#there are some other creators

[gothra]

I’ll never forget when I was arguing with a person in favor of total prison abolition and I asked them “what about violent offenders?” And they said “Well, in a world where prisons have been abolished, we’ll have leveled the playing field and everyone will have their basic needs met, and crime won’t be as much of an issue.” And then I was like “okay. But…no. Because rich people also rape and murder, so it isn’t just a poor person thing. So what will we do about that?” And I don’t think they answered me after that. I’m ashamed to say I continued to think that the problem was that I simply didn’t understand prison abolitionists enough and that their point was right in front of me, and it would click once I finally let myself understand it. It took me a long time to realize that if something is going to make sense, it needs to make sense. If you want to turn theory into Praxis (I’m using that word right don’t correct me I’ll vomit) everyone needs to be on board, which mean it all needs to click and it needs to click fast and fucking clear. You need to turn a complex idea into something both digestible and flexible enough to be expanded upon. Every time I ask a prison abolitionist what they actually intend to do about violent crime, I get directed to a summer reading list and a BreadTuber. It’s like a sleight-of-hand trick. Where’s the answer to my question. There it is. No wait, there it is. It’s under this cup. No it isn’t. “There’s theory that can explain this better than I can.” As if most theory isn’t just a collection of essays meant to be absorbed and discussed by academics, not the average skeptic. “Read this book.” And the book won’t even answer the question. The book tells you to go ask someone else. “Oh, watch this so-and-so, she totally explains it better than me.” Why can’t you explain it at all? Why did you even bring it up if you were going to point me to someone else to give me the basics that you should probably already know? Maybe I’m just one of those crazy people who thinks that some people need to be kept away from the public for everyone’s good. Maybe that just makes me insane. Maybe not believing that pervasive systemic misogyny could be solved with a UBI and a prayer circle makes me a bad guy. But it’s not like women’s safety is a priority anyway. It’s not like there is an objective claim to be made that re-releasing violent offenders or simply not locking them up is deadly.

[tapakah0]

Animation based on this gorgeous animatic that I kept rewatching for 2 months (and finally gave up) made by @wolfythewitch

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[flossthecryptid]

Seriously hating how much of Grian’s comment section is just “it’s been so long since the last HC episode” and “when is the next HC episode”.

I think because of how constantly popular his HC videos in particular are his viewers are less understanding about him not posting which sucks.

I get that it’s generally a joke and people aren’t serious about it, but saying that kind of thing is as bad as hate comments; repetitive, unnecessary, and discouraging.

It also just fills the comments with the same thing again and again, instead of saying something relevant and interesting to the conversation.

I don’t know if Grian actually cares, but I think this type of community should be more positive instead of down putting. He even explained that his sever tour he was planning to do ended up taking more time than he thought and that’s why this episode took a while.

[lynaferns]

Do you guys have seen this movie?

Because I have a bunch of memes I drew for it.

[royalarchivist]

Dono: All men do is lie.

Fit: That is not true! We mostly lie. But not always.

Fit: I am likely gonna be streaming on Friday as well! [Stammers] I cant' tell you what that's gonna be, but it'll be interesting! I'm not lying, by the way. No, I am not lying. [Reading chat] "Fit, you said Hideduo reunion"? Well, you know... I dunno if it's ever gonna happen, folks! I dunno if it's ever gonna happen. Y'know, why– I wouldn't wanna get your hopes up for... something that may never happen, so... You know, why– why even entertain the idea? Why?

Fit: You can trust me. I would never lie to you. It's not happening, folks. It's not happening.

[aro-bird]

What's up with controversial YouTubers constantly blaming ADHD for their rancid actions like... that's not how ADHD fucking works??? It could worsen some issues you have and even be the reason for some but it wouldn't make you a fucking asshole????

[citrusai]

taash said "they were doing it" and people ran with the interpretation of an npc that doesn't know solas or the history of the elvhenan even when bellara interjected and said, no, that's not right. that's not how it was for the elvhenan. they formed bonds before they had physical bodies. and people ran to doompost or create weird anti-solavellan shit even though mythal & solas refer to each other as old friends and when she releases him there is no tenderness or love in it. it is the act of unchaining a dog from his post, the stepping down of a general. but to each their own ig.

[sombrathedragon]

I feel like they would be friends..

Whalefall the SeaWing is not mine! They belong to @bogcreacher

Skullbreeze the Nightwing is mine!

[rosyborealis]

There’s this phenomenon that isn’t quite queerbaiting, and therefore shouldn’t be called that in my opinion, but there isn’t a specific word for it as far as I know. Basically the phenomenon where a couple isn’t explicitly shown to be a couple on screen (usually due to corporate homophobia), but is definitely intended by the creators to be a couple.

Edit: The two phrases that have been brought up in the comments are queer-coding and Herero-baiting. I’m partial to the latter.

[bizarrelittlemew]

✨ reaction gifs ✨

this isn't something i usually do, but i'm dumping a bunch of my gifs here that you are free to use and repost for your social media reaction gif needs (this is special permission for the gifs below – otherwise, remember to always credit gifmakers!!)

if you save and use these gifs, please give this post a like/reblog!

also i'm @bizarrelilmew over on twitter/X where i'm more active currently so feel free to follow me there 🤸

[spacecasehobbit]

After seeing yet another popular tumblr post with thousands of reblogs bemoaning the state of comments on fanfics these days - more specifically, the supposed lack of commenting these days, as opposed to The Good Old Days - I have decided that this is in fact a hill I am willing to die on. I'm making a separate post about it rather than reblogging the latest iteration, though. This is hardly the first time I've seen these types of discussions, and my issue is with the mindset in general, not any of the specific people who hold it.

In the most recent version, the entire post with all its various arguments and assertions was plenty frustrating across the board, but it included one line in particular that cut beautifully to the heart of my issue with this type of discussion. The line in question:

"fanfic authors now are treated like content mills, and not like valued members of a creative community who thrive on interaction."

Once I read this bit, I had to stop, take a few deep breaths, and then go make my own post before I imploded over the sheer level of NOPE this line inspired. And okay. The thing is... I want to say this as gently and kindly as I possibly can, but I need to be real blunt for a minute, too.

That line I quoted sounds like a wannabe social media influencer.

It sounds like a person who thinks fandom is - or should be - comprised of fanfiction writers, aka Valued Content Creators, and their respective communities of readers, aka Content Consumers, a strictly distinct group from fic writers, for whom they create fanfiction content and who in turn pay them back with attention and validation in the form of comments and praise.

It does not sound like a fanfiction author who enjoys the creative hobby of writing stories based on characters and worlds from existing stories, engaging in their hobby within a community of other likeminded creators of fan content.

Frankly, fandom has always been worst when it starts obsessing over Big Name Fans who wind up treated like elite fandom social influencers, instead of hobbyists engaging in a fun hobby together based on mutual interests. A shift towards the idea that every fanfic writer should be effectively a social media influencer whose community consists of fans reading the content they oh-so-lovingly create (but only if they get enough positive attention from passive consumers, presumably readers who don't write their own fic or expect comments back from the author in return) sounds like an absolutely awful direction for fandom to take.

I don't want fanfiction and fandom spaces to turn into another social media space full of Our Valued Content Creators, all fighting to build the largest "community" of passive consumers turned devoted followers.

Again, that sounds frankly fucking awful.

The people who only read fanfiction are not your fanfiction community, because they are not engaging in the shared community hobby of writing fanfiction. Your fanfiction community is, perhaps, the other people who are also writing their own fanfiction based on someone else's original work.

So perhaps if comments really are declining on fics these days, instead of asking why passive readers aren't heaping praise on every fic they read and making sure it all happens where the Valued Creator can hear it, you should ask yourself how many other fanfics you've commented on recently, and then go comment on another one if you're still feeling down about your own work.

Or, I dunno, find a fic author you admire and send them a message on tumblr, if you've already commented on all of their fics that you read and enjoyed.

Or start your own discord for likeminded fans, or find a way to set up your own fandom forums centered on your personal fandom interests and invite other fic authors to come join.

Or, like, anything that involves reaching out to the actual community of hobbyists you can reasonably consider to be a community you are actually a part of.

Aka, other fanfiction writers.

[jeongjinman]

Lee Dong Wook as Seo Moon Jo | Strangers From Hell (2019) Episode 3

[takemetomyfragiledreams]

Little excerpt from a fic I started way back and have never gotten around to finishing. I really love it though and wanted to show some of the dynamic going on between Arkham Knight!Jason and Joker Junior!Tim:

Jason stares at the corpse laid out on his doorstep. It’s as if a cat has deemed him worthy enough to bring back its kill, except Jason doesn’t even have a cat, let alone one big enough to kill and drag a man up six flights of stairs.

Really, this is just getting ridiculous. 

There’s a bloody smile painted onto the man’s face and a note taped to his chest. Jason yanks it free to glare at the neat script. 

What do you name a knight that won’t die? Sir Vivor.   

For a moment, he can’t process what he’s seeing. He flips the paper over in search of further writing, but there’s nothing. Just a stupid smiley face and that same neat handwriting staring back at him. 

Is that a threat? Up until now his mystery killer has been malevolent to Clown lovers only. Are they widening their pool?  

They know where he lives—or at least, they know of one of his safe houses. Are they watching him right now, trying to make him squirm?

He casts his gaze around, lip curled back into a bitter snarl. They’ll learn the hard way that he doesn’t squirm. Hasn’t since he was left in the Clown’s hands. 

He forces himself to keep the paper despite his desire to rip it to shreds. A solid kick is landed to the corpse’s ribs as he lets out a vicious curse. His comm crackles to life with a touch of his hand. 

“I need a body pickup,” he barks, “and a full scan of my location. Anybody suspicious found lurking around is to be detained.”

He doesn’t give time for a response. He shuts the line off with a sharp twist of his wrist before turning on his heel to stomp away, paper clutched tight in his fist. Or, at least, that’s what he tells himself to do. It’s the smart thing. There could be an ambush inside; it wouldn’t be the first time. He has better things to do than bother with some asshole’s idea of a practical joke. 

Except someone decided to wet his doorstep with blood. And Jason’s pissed. 

His leg swings up to smash his own door down in three hard kicks. He can feel the contact reverberate up his leg but it doesn’t stop him. His own alarm starts to wail before he reaches up to throw the small shrapnel bombs above the door into the kitchen and living room respectively. They go off in a shower of razor sharp metal, piercing through furniture and embedding into the walls. 

Jason pulls a gun and stalks inside. 

“Geez,” someone says from the hall leading into his bedroom. The angle was off or he would have thrown one of the bombs that way too. “If ya hate the place so much, ya could just sell it. No need to go around vandalizin’ property, yanno?” 

“Get out here,” Jason barks, “and keep your hands where I can see them, asshole. You’re lucky I didn’t blow the whole place up with you inside.” 

There’s a quiet little giggle that sends a chill down Jason’s spine. He’s trying to figure out why it sounds so familiar when a small figure steps out into the light, hands held up by his head. He’s wearing what looks like a kevlar bodysuit with an actual suit jacket overtop that looks like it’s seen better days. An arm and half of the side has been ripped off entirely, while the pants are nowhere to be seen. Thick soled boots cover his legs from slender ankles to muscled thighs. There are belts hanging from his waist and chest, connected to several different holsters. There’s a machine gun strapped to his back, what looks like a modified pistol with a silencer on his thigh and an assortment of knives on his arm. And that’s just what Jason can see. 

It’s the smile that gives it away though. Crooked and stretched around the scar tissue cutting up through his cheeks. Just like the smiles on the bodies of the Joker’s goons. 

“You,” Jason breathes, “you’re the one that’s been leaving bodies around the city.” 

“I would hardly say ‘m the only one,” comes the mild response. “You leave bodies behind almost every day.” 

“And yet you decided it was a good idea to break into one of my safe houses. Why?” 

“I wanted to meet you.”

“What?” 

He grins and gives a little wiggle of his fingers, like a mockery of a wave. “I’ve heard a lot about you. I even saw ya fly a few times, back when ya still had a shadow. I wanted t’ meet you now, to see if yer still the same.”

There’s only one shadow he could mean. It belongs to someone he’s been doing his best not to think about for months now. Instead, he focuses on the strange rise and fall of the stranger’s accent. It doesn’t sound natural. It’s as if every other sentence his brain catches up and realizes what he’s doing. Jason just can’t decide which one is the truth: the careless syllables or the posh upper crust accent. 

“Why now?” 

“I only got out recently—couldn’t come see ya, even if I tried. And then I got up ‘ere and saw those idiots dressed as clowns,” a dark look crosses his face. His smile turns sharper, more dangerous, but it doesn’t fade. “I couldn’t help myself.” 

“You were in Arkham?” 

“Something like that.” 

Jason doesn’t remember anyone like him visiting the cell he was kept in. Judging by his kills, he could’ve been on bad terms with the Clown. Then again, the Joker had run Arkham. If someone he didn’t like came in, they didn’t last very long.

Jason doesn’t lower his gun. 

“Who are you?”

For the first time, the smile disappears. His head tilts to the side like a bird. “Who am I?” He repeats. “I don’t really know.” 

Jason scoffs. “Bad place to come to find yourself, kid.” 

Another giggle raises the hairs at the back of his neck. “I lost myself a long time ago, Jason. I’m not looking anymore.” 

His name sends a chill down his twisted spine but Jason gives no outward signs of just how unsettled he is. “That doesn’t give me much of a reason to let you live.”

“No, I suppose not.” His hands drop to his sides as he moves to examine the shrapnel embedded into the wall. He pokes at a sharp edge carelessly, though his gloves hide any blood. He makes no sign of caring about the gun trained on his head. 

It’s really starting to piss Jason off. An unintimidated enemy is either stupid or has something up their sleeve. He’s not banking on stupid. 

“Tim,” he finally says, “that’s what my name was Before.”

“Tim,” Jason echoes, “get the fuck out of my house.” 

There’s a grin and a giggle and then he’s gone in a rain of smoke pellets. Jason waves it away from his face with a cough and wonders if he shouldn’t’ve just shot the bastard anyways. 

[pagemarie7243]

every time there is a bad take about Scott smajor a puppy dies

(Rant in tags)

[royalarchivist]

The official trailer for Squidcraft 3 just dropped, and it features some of our favorite Spanish-speaking creators from the QSMP!

(Please keep in mind that cameos aren't necessarily an indication of confirmed participants!)