#fandom ramble

[secret-shipping-society]

Watching people that are ace outright claim that any sex depicted in media is automatically porn and then blame it on them being ace. And it's like. Babe. I'm ace and I can recognize it's not porn. I get uncomfortable when there's sex scenes too but to act like a few seconds/minutes of actors fake humping under a blanket is the equivalent to any porn ever is just strange.

Sex scenes can have merit and meaning to the plot. This doesn't mean that all sex scenes do. But we shouldn't stomp out any and all sex scenes just because some of them "make you feel icky". Jeez.

Sometimes sex is there to show how a character (healthily or unhealthily) copes. Sometimes it's there to show us that their situation is so bad that even normal nice things aren't nice to them. Sometimes sex is there to move a relationship forward, or as an allegory for something else. And sometimes it's just there because the average viewer likes sex.

We shouldn't be cutting off our noses to spite our faces. Stop acting like sex (an important facet of the average human's experience) should be banned from media. :/

[getvalentined]

I mentioned this elsewhere but I can get into more detail about it here: one of my favorite things to do when writing fic for a series that isn't placed on some AU version of Earth is to use legitimate but archaic or obsolete terms for things: "dioxidane" instead of hydrogen peroxide, "bhanga" instead of marijuana, "shellshock" instead of PTSD, and so on. I think it gives the work a more realistic air while also solidifying the setting as being somewhere else, and still being something that a reader can look up if necessary.

Also a huge fan of repurposing common idioms for the fictional setting in question. I play in FF7, and these are a few of my favorites:

In for a penny, in for a pound → In for a gil, in for a grand

Rearranging deck chairs on the Titanic → Washing windows in Midgar at Meteorfall

A bull in a china shop → A grandhorn in a glass boutique

Don't look a gift horse in the mouth → Don't look a gift bird in the beak

Boss makes a dollar, I make a dime, that's why I [verb] on company time → Boss makes a fortune, I make a gil, that's why I [verb] while I'm paying the bills

Cold as a witch's tit → Chilly as Shiva's armpit

Hung like a horse → Built like a behemoth

If wishes were horses beggars would ride → If wishes were chocobos beggars would fly

Idioms catch on because there's a particular flow and rhythm to them, so you can't always just swap out a word and expect it to work—you can't just plug in "chocobo" everywhere common turns of phrase use "horse," for instance, because the extra syllables throw off the flow and make the phrase awkward to say. You gotta figure out the pattern in the idiom, where the emphasis hits, etc., and then rework that to work in-universe.

Stuff like this is very silly, but it really makes a difference to me with regard to readability and suspension of disbelief, so I really enjoy doing it in my own work, and it's always fun to see it in someone else's!

[ilminnestrone]

Guys, I hate to be that person, but Genesis and Angeal being older than Sephiroth is not a theory: it's the literal narrative of Crisis Core.

Genesis is an academic with a perfect use of language for dramatic purposes, and he told the story of the Jenova Project in perfect order: first Project G, then Project S, using the failures of the former to ensure a good success of the latter.

The progress is clear: Failure (Genesis) < still not there (Angeal) < success (Sephiroth)

Sephiroth being the youngest is not speculation, but intentional storytelling. They could always retcon this, but there was no doubt in the original script, at least the fact that Project G came first.

There could still make Genesis the middle child because their order of birth has not being stated, but there's no doubt about Sephiroth being the youngest, since Genesis stated it in Nibelheim.

Yeah, it would be awkward having a character called "The Origin" not being the first born, but in meta he would still be the origin of the crisis, so it could work. I don't like this option -logically the biggest "error" should be on the first try- but that's the only non-canon thing they could change without retconning.

I could go on telling you that basically Genesis also told us that Sephiroth is genetically sterile. Which makes perfect sense: Hojo could have just made another S by reproduction if it was possible.

I have a bunch of theories about the genetics of AGS, but they could sum up in "Genesis and Angeal are chimeras, Sephiroth is an hybrid" (and most hybrids, expecially males, are indeed sterile due to extra chromosomes).

[soleminisanction]

Here's one of my continuity pet peeves. I don't blame anybody for this because continuity is huge, the writers themselves seem to forget this all the time, and WFA especially spreads a ton of misinformation, but it is something that'll make me instantly back out of any fanfic or headcanon that uses it as a basis.

If you create some tradition Bruce celebrates with his kids/Robins at certain points in their development -- especially if you're trying to comment on the Tim's 16th Birthday thing -- and you include Stephanie as a recipient in any way, you are 100% barking up the wrong tree.

Steph became Robin when she was 18. Maybe the last few months of 17 at the very youngest. We know this because she's two years older than Tim, and Tim's 16th was kind of a big deal. Steph's two months of probation (minus the three weeks she explicitly didn't work after the Scarab incident) was the longest she ever worked with Bruce in any capacity, and she didn't even know he was Bruce Wayne at the time. Prior to then her primary contacts were Tim and Cass, with some secondary training via Babs, Helena and the Birds of Prey that Bruce arranged but he only ever contacted her sporadically. After War Games and the Robin kerfuffle that followed she almost exclusively worked with Babs, Dick and Damian.

It's weird because I mostly see this happening in stories that're intended to twist the knife on how differently Tim-as-Robin got treated compared to the others but it just... rubs me the wrong way.

[average-hyperfixator]

Yk since I like to hc some faith characters as autistic (in this case Gary) partially because anytime my undiagnosed ass tries projecting some of my own traits onto a character they end up being autistic traits but THAT’S NOT WHAT THIS RANT IS ABOUT

WITH GARY I’d like to shove my love of human anatomy and torture/execution methods onto him bc like. Yes he would have a special interest in forms of torture/execution he was AROUND to witness some of them LIVE.

Also I like to think that Gary just finds humans and their anatomy fascinating and finds torture/execution methods as ways of “pushing the human body to it’s limit”

However, since he’s a demon and a cult leader no one wants to listen to him talk about blood eagles, crucifixions, iron bulls, the intricacies of Aztec death rituals, anything relating to torture/execution in general, because they think he’s crazy.

Admittedly he is but like C’MONNNN LET HIM INFO DUMPPPP

Me if you even care

[abbey-abdominal]

Goddamn it I can’t wait to process further religious trauma through vaggie when season 2 comes out

[silverantagain]

I want to un-archive lock all of my fics bc I miss my guest readers! I miss seeing the "x amount of guests also left kudos on this work" :(

But like there's been more controversies happening in the fanfic community (readers believing that they're entitled to authors' works and threatening to re-upload deleted fics, websites scraping the archive to plagiarize fics without crediting the author, antis getting worse, proship people purposely antagonizing antis, an uptick in guests leaving hate comments on fics, etc) and it makes me think that it's probably a good idea to keep them locked.

My multi chapters aren't locked only because they're unfinished, while all of my finished works will remain locked.

I miss the old vibe fanfic communities had. I miss how cozy it was, readers and authors got along and now it's so impersonal. When I initially started writing my fics, I'd sometimes get anons on my Tumblr leaving sweet asks, and idk. Now it's nothing, it's like the community is kinda gone. So separate. I try to leave comments whenever I can, I want people to feel the way I did when I first started writing.

Idk maybe I'm just crazy. I feel as though fandom has changed so much. It also used to be so easy to make fandom friends. And I feel like because everything is so separate, you can't really connect with people anymore. Maybe I'm just bad at making friends.

Maybe I'm just different, and projecting my differences onto fandom as a whole.

[otaku6337]

The Entitlement, and the Appreciation, in Fandom

Imma just shove in a quick “this is a generalisation/ a trend I happen to have personally seen for my friends and I/not meant as a personal attack or lecture” disclaimer etc etc, because it isn’t always the case and definitely isn’t all of this demographic of readers, most of them are lovely-

But why does it seem as though the entitled readers are almost always the ones who don’t post fics themselves?

I feel like every time I get a shitty comment offering unasked for criticism or complaining about my choices or being demanding about something, I always click on the account and there it is, yet again, the “0 works”.

You don’t know what it’s like to spend hours, days, weeks, of your life writing something, and then mustering up the confidence and courage to post it online, where it might not get any attention, or where people with too much time on their hands and too much emphasis on their opinion might try to tear it apart, or where, and this is the bit you hope for, at least one person might just enjoy it, maybe even enough to tell you that they did.

We’re not magicking up some “product” for you to “review” like this is Amazon or some new restaurant in your town. We’re not machines, we’re not being paid, we’re not here for you.

If you have never posted a fic and you decide to try and criticise my work, I will never respect your criticism on it. It’s as simple as that. You’re not achieving anything. I’m not going to change my writing to suit you, particularly if you’re an arsehole about it.

If a regular reader asked me a respectful question, I would happily explain. If a new username asks me a respectful question, I will explain.

If some random person comes in with passive aggressive comments, demeaning jokes, or criticism in general, thinking that they have any right to try and tell me what writing should be, they will be ignored at best, or refuted at worst. If you haven’t written, then you have no idea.

To the readers who don’t write and who are lovely - keep doing you. You’re wonderful.

Being a positive, encouraging reader is just as big a part of fandom as being a creator, in many ways, and I will always appreciate a kind reader no matter what perspective or fandom background they come from. You don’t have to have written fics to be able to appreciate someone else’s writing, and I’m lucky that so many of my readers and those in my fandom circles embody that.

And if me saying this upset you, then perhaps examine your own previous fandom experiences. Consider what perspective you come into fandom with - do you create, are you a reader/watcher etc, are you both? How do you treat people in fandom whose views or creation differ to your own? Are you, intentionally or not, giving pointless, mean, and unasked for criticism, “constructive” or otherwise?

Do you appreciate what the other people in fandom do for you?

If the answer is no, then it’s probably time to think about that. To remember that fandom is a hobby, not the be-all and end-all of your life, or anyone else’s.

It’s okay not to like something. It’s not okay to be entitled or cruel because of that difference.

And so here endeth the ramble, or whatever. Just, please, consider what the writers and artists in fandom do for you, how much time and effort they put in, and how your complaint is never going to “fix” whatever your personal issue with their stuff is.

If you don’t like, don’t interact.

And if you haven’t written and posted fics? I’m never going to take your criticism seriously. I don’t need to either. It’s not like I’m trying to sell a product  ;)

[squicks-and-giggles]

I'm almost done with ToH, and something struck me about it that I wanna try to articulate. A lot of this is colored by growing up as a medicine and surgery nerd surrounded by people who were a lot more squeamish than I was about those topics, so bear that in mind.

The boiling isles are characterized throughout as being... pretty damn gross, in a biological kind of way. The whole society is established on the body of a massive dead creature, so landmarks are discussed and named in terms of anatomy. The scenery is made up of tendons and veins, of teeth and bones and offal. It probably smells bad.

And this kind of thing is a trademark of horror. Body horror is frequently used as shorthand for things that are fundamentally evil or opposed to humanity in their nature. But ToH is very matter-of-fact about it. The way it presents all this borderline-gore is as completely mundane, or even just shy of scientific. And when you think about it, there's no reason that "this character has too many teeth and eyeballs, woooooooooo" should be a signifier of evil. Those are just... body parts. We are all ultimately sacks of the same meat, so sacks of meat are actually kind of mundane, even if they're startling to look at initially.

Which makes sense with the overall message of the show: Just because something looks freaky or scary at first, or gives you an instinctive "nope" vibe, doesn't tell you anything about its actual substance or character. Those things that disgust you, shock you, make you want to dry heave--anything can be a source of beautiful and invaluable knowledge when looked at from a different perspective.

This ends up baked into the very setting--we consider our nature beautiful, and Eda does too. Hers is just, y'know. Made of meat.

[some-pers0n]

I'm always entertained by people doing those "canon VS fanon" memes where both are misunderstanding characters to such a violent degree 'cause like

[girlashfur]

new tumblr game. put in the tags a GENUINE flaw your fav(s) has. cant be something like "too kind" or "loves too much" like something genuinely bad messed up morally wrong they are or have done

[secret-shipping-society]

The thing that irritates me the most about self proclaimed "nice antis" (the ones that go "I don't harass people, I'm against that!") is that most times in private, they don't tell other antis off for harassing people. They encourage the harassment because it's not their hands getting dirty.

I've seen it with my own two eyes. They'll go "oh if they ship something problematic it's deserved at that point". Or they'll even outright claim that it's "not harassment" because the proshipper "deserves it". If you try to go "hey maybe we shouldn't be harassing people over fiction", they respond with "oh I don't. I just think that they should know the consequences if they're going to be gross."

It's one thing if you genuinely don't encourage harassment and you find it disgusting that your fellow antis harass people. But if in private, you encourage your friends to send death threats and hate on random people in fandom, you're still pro harassment. You're just not the one saying the words.

[getvalentined]

Thinking about Sephiroth's motivations in Rebirth and getting super emotional because fuck, man, I get it. I get it. It doesn't excuse anything, but I get it in a way I can't even describe.

The Gi establish that those who aren't native to Gaia can't join the Lifestream basically at all, they're held separate entirely; the Gi have never been in it directly, their ghosts wander in a little liminal space they crafted for themselves. This is because they're entirely foreign—the Gi appear to be interdimensional travelers that were somehow marooned on Gaia at some point in ancient history, where they died and were left as ghosts, lingering forever unable to move on.

Sephiroth is slightly different in that he was born on Gaia and he does have human parents as well as Jenova, so he can force his way into the Lifestream as we saw in Lifestream Black and Advent Children, but he can't disseminate into it. He's still conscious and cognizant in some capacity even as the Lifestream fights to strip away the parts of him that belong on the planet, the parts of him that were human. This is, presumably, why his memory is all fucked up postcanon, whether we're talking novels or spinoffs; the Lifestream has been trying to take him but it can't, because there's too much Jenova in him, so the parts of him that have survived are just the parts that are the son of Jenova. He hasn't been fully worn down by the time the Crisis rolls around, likely because his body is still partially intact in the Northern Crater. (Again, see Lifestream Black, as well as the OG.)

And here's where everything starts to hurt.

He's alone. No matter what Sephiroth does, he's entirely, completely alone. There is nothing in the world like him, the planet won't accept him—it's not death, it's a homecoming, and Sephiroth has nowhere to go home to.

And he's done this before, this is a repeating timeline, he's been through this before over and over and over. And he's always alone in the end. He's always there at the edge of creation, the end of all things, the kindling of a new universe, and he's still there. All alone.

So this time he's calling for the ultimate Reunion. He's not just calling his Clones home, he's pulling all of time and space together into a single planet, bolstered with the lingering Lifestream of hundreds, thousands of others, timelines where things fell apart and Gaia sat on the precipice of death before Sephiroth found her and tore the Lifestream loose to feed the timeline he's chosen as the most likely to survive.

Three friends go into battle. One is captured (Genesis, in Deepground), one flies away (Angeal, who chose his own death), and the one who remains becomes a hero.

Heroes save the world.

But it doesn't matter, does it? Because he's going to be alone. Zack asks how he could turn his back on everything, and he says "Easily." Aerith asks how he could possibly want an eternity alone—because she doesn't understand, that's what Sephiroth has waiting for him anyway. That's all he's ever had waiting for him.

Sephiroth is going to save a world that will never accept him, because that's what heroes do, and then he's going to be alone forever. But this time, for the first time in every timeline he's experienced, he's going to do it on his own terms. He knows what he is, he knows how this ends, he has no questions of that. But for once in his existence—and it's a long existence, unending, eternal in a way that neither human nor Cetra could never even comprehend—he's going to control exactly how that happens.

Sephiroth knows he can't control whether or not he ends up alone, but he can choose how it happens. He can do things right this time. Maybe if he saves the world it will be different. Maybe the planet will accept him. Maybe he won't be alone.

And if he is (and he knows he will be), at least it was on his own terms.

At least, for once in the whole of creation, Sephiroth had a single flicker of control over his own existence. For once in the entirety of existence, Sephiroth made a decision for himself.

He'll have to live with that decision, alone, for eternity—but it was his.

[ilminnestrone]

This was originally meant as a reply to @rottenpumpkin13, but I didn't want to drown her in an endless rant, so I'll continue here.

A lot of fanwork that depicts homosexuality has its roots in mysogyny. I said what I said. That doesn't mean I don't enjoy it myself, I wasn't brought up in a magical bubble and everyone is entitled to their kinks, including me. I'm an AFAB masochist sub with a humiliation kink, so believe me when I say it's perfectly fine to enjoy things that could be considered mysoginistic in the safety of our bedrooms.

Let's start with the obvious here: the seme/uke stereotype has obvious homophobic roots, especially when it is culturally appropriated and taken out of its original context (a context in which it is mainly aimed at young women who want to identify with the uke character). The sterotype being:

the top is always the dominant one, he's tough and strong, sometimes even sadistic and brutal and quite abusive;

the bottom is always submissive and breedable, feminine, frail and small, and he looks like he's not really enjoying himself.

Let me stress the homophobia in case it's not clear: you have to be feminine to enjoy dick. And let me stress the mysogyny: you have to be frail and not really into sex to be feminine.

So here we are: bottom-shaming (yes, it's a real thing!) was a thing even in ancient Greece and Rome. "To be fucked in the ass" still means "to have it bad" in Italian. The point is that being penetrated is humiliating because it's something women do, and being a woman is inherently bad. And if it's humiliating it must be painful too. Both the giver and the receiver orgasms are always depicted as some sort of debasing punishment.

There is no such thing as top and bottom stereotypes we portray in our fanwork in real homosexual relationships. Bulky hairy men can be submissive bottoms. Small twinks can be relentless tops. Most gay people switch. The younger partner can top the older. People with the same body type have sex (and it's actually easier that way, this comes from someone who's 5' and can't do certain things because of size difference!).

You know how much I love @birdblacksocialclub. One of the reasons being the fact she depicts achillean men in a realistic way: her Genesis and Sephiroth are both slender and muscular, roughly the same size and they want to have sex with each other because they're both young and hot. Who's the top? Probably Sephiroth, but it's actually unclear most of the time. Who's the dominant one? Ah, it depends, it's a battle of wits. Who's mainly? Both, because they're fucking men in their twenties. Who enjoy himself most? BOTH. They're smug and hedonistic about it. They're having sex for God's sake, it's one of the most pleasurable things in life alongside with pizza and punching a nazi.

This isn't really going anywhere. It's just my desire to see more variety and realness in gay fiction. I want to be able to find a Bottom!Sephiroth fic and not be overwhelmed because it's the first one I've ever read. I want people not to see a soft-spoken and queer coded character and immediately assume he wants to be pegged. I don't want people depict oral sex as submissive (it could be but it realy depends on how you do it). I don't want people to portray a character as small and feminine just to get him fucked.

And fucking please, let bottoms enjoy sex. We do. A lot. I swear to God, we're not suffering (even if we whine).

(And yeah, this is basically why I can't really stomach Omegaverse stuff).

[getvalentined]

This is...fantastic. I've never seen someone else put the entire Genesis issue so succinctly before, and I commend you for it.

(I would argue that Zack isn't actually stupid at all, he's just sixteen, but you did kinda cover that, which is also nice. I'm also not Zack's biggest fan, to be clear, but that's mostly because of his fandom.)

My sincerest apologies and warmest welcome to my rant about FF7: Crisis Core. Or, as I like to call it,

Propaganda: The Video Game

I say this with the utmost affection. Crisis Core ranks really high up there in my favorite Final Fantasy 7 installments. I played it when it first came out, borrowing it from a friend to play on a borrowed PSP. And, the more I learn about the game and the more I replay it, the more everything lines up.

This game is not about Zack Fair.

This game is about how Capitalistic Propaganda can sink into every aspect of life to the point where it is entirely indistinguishable from reality. And it’s very overt about it. So…

Here we go.

My treatise on Propaganda’s starring role in Crisis Core.

Part One: The Timeline

Something that a lot of people gloss over due to decades of Child Heroes in media—Japanese Shonen and Shoujo series in particular—is how young these protagonists are. We’ll hand-wave a lot of stuff in non-live-action series with just a little bit of suspension of disbelief. And that’s honestly just accepted these days. But here’s the thing about those hand-waves.

Final Fantasy 7 doesn’t do that.

Now, FF7 hand-waves a lot of stuff. For example, how far you can travel in a day by foot, the distance a man weighing approximately 165lbs can jump after being genetically fused with what might as well be a cocaine demon (Jenova), and how much hairspray one can reasonably carry on a cross-country journey while on the run from the feds.

Age is not one of them.

Exhibit A: Yuffie Kisaragi.

Do I really need to say more? She acts her age. So does Zack. And Aerith, even. Most of the characters in the original lineup were over twenty for a good reason. We see several kids in the series, and they all act their age, too—both the OG and the remake. Age is not a thing that FF7 really grapples with. It’s something they take relatively seriously.

Now, to the point.

Zack is 16 when Crisis Core starts…

… and he was 13 when he ran away from home without his parents’ knowledge to join the military.

Which accepted him.

At 13.

Without a parental permission slip.

Think about that for a second.

… Or for the next several parts of this breakdown.

Part Two: The Main Character

As I mentioned in the introduction, Zack is not the main character of the events of Crisis Core. Instead, he is the focal point of the second person POV. This is not the first time Square has done this. It was done most notably with FF9, FF10, and FF12. (I’m not going to go on an Akira Kurosawa rant right now, but please check out his film “The Hidden Fortress”. FF12 and Star Wars episodes 4-6 borrow heavily from this film.) The purpose and position of this character is such that they might best witness the effects the other characters make on the world as their stories unfold, usually in the role of a love interest. For Akira Kurosawa, it may have been told this way because these people are most effected by the decisions being made.

“Well, then, Sal,” you may be asking, “who would you say is the main character? Would that be Aerith, since she’s the love interest, like in the other games?”

No, actually.

It’s the antagonist.

And by that, I mean Genesis.

Hear me out. I used to hate Genesis, for I was once young, full of judgement for flamboyancy (thanks, internalized homophobia), and was led by the narrative to believe he was mean to his friends. Then I met my Lovely beta who loved him, so I wrote a fic for her as a gift. So for that I kinda just… read stuff. Because that’s the thing about Propaganda—you gotta read stuff to navigate it. I read the in-game emails. I re-watched all the scenes I could get my hands on with him. I read his wiki and tried to track down more information about him. Then I watched the scenes in Japanese and gained a better understanding of not just Genesis, but Sephiroth’s character. And I realized that Genesis was put on this road from the start. In fact, a big part of the fact that he’s seen the way he is in Canon—only at his most hostile and lowest points—is because the story is told through Zack’s point of view.

So before we get into the breakdown, here’s the hard facts about Genesis.

1. He was a test tube baby who may or may not technically be Angeal’s fraternal twin brother, which we are not going to unpack right now.

2. He was adopted by a relatively rich family.

3. He was a child genius (which requires not only resources, but drive to achieve), and at a tender young age of like… ten or something? He decided to mess around and literally invented pasteurization. Which is incredible, and really speaks to his knowledge of the world and ability to grasp complex concepts even at a young age. But, again, this is not the time or place to unpack that.

4. He was best friends with Angeal, who might as well have been the sweetest, kindest boy to ever walk the Planet. (I’m biased. I love him.)

5. As a teenager, he became fixated on Sephiroth, who had gained national acclaim as a SOLDIER despite them being the same age. (Please see part 1 and think about that for a second.) He then goes to join SOLDIER and brings Angeal with him. And Angeal brings his step-father’s puritanical “hard work is honorable” mindset with him. (On that note, Angeal and his father’s arc really are a wonderfully scathing letter to companies that overwork their employees and how toxic/unhealthy that line of thinking is. But. Again. We are not unpacking that right now.)

6. At one point he became consumed with LOVELESS, a series of poems with heavy prose and symbolism thicker than syrup. It got to the point where he was so well known for it that there was an entire fanclub dedicated to both him and analyzing the text.

7. While he was in SOLDIER, he repeatedly had his achievements publicly accredited… to Sephiroth.

Over and over and over again.

Everyone did, really. They mention it in the beginning of the game. Sephiroth even got public credit for Zack’s raid on the castle when he wasn’t even there. How much of his legacy is real? How much of it is made up? How much of it was faked? We don’t know. No one knows. But he keeps getting credit, anyways. And when Genesis confronts him about it, Sephiroth doesn’t care. In the Japanese version of their fight scene, you could even say he indirectly implies that he wants Genesis to take his place as the “hero”. In the English, Sephiroth’s line is, “Come and try.” But in the Japanese the line is closer to, “Wouldn’t that be nice?” Which, depending on how you take his tone, can mean wildly different things—from mocking, to earnest, or even admiration—which is especially to tell because he might be annoyed with Genesis at the moment.

Fun Fact: In Ever Crisis, Sephiroth explicitly says they are making up his achievements in the press to target boys his age for recruitment. (Thus why they accepted Zack at age 13.)

My theory on this line is that he is being cynical; that Genesis doesn't understand just how harrowing and even humiliating his experience has been. This only enforces my theory that the "come and try" translation in the English not only does a disservice to a line as wonderfully heavy as, "Wouldn't that be nice?", but fundamentally misunderstands Sephiroth as a character.

8. Genesis then took the fight to Shin-Ra. Inspiring a good chunk of their staff to leave the company, he then staged multiple attacks on facilities, staff, and the main building—which also spilled out into the city of Midgar. He murdered his parents, buried them, killed everyone in town, and… Yeah. It wasn’t pretty. A lot of innocent people died simply because they were vaguely associated with Shin-Ra. These are the actions of a villain. What’s more, this is clearly a sign that he has been acclimatized to death and violence by Shin-Ra to the point where he doesn’t even consider taking hostages.

Except.

Except the entire town was a Shin-Ra town.

Banora, canonically, was a Shin-Ra built town, which means everyone there was basically an employee of the company. No one was safe. Everyone was a threat. And that…

That was how he was raised. And he finally knew the truth—that every moment of his life was touched, controlled by Shin-Ra, all the way down to his very conception. He has never known freedom. He has never known his own identity. And now that very cage was killing him, slowly and painfully, and turning him into something that couldn’t even be recognized as human. He was watching himself rot in the mirror, and it was all because of Shin-Ra’s greed. And as he searched for salvation, he sunk into LOVELESS as he always had, hinging his entire life on Minerva’s Gift because he knew he was dying and that was all he had.

9. And then he died…

10. … but then it turned out LOVELESS was actually kind of a blueprint, and he did meet the Goddess, and he did get reborn without his degradation so he was rewarded for his journey in the end.

So why wasn’t Genesis the main character of the game?

Simple.

His actions challenge the status quo without being about the status quo. It’s a story about revenge. It’s a story about retribution. It’s a story about answering mass violence with mass violence and ultimately being rewarded by it. And while, yes, the series is an action-based violence simulator, the violence in the original FF7 was a guided, tactical effort. (For all that the characters aren’t the brightest bulbs in the sun lamps.) But the biggest, most obvious shift in the narrative happened when they realized their role as terrorists—bringing mass violence to the company via bombing and open aggression—was just resulting in increasing levels of retaliation against uninvolved people. They might as well have been a child beating the ankles of a giant. The goals and themes of the game fundamentally change when they realize that answering mass-scale societal violence with mass-scale physical violence was not only unsustainable, but also wasn’t going to solve their problem.

FF7 is about change and learning when violence—and what kind of violence—is appropriate in the face of different threats.

Genesis’ arc undermines all of that, and making him the main character would contradict the very heart of the OG game.

So, instead, we are positioned as Zack, connected to him through a mutual friend. From there we see all the damage and horror this vengeance brings to those living under the status quo.

But also, that plotline’s a major downer in a lot of ways, so they needed to lighten things up a bit to keep audience involved. And that’s why Zack is, well…

Part Three: Zack is a Himbo

Please, for the love of all that is holy, keep in mind that everything I say here is with the utmost affection.

Zack is dumb as a rock.

He is a charismatic, enthusiastic sixteen year old jock who ran away from home at thirteen years old to join the military. Which, please know, why I say “military” I mean “private security guard force with a standard-issue Death Baton and a license to kill”. The first scene in the game is him being excited that he gets to murder a bunch of people in a simulation, which he is immediately scolded for by his mentor. He is a glorified, souped up private security guard who is canonically only in it for the glory at first. He wants to be a “hero”, but doesn’t seem to fundamentally know what that means. And, over the course of the story, the definition of that clearly changes for him.

Which tracks, because the story takes place over a period of time with high stress.

Occasionally I see people saying they wish that Zack had more complexity to him, and honestly? The game. Would be. SO. BAD.

Full Disclosure: I am not the biggest fan of Zack specifically because he lacks a lot of nuance. I wish he was a bit more complex, too. But I also know that would break the game. What’s worse, if he was still on Shin-Ra’s side because he understood Shin-Ra’s mission… Well… That would make him a villain, or a cog at best. That’s not main character material. It would make the ending more messed up, though.

Anywho, Zack was thirteen when he left home. He had no formal education. He didn’t tell anyone what he was doing. He even joined without a permission slip from his parents. This means that Shin-Ra was accepting thirteen, possibly fourteen year olds into the military. (Some people will say this tracks because you can get a job at fourteen in many parts of Japan. But, and this is important, you aren’t allowed to be a security guard until you’re quite a bit older, and you need a specific license for it, much like in the US.) Clearly they didn’t teach this boy critical thinking skills. Not because he’s a himbo, but because having their Super-Powered Private Security Force With A License To Kill think independently would explicitly go against their interests. (EX: Genesis.)

Shin-Ra needs SOLDIERs to follow orders or the company would no longer be able to function. Seconds and Thirds aren’t even allowed to reject missions. (One could argue that sending certain someone on back-to-back missions would be a good way for them to eliminate undesirables within the ranks by sending them to their deaths, which… would make an incredible fic idea, actually.) We already know that First, Second, and Third Class rank assignments do not actually reflect the power of the SOLDIER. This is canon. I would instead argue that those who make the rank of First Class aren’t necessarily the most powerful, but are instead the most visible in the media, thus the easiest to market, and/or the easiest to manipulate and control. (For a great example of this, see The Umbrella Academy.)

The point is, Zack may have been elevated to his position as a first specifically because he is malleable and single-minded. Even after all he saw with Genesis, he stuck by the company to the very end, with the exception of the time Sephiroth was literally guiding him to fail a mission. Zack allowed himself to take Shin-Ra’s side every time, taking down their enemies and following their orders, preserving his “honor as SOLDIER” as he had been taught. The only thing that made him stop…

… was literally getting put in a jar.

It was when he was no longer a SOLDIER.

Part Four: Honor

There is no such thing as SOLDIER Honor.

I repeat: There is no such thing as SOLDIER Honor.

It is a fictional thing that is borne of an ideology based around hard work. It only has power because it is believed in. It is an intangible social construct similar to the law, mathematical order of operations, and gender roles. So why are Angeal and Zack obsessed with it?

Pretty simple.

Angeal’s step-father followed it.

Now, we know three things about Angeal’s step-father.

1. He was chill with the fact that Gillian was already pregnant when they started dating.

2. He was a very good father.

3. He worked himself to death trying to pay off the sword he bought Angeal.

This, of course, says a lot about Angeal considering he rarely uses the sword. He essentially sees that sword as the symbol of his step-father’s life. Everything he uses it for, he sees as more important than his step-father’s life. That thing is usually Zack.

Zack, who is the child who joined the military based on stories of heroes.

Zack, who rises against Angeal in the name of his own step-father’s ideology and tries to talk him down, even at the very end. But Zack fails because he fundamentally doesn’t understand what’s going on, partially because “Soldier Honor” is just one more aspect of this narrative he was given. It is a narrative that Angeal has had to step away from, even though he doesn’t want to leave the memory of his step-father behind. He was a good man. He was a good, hardworking man.

And that is why he died.

Corporations will use you up until there is nothing left, then honor your memory/sacrifice. Shin-Ra was doing the exact same thing the company his step-father worked for did; using up SOLDIERs until they outlived their usefulness. And Angeal was horrified to realize that his “SOLDIER Honor” wasn’t honor at all.

It was willingly submitting to control.

But, unlike Angeal, over time, this meaning changed for Zack. Partially because he didn't understand it fully in the first place. It became about acting with integrity. It became about helping people. It became about not lying down and watching the abuse Shin-Ra handed out in exchange for literal money; for maintaining the status quo.

At the very end, Zack understood what it meant to be a hero.

Part Five: The Conclusion

To sum up, Zack believed in and idolized the propaganda spread by Shin-Ra at such a young age, and was so convinced by it, that he ran away from home at thirteen to join the military.

He was their target demographic, so they happily took him into their ranks. What’s more, people think this is normal enough that we see no one opposing this, because the only people who oppose Shin-Ra are “extremists” or “violent terrorists”.

Zack then became their loyal puppy, groomed to fill his role as super-powered attack dog to sick on anyone they deemed appropriate, and he filled the role. He believed he was doing good. He didn’t think they were invading another country, because that’s not what he was told.

He went after Genesis, because that’s what he was told, and he wouldn’t let Genesis’ actions shake his faith in the company.

Then he went after Angeal, hoping to get answers, only to become more confused. Angeal taught him about SOLDIER honor. He taught him about a higher calling. He was the one who made Zack truly loyal to the company. This challenged everything Zack knew.

He went with Sephiroth, planning a small rebellion of their own (a white lie on paperwork) to get answers, only to find things he wasn’t ready for and couldn’t fully understand.

Zack is shaken by each of these events. Horribly. At times, we even watch him grieve. But time and time again, he doesn’t leave the company. He sees the damage they do first hand, and he doesn’t leave the company. The company isn’t the problem, to him. He reads their emails, does their dirty work, and “maintains his SOLDIER honor”.

Zack swallows what they give him right up until what they give him is torture.

Zack swallows what they give him until he becomes their victim.

Every step of the way, Zack is fed a story of how the world is. He was raised on it. He lived it. He became part of it. He was paid peanuts to enforce the status quo Shin-Ra installed in the world by force, and he was proud of it because it was, to him, something to be proud of.

Zack believes the propaganda whole-sale, and we get to watch, from the point of view of an outsider, as it slowly destroys his life before killing him.

Propaganda has the power to make suffering normal. Propaganda has the power to make murder righteous. Propaganda has the power to take a thirteen year old boy out of his home so they can give him a sword, and when they point him in the direction of their enemies he charges of his own volition, because they made him believe in their cause. And he believes in their cause because he believes that it makes life better for everyone.

But that’s not what’s actually happening.

That’s just what he was told.

Crisis Core is about propaganda, and the depths to which it can affect our lives. It changes our belief systems. It changes our perceptions of reality. And when it’s torn down around our eyes, it can make us go insane. It can make us violent and unreasonable as we realize just how much violence is being forced upon us—violence other people just plain do not see. It's just a a piece of paper. It's just a law. It's just a job.

It's just a war.

Final Fantasy 7 was about Fascism.

Crisis Core is about the propaganda that built it. It is told from the point of view of a boy, then a man, steeped in it. He watches until the people suffering around him—Sephiroth, Genesis, and Angeal—are twisted into villains by the truths and lies around them. Genesis and Angeal are tortured by truths, Sephiroth is transformed by lies, and Zack is subsequently hunted down to conceal them.

Crisis Core is Propaganda: The Video Game.

[goldensunset]

a real blorbo is someone you can both write a lengthy and serious/sad analysis on yet also constantly and i mean constantly make stupid jokes about