serving as a foil for Subaru. I've explained the similarities between Subaru and the other knights before, but to sum it up as quickly as possible all 3 of them represent a version of what Subaru could be.

Reinhard is a version of what Subaru could've been if he were the typical isekai protagonist, Julius is a lot more complicated but he’s essentially what Subaru could've been if he were granted enough power to face his enemies on even ground, and Al is Subaru if he had been just a bit unlucky in where he had been sent; becoming someone who struggles to care and abuses his powers to the fullest.

Ferris is much the same, though it can be argued he parallels Subaru the hardest, except for maybe Al. The resemblance on paper between the two is uncanny. They are both physically weak men who often don't fit traditional gender roles and have the sole desire of helping a woman they love to achieve her dreams of becoming a Royal Candidate, no matter the personal costs to themselves.

To do this, they use an extraordinary power unique to them (in Subaru's case RB, and in Ferris' case his magic that is relative in power to an authority). Their need to rely on others for victory is a source of immense mental turmoil and often leaves them full of self-loathing.

They place immense value in the lives of others, even those who have or will harm them, to the point that they are willing to be harmed to help them. Seeing others casually disregard the lives of others serves as one of the things that anger them the most.

They are both prone to obsessively possessive behavior and have sometimes even directed it towards the one they love. This often leads to them getting in trouble due to their jealousy.

There are more similarities I could point out, but you get the point.

Where am I going with this though? Ferris is clearly a parallel to Subaru, but what does he represent regarding him? Put simply, I believe Ferris is meant to represent what Subaru could've been if his parents were just a bit different.

Parent and Child is one of the most crucial chapters for informing us about just the kind of person Subaru is. Perhaps the most important piece is how it helps us understand just how much of his current personality is a result of his father. Subaru not only looked up to him but actively mimicked him to achieve his goals. The pressure of the surrounding world caused him to default to trying to be his father instead of who he truly was. Subaru's parents weren't perfect. In fact, they were very flawed people. Regardless of this fact though, they are responsible for many of Subaru's positive traits.

The same is true for Ferris and his shitbag of a father. If you were to ask any novel reader what Ferris' defining trait as a character is, they would probably say anger or bitterness.

This isn't surprising, as that's how he typically acts towards everyone except Crusch and Fourier, even when it comes to friends such as Julius.

I would argue, however, that this is merely an act he defaults to when he is stressed or angry, similar to Subaru's mimicry of his own father.

During his bitter moments, such as his cold statement to Subaru as he leaves Crusch's mansion in Arc 4, Ferris is merely defaulting to what he has learned to be the best method of dealing with his stress...a method that is eerily similar to how Biehn sometimes acts in EX 1.

Whether Ferris acknowledges it or not, his attitude at his worst moments makes him come off like his father. He can be cruel, sometimes even callous. He shows intense rage when he doesn't get his way and attacks the part of his opponent that is most vulnerable.

This attitude can blind him to the point that he can even hypocritically act racist towards Emilia. Ferris' entire life has been defined by discrimination. In the face of someone he should know has faced many of the same issues, he once again acts almost exactly like his own father.

It was in the middle of a mental breakdown, but that does not excuse him just like it does not excuse Subaru.

Speaking of his parents, it's also notable how their inability to connect with Ferris parallels Naoko and Kenichi's struggles with Subaru.

Ferris' dad is a bombastic, loud man who was (once) well-respected and causes many of Ferris's issues through his actions and Ferris' emulation of him. His fatal flaw in the end was that he could not understand Ferris, similar to how Kenichi could not fully understand Subaru.

Ferris' mom, on the other hand, fully understood the distress he was under but did not have the confidence to interfere or make a change as Ferris wasted away, similar to Naoko's inability to help Subaru when he most needed it.

That's not to say Kenichi or Naoko are even a thousandth as bad as either of those two, but their struggles with their child deeply parallel each other.

Back on track though, I want to highlight a bit more of Ferris' parallels with his father using perhaps the most damning example.

This specific scene is from "The Saga of the Great Crusch-sama Begins." When faced with his mother, whom he hates so much, he attempts to stab her in the chest. Crusch gets caught in the crossfire causing Felix to freak out and unlock his water magic to save her.

What can at first be written off as just a unique origin for Ferris' water magic gets recontextualized hard in EX 1, where it's revealed his father killed his mother in the exact same method.

It's such an eerie similarity and something that I feel gets overlooked too often when discussing Ferris.

As shown in scenes like the one above, Ferris often projects this image of hatred, bitterness, and malice. It's easy to write that off as just the kind of person he is as so many often do...

...but there's obviously more to it than this. There is far more to Ferris than his mimicry of his father.

Ferris doesn't allow himself to be vulnerable very often in the story. Only when he is with Fourier and Crusch, as well as when he is in the most intense moments of crisis, does he show who he actually is. Stress is the best test of character after all.

The best example to me? His confrontation with the father he so often emulates.

If Ferris was actually as vindictive as he so often outwardly acts, how would you expect him to react to the death of a man he hated so much?

Wouldn't he taunt him? Wouldn't he make his last moments a living hell? Wouldn't he crow in pleasure at his agony? Would you be able to even blame Ferris if he made Biehn's last moments hell?

You would expect that...but that's not how he reacts. At that moment, watching as the man who tortured him so much dies an awful death, he just shows sadness. He thinks about the possibility that they could've just worked things out. He just wishes that things could be different.

Despite everything his father had done to him, despite all the rage at the world Ferris projects, the moment he is put into a scenario he likely dreamed of he can't help but feel pity that this was the only route he could take. He never wanted to hurt even Biehn of all people.

And this, I believe, is Ferris's actual defining trait underneath his persona of cynicism and bitterness: kindness and a greater love for life than perhaps anyone else in the series.

Ferris's power, as Fourier once said, is the kindest in the world. At his core, Ferris is just as kind as his power.

Think about it. Despite Ferris's words, what is the thing that upsets him most?

People who waste their lives. Whether it be Subaru, Fourier, a random Vollachian guard, or even Witch Cultists...Ferris can't bring himself to watch life be thrown away. It just hurts him, regardless of how horrible the person is.

Just like Subaru, Ferris wants to help everyone, even if it costs him so much. The pain that he feels when he is unable to do so is immeasurable, as Subaru himself states in Volume 8. He is struggling with the same realization as Subaru: saving some people is impossible.

So where will this lead? What does this have to do with the themes of the story? Well, to answer that, I’ll have to take a little diversion to talk about one of the more…difficult topics involving Ferris.

Ferris and his relationship with gender is something that I feel a lot of the fanbase is really fucking weird about. Even ignoring the pretty deep-rooted transphobia in a lot of discussions involving him (he isn't trans, but he is heavily trans-coded and there really shouldn't be so much of an issue in letting people read into that), there's a feverish desire to deny that his status as a person not conforming to gender norms matters at all. All too often, people reduce it to just a fetish or something to make jokes about.

The reason this is such a bafflingly stupid take though is because of how blatant the importance is to anyone who has read EX 1. Even Tappei himself has stated that many of the things he wants to do with Ferris could not be done without this aspect of his character.

Ferris's non-conformance is part of a promise made with Crusch. Ferris took on her femininity while Crusch took on his masculinity. It's a promise between the two that proves their devotion to one another. It's the ultimate symbol of their affection for one another.

In Aganau IF Ferris dresses and acts more masculine, precisely because his connection to Crusch no longer exists.

I'd also argue it's why he continues to dress as he does even when Crusch no longer has her memories, desperately holding onto the literal symbol of the bond between them.

However, unlike Crusch who seems to love who she is both when taking on more masculine and feminine traits, finding a balance between them; Ferris can't do the same. He sees it merely as a means to show his devotion rather than something he does for himself.

He constantly expresses that it is all for Crusch and Crusch alone. If anything he seems to resent his inability to fulfill any kind of masculine role, as shown once again in his conversation with Biehn in EX 1.

When pushed to finally unleash all his true feelings to Biehn, what does he bring up as the main reason for his resentment? His abuse? His coldness? His murder of his mother? Any of the innumerable unforgivable things Biehn has done to him?

No. Ferris points at his body. He anguishes over his skinny arms, his inability to wield a sword, his lack of muscle, and his lack of fighting prowess. He hates his lack of masculine features and how he's unable to live up to his idea of what Crusch's knight should be.

He literally sees his masculinity as something stolen from him by his father; leaving him so empty that he needed something else to fill that void.

Crusch gave him something to fill that void. Crusch gave him a way to live. Crusch filled his soul...but he still resents what he "has" to be.

Now does that mean he resents Crusch? No, of course not. But he does resent that this is the only thing he can do for her; the only person he can be. Deep down, he doesn't seem to want to be the way he is, and instead of trying to change that he gives in to despair.

He's stuck in that hatred, in that desire to meet Crusch's expectations, and in that moment where a starving child begged to be released and was finally brought into the light. In many ways, he acts like a child.

This is quite literally represented in him preventing himself from going through puberty; a symbol in many stories of transitioning from childhood to adulthood. He sees his current form as a shackle whether he realizes it or not.

Now does that mean that Ferris should disregard his femininity entirely? Throwing away the representation of his love for Crusch and something that has defined him for so long seems as self-destructive as staying stuck. What's the solution? Where is his arc going?

Well, before that, I want to cover one last thing before I have to delve into Arc 8 spoilers. There's a bit of a side tangent I want to go on.

With everything I've been able to point out up to here, it's clear that Ferris is a remarkably complex character. There's so much to read into and talk about.

So why is he so hated?

He's so similar to Subaru, possibly the most popular character in the novel fandom. Despite all the claims of him being the worst and me highlighting his character's flaws, he hasn't done anything more morally dubious than the vast majority of characters in this series, even when he was pushed to the edge. This is especially true when compared to some of the most popular characters like Subaru or Roswaal. Hell, characters even more directly belligerent than Ferris like Priscilla don't get half the hate (though Priscilla's perception has...its own issues).

Why does he get disregarded so often? Why is he often treated as shallow fetish fuel? Why is he just reduced to being an asshole in every discussion that involves him?

Well, I have a few I can point out.

The first is, most obviously, misinformation. A large portion of the novel reader base has not read Arcs 1-4 in the LN and has very warped views of some of the characters in that section of the story. Ferris is just the most blatant example.

I can't count the number of times I've heard people just blatantly lie about or exaggerate what Ferris did in Arc 3. From the "mana bomb" that has LITERALLY no basis in the text to the "brainwashing" scene treated as a comedy bit that is exaggerated to hell, people go out of their way to interpret him in the worst light possible.

Many of the people who haven't read those sections then see Ferris's ribbing of Subaru in Arc 5 and then run with those pieces of misinformation; spreading it to the point that many believe some blatant lies to be fact.

The second is simply that a lot of people in the fandom don't read the side stories. I don't particularly blame a lot of these people, as there is a lot to get through, but there are a lot of people who take advantage of this for...certain reasons.

This leads to the third point...shipping. Ferris suffers from "Die for our ship" syndrome (https://tvtropes.org/pmwiki/pmwiki.php/Main/DieForOurShip…). A lot of people like Crusch x Subaru and Crusch loves Ferris so that ends up being more than enough for some people to hate him.

That's not representative of even close to every Crusch x Subaru shipper, of course, it's just a notable trend that it's hard to pretend doesn't exist with some of them.

All of these factors often go hand-in-hand with the final factor: the fandom's immense double standards when it comes to certain characters.

I'm not going to go into deep detail with this as it would distract from the main point of the thread...but you know what I mean if you've interacted with the community for a significant period of time. It also doesn't help that many of the same people in this category tend to be incredibly bigoted.

Ferris isn't the only character subjected to these double standards, as characters like Emilia and Ram often face similar purposeful misinterpretations, but his frequently unfair critiques have affected his reputation negatively perhaps more than any other.

This isn't to say that this is all true for everyone who hates Ferris. There are numerous reasons you may just not be interested in his character.

However, I feel it's dishonest to pretend Ferris isn't often targeted far more than other characters for often lacking reasons.

With that out of the way, I can move on to the last thing I wanted to cover in this thread. I have established a lot here, so I want to speculate about the future.

From this point forward there are unmarked Arc 8 spoilers, so...you can't argue I wasn't careful. I don't blame you at all for leaving now and I thank you for reading my ramblings.

Are you still here? Ok, let's start.

With all of the above established, I want to return to the question of where Ferris' arc will go in the future. My belief? I think it will be something similar to what Pre-Amnesia Crusch has already realized, with Felix’s closest parallel in Subaru being close to doing the same.

Crusch, as I mentioned before, has found balance in the two aspects of her life. Throughout the story, she switches seamlessly between the two without a second thought. She is comfortable and happy with both parts of herself.

Subaru is also on a similar path. He feels most comfortable in embracing his feminine side, idealizing it through Natsumi. All his confidence is channeled into that persona, while the other two aspects of his personality (his main self who has all the self-worth of an abandoned puppy and his child self who is representative of his more masculine traits) are imbalanced.

Arc 8 seems to be going in a direction where he realizes how important all of these aspects of him are. All 3 have flaws. None of them are "complete," just pieces of the coherent whole that is Natsuki Subaru.

I believe a similar thing will happen with Ferris.

He will need to find a balance between Ferris, his feminine side that has defined him for so long, and Felix the masculine identity he craves. He needs to find a role that makes him as happy as Crusch was, accepting who he is while striving to become who he wants to be.

I don't expect that to be easy though. In fact, I think the path to get there will be immensely messy and self-destructive.

The idea of Ferris having a breakdown or lashing out has been well-foreshadowed throughout the story. He has had numerous smaller outbursts and has displayed similar problems to Arc 3 Subaru when pushed to an extreme. There's a large amount of toxicity in him that will rush out, sooner or later. It will likely take similar levels of suffering to force him to get a grip, possibly hurting Crusch in the process.

Who do I believe to be the trigger for this? My best guess is Capella.

It is quite possible Capella freed Sphinx and recreated her arms initially. Why would she do this? Why not? We're seeing firsthand how much of a monster Sphinx can be with the Sacrament of the Immortal King. Why wouldn't someone like Capella want something like that under her control?

Of course, Sphinx is almost certainly dying soon. Capella will need a replacement, and who's the only other potential user of the Sacrament? Ferris.

There's also the idea that Capella may have poisoned the Royal Family and, most importantly, Fourier. If Capella does become the main antagonist for Ferris, that could serve as motivation for him to want her dead regardless of his own reservations about killing.

Adding onto this is the fact that shapeshifting is a power with a long history of being associated with identity issues. Tappei likes making his antagonists strong narrative foils to his protagonists, so it would be interesting to contrast Ferris' identity issues with the potentially strong identity issues of Capella.

Finally, there's a lot of potential for her tragic past to parallel Ferris' past, with many implications that the Royal Family may not exactly have treated Emerada the best. The idea that the Royal Family may have locked her away is not implausible and it could make their connections even stronger.

Whatever that breakdown leads to, I expect Crusch and/or Subaru to be the one who snaps him out of it. This will likely be the catalyst that forces Ferris to find a balance. He'll need to let go of things like his self-blame over being unable to help Fourier, his internalized hatred of his current identity, his idealization of Crusch, and his need to save everyone. Ferris's love will finally allow him to grow and change into a person who is the middle ground between his desires and his true self.

After all, that's what Re: Zero is truly about: love and growth. Almost every character reflects this and, if my interpretation of Ferris is right, he could embody that theme just as much as Subaru himself does.

He could be a shining bastion of what this story is all about.

Of course, this is all just my interpretation and speculation. If you disagree with it, feel free to. I just hope I was able to make you appreciate Ferris a bit more/changed your mind on how much potential his character has.

I wish whoever is reading this a nice day!

#re zero kara hajimeru isekai seikatsu #re zero #arc 8 spoilers #ferris #re:zero #rezero

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they-stare-i-ship · 9 months

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I finished reading the atlas paradox

and now you're subjected to my SPOILERY thoughts.

Parisa Kamali: I love Parisa, I have loved her since the first book. I LIKE HER SO MUCH she's funny she's mean she's cool she's kind. She's incredibly powerful. She's so interesting and I really enjoyed how she slowly became "her royal softness". Whenever we have her pov it's so fun. I love how she's not scared of Atlas and how she challenged him. I can't wait to see what she does in the next book. I'm actually excited to see how Dalton has changed and how she reacts to them in the next book. Her relationship with Nico makes me so feel so nice. I also need her to be kiss Reina sometime in the next book.

Nico de Varona: he's been my annoying lil baby since the first book. I loved how he became more fleshed out in this book. I loved how lonely he got, his relationship with Reina and Tristan really intrigues me. HE'S SUCH A CHILD sometimes and I love him for it. Obviously I have spent the two books insane bc I knew he was in love with Gideon, I just knew it and they're just *chef's kiss* also speaking of his relationship with people, I think him and Libby will be stunning as besties, I truly cannot perceive them as romantic. They act so sibling like or even just asshole bestie like.

Reina Mori: when we started with this series I actually had more hopes from her. I feel like she didn't do much (especially in book 2) and my girl really doesn't understand communication. If she just talked to people sigh. But honestly her God thing, I am down. Go off, I'm excited to see her go off the rails bc people didn't talk to her the way she could have understood. I am low-key in love with how funny the duo of Reina and Callum is, tbh. I also get major ace vibes from her.

Libby Rhodes: honestly she was my second least favourite amount the six when we started. She desperately needed the corruption arc we got in the later half of the book. I think I will like her a lot more now. Her crush on belen was stunning to read. I can't wait for Libby to fuck shit up, literally fuck everyone up. And I genuinely truly deeply want her relationship with Nico to just be friendship. Friendships are equally as important and the fact that the universe made them parallel to eachother is my favourite thing.

Callum Nova: honestly I didn't really like him much during the first book, he was fine but we had more interesting characters. BUT DAMN CALLUM NOVA POST HEARTBREAK?? ~~ exquisite ~~ he's so fucking funny and hopeless and sad and pathetic. he is so desperate for love and so upset that he was denied it. He's my pathetic lil meow meow. Also I would LOVE to see him use his powers more in the future. As we keep learning about it, I keep loving him. Also I need Tristan to beg Callum to take him back.

Tristan Caine: actually I didn't enjoy his povs at all in the first book, I couldn't wait for them to be over. He is still my least favourite among the six but in the second book he was more interesting and fun. I'm a lil anxious of how Atlas is gonna use him and his powers. I don't care much of him but I want him to beg Callum or regret it for the rest of his existence. Also I hate LibbyTristan as a romantic permanent thing, they can fuck around and have fun but pls end at that.

Gideon Drake: I have loved him since day 1. He was the softer kinder balance to Nico's aggressive and abrasiveness. He is so interesting, his origin and his powers. I spent both the book wishing we had more of him. Now that we are out of the library maybe he'll get to play a more active role in the book. I am obsessed with Gideon (bc Nico is obsessed with Gideon) I love the tidbits we learn about Gideon like how Libby always liked him more or how max travelled with him for the rescue of the "prince". I want Gideon to have everything he wants, that's all.

Atlas Blakeley: I have been thinking of Giancarlo Esposito as Atlas the entire time. There's no explanation it's just vibes

Ezra: I'm glad he's dead 💖

#Reina mori #nico de varona #libby rhodes #tristan caine #callum nova #parisa kamali #the atlas six #the atlas paradox #the atlas complex #the atlas trilogy #the atlas series #olivie blake #lgbt books #atlas blakely #gideon drake #nicogideon #novacaine

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nothingwithdignity · 2 months

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I am once again obsessing over the parallels we see between the sibling pairs during the Briarwood arc.

Look at the acid trap where both Vex and Vax, and Percy and Cassandra, get split up, leaving one half drowning in acid and the other half walking away with our antagonists.

Vex is watching her brother walk away with the Briarwoods after triggering the trap that is trying to kill her, knowing he is under an unnatural influence and would never leave her there willingly. On the other hand, Percy is watching Cassandra walk away with the Briarwoods having trapped them deliberately, knowing she is doing it willingly and his instinct to trust her might have doomed them all.

Sibling relationships can be very complicated and I like that Matt didn't just allow for the "happy ending" of a family reunion. He tells stories with consequences. Vax is impulsive. Anything that he thinks could save his sister, he'll run towards and sometimes, like this time, that doesn't work out so well. Percy is still running from the consequences of the one night that changed his life and Cassandra never had the chance to get out of the gate. His instinct is to trust her and all things considered, I can't blame him, but there's five years and hundreds of miles between them now that weren't there before. They're never going to have the relationship they did, he just hasn't figured that out yet.

Percy and Vex are fighting the clock to follow their siblings but Vex doing it to save hers while Percy has to come to terms with the sudden realization that he might not be able to save his and she might not want to be saved. The twins are just doing what the twins do, but it provides a counter point to the story Percy and Cassandra are telling in a way that makes it so much easier to see just how much baggage they're carrying and how much they're going to have to overcome to really feel like siblings again.

#critical role #cr c1 #percy de rolo #cassandra de rolo #c1e34

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universaln0b0dy · 4 months

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rewriting miraculous- Marinette Dupain-cheng

[Note] Hey, hey! I wanted to start rewriting and designing miraculous for the fun of it. Please note that this is just for fun and giggles! I will try to keep the rewrite as close to the show as possible, at the same time I want to put as much of my ideas into it as I can. Also this is probably an angst au, because of my 3 am brainrot.

(Warning, if you are a fan of Chloe redemption arcs you might not like my rewrite as I plan on making Chloe the villain she has always deserved to be. And I mean that totally positive.)

Marinette Dupain-cheng

Of course I have to start with the problematic main character of the show. Marinette is far from perfect and her actions lack mind and consequences, but despite all of that Marinette is a great character that fell into the hands of a bad writer.

Like most characters in the show being kinda butchered for Marinette (they did Chat noir soo dirty), she was also butchered for the sake for being a main character. Marinette has a character that doesn't fit into a "kids show", maybe that's the reason they never properly executed it. But enough of me yapping! Lets start drawiting!

Backstory:

Marinette is half french, half chinese. I want to keep if that way, even her design mustn't change that much (more to that later). Something that bothered a lot of people is how little Marinette knows about/ is in touch with her chinese heritage, despite Sabine clearly still being chinese. But what a lot of people forget is that it's been hinted at that Sabine might not be as in touch with her past as she acts like she does. (For example changing her first name, I am not sure if that is something that happens commonly, but I don't think is.)

So one thing I will add is that while Sabine doesn't completely reject her culture, she has a strained relationship with it, not raising Marinette to be a part of it, without telling her why. No speaking mandarin, no chinese new years or other festivals, nothing.

So we already know that Tom and his dad don't have the best relationship and as far as I remember only one of Marinette grandma's visits, rarely. So in my version Marinette grew up only knowing about her parents, completely unaware of other relatives. Her grandma starts visiting when she is uhh 10? Which let her to be slightly an outcast.

You know how when children tell you all about the holidays, their aunts and uncles or grandparents? Or how even the teachers just tend to assume everyone has grandparents that you get to visit? Well Marinette had none of that. That means she was often confused or left out of conversations starting in pre-school.

Another aspect I want to include is the whole Kim/Chloe thing. It was often mentioned that Chloe used to bully Marinette to the point where she was sick of school and even starting her villain arc in a different universe. Problem is in the show this is a massive: "Tell don't show." I want to stop that, I want to have it actually seen and mentioned multiple times in flash backs, etc. Because with what we have at the moment I don't understand why all of Marinettes classmates hate Chloe so much.

With the worsening of the bullying I want to make another parallel between Shadybug and my Marinette. It is briefly mentioned that Shadybug doesn't have any friends in her universe and is constantly put down by Chloe, so what if because of chloe people avoided talking to Marinette in order not to become another bullying subject? This all changes when Alya (who actually in the start of the series was mentioned to be a new student?) decides to not give two fucks about Chloes status and defends Marinette, becoming her first ever friend.

About the Chloe Kim situation, I will use that as the reason (and Marinettes blatant distrust) why she became a stalker. Despite being bullied and all, Marinette develops a crush on Kim, because he was actually nice to her, like once. Her love quickly becomes an obsession because she doesn't know how to act around her crush, not having any female friends to tell her that the way she likes him isn't healthy and having a dad that cries wolf just as soon as she mentions a boy's name.

Marinette is during that time not as bad as she is with Adrien, her crush is unhealthy, yes, but he is sadly the last straw of hope she can cling too. Chloe notices this and decides to take advantage of Marinettes obsession by asking Kim to go out with Marinette. Blinded by his crush on the blonde Kim decides that would be a small sacrifice, ready to become Marinettes dream boy to please Chloe. He feigns intrest in design, art, baking and more simply because Chloe wants him too.

Marinette starts to act more normal around Kim, her obsession calming and her healthily starting to love him, until the scene in the swimming hall. Marinette is quite littarly shattered, her heart in pieces all over the floor, realising she had been bamboozled for 3 MONTHS. Her last straw has sunken and she swears to herself that she won't ever date someone again unless she knows that every little thing he has said was true.

A year later she finally meets Alya.

Her Personality

(start of season 1 to season 3)

Marinette is still kind, but in a way that makes her naive. After Alya fights with Chloe for her sake and the other girls in class also start to befriend her, she is willing to forgive and forget. Her friendship is build on trust and acts of service (Fixing clothes, building charms, doing homework) with Marinette giving and the others receiving. Sadly the others unbeknownst to even themselves take advantage of her kindness until Alya bursts in and calls out what their doing is wrong.

Clumsy. Insecurities can make you anxious and being anxious has an affect on the body. During the time she was bullied she would cower in fear only making small steps looking around as if something was going to jump at her. So scared of her surroundings she occasionally lost footing or dropped everything she was holding. It looks comedic but stomps from her damaged mindset.

Stubborn. What she says she will do, no matter if that is climbing the Eiffel tower or travelling to china in a day by foot, she will do it. Her stubbornness comes from the fact that she refuses to believe that what she is planning is impossible, stemming from the fact her parents kinda spoiled her and refused to tell her that what she was doing is impossible.

Crush is followed by distrust and obsession. This is something that plays a big part in my au. Marinette has trouble trusting people she is crushing on, it even happens with Luka, but the blue haired boy is a lot more obvious to this when Adrien. Marinette isn't really fine and probably needs therapy. Even Marinette doesn't understand why she feels so anxious about every time her crush says something, she blames it on her promise to herself.

Clingy and easily scared of rejection. Because of her being formally bullied Marinette clings to people she trusts, Alya doesn't mind, but that doesn't go for a few other people. Marinette doesn't like rejection (not taking stuff she made, not wanting her help etc) , occasionally she can either become pushy or completely reduce herself out of your life.

Easily jealous and occasionally selfish. This personality trait will be important for my kwami redesign. Marinette can't help it but be wary of people that also show interest in her crush or intrests, she grows jealous easily though she tries to hide it. Because she never had anyone to talk to about her jealousy before she met Alya, so she thinks that that emotion is just another feeling, that eats away at her until it explodes. Her jealousy blinds her causing her to act irrational even willing to humiliate people.

Optimistic but toxic . Well, she is a good liar and that includes lying to herself.

(As Ladybug)

Oho, Marinette as Ladybug is a surprising change, I kinda wanted add the fact to her that her personality changes when she becomes Ladybug.

Ladybug is the part of Marinette that was looked away for waaaay too long. After she gets used to being Ladybug she grows confident, she feels like she has a purpose in life. Ladybug is everything she wanted to be. Ladybug has no fear and no insecurities that is the reason why no one believes Marinette is Ladybug.

In my au Marinette gets so lost in the perfect version of herself she occasionally transforms just to escape her life. She has friends now, yes, but that doesn't get rid of her insecurities and Ladybug has no insecurities.

As a hero Marinette is a quick thinker and has a great memory (I mean, she was able to remember and find out adriens schedule for the next 50 years). She also knows where to get information and how.

She uses everything she learned as Marinette in her superhero job and as Ladybug she moves with more contraction and grace. No one would dare to laugh at Ladybug and that makes her stand up straight, make bigger movements and never loose her footing.

She is incredibly caring as Ladybug at the same time she isn't. She only is nice to people she as Marinette likes or has never met. Chloe is the person she even occasionally refuses to help, until chat noir mentions just how much of an asshole she would be for this.

(During season 3-5)

Because of the many hardships she faces Marinette grows as a person, her personality towns down and she deals with the consequences of her actions in a good manner. Even as Ladybug she became less of a selfish prick and someone to be idolized.

Smart. Marinette becomes smarter in many ways, one of them is people smart. She is able to start telling if someone is on the verge of getting akumatised, or if they are lying to her. She does better in school mainly because she stopped getting bullied.

Confident. Her straightened back is more than enough proof that Marinette has changed. She has found a balance between Ladybug and Marinette. She starts standing up to Chloe on her own and everyone else who bothers her. This confidence makes her cocky, but luckily her friends are there to help her turn it down a bit.

Mature. Marinette acts older than she is, especially after getting the miraculous box. She finally realizes that she won't be able to act as childish as she does forever. Her maturing also becomes part of her healing arc. She still has a crush on Adrien, but she grows less obsessive and is even able to see him have Kagami as a girlfriend without feeling like dying.

Drawing:

Don't mind this, I am still learning how to draw, so this will probably look akward. Soo I kinda wanted normal Marinette to look like she was styled by Disney, but not too bad. Her styling her clothes like she does is her way of showing she likes fashion, without showing she likes fashion. Her hair is supposed to be so black it seems blue under light, which is honestly a hair colour that surprises me.

Ladybug follows the concept of the more power you have, the more you look like the animal your kwami is based on. (More to this when I rewrite the kwami's)

I like the poncho I gave her and the wings! Also the Uhh... bug exo skin? She probably doesn't stand out as much as she should, but her costume is that one connection to herself as Marinette.

Soo here is what I tried to "animate", Marinette looks a lot more stressed and less "happy" and as Ladybug she has some slight arrogance and anger to her expression, though I might be reading into my designs too much. Please tell me which you like better!

So next is well, Adrien! Yay! Please tell me what you think so far and what else I should include during those rewriting sessions?

#miraculous ladybug #miraculous fanart #miraculous au #marinette dupain cheng #marinette redesign #mlb rewrite #mlb redesign #ladybug and chat noir #ladybug redesign #lol #just a thought #mlb au: the superior hero

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wander-wren · 9 months

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hot take all those posts about uraraka and deku having the same type (toga and bakugou)?

wrong. wrong! wrong. sorry

deku is the one with the canonically stated weird creepy obsession. whether you personally think its creepy or not is debatable, but regardless chasing down your ex-friend-turned-bully with stars in your eyes and taking such meticulous notes on his fighting (the moves he uses to beat you up) that you can beat him in a fight when you are at a huge disadvantage is…..it’s not normal.

the way. deku loves kacchan. is. not. normal.

that’s toga’s character

now you could say that bakugou is equally obsessed with deku and i think he is but it comes from less of a place of love. it’s mostly his own insecurity centered on the closest person to him. i think deku knows he loves bakugou (for whatever type of love you’d prefer), but bakugou doesn’t know he loves deku. he just has…these feelings he doesn’t know what to do with, and most of his character is a ball of low self esteem masked with huge ego, so it all just gets wrapped up in that. you know?

and i dont think it’s a hot take to say deku is FAR more feral than bakugou, he of the 8pm bedtime and tax returns. deku is fucking unhinged, man. kid breaks his limbs regularly for three seasons and runs off to become a vigilante.

also, deku AND toga’s character arcs are about seeing the way the world thinks of them, the ideas they internalized for a lot of their lives, and then accepting themselves for who they really are. deku doesn’t let anyone stop him from being a hero, and toga doesn’t let anyone make her feel ashamed for her bloodlust. bakugou’s character arc isn’t about inner acceptance, it’s about changing and growing as a person instead of remaining stagnant like he has all his life, comfortably at the top by accident of birth (this is not to discredit the very very obvious work/training he does pre-UA, no one fights like that with explosive hands otherwise, but it’s clear he didn’t need to adjust anything personally/socially).

i know absolutely nothing is going to stop the meme now, but every time it comes across my dash my eye twitches because ugh, blonde and loud does not a toga parallel make.

disclaimer: i am an anime-only so idk what’s happening in the manga but i sincerely doubt it could be anything big enough to wipe out several years of character building. correct me if i’m wrong!

#wren wrambles #mha #bakudeku #togachako #bakugou katsuki #midoriya izuku #toga himiko #sorry for main tagging #look at my post boy

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francesminos-tt · 2 months

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Did you see the leaks? What you think about the season in general? Did you like Gwayne? AND TESSERION? for me, the leaks were disappointing. rhaenyra begging for the war to end going to alicent and alicent wanting to hand over her children!? It's like the war makes no sense, is completely pointless and s3 seems disheartening and boring

To answer your first question, Gwayne is probably my favorite character in this season. He is exactly what I imagined him to be, a bit more playful perhaps, but overall, I like his character. He's like the voice of reason in the Green's side tbh. Freddie Fox's acting added to the characterization as well. I will touch more on Gwayne while talking about the Green's plot later. As for Tesserion, I didn't get a good look at it actually. I hope it is not too small. (Size of the dragons and people's obsession over it is another disappointing point in the show)

For the season itself, well, I am so glad you asked. I can write an essay about how the show killed almost all characters' arc with bad plot, unnecessary dialogue and forced conflict. Let me explain.

In my opinion, the biggest problem of S2 is that the show failed to recognize the dire situation of war. In fact, it seems to me that the show writers do not think there is a war at all. They seem to think the conflict between the Blacks and the Greens is just a family dispute, and it can be resolved by calling back to Rhaenyra and Alicent's bond. Do you realize how ridiculous this sounds? Why is Rhaenyra begging for the war to end going to Alicent and Alicent wanting to hand over her children? Because they see this so-called war not as a matter of life and death, but as a dispute between themselves that can be solved by begging the other. The show focuses too much on the emotional bond with Rhaenyra and Alicent that it killed both women's character development. They act like innocent maidens as they were in S1E1, while in fact, decades have passed and now they are both mothers and both has suffered child death. It is as if the death of Luke and Jaehaerys did not change them at all, which is absurd to me. I want to drop a bomb on someone who hurt my cat, so why does Rhaenyra still think the so called war can end peacefully when the other side killed her child?? Rhaenyra insisting to behead Aegon in the leaks seems strange to me as well. Rationally, I know Aegon is the enemy king and he should be symbol of the Green's usurpation, but in the previous episodes of this season, no one really sees him as king. Everyone, both allies and enemies, is talking about Aemond, Vaghar, Aemond, Vaghar, without even mentioning Aegon the Usurper. So I don't think publicly beheading Aegon can have the desired effect of ending the usurpation.

Another problem is that the show wants to put Rhaenyra and Alicent both in a very oppressed position so bad that they sacrificed a lot of character development and logic to achieve this. The show wants to paint both Rhaenyra and Alicent as victims of discrimination against women, which is fine by me, but being the victim is the not the solution. I, as an audience, want to see them fight the system. I think it is one of main takeaways from the Dance of the Dragons era. Disappointingly, all I see is them complaining and whiny about how the men don't listen to their commands, but I want to see them plotting, scheming, threatening, being diplomats, and most importantly, making a change. The show clearly wants to draw some parallels with Cersei, but at least Cersei does not sit in a room throwing a tantrum or go out to take a bath in the woods. Rhaenyra doing the red sowing seems like an attempt to make a change, but the way she did it (recruiting people from enemy territory is just beyond me) and the fact she doesn't seem to have a comprehensive plan of what to do next is just lame.

The show tries to force their out-of-place ideas and values upon the audience, namely feminism and the importance of people(smallfolk). Firstly, the show puts a lot of focus on female characters and in order to make these women shine, and it castrates all the men. I am not joking. Can you point out a single male character who doesn't go against the women? Not a single one. Gwayne is a possible candidate, but I think why he acts so logical and somewhat kind is to make Alicent even more devastated when he dies in the next season. Daemon, Jace, Corlys, Aegon, Aemond, Cole. They are all obstacles of Rhaenyra and Alicent, instead of their supporters. Putting men against women is not feminism. Secondly, I admit that smallfolks play an important role in killing the dragons in the F&B book, but the show makes it too far. This show is a medieval fantasy, not the French Revolution. Preconditions need to be met in order for the smallfolks to fight against the aristocracy. Productivity, social changes, urbanization, and movements like the Enlightenment are all contributors for the commoners to rise against their kings and queens. Ignoring all these factors and putting modern standards on smallfolks in the asoiaf world is just arrogant and disrespectful.

In terms of plot pace and development, S2 is also a failure. If you look at S1E1 and S1E10, things have become so different that you will probably feel sorry for the characters. But if you look at S2 premier and finale, they are practically the same. Even though supposedly a lot of people died and a lot of battles fought, the main characters still seem to be in the same place. They have no development whatsoever. They still immerse in their personal issues and fail to recognize the grand situation.

The final point I want to make, and this is completely personal, is that I hate them making Joffrey a clingy mommy's boy. He acts like an idiot who only knows how to say mommy. The scene with Rhaena, it pains me to watch it. They are not even having a intellectual conversation! They sizes down Tyraxes and just leaves Joffrey in the Vale like he's unwanted luggage.

Okay, thanks for giving me an opportunity to rant about the utter failure of S2. I have so much more to say(like how killed Jace and Daemon's character, how they made Aemond an anime villain, etc) but I think I will stop here. Let's just say I am not looking forward to S3. AT ALL.

#house of the dragon #hotd #my asks #rhaenyra targaryen #alicent hightower #no team actually this show makes everyone useless #gwayne hightower #rant #team black #team green

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