#i am DEEPLY unwell :)

[foodtruckery]

cart holy fuck i am NOT NORMAL about this AT ALL. i am "surprise i wrote 3600 words in one sitting" not normal about this. i am so sorry.

Ford hears the door to his lab open and puts his face in his hands. 

He doesn't have to look to know who it is -- nobody else stops by, unannounced, without so much as a knock, after all. But he also doesn't want to see Constance's face when he breaks the news to her. She's going to be devastated, and it's going to be his fault.

Not for the first time since he started working on this latest compound, Ford deeply regrets having produced the first one.

It's his own fault, he knows that. Even if he hadn't meant for all of this to happen, he has only himself to blame. Stan hadn't asked him to spend two and a half weeks obsessively formulating a topical ointment that would reduce the visibility of cellulite.  He did that himself, unprompted. All because his sister had been a little upset.

But she wasn't just a little upset, was she? a traitorous little voice whispers in the back of his mind.

Stan had never cared enough about locking a door, and after so many years of sharing so little space, she had a distressing lack of concern for being seen in her underthings by her brother. Ford would complain more about that if he wasn't--

Well.

Walking in on Stan half undressed wasn't a novel occurrence, was the point, no matter how certain base functions of his physiology always wanted to treat it as such. What was novel, however, was walking in on Stan scowling at her reflection in the single full length mirror the apartment housed. And not her angry scowl, either. It had been an expression that Ford recognized, one that he knew meant Stan was upset by something but found being angry about it easier.

He didn't have to ask. He didn't even have time to offer up a performative apology for interrupting before Stan asked:

"Do my thighs look bad?"

Ford distinctly remembers the question because he'd been staring at the reflection of those thighs when she asked it. Luckily, so had Stan, so she'd missed the way he turned as red as her work blouse. She'd been standing with her back to the mirror, twisted around to get the best view of the back of her thighs. Her completely bare thighs, uniform skirt tossed haphazardly over the back of a chair and the cut of her panties horribly narrow.

"Wh-What?" Ford croaked.

"My thighs! Do they look bad?" Stan had asked again, turning away from the mirror to turn her 'upset but pretending to only be angry' scowl on him.

Ford remembers swallowing down all the things he'd wanted to say -- about how her thighs were perfect, about how much he'd always wanted to feel them, wanted to see the way they'd look and how much they would give with the divots of six fingertips pressing against them. Other things he'd thought about pressing between them--

"Since when do you care what I think of your thighs?" Ford had asked instead. "Didn't you tell me last week you'd bought shorts specifically to, ah, show them off at the roller rink?"

Stan had grabbed her lower lip between her teeth and, graciously, turned back around to look at her own reflection instead of the increasingly uncomfortable state Ford found himself in.

"....Yeah, I guess I did say that."

"Then why do you think they look bad now?"

Stan huffed, planting her hands on her hips and pushing her lower lip back out in a way that drew entirely too much attention to it.

"I didn't!" she said firmly. And then, with uncharacteristically less certainty, "I don't."

That had finally shaken Ford out of his decidedly unbrotherly attention. "Stan?"

"Ugh, it's so stupid," she said, turning away from the mirror to snatch her skirt off the chair. "Some grody spaz at work said I had cottage cheese thighs."

"What?!"

"I know, right?" Stan had laughed while yanking her skirt back up, but there wasn't any humor in it.

Ford frowned. "It's not like you to let one ignorant customer get to you like that," he said, and the silence that followed, Stan's pointless fussing with the waistband of her skirt, had been telling. "...Was it more than one customer?"

She'd shrugged, still not looking at him. "Group of 'em. All got a laugh outta it."

"Stan, I--"

And then she'd tossed her hair out of her face and flashed him the gap in her teeth. He remembers her lips forming the shape of a smile but her eyes had been shiny, the skin around her neck and ears ruddy with embarrassment.

"Eh, don't sweat it, Sixer! I'm not gonna get bent outta shape over a couple of wannabes taking potshots at the waitress."

But she had, and Ford knew she had. He knew it in the way she wore stockings to work the next day and how she chose jeans instead of her new shorts to go skating in. He also knew, with less immediate evidence but with the same certainty, that it wasn't just a shitty comment from a stupid customer at the diner that was upsetting her.

It was being on the other side of the country and still having stupid customers at a diner. It was so much of her being pressed into so little space, carved out in the margins of Ford's college experience. The Stan that still believed they would sail away from New Jersey together would have found a whole tub of cottage cheese from the cooler and upended it on those idiots.

The Constance that had been sent with him to Backupsmore was folding in on herself more and more as the days dragged by.

Ford knew he couldn't fix the second problem, the bigger one. And he also knew that creating a cosmetic to reduce the visibility of her cellulite wouldn't necessarily fix the first problem, either. But it felt like the very least he could do, to give his sister a shield. A bit of her confidence back. 

To the chagrin of their mother, Stan had always been loudly and unapologetically confident in her body and the attractiveness of that body. The idea that something as ridiculous as the texture of her thighs could be unspooling that core tenant of her?

Absolutely not.

So Ford had spent the next two weeks taking every advantage of his chemistry labs and his star pupil status, studying and mixing and studying and mixing. It had been over two weeks away from his personal projects and had cut tremendously into his time to prep for the third theoretical physics elective he'd been considering. But the look on Stan's face when he'd finally handed over the unassuming little tub of ointment had been well worth every minute spent pouring over cosmetic compounds.

He wasn't surprised that it worked. After all, he never would have given it to her if it hadn't. But he was a bit surprised by how well it worked. Or at least how well Stan insisted it worked. Honestly, the back of her thighs were just as appealing as they had ever been. And when she'd grabbed him by the wrist and yanked one of his palms to land entirely too high on the back of her leg, supposedly to feel the new smoothness of her skin, Ford truly hadn't been able to feel anything beyond how warm and soft she was.

He also hadn't heard a damn thing she'd said while his hand was glued just under the curve of her buttocks, barely two fingers away from the scalloped edge of her panties. He couldn't remember what Stan said, but he absolutely remembered how stark the emerald green of her underwear had stood out against her skin.

And when Stan had beamed properly up at him, showing off the gap between her teeth and the bright, hopeful shape of her eyes, and asked if he could make more, how could he say no?

He'd missed the part about selling the stuff. He'd missed it right up until Stan turned their tiny dinette into an impressive packaging station, all pleasantly pink boxes and customized logos and flyers boldly inviting women to "MAKE A RACKET."

".....Constance this...this is a racket," Ford had protested weakly when she explained the business model -- Mary Kate and Avon if they were run in as tight of a loop as Amway.

And she had grinned at him over a mess of pink and white shredded filling paper. "Exactly! That's what makes it funny," she'd said. "But don't worry, we're gonna market it like one of those ‘well behaved women rarely make history’ kinda slogans."

"We?"

"Of course! Someone's gotta make the product," she'd said, easy as you please. And when Ford had displayed some visible sign of hesitation, she'd stuck that lower lip out at him. "Oh, c'mon, Sixer. I already got four girls at the diner who want in after I showed 'em how good your stuff was!"

And then, softer, picking at the crinkled strips of paper between her bitten down nails, "If it doesn't work out, I promise I'll drop it. But I just...wanna try something different, you know? And I can't do it without ya. Please?"

And that's when he'd realized that maybe, just maybe, he could fix the second problem. The bigger one.

How could he say no?

But that had been nearly eighteen months ago. And now, hunched over his desk with his palms pressed hard over his face, Ford knows he should have said no. Because Stan had been so good at it. She had taken that little tub of cream, gotten a veritable gaggle of women hooked on it and convinced that gaggle that they should have a flock of their own. Once all of them had gotten accustomed to beating back basic biology, it was hard for them to go back.

And then Stan started cutting product size, raising kit prices, and introducing new merchandise to keep them on the hook without forfeiting an inch of her profit margins.

But the new merchandise was carefully selected and strategically introduced. Over half of the MAKE A RACKET catalog didn't do a single thing it advertised. They were largely white label products, purchased at viciously negotiated wholesale prices, and resold with a cheerful pink logo and an exorbitant markup.

And yet, Constance Pines had a devout, cult-like following of bored, suburban women who swore they saw results with every product, and who convinced other, gullible suburban women to pay into the funnel.

Because some of the products did work. The cellulite cream had never lost popularity, and it was regularly pointed to as proof of the effectiveness of the whole bunk catalog. Alongside it, their hair thickening oil and line-reducing eye cream (which was just a smaller amount of the cellulite cream but colored pink) produced real, noticeable results. And so long as Stan had one legitimate product she could throw in for every five or six scams, the triangularly shaped market under her continued to grow.

And that was exactly the problem.

He hears Stan making her way further into the room, her shoes clicking louder than normal, like they're out to drive the nail into Ford's proverbial coffin on his behalf. He slumps further in his seat and wonders if he still has time to slink completely under his desk. Maybe he can buy himself a few more hours before he has to admit that he can't do it.

And that's the double-whammy, isn't it? It's bad enough that he's going to disappoint Stan, that he has to tell her that he doesn't have the new product he'd promised for the winter catalog -- the Christmas catalog.

But he also has to admit that he's failed.

Either oblivious to his mounting dread or simply unwilling to give him a graceful out (either is possible with Stan), he hears her come to a stop on the other side of his desk.

"So, whaddya got for me, Poindexter?"

He swallows, twice, before he can make the words come up. He doesn't lift his head. It's a coward's choice, he knows, but it's the one concession he allows himself. Without a proper hit to drive sales and pull in new "Racketeers" through the Christmas season, the likelihood of MAKE A RACKET maintaining its trajectory falls off a cliff. He's going to single handedly force his sister back into her waitressing uniform, and it's going to kill him.

"....Nothing," he says. He intends to be blunt and to the point, but he finds he's whispering to the desktop instead.

"Huh?"

"I don't...Stan, I don't have anything for you," he admits, voice and spirit meek. "I can't make it work."

Ford hears her shoes again, circling around the desk, and he manages to catch a brief, blurry glimpse of them - heels, she's wearing heels, oh god since when? - before he screws his eyes shut. And there's shifting, and he's painfully aware of the warmth of her next to him.

Even still, the hand brushing over the top of his head makes him startle.

Stan plucks off the glasses that have been jammed halfway up his forehead, setting them down with a soft click. And then her fingers come back, stroking lightly through his hair. She's been keeping her nails long lately, the tips delicately painted and questionably sharp. It takes more willpower than he cares to admit not to lean into the scratch of them against his scalp.

"That why you've been holed up down here for three days, smart guy?"

He makes a pathetic, wounded sound for being so easily called out.

Stan snorts softly next to him, and he really can't see what there is to be amused about. He can't even properly appreciate that, when she shifts, it feels like she's sitting on his desk by his elbow.

"Well, I see a whole lotta bottles down here, Ford. What's wrong with 'em?"

He sighs, opening his eyes to stare down at the desk -- and out of the corner of his eye he can, in fact, see a curved, charcoal shape that's probably Stan's slacks.

"I can get the formula to reduce fine lines, and I can get it to provide about twelve hours of pigmentation in six colorways."

Stan gives a curl on top of his head a sharp tug. "That's what I asked you for, dummy."

"But," Ford stresses, sighing. "The texture is...wrong. I can't maintain the degree of fine line reduction with a gloss texture. It keeps coming out too thin."

He feels Stan shrug beside him. "Okay? So I call it a lip oil instead. Is that really what you've been moping over?"

Ford shakes his head miserably, and this time when Stan runs her fingers and her long nails through his hair, he does lean into it.

"It...it has a..." he rubs one of his hands down his face before dropping it to the desk. "Numbing effect. On the lips. I can't get rid of it."

The hand in his hair doesn't stop stroking, but Stan does hum quietly above him, thinking. He swallows, hard, and risks glancing up at her.

He swallows again. Harder.

He wishes he had his glasses on.

The charcoal color he'd caught a glimpse of had not been a pair of the tapered, smart slacks that Stan's been wearing lately. It's a suit. It's a slim, short skirt that, sitting on his desk with her legs crossed the way she is, has ridden so far up her thigh that he swears he could make out the color of her panties if they were crossed the other way. Or if he leaned back at the right angle.

Her matching blazer is narrowly cut, exaggerating the divot between her waist and hip in a way that makes Ford desperately want to reach out and fit his hand to it. It's so narrowly cut, in fact, that Ford is temporarily struck stupid -- he does not remember Stan having such a distinctly hourglass shape around her soft midsection, but there is a very clear angle being created with her clothes.

It takes entirely too long for him to realize that there's a corset underneath the blazer. He can just barely make out the boning without his glasses. But devastatingly more distracting is the way that all of Stan's significant curves have been shifted. Stan's...bossom has certainly never been lacking by any means, but cradled in something more structured than her cheap bras and bracketed by the crisp lines of her lapels...

Ford's mouth is horrifically dry.

It is also, apparently, hanging open, because when Stan finally looks down at him, she takes her hand out of his hair and chucks the underside of his chin with a smirk.

"You're gonna catch flies, Sixer."

"I-- Sorry. You look, uhh...n-nice?"

Stan laughs at that, a round, boisterous sound that doesn't fit the sharp little suit but absolutely fits the round, boisterous shapes of her. "Really? Cause you kinda said it like you're not sure I do."

"N-No! No," he says, grabbing his glasses and shoving them back onto his face hard enough to twinge the bridge of his nose. "You look....really nice," he says, mortified by how breathless he sounds.

But he can hardly help it, not when all of Stan's soft, blurry edges have suddenly snapped into perfect clarity. The sharp lines of her suit, the tauntingly high hem of her skirt, the exaggerated shape her cleavage makes above the corset. And now, with the ability to notice the details, he can see the faint edge of her pantyline through her skirt when she shifts, and the delicate gold chain tracing the swell of her breasts where it's looped around her neck.

"Aw, thanks," she says, her tone teasing. "I'm gettin' my picture taken for the new fliers, so I figured I should zhuzh it up a bit, y'know?"

Ford doesn't but he nods anyway.

The mention of the fliers, though, remind him that he's miserable. He snaps his eyes away from the necklace and, with difficulty, past the very plum shape of her lips.

"Constance. Without this lip product--"

Her fingertip touches his mouth and Ford goes very still, unable to help glancing down towards the pointed, red tip of her nail.

"Just nod yes or no, Sixer," she says, leaning towards him in a way that makes the chain slide over her chest and pool against the crease where her breasts are tucked tightly against each other. "Since it's a lip product an' all, is it edible?"

Ford furrows his brow and tries to open his mouth to explain the nuance of that, but Stan raises a second finger and presses them both against his lips to stop him. "Just nod," she repeats.

He considers it for a moment, unsure what this has to do with anything. It certainly isn't food grade, but a lip product does have to assume a certain amount of consumption. And he's fairly confident that there's room for a few adjustments that will put them more safely in the "edible" category. So he nods.

Stan flashes the gap in her teeth at him, her smile bright and delighted, and he immediately misses the feeling of her fingers when she takes them away. "Perfect!"

"But...Constance, that doesn't address the numbing factor," he protests.

"Good! Don't change that at all, that's gonna be the selling point," she says, hopping off the desk and doing a horribly distracting little shimmy to get her skirt back down the generous shape of her thighs. His palms itch to find the skin she'd let him touch before.

"I don't understand how that won't be a turn off for potential customers," he manages to argue, briefly irritated by her nonchalance, though it’s hard to track that feeling under everything else.

Stan spins around on her heel to face him. Ford had no idea she was this adept at walking in high heels. Even if they aren't terribly tall, it's impossible for him not to notice the way they elongate her legs and make her stand just a touch higher than he's used to looking when she comes down to chat at his desk.

"You leave the messaging to me, Sixer," she tells him, reaching to straighten the edges of his sweater vest. And then, before he can prepare himself for it, she swoops down and presses a plum colored kiss to his cheek, just a hair too close to the corner of his mouth. Just close enough that he'll be able to touch the tip of his tongue to the stain later.

"I knew I could count on you!" she says when she pulls back, the clicking of her heels already taking her away from the desk, her voice laughing on its way across the lab. "Don't worry! I guarantee you there's a huge market for a lip oil that might numb your throat a lil' if you swallow it, if ya catch my drift!"

The lab is achingly quiet when Stan leaves. And Ford is left aching and quiet in return. There's a spark of relief that he has not, in fact, ruined his sister's multi-level marketing scheme. But it's hard to relax into that relief when he can still feel the slip of her lipstick against his cheek and the drag of her nails over his scalp.

Groaning, Ford puts his face in his hands and does slink underneath the desk this time.

Please, I have so much love for your fem!stan, please tell me your thoughts about fem!mulletstan, or fem!drifterstan. I once read a fanfic where Filbrick kicking out Stan was just a scare tactic, I imagine he’d have the same sentiment for a female Stan as well, but he’s too prideful to go get his little girl after it backfires and she doesn’t come back home.

Meanwhile, Stan’s determined to prove she’s just as capable as any boy after years of being undermined for being born a girl! Even so, she’s not above using her feminine wiles to sling her FDA acknowledged merchandise, after all sex sells. Eventually she soon realizes that sex does indeed sell.

OOOHH Anon, tesoro, SAPESSI! You have no idea how happy your messages makes me, because you’re enabling me to YAP about my favorite topic, that I’ve been thinking about A LOT. Thank you so much! WARNING: Stancest is ALWAYS implied/established in my musings. The following lucubrations are no exception. In general, I think fem!Stan would get punished way less harshly than his canon male counterpart. Not that she’s coddled or untouchable- Constance would get hit occasionally, if she acts way out of the line, by both parents. But, I personally don’t think kicking her out would ever be a thing- not even as a threat: Given the time period/culture, the (horrible) assumption that throwing a teen boy out would not only be a punishment, but also a formative experience of sort- to make him self-sufficient- would NEVER be expected to apply to a girl. On the contrary: Constance would be perceived as someone that could NEVER be self-sufficient. Not only because she’s the “gentle sex”, but also because she’s a weird, off-putting dunce of a girl, unlikely to get picked by a wealthy enough- or even honest man that would take care and provide for her. If we were talking about a version of this universe where the machine accident happens like in canon, Constance would receive a slap across the face, as a punishment for what she did, and a particularly heated, demeaning tirade from Filbrick, imo. Now, that said--- I have two main favorite divergences, I’ve toyed with, for fem!Stan's future:

1) A version where Constance did destroy Ford’s machine, on purpose, in a fit of anger, because she’s subconsciously trying to get kicked out: rationally, she is aware how hard and scary it would be to run away from home, and that her family would look for her. But, if they HATED her, not only they wouldn’t feel bad, they’d also take the very hard decision for her, of cutting her out. But, what happens is that- they DO act like they despise her- but still, they won’t kick her out! It’s an outcome so painful and so humiliating, it’s the final straw that makes Constance snap and run away- to basically become drifter!Stan. And, Ford’s resentment and hatred, in this version, not only comes from Stan taking away his chance to go to his ideal College, but also because she abandoned him! Off to live her indecent, dangerous life with some biker- probably- when if, had she been patient for a few years- had she truly loved him as she said- Ford would had been the one to provide for her- spoil her rotten, even. Like, this is a universe where Ford was THE only eldest son, with an implicit duty to be his sister’s protector, and if you add in he’s been in love with her, too… In the 10-years-later reunion, Ford would have this incel-like feeling of pain and humiliation- because his baby sister at his door is wearing a miniskirt, and her hair is cut so short, and it’s evident she’s not that innocent anymore. But still, as tired and battered by life as she is, Constance would still NOT be begging Ford to be her savior and mer-- and let him take care of her! [Complicated incestuous tension ensues].

Version number 2) Constance accidentally destroyed Ford’s machine, just like in canon- but doesn’t get kicked out and- since she’s a girl and Ford is more protective and softer, after some silent treatment, he forgives her. And actually, he uses what happened to his advantage, to coax Constance into following him to Backupsmore: "it’s gonna take him so much more time to become successful, now that he’s relegated to that college, meaning he and Stan would end up separated so much longer! She’d have to remain at Glass Shard Beach all alone, for ages! But.. if she followed him, she could get a job, a room apartment of her own, and… nobody would know them, over there. They could even date in secret." And, Constance would hesitate, because she dreads an unfulfilling future as her brother’s accessory, but also, she is in love with him, and she inevitably internalized part of the sexism she’s been subjected to for most of her life, so… she accepts. Even pumps herself up, gaslights herself into thinking it’s gonna be a fresh, exciting new start, away from her shitty small town. And indeed… Even if the twins enjoy the relative freedom of their romance, far from home, inevitably Constance feels unsatisfied, like she just switched the background, but she’s still working as a waitress, doing nothing she truly loves, or feels good at. That’s when I like to imagine she ends up messing it up big time, by joining an MLM or something, in attempt to find her own success lmao. AND, it’s complicated, because she does find out she is actually GOOD at selling shit to people. This is her true calling! But, the business was scummy as fuck- to an illegal degree- and she ends up arrested for the first time. And, escapes from prison for the first time. Stan is a chaotic disaster, impossible to contain, in every universe. To make it short, once again the story goes back to its tracks, and Ford and Stan separate dramatically. Now, this version actually had a VERY angsty ship-focused sub-divergent version with Fiddleford involved, and a very jealous Ford. But I don’t even know if you’d be interested in that, so I’ll stop here. ++++ I do love that part of your ask, about Stan realizing she can use her sex-appeal to her advantage... To imagine her seducing people into helping her/condoning her schemes is so fucking sexy~ I will think of a specific scenario, because damn.

[howdify]

TRESPASSER!

[achromatic-bot]

I can't tell whether they are a pair of teenage girls experiencing infatuation for the first time or an elderly married couple because WHAT DO YOU MEANNN dan called him up just for a chance at waving to him from across the city.

[nexischillin]

I will never forgive the person who pointed out to me that Geto always chose Gojo. Even when he walked away, he was still choosing Gojo

Geto wanted to make a world of jujutsu sorcerers where the weak ruled the strong. A place where he and Gojo could live happily without the burden of protecting the weak.

A place where they would have all the time in the world. They were at the right time wrong place, so Geto wanted to make that place.

[jennying-my-thebes]

people who don't like get lonely are probably better off that way because this true despair shit ain't for the weak...

[veyronvenus]

those two twinks from the orange team want me dead

[lesbianslugreaction]

Guys, guys, guys. You don't get it

THE CAPTAIN ASSOCIATES HAVERS WITH WAR, WHEREAS HAVERS ASSOCIATES THE CAPTAIN WITH PEACE

Like, listen: The Captain has always seen their relationship and his feelings for Havers through the context of war. War is the reason they met, the only reason he ever got to know him. And the societal war, the discrimination against queer people, is what keeps him from acting on his feelings. To him, being with Havers feels like fighting two wars at the same time: the very real one they're facing, where they might die any moment, and the more emotional war, the thing that forces him to repress and deny his love for Havers thanks to society's expectations.

Furthermore, the fact that he never fought at the front haunts him. Havers did, though, and the Captain feels like he's broken for not "really" fighting in the war. He feels embarrassment, guilt, and shame because he never got to follow Havers to the frontlines, never got to prove his worth to him. At least, that's how he sees it.

Havers, on the other hand, sees his relationship with the Captain through the lense of peace. Their time together at Button House was undoubtedly the most peaceful he felt during the war. He fights at the frontlines, get injured there, and doesn't see the merit in experiencing the horrors of the frontlines, contrary to the Captain. To him, their relationship is defined by peace; after all, it's only after the war ends that they're reunited. Sure, it ends... badly, but it's peacetime nonetheless, and Havers gets the chance to see his love again. He gets to hold his hand, he gets to connect with his Captain for the last time and he is able to say goodbye in relative peace. A mercy he never had at the frontlines, surely.

Thus: Havers is grateful the Captain wasn't hurt by the war the same way he was, whereas the Captain thinks they should have fought together at the front. Havers was broken by the war, and his Captain was broken by never experiencing it. But maybe they can find peace together, wherever they may get the chance to meet again.

(I hate it here. I am screaming, crying, writing a fic etc. etc.)

[dog-woman]

okay this but imagine it's made by someone who has ever edited a video before and i don't know has any eye for visuals.

house and cuddy and wilson and their whole thing

which is to say, when wilson says he needs you he means he needs us, we need you, you need us, us, us us.

someone do this again but better, please.

[maximura]

[hermanunworthy]

thinking about the parallels to the first time hermie nearly died. "i KNEW you liked me" w/o normal even needing to say anything. now hermie is actually saying the words "i like you too" but normal doesnt KNOW if its true.

[vitzoki]

I WAS GOING TO POST SOMETHING ABOUT IT BEING MY 1 YEAR ON TUMBLR AND HOW CRAZY TIME IS AND WHATEVER AND THEN THIS MONSTERFUCK OF EMOTIONS JUST BULLDOZED RIGHT OVER ME EHAT THE ACTUAL FUCK AM I SUPPOSED TO DO NOW?!?!?

[vildo]

of not letting him know

[leclercskiesahead]

OH MY GOD

[nexischillin]

[that-one-raccoon]

So uhhh,, how we feeling after that new episode?

[thegoldenscheme]

the only reason læraðr doesn’t have more content is because no one wants to spell his name. and to that i say you all are cowards. if no one else will write the fics I WILL