#i am long out of the fandom but still

[yukipri]

YURI!!! on ICE the movie : ICE ADOLESCENCE Officially Canceled

YURI!!! on ICE the movie: ICE ADOLESCENCE Cancellation Notice Thank you very much for always supporting "Yuri!!! on ICE." Regarding the postponed release of "YURI!!! on ICE the movie: ICE ADOLESCENCE," we have come to the decision to unfortunately cancel its production. We deeply apologize for not being able to meet the expectations of all those who have been waiting and have continued to support us throughout these years. The production committee and staff have been in constant discussions to create and to deliver the movie, but due to various circumstances, we have had to make the difficult decision to stop the production. We sincerely apologize to everyone who has been anticipating its release and thank you once again for your continued support. Yuri!!! on ICE PROJECT MAPPA Co., Ltd. Posted on the official Yuri on Ice twitter, @ yurionice_PR

Figure some YOI folks may still follow me, here's the news.

[hinamie]

theyre soft your honour

[ingravinoveritas]

Earlier this year, a new blog was started here on Tumblr with the aim and intention of harassing a group of fans in the GO fandom. I previously made a post addressing this, as I was the initial target of this blog (whose original handle was a dupe of my own Tumblr handle).

I had hoped not to have a reason to revisit this particular subject, but given recent disturbing comments made by both this blog and its followers, and a post written by @nightgoodomens describing the situation from their perspective, I feel compelled to make a post of my own, to talk about what I have experienced and continue to experience at the hands of these individuals.

By now, some of you may be familiar with the blog in question. In my prior post, I did not mention this blog's name publicly, and I have no intention of doing so at this time, either. Yet I think it's important to be clear about what this blog's specific intentions were, which were made evident by its original creator on Twitter at the end of May:

It was only a few days after writing this tweet that the author did exactly this, and created this main blog. I feel that this has somehow become obscured over time, as given the negative response that this blog's initial posts engendered, the original creator apparently retired from the blog and gave the reins to someone else, and the blog's focus soon pivoted to defending Georgia and Anna. Prior to this, however, the blog began publishing Anons attacking me, including one that seemed to be threatening to doxx me:

What particularly perplexed me was seeing a gradual distortion of my own words and writing here on Tumblr, as well as people buying into it so readily. I also noticed one particular blog that became friendly with this main blog--they've changed handles a number of times, but at the time they were known as michaelsheendaily (then michaelsheensource, then thesheenantbergs). For months prior, they talked specifically about how awful the things I/others were saying about Georgia and Anna, and then seemingly joined forces with this main blog.

…Yet one year ago this very month, that same person (michaelsheendaily/thesheenantbergs) felt similarly to many of us and had sent me an Ask wanting to know if I thought Anna was being abusive to Michael. This Ask was sent from their (at the time, now deleted) main blog, but they helpfully DMed me from michaelsheendaily to make sure I had seen their question:

I answered this question (as I try to do with every Ask/Anon I get) straightforwardly and honestly, and firmly said "No" in response, as well as how serious it is to accuse someone of abuse, and that it is not up to any of us to try and break up a relationship, as Michael has people he can turn to if he needs to do so. I have also previously defended Georgia on my blog (and provided rationales and examples for why my perspective has gradually shifted over time), but it seems that the people harassing me have conveniently chosen to ignore all of this/have never looked at my blog beyond a cursory glance.

As this main blog continued its posting, and despite having Anons turned off, I began to receive a number of hateful Asks, which culminated with another blog suddenly coming into being about a month after these initial incidents. This blog claimed to be Michael Sheen (using a handle of his from Facebook), and published this despicably homophobic and noticeably un-Michael-like post:

The aforementioned main blog immediately drew attention to this post, and claimed that they had "proof" of this being the real Michael:

It soon became apparent that this blog was a fake, and despite its prior insistence that it could possibly be him, the main blog backtracked quickly as more people pointed out how obviously this was not Michael. Yet even the notion that someone would think this was acceptable--to pretend to be Michael, to (poorly) attempt an approximation of his writing style, all for the sake of attacking one person, and despite the fact that we know Michael already has a Tumblr that he hasn’t posted on in years--is just absurd beyond words.

But clearly this ill-conceived post inspired others, as only a week after this post appeared (and subsequently disappeared, along with the blog itself), I received an Ask from yet another recently-created blog of someone claiming to know Michael personally, saying that he would "destroy" me:

Which brings me to the present day, and how these themes have presented themselves yet again, in an even more unpleasant fashion.

Over the last four months, this main blog and its followers have continued to obsessively read my blog (despite how very easy it would be to simply block me) and screenshotted my posts in order to add their own vile commentary. I have not wanted to draw attention to any of this, but one particular instance has now made me change my mind.

I've recently talked on my blog about my upcoming trip to London, where I will be seeing David in Macbeth. A few days ago, it was brought to my attention that the main blog screenshotted one of my posts--which was a reblog of a video of David with Jodie Whittaker--along with my tags talking about the way David was sitting. One of the blog's followers commented this in response, and subsequently received a reply from the OP:

The "daggers" commenter currently runs several blogs dedicated to worshiping/defending Georgia and Anna (at least one of which is run in tandem with the original creator of the main blog). Numerous accusations have been levied at me and others from these blogs, one of the most outrageous of which is homophobia...yet this is their response to me simply saying David might not be 100% straight, and which eerily echoes the tone of the post from "Michael" three months ago. And while there are a lot of things about the last few months that have rankled me, nothing does so more than the hypocrisy I have witnessed, such as this.

The thing is, though, that when I saw these comments, all I could honestly think of was how sad I felt.

Because here I am, just days away from going on my trip--a trip I have been so anxiously awaiting, that is my first non-work trip in a very, very long time--and now the thought of, "Could someone try to attack me?" has crossed my mind. Yet my sadness is less for myself and more for the person who thinks it is acceptable to wish or even encourage violence against another human being. My sadness is that this person feels so unsafe or discontent in their own life--a feeling I know all too well--that their chosen course of action is to make someone else feel unsafe. To assuage their own sense of powerlessness by going after someone they perceive as having power.

My sadness is at these people being so sure that the celebrities they are a fan of would agree with them, yet needing/wanting those people to act in a way that aligns with who they want Michael and David to be, rather than who they actually are. I know that the Michael and David I became a fan of are two of the kindest, most intelligent, warmest men you could imagine, and that there is no part of me that wants or needs them to scream at or dislike the same people I do for the sake of my own self-serving purposes.

To that end, I have also been distressed by the apparent frenzy that was recently generated in the form of a "rallying cry" against myself and others in this group of fans facing ongoing harassment. But what I've tended to see as a response to said frenzy is some variation of, "People are saying these terrible things. I haven't actually seen any of these posts/comments, but it must be terrible, so I'll block this person/people." I am no stranger to fandom chatter/gossip, but every time I hear something, my first impulse is always to find the receipts. To learn more information what is being claimed so that I can make up my own mind. And that is the very same ethos I have espoused on my blog for years, because I would much rather people think for themselves than "fall in line" because they are being told to do so/threatened with being "cancelled" if they don't.

So if you want to find out something about my opinions or takes, it is all here on my blog. Everything going back five years since I joined the GO fandom, tagged and catalogued. I have not privated anything or deleted anything, nor do I have multiple blogs or side blogs--just this one. And if after reading what I actually have to say you still want to block me, you are certainly welcome to do so. I would just much rather you block me because of the truth, not because of someone else's personal vendetta and agenda.

To say that dealing with all of this for months on end has been surreal and stressful is a profound understatement. Especially because I have never once engaged with this blog, never replied to any posts of theirs, nor sent them an Anon or made threats of any kind (despite receiving numerous threats myself). Nor have I replied to the multiple incendiary Asks and DMs I have repeatedly received from the blog's original creator.

Again, I have not wanted to draw any further attention to these people, but the staggering awfulness of the most recent comments finally made me feel that enough is enough. I truly shudder to think what the response would be if someone made a similarly threatening comment toward these individuals...yet it's somehow completely fine to say these things about me. To make me and others into the "villain" that you need us to be to justify saying these heinous things in the first place. And while these individuals and anyone else are free to dislike me and to express their dislike in a public forum to their heart's content, that freedom of expression ends where my right to not feel that my personal safety is in jeopardy begins. A line that should never have been crossed has been crossed, and we as a fandom and as human beings are much the worse off for it.

No one should ever have to feel this way. Not even these people. And by talking about all of this and bringing these incidents into the light, my hope is that no one else ever will.

[lurkingteapot]

Every now and then I think about how subtitles (or dubs), and thus translation choices, shape our perception of the media we consume. It's so interesting. I'd wager anyone who speaks two (or more) languages knows the feeling of "yeah, that's what it literally translates to, but that's not what it means" or has answered a question like "how do you say _____ in (language)?" with "you don't, it's just … not a thing, we don't say that."

I've had my fair share of "[SHIP] are [married/soulmates/fated/FANCY TERM], it's text!" "[CHARACTER A] calls [CHARACTER B] [ENDEARMENT/NICKNAME], it's text!" and every time. Every time I'm just like. Do they though. Is it though. And a lot of the time, this means seeking out alternative translations, or translation meta from fluent or native speakers, or sometimes from language learners of the language the piece of media is originally in.

Why does it matter? Maybe it doesn't. To lots of people, it doesn't. People have different interests and priorities in fiction and the way they interact with it. It's great. It matters to me because back in the early 2000s, I had dial-up internet. Video or audio media that wasn't available through my local library very much wasn't available, but fanfiction was. So I started to read English language Gundam Wing fanfic before I ever had a chance to watch the show. When I did get around to watching Gundam Wing, it was the original Japanese dub. Some of the characters were almost unrecognisable to me, and first I doubted my Japanese language ability, then, after checking some bits with friends, I wondered why even my favourite writers, writers I knew to be consistent in other things, had made these characters seem so different … until I had the chance to watch the US-English dub a few years later. Going by that adaptation, the characterisation from all those stories suddenly made a lot more sense. And the thing is, that interpretation is also valid! They just took it a direction that was a larger leap for me to make.

Loose adaptations and very free translations have become less frequent since, or maybe my taste just hasn't led me their way, but the issue at the core is still a thing: Supernatural fandom got different nuances of endings for their show depending on the language they watched it in. CQL and MDZS fandom and the never-ending discussions about 知己 vs soulmate vs Other Options. A subset of VLD fans looking at a specific clip in all the different languages to see what was being said/implied in which dub, and how different translators interpreted the same English original line. The list is pretty much endless.

And that's … idk if it's fine, but it's what happens! A lot of the time, concepts -- expressed in language -- don't translate 1:1. The larger the cultural gap, the larger the gaps between the way concepts are expressed or understood also tend to be. Other times, there is a literal translation that works but isn't very idiomatic because there's a register mismatch or worse. And that's even before cultural assumptions come in. It's normal to have those. It's also important to remember that things like "thanks I hate it" as a sentiment of praise/affection, while the words translate literally quite easily, emphatically isn't easy to translate in the sense anglophone internet users the phrase.

Every translation is, at some level, a transformative work. Sometimes expressions or concepts or even single words simply don't have an exact equivalent in the target language and need to be interpreted at the translator's discretion, especially when going from a high-context/listener-responsible source language to a low-context/speaker-responsible target language (where high-context/listener responsible roughly means a large amount of contextual information can be omitted by the speaker because it's the listener's responsibility to infer it and ask for clarification if needed, and low-context/speaker-responsible roughly means a lot of information needs to be codified in speech, i.e. the speaker is responsible for providing sufficiently explicit context and will be blamed if it's lacking).

Is this a mouse or a rat? Guess based on context clues! High-context languages can and frequently do omit entire parts of speech that lower-context/speaker-responsible languages like English regard as essential, such as the grammatical subject of a sentence: the equivalent of "Go?" - "Go." does largely the same amount of heavy lifting as "is he/she/it/are you/they/we going?" - "yes, I am/he/she/it is/we/you/they are" in several listener-responsible languages, but tends to seem clumsy or incomplete in more speaker-responsible ones. This does NOT mean the listener-responsible language is clumsy. It's arguably more efficient! And reversely, saying "Are you going?" - "I am (going)" might seem unnecessarily convoluted and clumsy in a listener-responsible language. All depending on context.

This gets tricky both when the ambiguity of the missing subject of the sentence is clearly important (is speaker A asking "are you going" or "is she going"? wait until next chapter and find out!) AND when it's important that the translator assign an explicit subject in order for the sentence to make sense in the target language. For our example, depending on context, something like "are we all going?" - "yes" or "they going, too?" might work. Context!

As a consequence of this, sometimes, translation adds things – we gain things in translation, so to speak. Sometimes, it's because the target language needs the extra information (like the subject in the examples above), sometimes it's because the target language actually differentiates between mouse and rat even though the source language doesn't. However, because in most cases translators don't have access to the original authors, or even the original authors' agencies to ask for clarification (and in most cases wouldn't get paid for the time to put in this extra work even if they did), this kind of addition is almost always an interpretation. Sometimes made with a lot of certainty, sometimes it's more of a "fuck it, I've got to put something and hope it doesn't get proven wrong next episode/chapter/ten seasons down" (especially fun when you're working on a series that's in progress).

For the vast majority of cases, several translations are valid. Some may be more far-fetched than others, and there'll always be subjectivity to whether something was translated effectively, what "effectively" even means …

ANYWAY. I think my point is … how interesting, how cool is it that engaging with media in multiple languages will always yield multiple, often equally valid but just sliiiiightly different versions of that piece of media? And that I'd love more conversations about how, the second we (as folks who don't speak the material's original language) start picking the subtitle or dub wording apart for meta, we're basically working from a secondary source, and if we're doing due diligence, to which extent do we need to check there's nothing substantial being (literally) lost -- or added! -- in translation?

[mblue-art]

out w these tall clowns 🌲🌸

[littlespoonevan]

.

[eldest-of-katts]

okay because people have shown up in my dms talking smack I'm going to make one blanket statement on the 1000 year loli chilchuck thing.

yes, there has been a problem with young girls being put in suggestive positions in anime with the "uhmmm she's actually a bajillion years old" excuse. yes, other characters don't treat chilchuck like an adult. yes, he is short with big eyes.

However, chilchuck consistently acts like a grown man. he- in both the manga and the anime- straight up just is an adult. He looks like an adult when he is any other race during the swaps in the manga. When the other characters get turned into half-foots they look similar to chilchuck. He is explicitly stated to have more dungeon and general life experience than laios, and he acts like it.

The 1000 year loli trope explicitly functions as an excuse to prey on people who are inexperienced and unable to advocate for themselves. Chilchuck is a parent, is a union organizer, has explicit boundaries that he enforces rigidly, and he is treated as an adult man by everyone who doesn't have a fantasy racism-focused character arc/issue.

I can see how if you haven't read the manga and seen that he has an established life that he later reveals (and haven't paid attention to him in the anime lol) you could get a mistaken impression about him. Marcielle does too in the source material! It's part of her character at the start of her arc that she has issues with longevity!

The thing that irks me a little about this interpretation is that it leans into the child-coded discourse that was prominent a while ago (she's short!!!!! but has boob???? ILLEGAL!!1!) and it does a disservice to the themes of infantilization as a policy maneuver hurting the working class.

I saw chilchuck and his labor advocacy for half-foots both as a metaphor for racism (obvious take ik) and for ageism.

The working gen z as a cohort are being infantilized and pushed out of job markets due to infantilization, similar to half-foots in the show. gen z is being maliciously portrayed as too young to vote, enter office, know themselves, know their rights, and take advantage of their resources. Simultaneously, child labor protections and protections against workplace abuse are being rolled back in the US. In Japan, young people are being worked to the bone for nothing and are becoming disenfranchised as a generation while simultaneously expected to be the labor faction that supports the postwar generations in their old age.

Chilchuck's being treated poorly I saw as a clever commentary on the ways infantilization allows for protections to be stripped away under the guise that "oh it's just a job for teenagers- they don't need more than minimum wage" or "let the kids rescue the economy! they're always complaining about that job market!" while simultaneously stripping away rights under the guise of protection- "We can't have that on the internet! think of the children!" "to protect these young people we must raise the age of medical consent for hormones/reproductive health decisions!"

Kui's work with this series spoke to me on many levels, and specifically, the infantilization issue touched me in a way that few other pieces of media have. The struggle to be taken seriously in a stem field as someone young, as someone female, and as someone who had a high-pitched voice to the point I did years of voice training to be taken seriously, chilchuck's character resonated. I (kinda) understand your instinct to think "SHORT! CHILD! RALLY THE MASSES AND KILL THE PEDOS!!1!" but in this case, it's misdirected- mostly because the author was trying to use this misdirection to prove something to you, the reader.

Kui consistently makes cutting commentary on modern issues, the show's take on food neutrality as its headliner, but also the author's takes on cultural issues and the environment (with a focus on our place in the food web as animals). I feel that reducing chilchuck's very conscious position as a tradesman and an activist discounted due to his apparent age down to "1000 year loli ewwww let's send this random tumblr user suicide bait" just displays a lack of critical analysis of the show and a level of disrespect towards Kui and the work as a whole.

TL:DR- stop sending me kys messages I'm fucking that old man

[lozeyart]

I felt like it was time to come out of my cave and draw some Rise of the Guardians fanart for the first time in nearly 4 years, but of course I had to make it a redraw of something I did 9 years ago.

It felt so cathartic and good getting to drawing some RotG again, and it brought me back to that place in my life when I was absolutely obsessed with this movie (and universe).

Its also nice to see how far I've come with my art in the last 9 years. I'm very proud of myself, and I'm finally making the quality kind of art that I desperately wanted to be making 9 years ago but I just wasn't at that skill level yet (if 20 year old me could see me now!)

I still adore this ship to the moon and back, though. Who knows, maybe I'll draw some more! Even if I don't, this was so much fun to do! I tried to make the redraw look more "vintage" and referenced some vintage Christmas cards for the look. I also did my own little spin on Pitch (I really wish they incorporated some sort of gold into his design like they did with some of the concept art, so I gave him an earring and pointy ears. Artistic interpretation and all that).

Extra:

(first time drawing North in 10 years, not counting the little cartoony guy in the original, so go easy on me)

[suntails]

I’m going to paint you a picture of modern communication, and how it is fundamentally broken.

Let’s look at one friend. You chat pretty much everyday, and mostly talk to this person on twitter and discord, with occasional tumblr DMs. That’s three places you talk. But that’s actually not true, because you also have each other’s priv twitters and talk there as well. That’s four. Now account for, let’s say, one post reply per account per person, in addition to your DMs. That’s eight. But that’s ALSO not true, because not only do you talk in discord DMs with each other, but you’re in a friend group server as well! And you talk in those channels together! That’s nine.

This is one friend.

Now look around you. How many friends, how many mutuals are you in contact with. A few, a handful, a dozen, more? How many accounts per person do you have, how many places can you send each other posts, devolve into separate topics and conversations? How many people text you as well. Friends, family, coworkers? What do you do day to day around catching up, what IRL commitments will rip you away long enough to let the pile build again?

I can’t do it. I cannot live an actual life in the real world and balance this much interaction, it’s crushing. I reply to a friend’s post because I’m interested in the subject, I want to have a discussion! I WANT to talk about it with them, but I immediately kick myself for adding another conversation to the pile. Day by day, I ignore messages for hours on end and watch mountains pile around me, to reply en masse at the end of the night to let the cycle repeat. I wake up to six discord DMs and as I clear the third, the first replies back again.

We weren’t meant to have thirty simultaneous conversations. We weren’t. And you know in your bones that the number isn’t an exaggeration.

[shyguygubbs]

I was thinking about kotlc recently and how the Black Swan originally wanted to wait to bring Sophie into the Lost Cities until way later, probably when she turned 18, and how different of a person Sophie would have been if that were the case.

Like at the start of the series, she's this child prodigy who has to go to community college in the fall at the age of 12 because her parents won't let her go to Yale (a totally valid parental choice btw), and the thing is I think she would have THRIVED in that environment. Like at first she would be scared and hesitant because in all other school environments she has been bullied for being as smart as she is, but now she's going into a school that people choose to go to in order to learn. Community college doesn't just have mean, jealous teenagers who attend, there are people of all ages and all walks of life who are ready to learn. Sure, Sophie would still be the youngest one there, and I doubt it would be super easy with the whole mind reading thing, but she would be in a much more supportive environment when it comes to learning than anything else she's experienced.

She'd be able to make friends with her peers, being able to bond over a shared love of whatever they're studying, and these friends don't think she's too smart or too weird. She maybe finds some way to muffle the voices in her head better than her earplugs did. Yeah, she still gets headaches, but she can manage it. I can see her taking as many classes as she can, figuring out her passions and what she might want to do as a career. She'd be in a fantastic place academically to transfer to any school she wants when she turns 18. I can even see her parents letting her graduate when she's 17 and allowing her to transfer to a four year college to get a bachelor's in whatever she wants to study, whatever she finds her passion for, because she worked hard for this, and doesn't hate school now, and has found a path for herself in life that feels right.

And then the Black Swan shows up and whisks her away from all of that, and she's heartbroken because she doesn't need to be taken away from everything she's worked so hard for. Yeah it feels nice to finally have the whole mind reading question answered, but she doesn't need a new place to belong, she has one. I imagine this Sophie being a lot more confident in herself, but a lot angrier too. She's fascinated by her new world, but desperately wants to go back home, to just live out the life she's been working towards. I can see her working side by side with the Black Swan from the jump, because she's in a world with injustice and she can't just sit back and let this slide, but constantly fighting back this resentment for them and how they took everything from her. I think of how canon Sophie had a brief moment of hesitation when it came to training her Telepathy, and I think this older Sophie would be conflicted between wanting to know more about this abnormality that she's been dealing with her whole life, and wanting to cling to her human identity and her old life as much as she possibly can. Because she's been ripped away from it, and no matter what her genetics say, this Sophie still views herself as human.

[marimbles]

i miss carpisuns sometimes </3

[pimento-playing-hopscotch]

I love this show and it means a lot to me,

and I feel disappointed and a little bit misled tbh by the choices they have made-

These are two thoughts that can coexist btw

[kaesaaurelia]

3rd Life Space Colonist AU Concepts

So I'm very new to MCYT fandom, in the process of watching everything in the Life Series, but while I was watching 3rd Life I could not get the idea of this group having been sent to colonize an alien planet and it going very wrong.

But before things go wrong, they would have had specific roles and reasons they were picked, so I thought a bit about that, and once I had roles figured out I went and played around in Hero Forge to design the characters.

(Also, obviously there would be more than 14 people on an expedition like this and there's certain types of personnel they'd want more than one of, or who are conspicuously missing from this cast list.

You can make of that what you will.)

So, without further ado: some of the personnel aboard a ship heading to the furthest reaches of the galaxy, sent by totally not evil Mars-based corporation Farlands Planetary Systems:

SPACESHIP FLIGHT & MAINTENANCE

At this point in the future, there are machines that can do incredible things, but none of them can quite replicate whatever's going on in Scar's head human decision-making, and on longer journeys where the ship is required to make multiple FTL jumps in quick succession, human intuition and ingenuity are necessary for survival. To that end, pilots are directly plugged into their ships and to some extent, on longer journeys, become the ship. They need to be willing and able to do terrifying things without hesitation or consultation with others. Scar is great at this. He's also an absolute menace everywhere else, but in all fairness it's very hard for him to remember how gravity works on planets when he's used to using it to slingshot himself around in space.

Etho and BDubs aren't JUST there to maintain the ship mechanically -- they'll be rebuilding humanity's technological achievements from the ground up once they get to the planet -- but they're also vital to maintaining the ship across its long journey. BDubs is especially skilled at working in and navigating through zero gravity environments, and he's very used to doing floating repairs. This should have no lasting consequences for him once they get to a planet.

Tango is... an odd one. He's primarily a computer guy, and he's no slouch there, but he's never been on one of these expeditions himself -- see, his family's owned Farlands Planetary Systems for centuries, since before the Martian atmosphere had been been tamed and the planet's population was only a couple thousand. From his comfortable climate controlled office on Mars, he's looked over proposals, decided which ones were most likely to be successful, and signed off on countless exploration missions. He's watched them leave and mostly come back, and he's never encountered a high-risk high-reward situation he couldn't at least break even on. He's about to.

MEDICAL CARE

There's an extensive medical staff onboard, of course -- or there should be, anyway. I'm sure the others are fine!

Martyn is a generalist, good at figuring out what the hell is going wrong and how to stabilize someone's condition in the field with minimal resources. He's good at making difficult decisions quickly and making the sacrifices necessary for long-term survival.

Grian, meanwhile, is a specialist in neurology, and while he's meant to be looking after the whole crew, he's very important on this expedition because he is specifically a specialist in the connection between pilot and ship, and his task is primarily to keep the pilot alive at all costs.

Grian's also very excited about the pioneering medical procedure he's convinced Farlands to give all the personnel on this expedition, which will allow them to completely regenerate after dying -- at least twice! This has technically been possible for a while, but it's never been this fast, and they haven't been able to allow the subjects to retain their memories and personalities until now. It's still experimental but given the high risk nature and high cost of this particular expedition, he feels it's worth the risk, and most people jumped at having not only a second chance at life, but a third!

EXPLORATION & TERRAFORMING

Once they get to the planet, of course, they're going to need to figure out what's already there, and to transform it into a liveable place! So there are various experts who will explore the planet, conduct a full survey of its resources, and work to make it easier for humans to live there. Here we have experts in population biology, minerology, environmental chemistry, xenobotany, and agronomy.

Joel works for Farlands, usually traveling with his wife Lizzie, (an ethnopharmacologist). BigB tends to work on a contract -- there's a lot of call for minerologists in the outer solar system -- but if this expedition is successful, he'll never have to work again, and he won't have to go through the cycle of spending six lonely months in the Kuiper Belt, returning to Earth, then going back out again. Both of them think they know what they're getting into.

Cleo and Scott haven't worked for Farlands before, and are very surprised to be asked, as they have a shared checkered past. Cleo, in her younger days, was convicted of burning down the Martian Prime Minister's house. In fairness, a. he deserved it, and b. it was extremely flammable, because he destroyed a bunch of oxygen farms to build it, out of wood, and was not much of a believer in fire safety regulations. He was not home at the time, so he was fine, but about a year later he was assassinated. No one has ever been formally charged with the crime, but Scott, being one of Cleo's close friends, was the primary suspect. Both of their careers have suffered because of this -- Cleo can't get tenure anywhere, and Scott actually went into hiding for a time -- and while they don't trust Farlands even a little bit, they do like the idea of going somewhere that has no extradition treaties with Mars.

Like BigB, Jimmy's ready to cash out and settle down on a strange planet. He's going to be making sure people have enough edible food on this new planet, since there's no guarantee it will have edible plants or animals.

EXPERTS IN ALIEN LIFE

There's definitely not intelligent life on this new planet. It would be illegal for Farlands to settle a planet that was already occupied! They would never do anything illegal.

But maybe there used to be intelligent life there. Maybe the preliminary probes were inconclusive? Hmm. Anyway. Skizz is a xenoarchaeologist. He's also the only survivor of an expedition that went out in the early 22nd century; they encountered a strange and apparently hostile aliens. His memories are fuzzy and he doesn't remember much except for a strange floating city in a dark void. He made it back to Earth in a stolen alien ship, but while he was gone several hundred years had passed and now everyone he knows is dead. He's anxious to get back into the field, to a planet that is definitely a different one from the one he was sent to where all his friends died, and there's definitely no living intelligent life.

Impulse has been studying that ship Skizz brought back and he's pretty sure these aliens have figured out a method of stable, instant travel between any two distant points, which needless to say the company wants badly. This world seems to have traces of these

Impulse is a xenotechnologist who's pretty sure he's close to wrapping his brain around a method of stable two-way faster-than-light travel that seems to be in use by a distant alien civilization who may have left traces of themselves on this new planet. The company line is that he's also there just to study any remnants of high-tech alien civilizations, but he doesn't have a very good poker face and everyone suspects he knows something he's not letting on.

ALSO... REN

Ren is not a scientist. Ren is Martyn's husband. He is a relatively successful fantasy author whose first two books have sold well, but now he has to finish the trilogy and it's just. not. happening. Martyn had been planning not to go on this expedition -- has in fact been planning to stop going on lengthy expeditions in general, because he'd like to spend more time at home -- but Ren's so tired of his manuscript at this point that he is willing to pack up and move to another planet to avoid writing. He is anxious that people like him and think well of him and also anxious that they never ask him about the book. Please don't ask him what happens in the book. He thought he knew, but he doesn't.

The great thing about this expedition is that that's going to be the least of his problems very, very soon. (Also, he'll be blessedly relieved of the memory of the book, because, like the rest of the surviving crew, all of them will have very few solid memories of anything by the time they get to the planet. But, gotta look on the bright side, right?)

[letstrywritingmaybe]

Love Me, But Don’t Fall For Me

Isn’t it a little late for that? Aka the fake dating fic, CoAi edition

Chapter One: Picture Perfect

Posted on ao3 <3

[xwonderlandresidentx]

Just had someone tell me that Marinette telling Chloe and Audrey that they should bond over being toxic and entitled was okay because she was being sarcastic, and I just gotta say..... no? that doesn't make it better??

Thankfully this person was pretty civil, and open to having an actual conversation about that scene, and by the end of it we came to agree on some things.

But I still wanna blog about it, because I have a lot of feelings.

Even if Marinette was saying it to be ironic, which still isn't an interpretation that I'm fully on board with, but for the sake of argument, even if she was, that's still a horrible thing to say given the circumstances!

Marinette doesn't have to like Chloe, but if her first reaction to seeing a girl her age on the verge of tears while she asks her mother "Why don't you love me?" is to have a laugh and say "Well, you both suck, so you should be glad to be stuck together!" then that is terrible, and petty, and vicious!

If for some reason you wanna have Marinette banter with Chloe about it, at least wait until she isn't in the most vulnerable position possible, baring her deepest trauma while confronting her abuser.

Either way you slice it, Marinette had no right to say what she did! She was either giving harmful advice that she wasn't qualified to give, or she was being downright cruel.

[immunetoneurotoxin]

“Not a soul assigned to their case at the Bureau could make sense of their existence. There wasn’t a single scientist, parapsychologist, doctor, or specialist with over a dozen PHD’s under the sun that could figure them out. Pyrokinesis in a human? They defy every law of nature, yet they exist amongst humanity regardless. How do you explain that?” “The truth is that there are a lot of unknown things out there in the world that mankind hasn't even begun to scratch the surface of. Everyone flocked to this case trying to find rational answers, but there aren’t any. Look at the files in your hands. By the eyes of science, Pyro should not exist. Don’t you know what happens to things mankind doesn’t understand? The Bureau has done sickening things to them in the name of research.” “That’s why I helped them escape, Conagher.”

Excerpt from the novel INCENDIARY; A TF2 Pyro origin story Read the latest chapter of 'Incendiary' on AO3 here! Artwork created by the incredible @narklos ♡