#how could i have left her behind

[drakonovisny]

i miss my cat 😭😭😭😭😭

[poorly-drawn-mdzs]

Bonus 8: How met your mother (CSSR design by @qourmet!)

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[aardvaark]

im so glad that we never get a clear picture of sophie’s background in leverage & i hope we never do. however i also really like making up various, often conflicting backstories for her in my head. perhaps they’re all backstories for an alias of hers, ones she laid to rest back in season two.

[silverskye13]

Silver I know next to nothing about the alien franchise and movie, I am giving you full permission to use this ask as an opportunity to spread propaganda to get me (and anyone else) to finally watch it

So it's, so like, the thing is, right. I'm not a movie tech kinda person [though it is technically impressive, the funny little tricks they did, like not having the budget for a Big Space Ship Derelict so they are a scaled down model that the director's kids in space suits walked up to so it would look bigger, and it was shown to the audience on a shitty CCTV because they didn't do a big matte painting of the set they filmed the tiny one, projected it onto a wall, and then filmed that.] So my rant isn't going to be about how technologically cool the movie was for 1979 on a less than optimal budget. But what I do like, what I excel at, is breaking down themes and tropes. And my god. My god. Just. Ugh. [Flails my arms.]

So a basic rundown for the movie, spoilers ahead, and my analysis of how fucking cool it is:

Basic gist of the movie: The crew of the commercial mining vessel Nostromo are awoken halfway through their trip back to earth by a mysterious signal, calling for help on a far away planet. Upon going down to investigate, one of their crew members is attacked by a strange alien parasite which attaches to his face. This kicks off a tale of increasing horror as the new alien kills off the crew one by one, culminating in Ripley [the main character] blowing up the ship and fleeing in an escape pod, not sure if she'll ever be picked up in the vastness of space -- with the ships cat, who miraculously also survives. [We all know Jonesy is the real main character 💜.] Along the way a plot by the Weyland-Utani corporation is revealed, one of the crew is discovered to be an android, and there is a lot of alien screeching.

Now! The themes that I go absolutely feral over can commence.

The horror of the movie, the reason why the alien is scary, and lethal to humans specifically, is it is a creature built for efficient survival, and this is a trait that Ash, the ship's science officer [and resident hiding android] highly praises in the critter. He describes it as beautiful, elegant, pure in its efficiency. The perfect organism. Efficient.

Humans, by comparison, aren't efficient. We are social. And efficiency preys on social needs. For example:

The xenomorph eggs can survive for ages [in the derelict they're found on, the dead alien who drove the ship is described as fossilized. These eggs have been here for thousands of years. But they activate immediately when a curious human pokes around them. It isn't a fast process. Kane is poking around for a few minutes, looking at the movements of the creatures in their eggs, making observations. Curious. Curiosity is an inefficient trait -- he would have survived if he had climbed out of the hole the eggs were in and left, or even waited for the rest of his team to enact quarantine and investigation procedures.

Speaking of quarantine! When Dallas and Lambert bring Kane, newly infected by an alien parasite, back to the ship, Ripley locks them in the airlock. There are quarantine procedures. We can't risk the whole crew. But they are scared for Kane's safety. He might die without help. They break quarantine. If they hadn't broken quarantine, the baby alien would've been born in the airlock, where it would get spaced the moment it was born.

When the face hugger parasite dies and Kane seems to return to normal, what they should have done to attempt to reinstate quarantine was put him in hyper sleep. His body would have been frozen in a stasis which might have frozen the parasite or, if it hadn't, would have left the new baby alien trapped in a stasis pod. But Kane, haggard and scared from his ordeal, asks can we please have one more meal together before I go to sleep? And that one meal is long enough for the new xenomorph to be born, and release terror on the ship.

There is more. Parker would have lived if he hadn't gone to find the cat by himself, leaving the safety of his group. Dallas would have lived if he let Ripley go through the vents, but he was the captain and he didn't want to risk someone else's life so he went instead. Brett would have lived if he'd left Lambert behind when she was being attacked, or if he'd hit the xenomorph with the flamethrower instead of insisting Lambert get out of the way first. And Lambert would have lived if she'd run instead of being paralyzed in fear by the creature killing her friends. And the xenomorph? Wasn't even eating it's kills. No gore. Little blood. It was killing them because it knew they would kill it, and it was neutralizing threats. Efficient.

The xenomorph is very clearly engineered for survival, and it's survival depends on killing the inefficient organisms around it. Even it's acid blood is described as a survival mechanism, not an offensive mechanism.

Okay Skye, we hear you talking about how scary the critter is because it's not a social creature. That's an interesting observation, but it's still just a monster story, right?

Well, let me tell you an alternative story. Just a little to the left of the original, but one I would argue is still very very canon.

You are an android built by Weyland-Utani, a company which is jealously hunting alien tech to use for its many space programs. You are placed on the Nostromo because there is a known anomaly in the area, and they want to find it. Your job is to get a specimen back to the company, all other protocols expended.

You are programmed to be efficient, so you get to work.

You wake the crew when you find the signal. You give them only the information they need to investigate: it is a signal that repeats every 12 seconds. You let them make the conclusion it is an SOS. Humans are social creatures. They want to help other social creatures in need. There is some arguing about whether they should go, but in the end an extra push from you sends them. Ripley, one of the more efficient members of the crew, keeps asking you why you haven't decoded the message.

"Mother [the super computer running the ship] is still working on it." This is true. She has only translated part of the signal. By the time Ripley realizes it's a warning, the crew is already on the way to the derelict. You tell her if she walks out there, they will have already figured out if it's a warning or not by the time she makes it to them. She agrees.

When they return with a specimen, Ripley [efficient, following protocol] doesn't want to let them on. But Ripley doesn't know you're an android, so when you break quarantine, and you tell her you just wanted Kane to be safe, she begrudgingly believes you.

When the alien is loose, it is easy for you to keep them from killing it. Humans are social, inefficient creatures, and you feel no empathy for their deaths. You do pity them though. Between you and the alien, their chances of survival are slim.

If only they were more efficient.

The horror in Alien is not the xenomorph. The horror in Alien is when anything, primal creatures, androids, a particularly greedy corporation, preys on human social needs in order to get what it wants. There is significance in that Ripley, despite everything, chose to save the cat. She needed companionship. All humans do. She needed to save that cat. A cat that was cantankerous and mean, and hissed whenever it was held, was better than the cold efficiency of empty space.

Any system that prioritizes absolute efficiency will be inhospitable to human life.

[roots-symphony]

do you think the reason agatha’s trial felt weird is because she was the only one who did not actually buy into the mythos of the road since she knew the truth? like that was why no perspective change and all the other reasons why people thought it was a fake trial

[dreamaruu]

Hi so whats the deal with our two appearances of the Lich so far being associated with bonnie

[koetjingwarrd]

You're my baby, say it to me...

[golden-stag]

God I still haven't gotten over the gut punch that was Millia saying "God, I hope not."

That ending is seared into my subconscious.

[opens-up-4-nobody]

...

[willowcrowned]

it’s actually wildly funny that amethar’s epithet came about because he was the only person in his family not horrifically murdered. imagine if every single one of your relatives got stabbed and from that point on everyone called you “johnny no-stabs." that’s amethar’s life

[iangallagherisadeadman]

Don't you guys think it's fucked up when Fiona starts dating and sleeping out of the house, leaving Debbie, Carl and Liam kind of for themselves?

Once she started dating Mike she would sleep at his place sometimes which I think it's okay, she was paying the bills and would leave dinner ready and communicate Debs and she was still looking out for them, they had health care and she took them to the clinic and all that. She needs to take care of her, live a life, sleep at her boyfriend sometimes, that's fine and healthy. But then she marry Gus and is often out of there, get together with Sean and doesn't even know what's going on with them anymore (aka "why there's nothing to eat in the fridge" "cause no one is doing the shopping" dialogue with Debbie, not knowing when it's their first day at school, letting Sammy move in and run things after her trailer got fucked by Frank), and then she gets her apartment and moves out completely and like, okay, Ian was a EMT, Lip is a mechanic already I think, she did said she wasn't going to support Debbie after her pregnancy (fucked me thinks), Carl's at military school, but Liam is still a kid! And Debs and Carl are still underage! And they are her responsibility.

It just doesn't sit right with me that Liam didn't at least moved with her.

Specifically Fiona defenders, I would love to hear more about it.

[vampirehizzies]

i really like the way marcel was logical and upfront with davina about priorities, validating her desire to bring back kol (the love of her life) and supporting her in that, while at the same time reminding her that his life is in danger right now and kol has been dead for months. and she agrees with him because they have a sibling bond/love and mutual respect/trust in one another, one that he earned by being nurturing and loyal to her, which is why davina does what marcel asks, because he made it clear he values her and her needs too.

it also reminds me of the klaus to marcel to davina pipeline, because marcel grew up around a selfish and murderous family who takes care of their own and hurt even the people they love most (each other), under the care of someone who did love him but in a very twisted/controlling way, and decided he didn't want that kind of relationship with davina. he took the useful lessons from klaus/inherited his dramatics and desire for power, but instead of manipulating and treating people poorly/as expendable and being like klaus by using terror and violence to get davina to comply, he just... is honest, and straightforward, and kind. klaus believed that the only way to get what he needs is by going to extreme murderous lengths but marcel inspires loyalty from davina by being trustworthy and earning her friendship.

[dullahandyke]

didnt even touch on the sandra lynn stuff int he tags of the last post bcos if i talk about her im liable to explode. get behind me, middle-aged divorced woman proficient in archery

[sugarcarnation]

skk plus kouyou trio has taken over my brain

[longagoitwastuesday]

I actually like the last chapter. I think the ideas are very good. I have my qualms on how some things were managed, as I always do, but I think shonen authors get tangled in the expectations of a shonen to the point it jeopardises their writing, often even when they're not lacking in skills