#his arc is SO good

[aparticularbandit]

"They should've left me. After what I did. Don't they know that? I don't deserve to be here."

[weepynymph]

are people seriously not understanding that the whole point of colin's arc this season is him trying to be something he's not??

like sure the brothel scenes are a little weird and jarring but like they're meant to be??? because he's not actually that into it, he's just trying to do what all the other men his age are doing so he can fit in??

the writers aren't trying to 'turn him into anthony or simon' or make him a rake because that's what we're used to - HE'S trying to turn HIMSELF into anthony or simon or basically any of the other guys who this comes naturally to; who enjoy sleeping with lots of different people somewhat emotionlessly and don't get lonely because of it (and no judgement to that it's just not him)

he literally kisses Pen ONCE and absolutely loses his mind over it because its obviously never felt like that for him before. that moment is his 'oh so that's what that's supposed to feel like' moment and that's how he knows he's in love with her its literally so good???

i understand people feel like its rushed but honestly to me it feels perfectly in character for him to discover the solution to his loneliness he's been searching for all this time and immediately dive into it headfirst. that moment right at the end of ep4 where he asks her to marry him is the most authentic colin i think we've seen all season. he's sweet and funny and playful and passionate and impulsive - he's finally stopped trying to be someone he's not and now that he knows who he is and what he wants he's all in.

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 5: Flip Slip.

(Part 1, Part 2, Part 3, Part 4, Part 4.5)

[otterlyart]

Narrative parallels I'm very normal about

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[meltedmush]

I’m so Erha pilled right now,,, I’ve been listening to 怎配 by 镜予歌 on repeat,,, AND I’M SOBBING

[regonold]

So twins au, but they both know and are in regular contact with each other like danny was to be killed but was instead placed with the fentons and he kept up semi regular correspondence with damian

He helps damian acclimatise to normal life... kinda he is still a fenton and his veiws are skewed by it but he helps a bit

And Danny's enjoying his new life no longer does he have to hide his powers his parents discovered and accepted and he even set up a schedule with his rouges they now have a scheduled time where they can come through the portal and fight

Everything was going great until somehow the bats found out about him and seem to think he needs help form his crazy parents

[lurukifennecfox]

again snippets i won't finish because reasons

Everything was going well which should have been the first clue.

Danny moved to Gotham (Vlad insisted he pay for it and he'd been doing better so he let him have it) he's going to Gotham Academy, he was visiting his old haunt so often people thought Phantom never left! turns out if a ghost is strong enough they can teleport to their haunt and he is strong! even if he never quite got the hang of teleportation aside from returning to his haunt.

[•••]

he must have said something wrong because now the halfa was glaring at him with ectoplasm green eyes, he rolled his eyes.

"c'mon stop with the scary eyes" he said it and winced, shit he sounds like Vlad! wait it's not quite Ecto-green, it's diluted? more Lazarus than pure Ecto... that doesn't look healthy is it why he barely can feel his core??? is he really sustaining on Lazarus Water?!

[teaitis]

Clown posting (affectionate)

[peofun1]

starting a collection of panels where Nirei is like 😱 and Suo is like :-)

[b4kuch1n]

polymer broadcast signal hijack

[miraculouslbcnreactions]

Keep hearing people say maribug keep asking adricat if he's ok and he keep saying he's ok instead of telling her his problem but I don't remember it happened more than once in s4 in Rockettear but even then the circumstances of that episode did warrant the "nothing" answer he gave her unless he want to tell her that "nino tell me you let nino and alya know each other identity" which will reveal adricat identity. So when else did she ask? about the thing in hack-san, I think another credit goes to alya since she's the one who bring the topic to maribug who seems to be blissfully unaware that her leaving without telling adeicat that she send subtitute would be a problem.

I didn't get into this side of things in my other post because it was long and I wanted to focus on why Chat Noir's behavior was so frustrating, but this ask brings up the other big reason why the season four conflict was such a frustrating and terribly written plot line. Specifically, the part of your ask where you point out that Maribug seems blissfully unaware that her actions are having a negative impact on Chat Noir until someone points it out to her.

Yes, she is presented as blissfully unaware of this and every other interpersonal conflict we're given in season four. Your ask treats this as a failing on Maribug's part as if she should have obviously realized that she was in the wrong, but that's the whole problem. Telling kids - telling anyone really - that they should just magically know what others need is a frankly terrible life lesson as that's just not how the world works. You cannot just assume that everyone will have the same view of the world as you do and instantly pick up on the same issues as you do. That is the path to easily avoidable frustration and conflict. It also teaches people to assume that their view of the world is inherently correct when that is rarely the case. We often don't know the whole story and the other person's point of view may end up being equally or even more valid. This issue is extremely present in season four as Marinette has legitimate reasons to behave the way she does, which I'll get into in a bit.

If Marinette were written as feeling guilty about how she was treating Chat Noir, then this would be a different story. She'd be way more in the wrong and would shoulder a much greater portion of the blame. But as is? She has no idea that she's doing anything wrong. And until someone takes the time to tell her that her actions are causing harm, she is going to continue causing harm because she has no idea that she's causing harm.

In fact, I'd argue that the Alya thing in Hack San is a point in Maribug's favor. Throughout the episode, we see Marinette sending Alya messages on ways to be a good partner to Chat Noir, proving that she does in fact care about him. And then, as soon as Alya says, "You need to talk to Chat Noir," what does Maribug do?

She goes and talks to Chat Noir, giving him a pretty good apology for the problem she now knows she caused. Because, shockingly, Maribug doesn't actually want to hurt her partner. She also clearly cares about his feelings, making me want to take the season four conflict and tear it into itty bitty pieces because what is the conflict even supposed to be when you write shit like this?

I want to briefly step away from Miraculous and talk about this issue in a broader context via this YouTube short:

This short is from a Vietnamese woman who moved to Germany. Her YouTube channel is about her experiences there, including things like the short above which goes into the differences between what it means to be a dinner guest in Vietnam and what it means to be a dinner guest in Germany. In Vietnam, it's apparently standard for the guests to cook dinner with you where as, in Germany, you're expected to have the meal ready when the guests arrive, making this a situation where it's super easy to come across as rude just by doing what you think is normal.

Society is relatively aware that these types of culture clashes are a thing, but you don't have to be from different cultures to have these types of situations. Every person has their own unique needs and ideas of what "normal" is. The culture they were raised in will affect this, but so will their family, their personal needs, and many other factors. Two people can be raised on the same street and wind up with wildly different world views even though they supposedly share a culture. This is extra true when you add in compounding factors like neurodiversity, which is why it's an exercise in futility to say, "But Maribug should have realized..."

Well, she clearly didn't. And you can't change that she didn't realize whatever you're mad about. All you can do is have someone tell her what she's doing wrong. If she then continues the behavior, go ahead and judge away. But if she immediately corrects it like she did in Hack San? Doesn't that just prove that she truly didn't know that Chat Noir was hurting and would have probably fixed all of his problems if someone just pointed them out to her?

This is only exacerbated by the fact that Marinette's behavior in season four is largely unchanged from her behavior in previous seasons. The only major change is that she revealed her identity to Alya, but as soon as that's pointed out as a problem, she course corrects with an apology. After that, she thinks that everything is okay because why wouldn't she? Chat Noir said it was fine and everything else has been business as usual.

Bringing temp heroes into help as needed? That's been going on since season two. Having these additional members has been vital in multiple battles and there have been plenty of times where Chat Noir took a background role to the temp hero of the day like in Sapotis, Rena Rouge's season two debut. So why would Maribug suddenly think that this dynamic is a problem when it's been working fine for so long? We even had a whole episode about how Chat Noir was still needed in spite of the new heroes back in season three! Or, at least, I think that was Desperada's message? This show is shockingly bad at giving clear lessons.

Keeping guardian knowledge from Chat Noir? That's also been going on since season two and was even treated as a conflict that supposedly got resolved in the episode Syren which was the episode that ended with Master Fu coming to the mansion to talk to Adrien after everything was over.

When I watched that episode, I assumed this meant that Chat Noir was going to be more involved in things like picking the temp heroes. I actually thought this was how we were going to get Queen Bee because I knew she was going to be a thing, but it made no sense for Marinette to pick Chloe for a miraculous. Of course, I was wrong. Nothing changed after Syren. Chat Noir remained nothing more than the comic relief while Ladybug got all the insider info.

To be clear, I think that was a terrible move writing wise, but it doesn't change the fact that this is what they went with. This is the established dynamic. I can't even say that Alya learning Marinette's secret led to something new. She's just taken Marinette's old role while Marinette has taken on Master Fu's old role. This show loves it's status quo and Chat Noir has been at least tolerant of that status quo since Syren, so it's not surprising that Maribug doesn't register that this is a thing that should change and no one bothers to point it out to her even though she has a mentor in Tikki (and Su Han, I guess?) and a confidant in Alya and a whole slew of Kwamis who could also provide insight if they were allowed to do that sort of thing. (Sass and Wayzz were robbed of mentor roles.) Additional blame goes to Plagg because he should absolutely have told Adrien to talk to Ladybug. What is the point of giving these characters mentors who never mentor? It's aggravating in the extreme.

To circle back to the first part of your ask, outside of Hack San and Rocketear, I don't think there are any times when Ladybug invites feedback from Chat Noir unless you want to give credit to the end of Kuro Neko:

Cat Noir: (lands next to her) I've been a really temperamental kitty, m'lady. I didn't realize how much trouble I'd make for you by giving back my Miraculous. Ladybug: (sits closer to him) Just because I don't need you all the time doesn't mean that I don't need you at all, Cat Noir. No one could ever replace you.

Which isn't Maribug inviting him to tell her what's up, but she is clearly willing to listen to him and reassure him, further backing up my point about this conflict being some of the worst writing I've ever had to suffer through. If Maribug always fixes the issue as soon as she learns about it, you are not writing a situation where she's clearly in the wrong. You are writing an easily solved communication issue where she gets blamed for something she clearly doesn't realize she's doing wrong and it is so frustrating!!! I feel so bad for her. The next episode is Penalteam, btw, which starts the battle with this gem:

Ladybug: (laughs) Nice scare tactics, but it's not gonna work. Cat Noir and I are the best at soccer! Cat Noir: (Whispers to Ladybug) I don't know a thing about soccer M'lady. Maybe it's time to call the real team?

And basically just spends the whole episode making Chat Noir seems like a worthless partner while Maribug tries her best to make him - and everyone else - feel special.

Oh, and the episode before Kuro Neko? Well, it's technically Ephemeral, but that got magically overwritten so let's go one further back and we get to Dearest Family, which ends with this:

Cat Noir: (grabs a golden paper crown on the coffee table) Since I'm the king, (wears the crown on his head) would you be my queen, Ladybug? Ladybug: With pleasure, kitty cat! Tradition is tradition!

Oh yes, these two are in such conflict and Maribug does nothing to validate Chat Noir. He's in pain every episode and she's just totally oblivious to it.

If that was what they wrote, then I'd probably agree that we needed more instances of her asking if Chat Noir was okay. But it's not what they wrote. If you look through the list of season four episodes, you'll find that less than half of them deal with the supposed conflict of the season (by my count, only 8 of the 24 episodes before the final actually showcase the conflict and they are not in a logical order in terms of escalation as I tried to demonstrate above). The rest of the episodes flat out ignore it or even straight up work against the conflict like when Ladybug says this to Chat Noir in Guilttrip: "I probably don't tell you this enough, but I couldn't do this without you. And it'd be a lot less fun too."

Seriously, what even is this season? What is the conflict supposed to be? Because it sure as shit isn't Maribug undervaluing Chat Noir, if memory servers, season four sees her validate him more times than any other season. And it isn't her guiltily hiding things from him like so many fanfics claim because we have multiple points of evidence that prove that she's completely oblivious that there even is a conflict. So what conflict are the writers actually trying to write?

What's even more baffling is that none of this logically leads to the loss at the end of the season:

Maribug's new secrets didn't lead to her downfall. The only reason she lost was because of the secret that's always been there - a fact that's never revealed to her - and a freaking evil twin! So why did it matter that Maribug was keeping secrets? This is made even worse by season five maintaining all of the secrets, once again begging the question of what lesson were we trying to teach here???

Chat Noir wasn't needed for the final fight of the season, Maribug only needed the powers of a few of the temp heroes to win, a baffling ending to a season whose focus was Chat Noir feeling unimportant. You could scrap that conflict entirely and the ending would not change. In fact....

Adrien quitting to be nothing more than a good little boy who obeys his father would have actually saved the world from eventually being rewritten. If you think about it, the season four final actually punishes Adrien for being defiant. So does season five as, if Chat Noir had quit, his father would still be alive. I thought this show was supposed to be a romcom, not a tragedy. Why is Adrien being punished for being a hero? Is this supposed to be karma for lying to Ladybug with the whole Catwalker thing?

This shit is why I say I'm a writing salt, character sugar blog. I can't get mad at the characters when they're in such a nonsense story where things never logically tie together. They all deserve so much better.

None of this is meant to imply that ignorance is a blanket excuse for hurting others. Nor is it meant to imply that you have to forgive someone who hurt you just because they didn't mean to. There's a ton of nuance around these topics. But season four acknowledges none of that nuance while creating a situation that desperately needed nuance because there was no clear right and wrong here. Should Maribug work to be more aware of others feelings? Sure, but that journey can only start after she's made aware of her faults and no one ever points them out to her. Does Chat Noir need to work on clearly communicating his needs? Desperately, but no one is teaching him that lesson so he remains a terrible communicator who suffers in silence. What impressively bad writing.

[teddytoroa]

the thing about joe hills of nashville tennessee is that on a server of folks roleplaying mad scientists and zombies and kings and creeper-goats and kakashi of naruto and mayors and businessmen and slimes and iskall and dungeon masters and doom guy and dwarves and elves and aliens and whatever the gigaverse is, you have Joe Hills The Regular Human Guy From Nashville (Tennessee), and yet his normalcy is frequently more bizarre somehow than whatever else is going on. and this never ever fails to enchant and delight me.

[poorly-drawn-mdzs]

Bonus 13: Beware the Grapes of Wrath.

[First] Prev <–-> Next

[thewhizzyhead]

WAIT I WANNA BRING UP ANOTHER THING ABOUT HOW BULLYING IS ADDRESSED IN NERDY PRUDES MUST DIE. one thing I really liked about how Max is shown as a bully is his talk with Pete at the Pasqualli's parking lot. When Pete tries to stand up to Max, Max pushes him down and emphasizes that Pete isn't a loser because of his own qualities - rather, Pete is a loser because Max simply said so.

Of course we can attribute this to Max's god complex but I think that this point in particular is less than often really brought up in teen-centered media featuring bullying: that bullying exists not because of nerdy behavior or whatever the fuck, but because bullies will it into being. And to have a BULLY of all people say that out loud - to have the main villain point out the root of their behavior without showing any kind of shame whatsoever - showcases just how much of a menace Max is.