#how many people get to run their first campaign to completion?
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talesfromthebandgeekmafia · 5 months ago
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My weekly d&d campaign of nearly 3 years is coming to an end in another 3 or 4 sessions. Not just because the party is finally in the endgame and stepping up to the Big Bad, but because the living situations of two of my players are gonna be changing in August and they’re not gonna have the space to play anymore. It truly is the end of the era.
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samueldays · 3 months ago
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I see this shit and I wonder: is there, even theoretically, anything which can be done about it in general?
(To back up Domenech, here is the 2021 interview, the clip is taken from about twentyfive minutes in.)
The obvious first problem is the lying. Legally, this is protected by the First Amendment, and one has to clear a high bar of showing specific harm (such as being defrauded) to prosecute lies in America. Socially, it is one of a great many lies being told by a great many liars. Getting just one to stop would be ineffective, getting them to stop en masse would be a Herculean task. Specifically a task like cleaning the Augean Stables.
The second problem that comes to mind is that even if there were a remedy like "Legally compel @harris_wins to issue a correction", such remedies are extremely prone to abuse as a class. It would take law-writing that is both unusually clever and unusually moral to give Vance some way of punishing @harris_wins for this, without also risking collateral damage to speech protections, and exploitations of the power to punish.
The third problem is that an account like @harris_wins is disposable and replaceable. It is not the official Kamala Harris account. It's a sort of credibility-printer or the product of one, that can be spun up, tell loud and flashy lies, and be ditched when it comes under fire. It's cheap chaff, it's moderately polished with the signs and language of journalism like screaming "BREAKING" on everything, and it gets a million views.
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The sort of punishment one can practically inflict on an account like this is only a cost of doing business for whoever's paying the cut-outs and interns and troll farms for Kamala's campaign.
Fourth, I think, is the aggravating nature of this particular lie.
Trump's lies usually involve saying he's the best, he's the greatest, everyone loves him, he'll fix all your problems, et cetera, which are colloquial English for him being moderately above average, some people love him, he might mitigate a couple of problems. I'm autistic and I dislike the way people casually lie in ordinary speech and say "it's hyperbole", but it's hard for me to feel any extra hate for Trump over exaggeration-to-the-point-of-falsehood when it's so common.
Whoever is running @harris_wins does not have the hyperbole excuse. This is not partial support for Project 2025 being exaggerated into complete endorsement, this is a false source and they're claiming it contains something it does not contain at all. Vance never mentions Project 2025 at all (how could he, in 2021?) in the clip, he is saying routine politician things about taking power and replacing the existing ruling class, that is not "Vance completely endorses Project 2025".
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am-i-the-asshole-official · 7 months ago
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AITA for killing my character and quitting a D&D game I was part of?
Apologies in advance but this is going to be rather long, I'll put a TL;DR at the bottom.
So this all started about eleven months ago when I (14, she/they/he) started getting into D&D, and joined a D&D group thanks to a friend of mine we'll call T (14, he/they). The group was made up of about five people total, but the main people in this situation are me, T, and the DM who we'll call N (15, he/him).
Now when I was making my character, T was helping me out by letting me describe what sort of character I wanted and suggesting different races, classes etc to make it work how I wanted, and what we ended up with was a Pact of the Undead warlock. The backstory of my character was that their older brother died defending them from an invasion of the village they lived in.
My character managed to make contact with their spirit in the afterlife and formed a "pact" with them, gaining power in exchange for letting him "look after them" (i.e. keep watch over them from the afterlife, protect them from harm, all that sorta thing). T told me to run the final concept past N but that they were sure it'd be allowed and that the pact idea was really sweet.
So I told N about my character and the backstory idea like T suggested and N seemed really on board with the whole thing, though he wanted to make a few slight changes to things in secret that would come up during the campaign, to make things more exciting I guess.
I told him I was alright with that, as long as nothing about who the pact was with and what it was for changed too much. He assured me that it wouldn't and that he'd get back to me on what changes he was planning, but he never did, and at the time I just put that down to him being busy.
The campaign starts, and for the first few months things are going pretty good. I do notice that a lot of NPCs, in fact nearly every non-child NPC, seems to be flirting(?) with my character, but I don't think too much of it at first, she is a young elven woman with blonde hair and silver eyes and everyone in the group has said that she's very pretty.
It isn't until one of the others who is also playing an elven character points out that they've been on the receiving end of essentially racism towards elves from NPCs who have simultaneously been showering my character with compliments that I start realizing how frequent and honestly rather obsessive it is, and as mentioned, just how many of the NPCs are doing it.
Then we get to T's character arc, exploring his character's backstory and helping them with things that come up. However, there are certain characters that are introduced that, out of character, T reacts rather negatively to, and when I ask him outside of session what's going on he confides in me that N is changing elements of his backstory that he'd told him he didn't want changing. As an example, T wrote that their character's mother was never part of their character's life growing up.
One of the characters we met was the character's mother, who was instead apparently a very prominent part of their life and cared greatly about them "not that they ever noticed". He also changed the character of T's father from "kind and caring man who did his best to raise his child alone and teach them how to defend themselves" to "stubborn, angry and neglectful father that is constantly disappointed in his son", which completely blindsided and upset T.
T also said that he'd tried talking to N about this but that the response had ended up being, to put it bluntly, "I'm the DM so I have the final say in things". This started to worry me, especially when I realized that N had never gotten back to me with his "proposed changes" to my backstory.
So I sent him a message, but because I didn't want to drag T into my own business with N I decided to say something along the lines of "hey, did you ever figure out what you wanted to change about my backstory?". He messaged back and said that he'd figured it out, but that things with school were so busy that he hadn't had time to sit down and properly write it all out to send to me yet, but assured me that he would by the time T's arc was over.
Several more months passed with no further word from N about my character's backstory, and as T's arc wraps up there's this idea that starts getting brought up, of how demons often exploit the grief of mortals to latch onto them and claim their souls by impersonating the dead person.
The others in the group all latch onto this and start speculating about how exactly the demons use impersonation to claim souls, except for T who gives me this rather worried look from across the table, and it suddenly hits me that this is probably meant to be the opening of my character arc.
I pull N aside after the game is over for the night and ask him directly if this is the opening to my character arc, and he says that it is, but not to worry because the demon thing is, to quote, "just being brought up to get the others interested". I remind him about what I told him about not wanting anything to change about who the pact was with and what it was for, and ask him again what changes he's made to my backstory.
He promises he'll have a full list to me by the start of next session, that we'll have time to sit down together and discuss it all even, and that he won't do anything I don't want him to do. Despite my concerns and the fact that he has already said several times he'll send me this list without doing it, I decide, like a fool, to trust him, even though in hindsight I had absolutely no reason to by this point.
The next session rolls around, and of course there's no list, instead a lot of NPCs who start voicing concern whenever my character brings up the fact she's a warlock, or her dead brother, especially if the pair come up in quick succession. One of the other characters figures out what's going on and asks if they can basically cast some sort of spell to determine if a demon's got control of my soul, which N agrees to, and the spell determines that yes, that's exactly what's going on.
I immediately confront N, mid-session, and tell him outright that this isn't fair, that I told him I didn't want him to change this part of my backstory, and I wanted him to change it back immediately or I wasn't going to play anymore. He started on this long-winded response basically summarizing as "I'm the DM, I can do what I want".
This is the part where I may be the asshole, because well, I saw red in that moment, and decided I not only wanted to follow through on my threat of quitting, but also do something to ensure that my point was driven home.
I fired off a quick message to T on my phone warning him what I was about to do, and while the others were talking about what to do to help me I loudly announced that my character was stabbing herself through the heart, which N had previously ruled would be an instant method of death if carried out.
Silence falls over the group. N tells me that I need to roll to see if I even hit, which I argue (with T backing me up) that if my character is willing to get hurt then it's automatically a hit. N tells me that I need to roll to see if I even pierce my heart. Okay, fine, I roll, and as luck would have it I roll a Nat 20. N attempts to send me just to death saves, but I remind him (again, with T backing me up) that he'd ruled that this was an instant death.
So then he tries to have an NPC cleric show up and revive my character, but T brings up that the soul has to be willing to return to life for that to work, and I immediately say that my character wouldn't even be able to consent to that if her soul was held by a demon, nor would she even be willing if she could. Then I tell N directly that he can consider this my official resignation from the group and walk out, and T follows along behind me after a few minutes.
Ever since then N's been blowing up my phone, fluctuating between begging for me to rejoin the group and promising that he'll do things differently this time, and calling me a selfish bastard for "ruining the fun". T still goes to sessions occasionally, though I think now it's just to spectate, and he's said that maybe things went a little far with the character death in hindsight. And honestly, I'm not exactly proud of how I acted now either.
TL;DR -- I joined a D&D campaign where the DM has made unwanted changes to my character's backstory, despite my attempts to communicate with him, so I retaliated by killing my character mid-session and refusing to let him revive her before quitting. AITA?
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wasabijean · 8 months ago
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‼️ART FOR DONATIONS TO PALESTINIAN FUNDRAISERS‼️
Hello! A few days ago I began kickstarting my own personal Art for Palestine Campaign on Twitter, and I’m bringing it over to Tumblr as well! By donating to the fundraisers linked below, I will draw you something!
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Details on how to help are here!!⬇️⬇️
First, send proof of donation to this google form (I require a screenshot of receipt with name, amount donated and who you donated to.)
After receiving your form, I will then DM you on Tumblr, to let you know your place in queue on trello, and the Estimated time of completion for your art! I will send WIPs if asked.
Here is what to expect based on how much you donate, example drawings are in the google form, or search #my-art tag on my blog.
$1 - traditional full page notebook sketches
$5 - digital messy sketch 
$10 - digital clean sketch black & white/monocolor shading
$15 - digital clean sketch with color
$30 - (2 people) digital clean sketch and color
($40 - Three people)
($50 - Four people)
$60 - Clean Rendered Portrait (simple background, bust up)
$100 - Clean Rendered Full body, full background, full color
5. And here is the list of fundraisers participating, please donate to ALL of them, not just one!
Aya & Mohammed - Both torn by the occupation, them and their families are trying to evacuate Gaza. Mohammed is a survivor of IOF imprisonment for 20 days without outside contact.
Farah & her family - A 20-year-old english translator studying at Al Azhar University, Farah is young and has already gone through much. She and her family are trying to cross the border in Rafah.
Mahmoud Mush - A Palestinian graduate with dreams of establishing his Bakery, all his work undone by the bombings. He is determined to rebuild and pursue his dream no matter what.
Dounia Tanani & her family - A Palestinian mother who graduated as a translator and has been left homeless like many others. She and her family are trying to evacuate Gaza and begin a new life to raise her child.
Ahmed Almofty & his family - He is a recent graduate in Gaza with a promising future, and now he has no home or possessions. Ahmed's future relies on rebuilding his families lives.
Sondos Maher & her family - She is a 27 year old mother of three children who runs a family vlogging channel and now is trying to get them out of Gaza.
Nagham & her family - She is a third year medical student in Gaza who hopes to escape to Canada where her Gaza-born brother, Yasmeen, resides. To start her life anew for her and her family, they need to be evacuated!
Issa & family - They are apart of a family of 6, two of which are college students, while their youngest child is 12 years old. They are trying to evacuate and continue their children's education!
Hafez & his daughters - He is a father two young and bright girls, Malak, a 5-year-old with a love for school and his baby Habiba, born during the occupation. Please donate so they stay healthy!
Mostfa and his family – A young Palestinian body builder who has broke many records and set a precedent for his community, he and his family suffers from the occupation and sickness caused by it.
I will add more fundraisers for those who would like to participate, just tell me and I will add on to this via reblog. Palestine will be free, and it starts with helping the people who need freeing.
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atlasofthestaars · 1 year ago
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[MK X READER] New Era - Chapter .004
first part | previous part | next part
Note: I often try to plan out plot points while I’m at work, and I was like wow! I get why Kronika went insane because trying to keep all these plot points (especially the parts where I plan on diverging from canon) logical is wild.
This is the first chapter that doesn’t follow any of the main campaign events at all, so it was a bit more of a struggle to write for, but I hope you enjoy it regardless! There will be more chapters of this, building up the much needed foundation for the champions squad. Don’t worry Lin Kuei fans, there will be a few more Lin Kuei moments too during these times, allowing us to see them again before they disappear for a while during the tournament arc!
Shang Tsung deliberation is up until a week from when chapter 3 was released/aka when the tumblr poll ends. 
Otherwise, I will accept any wants for any other love interests until we get closer towards the Outworld arc since I’m pretty sure all Earthrealm men are already confirmed.
For example, someone asked for Reiko, so here’s a poll for him to gauge interest, AO3 fans, please comment on your thoughts for him!
FROM THE EYES OF ONE WHO HELPED TRAIN SOME NEW CHAMPIONS
Turns out, thinking about the things that worried you leads to overthinking.
Pacing back and forth in your room, you felt the cool wood under your feet. With how much you paced around the room, you were surprised the wood had not been ruined at this point. You paused in your pacing and you looked outside the window to look at the moon. 
You were never a good sleeper, finding it hard to sleep at night. But oddly enough you always found yourself awake for the sunrise due to routine. You often found naps were a good supplement for your tiredness, but some days you would suffer being awake without much rest.
Your memories buzzed around your head too much to rest easy. You paced back and forth once more for a few more minutes until you stopped at the door of your room, briefly considering going and seeing whether Liu Kang could help ease your troubled mind.
Your hand laid upon the handle, the metal knob cool to the touch. Goosebumps trailed up your arm as you stared at the doorknob. You tried to will yourself to move. To finally speak with Liu Kang about the memories that weighed upon you, to free yourself of this silly burn that you brought about upon yourself.
Unfortunately, you could not bring yourself to step outside your door.
You were too racked with guilt to do that.
You were afraid of the idea that you would slip up and mention the many other memories you had recovered, the timeline you were beginning to piece together, and Liu Kang would begin to realize this. You were afraid of upsetting the man who most generously took you in and allowed you to stay by his side despite your odd past.
You did not want to ruin the good thing you had going for yourself.
Your hand dropped from the doorknob. Sighing, you walked over to a particular floorboard and carefully lifted it up. You reached inside and pulled out the leather bound diary that you had found on yourself when you first awoke in this world. Along with it was a pen that somehow, despite the years, had not run out of its smooth ink.
This was your only confidant in the memories you had. Moving towards your desk, you adjusted the lantern in your room to hang over the desk, giving you more light to work with. You stared at your words, trying to look at what you recalled.
Your memories seemed to be linked with those you interacted with, so the Lin Kuei and Liu Kang and the memories surrounding them were the strongest. Even still, you had holes in what should be completed memories. Meeting the new people seemed to patch some of them up, though.
You sighed as you skimmed the pages. They were mostly short phrases describing what you remembered from these brief memories. It was hard to keep them in order since they were random and never in order whenever you got them.
You picked up the pen, spinning it with a flourish before you began to write.
Kung Lao, a cocky monk of the Shaolin with a razor hat. Once was friends with Liu Kang. Seems now he is a farmer and friends with Raiden.
Raiden, Thunder god. Seems to have once been what Liu Kang is now. Mortal now, and a farmer of Fengjian with Kung Lao.
Johnny Cage, actor. Was with Sonya Blade and had a kid. Still an actor, has a different wife, and no kid. 
Kenshi Takahashi, once a blind swordsman with telekinesis and telepathy with a magic sword. Had a kid. Now seems that he has his vision, uncertain of abilities.
You sighed as you put down your pen, staring at the words in front of you. You tried to will yourself to conjure any memories you had of these men previously from just their name. Unfortunately, this just gave you a headache…and not the kind that gave you any helpful memories.
“Damn.” You muttered leaning back in your chair. You had never had control of your memories, even after all these years. They were rather inconvenient and useless, since they rarely gave you any insight on the ones you meet. They’re all so different.
The only constant was their names.
You closed your eyes as you thought of the four men you had written down. Who were they? What was their connection to you? You sighed as you rubbed your forehead, trying to ease the headache you had accidentally given yourself.
Ah shit, you were in charge of training them, weren’t you? Or at least, somewhat.
They were going to be a headache in more ways than one, it seemed.
“So, how, exactly, am I to train the four?” You inquire as you glance over to Liu Kang, briefly noting the way the sunlight landed on his features. It was another morning of watching the sunrise with the fire god. You had gotten a few hours of sleep, at least, before rising to meet up with Liu Kang as usual. A few hours was better than nothing.
You had started off quiet, before natural conversation hit the both of you. You discussed many things, mostly the events of the past few days, before the conversation naturally landed on the new recruits. You found out that they were going to be arriving at the Wu Shi academy in a few days time, giving them enough time to get their life sorted out before they drastically change theirs.
The god looked over to you. It seemed like he had been expecting this question, and you wondered just how easily he could read you. 
“You are to simply oversee their training and test their skill. I know you are not all too familiar with the teaching of the monks, so they shall handle the bulk of it.” He explained, and you found yourself sighing with relief. “Not to mention, I shall also assist when I am able.” You were not ready to have to handle training four grown men, so hearing that you were mostly there to test them was great.
You were good at fighting, at least. It was a skill that people often commended you for. 
Madam Bo often praised you as one of the best she had sparred with. The old Lin Kuei’s grandmaster often found value in the practice you gave his sons. You would never admit it, but you prided yourself on these compliments. 
“That’s good.” You remarked, feeling your shoulders relax. You returned your gaze to the rising sun and the pretty colors that were painted in the sky. You paused, deliberating over the next words that were to leave your mouth. “Why me?” You asked, your voice almost shy. That question had been haunting you ever since you found out about this arrangement back in Fengjian.
“Because I can trust you.” Liu Kang began, his voice filled with certainty. You felt a pang of guilt, your gaze dropping to your hands. Your mind screamed with how you were unworthy of his trust with the memories you found yourself unable to confide in him with. “And I know you will provide a healthy challenge to them.” You chuckled at his words, pushing out the voice that whispered in your head.
“Why are we recruiting these people so late?” You inquired, asking another question that had been bugging you for a while now. You were glad that Liu Kang was a benevolent god, and never seemed to mind your questions. “Would it not be more wise to recruit them earlier since the tournament is mere months away?” 
“Had we sought them before, none of them would be ready.” Liu Kang answered wisely, and you hummed. You knew better than to ask how he knew this, despite the years together there were some things you knew he kept secret, and his innate knowledge was one of those things. You supposed it was just a godly thing.. “It is only until now that an opportunity presented itself.”
“And so you decided that I was one of the best options to train them within a few months?”
“Indeed.”
“You have a lot of confidence in me, Liu Kang.” 
“Should I not?” The god questioned. The tone in his voice surprised you, and you looked over to him instinctively. You were surprised to see such a strong look of confidence on his face. Gently, he put a hand on your shoulder. His thumb rubbed your shoulder comfortingly. Through your clothes and his hand wraps, you felt the comfort of his warmth.
“No, you should.” You said, your voice filled with a bit more confidence. You looked at his face, feeling oddly proud of yourself to have earned the god’s confidence. He nodded, seeming content with the shift in your attitude. “I shall do my best.” You said, bowing for the man.
“I know you will.”
“How are you boys doing?” 
Striding into the courtyard of the Wu Shi academy, you looked at the four recruits. You noted how each of them wore the uniform, and how it all seemed to fit them, more or less. You walked with confidence in front of them, imbued with the words you had been given before from Liu Kang. 
All of them were various degrees of exhaustion. Not surprisingly, the actor seemed to be having it the roughest. He was still fine, but it was easy to tell he was the most winded out of the four. You assumed his luxurious lifestyle had something to do with it.
You sucked in a breath as you fought the massive headache these four were giving you. Being stuck with overseeing their training, you assumed you’d be having this feeling a lot. It was no matter, you’d simply sleep it off right now.
Strangely enough, despite the intensity of the headache, you were unable to glean any memories easily. Probably something to do with so many people trying to resurface at once.
“Training has been rigorous, but enlightening.” Raiden replied, his face flush from exertion, and you noted how out of the four he was one of the ones faring a bit better. You assumed it was because he wasn’t underestimating the monks’ intense lessons. You smiled at him, nodding.
“Good, as it should be.” You said, humming as you clasped your hands behind your back, observing them all. Despite their tired state, you could tell they were at least eager. “As Lord Liu Kang has said, I will be partially in charge of your training.” You grinned at them, seeing them perk up at your words. “Today will be a…benchmark to see where your skills lie.”
“Who exactly are you again?” Johnny asked, still hunched over slightly, hands on his knees as he looked up at you. You saw the slight glares from the others, probably because they saw his words rude. He put up his hands defensively. “Hey, I didn’t get a proper introduction like you guys did.” He defended himself.
“Don’t worry, I don’t take offense.” You chuckled, shaking your head. You said your name, clearly and loudly so the others made sure what it was. “I’m a companion of Lord Liu Kang, and he has entrusted me with overseeing your training.” You explained before clearing your throat. “I’m not one for lectures, so I’ll get right to it, who wishes to go first?” 
The four looked amongst themselves, seeming to deliberate amongst themselves silently on who would face this challenger they’ve never seen fight. You let out a silent chuckle, wondering how they sized you up. Eventually, you watched as Kung Lao strode up to take the challenge. 
“Let me show the others how it’s done.” He declared, seeming confident. You saw the small smirk on his lips, and in return you smiled graciously at him. You gestured for the others to step to the side, and you watched as a few of the monks gathered around to watch. The monks were no stranger to your fighting prowess.
“Bold.” You commended, nodding as you walked into place with Kung Lao, settling into the all too familiar fighting pose that you were familiar with. You watched as he mimicked your actions, settling into his as well. “Now, allow me to show you why I was entrusted with this task.”
You watched as Kung Lao approached, confidence in his strides. Almost too confident. You held a defensive position. The point of this test was to gauge their abilities, so acting on the defensive first would allow you to see what their confidence and skills on the offense were like. 
As he swung the first punch, you blocked it with ease. You supposed it was a bit unfair, having already known what Kung Lao’s fighting style was like after watching him in the teahouse along with the bits of memories you had of him. You allowed him to attempt to break your defense more, noting how he had a strong emphasis on his punches with their quick nature.
You had to commend him on his confidence, he knew he was a strong fighter. The farmer had a lot of potential.
It wasn’t until his major slip up with throwing a rather risky punch that you decided that it was time to go on the offensive. Ducking under the move, you went for a sweep, knocking the man off his feet. You waited until he got back up before you grabbed him. Taking him off his guard, you brought him close as you winded your leg back.
As you sent the kick flying into his stomach, you transformed your leg into that of a secretary bird’s, allowing you to put even more power than you would have normally.
“Holy shit!”
You disregarded the actor’s exclaim as you watched Kung Lao fly back, tumbling from the strike. As he stumbled up, he seemed surprised before hesitantly approaching once more. This time, he utilized more caution as he swung at you, trying to even employ the technique of grabbing you like you had. Easily you shoved him back, retaliating by whirling around and transforming yourself to have a kangaroo’s tail which you swung at him with.
This back and forth went on for a bit, with Kung Lao being easily fended off by you before he eventually conceded, calling for surrender.
“You fight well.” You commend, bowing towards Kung Lao. He did the same as he panted, nodding as he caught his breath. You stood up to look at him as he gestured towards you, a look of awe on his face.
“I am amazed at your transformation skills.” The farmer admitted, looking at you up and down with amazement as he continued to catch his breath. “Is it possible to learn that?” He asked, almost too eagerly as he walked over to the side to rest up.
“It is a skill I was born with, so unfortunately I cannot teach you.” You told him, grinning as you held out your arm to transform it into a bear’s with its claws out. “I have the ability to transform any part of my body, and all of me, into an animal.” You explained as you transformed your arm back as easily as you had changed it.
“Now, who is next?” 
You causally stood there, only having barely broken a sweat as they stood to the side, catching their breath. A pleased look appeared on your face as you crossed your arms, noting how they each fought. Today you had gone easy on them, being more defensive than your usual aggressive fighting style. You surmised they’d only have a few bruises each because of this. You tried to stay away from anything that would rip and tear.
Honestly, your memories had been helpful for once. They helped clue you in on the fighting style of each man, the odd exception being Raiden who felt pretty different than the man you remembered. It was nice to know what to expect, unlike the first time you had fought the Lin Kuei in training…
Kung Lao had been interesting, being the most confident in his strikes and fighting style. That matched with his speed allowed you to see where he truly shone in his fighting. Taking defense against him was a challenge due to how swiftly he struck, but being able to defend well proved useful as you could counter him when he was left vulnerable after a failed attempt at breaking your defense.
You hummed, recalling how this version of the man lacked the iconic razor hat you remembered. You wondered briefly if you should suggest it to him, or if it’d be odd. You also noticed how despite his confidence in this life, he was at least a bit more humble than when you remembered him last.
Johnny Cage had been unique, his fighting style more flashy and all in than what you were used to. It felt like it should be impractical from just watching it, but the man made it work somehow. He also had interesting evasion, which almost took you off guard. You think you could definitely work with it, especially teaching him how to better evade the opponent since he seemed to grasp that concept well already.
Your eyes looked over to Kenshi. Kenshi had been odd to train with since he wielded a sword, and it felt like he had the most experience in fighting. Your eyes trailed down to his hands, noting the tattoos that littered his hands. You remembered how Liu Kang had briefed you in on his past. A yakuza…that explains the calculated way he fought. 
You wondered if you’d ever have to deal with the telekinesis you remembered he had in his past life.
Raiden had been the most different from his past life. In both his fighting since he lacked the lightning powers you remembered so strongly, and how he carried himself. He was not as confident as you hoped, despite the obvious skill he had.
You’d have to work on that with him.
“Excellent work for day one with me.” You congratulated, causing the four men to look at you with varying degrees of confusion. You guessed they thought they had done not so well due to how you had battled them off easily. “As I said, this is a benchmark, so I know now how to best advise where to take your training, especially since the tournament is mere months away.” 
“That was a benchmark?” Johnny Cage asked, sending you a disbelieving look. He had been one of the ones you had ended up fighting the most before he conceded. He had been stubborn against you, and you don’t know whether that was foolish or something to be commended for. Maybe it was both. “You kicked our asses.” You chuckled as you grinned at him.
“Did you expect anything less from someone who is allowed to stand by the Fire God’s side?” You asked, a hint of playfulness in your tone before you observed them once again. “We’ll meet again tomorrow after your training with the monks. For now, you are all dismissed.” You said, bowing towards them, your hands forming a fist into your palm similarly to how Liu Kang does. 
You turned around, intending to go back to the Fire Temple for a well deserved nap, especially since the headache was getting nearly unbearable at this rate. Then, you heard your name being called. Turning around with a raised eyebrow, you watched as Johnny jogged to catch up with you.
Your head pounded as he neared, but you at least felt some relief as you felt a few more memories resurface.
You recalled how he had been very, very arrogant as a younger man. He had brazenly had his name tattooed across his chest, and for a moment you allowed your head to dip to his chest, curious if he still had it in this life. Somewhere, after what you could only remember a big event as a tragedy, you remembered he mellowed out. 
You wondered how this one’s attitude laid on those scales.
“You know, you’d be a hit in Hollywood.” He told you, his breath still heavy with exertion. You raised an eyebrow, surprised at his words. You weren’t all too familiar with what he was talking about, but you assumed it had to do with his acting background which you vaguely remembered.
“Really?” You asked, holding back a chuckle as you looked at him with amusement. Even across the world, he was still thinking about his acting career. “What makes you say that?” You inquire, deciding to entertain his thoughts. 
“People dig animals,” The actor started off, gesturing to you, “and not to mention how much you’d be valued there for being able to act as any animal?” He continued, acting as if he were trying to sell you on the offer. “Directors would be hitting you up left and right.” You felt yourself grin a bit more at his praise, but reminded yourself not to get caught up in his flattery.
“Are you implying I’d only be adored for my animal side? And not my own charisma?” You asked with faux offense, deciding to try and tease Johnny. You were surprised how he didn’t even flinch at your words and smoothly replied.
“Nah, you got that and more.” The actor admitted, shrugging as he pointed at you. “but it’s not often people meet an animal shapeshifter.” He pointed out with a nod, making you nod. “So if anything is your claim to fame, it’s that.”
“You’re interesting, Cage.”
“So I’ve been told.” The man replied wittily as he grinned at you, eagerness shining in his eyes. “So, you interested in becoming a star after all this blows over?” It was an innocent seeming question, but you narrowed your eyes, not certain on the intention of the question.
“Why are you so interested in my career path?” You inquired, your tone a touch more serious. You glanced over to see where the others had gone. All gone. No one to save you from this man’s questions. You crossed your arms as you gazed at him with skepticism.
You were hit with a wave of nostalgia as your mind reminded you all of a sudden how he had offered a similar gig in your past life.
Some things never change.
“Listen, I talked with Liu Kang, this shit has movie written all over it.” Johnny Cage decided to be a bit more transparent with you. You raised an eyebrow, and gestured for him to go on. “I think if what he says is true, I can make a box office hit!” He gestured towards you eagerly. “And I think you have what would make this movie superb, my friend.”
“Interesting…I’ll have to pass though.” You said, shutting him down. You watched as his glee dropped a bit, and you started to walk off. You were surprised as he still walked over to try and cut you off.
“Come on, hear me out-”
“Not right now, Cage.” You replied, putting a hand up to silence him. He huffed and you could tell he held back rolling his eyes. You sent him an unamused look. “Perhaps focus on your training first, then we can discuss it.” He perked up, and you decided it was best to start to walk off before he can try and talk to you about his movie shenanigans again.
“Really!?”
It was another sleepless night.
Sighing, you swung your legs over the side of the mattress as you sat up. Perhaps you should stop trying to take naps and fight through the sleepiness so you can actually sleep at night for once. You sigh as you slump over, rubbing your eyes.
You should go outside, maybe do something productive. It’s been a few days in a row of this, you had to try something.
Not knowing exactly what to do, you followed your sense of wanderlust. You left your room, down the halls and out the building. From there, you left and found yourself standing at the entrance of the Fire Temple. You hesitated as you stepped out onto the dirt path, hearing the rocks crunch beneath your feet.
You’ve never left in the middle of the night.
It’s not like you had a curfew, or that you had any promise to stay inside the Fire Temple at night. Far from it, you remembered how Liu Kang told you that you were allowed to come and go as you pleased. That was long ago. You never thought much of his words, thinking you would never stray far.
You wouldn’t, but you figured there was no harm in going and walking off your restless energy instead of staying cooped up within the Fire Temple.
With a burst of anxiety and what you could barely consider courage, you walked on. You followed what felt like an invisible trail, until you found yourself standing in front of the Wu Shi academy.
Strange, but you supposed maybe you could train. Walking carefully into the academy, you made sure to be quiet, as to not disturb the monks with any noise near their sleeping quarters. You found yourself making your way towards the training grounds where you were surprised to hear the faint noise of training.
Transforming your ears into bat ears, you tried to hone in on the sounds. You furrowed your eyebrows as you stood still, trying to make sure the person was not a threat, and if you could recognize them. You blinked as you suddenly came to a realization.
You walked quietly, making sure to follow the lessons Madam Bo and Bi-Han had pushed onto you to remain quiet and stealthy. Be stealthful as the night, and as deadly as the dawn. You peered from around a pillar, and spotted the person standing there alone, and you confirmed your suspicions.
It was Raiden.
You watched for a few minutes, changing your eyes to those of owl eyes to see better in the dark, to better observe. He was going over the basics, ever diligently. You pursed your lips, raising an eyebrow. You had thought he had been more…feeble, being more reserved than Kung Lao. And yet, he was here, training in the dead of night.
What a peculiar man.
After a few more minutes, you watched as he made a critical error in his form. He didn’t seem to notice, and you sighed. He kept on training, repeating the error. You cringed. That was going to form a nasty habit, and if you were to be the mentor Liu Kang trusted you to be, you couldn’t let that happen.
Moving out of position, you slinked closer towards him, stopping to lean against a pillar that was only a few feet away from him. You changed your eyes back, letting your eyesight return back to normal. You felt the all too familiar feeling of the headache return, and you grimaced.
Your memories for Raiden were confusing. He was like a completely different man in almost every way. If your memories didn’t trigger in such specific ways, you wouldn’t believe the man that appeared in your head was the same one that was training in front of you.
Maybe because he wasn’t the same man.
“You’re doing it wrong.” You spoke, your voice ringing clear in the quiet courtyard. You watched as Raiden jolted from surprise, stumbling as he whirled around in a fighting stance to face you. You smiled at him as you held your hands up. “Relax, Raiden.” You said softly, to try and calm him down from the sudden shock.
“Why are you…?” Raiden began, eyes wide in confusion as he stared at you, not processing the situation quickly. He swallowed as he tilted his head, mouth open as he tried to muster up the words to speak. You brushed off his confusion, gesturing to his stance. 
“Your form was off.” You comment, gesturing to his body and pointing towards where he exactly had been incorrect. “You were practicing with it being wrong. That’ll be bad practice for you.” You point out. You watched as he tried to correct his form, and you hummed, gesturing to instruct him on how to fix it. As he finally shifted back into a proper stance, you nodded. “Better.”
“Um…thank you.” The farmer boy said, his awkward feeling at the situation obvious. Not only did it show on his body language, but it was shown plainly on his face. You had a feeling this man couldn’t obscure his feelings for the life of him. 
It was good to be honest, but you were worried it might work against him.
“I have trouble sleeping at night.” You explained, crossing your arms as you sighed. Your eyes looked down at the ground as you noted how the moonlight fell and illuminated the area around you two. “I decided to go on a walk and wound up here. I thought it might be nice to try and train, then I saw you out here.” You looked up, and gestured to him.
“Oh.” Raiden said after a few moments of silence. His face flushed as he put two and two together that you were asking for him to explain why he was there too. “I…uh, couldn’t sleep.” He admitted, looking down to the ground in defeat. “It’s different here than in Fengjian.” 
Ah. Homesickness.
“I see, so you decided to try and train and work off your restlessness?” You inquired, tilting your head as you tried to gauge his reaction. He paused, considering your words for a moment, before nodding hesitantly.
“A bit.” He said, nodding his head. “But I was also thinking about our sparring today.” The farmer admitted. You blinked in surprise, and nodded, wanting him to go on. “I just wanted to go over what the monks taught us today, so next time I would fare better against you.” 
How humble and sweet.
“While I admire your determination, there’s two problems.” You said as you kicked off the pillar you had been leaning against. You strode over to stand closer to Raiden, gesturing to him. “One, you must be diligent in your forms. Practice without purpose only builds bad habits.” He nodded eagerly, seeming to take your words seriously. “Second, there is a thing such as over practicing.” 
“I see.” Raiden said, letting your words sink in as he nodded. He stared at you with a mixture of admiration and attentiveness, and you smiled. Quickly, he bowed in appreciation. “I’ll keep this in mind, thank you.”
“No problem, what kind of mentor would I be if I let you practice such horrible habits?” You inquired, crossing your arms. You observed the man a few moments more, and you sensed that neither one of you were quite tired enough to go to bed. “I have a feeling neither one of us is ready to sleep, would you like me to run you through the forms again?”
“Yes please!”
Maybe you were cut out for this after all.
part five
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yellowraincoat · 6 months ago
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I wonder sometimes what the L&Co crew did after they aged out of having the sight. Obviously Lucy makes some mention of them helping DEPRAC clear the other side and you can help with that even w/o sight thanks to the Orpheus society, but I don’t imagine they did that forever or even full time.
I’ve actually thought a LOT about what I think they end up doing as adults so… here’s an extremely long post about it:
George’s path is obvious to me. He becomes a foremost voice on the nature of the problem, and he’s able to go to Oxford for university (or the most prestigious UK university still running) on this basis. He gets a degree in history and goes on to a PHD. He then dedicates several years to writing a complete, multi-volume, history of the problem/agencies/corruption/visitors (which will go down in history as THE TEXT about the problem)
… I’ll put the rest under the cut bc this is fr going to be lonnnng
We also know from the existence of Lockwood and Co the books that Lucy at some point metatextually writes a memoir detailing the antics of Lockwood and co. (Which, go off girlboss, she did a great job.) For Lucy’s career path, I imagine that she is a formal DEPRAC partner for a time goes to the other side more than any of her other L&Co colleagues to help out.
This may be a weird take, but I also think that Lucy’s relationship with the Skull and all the weird experiments on ghosts she witnesses lead her to go all GHOST RIGHTS. She campaigns for seeing ghosts differently and repsecting the dead and works to get DEPRAC to create better regulations for how sources are treated when contained and advocates for figuring out how to release them to the other side rather than destroying sources as a first move. Idk I think it suits her relationship to ghosts; she’s definitely more invested in their humanity than other agents.
I don’t think Lockwood would try to hire young agents as a supervisor to keep the agency going after losing his sight. Especially since he’s aware that the problem is fading and considering he’d still have work available through DEPRAC. I think Lockwood spends his first few post-sight years in lots of therapy and takes time off from working since he’s been running a very intense business since he was like 14. I also think he foots the bill for Flo to get a therapist as well.
They’re both able to work through their grief and trauma from the people they’ve lost, Lockwood works through his habit of repressing his feelings, and Flo works through her feelings of being cornered while in doors. Flo eventually moves into Portland Row, and she and George and Lucy and Lockwood spend most of their young adult lives (whole lives if you ask me) living in the same house or living right next door to each other.
As for Lockwood’s actual career path I think Lockwood’s would make it his life’s work to share his parents findings. He spreads the traditional burial practices and ways to ward off ghosts like that Lockwood’s parent’s researched to help people protect themselves from ghosts around the UK as the problem fades.
I don’t know that I see Flo having a real job. I could see her in advocacy for housing insecure youth (we know London has MANY due to the Problem) but I’d also like to see her have a relaxing-ass life. Enjoy therapy and her friends, date George, plant a vegetable garden. Flo’s never cared much about material goods so I could see her working odd jobs here and there to help contribute to Portland Row Expenses, but mostly focus on nonprofit work and political activism while enjoying her life.
I think both Kipps and Holly stay on at Lockwood and co until it permanently disbands, then I imagine they both work to advocate for the rights of former agents in some capacity. If Holly could further her eduction I think she’d work in the legal system, maybe working in administration/research on cases that are attempting to hold leaders of the Orpheus society and high up Fittes and Rottweil people accountable for compensating traumatized former agents. Oh and she asks out that girl from DEPRAC she was living with (and they were roommates oh my god they were roommates)
I think Kipps might (after he’s matured a bit) get involved with a young adult professional development program trying to address all of the former agents and nightwatch kids who forwent education at a young age to hunt ghosts and help them access free education and classes to gain new marketable skills as the ghost hunting industry declines and kids age out of the sight. He also stops beefing with teenagers (so much) and lives out his destiny as surrogate brother/20 year old adopted father to Lucy George and the rest. And he gets himself a husband bc he deserves it 😤
As for the Skull… I’m in the camp that he does return and he occasionally stops by Portland Row to chat with Lucy and pull poltergeists type pranks on the other residents. When Lucy can no longer hear him 🥲 I still think he sticks around for a while, making his presence known by moving objects and helping keep the house cool in the summer (yayyy ghost chill), he also still speaks to Lucy when she does work on the other side with DEPRAC. But eventually, maybe when Lucy’s in her late twenties, the skull feels ready to move on, and Lucy visits to the other side to say good by and help him pass on.
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dangopango00 · 9 months ago
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COLLEGE AU TIGHNARI ROOMMATE HCS
Tighnari x gn reader
A/N: AUGGGHHHHH IM INSANE AGAIENEBWFWFWWGQ Missing tighnari hours oue so I will write out all the roomie hcs I have to share; per usual its self indulgent as hell
If im being fr this is probably gonna have a part 2 soon i always forget something 😭😭 also my art of him is down there somewhere!!!!
Cw: long af oh my god
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more utc
First Meeting:
- You’re a biology major or something similar and just visiting the college you’ll be attending
- You were definitely going to move into the dorms but you heard about and later witnessed some student running around like a maniac looking for a roommate
- You even got emails about it, found flyers on some of the pinboards around the school and even saw ads online (whether that be in some college gc app like zeemee or whatever)
- Eventually you did a bit of basic research on this guy by asking some of your friends or people who know him and you found out his name is Tighnari and he’s double majored in biology and botany
- You let him go on for a few days-a week before you realized he really wasn’t going to find a roommate this late in the game; feeling both pity and admiration for his dedication, you approached him with one of the flyers in your hand as the poor guy took a break from his ad campaign
- “Um… about this flyer…..”
- Tighnari’s ears immediately perked up oh you just made his week, no his month— maybe even his year
- “Yes? Are you interested in moving in? My previous roommate has begun living elsewhere” he explained.
- You’re hesitant, hoping you aren’t making a mistake but eventually steel yourself and figure you only live once right? Plus he could always help with your work! You give him a firm nod.
- Tighnari got a bit overexcited, asking way too many questions at once, “When can you move in? How will you be paying rent? Are you alright with plants? Right, by the way I’m Tighnari. I am a biology and botany major”
- “It’s nice to meet you! I’m (Y/n). I can move in soon and plants are fine! Uh …About rent! I’ll have to find a job but I do have some savings!” you confessed nervously.
- To tell the truth you weren’t planning on getting a job this early on, planning to get the hang of the new workload first but desperate times call for desperate measures (Cute guy in trouble 😤)
- Tighnari however, was unamused. His face completely dropped as if you’d just told him his entire family dropped dead, “You don’t have a source of income already…? Then why would you…. Sigh Nevermind. Its fine. This is fine. I’ll even help you job search”
- “Greeeaaatttt there goes my credit” he thought. And it showed on his face too.
- You just shoot him a silly smile and over the course of the days it took to move you into his apartment you establish some ground rules
Rules:
- He will do the cooking and he’ll cook for you if he’s cooking for himself (if he’s not cooking then you’re on your own)
- In return you do a majority of the cleaning although it’s still pretty split kinda like a 60/40 or 55/45 kind of deal
- You pay the water bill while he pays electricity (you take long showers and his plants and such sometimes require lamps + he just uses a lot of electricity I feel like it’s not usually for him but his plants and work)
- Visitors are pretty much always welcome but you have to let the other know beforehand
- Although the previous rule is true none of those kind of visitors are allowed. Tighnari has sensitive ears he don’t wanna hear that 😭😭
- Be cool and communicate if you have a problem
Apartment:
- SO MANY PLANTS. LIKE THEY ARE TAKING OVER THE APARTMENT . This is a big part of why Tighnari didn’t want to live in the dorms since he wouldn’t be able to have as many plants as he wanted
- It’s a little funny Cyno has really bad allergies so he never lived with him and Collei lived with him for a long time but moved out to move in with Amber (oue shes leaving the nest) (she’s in the apartment right below yours)
- You, as a biology major, on the other hand LOVE the amount of plants in the apartment and Tighnari is ecstatic because he was sooo worried you’d try to make him get rid of them or something; is even more glad that you like them as much as he does
- Also has a big tank of worms where he dumps all the leftovers neither of you eat. He then uses the compost as plant fertilizer
- Despite the amount of things in the apartment its very neat and organized; there are little notebooks next to every living thing to keep track of when and how to feed them
You and Him:
- He has a very old ass car but only uses it for emergencies because he’s not a fan of carbon emissions (usually goes places by public transport, walking or hitching rides) (its the little things that make a big difference ok)
- He works two jobs: One at a plant/flower shop and the other at the school library
- He sometimes brings home new plants because all the plants no one will buy are always given to him by management
- You work one or two jobs likely on campus maybe in the newspaper or the school cafe etc
- Either way whenever you get home tired or after just having a bad day he’d comfort you so much no matter how many days in a row you do the same thing, flopping on the couch and groaning
- When you first did it you two weren’t close but he still stroked your hair and offered you some words of praise but when you two became more comfortable he’d straight up hold you to his chest or let you lay on his lap while stroking your hair if you don’t mind
- “I really need to stop coddling you” he’d say this all the time but never follow through on it and you’d be in his arms as we speak 😅
- He never did stop coddling you. Whenever you watch a show or anime he’s right beside you on the couch reading his book as he glances up every now and again; sometimes gives his two cents on what’s going on in the show (my personal fave is him getting mad at the usopp going merry arc in water 7 bye)
- He has little black rectangular reading glasses idc idgaf he dresses like an old man too with cardigans and sweater vests, maybe overalls if he’s going out to do garden work (he has no sense of fashion we know this)
- If you’re willing to listen he will yap so much about his plants and about wildlife; his heart melts in his chest if you seem genuinely interested and are paying close attention
- You have a snail named Saniel/Saniela. You almost stepped on him and brought him inside, putting him in a little terrarium thing.
- Tighnari hates that thing (he doesn’t; he’s like a grumpy father with a new dog) if it gets out it will eat his plants, so watch it. 😤
- Posts it on his little conservation account (shoutout to the person who wrote that post where he had a conservation insta acc i cant find it) and it overtakes the page gn its his worst nightmare. First it steals his unofficial lover now his followers
- Yall would’ve been burned at the stake in the 1800s you’re always doing your “projects” in the house unless its dangerous (but you’ll still do it outside) like you seeing a girl on Tiktok grow mushrooms on a book so you try it at home…
- He always helps you with anyyyyything. You need help studying for this biology test? So does he, come on in. You need a shoulder to cry on? He has two!! You want a snack but you don’t want to ask too much of him? Don’t be ridiculous he’s making you something as we speak
- He’s actually such a sweetheart he worries about your diet so much; honestly he’s content knowing that you’re under his care bc then he knows you’re eating right
- He wakes up and starts his day INSANELY early and honestly if you manage to wake up before him he’d probably flinch seeing you up LOL he’s so not used to anyone being awake when he is let alone earlier
- Absolute hypocrite too, he won’t let you sleep too late no matter what day it is or whether you have class or not but when he does it he’s just busy smh
- Wouldn’t mind if you treated him the same although if it’s time sensitive he fears he cannot give in to your demands sigh
- He’s a worrywart and a leeeetle nagging but you can tell he cares and you care about him just the same
- You’re always doing whatever you can to take stress off of his shoulders like running errands for him, cooking for him/ordering takeout when he can’t cook, Taking care of his plants for him when he’s busy, etc
- If you work out in the house after moving in then it’s so over for him
- He’s insane. If you’re in the living room he will go “read” his book on the couch but he’s been on the same page the whole time, is he ever gonna flip?
- Not even like explicit workouts like squats or something; just seeing you push yourself to your limit and sweaty and grunting and— where was he again? Ah right page 52.
- It’s so much worse if you ask him to help in some way, he can’t focus at all especially if you ask him to sit on your back while you do pushups
- Also a fan of you being taller than him no matter the method. (Which isn’t hard to achieve bc I hc him like 5’1-5’3) Naturally tall? Great! Wearing platforms? Amazing! Standing on a stool? As long as he doesn’t look down then it’s hot
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Funny Bonus from the ari:
Tighnari: do you know anyone who still needs housing arrangements?? pls I’m desperate 😭
Alhaitham: you could take Kaveh
Kaveh: WOWWWW…
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sixthsensewulf · 6 months ago
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Oh sub genres and genre of Dimension 20, how I fucking love you.
Let's talk about it. Since who knows it's nice to see it.
SO YOU LIKE FANTASY SHOWS OR JUST FANTASY IN GENERAL and want to get into D20..I got you. Honestly most of Dimension 20 games are Fantasy based, since that's often how D&D fits into it.
Urban Fantasy, basically people are magic, there is magic happening but it happens in our world. Like easy to spot landmarks etc, but just often enough you get people with powers, Fae, vampires etc. Then It's Unsleeping City. Takes place in New York. First season is around Christmas to New Year. Second season is around Halloween to Thanksgiving and little beyond that. You have magic, wizards, Fae folk etc, Stephen Sondheim and Santa. Weirdly Unsleeping City also falls under Magical Realism as well.
Urban not your thing but love a good "Save the World" story line, a classic good here is a group of adventurers and good luck. Basically the basics of a Dungeons and Dragons game . Your good old Epic Fantasy -a major one here is Fantasy High. Yep honestly, people would literally recommend you to start with Fantasy High, because it's the first one in the world of Dimension 20, so you can get used to the IH group etc. it has 3 seasons. . Freshman Year, Sophomore Year and now complete Junior Year. Other Campaigns of this nature include The Seven, Pirates of Leviathan, Dungeons and Drag Queens, Tiny Heist, Escape from the Bloodkeep. Mice & murder
Here comes the Low Fantasy options. It's a political fantasy, but very high stakes. A Crown of Candy. Like this option is probably not the best bet to start with, unless you are up for it. It literally is a Game of Thrones style fantasy. It also follows a classic Player Vs DM style of play. Brennan will try to kill the PCs.. so be warned. No one is safe. (Side note... They were checking in on each other throughout the season. Making sure everyone was okay with the events of the episodes etc.) another example of this goes to The Ravening War. In which, like House of Dragon is to Game of Thrones. The Ravening War is to A Crown of Candy. But still the same sub genres. Another example but without the political aspect - Misfits and Magic
Dark Fantasy is also a sub genre of Horror as well by the way. But this is your fantasy that has elements of horror pretty much. I have mentioned this sub genre in my Neverafter Horror post. (Find it in #wulfneverafterchat) But full on Dark Fantasy Dimension 20 season would be Coffin Run and Burrow's End
Now away from fantasy into space! Science Fiction. Full honesty don't read a lot of different Science Fiction books, so not really sure on the sub genres. But A Starstruck Odyssey and Mentopolis are your science fiction series. Starstruck is a mixture of Space Fantasy and Space Western. Confused? Well Space Fantasy is your Star Wars, Dune etc. . Space Western is like Firefly. Mentopolis, I feel like fits your Steampunk, Cyberpunk sub genres. Wait. . another show falls under the Science Fiction sub genres. .yep I'm back to Neverafter. . It's got Cosmic Horror subgenre. Yep that's a Science Fiction / Horror subgenre. Basically that's your Alien etc, Lovecraft (love his style of work, hate the guy).
I'm just going to put Neverafter as just Horror . . Since it has soo many sub genres used. Body Horror, Dark Fantasy, Cosmic etc.. it is a great show. Another Horror campaign they did was Shriek Week. and technically Coffin Run falls here as well, since Dracula.
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beardedmrbean · 5 months ago
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Part of Stonehenge has been covered in orange powder paint by protesters.
Two Just Stop Oil campaigners sprayed the powder paint on the historic site near Salisbury, Wiltshire, at about 12:00 BST on Wednesday.
The move comes the day before celebrations beginfor the Summer Solstice at the 5,000-year-old landmark.
Wiltshire Police confirmed two people had been arrested on suspicion of damaging the ancient monument.
Just Stop Oil said the orange powder paint was cornflour and it would "wash away with rain".
The group named the two protesters as Niamh Lynch, a 21-year-old student from Oxford, and Rajan Naidu, a 73-year-old from Birmingham, in a statement.
'Extremely upsetting'
Prime Minister Rishi Sunak condemned the incident as a “disgraceful act of vandalism”.
Leader of the Labour Party Sir Keir Starmer said the damage was "outrageous" and described Just Stop Oil as "pathetic".
Members of the public were heard shouting "no" and seen running to intervene as the campaigners ran up to the stone circle at the Unesco world heritage site.
A spokeswoman for English Heritage described the spraying of the monument as "extremely upsetting" and confirmed the site remained open to the public.
She said the incident would not affect the annual summer solstice, with celebrations still planned to take place overnight on Thursday.
BBC correspondent, Paul Clifton, the first reporter to get to the scene shortly after the incident, said the three stones closest to the public path were "splattered" with the powder.
He added that many of the tourists visiting the monument were "slightly bemused".
"Stonehenge managers and security guards are standing by the path," he said.
"I've heard a suggestion that because it is powder paint and the weather is dry and sunny, it may perhaps be removed without lasting damage, but they will need experts to inspect the stone before forming an opinion."
Just Stop Oil said the motivation behind the incident was to demand the next UK government end the extraction and burning of oil, gas and coal by 2030.
A spokesperson for the group said: "Continuing to burn coal, oil and gas will result in the death of millions.
"We have to come together to defend humanity or we risk everything."
Mike Pitts, archaeologist and author of How to Build Stonehenge, said the incident was "potentially quite concerning".
He said: “The monument has been fenced off for decades and the megaliths' surfaces are protected.
"They are sensitive and they are completely covered in prehistoric markings which remain to be fully studied and any surface damage to the stones is hugely concerning.
“A rich garden of life has grow on the megaliths, an exceptional lichen garden has grown. So it’s potentially quite concerning.”
A spokesman for Wiltshire Police said: "We responded to a report that orange paint had been sprayed on some of the stones by two suspects.
"Our enquiries are ongoing and we are working closely with English Heritage."
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theshadowsingersraven · 2 months ago
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this nyxlin drama lowkey reminds me of the time a zutara artist was run off tumblr because they drew aged up katara/zuko romantically, but I think it was actually angry kataang’s or e/riel’s -because they also drew gwynriel and e/riel’s were jealous- who were stirring up shit 😭
That would honestly make a lot of sense for how/why I didn't see many posts from them or overall in the Nyxlin tag when I was catching up on what happened. Pretty much every person (notably largely Elriels) who supported Elain Week's censorship got an insta-block from me if they weren't already. And I'm sure a decent amount of people blocked me from my stance on Elaingate, Rhys Week, and Nyxlin Week.
And good! You should block me. Seriously. Art has the right to be celebrated and appreciated, especially in the circumstances designed to do that for a specific character and dynamic! Character appreciation and celebration will never look the same to everyone, and just because it's not what you enjoy doesn't mean it stops being appreciative or celebratory. If you can't grasp that, you don't deserve access to my art anyway. You certainly don't deserve to be in my space, that's for damn sure. Kindly, get out.
Honestly, it kind of makes sense considering the overlap of canon rigidity, purity culture, and morality policing of fiction coming from sides of the fandom that generally can't accept criticism about their faves, or even things that go against what they want for their faves. They are terrified of creativity that doesn't give them what they want and it shows. It's the most Evangelical-ass shit ever, and it's fucking weird.
Like...for all intents and purposes, Nyx is an OC in any works that feature him. And I'd know, because I wrote an adult Nyx for my ongoing ACOTAR D&D campaign set 20 years after ACOSF. So yes, Nyx is twenty in my timeline, because it's writing and I can do what I want lol. I have no basis to write Nyx off of other than Rhys and Feyre. Which means...I'm still doing my own character-building to only less than I would for a completely new OC.
Let's compare, shall we?
Writing my OC Solara's backstory: Writing her parents from scratch ✔️ Writing her early childhood ✔️ Writing her trauma ✔️ Writing her adolescence and relationships ✔️ Writing her interests and adventures as she became an adult✔️ Writing her dynamic with her love interest and how she interacts with Prythian as a whole ✔️
Now obviously these are all at minimum influenced by/will be derivative of aspects of ACOTAR because, y'know, transformative works. But still, I made her.
Writing Nyx's backstory and how he is as a twenty-year-old adult: Writing his parents from scratch ❌ Writing his early childhood ✔️ Writing any trauma he might have ✔️ Writing his adolescence and relationships ✔️ Writing his interests and adventures as he became an adult ✔️ Writing his dynamic (collaboratively) with his love interest and how he interacts with Prythian as a whole ✔️
And this is a version of Nyx that I made. Yes, it's still influenced by canon, but if I put in 90% of the same effort to write him as an adult as I did a complete OC, we can acknowledge they're functionally the same.
It's not that people look at Baby!Nyx and instantly think he's perfect to be shipped with someone and there's something to be gleaned from canon about him in particular. We know nothing about Nyx as an individual. That applies to any Nyx ship.
The appeal, at least in my experience, to Nyx ships, including Nyxlin, is the dynamics at play around Nyx, i.e., his role as an eventual leader and powerful figure in the Night Court, the dynamics that affect Rhys and Feyre also extending to him, how the rest of Prythian/Illyria might view the first offspring of High Fae, Illyrian, and Made parents. It's about his circumstances, not him as a character because he is not a "character yet", he just exists!
People are just creative enough to consider those long-term effects on who he could become and how that interplays with other characters. I don't mean to be cruel, but genuinely, have these people never created an OC before? Have they never shipped anything outside of canon? Have they never read any fics featuring time travel, for example, as a plot point to get characters in the same era at the same time when otherwise the ship would not be able to happen? Are they that unfamiliar with making circumstances outside of SJM's canon to allow things to happen for fun?
Genuinely, the lack of creativity for all of us being in this for reading and writing is concerning.
Even just saying this and advocating for Nyxlin's right to be celebrated as well as Tamlin as a whole pretty much puts me in the position of having to tag this as pro-Tamlin. And I wouldn't even describe myself as anything other than Pro-Azriel and probably Pro-Nesta and Pro-Elain because I don't really dislike any characters. I'm equally as critical to all of them and if their good parts just sort of cancel out the bad or are only a bit outweighing one or the other...I don't actively dislike them, I'm just neutral about them.
But this fandom is so fucking polarized because of the toxicity and the Us v.s. Them, Morality Policing culture that's been festering, people can't even neutrally address something. People are harassed so quickly just for not understanding or being familiar with something, and then in the other court people do the harassing because they don't understand or aren't familiar with something the other party likes/dislikes. If don't utterly despise Tamlin, it's somehow considered supportive enough to qualify as "pro" to antis.
Too many people in this fanbase create this parasocial-adjacent attachment to these characters like they're real and have real feelings/boundaries that need to be protected. They are not! Characters can't be hurt by anything happening outside the narrative. Just because you personally do not like something/don't find it appealing or even find it discomforting does not mean it's morally objectionable. It's just not for you, and understanding that experiencing content not made for you is not an attack on you is kind of a necessary life skill.
This rant ended up way longer than I expected it to be, but anyway...y'all stay safe out there.
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lilytii · 1 year ago
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My thoughts on Ascended vs. Non Ascended Astarion
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HEAVY Spoiler Warnings ahead. If you've not completed the game, or if you do not want spoilers, do not read on!
Honestly, I was never planning on making a post like this, and generally I thought most people understood the differences between them. However, I’m seeing a bunch of people twist what both of these mean and are adamantly standing with these twisted meanings, which I feel does them both an injustice. This argument is addressing the romance with Astarion. If you’re just his ally/friend/colleague, most of this won’t matter much.
First and foremost, let me say this: If you like either of these endings, that’s great! I think they’re both tragic in their own right and indeed well written. I do not think anyone should be judged because of what they enjoy, from a fictitious game. I do not think that those who like Ascended need therapy, nor should they be shamed or judged in current relationships. I also do not believe that those who like non ascended route are weak hearted people who cannot handle a hot, evil romance. These are all personal preferences and you shouldn’t feel ashamed.
That being said, I think there are people who are misunderstanding, or refusing to accept what some of these endings mean for the character. I’m going to break things down, piece by piece and come to you with my conclusion. For this I’ll use a few different abbreviations to make things easier.
A.Astarion - Ascended Astarion
S.Astarion - Spawn Astarion
U/A- Unascended
Hopefully this will make things easier to understand and follow. Alright, let’s get into it, and apologies if this is long, this took me days to write and look over all the information I could culminate. I’ve seen many of the same points brought up over and over again, and some who argue various versions of the same argument. Instead of writing long winded responses to one response, I figure I’d write out all of my thoughts in one post and be done with it. There may be points that I miss, forget to address, and I apologize, there’s a lot of ground to cover.
First, let’s go over a few things about What we know about BG3 vampires, the Ascension ritual, and what all of this means.
I think it’s common that everyone knows BG3 is set in Faerun, which is a world setting for the game D&D. The game is running off 5E rules and guidelines, though there are many things that are changed to better suit a video game setting rather than table top. (i.e. short rests are instant, long rests are the only way time and events progress, etc.) That being said, 5e has a set of rules that exist more as guidelines. At the end of the day, everything is up to DM discretion. If the book says “ X works in X way” and the DM says “I don’t like that ruling, so I’m going to change it to work differently for my campaign,” that’s valid as long as everyone agrees and it remains consistent throughout.
That’s the beauty of this game, is everyone runs it a little differently, with their own set of understanding and rules. BG3 works the same, and as the player, you accept and acknowledge that and play to how it is. 
The Vampires seem to be mostly following the lore and rule sets, but there are a few differences here and there. Mostly, the moment you turn into a spawn/vampire, you’re inherently evil. That’s it, end of story, alignment changed. It doesn’t seem to be the case in BG3 though, as you can see some of those who were spawns and recently changed, don’t seem to be fully evil. Astarion tells us of his past and it seemed he wasn’t entirely subscribed to the sudden alignment change. (Not to say that he doesn’t have evil tendencies, he’s very morally gray.) Even Cazador and the notes you find, in his earliest moments as a spawn, seemed to hold an ounce of who he was before he became a full fledged vampire. It seems that from what we see, the corruption is a slow burn, but inevitable, and Vampire spawns seem to have their souls. How do we know they have souls?
Astarion says that he might as well sell ‘what’s left of his soul’ to a devil, than to let Cazador have him again. The Ascension doesn’t just sacrifice these 7000 bodies, they don’t seem to be just ‘animated dead’, oddly enough they have souls that when they’re sacrificed, those souls go to hell to the demon that made the pact. Mephistopheles.
Raphael tells us all about it, and states it’s a rather grim tale, even for his tastes. This ritual is so foul, so diabolical, it has never been performed. The right of profane Ascension .Astarion’s soul, would be sacrificed.  I Think, damning 7000 souls to hell in exchange for power, there’s no coming back from that. I mean, hell, Bhaal himself must be impressed, probably salivating at the amount of death and carnage in one go.
The Ascension gives Astarion a taste of power, he gets some boosts in combat, but the taint on him is already done. He was a pretty gray character before, now? Not so much. That ritual changes him deeply, and it is evident in how he presents himself and how he behaves. He is truly lost, and not a shadow of himself remains.
“He wants this, and he Approves when you let him ascend.”
Ah, Approval, the way to win the man’s heart! Yes, he approves in both scenarios, and he thanks you in both as well, however, context is Everything here.
Astarion, in that moment, is enticed by power and by the promise of safety. He acknowledges he was blinded by it, just as Cazador was. If you are romancing him, you must succeed a persuasion check that’s relatively low depending on your rating with him, and if he’s romanced.
A lot of people dismiss this and say the fact we have to talk him out of it, shows he did not want to stay a spawn and wanted to Ascend. He admits that he was blinded by his want in the moment. He may have wanted to ascend in that moment, because it promised him a life in which the world would bow to him. After all he’s been through, it’s not crazy to say that sure, he was blinded by the promise of now, not thinking of the consequences. How many times have you made an impulse decision because you wanted something now, because all you could see was the promise of a good time, without thinking of any repercussions? It’s human.
He goes on to say:
 “But you saw something else in me- Someone else I could be. Someone who could break the cycle of power and terror that started centuries ago. You saved me back there. I may not have appreciated it at the time, but I do now. Thank you.”
I want to point out his body language. When Astarion is being serious, when he’s lowering the walls and the barriers to who he is, his movements are small. He smiles, his eyes soften, and he makes eye contact. When he says “but I do now,” he nods, affirming that he truly understands and appreciates what you did, stopping him from ascending. And then he gives a humble bow of his head saying ‘Thank you’.
“But Astarion thanks you on both occasions for giving him everything.”
As it was stated above, context is key. Yes, When he is turning you into a vampire spawn, A. Astarion does say “You’ve given me everything I ever wanted. Thank you.” I can see the case people would make to say this is what he wanted, and so he is sincerely thankful that we gave it to him. In either case, he’s happy.
I can understand the logic, but allow me to put it into a different perspective, if I may.
A drug addict is going through withdrawl and you have the drug they want. They crave it, they’re only focused on that drug and need the high to get through another day. They don’t address their addiction, they just need to score, so plead for you to give it to them. You cave in, give them their drug and they take it. They tell you “Thank you, this is what I wanted.” Is it sincere? Sure, they are really thankful for it, but did you help them? Was this really what was good for them?
Instead, when they beg you for the drug, you tell them ‘No, this is not the life you would be proud of and I want you to be proud of yourself.” Instead, you take them to rehab, they get clean and stay sober. They’re on the path to turning their lives around and say “You know what, I didn’t appreciate it at the time, but, you helped me. You saved me from going down a horrible path. Thank you.”
That thanks, is also sincere, but the outcomes are vastly different.
A.Astarion thanks you for giving him what he wants. S.Astarion thanks you for giving him what he needs.
 Even in his graveyard scene, he says he’s not giving up, just “Reassessing what I want. What I really want.” And when you ask him later, at the graveyard what he wants, he says “you. I want you”  I emphasize ‘really’ here because he does. This is Astarion being honest and telling you what he really wants.
He does not NEED power over others, he does not NEED to ascend, he needs to believe in himself, to choose a life he can be proud of, to do what he wants without being a slave to all the power that stood before him. 
This is evident if you say “You saved yourself, I just gave you a push.” 
And he responds with:
 “You did more than that. You believed in me- believed I was enough just the way I am. When I look at my future, anything and everything feels possible now. And I get to share it with you, as a partner. An equal. You saved me from myself and let me walk a new path where I can be free. TRULY, HONESTLY, FREE. This is a gift, you know. Thank you. I won’t forget it.”
There’s so much that this speaks to, and it’s so self explanatory, but so many people overlook that to say:
“S.Astarion is weak and is still unable to walk in the sunlight. At least Ascending him he’s free.”
I’ll agree and say his ending with him running away from the sun is tragic and painful, but I think that was the point. It’s gut wrenching. The worst part is honestly, most of the companion dialogue who treat him like ‘Oh well, fuck him I guess.” That, I think we can all be on board saying he did not deserve that. Turning away from power, helping you save the world, and all the companions say is like “welp, it was nice knowing you.” That was dirty.
It feels like so many people think giving up one's soul to walk in the sun is the best decision ever and so worth it. The point of his story feels like “Power, but at what cost?” Sure, he can have all these added benefits, if he just gives away his soul, does the most horrific, dastardly thing possible, and completes the ritual. He no longer is himself, and becomes a slave to power. Power will always be something he chases, so that he will never be used again. You basically tell him he’s weak the way he is and to steal the power he is owed. 
Meanwhile in the U/A route, you tell him that he would not be proud of this life, that you want him to live a life he would be truly proud of. And he says “You’re right, I can be better than him.” But he is NOT above enjoying being the one to deal his death. We don’t even STOP him from Killing Cazador, we know he is owed that, he deserves that. 
S.Astarion says he is free to walk a new path, whatever that path is. In his graveyard scene, he says he’s been dead in the ground long enough, it’s time to start living again. S.Astarion’s story is about finding his autonomy, finding his inner strength, accepting himself and making a new path for himself. Whatever this world has to offer, he’s going to take it and have fun.
When you Ascend him, and tell him that you miss the man he was, he seems actually taken back and says:
 “What do you mean, I was pathetic back then, why would you say that?” 
He sounds hurt. He sounds like maybe the tiniest bit, he regrets losing that man, like he can’t understand why someone would love who he was before he ascended.
He hasn’t gotten the affirmation that he’s enough, in fact, he’s more affirmed that he was weak, pathetic, and that power is what will make him strong. He is perfect now because he’s powerful. That’s such a tragic way of looking at him. By choosing this, he doesn’t accept how strong and capable he is as a spawn, he doesn’t heal and regain control of his life, he’s seen as lesser, as someone who needs an outside power to be strong. Love, belief in himself, it wasn’t enough to save him.
“There is no Equality in S.Astarion xTav/Durge. You have the upper hand, he does not. You will die of old age, he will not. That’s not a good romance at all.”
This complaint is one I see a lot, a LOT on people’s videos, blogs, reddit, etc. Just because he is back to being a spawn and does not have insane vampiric powers gifted by an evil, hellish ritual, does not make you his superior. It’s the way you two treat each other, the way you two view each other, that is what makes you an equal. 
If you look at how A.Astarion talks to you, he talks down to you, looking down his nose, he believes you are beneath him. If he makes you a spawn, you are kept nicely under his thumb. 
If you keep him as a spawn, he does not look at you as if you are his ruler, his master, you are his equal, his lover, his companion. He doesn’t look down at you, but eye to eye. Just because one has different abilities and strength does not mean inequality. Just because one has a longer/shorter life span, does not mean inequality. Look at Shadowheart’s parents, one is an elf, the other, human. Does that negate their love because of their lifespan? Are they doomed and have a terrible love story?
I’m sorry, but this argument doesn’t hold water to me. 
A.Astarion fans love that they can choose to live with him in eternity, as his slave. So many people believe that is better than S. Astarion living his days freely with someone he loves, truly loves, as long as he can. I’ve seen people headcanon their Tav/Durge find a means to either cure Astarion of his Vampirism, or find ways to extend their lives. In one of my D&D games, we had collars that kept us from aging and dying prematurely. Granted, we had to agree to give up spell slots every year or so to a powerful mage so he can create magic items, but it pretty much allowed us to live forever. If Gale can ascend to godhood, I’m sure you can find a way to fix these small power issues.
“A.Astarion is the real Astarion, he goes back to his Act 1 self.”
I’ve seen this argument made to why people like A.Astarion, because they love the man he was in Act 1, and feels like this is who he is. There’s so many talking points here, so much to break down, and many arguments made to ‘affirm’ that this is the real Astarion, and this is where he is most himself. I’m going to break this down as best I can and do my best to be clear and easy to follow. There’s so much to go over and I don’t want to sound like I’m all over the place.
I gotta admit, I half agree with this. He does go back to his Act 1 self, but that's not the ‘true’ Astarion. Act 1. Astarion is the man who manipulated your feelings, who was playing an act. It isn’t until Act 2 that Astarion starts to come to terms with himself and becomes honest with you. Yes, he fell in love with you sometime between those moments, but after you ascend him, you can see that he goes back to those theatrics.  All of the progress he made, all of the growth he made, when he ascends, that’s it, it just hard stops and reverses back to the start. He regresses so hard that he loses himself and becomes a shadow of the man he was, an echo of that man who manipulated his way to get what he wants.
Astarion admits in several ways in different dialogue options that the Ascension would have changed him, it would have made him lose himself, it would have made him different.
Tav: “The ritual would have changed you, I’m glad you resisted it.
S. Astarion: So am I. Fun as all that power would have been…this feels more me.
Tav: “Do you regret turning down all that power?”
S.Astarion: “Perhaps. It would have been terrible fun. But then again, I could feel something slipping away. I came so close to losing myself-to losing everything I’d learned since meeting you.”
He speaks so much about his growth, about his development thus far and if he ascended, he’d lose it all. This speaks volumes to his character and to how he holds himself now. We see Astarion start to believe in himself, knowing his worth, and his U/A route shows that he’s starting to understand that he can do the right thing.
“Astarion says he’s not happy.”
S.Astarion “I am- well, not happy. But this feels right.”
(Graveyard scene,)
Tav: “regretting your choice?”
S.Astarion: “No, I made the right choice. Although I do regret the options I had.”
Tav: “You did the right thing, stopping the Black mass.”
S.Astarion: “I know, that doesn’t mean it stings any less”
 Tav: (when referring to never seeing the sun as the price of freedom) “Do you think you can live with that?”
S.Astarion: “I’ll have to, doesn’t mean I have to like it.”
All the arguments I’ve seen for those who prefer A.Astarion use this to say he’s not happy, that he admits that he would have had more fun if he had power, and that’s what he wanted. He’s lamenting his lack of power and the fact that he’ll belong to the shadows, for sure, but he knows and understands that the decision he made was for the best. This is honestly such a relatable, and real emotion and thought. How many times do we as flawed humans know that doing the right thing, whether it’s for our own benefit or someone else’s, isn’t always the ‘fun’ option. He’s been on a quest for power, saw an ideal in his head, and now understands that going that route wasn’t the best for him, no matter how much fun it might have been in theory.
Astarion knew he made the best choice for him, the best choice to regain control, to be himself, his true self. His options were ‘sell your soul, lose yourself to have power and walk in the sun,  or keep your soul, remain true to yourself and better your life, but be reserved to the life of a spawn, living in the shadows and with hunger.” There was no good options, but there was a good choice.  
I want you to think about who Astarion is, what he’s been telling us this whole time.In the love test, we can choose silly, fun answers to gain his approval and keep things lighthearted, but the real answers exist, and he doesn’t exactly enjoy them being shared.
Astarion is afraid of being someone’s slave, he’s afraid of being helpless and not being able to keep his freedom. This whole time, 200 years he’s been shown that there’s no heroes, gods do not care for anyone, and the strong are the only ones who survive in this world. He’s afraid, he’s terrified but puts on this air of assertion. He stands behind those who are stronger than him and rides their coat tails till he can snatch power for himself. He’s not above backstabbing and manipulation if it gets him what he wants.
Astarion plays with power, as long as it doesn’t threaten to change him. He’s fine with abusing the tadpoles powers, but the moment he realizes that greater power can be unlocked by becoming a half illithid, he wants nothing to do with it. You can peer into his mind and use his fear against him to force him to do this, but thats manipulative in it’s own right. You don’t respect him or his want at that point, all in the name and sake of power.
Astarion’s first line to us is his disgust at the thought of being turned into a mindflayer. He laughs bitterly and says “Of course it would turn me into a monster…what else did I expect?” Power is good if it offers safety and protection, but not at the risk of his own skin. This is said so much throughout and is emphasized by him saying, he knows finishing the right would have ruined him, who he was, and everything he’s learned up to this point.
However, if throughout this game, you show him that there’s strength in one’s self, that there’s power to be had deep within, he starts to understand that and starts to see that he can be the break in the chain. He can be the difference he needs, alongside you.
This power hungry Astarion is the result of 200 years of abuse and suffering. Astarion starts to understand that there’s consequences to one’s actions, he starts to take responsibility for those actions and understands the difference between running away from it, and meeting them head on.
I’d say that’s a strength in it’s own. He’s finding himself and tackling the hardest things in his life that he turned a blind eye to. A.Astarion does not get that. He doesn’t care about anyone, anything, consequences be damned.
“Tav gaslights Astarion to change himself. Tav ‘knows what’s better’ and choosing not to ascend him not only makes him weak, but shows you don’t think he’s strong enough.” Tav forces Astarion to change.
This is paraphrased from a comment from a prominent A.Astarion fan. The entire comment was such a hot take, that they said, and I quote: Cazador did not inspire him that sex is power. Cazador didn't need sex to control people, he had other power. 
I don’t know if they understand what Astartion was trying to say when he said that Cazador made Astarion use his body to lure things for him. That Cazador had full control over him and made him perform acts of sex against Astarion’s will, otherwise he’d get TORTURED. I could go ON about how disgusting the take is, but I won’t get into that. I’ll address their point and continue.
I believe I’m one of many who don’t like the option of “You don’t need to worry, I’ll protect you.” And Astarion’s own answer of “thanks, that’s sweet, but I don’t want to have to always rely on you.” (or something to that nature.) I refuse to choose it, I understand the sentiment, but that option didn’t feel good. 
Still, despite that line, Astarion doesn’t get the all power he wanted, but that doesn’t make him weak. Tav shows that Astarion is weak in the ways of inner strength, the strength to take off his chains and be himself! He has the strength to choose his own destiny and take it by the hands. So many people look at ‘physical’ strength and weigh that higher over inner strength. Astarion in game, is not a weak fighter. I can tell you, rogues are fucking CRAZY strong! In many of my battles, he’d be the last one standing and has to sometimes be the one to save others. 
Believing that there’s more to Astarion than power, revenge, and sex is NOT gaslighting him at all! Gaslighting someone is forcing another to believe that they’re wrong, despite the fact that they aren’t. It’s projecting onto them your wants and making them feel terrible for not seeing things your way.  
You can gaslight Astarion, want to know how? By forcing him to have sex with you despite him saying it’s uncomfortable for him. By saying “You should enjoy it, and enjoy it with me.” And do you know what happens when you choose that? He ends things, and stands up for himself!
We aren’t manipulating him, changing him, forcing him to be someone he isn’t. He admits to it many times over after  that we believed in him, we saved him and pulled him away from a path that would ruin him. To say that’s changing him, to say it’s gaslighting is absolutely bonkers! In fact, telling him to ascend is affirming that power is better than anything, even if it costs your soul. I don’t know why people refuse to believe that S.Astarion IS the REAL Astarion. And while he isn’t all powerful, he’s fully free to live his life the way he wants to, and intends on it.
“A.Astarion still loves us. Sure it’s not the ‘kind’ love you get with S.Astarion, but it is love and he does care for us. It’s perfect for an evil route”
This is the most common argument for what I’ve seen people saying they like A.Astarion. It’s a different kind of romance, a different kind of love that still has caring, but it isn’t ‘nice’. There’s so many different takes on this that usually accumulate to “He does care, he does love us! It’s a crazy toxic love, but it is still love.”
I get it, I totally understand why so many people are drawn to A.Astarion. The sex scene is spicy, he calls you pet names, and says “You’re mine” and things like “I’ll protect you” “Lovers forever”. At it’s core, it sounds like a crazy, possessive romance perfect for an evil Tav/Durge, especially a Bahhl accepting Durge. I can see the appeal, and really, for an evil character, ruling the world with the lord of vampires sounds amazing! Hell, even for a morally ambiguous or amoral character, this would be fun!
I know there are people who appreciate it for what it is, people who understand that they are A.Astarion’s favorite thing, they are his obedient pet who does his will. Some in their Durge games understand they are using each other, and it’s not a romantic relationship, but that of an evil companionship. “We are awful for each other and do awful things for each other!”
That being said, many people seem to be under the impression that A.Astarion truly cares about you, that he loves you.
“It’s a possessive love, but even then, that’s just a form of love.”
Look, I’ll be honest and be the first to say that a person, especially a hot vampire who calls me “MINE” with such virility, would instantly make me weak in the knees. I love me a strong lover who is a bit selfish in wanting me, there’s nothing wrong with that. I mean, who doesn’t want to feel coveted like that? (Ok, I know there are people out there who aren’t cool with that, I’m just saying for those of us who are thirsty! lol)
Still, I can’t say that this context is of that capacity. You’re his object, his favorite and obedient spawn, slave. He pretties it up and calls you consort, which makes you think some form of equal footing, that of a spouse. (Understandably, not all marriages have spouses who view their spouse as an ‘equal’. This is very much like that.) If you’re his spawn, you are surely his slave.
“He calls us Pet, my treasure, consort, lover. He stands up for us against Araj, he does indeed care for us.”
Pet names are cute, and he has used ‘pet’ for us before he ascended. The way he says “Yes my treasure?” Is very baby sweet talk, he even does the elaborate swinging of his shoulders. I don’t think Astarion’s descent to madness is immediate. I think there are still parts of him that is haunted by his trauma, but instead of being able to deal with it, he does the same things he’s always done. He disassociates, he falls back to bad patterns. 
When meeting Araj again, both S. Astarion and A. Astarion have similar dialogues between each other, but also, there are some interesting differences as well. A. Astarion makes a note of ‘Who belongs to who this time’ referring back when she thought Astarion was your subordinate, your ‘obstinate charge’ and you could stick up for him and say he is his own person. Now, he means to correct that and explain that you belong to him, not in a romantic way, but in the way that you are under his charge, you are his spawn/slave.
I get that in that conversation he says “And don’t worry, if anything happens, I’ll protect you.” Can be sweet, if you look at that completely out of context, hell I’d think it’s sweet too. He does say this in a bit of a condescending way though. It’s not the “I love you and I’ll protect you,” it’s the “This is my thing, and I’ll protect it from getting being damaged.” The care that A. Astarion has for you isn’t one of honest love, it isn’t born of concern.
You can see that because S. Astarion has a dialogue that says “Say no, the only thing she is offering is pain, and…I don’t want to see you hurt.” 
Astarion isn’t someone who knows how to express his true feelings, he’s expressed his inability to know how to truly be with someone, but he’s opening up. At this point, this is beyond his graveyard scene, so you’re seeing a man who is awkward when expressing his true feelings. Again, his body language says so much here. He gives a sigh right before saying he doesn’t want to see you hurt, he shies away from you just slightly and his expression grows softer. He’s being vulnerable and sincere, he truly does not want to see you hurt. Not because you’re an item of his that he doesn’t want damaged, but because he truly doesn’t want his lover to be hurt, that would pain him. There’s a lot of dialogue that’s similar for both, so, there’s not much to differentiate between them at that time.
Astarion’s trauma is still trauma, in both iterations. His understanding of consent seems to resonate with both versions at this point. So many people are taking that ‘consent’ is him caring. Just because he understands consent, and still asks you, that doesn’t quite mean a level of caring. Yes you can choose to be his spawn, or not. If you break up with him not as a spawn, he insults you and lets you be. Choose to be his spawn, and there is no getting out of it, you have no consent anymore. You’re his slave. Yes, he calls you his ‘consort’ because he wanted to dress up the word “spawn”. A slave is still a slave, no matter what other pretty title you want to give it. You have consent up until he turns you, then that’s out the window, you can’t leave ever. Hell, he even has a line that says “I should have turned you into a spawn, just to prove that I could.” Yeah, let that sink in.
“A.Astarion says ‘I love you, I’d never hurt you.’ He tells us he loves us on multiple occasions. Once more, he’s got a beating heart now, so he is fully capable of love.”
 =/
A beating heart, a living organ =/= love. I mean, if you break up with him he says “You brought my dead heart back to life, it will keep beating” That is metaphorical, it didn’t mean that he will be brought back to life. So no, having a living, beating heart does not make him more capable of love. He felt real love as a spawn, he sincerely fell for you.
Let’s also talk about Astarion saying “I love you.” He does say it at both routes, but the way he says it, and again, body language says it all.
I’ve seen this video going around about how he says he loves Tav/Durge, and how people claim this is love, that this is proof he cares. https://www.youtube.com/shorts/Bov4CwHLukc
Let’s talk about these, shall we?
First of all, notice how Astarion is acting here. This is back to theatrics, the wide arm movements, the flowery words and the poetic gestures. Does this look familiar? Ah yes, this looks very similar to when he used all his ‘favorite lines’ at us. Even when he says “I love you” it feels so practiced, so forced. He even looks down at you afterwards. But people are so convinced that this is romantic love. They are convinced he means this.
I am reminded back to that, force Astarion to sleep with you scene. You tell him “You seemed like you enjoyed it,” and he says he knows that song and dance better than anyone, it was an act. This? This is an act as well. But S.Astarion? Go look at the graveyard scene, go watch how he tells you he loves you.
He looks you directly in the eyes, taking your hand in his, and he’s smiling. That’s no forced smile, when does he ever smile that genuine and at peace? He looks down in thought for a moment and returns to your eyes and says “he loves ‘this’, and he wants it all, with you.” Look at those two “I love yous” side to side and tell me which one really, truly looks sincere. Which looks real.
In act 2, he says that he manipulated you into an alliance, so you’d never hurt him. He used sex to get you to love him so you won’t turn on him, but says you deserve something real, that he wants to be real with you. In his graveyard scene, he’s ready to be fully real with you. And if you do have sex with him, the dev. Notes says “Had_sex_as_equals. You are his equal, and he is yours. Whatever your powers and abilities are doesn’t matter, it’s how you treat each other, as equals.
Astarion’s first line in the video says he was offering you power, offer you to live as his spawn so he can own you, what’s that, if not love? Then says, if that’s not an offer, if you want more, perhaps this isn’t for you.
I’ve seen so many people say “A.Astarion is not for the weak hearted, his kind of love is intense, possessive and hot, not for those goody goodies! He says it himself.”
Nah, he’s telling you that love is a transaction. You gave me power, I’ll give you a bit of it. You become my spawn that will be obedient to me, who will bow to my every whim, and I’ll offer you protection. There, love. This is a man who used his body, who used everything as a transaction. If you get high approval before the party and allowed him to bite you, he offers you sex as thanks. It’s a transaction. 
A.Astarion says “I did try with you, you know. In the only way I know how.” By using a transaction of offering you life of being a spawn. 
And of course, how can we forget the famous line. “Of course I know about *love* (said with absolute disgust by the way) I know how to use it, manipulate it, and I can’t help playing the hand I know. I would have used your love, abused your trust until you were nothing.”
Every argument here says “You hurt his pride, he’s angry! He doesn’t mean that. He was upset and said a lie.” And I can say, ok, I hear you. There’s been times when people break up and say really hurtful things because they were hurt. Things they may not even mean. I’d be fully inclined to believe that if… well, if that were true. Instead, I fully, TRULY believe Astarion is being sincere with us here. I think he knows that we were smart enough to see through his BS, to see that in this state, he’s gone.
They also cut out parts where Astarion says “Oh that was completely different, I’d never hurt you, I love you.” Right after, in the same breath, he says “That’s what you’ve been waiting to hear, isn’t it?”  Like, this man is telling you what you want to hear, it’s not the truth, it’s all a lie. He’s telling you to your face “I’m telling you what you want to hear.”
 He doesn’t know what real love is, he is incapable of love, to him it’s just a game. You can tell this by the insight check you do before he turns you.
“The insight check really means that he doesn’t think highly of himself, that he values Tav/Durge’s opinion and thinks he’s not good enough to be with”
I can understand how this could be one interpretation, and I’d agree with you if this was Act 2. Astarion. I’d fully believe that’s how he thinks a continued romance would be with him, but that’s not what’s going on here.
A.Astarion thinks he’s all powerful and amazing. He’s not the weak man he was back then, he’s better. Knowing you want to be a slave to him, you’re degrading yourself to becoming his slave, his spawn, but…maybe you’re into that. Maybe you want to be his slave, to worship him and be manipulated. Hell, you’ve gone this far for him, he doesn’t seem to have to beg you, you’re willing to do what he wants.
That’s the implication here. Not that he’s not good enough for you, but that you no longer care about yourself, that you want to be stepped on by him. 
A lot of people understand this concept as “Yeah, I made him worse, and I’m willing to throw everything in the trash to be with him! He can pull me by my leash and I will follow!” And then others misunderstand it to mean “Awww my poor boy thinks he’s not good enough for us and thinks we’re degrading ourselves to be his lover.” It’s definitely the former, not the later.
But this is a Sub/Dom relationship!
At the very base core of what that is, he is dominant over you, and you are serving him. To call this a sub/dom relationship is such a disservice to those real relationships out there that exist though!
I know someone close to me, who has been in a sub/dom relationship for 10+ years. She wears a collar with her partner’s name on it and he calls her pet names. This is something they do in their private time, and after all of it, there’s so much after care and tenderness involved to remind them both that they are partners who are equal. They are in a safe place, they have real, romantic love and understand if at any time there’s something they aren’t comfortable with, they can speak up.
A.Astarion just owns you. He doesn’t care, you are his property and that’s that. That’s like calling Cazador Astarion’s lover! The man favored Astarion, and when he disobeyed, he punished him. Granted, I’ll say that Astarion and his spawn’s relationship isn’t violent yet, but I don’t think it wouldn’t get to that point. He says he doesn’t have to, you’ll be wonderfully obedient.
…but what if you aren’t? Do you really think he’ll stand there and listen? If you push back, do you think he will understand? If you speak up and speak your mind, will he just lovingly accept your words? I’m afraid not. To those who think they can ‘change’ him or ‘keep him in line’, the time for that has passed and he’s not going back. I’m sorry.
The writer who spoke up is wrong about A.Astarion and is just one writer, not even the MAIN one! Take their words with a grain of salt.
The amount of people taking the salt out of what the writer said is crazy! I saw the reddit post and people were losing their minds, saying that this writer should have never said anything, that they stole the joy out of their A. Astarion romance, and that all is doomed!
Let me just say this. The writer, other people, no one can take your agency of enjoying a game. Take it for what it is, enjoy it. If you don’t agree, that’s fine, but it does not make the writer wrong. 
The writer is one of many who worked and wrote for Astarion. Just as what happens with every character, what happens with comics, movies, games, etc. You have teams who all work on one part to make it a cohesive whole. Animators have writers, directors, lineart work, flat colors, shaders, sketchers, background artists, all of these different people work on different parts of the same product and at the end, you have a whole piece. They all have to be in sync with each other and understand the source material to make it all work here.
The writer who spoke out may have been one of many, but that does not mean their words were invalid. In fact, after taking their words into consideration and looking back at how the sex scene for A.Astarion and S.Astartion play out, I honestly sat back and thought “...wow, I actually completely understand what you mean!”
First of all, they call it a bad ending. That speaks enough to what has been said and stated over and over again. Astarion does not progress, he does not heal, he gives up his soul for power, losing himself, and becomes a slave to it. Secondly, they said that you failed to see him as anything more than a kink, and reduce your relationship to that. That explains his actions, the way he is back to manipulating you with pretty words of adoration. And so many people are literally falling for it all over again.
In the scene he makes you a spawn, it’s overly provocative (I’ll admit, it’s fucking hot! I mean, from an objective view at least. Knowing what I know, it’s sad, but taking out context and what I know, it’s a very sexy scene) it’s meant to be. This is what you wanted, this is what you think of him. The camera mod that allows you to see different angles is a GODSEND here! You can look into his eyes and they are devoid of life, of feeling. He’s going through the motions, but he’s not even there. He’s not looking at you, he’s looking away, his body is performing, and Tav/Durge is just moaning and enjoying themselves. You wanted this, you got it, and in the end, he delivers.
Vs. the graveyard. It’s so much more chaste since you have clothes on. He’s not biting you, but this is his most honest form. It’s pure love, this isn’t lust, this isn’t him ‘fucking’ you, but being one with you. He’s reclaiming what sex means to him. It’s not a means to an end, it’s not an exchange, it’s not forced, he wants to give you a night of passion because he loves you. This is him connecting sex to love, and not as an act of manipulation.
Again, the camera mod is everything!! He looks into your eyes, his features are genuine. He cups the side of your cheek and kisses you. Then, he pushes you down, and climbs over you, looking into your eyes before sinking into the kiss in a much deeper, passionate way. 
I admit, I’m a degenerate. I can accept that Astarion is hot! I thought his turning scene was erotic, steamy, and I just couldn’t stop watching it. But knowing what I know, I can understand how, if what you’re looking for is real love, a real romantic relationship, that’s not the way to go. I think the camera angles of his graveyard scene show so much more to how passionate and hot that kiss is! Once I understood that this was Astarion, truly himself, taking back sex for himself and pushing Tav/Durge down in that swoop of a kiss, I completely did a 180 and preferred that! 
That kiss is HOT! And it means so much more, which makes it all the more intense. This is Astarion, throwing down his walls, opening up to us, body, soul and heart. And seeing as the dev notes says they had sex, it leaves it to your imagination how that went down, but I am one to believe, it was incredible, earth shatteringly so.
Final thoughts
If you made it this far, Oh my GOD I’m so sorry! Honestly, I appreciate it and thank you all for the time and patience to read my ramblings. I’ve just been sitting here replying to so many others and said “Fuck it, I’ll make a post about my feelings.”
There’s so much I haven’t touched on, so many points that can still be made, and I’m sure I missed over some other parts. Because I’m a maladaptive daydreamer, these thoughts literally assaulted me every chance they got! I couldn’t cook, clean, or even shower without another full stream of ideas that invaded my brain. I had to stop now because I’ve been working on this for 4 days and if I kept going, this would be 30+ pages long and NO ONE wants that.
That being said, look, if you like Ascended, go for it! If you want your character to be degraded and live in that fantasy, that’s ok and you shouldn’t be shamed for it. You shouldn’t be bullied by anyone to think you’re real life relationships are awful, or that you need therapy. Please, have fun and remember to take some time away from it all every now and then.
If you like Spawn, that’s great too! You shouldn’t be made to feel like you’re weak, or you only think Astarion is some good boy. You shouldn’t be told that you’re gaslighting, or anything else that I’ve seen out there.
At the end of the day, these are games, escapism from reality. I encourage you all to write, or maybe play the character in a game, or do what you want to do as long as it brings joy to you.
The point of this post is not to shame anyone or to cause drama. The point of this was to show that the writers did an AMAZING job illustrating these character’s stories. They showed us how gray and lifelike they were, they made their flaws something relatable, but also showed us that there’s always two very different ways things can go.
I wanted to highlight the differences in Astarion’s endings.  In his Ascended ending, he loses himself for the price of power. He fails to see that there’s more to himself than what power can give him. He fails to heal from his trauma, and instead, masks it behind power and control. He continues the cycle of abuse and becomes an entirely new monster. He fails to experience a true, romantic love that he never had and instead returns to using ‘love’ as a form of manipulation. He is deluding himself into what he thinks is happiness, and one day, will have nothing left inside of him. It’s so tragic and yet painfully, beautifully written.
In his spawn ending, he gets healing, he gets to choose his own way through life and live it being free. I wanted to show that while power was enticing, he learns that he’s enough the way he is, even if he won’t have the power of profane ascension (no matter how much terrible fun it would have been). And hey, if you want to play him in a solo campaign (that’s what I’m doing) and find ways for him to gain power without losing who he is, I’m sure that would be awesome! To see Astarion grow, and continue to take responsibility, to see him take back his sexuality, his honor, his autonomy is beautiful, even if it means he had to let go of the thing he thought he wanted, to take hold of the thing he truly wants.
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wanderingnork · 3 months ago
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Githyanki Deep Dive: Aberrations and Antiheroes in 4th Edition D&D
So according to the githyanki poll I ran a few weeks ago, this was the third most popular option for a deep dive. (After this we'll be hitting up the original Fiend Folio and Forgotten Realms: Demon Stone.) It's also one close to my heart, because it's the edition where I first fell in love with the gith--and especially the githyanki.
In 4th Edition, the githyanki that were virtually unchanged from the Fiend Folio through 2nd and 3rd Editions suddenly switched gears. They were still vicious pirates and terrifying opponents, but also developed another side that has lasted through to the githyanki we know and love in Baldur's Gate 3.
4th Edition Primer
Before we get into the githyanki, though, I have to give a crash course in 4th Edition D&D. Since so many people started playing in 5th Edition or came into the hobby through the gateway of Critical Role or Baldur's Gate 3, you may not know just how...strange...4th Edition was in the context of the game as a whole. I speak from a place of love, because full disclosure I prefer 4E to 5E as DM and as player, but I acknowledge that it was weird.
4th Edition was partially developed as a response to the goings-on of 3.5 D&D. (Don't worry about 3rd Edition, that is a whole other post.) In 3.5, there was a serious problem with system bloat. From the three core books (Dungeon Master's Guide, Player's Handbook, Monster Manual), the game exploded. Five Monster Manuals. Two Player's Handbooks. Two Dungeon Master's Guides. The eight "Complete..." books. Campaign settings. The list goes on and on and on.
It added up fast. Players had vast suites of rules and mechanics that could easily lead to a single character requiring three or four books to run. A single monster could be an entire page and a half of rules and require a DM to have access to three or four books just to understand what a monster's feats could do (because yes, monsters had feats, and they could take class levels). To put it mildly...it was a mess.
So along comes 4th Edition, a well-intentioned new mess.
4E set out to streamline the problem. While it would eventually introduce its own mess of system bloat thanks to the sheer volume of books, its origin maintained some control over mechanical chaos. Instead of vast lists of feats and abilities, players had "powers" that defined exactly what a given ability could do and how often. The sprawling skill list of 3.5 was drastically pared down. Monsters went from an entire page or more of abilities and feats to single "stat blocks" that covered, even for the highest-level monsters, half a page. Movement in feet became movement in squares. Non-combat abilities were stripped down to a bare minimum.
You can spot a few things that 5th Edition kept when it was released. We still have the tight skill list from 4E (minus the "endurance" skill which still makes me grumpy). The idea of the "monster stat block" is retained. The feat list has dramatically shrunk and while 5E has put out many more feats since, it's really, really not at the level of 3.5.
4E also introduced the idea of "tiers" of play: levels 1-10 were the "heroic tier," 11-20 were the "paragon tier," and 21-30 were the "epic tier." Generally speaking, the heroic tier was about fighting your typical mundane monsters. The paragon tier would introduce higher-level mundane monsters and low-level extraplanar monsters. The epic tier almost always required players to leave the Material Plane behind and head onto another plane to find level-appropriate challenges. (Yes, this will be relevant to the githyanki later!)
While the mechanical changes hit hard, the changes to the lore and default world of D&D were just as drastic. The default world of Greyhawk from 3.5 shifted to the "Points of Light" setting. This setting established a background--that two great empires clashed some centuries ago then fell, leaving the world mostly a monster-infested disaster, studded with small points of safe civilization--then set players loose. It also crushed older D&D cosmology. Gone was the Great Wheel of planes and demiplanes. In its place were the Feywild, Shadowfell, Astral Sea, Elemental Chaos, and Far Realm. What Forgotten Realms had to do to make this new cosmology make sense...I don't wanna go into it, but it's a lot to unpack.
This streamlining of the cosmology also changed a lot of monster lore. Many "typical" monsters of the heroic tier (goblins, magical animals, elementals, and the like) stayed largely the same. It's on the other planes and at higher levels that things got weird. The tarrasque was reskinned as an abomination, the spawn of the war between the primordials and the gods. The shadar-kai changed from messed-up shadow fey to eerie servants of the Raven Queen. And so on, and so forth.
On the surface, the githyanki didn't change very much in comparison to other monsters. They still lived on the Astral Sea. They were still piratical. They still hated illithids and githzerai. But, thanks in large part to the cosmology changes at the base of 4E, they were about to take on an entirely new dimension.
The githyanki were about to save the universe.
Githyanki, Old and New
The githyanki make their 4E debut in the first Monster Manual, on page 128. The first line of their writeup sets the stage:
Born out of slavery, the githyanki are fierce psychic warriors that ply the Astral Sea and fight with silver swords.
Hell of an opening line, that. It hands us the key characteristics that 4E wants us to associate with the githyanki. Compare it to the first introduction of the githyanki in the first Monster Manual for 3.5 (p.127):
Githyanki are an ancient line of humanlike beings residing on the Astral Plane, filling their armories for their next skirmish, raid, or war.
Right off the bat, we're dealing with two completely different perspectives. 3.5 tells us the githyanki are ancient, tells us where they live, and informs us that they spend all their time in preparing for war and plunder. 4E's language, on the other hand, frames them in a more...adventurous light. Ferocity, plying the Astral Sea, fighting with silver swords, not much different than any extraplanar adventurer.
Most importantly, the first WORDS of their write-up in 4E tells us their history: they are a lineage of freed slaves. Whose slaves, how they got free, all that is on the next page. (It's the same in 3.5, The Lore is on the next page.) But there it is: if you don't read the "alignment" tag in the stat block and see that little word "evil," what you'll see is freed slaves who adventure in the Astral Sea.
The next change is the art style. The githyanki illustration in the 3.5 Monster Manual makes the warrior look totally skeletal. She's wearing gloriously alien armor, many-colored gems, and has her hair in a strange style. Her knees have those weird bulbous knobs and her feet don't look remotely human. In 4E, our first look at the githyanki is completely different. No more shrinkwrapping here: these are just some weird humans. Their silver armor is elaborate and set with rubies, but it's very much armor a mundane warrior would wear. (Indeed, it's about identical to BG3 armor.) They look away from the viewer, presumably at the same foe, psionic powers and swords at the ready. The githyanki of 3.5 is a monster standing alone. The githyanki of 4E are an adventuring party fighting together.
Sailing the Astral Sea
Cut to The Plane Above: Secrets of the Astral Sea. This supplement focused on all things Astral Sea. Here, 4E finally gets into the deep parts of githyanki lore. The first illustration in the book is a githyanki knight riding a red dragon. From there, they appear frequently. Pirates, tenuous allies, the center of a dramatic campaign arc. The Astral Sea is their home, and as soon as player characters arrive they're trespassing.
(Side note: here we will be setting aside the Scales of War adventure path from Dragon magazine. Even though it's a huge part of githyanki lore, it's acknowledged in "The Plane Above" that the adventure path is an alternate history. It's not a core part of the githyanki story in 4E.)
The shifted characterization of the githyanki continues into this book. On page 12, in discussion of githyanki pirates, we get the following: "few of the githyanki of the Astral Sea bother with kidnapping. It might turn out to be profitable, but it's clearly a criminal act rather than a military operation, and thus beneath them."
So...according to this book, they're still thieves and killers, but within the D&D ethical framework these are often forgivable traits. There's no mention of slavery or other depravity in this or any other section of the book about the githyanki. Other Astral denizens are mentioned keeping and trading in slaves--not the githyanki. The Manual of the Planes mentions githyanki slavers precisely once, on page 110; in all other references, they're simply raiders and plunderers. Dragon magazine #377, "Tu'narath: City of Death," QUITE clearly and thoroughly establishes that the githyanki take and keep slaves. However, many D&D players didn't read Dragon magazine. If they only read The Plane Above, Manual of the Planes, or the Monster Manual, they'd come away with a rather nobler view of the githyanki than 3.5 ever left.
If you are, for some reason, following along with the book itself--skip what you see on page 13. We're gonna come back to that.
The githyanki get a mention on what feels like every other page. But the most focused discussion of the githyanki in this book appears from pages 94-97, in a deep dive on their culture, and from 142-149 with the new stat blocks--including one for Vlaakith herself. Here, we discover that in 4E the githyanki have been broken into factions. There's mainstream githyanki society, the group that lives in Tu'narath and generally behaves as we expect githyanki to behave. Then there are the Far Travelers, a group of githyanki who never settled in Tu'narath. With Gith's blessing, they became true nomads. They don't have silver swords or benefit from the red dragon pact, but they do enjoy immense freedom.
And then there are the gul'othran. While mainstream githyanki society enjoys superiority to other people, pillaging and then departing, the gul'othran take it a step further. They conquer other worlds and rule over them. It's repeatedly mentioned that githyanki players encounter on the Material Plane are probably gul'othran. Not typical githyanki, but extremists. Githyanki bent on conquest, perfectly acceptable opponents for any adventuring party.
Gith's Three Stratagems
The githyanki story in The Plane Above starts with the story of their liberation. Here, the war on mind flayers is defined: not just a perpetual hatred, but an Eternal Crusade decreed by Gith herself. Zerthimon, as usual, objects and the githzerai depart for the Elemental Chaos. The githyanki, left homeless, desperate, and fractured, sail into the Astral Sea. Here, Gith establishes a plan for the future of her people, founded on three stratagems.
First, she wanted a fortified capital. After a long time--anywhere from a few decades to centuries--the githyanki arrived at the One in the Void and founded the city of Tu'narath there. First stratagem, check. Second, Gith sought an alliance with another power. With the first Vlaakith's support, Gith reached out to Tiamat. She sold herself for a pact with the red dragons, who would be allies and friends of the githyanki so long as the pact lasted. (In the 4E Draconomicon: Chromatic Dragons, we get to meet the "pact dragons," red dragons who've spent so long with the githyanki that they've taken on the magic of the Astral Sea.)
Finally, before leaving her people, Gith established the tradition of the silver swords. As has been true since the earliest githyanki lore, the silver swords are capable of cutting silver cords that hold Astral travelers to their material bodies. That makes them highly effective weapons against astral-projecting mind flayers and elder brains, which exist at once on the Astral Sea and the Material Plane. In a previous edition, there was even an incident in the mind flayer city of Ch'Chitl where a githyanki hunting party killed the Astral part of an elder brain.
But 4E takes this a step further. The greatest silver swords are forged to incorporate a tiny fragment of the Living Gate, a strange artifact that held back the Far Realm itself before it was destroyed. In the hands of a powerful githyanki, the swords are able to resonate with the Far Realm and aberrant beings. Fun fact: despite over a decade of separation from the publication of "The Plane Above," Baldur's Gate 3 retains this piece of lore. Talk to Lae'zel after she gets her silver sword. She'll tell you all about it.
What she doesn't tell you is just how important that really is.
4th Edition: It's All About the Far Realm
Throughout 4E, the setting steadily shifted gears and pointed toward the Far Realm as a sort of "ultimate evil." Why that happened is speculation for another post, but what matters here is that it did. The Monster Manual mostly presented your standard aberrant beings (mind flayers, aboleths, beholders, gibbering mouthers). They're mostly designed for paragon and epic tier heroes (levels 11-30), with the least powerful (carrion crawler, grick, and grell) being rated for level 7. Aberrations are high-level foes.
Then in comes the Monster Manual 2, with the fell taints (p. 102-105). These cute little blobs of tentacles and eyes, born from the contact of the Far Realm with reality, are rated for level 2. A low-level beholder, the gauth, is rated for level 5. Suddenly, aberrations and the Far Realm are acceptable foes for adventurers just starting out in their career. Ominously, this book also introduces the horrifying star spawn. They're the heralds of the aberrant stars, avatars in the mortal world. One of them, the Maw of Acamar, is literally A BLACK HOLE.
In the Underdark sourcebook, EXTENSIVE time is spent on mind flayers and their ancient destroyed empire of Nihilath. The gith only get a couple sidebar mentions, but for anyone who knows their lore they loom large. In that book, there's also a heavy focus on the aboleths and beholders, who have vast and bizarre realms in the Underdark. In the aboleth realm of Xarcorr, the stone itself flows like water and the laws of physics break down. A singularity somewhere in Xarcorr is even gradually devouring the substance of the Underdark. The Far Realm is tearing at the seams of reality.
And the Monster Manual 3 seals the deal. Cloakers, derro, more beholders, foulspawn, intellect devourers, krakens, PAGES of mind flayers with an elder brain. It all culminates in the star spawn, and what might be the ultimate creature to fight in all of 4E. You can take on Orcus, Tiamat, Lolth, Asmodeus, and that's cool...but this book offers the chance to fight Allabar, the Opener of the Way.
It's a star.
An entire fucking star covered in eyes and tentacles that wants to tear open reality and let the Far Realm devour everything.
Heroes and Villains
And this is what the githyanki are ultimately contending with. In 4E, their fight isn't just against the mind flayers. The Eternal Crusade the githyanki fight is against the Far Realm itself. The silver swords allow them to recognize the times when the Far Realm manages to seep into the Astral Sea. They marshal a "savage and decisive military response" that ends the threat immediately. Most people don't even realize how often this happens, because the githyanki are always ready.
The gul'othran, the faction that wants to conquer everyone? They do what they do because they want to deny the mind flayers a future empire by conquering everything first. It's horrifying extremism in the face of an apocalypse that could rip all of reality to shreds.
That "page 13" I said to ignore earlier is a description of a possible campaign arc where the githyanki finally go on a full offensive. They want to invade the Far Realm themselves and take the fight to their enemies. The players are tasked with stopping this invasion, because unzipping the Far Realm is a VERY bad idea in general, but in context of the rest of the 4E lore...well. Anyone who hears about Allabar, or experiences the trypophobia-inducing Hatchlands of the beholders, or bears witness to the ruins of the ancient mind flayer empire, might be tempted to let it happen. After all, even with all the horrible things they've done, the githyanki have the weapons, experience, and allies to hold the line. They've been holding the line for eons.
And everyone in the world of 4th Edition should pray to whatever god is listening that the githyanki keep doing that.
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flickering-nightfall · 1 year ago
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So, your Infinity Train crossover got me to watch the show, and... woah. Woah. I would love to know if you had any more ideas, blurbs, thoughts, anything about that crossover, because now I can't get enough of imagining the viciously murderous cat and accidentally-fratricidal robot on the train.
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I'm glad you liked Infinity Train too! (and thank you!) More on the crossover... I gotta admit I haven't thought of much other than the initial "haha what if" idea. Maybe I can speculate though:
Spoilers ahead!
There were many hilarious and thoughtful takes on how Pebbles could possibly end up on the train, in the notes of the initial post. I joked that it'd just tear a hole through his structure, but there are more (and less) sane options than that.
Since we only see human passengers on the train, a lot of people would probably mistake Pebbles and Arti as denizens. Simon and Grace would probably not take to them having numbers well. I feel like they'd most likely think it was a trick, but it could shake up their perspective too.
Man humans look kind of similar to ancients maybe. That doesn't mean much to Arti - and I think humans look dissimilar enough from scavs to be spared by her wrath. But to Pebbles...
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Also, iterators haven't communicated with another civilization-era sapient species in a quite a while probably. Some interesting stuff can come out of that.
How many migraines do you think Pebbles gets from trying to figure out what the hell is up with denizens? Or the train itself? I feel like he'd have an aneurysm if he had to interact with Alan Dracula. If he goes home and tries to tell the others what happened without any proof, they'd think he'd had a rot-induced fever dream.
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Numbers are dependent on how close a passenger is to solving their problem. Arti, having already killed the scav chieftain, according to Rain World has hit the point of no return. So her body is completely wrapped up in numbers. But like Amelia, with enough time and determination it might be possible. The main problem is... Arti has to want to fix her problem first. The setup for her to do that is there. She's with Pebbles, so she has less of a reason to go off on a rampage unless she's being threatened. The lack of scavs wouldn't stop her from resorting to violence at this point, but the pure strangeness and unfamiliarity of her surroundings should at least baffle her into a different mental state.
I think in order to get an exit, Arti needs to make peace with herself. She must acknowledge what she has become, and to truly believe that she needs to change. It has little to do with the death of her children at that point. She needs to escape the self-perpetuating circle of violence.
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Pebbles' number is much smaller (but still huge) because he's entrenched in rage and isolation and frustration on a massive timescale, but we see him eventually come to a resolution in Rivulet's campaign. How would the train define his problem though? It could be his anger at Moon and Suns, blaming them for his current state (even if Suns is partially at fault). It could be his tendency to close himself off, his refusal to talk to others or accept help. It could be his denial, believing he can handle and fix everything by himself. It could be his overall arrogance or ego. There's a lot of options there. Ultimately I think whatever brings him to think similarly to how he does in Rivulet's campaign would do the trick.
The sad thing is that Pebbles would probably be better off staying on the train too. I'm not sure if he'd be affected by the rot there, but he'd at least he could (literally) get out of his own head. And he has no choice but to touch grass interact with new people and situations. But to deny his exit would be to deny responsibility for what he's done. If he's really gotten better, that means he knows he can't run away anymore.
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If Pebbles went to the train without Arti there's a chance he'd get killed or ghom'd two days into the trip. We are assuming his puppet is capable of walking for this AU, but also I do not think he knows how to walk. Good luck pink guy!
On the flipside. Pebbles could... probably take over the train even more than Amelia ever did, especially as a (bio)mechanical being himself. The only thing that could limit him are taboos maybe. Any iterator could do this, really. Lots of potential paths with that one.
Something something, One-One and iterators both solving people's big problems with varying amounts of success, and both engineering weird organisms...
...does a RW character that gets ghom'd return to the great cycle? Their soul gets devoured, or their life essence, it's not clear. I guess which one could determine what happens. But also they are in another universe where there is probably no cycle. Are ghoms a triple affirmative? Is crossdimensional travel? The latter wouldn't fit the "portable and generally applicable" part but still. This is a whole rabbit hole and a half, isn't it!
The train is dangerous and all, but that just makes Rain World characters a hilarious fit for it. Like this is just their daily life. Honestly I think their home world is more dangerous than the train, just in less wacky ways.
Lastly: I haven't even touched upon what introducing other characters could do for this narrative, or how they would react. So many possibilities!
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If anyone wants to do more with this, please feel free!
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dailyadventureprompts · 2 years ago
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So, I mostly just need some advice. I want to introduce stuff like the combat wheelchair into campaigns I run and play in, but some players say it’s “unrealistic” for stuff like that to be in a campaign because “why wouldn’t you just get greater restoration or regenerate casted on you or something”. I know that’s a bunch of bull crap, but I’m not sure what to say to convince them.
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Heavy Topics: Disability in Fantasy
I'm going to start this off with saying that people with a lot more education and experience than me have written quite a lot about the inclusion of disabilities in d&d, and I encourage you to seek out their testimonials.
Next, you don't need to convince anybody about introducing things in your campaigns, especially when that introduction is specifically to highlight inclusion and diversity . They're YOUR campaigns, and people that cry "realism" when it comes to matters of inclusion are almost always covering up for their own prejudice.
Now what I can do with expert efficiency is address the bullshit claims that people try to use to support their prejudice, how it doesn't line up with the mechanics of the game, and how it doesn't line up with good storytelling.
TLDR: Disability is a fact of life, and so it is a fact of stories. In trying to brush it aside by saying " oh magic could fix everything" we also brush aside the lived experiences of millions of people, equally deserving as seeing themselves as characters in the fantasy epics we tell. Purely form a storytelling and world building perspective, it's also far more interesting to see how people adapt to challenges then it is to make those challenges simply not exist or be easily fixed by author fiat.
First lets talk over the mechanical issue: In vanilla d&d there's no way to restore lost limbs short of the regeneration spell, which is 7th level and thus requires a 14th level character to cast. 14th level characters are thin on the ground, meaning that your average person would have to undertake an arduous journey to find such a caster willing to perform this working , to say nothing of finding one willing to perform the service for any payment a commoner could provide.
Likewise, regeneration specifies that it's SEVERED limbs that are restored: rules as written it doesn't fix neurological damage, birth defects, or congenial traits. As someone who's needed glasses from youth onwards, I find it hilarious that a flimsy pair of lenses can fix what high level divine magic ( possibly even the wish spell) cannot, but that's more a matter of the designers thinking more about the lives of adventurers than the worldbuilding implicit in their rules.
Turning to 3rd party material and homebrew, we enter into some very interesting territory. There's much back and forth about magic that "fixes" disability outright and where I fall on the discussion tends to land on the idea that said magic lets the character overcome many of the hurdles of their impediment but doesn't negate it completely. Here's some pop culture examples:
Toph from ATLA is always go be the go to for disability representation in media: She's blind, but uses her earthbending powers to be able to sense vibrations in contact with the ground allowing her to "see". In a badly written show, this would totally negate Toph's disability, but thankfully ATLA is written by people who know what they're doing so instead Toph's blindness provides just as many novel drawbacks as it does advantages. Toph can detect things happening on the other side of walls and doors, but is vulnerable to projectiles that don't touch the ground. She can sense if people are lying, but can't read printed text. Force her onto a small, isolated platform or into water and you cut off her ability to see just as much as a fully sighted character in pitch black darkness.
Edward Elric from fullmetal Alchemist is missing an arm and a leg, and uses a pair of integrated robotic "automail" prosthesis which seem to give him all the functionality of a regular set of limbs. That said, any utility the automail provides is matched with whole host of downsides, ranging from their lack of touch, their weight causing discomfort, and the expense of having them in the first place. What's most pressing is that these limbs are mechanical and prone to malfunciton from overuse, requiring Edward to see a specific technician to get them fixed. When they break ( which is often) or simply require refitting, Edward needs to travel days or weeks out of his way and then suffer through a painful process of reattachment in order to get the use of his limbs back.
Professor Xavier from the Xmen is paraplegic, but in many depictions has some kind of hoverchair that lets him go out into the field and navigate difficult terrain without the aid of others or other mobility devices. While certainly an upgrade over a totally mundane wheelchair it again doesn't completely compensate for his inability to walk or his vulnerability should the chair be damaged or taken away from him.
With these examples in mind, we can look at how different 3rd party resources can model various forms of accommodation, giving characters with disabilities the utility they need to go out adventuring, without removing their disability in the first place.
The "combat wheelchair" is a great example of this, giving characters unique options while at the same time making them atleast partially reliant on a somewhat cumbersome object. In terms of logistics, it's not much different than having a centaur in the party and the fact that most dungeons aren't wheelchair accessible just means the party has to do maybe one or two more platforming problem solving challenges.
In my own time running steampunk games I’ve usually instituted a “misfire” rule onto most technology, including the ubiquitous mechanical limbs. A natural 1 using that limb means that the limb is suffering a malfunction, and until the malfunction is fixed, another natural 1 will break it. It’s an easy way to get across that these marvellous contraptions aren't perfect yet.
Now lets talk storytelling:
Upfront I'm going to say that I don't consider myself disabled,I have some mental health hurdles that I have to navigate on the regular, but my body works at a solid 6/10 most days. 
I think there’s a lot potential in examining disability in stories, and not just in the “overcoming adversity” inspiration porn sort of way. The loss of a limb can represent a sacrifice and the toll of war, prejudice against disfigurement can drive a character down a dark path, sometimes there’s no greater thematic reasoning behind it and a character is living with disability because that’s a thing regular people live with. What I will say is that disability introduces vulnerability, a theme that power fantasy games like d&d don’t often deal with as their centeral arc is about characters getting stronger and stronger and stronger until they can challenge the gods. 
Vulnerability runs counter to that desire for strength, but it makes a better story because what a character does with vulnerability makes them a more interesting character: Do they rely on others? Close themselves off? Come to terms with their weakness or strive to overcome it? These are all fascinating questions that you wouldn’t get to ask with a character that was 100% able bodied, well adjusted, and socially accepted.
It’s not a stretch to say that people who have regressive political views are terrified of vulnerability. that’s why the right-wing chuds are so vehemently opposed to the idea that someone with a disability could be a hero. To them, adversity is all about the superior overcoming the inferior, and the thought of someone with weakness or disadvantages, someone they consider “inferior” triumphing against someone stronger is a direct challenge to their place inside their own worldview.
Finally I’m going to leave you with something relating to vulnerability to consider from my own campaigns:
In my home games when someone fails their death saving throws, I generally don’t kill them, killing them cuts the narrative short and I want to see how things play out. Instead I give them an offer: do they pass on into death, or do they let me take something from them? 90% of the time they chose the latter option and I make things interesting. What happens to the master archer who can’t string a bow anymore, or the fame hungry bard who’s scars distract from their performance? What price will the wizard pay to regain the use of her eyes?  Forcing players to confront these questions takes a lot of tact, and a lot of trust, but always yields better stories but given enough time to develop.
Art
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vladdyissues · 4 months ago
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It's so cute that you uploaded some puffy, you're so kind 😭💞
But I have a question, why did they even block his account? How does Tumblr block an account? He didn't upload anything bad [?]
To the best of my knowledge—and I say this because I did not see every single one of Puffy's posts—Puffy did everything that Tumblr requires when it comes to posting "mature" artwork. She tagged her posts, used Community Labels, cropped and/or censored thumbnails, and made use of the "Read More" option. She was bolder than me when it came to posting certain art styles and speaking unabashedly, but that's a difference in personality. Puffy is a free spirit, incredibly witty, and absolutely hilarious. I'm old and crotchety and try to avoid drama if I can help it—not to say that Puffy in any way invited or deserved termination. She did not.
But she was no match for a targeted mass-reporting campaign. And, unfortunately, there's no way to know just how many people were involved or how much harassment she's been receiving since she joined Tumblr. I know there were at least three asks, likely more, and one rude comment left on one of her artworks early on.
But Tumblr has a poor track record when it comes to making decisions and meting out justice. They don't typically perform thorough investigations, they panic when they see certain words, and they're also prone to outrageous hypocrisy—like the fact that gifs of graphic, live-action porn somehow still manage to survive on this site after 10 years and a purge that cost the company a billion dollars in value, and how they claim to be "the queerest place on the internet" while simultaneously alienating and fostering a hostile environment for the queer artists who are largely responsible for Tumblr's success. Porn and spam bots run amok, but the blogs of marginalized people and artists are first on the chopping block.
I myself have had blogs deleted for lesser reasons. A couple years ago I created a "ship week" event blog, which was deleted simply because at one point in the TV show, one of the characters in the ship was a minor. The blog posted G-rated prompts. It was text-based with completely worksafe header graphics. It didn't endorse any age ranges, but left that up to the discrimination of the participants. The participants complied with Tumblr's TOS if they posted 18+ content, cropping images, using Community Labels and such. Everything adhered strictly to Tumblr's guidelines.
But I was the target for a lot of hatred from the rest of the fandom. They hated my guts because I shipped "the wrong ship"—because it was a gay ship, because it upset the canon heterosexual ship that one of the characters was in, because I wasn't sniveling in fear whenever they sent me hateful asks, because I refused to be bullied or shamed. They went after us because we were a tiny group of fans, easy to target and eradicate. Disgusting behavior, really.
I tried to appeal the deletion, but I never heard back from Tumblr. Fine. I moved the event to another platform (and it looked much better there, too), and that was that.
In short, Tumblr would rather delete a hundred innocent blogs out of fear of offending their ad sponsors rather than 1) investigate the claims made against the blog, or 2) give the blog owner a chance to delete the offending content.
One final thing:
Last month, around 17 June 2024, several Pompep fans on Tumblr received anywhere between 1-3 anonymous asks telling us to kill ourselves or "get raped".
Over cartoon characters.
It's a sad state of things when there's more sympathy, respect and agency given to drawings of fictional lines than living, breathing people.
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archiveikemen · 1 year ago
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Harrison Gray 1st Birthday Campaign: Story (2023)
His POV
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I do not own any of the Ikemen Series content being uploaded on this blog, everything belongs to CYBIRD. Please support them by playing their games and buying stories. Not 100% accurate, expect mistakes.
read this before interacting with my posts
On a sweltering summer day when I was 17, my curse showed itself for the first time.
Ever since then, I became a member of Crown and grew older with them for many years.
Victor and my partner in crime, Liam, would plan birthday surprises for me every year. Due to my special ability to tell whether someone was lying by looking into their eyes, their plans always failed miserably.
— However, that’s a good thing.
(I’m no longer someone who deserves to be happily celebrating my birthday.)
And so my birthday, which is on the 30th of May, is approaching again this year—.
By the time Liam and I had completed our mission and were on our way back in a carriage, the sun was already setting and it was almost night time.
(Mission is complete, and Liam is next to me. This is like any other day.)
(— The only thing that’s different is that I didn't see Kate even once today.)
My lover, Kate, would come running to my room every morning like she couldn't wait to see me.
But she didn't come to see me this morning.
In fact, when I was about to go look for her, Liam pulled me away…
Harrison: Hey, Liam.
Liam: Yeah?
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Harrison: You lied to me about “something” today, didn't you?
Liam: Uh…
(... Yeah, I knew it.)
His reaction, Kate’s unusual behaviour, and the sudden change in members assigned today’s mission. Moreover, today’s date is the 29th of May — the night before my birthday.
If I pieced all that information together, there could only be one conclusion.
Harrison: … I see, I get it. So that's what’s going on.
The moment I got the idea, the carriage came to a stop at perfect timing, and I swiftly got off.
Liam: Harry, wait!
I thought I heard Liam call out to me from behind, but — seeing Kate was my top priority.
While I searched for Kate, I caught a glimpse of her small figure walking down the hallway.
Harrison: I’m home.
Kate gasped when I grabbed her arm from behind and drove her to a wall.
Kate: H-Harry…! Good morning.
Harrison: It’s already night.
Kate: Oh—... you’re right. Time sure passes by quickly.
Kate kept avoiding my eyes, clearly hiding her lies from me.
(Goodness. Since it’s come to this…)
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Harrison: It hurts. … I got a wound during today’s mission.
Kate: You’re hurt!? Where!?
Harrison: I lied. You’re finally looking at me.
Kate: Ah! Harry, you’re a liar!
Harrison: Too late. — Anyway.
To prevent her from looking away, I cupped her face in my hands and looked straight into her eyes.
Harrison: You’ve been avoiding me all day because you’re planning a surprise birthday party for me, am I right?
Kate: …!
Kate’s eyes widened, and then she frowned in resignation.
Kate: … Ahh, I got caught.
Kate: But how did you find out?
Harrison: Firstly, your position as the fairytale writer makes it easy for you to know my date of birth.
Harrison: Secondly, Victor and Liam celebrate my birthday every year, so it wouldn't make sense for this year to be an exception.
Harrison: And the one thing that really gave it away — you’re in love with me, and yet you didn't show me your face even once today.
Kate: …
Harrison: There are more reasons, do you want to hear them all?
Kate: Now I’m feeling down because of my lack of ability to pay attention to details, and I’m dying of embarrassment… so let’s just leave it at that.
(Pretending not to notice is what a good lover would do.)
(But I had a feeling she wouldn't want me to.)
She often fell for small lies, but she had never failed to notice when someone was pretending to be happy.
She was oddly thickheaded, yet sensitive to the movements of people’s hearts — but that was the Kate I fell in love with.
Harrison: That’s too bad. You were planning something with those guys, and now that it’s ruined—
Kate: You don’t know about “the rest”, right?
Harrison: … The rest?
Kate giggled like a child who just made a successful prank, and pulled her hand away.
Kate: Come with me, Harry. This way, this way!
Harrison: H-Hey…
We headed to the dining room where all the members of Crown were gathered.
Liam, who was with me until a while ago, was there too.
Kate: Everyone, Harry already noticed, so why don’t we spoil another surprise for him?
Victor: Oops! You’re very observant, Harry. Alright, Kate, bring “that” out.
Kate: Okay!
(... There’s another surprise?)
As I tilted my head in wonder on the inside, Kate walked up to me while pushing a wagon.
On the wagon was a huge five-tiered cake.
(This is…)
Victor: Oh, you’re surprised? We did it! The two tier strategy surprise was a success! Yay.
Harrison: Two tier strategy?
Victor: You can see through lies and you’re very perceptive, hence the birthday surprise fails every year, correct?
Victor: So this year, I discussed it with Kate and came up with a new strategy.
Victor: There’s no way to prevent you from finding out that I will be throwing a surprise party for you as usual.
Victor: However! I got everyone to hide the fact that I’m baking this cake.
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Liam: I was so nervous. I started wondering what I should do if you were to pursue the matter in the carriage.
Elbert: … You did a good job.
Kate: The original plan was to surprise you the moment it became the 30th of May, but…
Kate: You found out, so the plan got moved forward.
Kate shrugged and pointed at the cake.
Kate: Look, Harry. Everyone made this cake together. The base was made by Victor.
Alfons: In the meantime, El and I went shopping for fruits.
Roger: Elis and I made tons of whipped cream. My biceps are bulging now.
Kate: William was the one who put the whipped cream on the cake beautifully.
Elbert: … That was Will? … It looks as if it was done by a professional.
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William: Fufu, you flatter me.
Elis: … Jude isn’t here, but he did a taste test just in case.
Liam: Does that count as helping?
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Alfons: My, my, the biscuit cat at the top of the cake looks adorable!
Roger: … That’s a fox. I made it.
It felt rather strange to see the guys who were usually soaked in blood from their missions, talking about cake.
But Kate was at the centre of it all, and she effortlessly erased any feelings of discomfort.
Kate: Harry.
Harrison: Hm?
Kate: I’m sorry for lying to you, and for not seeing you all day.
Kate: Also for avoiding eye contact with you.
(... There’s no need for you to worry about all that.)
Harrison: … That’s alright, I’ll forgive you because of this cake. I feel like having something sweet.
Kate: Fufu, okay.
Seeing Kate’s smile of relief felt so endearing, I put my lips to her ear and whispered…
Harrison: Let me eat you after I eat this cake.
After having lots of cake, the two of us rushed straight to bed.
(... I can smell the sweetness in her hair and neck.)
I wanted to give in to my desires and hold her, but there was one thing I had to ask.
Harrison: Say, how did you get all the members of Crown to help you?
Kate: Erm.
Harrison: You must’ve called for all of them to participate, otherwise they wouldn't be here.
After a little hesitation, Kate spoke while looking me directly in the eyes.
Kate: When I got the idea of celebrating your birthday, I tried to imagine how you’ve been spending it in the past.
Kate: Until now, you’ve been having to lie to everyone.
Kate: Therefore… I thought that you wouldn't have been able to enjoy your birthdays wholeheartedly.
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Harrison: …
Kate: But that’s not the case this year, right?
Harrison: What do you mean?
Kate: You will continue telling lies for the sake of your missions. However, the people here understand now.
Kate: You’re a kind person. You don’t lie for no reason.
Kate: You don’t have to keep a distance from us anymore, Harry. I can assure you of that.
(...)
(... What?)
Kate made this day not just for me, but also for my past birthdays.
And Crown was in on it too.
(Back then, I wasn’t able to express my happiness well, but… was I actually happy?)
Love, kindness, happiness, and other precious things were always realised late.
I embraced Kate, as if to lock in the feelings I just felt.
That was very unlike me, but my heart was shaken.
Kate: Harry?
Harrison: I’ll remember everything you just said. … Thank you.
Kate: … Yeah.
And then we kissed once, twice… and countless more times.
Kate spoke in short bursts between ragged breaths.
Kate: Ah, it’s a new day.
Kate: Happy birthday once again, Harry. And… I love you.
Harrison: Thanks. … Me too.
Kate: That’s… the truth, right? Fufu, that makes me even happier!
I stole Kate’s lips again and didn't hesitate to slip my hands under her clothes.
The softness of Kate’s skin, her warmth, her movements, and her words — all of it filled my heart to the brim.
(... I’m the one who’s happy.)
— 30th of May, the actual day of my birthday.
Victor burst into my room early in the morning and cheerfully announced that everyone who was available would be going for a celebratory lunch.
(... You just want to make a big deal about people’s birthdays.)
(Oh well, I’ll go along with it for today.)
While I waited for Kate to get ready, I thought back to the day I stepped foot into this world of darkness.
– Flashback Start –
Harrison: I’m not interested in the prosperity of England and other people's freedom. But—
Harrison: I’m interested in what you guys are doing, therefore you should let me become one of your members.
Harrison: I have the curse of a fox and can see through lies. I think I’ll be useful… what do you think?
– Flashback End –
(... I’ve told Crown countless lies since that day.)
Those lies were necessary in order to protect, and I couldn't show anyone my true feelings.
For that reason, I lived my life keeping everything that was precious to me as far away as possible.
I accepted my fate as a lying fox, and thought that was how I was meant to live.
— That was how things were.
(Kate returned something precious to my hands.)
(Smiling as hard as she could.)
Whenever I was about to give it up again, Kate would say “you don't want that, do you, Harry?”.
Incorrigibly, she would put it back in my hands.
(And then, I—)
There was a knock on my door, and Kate peeped her face in.
Kate: I’m ready. Sorry to have kept you waiting.
Perhaps because it was my birthday, Kate was more dolled up than usual.
Harrison: This outfit suits you well.
Kate: Thank you.
Despite her shy smile, she seemed very pleased.
(...?)
Harrison: What are you grinning about?
Kate: … I was thinking about something while on my way here.
Kate: Harry. For your next birthday, and all your future birthdays, I’ll do my best to surprise you.
Kate: I’ll continue making sure that you have the best birthday ever.
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Harrison: …
Kate: Someone’s here. Is it Victor—
Harrison: You don’t have to respond to that yet.
Kate: Oh—
I put an arm around Kate waist—
And hid us behind the curtains.
Kate: … Harry?
Harrison: I know you’re trying your best.
Harrison: But having you by my side is already enough to make it the best birthday ever.
Kate looked up at me with her eyes widened.
Kate: Do you mean it…?
(... Isn't that obvious?)
(I’m so grateful towards you that I can change my way of life for you.)
And have my birthdays celebrated here, with Crown.
I could no longer live my life avoiding keeping what’s precious to me close by.
(Kate, because of you, I can't be alone anymore.)
I gave her an aloof smile, embarrassed by the feelings bubbling in my heart.
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Harrison: It’s up to you to find out whether that's the truth or a lie.
Harrison: … You’ll be with me next year and every year after that, won’t you?
Kate: Yes, I’d love to!
I kissed Kate, who smiled while saying that.
The birthday kiss tasted sweeter than the cake Kate made — it tasted like pure bliss.
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