Alfred's is a father once more... Bruce is not handling this well. Pt 2
Sequel to the first post of this.
Bruce and the batfam are very used to alfred's schedules that he put them all on so that both daytime and vigilante night time are perfectly schedule.
So to enter the dining hall with their food already present, Bruce's newspapers and coffee with his pain pill on a napkin already set without the butler man himself ready to scowl him into next Tuesday because he was supposed to be on a 'break'.
Something was definitely wrong...
Everyone is commentary concerns wondering if Alfred is sick or just very upset about Bruce. Duke suggests they check his room or the kitchen.. which they did and he wasn't there at all. Damian suggested his personal green house garden which Dick isn't allowed back in yet. He still have 3 week left before alfred take the banned from the green garden after the last incident.
At this point everyone is highly concerned and Tim is ready to hack into the mainframe of the manor to look for exactly where alfred was.
Only for alfred to lightly cough a bit in his hand, at the front of the backdoor porch of the Wayne Manor holding a tiny baby boy in new soft button up one piece baby onesis that was light pastal blue easily with one hand.
"My great grandson will be living with me in the nursery room after I had dusted it clean, and cookies will be done in 45 minutes." Alfred said softly yet sternly as he turn around walking back inside the manor.
Everyone of the batfam is shocked like a deer in headlights, except for Damain who looking awestruck with literal stars in his eyes and Bruce who look frozen or his rebooting in his mind after a 20 seconds of overanalyzing short-circuit because Alfred didn't mention much of his Family beside a very over-energetic and smart granddaughter and her a bit dim-witted but intelligent husband in a orange suit.
Damian's and Bruce's reaction in my opinion
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Disappointed that, in spite of using a more accurate translation in Chapter 2 of Crisis Core, EC has switched over to the original English localization for Chapter 3—in spite of having Japanese audio, meaning you can literally hear that the lines exchanged between Genesis and Sephiroth are NOT WHAT THE SUBTITLES SAY if you have THE MOST BASIC UNDERSTANDING OF JAPANESE.
「いい だろう」 (ii darou) is not "come and try." It has never been "come and try." In context, it's literally "that's good" or "that would be nice."
Let me clarify this, once more: in Japanese, Genesis says "I'll be a hero too," and Sephiroth responds "That would be nice."
This fucked up no-homo English localization has utterly ruined Western fandom's perception of these two since the game first came out, and the continued refusal to fix it is one of the most infuriating things to deal with. It makes Genesis seem petty, bitter, self-absorbed; it makes Sephiroth seem arrogant, sanctimonious, like the kind of person who viciously belittles his closest friends.
That's not who either of them are, particularly not with each other. Genesis didn't want to surpass Sephiroth, he wanted to be his equal. And Sephiroth wanted that too! Sephiroth wanted an equal as much as Genesis wanted to be able to stand at his side! Sephiroth was as supportive as Genesis was determined, and both had too much respect for one another not to give these matches of theirs everything they had. Genesis would never accept a victory that wasn't genuine, and Sephiroth would never belittle him by offering such a thing.
They were playing. They were supporting each other. They were having fun working toward a mutual goal because they love each other.
It's been over 15 years and the update dropped during PRIDE MONTH and English localizers STILL HAVE NOT FUCKING FIXED IT.
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my body's aching like a knock-down drag-out
and my poor heart is an open wound
A Childhood Friends Au snippet that very briefly delves into Danny's life post-accident.
CW: Mild Mentions of Blood, Violence, VERY mild gore ig. Danny briefly recalls getting impaled during a fight.
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What they don't tell you about being dead is that it hurts. That it can hurt. That it can hurt more than when you were alive. That when you die, the emotions you die with stick with you like a leech that just won't let go. That emotions are ugly little thorns that stick their barbs into you and grow beneath your skin; or, at least, whatever’s left of it.
Danny is familiar with anger. It kept him warm in Gotham, when his parents weren't home from work and he and Jason were crowding Crime Alley with their presence. It kept him warm in Amity, when the fresh sting of moving was still needling into his heart and he wanted nothing more than to rip and tear into the closest person next to him.
He's familiar with violence. With fights. With death. He's seen people die in Crime Alley probably every day. From overdose, from gunshots, from stab wounds; anything that can kill, rest assured he's seen it. He's familiar with getting his own knuckles rough and bloody when other kids turn and bare their teeth at him and Jason; they're all just starving dogs stuck in a fighting pit, primed and ready to rip out each other's throats.
Black eyes, stomped hands, bloody noses. You name it; he’s had it. Gotham is paved with the blood of her children, and Danny likes to imagine that when he was born, the doctors handed his mother a file and told her; “Take it. He’s going to need it for his teeth.”
Danny’s mom (and dad, for that matter) was too busy trying to keep him and Jazz fed, so Danny stole the file from her drawer with Jazz’s help, and did it himself.
He’s familiar with anger, he thought he was getting better at it these days. It doesn’t come to him as easily as it did before. Of course, that was before Jason died.
Danny is less familiar with grief. Caring kills and Gotham kills the caring, so Danny cares very little about other people. Or he tries to. But grief hurts. His grief hurts. It hurts too much. It hurts like a bug trying to crawl out of his chest; like a rat chewing a hole through his heart. Some days he wants to dig his hands into his hair and split himself down the middle. Some days he just wants to scream.
He’s dead. He’s dead. He’s dead.
He wants the whole city to hear him wailing, some days. It sticks itself in the back of his throat like bile, and Danny is one wrong retch away from letting it loose. It sticks in his lungs like all the tar he’s smoked in since he was nine. It pushes and aches at his temples, in his head, like his brain is trying to swell out of his skull. His thoughts becoming so loud they threaten to commandeer his tongue.
He has no mouth, but he must scream.
Something they don’t tell you about being dead is that it hurts. That it hurts more than when you were alive. Something they don’t tell you about being dead is that it’s violent. That it’s bloody. Or as bloody as it can be when everyone has no blood.
Another thing they don’t tell you about being dead, is that it’s a lot like Gotham that way.
With no threat of death, Danny’s enemies forget death itself. Blood comes easy, like water, and teeth are encouraged. Bring your own fangs to the fight. Dying is something you can just walk off.
Danny’s been dead for three months. He can’t say he’s been walking it off easy. He’s perfected the art of turning his nails into claws since his heart was still beating, but he can’t say he’s perfected fighting other ghosts.
Scrappy is just not enough.
He feels like he’s back in Gotham again. Back in her death-shroud alleyways, fighting someone bigger than him. But there’s no Jason to watch his back, and Danny has to get himself out of there alone. Or he might just not get up at all.
Black eyes, busted lips. It’s familiar to him like an old scent, Danny isn’t quite sure that he’s missed it. It’s more familiar than his fights with Dash.
But there’s no one else who can do it but him. Not Sam, not Tucker. He can’t lose them too. He can’t. He can’t. He can’t. His heart can’t take another break, he already feels like he’s going insane.
With no threat of death, Danny’s enemies fight like death themself. He learns why when Technus puts a street sign through his stomach one day. It pins him to the asphalt like a moth pinned by its wings.
Danny claws at the metal like how an animal caught in a trap chews off its leg, and every move is blinding pain. He thinks he was howling, but it’s hard to tell. He couldn’t recognize the sound of his voice.
He bleeds green. It mixes in black with the pitch blackhole in his heart, which throbs and twists and cries in time with his reckless panic. The finger-choking terror of dying again strangles out the air he doesn’t need. His blood evaporates, only to reabsorb into him. It just bleeds out again, cycling like a snake eating its own tail.
Danny breaks his nails clawing at the metal, and eventually gets it in his mind to pull it out. So he does, and the end drips ectoplasm green as he gets to his feet. In red-vision, Danny sends the sign back with snarling, vicious fervor. The pain is irrelevant in his rage.
Only after the fight does the hole the pole left start to close. Danny doesn’t shift human until it’s gone. Unlike other injuries, a scar stays behind. Ugly; mottled, it aches for a week with every twist and stretch his body makes. He hates it.
Being dead is agony.
Every part of him is in pain. Every step, every word he speaks, everything he does, it is prerequisite with pain. The body is temporary, but the soul is forever, and death has carved into it with its freezing green hands and left him with never-ending heartache. It has torn from him and stolen what of him it could, and in return it’s left him with sorrow.
His pain is his grief, and he’s sobbed in the safety of his room more times than he can count. It’s still as fresh as the day he heard the news of Jason’s death. He knows, instinctively, that it will stay fresh forever.
In his room, Danny shoves his hands over his mouth and shrieks in whatever, muffled way he can into his pillow. It’s not enough. It’s never enough. He needs to be louder. He needs to be heard. He refuses to be.
Being dead hurts.
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