#hattie wilson

[gabbysdawsons]

OC HALLOWEEN CHALLENGE 2024 ➣  butterfly effect

in which mason decides to move to new york with hattie instead of going to texas, and they get married like they always planned

taglist: @nikosasaki, @foxesandmagic, @lizziesxltzmxn, @phoebestarks, @lovehermioneforever, @jewelswrites-ish, @kiara-carrera, @heavenlysurf, @decennia, @stanshollaand. @ocfairygodmother, @raith-way, @stelstellakidd, @daughter-of-melpomene

[technomanceer]

some tests I did with a custom ibis brush my friend made . I like it. It may become my default

[ultraozzie3000]

Through the Looking Glass

Above, from left: When Teddy Roosevelt announced in 1912 that he would run for president against his former VP, William Howard Taft, Brown Brothers sent photographer Charles Duprez to Oyster Bay to take this famous photo; President Taft and his wife, Helen “Nellie” Taft, in 1909; famed New York Giants pitcher Christy Mathewson warms up before a game, circa 1912.…

[marc--chilton]

house md pokemon teams, as meticulously picked out by someone who's been into pokemon since birth:

house - cyclizar, audino, gothitelle, mabosstiff, toxtricity amped mode, hisuian zoroark

wilson - blissey, morgrem, male meowstic, cinccino, absol, zoroark

cuddy - kangaskhan, leavanny, male pyroar, jynx, lucario, hatterene

foreman - alakazam, noctowl, ferrothorn, luxray, midday lycanroc, malamar

chase - yamper, komala, liepard, klefki, alolan raichu, lurantis

cameron - sensu oricorio, froslass, crobat, mimikyu, female indeedee, sylveon

taub - alolan persian, glameow, snubbull, starmie, swanna, male oinkologne

thirteen - houndoom, drifblim, gardevoir, sneasler, armarouge, cloyster

kutner - goodra, seel, aipom, quagsire, mr mime, pawmot

notes

people tend to assume that house's ace is one of his 'cooler' pokemon - zoroark, toxtricity - but it's really audino. can mega evolve and everything. he loves throwing people off by bringing him out when running diagnostics (audino have excellent hearing; his can detect heart issues typically only found through invasive testing)

cuddy's hatterene HATES house. and he knows it. if threats of clinic duty doesn't get him to leave her alone when he's bothering her, she'll threaten to get hatty out, and hatty has NO qualms about beating the fuck out of him

wilson doesn't bring absol out at work. with his profession and the species' reputation as doombringers, it wouldn't exactly be a comforting sight. he doesn't even really remember how he acquired her, nor does he know that she's not concerned about his cancer patients but for him.

taub hardly trains his pokemon, making him the most unready for battle of everyone listed.

kutner and his pawmot get into many defibrillator adventures (accidents)!!! quagsire, being water/ground, is unaffected and therefore happily takes up the task of putting out fires when needed :DD

[simshousewindsor]

NEWS OF TRADITION

[Kently Estate]

Princess Lara: Thank you for letting Uncle Louis host Thanksgiving this year. I know you all changed things for me, and I appreciate it.

Queen Katherine: You don't have to thank me, sissy. Anything for my new nephew! I always forget how much closer you are to Kently than the palace.

Princess Lara: Yes, and with Anna and the kids back at Kently, we're all somewhat together again.

Queen Katherine: "How is Anthony enjoying fatherhood?"

Princess Lara: "He's adjusted well. We got married, father died, you became queen, then we got pregnant. It's been a challenging two years. He's been so supportive."

Queen Katherine: (smiles) I'm glad to hear. Jazmyn! I can't believe how big Jackson has gotten!

Lady Jazmyn: Girl! He doesn't miss a meal!

Queen Katherine: (laughs) Two year olds!

Princess Margot: Time to eat!

Princess Lara: I'll tell the children. I think they're still outside.

- - - - - LATER - - - - -

Princess Lara: The children should be right in.

Princess Hattie: This Philemon scandal is all over the news!

Princess Margot: I thought that had died down.

Princess Hattie: No! He lied on the House floor last week, in front of the minority leader. He resigned!

Princess Lara: What?

Princess Hattie: Birch! He was Philemon's undoing.

Princess Margot: The Osteopath?

Prince Louis: Right after Philemon's statement, Birch appeared on SNN, where he endorsed Philemon's version and dismissed all rumors and insinuations as "baseless".

Princess Hattie: What Birch didn't know was the Metropolitan Police was investigating his affairs. They had interviewed 139 of his friends, associates and patients, and had maintained a 24-hour watch on his home for two weeks.

Prince Louis: Among those who gave statements was Wilson, who contradicted her earlier assurances and confirmed her sexual relationship with Philemon, providing corroborative details of the interior of the Cavalier Terrace house.

Princess Margot: What? That's a security breach.

Lady Jazmyn: What's the Cavalier Terrace house?

Prince Louis: Where Philemon and his wife live, as a member of the House of Commons.

Princess Hattie: Well, Philemon confessed the truth to Keller's private secretary Monday, confirming that he had lied, resigned from the government, and applied for the office of steward of the Shaltern Hundreds in order to give up his House of Commons seat.

Prince Louis: I'm sorry, Kate. We should change the subject.

Prince Leo: Why should Kate care? None of this is her fault!

Prince Louis: The sims of Windengurg take everything out on the monarchy. The good and especially the bad. The government is formed in the sovereigns name so these are acts, many believe, are directive and reflective of the crown. Mommy always said "the Crown is a delicate jewel."

Queen Katherine: Speaking of, I'd like to make a grade gesture this Christmas. I'd like to restart an old family tradition - Christmas Day walk to church in Beaverdam.

Prince Louis: Oh, Kate. How lovely!

Queen Katherine: We haven't done it since 1992. Therefore, I'd like you all to spend Christmas with me in Beaverdam this year. Lara, please bring anyone you need to help you and the baby.

- - - - - LATER - - - - -

Queen Rowena: I'm so proud of you. Your father would be, too.

Queen Katherine: Thank you, mommy.

Queen Rowena: I know I haven't been myself lately. Losing your father was very tough but I'm feeling much better.

Princess Lara: You don't have to apologize, mommy. We're just glad you're feeling better.

Queen Katherine: I will have a full dowry starting in January. I neglected so many charities.

Princess Lara: Same here! Kate has given Anthony and I several more patronages.

- - - - -

Queen Katherine: Have you talked to King Felipe lately?

Prince Louis: Of Oasis Springs? No. Why?

Queen Katherine: Whatever happened between he and father? I was reading fathers journals and he mentioned a trip you two took and a deal that was made but his next entry discussing the king was very unfavorable.

Prince Louis: Oh. I...uh... I wouldn't know, Kate. I wouldn't think too much of it.

Prince Louis: How is your Christmas speech going?

Queen Katherine: I've made so many changes since granny died. I fear I will make many more edits before we film.

Prince Louis: I'm always here if you need to share your thoughts and ideas, bear.

Queen Katherine: Thank you, Uncle Louis.

Queen Katherine: (hugging) We'll see you in Beaverdam.

Prince Louis: I wouldn't miss it. Christmas at Beaverdam! My favorite tradition!

Previous | Beginning | Next

[blankspacefanfics]

Okay to ask for: age regression, adhd, autism, ocd, anxiety, depression, self harm, smut, fluff, angst, poly relationships, canonxcanon, canonxreader

Do not ask: dubcon, rape, animal abuse and other forms of abuse

TV SHOWS

BONES - Temperance Brennan, Seeley Booth, Zack Addy, Jack Hodgins, Camille Saroyan, James Aurbey, Lance Sweets, Wendell Bray, Finn Abernathy

CRIMINAL MINDS - Aaron Hotchner, Spencer Reid, Derek Morgan, Jennifer Jareau, David Rossi, Jason Gideon, Emily Prentiss, Penelope Garcia, Elle Greenaway

NCIS - Anthony DiNozzo, Ziva David, Abigail Sciuto, Donald Mallard, Leroy Jethro Gibbs, James Palmer, Timothy McGee, Jennifer Shepard, Tobias Fornell, Mike Franks

SUPERNATURAL - Dean Winchester, Sam Winchester, John Winchester, Crowley, Castiel, Bobby Singer

TEEN WOLF - Scott McCall, Stiles Stilinski, Derek Hale, Peter Hale, Malia Tate, Allison Argent, Lydia Martin, Theo Raeken, Liam Dunbar, Jackson Whittmore, Kira Yukimura, Isaac Lahey, Melissa McCall, Noah Stilinski, Chris Argent, Jordan Parrish. Bobby Finstock, Alan Deaton, Erica Reyes

THE UMBRELLA ACADEMY - Five, Diego Hargreeves, Allison Hargreeves, Klaus Hargreeves, Luther Hargreeves, Ben Hargreeves, Viktor Hargreeves

Z NATION - Addison Carver, Steven Beck ‘Doc’, Thomas ‘10k, Roberta Warren, Alvin Murphy, Cassandra, Kaya, Simon Cruller

MOVIES

FAST AND FURIOUS - Han Lue, Dominic Toretto, Leticia Ortiz, Deckard Shaw, Roman Pearce, Tej Parker, Giselle Yashar, Suki, Hattie Shaw, Dante Reyes, Mia Toretto, Jakob Toretto, Lucas Hobbs, Megan Ramsey

HARRY POTTER - Harry Potter, Ronald Weasely, Hermione Granger, Draco Malfoy, Sirius Black, James Potter, Severus Snape, Remus Lupin, Rubeus Hagrid, Neville Longbottom, Luna Lovegood, Ginerva Weasley, Bellatrix Lestrange, Molly Weasley, Cedric Diggory, Fred Weasley, George Weasley, Seamus Finnigan, Lucius Malfoy, Narcissa Malfoy, Lily Evans, Tom Riddle

MARVEL CINEMATIC UNIVERSE - Tony Stark, Natasha Romanoff, Yelena Belova, Steve Rogers, James Barnes, Wanda Maximoff, Pietro Maximoff, Loki Laufeyson, Thor Odinson, Bruce Banner, Peter Parker, Clint Barton, Steven Strange, Carol Danvers, Vision, Gamora, Sam Wilson, Jessica Jones

ANIMATION

TOKYO GHOUL - Kaneki Ken, Rize Kamishiro, Koutarou Amon, Juuzou Suzuya, Nishio Nishiki, Hideyoshi Nagachika, Seidou Takizawa, Touka Kirishima, Ayato Kirishima, Yoshimura, Haise Sasaki

[forest-enchantress]

Hi,

I make period drama style gifs. If you use gif packs, please like and reblog them. Most of my projects are already ready, but every day I post no more than 190 gifs. Because that was the reason why my previous account was blocked.

I tried to make gif packs in a format more familiar to you with a link to a separate page. However, unfortunately, I did not succeed because of the large format of high-quality gifs.

I want to explain about color processing. Usually, I improve the contrast, brightness and saturation, but leave the naturalness of the film. I don't make the contours too sharp because I like the aesthetic of it looking like a natural image.

Actors in alphabetical order: part 1(A-D), part 2, part 3

Navigation

The arrangement of names may not be alphabetical

▶Page 1

Anne Hathaway Anya Taylor-Joy Asia Argento Astrid Berges-Frisbey Boran Kuzum Camille Rutherford

▶Page 2

Carla Juri César Domboy Callum Turner Cate Blanchett Charity Wakefield Charlie Rowe Chiara Mastroianni Christian Bale Christoph Waltz

▶Page 3

Dagmara Dominczyk Dan Stevens Ella Purnell Emily Blunt Ezra Miller Raffey Cassidy Rebecca Emilie Sattrup Rose Byrne Roxane Duran

▶Page 4

Frances O'Connor Gemma Arterton Hannah Taylor-Gordon Hattie Morahan Hugh Dancy Isabelle Adjani

▶Page 5

Izzy Meikle-Small James Norton Jane Birkin Joanne Whalley Lucy Boynton Jim Caviezel Monica Keena Nicolas Duvauchelle Sally Hawkins

▶Page 6

Adriana Tarábková Dakota Fanning Elle Fanning Gaia Weiss Gwyneth Paltrow Kirsten Dunst Léa Seydoux Pia Degermark Roxane Mesquida Rosamund Pike Samantha Gates Sophia Myles Nell Tiger Free

▶Page 7

Annabelle Wallis Austin Butler Carey Mulligan Guy Pearce James Frain Katie Parker Kate Siegel Olivia Cooke Rachel Hurd-Wood Soko Sujaya Dasgupta Tom Cruise

▶Page 8

Adèle Exarchopoulos Anna Maxwell Martin Charles Dance Emma Williams Gillian Anderson Ian Somerhalder Imogen Poots Matthew Rhys Natalie Press Nina Dobrev Paul Wesley Tamzin Merchant

▶Page 9

Anna Friel Catherine Mouchet Déborah François Dominic West Frédéric Noaille Joséphine Japy Kevin Kline María Valverde Paz Vega

▶Page 10

Ben Whishaw Clémence Poésy Elliot Grihault Emilia Fox Joseph Morgan Lambert Wilson Michelle Dockery Phoebe Fox Sophie Okonedo Tom Hiddleston Tom Hughes Tom Sturridge

▶Page 11

Calista Flockhart Charlotte Gainsbourg Christina Giannelli David Strathairn Felicity Jones Fu'ad Aït Aattou Greta Scacchi Helena Bonham Carter Holliday Grainger Michelle Pfeiffer Rupert Friend Sophie Marceau

▶Page 12

Angela Bassett Brooke Carter Cillian Murphy Danylo Kolomiiets Katie McGrath Keeley Hawes Maria Bonnevie Marta Gastini Miriam Giovanelli Olivia Hussey Oscar Isaac Peter Plaugborg

▶Page 13

Ben Barnes Ben Chaplin Bill Skarsgård Iben Akerlie Jakob Oftebro Jo Woodcock Lily-Rose Depp Reese Witherspoon Ruth Wilson Samantha Soule Tess Frazer Virginie Ledoyen

▶Page 14

Cary Elwes Colin Firth Daniel Day-Lewis Emilia Verginelli Hannah James Jonah Hauer-King Loli Bahia Lorenzo Balducci Rebecca Hall Robin Wright Rupert Everett Willa Fitzgerald

▶Page 15

Annes Elwy Claire Danes Eliza Scanlen Freddie Fox Hugh Jackman Kathryn Newton Louis Partridge Maya Hawke Romola Garai Samantha Mathis Trini Alvarado Winona Ryder

▶Page 16

Douglas Smith Eric Bana Gizem Karaca Jessica Brown Findlay Kenneth Branagh Kit Harington Millie Brady Natalie Dormer Poppy Delevingne Rachel Weisz Rosy McEwen Sam Claflin

▶Page 17

Aubri Ibrag Christina Hendricks Connie Jenkins-Greig Guy Remmers Henry Cavill Imogen Waterhouse Josie Totah Mia Threapleton Olivia Hallinan

▶Page 18

Alex Fitzalan Emma Connell Essie Davis Fahriye Evcen Justine Waddell Natalia Sánchez Monica Bellucci Penelope Cruz Piper Perabo

▶Page 19

Alicia Vikander Alida Baldari Calabria Christopher Abbott Emma Stone Jasmine Blackborow Kim Rossi Stuart Lili Reinhart Louis Cunningham Margaret Qualley Marine Vacth Mark Ruffalo Mélanie Thierry Ramy Youssef Scarlett Johansson Sydney Sweeney

▶Page 20

Antonia Clarke Cameron Monaghan Heather Graham Isolda Dychauk Laoise Murray Madelaine Petsch Olivia Colman Sophie Turner Vanessa Redgrave

▶Page 21

Claire Holt Emily Mortimer Jennifer Beals Kelly Macdonald Lena Headey Perdita Weeks Ruta Gedmintas Sarah Bolger Sting

▶Page 22

Berrak Tuzunatac Burcu Ozberk Cansu Dere Deniz Cakir Melisa Sozen Merve Bolugur Saadet Aksoy Yasemin Allen

▶Page 23

Alesya Romanova Alina Kovalenko Anastasiya Ostreinova Anna Sagaydachnaya Dorota Delag Konstantin Temlyak Kseniya Mishina Marianna Januszewicz Oleksii Yarovenko Olena Lavrenyuk Taras Tsimbalyuk Veronika Shostak

▶Page 24

Amelia Warner Bruce Robinson Cristiana Capotondi Christiane Filangieri David Rott Francesca Annis Golshifteh Farahani Helen McCrory Maisie Williams Nadia Parkes Pierre Niney Uma Thurman

▶Page 25

To do list:

Christopher Gorham under development (The Other Side of Heaven 2001) Harry Melling - The Pale Blue Eye 2022 Nora Arnezeder - Angélique 2013 Isabella Heathcote - Pride and Prejudice and Zombies Eleanor Worthington-Cox in Gwen (2018) Julie Delpy - La passion Béatrice 1987,  Frankenstein 2004, Trois couleurs: Blanc 1994, The Three Musketeers 1993 Nastassja Kinski - Revolution (1985), Tess 1979 Julia Ormond - Young Catherine 1991, First Knight 1995, Legends of the Fall 1994 Laura Donnelly - Beowulf: Return to the Shieldlands, Britannia, Outlander Morena Baccarin in Stargate Isabella Celani - A Room with a View 1985 Neve McIntosh - Gormenghast 2000 Kate Beckinsale - Much Ado About Nothing 1993 Sarah Felberbaum as Maddalena in Medici Rocco Gottlieb - The Book of Vision 2020

Volker Bohnet — Ludwig 1973 Romy Schneider — Ludwig 1973, Sissi 1955 Helmut Berger — Ludwig 1973

✦Ethan Erickson

Dorian 2003— under development

All of these gifs were made from scratch by me for roleplaying purposes. Feel free to use them as sidebars and reaction gifs. PLEASE DON’T CLAIM THEM AS YOUR OWN.

[fanficwritinggirl]

My Montana (Cole Walter fanfic)

Chapter 3

"Okay everyone, dinner" Georges shout carries through the house causing the troops to march down to the kitchen. It's like a war scene as everyone gets into their chairs, plates being handed out, food getting shoved onto plates and then into their mouths. Josie has eaten here hundreds of times and she still has never gotten used to dinner time in the Walter house. How George and Katherine do this, three times a day, everyday. Josie doesn't know, but she loves it. Anyone who just walked in and saw it, would see it as being complete chaos and yes, they would be right, but it's organized chaos. Everyone is so used to each other that they know where everyone sits and who dives in to get their food first, no arguments about it and that feels like a skill.

Josie takes her seat near the end of the table, sitting between Danny and Cole, who turns his head and looks at her as he takes his seat, a faint smirk on his lips. Josie returns the jester before grabbing a slice of garlic bread and puts her slender hand out for him to take it. Cole looks at her for a moment, taking the offer. Twirling her hand a little, Josie rolls her eyes causing him to silently chuckle, taking it out of her hand and taking a bite, his eyes never leaving her. Josie chuckles before turning and grabbing herself a slice of lasagna. "You are going to smell," she tells him, placing her plate down and taking her knife and fork into her hands and cutting the meal.

Cole smirks at her, leaning across her and grabbing the lasagna dish in order to get himself a slice. Before sitting down he allows himself to whisper in her ear, "well I guess you are just going to have to make sure that I have brushed my teeth then." Sitting back down, he slides a piece of lasagna out of the dish and onto his plate, going to eat it. Josie can't help but lean over and whisper in his ear. "And how am I to do that?" she asks him as she leans back a little, putting her head on her hand, facing him and looking him in the eyes.

Cole snickers at her before putting his hand out and moving a piece of her hair out of her face and behind her ear. "I can think of more than one way," was all he said before turning to his dinner and stuffing it into his mouth. Josie removes her hand from under her chin and moves herself around so she is looking straight in front of her.

"Hey everyone," a cheerful voice says as they enter the dining room. Katherine walks in with a smile on her face and Josie's Aunt Hattie on her heels as they enter. A chorus of muffled hi's are heard through the dining room causing Hattie and Katherine to smile at all of them. George stands up and kisses his wife on the cheek causing her to pat his face with her hand. "Smells good," she tells him as she takes her seat at the table. Hattie sits next to Katherine, giving the kids a small wave of acknowledgement which earned her some smiles.

"So how was everyone's day," Katherine asks as she puts her food on her plate. Moans of alright and weren't too bad were heard across the room and Katherine chuckles turning to her husband.

"They are all very cheery today, aren't they?" George simply shakes his head, the corner of his lips turned up. "Tell me about it."

"So mom, Hattie, what did you do today?" Nathan asks, looking at his mother intently.

"Well we had to go and help Mrs Wilson's cow give birth as the baby was breech. Luckily we were able to see both mother and baby but it was touch and go," Katherine explains before taking a bite of her dinner. Hattie swallows some of her food before speaking.

"And then we had to go and help Mr McCarthy's dog who was foaming at the mouth. Heat stroke and exhaustion, apparently the poor thing ran off this morning and has been running around in the heat all day," Josie leans forward in her chair.

"Well, the dog is okay right?" she asks, concerned. Hattie looks at her niece and smiles.

"The dog, Honey, is fine. We brought her to the clinic to get some fluid in her and to observe her but she should be home by tomorrow," Katherine pipes up with a laugh.

"Well she clearly felt all better after Mr McCarthy brought out the treats. Dog sat up, wagged her tail and walked over to him like there was nothing wrong with her," the whole table giggled, a few 'typicals' getting chucked around. Soon the table falls into simple conversation between everyone else, a good meal was all it took for everyone to pipe up and all Josie can do is sit back and watch everyone be happy. All Cole can do is watch her.

Later that evening, Josie is in Alex and Nathan's room, sitting at the end of Nathan's bed with her guitar in hand and him at the top of the bed, facing her. "Okay, you think you got it," she asks him as she lets her hands fall from the guitar. Nathan nods his head and places his hands in position and starts strumming at the strings. The songs flow nicely, a little slower than they should and the occasional wrong note but seeing as they had only been practicing for an hour it wasn't too bad.

Nathan's fingers strum the last of the tune and then allows his lean fingers to leave the strings and Josie smiles and claps. Nathan turns his head, a tint of red on his cheeks as he gives her a little grin and rubs his hand on the back of his neck. "Come on, that was terrible," Josie shakes her head at him.

"Nathan, that was good. You only started learning the song an hour ago and I must say that seeing as invisible string is one of my favorite songs, I think I am qualified to say that was very impressive," Nathan chuckles before putting his guitar between him and Josie.

"Well, I had a good teacher," he tells her and all she can do is nod.

"Okay, whatever you want to say. I don't want to go around in a useless argument," Josie tells him as she puts her guitar back in its case. Alex walks into the room and smiles at the pair, giving them a small smile.

"Hey, are you two done playing?" He sits down in his chair facing his computer, turning it on.

"Yeah, we just finished off. Josie will be going soon anyway," Nathan explains and Alex turns towards the pair and nods.

"Great, I promised Kiley that I would play online with her for a bit," Josie smiles, locking her case and lifting it.

"Well rooms all yours," Josie stands with her case and walks to the door.

"Hey Josie," she turns and looks at Alex whose face is now flat.

"Yeah?"

"What's going on between you and Cole?"

"Dude," Nathan exclaims. Josie freezes up, confused by the question. She turns her body and leans against the door frame, eyebrows scrunched together, lips lifted ever so slightly.

"What do you mean what is going on between me and Cole. There's nothing going on between me and Cole," she explains and Alex raises his eyebrows, looking unimpressed.

"Well you two seemed to be very cozy at the dinner table today, and that's not the first time that you two have been all cozy with each other. So..." he leans forward in his chair and rests his elbows on his knees. "What's the deal?" Josie tilts her head back and laughs.

"Absolutely nothing is going on," she moves her free arm around and her head moves around a bit when she is talking. "I mean Alex come on, I have known you all for years, best friends with Danny for years and friends with Cole for years. Don't you think that if something was ever going to happen between us, not that there ever will, it would have happened by now," Alex simply laughs.

"Well I think we all know that Cole is incapable of having anything serious," Alex snarks, Nathan scoffs and shakes his head at his brother. Josie runs her tongue over her top lip and nods her head.

"Alex, you know what, I am not listening to this. Whatever problem you have with Cole, that's between you two but don't involve me. And there is nothing going on between me and Cole, so just drop it," Josie storms out of the room having had enough with Alex. If he wanted to pull at strings to cause drama then he could do that, but Josie was not going to sit and listen to it.

Storming down the hallway, all she could think about was getting some fresh air. She felt like she was suffocating, maybe it was just the adrenaline wearing off.

"Josie," a voice calls. Her head snaps around and she sees her Aunt Hattie standing in the entryway to the kitchen. "You okay," she asks her as she walks towards her. Josie bites her lip and nods ever so slightly.

"Yeah, im fine i just need some fresh air," the words were said slowly, she was pushing them out of her mouth. Hattie picks up her pace grabbing ahold of her niece's arms and directing her outside. The fresh air hits Josie and she has never been so happy to feel the breeze on her face.

"Let's sit down," Hattie directs her over to one of the benches. After sitting down, Josie leans her head back, closes her eyes and exhales. Hattie rubs her hand up the younger girl's arms trying to sooth her like she always does.

"Do you want to tell me what is going on?" she asks and Josie just takes in a deep breath.

"I just... got panicky."

"Panicky, panicky about what?" Hattie was confused. Josie lifts her shoulders up and shakes her head, opening eyes.

"Honestly... I have no idea. I mean it could be because of Alex," Josie offers, looking at her aunt.

"What did Alex do?" Hattie leans back to get a better look at the girl.

"Oh... just getting onto my case about Cole," Hattie rolls her eyes.

"Well that doesn't surprise me. Them two seriously need to figure out whatever it is that is going on between them," Josie snickers and plays with the paint of her fingernails.

"That's what is said," Hattie looks at hers and gives her a pock on her shoulder causing Josie to look up at her, eyes wide.

"What was that for?" she gasps and Hattie raises her eyebrows at her.

"There's more too, isn't there," Josie can't help but choke on her words.

"I mean... he was also insinuating that there was something going on between me and Cole," Hattie's mouth falls open and she gapes at Josie. Josie looks at her and shakes her head, her eyes wide.

"NO," she tells her aunt with her finger pointed up at her.

"Is there something going on between you and Cole," Hattie whispers, leaning forward slightly.

"No, of course not. I would never go down that lane," Josie says, raising her eyebrows a little.

"And why not?"

"Because Aunt Hat, it's Cole. He is Cole Walter, the most popular boy in school, who is known for sleeping around and I have known him since I was a kid. I'm best friends with his brother. His siblings are like my siblings and his mom is like my second mom. I'm essentially his sister," Josie exclaims, her arms moving around. Hattie scoffs and shakes her head.

"Josie, you know that is the biggest load of bull. There is no way that Cole sees you as his sister, there's just no way. I know that and you know that. So what is this really about," Hattie's face is pointed down, eyebrows raised in a knowing look. Josie can't help but scrunch her face up and let out a frustrated groan.

"I don't know. There I know there is no reason for us not to start anything. I mean we have known each other for years, are good friends most of the time and i... kinda like him," Josie admits and Hattie can't help shooting her arms up in the air and shouting in happiness.

"I knew it. I knew it," she sings songs and Josie shushes her.

"Would you be quiet, we are literally at their house. Last thing I need is for one of them to hear and blab to him. And stop acting like a teen you are nearly in your 40s," Josie scolds and Hattie just laughs.

"Oh come on, let me have some fun, and hey you admitted that you like him. That's huge Jos. Now all you have to do is tell him," Josie's eyes go wide.

"No, it's not happening. I am not telling him. Aunt Hat that can not happen."

"And why not?" Hattie exclaims.

"Because I am going through stuff. He is going through some stuff so it wouldn't be good for us to start something right now or ever," Hattie puts her head to the side and sighs.

"I swear, why are teen relationships so complicated? God I don't miss it," she exclaims and Josie just laughs.

"Yeah and I can't wait to not have to deal with them anymore." Then there is silence, comfortable silence where neither one of them speaks and just processes everything that has been said. Hattie leans forward and puts her hand on Josie's arm.

"You will tell me if anything is bothering you or if something does happen. Just tell me okay," Josie smiles at her and nods.

"Of course, I will. But nothing is going to happen, so you don't have to worry," Hattie leans her back and groans.

"I can't deal with this anymore. Come on," she stands up and holds her hands out towards Josie.

"I think it is time for us to go home," Josie agrees. It had been a long day and she really wanted her bed.

Disclaimer - I am not following the plotline of my life with the Walter boys as closely and am using the characters and making my own story. I will be taking some plotlines from the series but it won't directly follow the show. Also, this book is not going to focus on the build up to the relationship but the actual relationship.

[hockaye]

even though you lost that fight Tom Wilson you're still very pretty and that hit was super legal and funny and everybody say thank you Josh Anderson for the Tom Wilson Gordie Howe Hatty thank you and goodnight you god damn Canadien goobers Ovi will always own you mwah mwah mwah mwah

[whileiamdying]

Great Books Don’t Make Great Films, but “Nickel Boys” Is a Glorious Exception

RaMell Ross’s first dramatic feature, an adaptation of Colson Whitehead’s novel, gives the bearing of witness an arresting cinematic form.

By Richard Brody December 6, 2024

It’s harder to adapt a great book than an average one. Literary greatness often inhibits directors, who end up paying prudent homage to the source rather than engaging in the bold revisions that successful adaptations require. And even uninhibited directors may lack the stylistic originality of their literary heroes. It’s all the more remarkable, then, that the director RaMell Ross, in his first dramatic feature, “Nickel Boys”—adapted from Colson Whitehead’s Pulitzer-winning 2019 novel, “The Nickel Boys”—avoids both obstacles with a rare blend of daring and ingenuity. Few films have ever rendered a major work of fiction so innovatively yet so faithfully. In a year of audaciously accomplished movies, “Nickel Boys” stands out as different in kind. Ross, who co-wrote the script with Joslyn Barnes, achieves an advance in narrative form, one that singularly befits the movie’s subject—not just dramatically but historically and morally, too.

The movie’s title refers to Black youths (teens and younger) who are inmates of the Nickel Academy, a segregated and abusive “reform school” in rural northern Florida—particularly to two teen-agers, Elwood (Ethan Herisse) and Turner (Brandon Wilson), who become friends while incarcerated there, in the mid-nineteen-sixties. (The institution in Whitehead’s novel is inspired by the notorious Dozier School for Boys, but his characters are fictional.) Elwood, who is sixteen years old when he enters the facility, is being raised by his grandmother Hattie (Aunjanue Ellis-Taylor), who works on the cleaning staff of a hotel. He’s a star student, literary and politically passionate, in a segregated school. One of his teachers, Mr. Hill (Jimmie Fails), is a civil-rights activist, and he plays a Martin Luther King, Jr., speech on a record for his students. Elwood gets his picture in a local newspaper for participating in a civil-rights demonstration, but he’s only holding a sign; he longs to join in civil disobedience, but Hattie seems skeptical about the idea. Hitchhiking to a nearby college for advanced classes, he gets a ride from a flashily dressed, fast-talking Black man (Taraja Ramsess) whose car, unbeknownst to Elwood, is stolen. When the police pull the driver over, the innocent Elwood, too, is punished, resulting in his internment in Nickel.

From the start, Ross throws down a stylistic gauntlet: up until Elwood’s imprisonment, the action is seen entirely from his point of view—literally so, as if the camera were in the place occupied by his head, pivoting and tilting to show his shifting gaze, while his voice is heard offscreen. This device was famously used by Robert Montgomery in his 1947 adaptation of Raymond Chandler’s “The Lady in the Lake,” but it was no more than a gimmick. In Ross’s hands, the device becomes something overwhelmingly expressive: the images, rather than merely recording Elwood’s emotions, register the cause of those emotions and allow the viewer to partake in his inner world.

The results can be puckish, as when Elwood’s reflection appears in the chrome side of the iron that Hattie is sliding across an ironing board. But Ross’s technique is exquisitely responsive to the story’s depth and range of experience. The viewer shares Elwood’s naïve bewilderment when the driver of the stolen car, hearing a police siren, tells him not to turn around; similarly, one feels the anguished anticipation when Elwood awaits transport to Nickel. At this point, an extraordinary scene tears a hole in time, bringing the history of Black American life rushing in to overtake Elwood’s own: Hattie, with an air of unusual formality and seething indignation, recalls in excruciating detail her father’s death in police custody and her husband’s death at the hands of white assailants. But she expects better for Elwood.

Once the police have deposited Elwood in Nickel’s run-down barracks for Black inmates, Ross extends the dramatic force of his method while expanding its intellectual scope. At breakfast, Elwood meets Turner, who’s from Houston and much more streetwise. The impact of this moment is heralded in a coup de cinéma that is a vast amplification of the story: a repetition of the breakfast-table encounter, seen, the second time around, from Turner’s point of view. Once the pair become friends, both of their perspectives share the film, to mighty effect.

Elwood’s wrongful detention is only the first of the Job-like litany of injustices heaped upon him. In Nickel, sucker-punched and knocked out by a bigger kid, Elwood receives the same standard and brutal punishment as his assailant. Nickel’s sadistic supervisor, Mr. Spencer (Hamish Linklater), who is white, administers beatings with a strap in the so-called white house, far from the barracks. An industrial fan is used to drown out the victims’ screams, but it doesn’t quite do so, and Elwood, with his view of the horrors obstructed, hears them in terror while awaiting his turn.

Hospitalized as a result of the beating, Elwood gets a surprise visit from Turner, who’s also a patient (having skillfully feigned illness). Turner warns him that there are still worse punishments menacing the Nickel inmates, ranging from the sweat box—a brutally hot crawl space under a tar roof—to actual murder. (Such deaths were covered up by burial in unmarked graves and an official lie that the child ran away without a trace.) Elwood, inspired by the civil-rights movement and knowing that his grandmother has hired a lawyer, is confident that justice will prevail. He even keeps a notebook in which he records unpaid labor and which he thinks will help get Nickel shut down. Turner has no such confidence, insisting that no one gets out of Nickel alive except by getting himself out. The two teens’ visual perspectives, alternating through the hospital scene, embody their diametrically opposed views of American society, of their prospects, and of the destinies that await them.

Through Elwood’s and Turner’s eyes, in scenes that unfold in long and complex takes, the movie offers a formidable fullness of incident, intimately physical detail, and finely nuanced observations. The corruption of Nickel’s administrators and the legitimized absurdities of their cruel regime come to light as they’re experienced by the two teens, as do Hattie’s struggles to stay connected with Elwood and to seek legal relief. Lyrical snatches of daily life—passing moments of grace on a job outside Nickel’s grounds or during free moments in a rec room—are haunted by traces of past brutality and flickers of menace. Ross stages the action with a choreographic virtuosity that’s all the more astonishing given that this is his first dramatic film. (His previous feature, from 2018, is the documentary “Hale County This Morning, This Evening.”) His teeming visual imagination is matched by the agile physicality of Jomo Fray’s cinematography. As a first dramatic feature, “Nickel Boys” is in the exalted company of such films as Terrence Malick’s “Badlands” and Julie Dash’s “Daughters of the Dust.” Like them, it comprehensively creates a new way of capturing immediate experience cinematically, a new aesthetic for dramatizing history and memory.

Early on, the action is set in historical perspective by means of flash-forwards. Eventually, there are revelations about the atrocities at Nickel; the grounds are excavated, and human remains discovered. One of the friends (played as an adult by Daveed Diggs) gets wind of these investigations, having in the intervening years made his way to New York, found employment as a mover, and started his own business. In this later time frame, Ross continues to rely on point-of-view images, but with a piercing difference. The camera now floats just behind the character’s head, depicting work and home, love stories and painful reunions, fleeting observations and a reckoning with the past, as if from two points of view simultaneously—one visual and one spectral, bringing absence to life along with presence.

The onscreen incarnation of Elwood’s and Turner’s perceptions isn’t only intellectual or theoretical. The moral essence of Ross’s technique is to give cinematic form to the bearing of witness. Where Whitehead’s novel describes his characters’ physical torments in the third person, with psychological discernment and declarative precision, Ross’s movie fuses observation and sensation with its audiovisual style. It suggests a form of testimony beyond language, outside the reach of law and outside the historical record. It is a revelation of inner experience that starts with the body and all too often remains sealed off there and lost to time—except to the extent that the piece of art can conjure it into existence.

The movie’s twin aspects of witness and of point of view have a significance that extends beyond the drama and into cinematic history. There were no Black directors in Hollywood until the late sixties, and no Hollywood films that conveyed then what “Nickel Boys” shows in retrospect: the monstrous abuses of the Jim Crow era and its vestiges. In bringing the historical reckonings of Whitehead’s novel to the screen, Ross hints at an entire history of cinema that doesn’t exist—a bearing of witness that didn’t happen and the lives that were lost in that invisible silence. ♦

Published in the print edition of the December 16, 2024, issue, with the headline “Each Other’s Back.”

Directed by: RaMell Ross Screenplay by RaMell Ross and Joslyn Barnes Based onThe Nickel Boys by Colson Whitehead Produced by Dede Gardner, Jeremy Kleiner, David Levine, Joslyn Barnes Starring: Ethan Herisse, Brandon Wilson, Hamish Linklater, Fred Hechinger, Daveed Diggs, Aunjanue Ellis-Taylor Cinematography: Jomo Fray Edited by Nicholas Monsour Music by Alex Somers and Scott Alario Production: Orion Pictures, Plan B Entertainment, Louverture Films, Anonymous Content Distributed by Amazon MGM Studios Release Dates: August 30, 2024 (Telluride) December 13, 2024 (United States) Running time140 minutes Country: United States Language: English

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[mogai-sunflowers]

MOGAI BHM- Belated Day 21!

happy BHM! today i’m going to be talking about some famous ‘black firsts’!

Black Firsts in Science-

In 1965, David Harold Blackwell became the first Black member of the National Academy of Sciences

Robert H. Lawrence was the first Black astronaut; Mae Jemison was the first Black female astronaut, and Guion Bluford was the first Black astronaut to actually travel in space

Thomas Jennings was the first Black patent holder in the U.S, and Judy Reed was the first Black woman patent holder in the U.S

Daniel Hale Williams performed the first successful heart surgery

James Smith was the first officially trained Black American doctor

Robert Freeman was the first Black American dentist

Black Firsts in Politics-

Macon Allen was the first Black American admitted to a law school, and Charlotte Ray was the first Black woman admitted to a law school.

William Henry Hastie was the first Black federal Judge, and Constance Motley was the first Black female federal Judge

Thurgood Marshall was the first Black SCOTUS Justice

Alexander Lucius Twilight was the first Black state-elected official

Pierre Landry was the first Black city mayor, and Carl Stokes was the first Black mayor of a major US city

Jonathan Wright was the first Black state supreme court justice

Hiram Revels was the first appointed Black US Senator, and Edward Brooke was the first elected Black US Senator

P.B.S Pinchback was the first appointed Black state governor

Crystal Fauset was the first Black female legislator in the US

Shirley Chisholm was the first Black female U.S representative

Carol Braun was the first Black female U.S Senator

Joseph Rainey was the first Black person to serve in the US House of Representatives

Joseph Jenkins Roberts was the first African-American president of any nation (Liberia)

Black Firsts in Education-

Theodore Wright was the first Black graduate of an Ivy League School

Lucy Stanton was the first Black woman to graduate college in America

Charles Reason was the first Black college professor

Daniel Payne was the first Black college president

Dr. David Peck was the first Black person to graduate from medical school

Alexander Lucius Twilight was the first Black person to receive a degree from an American college

Mary Patterson was the first Black American woman to earn a B.A

Fanny Coplin was the first Black woman to become principal of a school

Richard Greener was the first Black Harvard graduate

Black Firsts in the Arts-

Lucy Terry was the first Black American poet and Phillis Wheatley was the first published Black American poet

Gwendolyn Brooks was the first Black Pulitzer Prize winner

William Brown was the first Black American novelist, and Harriett Wilson was the first Black female American novelist

Toni Morrison was the first Black winner of the Nobel Prize for Literature

Francis Johnson was the first published Black American musical composer

Marian Anderson was the first Black member of the Metropolitan Opera

Harry Swan was the first Black American to found a record label, Black Swan Records

Count Basie was the first Black person to win a Grammy, and Ella Fitzgerald was the first Black woman to win a Grammy

William Lane was the first nationally famous Black dancer, and Arthur Mitchell was the first Black principal dancer in a major dance company

Oscar Micheaux was the first Black film director

Hattie McDaniel was the first Black person to win an Oscar, and Juanita Hall was the first Black person to win a Tony

William Still was the first Black American to both direct a major orchestra and have their composition performed by a major orchestra

Black Firsts in Sports-

Oliver Lewis was the first Black jockey to Win Kentucky Derby

Moses Walker was the first Black professional baseball player

John Shippen Jr. was the first Black professional Golfer

Marshall “Major” Taylor was the first Black world cycling champion

George Poage was the first Black Olympic medalist at the Summer games, and John Taylor was the first Black Olympic gold medalist at the Summer games

Jackie Robinson was the first 20th century Black MLB player

Rajo Jack de Soto was the first Black professional race car driver

Willie Thrower was the first Black NFL quarterback

Willie O’Ree was the first Black NHL player

Alice Coachman was the first Black woman to win an individual gold medal at the summer olympic games

tagging @metalheadsforblacklivesmatter @bfpnola @intersexfairy 

[cornerihaunt]

good morning tell me why i dreamt i worked in the pens organization and that we were playing the caps and i complained to a friend about tom wilson????? and when i posted that i’d be back (from what?? who knows) lars eller (???) wrote me the sweetest message of encouragement??? also i was hoping for a geno hatty but that’s real life too

[edgarallanhoetry]

References from How to Suppress Women's Writing, Joanna Russ

Joanna Russ related

Somebody's Trying to Kill me and I Think It's My Husband: The Modern Gothic

AK Press, Riot Grrl, Grove Press Kathy Acker

General

Women Artists: Recognition and Reappraisal from the Early Middle Ages to the Twentieth Century - Karen Peterson, J.J. Wilson

Thinking about Women - Mary Ellmann

Nancy Milford's biography of Zelda Fitzgerald

Literary Women - Ellen Moers

"Brown Menace or Poem to the Survival of Roaches" Audre Lorde

"Aurora Leigh" Virginia Woolf

The Autobiography of a Sexually Emancipated Communist Woman - Emma Goldman

Jane Anger Protection for Women

"Art and Anger" J Marcus

"The Great American Bitch" Dolores Barracano Schmidt

"La Prieta" Gloria Anzaldua

"billie lives! billie lives!" Hattie Gosset

"Anatomy Lesson" Cherrie Moraga

Reminder to read A Room of One's Own, Villette, Wuthering Heights, The Tenant of Wildfell Hall, Middlemarch, Their Eyes Were Watching God

[tothequeerphenomena]

ABOUT ME

aka me rambling about myself to set up this blog (will edit with more stuff later)

hi!! im hattie !!

she/he pronouns (they is allowed but im not neutral im both!!! and sometimes people assume when they use they/them for me)

kate bush is my jesus

cannot stand how capital letters look and this us my blog so i will not be using them

i know kate bush from THE HORRIBLE HISTORIES WUTHERING HEIGHTS MARY I PARODY and from when i was like 9 and my teacher made me read wuthering heights when he absolutely shouldn’t have and then he rewarded me with the wuthering heights music video

tags:

#nate art for @/nathanarmageddon

#adripal art for @egoisticqueerunderanydefinition

#reblog to filter my reblogs

#hattieshutup for misc posts

oc tags:

#abbey hope gardner

#asher faith wilson

#rain sheppard

DNI

don’t be daft use context clues on whether you need to be quiet or not 🫶