#he is a very interesting character

[periodcostumefantasylover]

Period Drama Appreciation Week 2024

Day 2: Favorite Character

King Balduin IV in Kingdom of Heaven

[moonknightblog]

Harrow also saying “I’m sorry it had to be this way” to Marc is interesting, to him they both victims of Khonshu, he never wanted to have kill them- but they stood in his way…

He must been very upset, when realized oh Khonshu gets a win, via Lockley…

[lemissingmask]

Nate in season 5 is so good 😭 His change from all the previous seasons, and how he’s become calmer and more supportive, and just generally happier. And he’s so proud of his kids and lets them have their random moments of fun (like Hardison messing with Eliot when he’s wandering round a field to bounce a signal off the moon or Eliot doing a frog impression). He and Sophie (with occasional bonus Sterling) are at a point where they just work.

All the team and their relationships in season 5 are glorious, but with everyone else the changes were more gradual so there’s not such a drastic flip from 4 to 5.

Writing this because I was doing a sketch of Nate and Eliot in season 2 post bottle job, but then watched a couple of season 5 eps and Nate in season 2 versus 5 feels like such different people.

[blackkatdraws2]

[⚠️The Amazing Digital Circus SPOILERS] This episode was interesting!

[poorly-drawn-mdzs]

Ghouls night out

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[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[turtleblogatlast]

One of my favorite headcanons is that Leo grew up watching telenovelas with Splinter.

It just works so well - his bits of Spanish that he spouts randomly, his showy way of apologizing, and, of course, his love for dramatic betrayals all point to this being a very real possibility.

Plus, it’s very cute to imagine a tiny Leo at his father’s side as they both gasp in shock when the show’s eighth plot twist in just as many episodes happens.

[sapphorror]

The Narrator's perspective only gets more horrifying the longer you think about it. Like, imagine being an Echo of yourself—one of many, all made to serve a very particular purpose and knowingly living on borrowed time, if 'living' is even the right word for your current state of pseudo-existence.

You've inherited the mission of a dead man—it's literally the only thing left that you can do before fading, so you sure as hell better believe in it; the alternative would be unbearable. Only you keep failing. With every loop that you don't remember, your lack of agency in this situation becomes starker—you can influence small things, sure, but it becomes increasingly clear that you have no real power, no matter how personally invested you are in the events unfolding in front of you. You are, after all, only an Echo. You've forfeited the right to meaningfully engage with the world.

Worse—every loop you're made aware of is another time you've failed, with unimaginable consequences, though you had no control over these previous iterations of yourself and can't even learn from their mistakes. Everyone around you is operating on a shared perception of reality that you are not part of, will never be part of. After a few repetitions, you are, ironically, the least informed person in the room. All you have left to go on is an evidently outdated script. At the same time, everyone else is experiencing a contiguous version of you, comprised of parts that are, in some sense, also you, while at the same time existing at a complete remove from your current perception of self. Whatever you don't know you did—that's you now. You are, after all, only an Echo. You've forfeited the right to define your own identity, never mind know what it is.

Even worse—this has trapped you within a stagnant hell of your own creation. Nothing you say or do really matters in terms of your own self (the rest of the world is a separate issue entirely). Anything you've come to believe—say, for totally hypothetical example, that you were wrong actually and your envisioned paradise is really a hell beyond any you had the capacity to envision—has about as much permanence as a drawing in the sand. 'You' will continue, exactly as you were, no matter how much you might like to change your behavior. Every possible future has already been set in stone. You are, after all, only an Echo. You've forfeited the right to say anything you haven't already said.

For some reason, no part of any of this has made you feel more comfortable and at peace with the general concept of finality.

The really, truly absolute worst part, though?

There is no one for you to blame but yourself. And that's exactly what turns your story into such a tragedy.

[ganondoodle]

Empress and her Bodyguard.

(OCs, grey haired lady Zaphira she/her, demon Shargon he/they)

(also some details up close)

and this guy bc i find him funny

[bigmoon-is-bigwife]

I was thinking about why people hate C!Scott in the life series so much compared to other characters and I think it's because of how he portrays himself in his POV. He almost never displays weakness to anyone, including his own viewers. When things are going bad you'll see most life series POVs start to panic and they'll tell you that they're scared and worried but Scott rarely does that. He may say after the fact he was concerned about a situation but you never really see him properly scared the way you see others.

He doesn't really vocalize his fear because of the facade he puts up. Admitting you are scared and don't have control over a situation is basically like losing. That's something that could be exploited and Scott is nothing if not calculating. (I think you could also argue there's more going on there like self loathing and holding himself to a higher standard)

However, when you see a character afraid or struggling, it humanizes them to you. It makes you feel bad for them and makes you sympathize with them. It makes you want to root for them. When you have a character like Scott who refuses to ever let that fear show it's easy to forget they have feelings. It's easier to demonize a character who rarely shows you their vulnerable side.

I think you could also make a parallel here with Joel who is very similar in the camp of "If I Admit I Have Emotions I Will Die" but Joel is much more volatile and outspoken that his emotions still bleed through. Joel will deny that he's afraid and try to cover it up with threats of violence and false bravado but you can still see the cracks in the facade. That's what makes him endearing. Meanwhile, Scott has a much more practiced cold and calculating demeanor. It's much more subtle and easy to miss. They're both attempting the same thing in the end: Trying to convince you that they're perfectly fine and in control even when they're very clearly not. Scott is just more successful at it and sometimes he even manages to convince himself of it too.

[blackberry-s0da]

Mercy waiting for me to give him any sort of story that doesn’t involve him lingering naked in an invisible background

[aprikkaa]

does anyone still like danganronpa?

[vizsic]

special

Mini Rats SMP comic

[maddymoreau]

Thinking about how Diavolo’s feelings transcend time and how in the Nightbringer UR+ card Demon Lord’s Castle Tour this conversation happens.

When asked, “Do you wish to see your father?”

Diavolo responds:

“I suppose I do . . .” isn’t the typical reaction to how a child would feel about wanting to see their parent. Especially when said parent has essentially been in a coma for a year.

Along with how Diavolo describe his father.

It makes more sense why when you learn in Lesson 56 how Diavolo was treated by him growing up.

Diavolo can tell when others are lying but is unable to understand his father’s intentions.

Diavolo mentions that he lived a very sheltered life growing up. That from a young age his father never allowed him a chance to talk to anyone outside the castle.

His childhood friend was Mephistopheles. A demon literally RAISED to be his friend. Putting a barrier between the two because Mephistopheles would put Diavolo on a pedestal.

The isolating childhood he experienced riddled with his strict father constantly scolding him.

Despite everything MC is so important to him he wants to see his father again so we can meet.

[orb-weaving]

Recognition

[poorly-drawn-mdzs]

While you were fighting in the war, I was falling in a pit.

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