#has some sort of tragic backstory

[hershelwidget]

wait hang on

HANG ON

DO YOU SEE MY VISION

[byanyan]

ㅤbyan doesn't care much for their birthday. growing up, they would get lost in the shuffle a lot of the time and end up lucky if they got so much as a slice of cake. they did get a few parties thanks to some of their foster families, but most years there was little more than disappointment to speak of — something that hits hard when you're a kid and birthdays are still exciting. this led to a lot of jealousy toward the kids who were celebrated, a lot of misplaced anger, and because of this there were a couple instances of them lashing out at birthday parties they were invited to. ...needless to say, they weren't invited to many more after this.

at this point they prefer to ignore the day entirely. all it really does is serve as a reminder of how little they mean to the world around them. even those happy memories they have of having the day celebrated have turned sour, becoming a further reminder of how replaceable they are even to people who do care about them.

the last few years, they've "celebrated" on their birthday by going out to be self-destructive and get impossibly high, often not returning home until well after 8 the next morning.

[goldensunset]

the heck are you talking about. also i just walked up to you and said hello

[multishipper-baby]

Thinking about how Eak got his scar again because Eddo is never going to say anything on the subject which means I'm free to speculate and theorize like a mad man.

[hearties-circus]

Everyday I try to be normal about that old woman and everyday I fail worse than I did previously

[gwynbleiddyn]

Kerros Severan-Laidir sounds suitably impressive and completely jarring

[tagasaing]

i have to get this out of the way, re: dungeon meshi discussions

major spoilers ahead, obviously.

you know for a series that focuses so much on platonic and familial relationships it’s weird that dungeon meshi has attracted so much useless ship wars though. the most important driving force in the story is two sibling relationships (laios’s search for falin, thistle’s search for delgal) and one of the central themes is how loving others way too much can lead to your downfall (thistle’s desperate attempt to keep his loved ones leads to his mental state deteriorating so much he starts torturing people he claims to protect, marcille’s fear of losing her friends leads to her being easily manipulated by the main antagonist)

even with regards to falin. thistle wants to bring the ‘brother’ he raised back at all costs, he saw a young human woman as nothing more than a dragon, his tool. marcille wants to bring falin back at all costs, she didn’t care about the repercussions of using monster meat instead of animal meat even though she was an expert at ancient magic and should know why it’s such a dangerous practice.

each and every single one of the major characters has some form of tragedy with their family one way or another: the toudens, marcille and her dad. chilchuck and his wife. senshi’s entire backstory. izutsumi’s hidden desire for a mother. namari’s father. shuro and his family. kabru and his mother(both tallman and elf). mithrun and his brother. thistle and the melinis.

even some of the minor characters: flamela and her dead twin sister. the twins and the floke couple. kuro being the closest mickbell has to a family. etc etc

as someone who has reread this manga several times by now, i wonder if people just… read it once as fast as they could and act like they’re some sort of authority on fan discussion. i’ve seen people brag about reading the entire thing in one sitting as if it’s something to be proud of. this manga isn’t meant to be read that fast, that’s how you get people claiming that laios doesn’t reaaally love falin as much as marcille does.

to these people, laios just gets in the way, as if it wasn’t his idea to go down the dungeon in the first place, it wasn’t him who said his pain doesn’t matter because falin suffered more than him, it wasn’t him who felt immense guilt for leaving falin behind, it wasn’t him who found her skull, it wasn’t him who killed her to save her from her chimera form. i feel like people forget about the ‘too’ part when marcille said “i miss falin too”

marcille knows how much falin and laios love each other. that’s why she asked him if she’s allowed to resurrect her and didn’t act on her own. that’s why when both times a shapeshifting monster copied marcille to trick laios, it was what she looked like at the time she was reviving falin.

as someone who DOES ship farcille, none of the romance is canon. this isn’t meant to be anti-farcille. one of the post-canon comics is about falin gently turning down shuro because she wants to travel the world, “you can’t tie a dragon down” after all. she wants to travel the world and find herself because she doesn’t know who she is outside of marcille and laios. even marcille, who was hoping she’d reject him, tears up because of how beautiful and tragic it was.

there are a lot of ship teases because what author doesn’t like a good ship tease. but to say that dungeon meshi is a romantic love more than it is a story about family(both real and found) is a great misinterpretation of the text.

[cripplecharacters]

Does Your Scarred Character Have to Hate Themself?

[large text: Does Your Scarred Character Have to Hate Themself?]

(TLDR: no. literally no.)

A frequent topic that shows up around facial differences is the self-hatred, self-disgust, self-insert-negative-emotion that we must surely experience. I want to ask* writers without FDs - why? Why do you feel about us in such a way that that's the most common way of depicting us?

*- rhetorical question. I promise I know the answers, but I'm not sure if writers do.

It's frankly worrying to me. Is it really that common to assume that disabled people have this internal, never-ending hatred for themselves? The overwhelming majority of us don't. We hate inaccessibility, when people stare, or some symptoms when they get in the way, or how expensive being disabled is, but I find the concept of us being so completely disturbed by our own disabilities extremely strange. It’s “tragedy porn” intersecting “most basic ableism”.

“But trauma!”

[large text: “But trauma!”]

Trauma of what! People with facial differences don't have some sort of default trauma that we come with like it’s a factory setting. We are a group of people with tens of thousands of stories and experiences!

“Trauma of experiencing ableism/disfiguremisia” - that's better, at least this means something. If you're writing a story about this, please get a sensitivity reader with a facial difference. You can assume how we feel all you want, but in my experience these assumptions are often bizarre and unrealistic. Or just end up writing the same “disability so sad” sob story that everyone has seen a billion times. If you want to write about disfiguremisia, you need to understand the nuance and have more than just the basic level knowledge (which 99% of people don’t have either). If you can’t do that, don’t write about it. Simple as that.

“Trauma of the accident” - thankfully, the accident is an event and a facial difference is a disability. If you want to connect these two like they're one and the same, you're almost surely going to demonize disability. People with traumatic spinal cord injuries, acquired amputees, people with TBI, people with acquired facial differences - we participate in our communities, we have hobbies, we date, we play with our dogs. Disability isn't a death sentence. Media who make it feel like it is certainly don't help people who do suddenly become disabled, don't you think?

Here's a post by @blindbeta about blind characters becoming blind through trauma that’s better made than anything I could hope to write here. I heavily recommend giving it a read.

And, I can't stress this enough - most of us didn't have “the accident”, most of us are born like this! "Traumatic scars" isn't the only facial difference that exists, far from it, it's only one of thousands. It's 99% of our representation and "representation". If you want to make a character with FD - please consider that we aren't a monolith. Just like not all physical disabilities are "wheelchair user with paralysis", not all facial differences are "traumatic scar with somehow no nerve damage".

The overrepresentation of it is incredibly telling, and sometimes - or very frequently - feels like the writer doesn’t actually even want to deal with us. They want to use our disability as a way to cheap drama, moral metaphors, tragic backstories. Not to represent us as living people who are much more similar to you than you apparently think.

Now, I do have enough awareness to know that that's a big part of the appeal. “Horrific Thing #2456 happens” and boom, instant drama! Of course, it's a reasonable response that they would hide their disability for years, avoid talking about it in any way, and magically change their personality to be mean and reclusive, or at least be constantly soooo sad about how much it sucks to be disabled, right?

Do I really need to say that having your character becoming disabled be the worst thing ever is ableism 101? We have been talking about this for so long at this point. Writing about the process of adapting to a specific disability is better left to people who have actual experience in it.

To give an example that will hopefully resonate more with Tumblr users, I will use the fact that I'm also gay. It's not perfect by any means but probably much more familiar territory.

Imagine, let's say, a character. He's gay. The story he's in is supposedly progressive, certainly not trying to be homophobic. The character has experienced an incident, maybe an act of aggression or a hate crime, that happened because he’s gay, which was traumatic. Happens IRL, sure. So of course the character starts hating being gay. He talks about how gross and disgusting it is, he never lets anyone know that he could be “one of them”, certainly not take a stance against homophobia. You can't mention him without mentioning the accident, they're seemingly fused together. No gay love, joy, even basic happiness, he would actually choose to be straight in a heartbeat if given the option to and complains that he can't. This is shown as a neutral, obvious thing that a gay man would do, no one comments on it. He stays like this the whole time, unless there’s a plot twist in the last 10 pages where the world is now magically perfect ("we fixed discrimination, yay!"). This is the only LGBT character in the story.

Keep in mind that there are people similar to this in real life, living with extreme internalized homophobia.

Is this, in your opinion, realistic and thoughtful representation? How does it feel when written by a cishet writer, versus a gay writer who is recalling his experiences? Do you think that it's reasonable for the majority of media representation to be like this, or very close to it? How would it affect younger gay people who might already be uncomfortable with being queer? Are gay men the target audience, or are they not even considered as a group of people who read books? Is this helping or damaging the general public's idea of how it is to be gay? Why or why not?

The Masterpiece

[large text: The Masterpiece]

From 13 to 19 of May, we are celebrating Face Equality week (what a coincidence!). It’s important to me in general - and I wish it was more important to abled people, but I digress - especially its theme for this year.

“My Face is a Masterpiece”

Great statement, it represents the community well, I do enjoy how bold it is. Very cool stuff, I love the work our advocates are doing!

But why do I bring this up?

Well, to very non-subtly show that we aren’t a self-hating group of people. We are a community, a community saying “our faces are beautiful, look!”, we are saying “treat us equally, and do it now!”. Our activism isn’t about self-disgust. It’s about fighting your-disgust. 

Why can’t writers keep up? Why are you still stuck decades behind?

Is this the only reason I bring it up?

The Call to Celebration

[large text: The Call to Celebration]

FEI, the org behind organizing it, asks a very simple question (emphasis mine):

“Why do we so often see stories about facial difference as a ‘tragedy’, when they should be about triumph?” “Calling all artists, allies, creatives, galleries.  You can rewrite the story to bring about #FaceEquality and celebrate the unique artistry found in every face. Your participation this #FaceEqualityWeek will help to tell the real story, that there is a masterpiece in every face.”

Here. We are calling for you to stop. Directly from the biggest international advocacy alliance group that's out there. If you create, this is for you.

The last argument to not have your character with a facial difference hate themselves? Because we don’t want this. We are tired and frustrated. For me personally, I’m also offended by this kind of assumption. We aren’t tragedies or cheap entertainment for abled people to pity or be horrified by. We are people, and if you can’t internalize that, you have no reason to write about us.

For once, celebrate us. Happy Face Equality Week!

mod Sasza

[thewriteadviceforwriters]

Villains vs. Antagonists (Guide For Writers)

Hey there, fellow writers and wonderful members of the writeblr community! 📚✍️ It's Rin here and...

Today, we're diving into a topic that's close to many writers' hearts: villains and antagonists. These characters often steal the show, driving our plots forward and giving our heroes something to push against. But here's the thing – while these terms are often used interchangeably, they're not quite the same. So, let's unpack this, shall we?

First things first, let's break down the difference between a villain and an antagonist. It's a distinction that can really elevate your storytelling game!

An antagonist is simply a character (or force) that opposes your protagonist. They're the obstacle, the challenge, the thing standing in the way of your main character achieving their goal. Here's the kicker: an antagonist doesn't have to be evil. They could be a rival love interest, a stern parent, or even nature itself.

A villain, on the other hand, is a specific type of antagonist. They're the bad guy, the evildoer, the character with malicious intent. All villains are antagonists, but not all antagonists are villains. Mind-blowing, right?

Let's look at some examples to make this clearer:

In "Romeo and Juliet," the feuding families are antagonists, but they're not villains. They oppose the protagonists' desire to be together, but they're not evil.

In "Harry Potter," Voldemort is both an antagonist and a villain. He opposes Harry (making him an antagonist) and he's also evil (making him a villain).

In "Cast Away," the island and the challenges of survival are the antagonists. There's no villain in sight!

Now that we've got that sorted, let's dive deeper into how to create these characters and use them effectively in your writing.

Creating Antagonists:

Define their opposition: What specifically does your antagonist do to oppose your protagonist? This could be physical, emotional, or ideological opposition.

Give them a reason: Why are they standing in your protagonist's way? Even if it's not justified, there should be a reason that makes sense to the antagonist.

Make them strong: Your antagonist should be a worthy opponent. They need to pose a real challenge to your protagonist to keep things interesting.

Consider their perspective: Remember, your antagonist is the hero of their own story. Try writing a scene from their point of view to understand them better.

Create contrast: Your antagonist should in some way contrast with your protagonist. This could be in values, methods, or personality.

Creating Villains:

Establish their evil: What makes your villain "bad"? Is it their actions, their beliefs, or both?

Develop their backstory: How did they become evil? A compelling villain often has a tragic or twisted history.

Give them dimensions: Pure evil can be boring. Give your villain some complexity – maybe they love their cat or have a soft spot for classical music.

Create a strong motivation: What drives your villain? Greed? Revenge? A twisted sense of justice? The stronger and more relatable the motivation, the more compelling your villain will be.

Make them smart: Your villain should be clever enough to pose a real threat. They should be able to anticipate and counter your protagonist's moves.

Now, let's talk about how to use these characters in different genres. Because let's face it, a villain in a romance novel is going to look very different from one in a fantasy epic!

In Romance: Antagonists in romance are often rivals for the affection of the love interest, or perhaps societal norms or family expectations standing in the way of true love. Villains are less common, but when they appear, they might be abusive exes or manipulative friends trying to sabotage the relationship.

Tip: In romance, make sure your antagonist's motivations are clear and relatable. We should understand why they're opposing the main relationship, even if we don't agree with their methods.

In Fantasy: Fantasy is ripe for both antagonists and villains. You might have a Dark Lord seeking to conquer the world (classic villain) or a rival magic user competing for the same goal as your protagonist (antagonist).

Tip: In fantasy, world-building is key. Make sure your antagonist or villain fits logically into the world you've created. Their powers, motivations, and methods should all make sense within the rules of your fantasy realm.

In Mystery/Thriller: In these genres, your antagonist is often the perpetrator of the crime your protagonist is trying to solve. They might not be evil (maybe they committed a crime of passion), or they could be a full-fledged villain if their crimes are particularly heinous.

Tip: In mysteries, your antagonist needs to be clever enough to challenge your detective protagonist. Leave subtle clues about their identity or motives, but make sure they're smart enough to almost get away with it.

In Literary Fiction: Here, antagonists are often more abstract. They might be societal expectations, personal flaws, or even time itself. Villains in the traditional sense are less common, but morally grey characters who oppose the protagonist are frequent.

Tip: In literary fiction, focus on the nuances of your antagonist. They should be as complex and flawed as your protagonist, with their own rich inner life.

In Sci-Fi: Science fiction offers a wide range of possibilities for antagonists and villains. You might have alien invaders, oppressive governments, or even well-meaning scientists whose creations have gone awry.

Tip: In sci-fi, make sure your antagonist or villain is consistent with the technological and social aspects of your imagined world. Their methods and motivations should make sense within the context of your sci-fi setting.

Now, let's dive into some tips to make your antagonists and villains the best they can be in your novel:

Make them believable: Whether you're writing a mustache-twirling villain or a morally grey antagonist, their actions and motivations should make sense within the context of your story and their character.

Give them a personal connection to the protagonist: The conflict becomes much more engaging when it's personal. Maybe your antagonist and protagonist used to be friends, or they're fighting over the same goal.

Show their impact: Don't just tell us your antagonist is a threat – show us the consequences of their actions. Let us see how they affect your protagonist and the world of your story.

Give them wins: Your antagonist or villain should have some successes along the way. If they're always failing, they won't seem like a credible threat.

Humanize them: Even if you're writing a truly evil villain, give them some humanizing traits. Maybe they have a pet they dote on, or a tragic backstory that explains (but doesn't excuse) their actions.

Make them adaptable: A good antagonist doesn't stick to one plan. When the protagonist foils them, they should be able to come up with new strategies.

Give them their own character arc: Your antagonist or villain should grow and change throughout the story, just like your protagonist does.

Use them to highlight your protagonist's strengths and weaknesses: Your antagonist should challenge your protagonist in ways that force them to grow and change.

Consider their presentation: How do other characters react to your antagonist? How do they present themselves to the world versus who they really are?

Don't forget about henchmen: If you're writing a villain, consider giving them some underlings. This can add depth to their character and provide more challenges for your protagonist.

Remember, whether you're crafting a dastardly villain or a complex antagonist, these characters are crucial to your story. They're the ones who push your protagonist to grow, who raise the stakes, and who often drive the plot forward.

But here's a gentle reminder: while it's important to make your antagonists and villains compelling, be mindful of the impact your writing might have. If you're dealing with heavy themes or traumatic events, handle them with care and sensitivity.

Now, I know we've covered a lot of ground here, and you might be feeling a bit overwhelmed. That's okay! Writing complex characters is a skill that develops over time. Don't be afraid to experiment, to try different approaches, and to revise and refine your antagonists and villains as you go.

One exercise I find helpful is to write a short story from your antagonist's or villain's point of view. This can help you understand their motivations better and ensure they feel like real, three-dimensional characters.

Another tip: watch movies or read books in your genre and pay special attention to how they handle antagonists and villains. What works well? What doesn't? How can you apply these lessons to your own writing?

Remember, there's no one "right" way to create these characters. What matters is that they serve your story and engage your readers. Trust your instincts, and don't be afraid to push boundaries or subvert expectations.

As you work on your antagonists and villains, keep in mind that they're not just there to make life difficult for your protagonist. They're an integral part of your story's ecosystem. They shape the plot, influence character development, and often reflect themes or ideas you're exploring in your work.

And remember, writing is a journey. Your first draft of an antagonist or villain might not be perfect, and that's okay. The beauty of writing is in the revision, in the gradual sculpting of characters until they leap off the page.

Lastly, don't forget to have fun with it! Creating antagonists and villains can be some of the most enjoyable parts of writing. Let your imagination run wild, explore the darker sides of human nature, and see where your characters take you.

I hope this deep dive into antagonists and villains has been helpful and inspiring. Remember, you've got this! Your unique voice and perspective will bring these characters to life in ways no one else can.

Happy writing! 📝💖 - Rin. T

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors. 

[sunderwight]

SVSSS AU where Shen Yuan transmigrates as usual, except it's to find that his system is freaking out because it's been several years since Luo Binghe was supposed to show up at the sect trials to start his plot but so far there's been no sign of the protagonist, the Protagonist Halo Features aren't working correctly, and there's another transmigrator who arrived earlier, somehow hacked into the system, and erased its ability to track or punish him before disappearing into parts unknown (it was Airplane).

So Shen Yuan, now Shen Qingqiu, reasons that anyone who was trying to interfere with the plotline had either rescued or killed Luo Binghe while he was still young. Hoping for the former (but braced for the latter) he uses what scant knowledge the novel provided about Luo Binghe's origins, plus his new skills and some of the sect resources available, to track down Luo Binghe.

Turns out, in this version of events, some "random benefactor" showed up and gave Luo Binghe's mother some life-saving medicine. So she didn't die. But her health remained poor and Binghe never left her side, instead doing as much of her work as he was able to. So teenaged Binghe is basically a seemingly average, run-of-the-mill servant.

Shen Qingqiu is like "well this is pretty easy to fix actually" and approaches Luo Binghe as a wise immortal master type, says he sees Binghe's potential, and offers to take him on as a disciple. Luo Binghe is thrilled and kind of gobsmacked, but won't abandon his mother. Not a problem! Shen Qingqiu figured he wouldn't, so he offers to make arrangements to have Mama Luo comfortably set up in one of the villages at the base of the mountain. Sure, having her be alive and letting Binghe visit and write to her would be a deviation from the usual tragic backstory, but not a huge one! Shen Qingqiu is ready to mark this problem solved (and start dealing with all the other problems it creates for him) but the system is weirdly unsatisfied.

Turns out that even though Shen Qingqiu has found Luo Binghe (and a few discreet tests confirm that he has some sort of seal in place, and what are the odds of some other random orphan found on the Luo river, raised by a kindly-but-ill laundress, and named "Luo Binghe" exists in the same region?), the system still can't detect the Protagonist Halo Feature. The stupid glitching thing can't recognize the protagonist without it, so it keeps insisting that Shen Qingqiu locate him, even when he's kneeling right there and performing the tea ceremony for his initiation!

It's really annoying!

Especially since this means that the system won't actually safeguard Luo Binghe from harm. Which means it's up to Shen Qingqiu to make sure that his little white lotus disciple lives long enough to become the ruler of everything. This is easier said than done! Between the skinner demon side quest, and the demonic invasion, and various other side missions to build up the protagonist's potential, Luo Binghe is constantly getting into trouble and Shen Qingqiu keeps getting poisoned or injured trying to drag him back out of it in one piece!

Matters come to a head at the Immortal Alliance Conference (as they so often do). Shen Qingqiu is not planning to yeet Binghe, of course. Like this there's no guarantee of survival, and the system isn't even demanding it of him (because it still doesn't recognize the protagonist), but it seems to be demanding they turn up for the event anyway. Shen Qingqiu is a nervous wreck and fighting the urge to hover, because as expected, there is still a demonic invasion. Except this time Mobei Jun is there, and so is a mysterious cloaked figure who seems to be searching for something.

As soon as Shen Qingqiu claps eyes on the figure, the system chimes happily.

Protagonist Halo successfully located!

Turns out, part of Airplane's hacks involved stealing the halo and reassigning it to himself. Except that means that narrative destiny still wants him to hit certain plot beats, so he's been busily conquering the demonic realms -- in MBJ's name of course -- and mostly doing the bare minimum to satisfy the requirements while evading the system's efforts to regain contact. But now he's gotta go get Xin Mo somehow, except the minute Shen Qingqiu spots him so does the system.

The system, which immediately reassigns Airplane as the protagonist, and orders Shen Qingqiu to throw him into the Endless Abyss.

Which is like, better this rando than Binghe, so okay, but Mobei Jun is not cooperating plus the mysterious hooded stranger also seems pretty resistant to the idea (Airplane is NOT a heavenly demon, Protagonist Halo or no he's still actually a relatively squishy human cultivator, and he does not want to go into the hell pit), and between one thing and another Airplane manages to fall int the Abyss with Luo Binghe.

Not ideal. Which is to say, Shen Qingqiu is emotionally devastated and almost convinced that Luo Binghe has died for real and that Mysterious Halo Thief is going to come out somehow in a few years and chop off all his limbs, and Mobei Jun is extremely distressed because the man he intends to marry just fell into the Endless Abyss, and that seems like a difficult thing to somehow Evil Vizier your way out of.

The other peak lords arrive to keep Mobei Jun from killing Shen Qingqiu, and so everyone just kind of despairingly returns to their separate corners of the universe to wait and see what will happen.

Meanwhile, down in the Endless Abyss, Luo Binghe has unlocked his heavenly demon blood and is now constantly trying to kill Airplane. But thanks to the transferred protagonist halo it just doesn't work. The system interferes and creates a last-minute unlikely survival route for Airplane every time. They eventually reach an impasse where Airplane can't die but only Luo Binghe is strong enough to actually fight most of the creatures in the Abyss, and all this "fighting" between the two of them (generous description) keeps attracting big monsters.

So, Airplane offers a deal. He knows things about this place. Including how to get out. If Luo Binghe helps him fend off the monsters, then he'll help Luo Binghe survive and escape as well. He even offers to help him get away from Shen Qingqiu and make a place for himself in the demon realms! Luo Binghe tries to kill him again for that, so he drops that line of attempted bribery really quick and switches tactics. He knows more things! Things about Shen Qingqiu's past! Secrets he'll share if Luo Binghe helps him!

Is this the start of a beautiful new friendship?

No.

Turns out Luo Binghe and Airplane have exactly the correct combination of shared traits and differences to find one another mostly intolerable. But not intolerable to the point of not being able to manage teeth-clenched teamwork. By the time they get out of the Endless Abyss, Luo Binghe never wants to hear about cup noodles or tax collection or Mobei Jun's tits ever again, and Airplane feels much the same about anything at all to do with Shen Qingqiu (and either Shen Qingqiu is a fellow transmigrator now or else Luo Binghe has inserted a shockingly vivid delusion over the scum villain he wrote). But they're both alive and in joint custody of an evil sword.

Unfortunately, due to the bickering and the complexities of Shang Qinghua's sketchy memory for his own plots, it takes them even longer to get out of the Abyss than it took PIDW Luo Binghe to manage on his own.

And, uh. Well.

They don't find things in great shape, considering how they left them...

[drawnfamiliarfaces]

what would they look like as villains? I know that some have canonical versions, but I would like to see your intropritation (let's be honest, for most - the evil alterego is an exact copy, but only with a slightly modified color palette and frowning eyebrows)

(I'm sorry for my English)

oh, this was a wonderful ask to get on the eve of spooky month ;D im not god at villain (re)design but it was a fun thinking exercise! (also im assuming you were asking about HoMies xD so)

I mean, there is only so much one can do to remake protagonists into villains and yet still have them remain recognizable, so no wonder evil!versions often are just recolor/frowny sort, but I tried my best to be creative ;D

(and your english is alright! no worries)

also while you can imagine them being as villanous as you want in these designs, there are some little blurbs/backstories i made up for myself as I tried to design them, if you are interested (they are various shades of dark, since you know, tragic backstory and all that lol):

Kim Possible - Hero for Hire turned Mercenary for Money - Kim is widely known for her profeciency in hand-to-hand and quick thinking when on the jobs, but one time something went terribly wrong. Maybe client info was unreliable, or a freak accident, but as the result both Kim and Ron got hurt, leaving Ron in a hospital permanently, and Kim with scars and trauma. After that the girl who worked on favors and rides lost her trust/belief in goodness of people, becoming jaded by reality of a job she accidently found herself in. Kim changed into someone very cold and calculated, someone who started taking jobs that required using serious weapons instead of gadgets, and more importantly getting paid, so she could support her best friend (who is in coma and thus unable to influence this downwards spiral Kim find herself in).

(in contrast to canon!Kim's free flowing hair, she ties it back in order to never be distracted in crucial moment. has a lot of new scars due to more dangerous jobs. i still cant decide if she kills with her weapons or not, but she certainly learned to hurt people. also a very complicated relationship with Shego, since Kim is also a mercenary now, but Shego still remembers that girl she was and is conflicted about this new Kim)

Danny Fenton/Phantom - Ghostly Hero turned Ice Prince - s3e6 Urban Jungle turned out differently, when in the end, defeating Undergrowth, meant also hurting everyone he had been connected to at that moment (level of hurt depends on your preference for angst i guess lol), but anyway, Danny horrified by what he have done (and with memory of Dan still haunting him), still technically unstable with his Ice Powers, flees back into the Ghost Zone to the one place he knows he won't be able to hurt anyone. Sequestering himself in the Far Frozen, he goes full Elsa, and become a remote Ice Prince, that even Far Frozen Yetis are still nervous around, with his only contact being Frostbite. Slowly he wastes away, freezing from his powers not only physically but also like emotionally.

(fun (?) tidbit: fur on his new snow cape/coat is from yetis, unfortunate to wander too close to ice prince. so there are a bunch of partially bald yetis in far frozen lol. Danny is constantly covered in bits of ice and frost, since his ice powers are unstable due to emotional damage. Danny's crown is not a conscious choice, but rather a manifestation of Far Frozen starting to bond with Danny's ice core to become his lair and also sort of recognizing Danny as future Ghost King.)

Jake Long - American Dragon Guardian turned Corrupted by Dark Magic Dragon - Series Finale The Hong Kong Longs, ended differently, when Dark Dragon left a parting shot before he was inprisoned for another Millennium. Since meeting Jake, Dark Dragon has been interested in aquiring him as minion/apprentice(?), and had been steadily trying to sway him to his side. But as he lost he made a last ditch attempt, infecting Jake with Dark Magic. As the result, Jake now cannot control his Dragon Form, being steadily consummed by the Darkness and turning more Draconic as time passes, until he will become full Dragon all the time and under the thrall of Darkness. The change is harsh and as the result Jake falls into violent moments during which he hurt his loved ones that fight to keep him from changing. In one of his more lucid moments, Jake flees to hide away in order not to hurt anyone.

(it seems an interesting thought to expand on the possiblity that the Dragon form can overwhelm the human part and that it would associate with dark magic to succumb to its baser instincts, and also would be a great opening to all those wonderful draconic fan headcanons fandom made about Jake lol)

Ben Tennyson - Hero Wielder of Omnitrix turned Corrupted/Hacked Ultimatrix Unstable User - During Alien Force Ben tried multiple times to hack/meddle with Omnitrix settings, and when he continuously tried the same with Ultimatrix in Ultimate Alien, something has gone wrong. Ultimatrix has bonded deep into Ben's DNA and body, and now every change is felt acutely, not to mention the alien perceptions are now unfiltered and Ben recieves the raw experience of being a different speices/state. It comes to a point when it start to mess with his mind, only made worse by Dagon's reemergence and all the enemies. In the final showdown of Ultimate Enemy goes differently, how? no idea (again depends on your preference level of angst lol). But as the result, Ben, unstable and a little crazy, is on the run with his corrupted Ultimatrix, his reputation in tatters and is considered dangerous by Plumbers.

(i had a little extra idea of Omniverse continuation, where new Plumber Rook Blonko, now has to hunt his hero turned crazy tragic villain Ben Tennyson. Very emotional and angsty (and a bit gay lol), where Rook continuously trying to unsuccessfully catch crazy Ben and convince him to let Azimuth and plumbers to help him.)

Juniper Lee - Youngest Te Xuan Zhe turned Corrupted/Fallen Te Xuan Zhe - in this case in Out of the Past, what Ah-Mah Jasmine feared about Fallen Te Xuan Zhe Kay Yee managing to corrupt Jun has sort of came to pass. After defeating Kai Yee, being touched by the overwhelming power of Magical Elders has left its mark on Jun, as well as Kai Yee's words and Jasmine's initial fear about/distrust in Jun (she is like 11-12 people, it would FUCK HER UP MENTALLY???). As Jun goes through her rebellious teen phase, the unfairness of her trapped position as protector and the demands of it, grates on her more and more, and she finds refuge in studying magic. As the result, her magical ability grows and as her desire for freedom, and the smallest seed of corruption from the events of Out of the Past grow too. So in the end, Jun learns magic to wield it , like Kai Yee, but unlike Kai Yee, not just for battle, but for personal goal of freeing herself and any future Te Xuan Zhe of her family line.

(fun tidbit, Jun doesn't continue to dye her hair pink, instead she uses blood from battle ;D morbid i know but i couldnt help it i like the imagery of her passing her bloody hands through the white part to paint it. she has lightning scars all over her body, that appear only when she uses magic - a manifestation of her brush with orb of magic elders.)

Rex Salazar - Last Hope Against EVO turned Contained and Controlled Weapon of Providence - Rex's return 6 months after Breach transported him and his introduction to Black Knight goes very differently. Instead of prolonged mind games, Black Knight just imprisons Rex pretty much right away while he is vulnerable, content to attempt to trigger Rex's amnesia ad use the mind-control collar, to turn him into her mindless weapon. She was sorta successful? But with Ceaser on the inside, he managed, with the help of Six and Holiday, to free Rex, even if it was too late to save his mind. As the result, whatever reeducation Rex suffered from Black Knights left him instinctively reacting with force and in defense. The whole last part of the season goes very differently in this state, and the finale also ends differently, with Rex, overwhelmed with power of Omega Nanite (God) but in no mind to actually control it. So in the end he is forced to be contained as his friends and family try to figure out how to save him.

(the angst of mind-controlled Rex is something I enjoy, but since he canonically is immune to it, the idea of an induced amnesiac episode seemed like a best bet for this one, but with like double the angst since Six&Holiday would have to struggle not only with Rex being turned into amind-controlled weapon but also him not knowing them)

Randy Cunningham - Chosen Norrisvile Ninja turned Disgraced/Fallen Ex-Ninja - relatively early in his career, after accidently releasing Tengu and Howard getting possesed by it, Randy makes an ultimate sacrifice by burning the Ninja Mask in order to defeat Tengu. However, he didn't expect that Tengu-possesed Howard to be sealed away together and the Ninja title being taken away from him for his reckless (even if noble) decision. Frantic, because he lost two important parts of his life, his best friend and heroic purpose, Randy tries to get the reborn mask back, but it, along with the Ninjanomicon were spirited away by the Messenger to pass on to another candidate. And thus starts Randy's panicked downward spiral and frantic attempts to get back the mask in order to free Howard. Since he still has his memories, Randy trains to become a better fighter. He knows he has to fight the new ninja for the mask, since he believes the Ninjanomicon would advice strongly against New Ninja helping Randy free Howard. In school He becomes known as resident outcast with bad reputation who lost his best friend under suspicious circumstances, and magical underbelly of Norrisville another antagonist for the Ninja to battle. However he still retains an odd sense of honor about Ninja (because he was one) so when opportunities to team up with Sorcerer, McFist, Sorcereress come up, he either ignores them or uses them for his own goal. The closest thing to hit home for him was when Mac Antfee also tried to get mask back, but for his own selfish purposes unlike Randy, well, lets just say Randy was pissed.

(i feel bad since i practically nipped Randy's career right on the bud, unlike others, but this one felt like a good turning villain opportunity unlike season finale. also! the idea of Randy beng an antagonist to the next ninja, while struggling with his own goodness and desire to save Howard is incredibly interesting to me lol. also he got scars from Tengu)

Zak Saturday - Heroic Fighter for Cryptids turned Cryptid Kur re-Reborn - the last episode, where Argost took powers of Kur and subsequently Zak died for about 3 minutes, Zak didn't reawaken unscathed. Kur is not only powers to control Cryptids, it was a person once, and after Zak died and was ressurected, a part of Kur has come forth, because some part of Zak has been lost in his death. A changed Zak Saturday worries his family, with him being quiet and introspective, not to mention pale/golden eyed and slightly zombie-like from his brush with death. Inside, parts of Zak the Kid and Kur the Olden Cryptid mesh and mix, leaving this new Zak struggling with who he is. As time passes however, Zak the Kid is slowly loosing the battle with a much more powerful older part of the soul of Kur (it wouldnt normally happen but Zak the Kid lost a significant part of his spirit when he died, which was filled with Kur) slowly regain his abilities (like in TGAS). At some point a change happens, and Zak retreats from his family, starting to wander the world as two parts of him struggle for dominance.

(fun tidbit! Zak's outfit is the same from his future vision of him overtaking the world as Kur, it seemed approrpiate lol. Also for some reason I kept thinking of Van Kleiss (from Generator Rex) when designing evil!Zak. they kinda have the same vibe)

Jenny XJ-9 Wakeman - Robotic Hero of Earth turned Robotic Overlord - this is a bit of mixed influences from different points: in season finale Dr. Locust turns Dr. Wakeman's creation against her; Jenny's Older Brother Armagedroid; Vexus attempt to sway Jenny to her fellow robots side; the whole year where Jenny was mind-controlled by a bratty kid and everyone feared her and even her mother planned to create a new XJ-10 in order to defeat her; and also a bit random but that one time Jenny pretended to be a villain Ruby Rocket (hence the red color scheme with bits of Armagedroid/Cluster designs). I have a bit less clear timeline for this, but lets just say its gradual and that at some point a lot of manipulations Jenny suffered turned her against humanity and their use of her robotic brethern. While she does not desire to destroy humanity like her brother, she certainly lost her trust in it, and after a manipulation one time too many, she snaps, turns into a leveled up version of Ruby Rocket/Anti-hero persona, she takes her sisters and leaves to Cluster, where Vega welcomes her. Jenny still protects Earth, but admittingly from afar and in a more evil way I guess?? She loves her mother, but she struggles with Dr Wakeman's previous disregard of her siblings and just callous regard to her creations (Wakeman can be cold/serious/to-the point, without Jenny constantly reminding her that she wants to be like a normal girl).

(Jenny was the hardest, because I couldnt find a clear point of turning in the series for her, so I decided to go with gradual change of mind about humanity sort of deal.)

oof this turned a bit long lol, thank you anyone who read through this clusterfuck! As you can see i sort of went with 'Were a Hero - tragically turned Anti-Hero due to circumstances' kind of vibe, since Im just unable to imagine these guys be like trully horrible evil villains (and this way is more angsty, since, like Fallen Heroes and all that). Im not that creative lol. Anyway, i hope you were as entertained as i was when creating this haha ;D

[magpod-confessions]

I know sexism in fandom is a thing, but I mostly encounter a lot of very vocal love and positivity for female tma characters (not to say that's the case in all forums ofc). Which is good, obviously.

Basira, Georgie and Melanie are important characters, but they all come along later and honestly throughout a lot of Canon kinda feel like an anti-jon wall. If you happen to be a fan who doesn't vibe with that sentiment, its less appealing to engage with a big portion of the female characters. It's not wrong or right to find yourself empathising more with Georgie or Martin etc etc, none of thecharacters are all good or bad so it's personal how a listener is gonna feel. But to me it sort of unfortunately feels like, since the (majority of significant) women are kind of aligned in one group, youre more likely to either into all of them or none of them. I hope that makes sense? Like I'm very much not coming after anyone.

Also some other thoughts on sexism: sasha has less time, less backstory, and is less developed than say Tim. So she has less content. Someone saying "if you do an ao3 search for fics that include sasha but not Tim, there isn't many, so sexism!" doesnt make much sense to me. The workplace is the only context we have for sasha, and Tim is her coworker and friend. A fanfic featuring sasha but NOT Tim (or any other magnus staff!) would have to create a lot of backstory wholecloth, and not everyone wants to do that. I love her in fanon, but we gotta acknowledge it really mostly is fanon.

As for Helen vs Michael. Michael's backstory is more developed, he was played and manipulated, its pretty damn tragic. Helen is dope! But if you want that flavour of angst and tragedy, Michael has more to work with.

I think it comes down to the type of fan you are and what you prefer to engage with! I suspect jonny has tried to make this less of a factor in tmagp and is focusing on giving more background to female characters from the start. Not trying to insinuate anything shitty abt him either.

.

[zykamiliah]

the many ways shen qingqiu loves luo binghe

this was more or less inspired by this post, but because this is gonna be a personal opinion and i don't want to make a thread of it and inadvertently contest with the other two's points, I'm going to make my own post.

so i wanna start saying that "the moment one falls in love" is a trope that's waaaay too overstated. in my opinion. specially because falling in love tends to be something that has to do with romantic love most of the time, and it pretends to establish a sort of timeline, a point of no return, for ships and fictional relationships.

when the stories surrounding the characters are more straightforward, i don't really mind, since it makes sense for there to be an "Oh" moment when the character realizes they are in love. like, we know the moment lbh started to see sqq in a sexual light, and we can roughly add to this that the events of the demon invasion and the nightmare scenario are what sealed the deal for lbh. it helps that he's more honest about his feelings and the sexual awakening had already happened, and we can easily assume that from that point on lbh's feelings have a romantic-sexual side.

it still has other sides... because lbh loves sqq as a shizun, as a parent, and this side of their relationship, the master-disciple and parent-child side, is intrinsic to their dynamic; it's a conflicting element during their prolonged conflict for most of the novel, but at the same time, it's their default when they want to approach each other, it's the "safe zone".

but when it comes to sqq I think it's a much more difficult thing to ask: when does sqq falls in love? when is his Oh moment? Is there one, a conscious realization that he's in love? Can his relationship with lbh be described as "being in love"?

he loved Luo Binghe The Character

—the way a reader loves a favorite character, and fanboyed about him plenty before and after transmigrating. the shadow of what the little sheep he was raising would became was ever-present throughout those first 6 years before their meeting in Jinlan City.

but he loved lbh the character in a fanatical way that wasn't actually real... it was meaningful to him because he liked this fictional character a lot, but it's a safe love from the side of a screen.

he was compelled by lbh the character, by his tragic backstory full of angst, and by the ways lbh the character did things: he "rightfully" took his anger out in the people who'd hurt him and paid back for it tenfold. in a way, sy as a reader was also projecting himself in lbh the character.

in short, he loved the Idea of luo binghe, but not luo binghe as a real person.

he loved Luo Binghe the White Lotus Disciple

—and he loved him like a parent loves a child. yet, as I mentioned, he always kept in mind that this boy would grew up to be a very attractive and sexual man, and thus sqq expected him to have romantic encounters with girls around his age.

i know some people shy away from talking about this because everyone is paranoid about your favorite character being called a pedophile etc etc, but really, sy could be nothing farther from that, and whoever who says that has a very, hmm, wide definition of the word and it's probably just using the buzzword to hate on the character.

the important thing is that, despite sqq being aware that lbh is a potential sexual being and will become very sexually active in the future, he does not in any way sexualize his and lbh's relationship. Like I said, sqq would never abuse his power in that way, and he'd never get it on with someone he sees as a child, his disciple. that lbh is very much viewing their relationship with romantic and sexual lenses is a complete shock for him because of this, along with other reasons and assumptions (that lbh was straight)

the problem here is, precisely, that he treated lbh like a child once, and would go on treating him as a child later, post-holy mausoleum: disregarding lbh's agency, making decisions for him and without asking what lbh wants, since as the parent he obviously Knows Better, and taking responsibility for lbh's "bad behavior". the endless abyss was a decision he made without consulting lbh. he self-detonated because he thought that would be best for everyone, and he intended for his death to (among other things like saving the city and escaping prison) "make up" for his mistakes. in maigu ridge, he almost kills himself again because he thought that would be better for lbh.

he's self-sacrificing, protective, caring, and overall parental/maternal towards lbh, which has it's good and bad sides. for a long time, he loves lbh like a parent loves a child, and though this side of his love for lbh is not lost in the extras, it's lesser in the sense that the power imbalance is nullified, and the parent-child, shizun-disciple side of their relationship turns more into a comforting, safe roleplay that allows them to access intimacy and express their feelings (that infamous "if i was your mother" speech) than the entirety of their relationship.

and the thing is, he always loved and will always love lbh as a parent loves a child. and i think people uncomfortable with this fact have to get around to accepting that lol

he is subconsciously attracted to luo binghe (bingmei) the Man

we all know this part. sqq's descriptions of lbh's beauty are numerous and far too difficult to quote them all, but one that really stands out to me, because it proves the point, is this one:

[Shen Qingqiu] asked, “The important person you’re talking about, was it…a good-looking young man?” When he thought about it, he decided against suppressing his conscience and clarified. “Not just good-looking, he’s very good-looking, especially good-looking. Fair skin, pretty face, tall. He doesn’t smile often, but when he does, it’s exceptionally dark.” chapter 9: borderlands

if he was unaffected by lbh's attractiveness, he wouldn't need to "suppress his conscience" about it. also this description is just... describing lbh's smile from his own pov? a personal feeling? to a stranger? he has it bad.

he's repressing his own feelings, so it's difficult to point to a specific moment as the moment he realizes he's attracted to lbh... because he never has a conscious realization, and he's in constant denial about it. all the way through to the last bingqiu extra, the wedding extra, he'll continue using the same narrative: the Protagonist is Beautiful and Irresistible, so what can sqq do but surrender to him? It's inevitable, really. (hahahaha he can't help but love and be attracted to lbh. it says more about him that he could ever verbalize)

so yeah, sqq really has the hots for lbh the man. but he'll NEVER admit it, he'll never had an Oh moment. Not even when he unconsciously called lbh "husband".

i want to make a clarification: for a character like sqq, who care about his pride and dignity way too much and has internalized homophobia and sexism to the detriment of his own peace of mind and fulfillment, admitting that he enjoys sex is way too shameful. he's never doing it. he mentions being "drunk with lust" in the showdown extra; in the deep dream extra he gets enthusiastic and proactive, initiating sex with lbh himself very smoothly; in the RoC,SoBQ extra he initially asks to do it doggy style and then changes his tune and wants to see lbh's face, DESPITE being embarrassed about it, and his desire is described as wanting the spot inside him to be rammed. all of this are subtle hints of how he really feels about sex, despite his inner struggles with his pride as a man.

another clarification: the way smut is written in western space is not the same as the way is written in chinese novels. for example, some chinese slang put the the top as the one "attacking", as if sex is a sort of fight. there's always this implication that the shou surrenders to the gong. there's a clear distinction of who tops and who bottoms and the roles of husband and wife made by this distinction; pleasure is described differently: phrases like "scalp going numb", "getting goosebumps" are not particular to svsss alone; the way the bodies engaged in the sex act are described, etc. (it IS a different language with a different culture) so it's normal that most of us come out of the extras thinking the smut is not enjoyable for readers or the characters themselves. what is the difference between the mdzs extras and the svsss extras? that wwx, being characterized as a "shameless" person, is very vocal about how he feels during sex. he has no shame around sex, unlike sqq, who is in the opposite side of the shame spectrum.

sqq is still struggling with that part of himself, and personally I think it's very understandable that even until the end of volume 4 he still has a difficult time with it; it's not easy shedding the believes one grows up with.

which bring me to,

he loves luo binghe the Man, "romantically"

—and it's a love that conflates his parental love, his attraction, too, but that starts to develop mostly post-holy mausoleum: it's when the hand-holding starts, somehow, though it develops fulling throughout the extras, when they finally become romantic partners and explore sex together. mxtx traces an arc that starts with the showdown extra, goes through the deep dream extra that has sqq telling lbh that "Tonight I feel like... I live you a great deal" and ends in the wedding extra with sqq calling lbh "husband" unprompted; despite previously agonizing about his loss of face and dignity and the humiliation of it, his actions speak louder than his words and inner thoughts. because of this, functionally, sqq can be read as a tsundere.

but aside from the sex, sqq enjoys domesticity and spending time with lbh; he likes teasing him, conversing with him and going out with him to see the world. post-main novel they're equals in their relationship and treat each other with respect and consideration, even if their shizun-disciple roleplay prevails. by romance definitions, I believe they mostly fit them, even if their relationship is unconventional.

as for when sqq fell in love with lbh? i still don't have a clear answer. he's always loved him; this love evolves through time, bringing him and lbh closer together. personally, i don't think it's not important. sqq loves lbh, and that's what matters.

[inbarfink]

Oh glob, can you imagine what the Tragic Story of the Winterworld version of Marceline?

Because we know she and the Winter King has the same sort of Simon and Marcy backstory as their Mainworld counterparts. 

But in the ‘present day’ she’s nowhere to be found, but her beloved Axe-Bass is and it was given to an icy duplicate of her child self

So this Marceline must’ve gone through all of the same heartbreak with her version of Simon - watching him slowly lose himself to the Madness of the Crown, being abandoned by him, avoiding him because she couldn't bare to see him so sad and mad and such a shadow of the man who took care of her. 

And then suddenly Simon is back, and he seems so happy now and Marceline must’ve been so happy too. But it couldn’t have taken her that long to find out what he did. Who paid the price for the Winter King’s power and happiness. 

And if the Winterworld timeline has been identical to the Mainworld up until that divergence point, and since all of this happened a hundred years ago, that would’ve still been when Marceline and Peebles were going through their Breakup Arc. But clearly Marceline still had lingering feelings for Bubblegum. Seeing the man who raised you so kindly commit such a horrendously cruel act for his own personal benefit would be devastating enough. Seeing him do it to the woman you love is just an extra-cruel twist of the knife. 

Did Marceline feel responsible? Was she afraid that if she wasn’t constantly running away from Ice King’s attempts to reconnect she could’ve stopped him from stooping so low? Or maybe she felt like she should’ve just taken him out when she had the chance - if only she could’ve let go of her emotional attachment to him?

Since the Winter King says he’s a sane Simon who has freed himself from the mental effects of the Magic Crown - was Marceline afraid that he was always like that? That the sweet man who took care of her was just a front she couldn’t see past due to her young age?

And then, they must’ve had some sort of confrontation, right? The best case scenario is the Winter King defeating her, claiming her most praised possession as his own and banishing her beyond the borders of the Winter Kingdom. The worst case scenario is that the Winter King killed his own beloved daughter because she clashed with his new false frozen paradise.

And either way he replaced her with Ice Marcy - a false construct based on an idealized memory of Marceline as a child - happy and adorable and dependent on him. Someone he can dote over, living like a lil' princess in his winter wonderland

But also someone who will never defy his will again.

If Marceline is still alive, now that Bonnibel is finally free… I wanna hope that maybe hearing about that other Simon, our Simon, who expressed nothing but sympathy and a genuine desire to help towards the Candy Queen - maybe that would bring her some peace of mind. But maybe it would just make her feel even more Conflicted. 

[anghraine]

My Rings of Power re-watch is continuing slowly now that I have more time (though not always more attention span for anything except games, thanks dissertation -> my mother nearly dying -> getting COVID). But one of the things I'm really enjoying about Galadriel in ROP is that it doesn't always frame her as the wisest and most insightful person in every interaction she has, and in fact it is clear that she's fucking up in very significant ways because of how hard and relentless she's become through her eons of suffering and her determination to exact a price for it. She is not well!

However, she is nevertheless right about some very important matters that most people don't want to see, and she's being condescended to by men of her people who are much younger, less experienced, and less correct than she is, and it's continually emphasized that she is the most individually powerful and competent Elf around regardless of any of this and that her fuck-ups, while disastrous, are cool and sexy of her also.

So many male action heroes are troubled men haunted by whatever their particular tragic pasts are, but these men are also super impressive and badass (often to a degree far beyond all probability) in a harsh, capable way founded on never giving up ever, so while they are permitted to make major errors, it's in a cool and sexy way that just makes them more appealing.

This isn't a condemnation of that; there's a place for that kind of action hero and I tend to enjoy them when it's not copaganda or something. But I like women, and I like women to benefit from a full package of tropes that are often watered down when female characters get any part of them at all, so I enjoy a female character in something that historically has been such a dudefest getting full unhinged brooding hypercompetent action hero treatment.

I even fully support the show prioritizing Galadriel getting the good wig. Her hair flowing dramatically in the wind is actually more important than someone like Celebrimbor getting dramatic impractical action hair (with love, he's an arts and crafts nerd hung up on his academia celebrity grandfather, nothing about this demands good hair).

But I also like it not only in general and not only for a female character, but also for Galadriel specifically. I was just re-reading the description of her in the Shibboleth of Fëanor, and (Teleporno aside) it tracks pretty well. The whole thing about young Galadriel's burning determination to pursue Fëanor to the ends of the earth and thwart him in whatever ways she could seems exactly the sort of thing ROP Galadriel would do, and while ROP is set much later, the Shibboleth suggests that Galadriel was still recognizably that person for long afterwards:

"Pride still moved her when, at the end of the Elder Days after the final overthrow of Morgoth, she refused the pardon of the Valar ... It was not until two long ages more had passed, when at last all that she had desired in her youth came to her hand, the Ring of Power and the dominion of Middle-earth of which she had dreamed, that her wisdom was full grown."

There's a lot of Galadriel material that Tolkien wrote and he continually overhauled, revised, discarded, and amended the Galadriel backstory to such an extent that her history is one of the most chaotic, tangled, and irreconcilable zones of Tolkien lore. I don't think anyone is obligated to prioritize Shibboleth Galadriel if they have a different preferred version. But I really love that version of Galadriel and it does make her seem like probably the best canon female character option of this era for Action Hero Disaster Area (In A Cool and Sexy Way).

[hanjisungslag]

haiii >_< what type of fantasy characters/stererotypes would aot characters be?

- any characters you want but def reiner pls＾ ty baby

🧝‍♀️ aot characters & fantasy

characters included: eren, armin, mikasa, sasha, connie, jean, annie, reiner, bertolt, levi, erwin & hange!!

notes: this was so fun to do omg

✧ eren jaeger - hero gone villain

okay i know this is a bit basic to do… but c’mon!! he’s literally the epitome of ‘i’ve become what i sought out to destroy’ and i just can’t think of him as anything else. he fits the stereotype too well😭.

✧ armin arlert - mage

he is soooo side kick mage, no? tell me you can’t imagine armin (specifically with the mushroom hair) wearing a wizard gown, hat and holding a magical old stick. he doesn’t like to leave his tower often but is usually forced to when something goes amiss - i can imagine him sighing deeply while reluctantly grabbing his magical old stick.

✧ mikasa ackerman - sidekick

bad ass sidekick who lives in the woods & is probably on the run. i’m thinking… arcana muriel vibes for this but less stoic and quiet (and less cursed) but, she definitely learnt to fight in the woods when she was 3 OR taken in by an old, rugged guy whose family died tragically. either way, everyone’s terrified of her but she steals bread for orphans or some heroic shit like that.

✧ jean kirsten - prince

himbo prince😭 i mean this in the BEST way possibly mkay! he’s not really a himbo however… he just gives prince who accidentally got entangled in a weird adventure and he doesn’t know how to live without servants. he’s be like “erm, i am not crossing that muddy river.” BUT THE CHARACTER DEVELOPMENT WOULD BE INSANE by the end, he’d like finally understand how bad the government is or how poor the townspeople are and give them money.

✧ connie springer - the fool

sigh… the fool, the court jester, etc etc. he would be himbo prince jean’s court jester 100% and they’re like actually pretty good friends, they’ve known each other since they were kids. he also gets dragged along with jean on a weird adventure and he would be the comedic relief. (also a shoulder for jean to cry on when he gets mud on his fancy royal shoes).

✧ sasha braus - henchman

hunter/henchman hellooo…? literally expert at using a bow and arrow? grew up in the woods?? she would EAT so hard being a henchman and to make it even better, when someone hires her they don’t know she’s a girl and whenever someone finds out, they’ll be so shocked!! feminism!

✧ reiner braun - the beast

dare i say… some sort of big beast? like a big, fluffy beast but make it sexy, beauty and the beast vibes perhaps. imagine fighting this big and surprisingly attractive who lives under a bridge. IM SORRY THAT WOULD BE SO FUN… i’m thinking like diane from sds vibes too!!

✧ bertolt hoover - squire

young, little boy training to be a knight aka a squire. tell me you cant see this little cutie patootie dressed to the nines in armour, learning how to swing a sword?! maybe him and annie trained together or dare i say, he looks up to her.

✧ annie leonhart - knight

sworn shield to a princess that she falls in love with. imma need someone to write a fanfic about this RIGHT NOW!! we all know annie knows how to whop some ass so, of course she was chosen by the king and queen to protect their precious daughter but what happens when… she falls in love! GAH!! of course, she could never speak of her feelings - maybe one day.

✧ levi ackerman - assassin

leader of some sort of renegade, like a special group of assassins. no matter what universe this man is in, his crown will never fall! his title carries on throughout all possible realties m’kay. same backstory though 100%, raised in the poor ditches but learnt how to fight and now he’s a leader of a renegade! you have to pay big buck to get levi to assassinate someone, he’s the best of the best after all.

✧ erwin smith - commander

i’m sorry to be basic and boring but a commander of an army. HE HAS TO BEEE 😭it’s too perfect, i’m sorry. except imagine the army is all medieval and dripped out in chainmail!

✧ hange zoë - pirate

a pirate. LIKE CMONNN especially s4 hange with the eye patch?! i can totally imagine hange running a ship and sailing the seven seas. they’re literally a commander too? it was written in the stars, they’re perfect for the role! i can totally see them playing devious pranks and tricks on other pirates trying to secure the same treasure.