the most frustrating thing about AI Art from a Discourse perspective is that the actual violation involved is pretty nebulous
like, the guys "laundering" specific artists' styles through AI models to mimic them for profit know exactly what they're doing, and it's extremely gross
but we cannot establish "my work was scraped from the public internet and used as part of a dataset for teaching a program what a painting of a tree looks like, without anyone asking or paying me" as, legally, Theft with a capital T. not only is this DMCA Logic which would be a nightmare for 99% of artists if enforced to its conclusion, it's not the right word for what's happening
the actual Violation here is that previously, "I can post my artwork to share with others for free, with minimal risk" was a safe assumption, which created a pretty generous culture of sharing artwork online. most (noteworthy) potential abuses of this digital commons were straightforwardly plagiarism in a way anyone could understand
but the way that generative AI uses its training data is significantly more complicated - there is a clear violation of trust involved, and often malicious intent, but most of the common arguments used to describe this fall short and end up in worse territory
by which I mean, it's hard to put forward an actual moral/legal solution unless you're willing to argue:
Potential sales "lost" count as Theft (so you should in fact stop sharing your Netflix password)
No amount of alteration makes it acceptable to use someone else's art in the production of other art without permission and/or compensation (this would kill entire artistic mediums and benefit nobody but Disney)
Art Styles should be considered Intellectual Property in an enforceable way (impossibly bad, are you kidding me)
it's extremely annoying to talk about, because you'll see people straight up gloating about their Intent To Plagiarize, but it's hard to stick them with any specific crime beyond Generally Scummy Behavior unless you want to create some truly horrible precedents and usher in The Thousand Year Reign of Intellectual Property Law
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David Tennant opened the BAFTAs with a fuzzy swaeater, pride pin and a dog, subjected the cream of Hollywood to a staged skit and gay flirting with Michael Sheen, wore a slutty kilt, insulted trump and nobody else, spoke French, delivered puns like a pro, thirsted over Andrew Scott and Paul Mescal, flirted with Bradley Cooper, wore 3 of the most flamboyant outfits - all which slayed, fanboyed over Michael J Fox and was aggressively Scottish the whole way through
I’m sorry if you’re watching the BAFTAs for any other reason you’re wrong
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guess who 😈
and I have this art with beta—
I also have a lot of sketches that I hope to finish in the near future (don't pay attention to the fact that there're a lot of Howdy here....)
(hum)beta!Wally (eechy pspsps 🫴)
I don't know what else to show you, so I'll show you (the old ones) art for my mutual :]
Margo for @//thelone-copper ; (I don't know his name 😔🥄🥄🥄) for @//dxkjf
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I’ll never forget when I was arguing with a person in favor of total prison abolition and I asked them “what about violent offenders?” And they said “Well, in a world where prisons have been abolished, we’ll have leveled the playing field and everyone will have their basic needs met, and crime won’t be as much of an issue.” And then I was like “okay. But…no. Because rich people also rape and murder, so it isn’t just a poor person thing. So what will we do about that?” And I don’t think they answered me after that. I’m ashamed to say I continued to think that the problem was that I simply didn’t understand prison abolitionists enough and that their point was right in front of me, and it would click once I finally let myself understand it. It took me a long time to realize that if something is going to make sense, it needs to make sense. If you want to turn theory into Praxis (I’m using that word right don’t correct me I’ll vomit) everyone needs to be on board, which mean it all needs to click and it needs to click fast and fucking clear. You need to turn a complex idea into something both digestible and flexible enough to be expanded upon. Every time I ask a prison abolitionist what they actually intend to do about violent crime, I get directed to a summer reading list and a BreadTuber. It’s like a sleight-of-hand trick. Where’s the answer to my question. There it is. No wait, there it is. It’s under this cup. No it isn’t. “There’s theory that can explain this better than I can.” As if most theory isn’t just a collection of essays meant to be absorbed and discussed by academics, not the average skeptic. “Read this book.” And the book won’t even answer the question. The book tells you to go ask someone else. “Oh, watch this so-and-so, she totally explains it better than me.” Why can’t you explain it at all? Why did you even bring it up if you were going to point me to someone else to give me the basics that you should probably already know? Maybe I’m just one of those crazy people who thinks that some people need to be kept away from the public for everyone’s good. Maybe that just makes me insane. Maybe not believing that pervasive systemic misogyny could be solved with a UBI and a prayer circle makes me a bad guy. But it’s not like women’s safety is a priority anyway. It’s not like there is an objective claim to be made that re-releasing violent offenders or simply not locking them up is deadly.
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