#got into therapy

[nagasthia]

start to finish

It only took me 292 days :D

(bec I'm a procrastinator)

Ah I missed my pencils ngl

[mosslingg]

something something your ex/enemy/situashionship knowing the dead language of your people

post-therapy billford shenanigans, the idea manifested itself in my brain and i drew it out in 20 minutes

[intistone]

and that is how one obtains a tiny squishy version of you from a collapsing dimension as a little brother

[chloesimaginationthings]

Michael has a hard time retelling FNAF sister location

[hercarisntyours]

transformers go go is reviving me after transformers one tore my heart to shreds, taped it back together, put it in a kiln and threw it off a cliff where those pieces then get destroyed by corrosion and smashed into by a blind shark, WHY ARE THESE SO SOUL SUCKINGLY CUTE

[forestofsprites]

tail end of season seven you will always be famous

[eddiediazenjoyer]

people who say that eddie doesn’t need to dance around to heal he needs to go to therapy or whatever are so boring!!! i don’t wanna watch a man sit on a couch and talk i want to watch him get flirted with by a gay priest and then go home and dry hump the air and then have life affirming sex with his best friend who gafs

[ceilidho]

soap developing an unhealthy attachment to his therapist post his brush with death after being shot at point blank range. he was reluctant to see a therapist at first because he didn't like what it said about him that he was being more or less strong armed into seeing a shrink (like no one trusts him anymore; they don't think his head's on straight since being shot), but as time goes on, he grows to cherish the relationship he's cultivated with his therapist because,

well,

she understands him. she listens to him. where everyone else seems to want him to just hurry up and get better (the nightmares, the mid-sentence brain fog, the erratic mood swings, the silent brooding when he can't find the words, aphasia on the tip of his tongue, the constant, constant headaches and auditory hallucinations that he can't seem to kick), she doesn't put any pressure on him to heal right away. she works with him and his medical team; gives him the space to process what happened to him, and has a seemingly bottomless wealth of patience for him.

he can talk for hours in her presence. it's a shame their time together is limited to an hour and a half every week. the dulcet sound of her voice is such a comfort to him. it's a shame she politely but firmly rejects his advances when he finally asks her out, tells him that it wouldn't even be appropriate for them to be friends outside of his sessions. that it would in some way hinder his healing journey. which pisses him off because Soap has progressed in leaps and bounds since those early days when he used to stumble over his words sitting on the couch across from her, head in his hands when the language felt beyond his grasp, a fine tremor still running through his hands that he's since managed to contain,

and

his head is throbbing again. a sharp pain above his eye that pulsates like a drum in his head and -

he thinks about her constantly. in and out of sessions. she's a frequent topic of conversation when the brass finally lets him back out in the field, Makarov finally dealt with (resting six feet deep in an unmarked grave). he ignores the looks oscillating between concern and worry that Price gives him. ignores the way Ghost barks at him to quit bothering the bird in the tight skirt and fuck someone that won't get him discharged. ignores the way Gaz pulls him to the side to ask if maybe he needs to see another therapist, y'know, mate...get some distance.

they act like this is something new. an abberation and not his very nature. like he hasn't always been the type to lock onto a scent like a hunting dog. a sniper by training. he sits and he watches and he waits; waits for the right moment that he alone knows.

it comes to him on an inauspicious day, when he's leaving the training facilities and spots his sweet thing rummaging around in the boot of her car, her ass beckoning him forward like a siren's call. now, now, now, the little itch in his head says, the voice that knows when the time is right. it's a sense acquired through conscious and unconscious observation, letting it all filter into his frontal cortex until he knows without knowing that the parking lot is empty apart from the two of them and the men at the base gates half a mile away.

it would take nothing for him to come up behind her and push her into the boot. nothing to wrestle the purse from her hands and slam the trunk shut. nothing to drive off base with a flick of his fingers to the guards that hardly ever bother to question him before he leaves (though they know what car he actually drives), made complacent by familiarity.

and he knows that it's wrong, knows that there's a line that he shouldn't cross, that choices have consequences, but,

his mouth salivates when her hips twitch, the urge to take settling over him. surely they'd forgive him one indiscretion.

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[i-am-a-fish]

I am

• worried

• depressed

• uncomfortable

• upset

• afraid

• uneasy

it does not feel good.

I'm going to drink some water, take a nap, and deal with these things later

[ghostbsuter]

"I can see dead people." He mentions with a shrug, using the chopsticks to fish more noodles into his mouth.

Dick stares at him. "Huh."

"Is that why you help?" He asks, getting more spring rolls.

"Yeah. Once someone becomes a ghost, word gets out quick, and they come to me. Always tatling about unfairness and justice." The kid waves the words around, rolling his eyes.

Dick just pretens to he uninterested, despite his mind racing at the new info. He is piecing past moments together, every shadow leaping away, every note with tips, leads and—

Huh.

"Do you... like it? Doing all that?" Richard approaches thus carefully, brows furrowed at the kid opposite of him.

Danny moves his head, giving a 'so-so' answer. "It's not much to like, I can see ghosts, and they know it and use it. If it brings them to peace or whatever– well, that's just a plus."

Dick stares. He places his chopsticks down and looks at Danny worried.

In turn, the kid sighs. "Sometimes gifts become curses the longer you have it."

And Dick understands.

Mind made up, he throws a pair of keys at the kid, watching fondly as the other catches them with confusion.

"Next time use these, instead of entering through the window."

Danny mock-salutes with a shit eating grin. "Yes, Officer grayson."

[archdevilsupreme]

stealing the show in Ice Nine Kills' "A Work Of Art"

[therealneilperry]

Like, the crux of House and Wilson’s relationship for Wilson is that Wilson is somewhat preforming kindness and empathy, and around House he doesn’t have to. He can be fucked up and a little weird, and play increasingly destructive pranks. He can fight with house, and punch him in the face and ask him to dinner a second later and he doesn’t have to preform normality because there is genuinely nothing he can do to ruin this friendship.

And the crux of House and Wilson’s relationship for House is that Wilson see past House’s bs and sees the sliver kindness in House’s heart, the one house keeps hidden away deep under layers of sarcasm and insults. It’s not all the time, as house still gets defensive when Wilson says something that hits a “sore spot”, but House is still kinder with Wilson than he is with anyone else, he shares his fears with Wilson, and makes sacrifices to make him happy. He doesn’t have to preform his “asshole persona” because Wilson’s the only safe person to be venerable with.

This is why they need each other, because they have to preform with everyone else, and they always end up back together because we all need someone we can be authentic with, and it’s why they’re so lonely without each other.

[pouletpourri]

depressed old man simon and therapy cat cake

[buttercupshands]

I started drawing this next day after I finished Act 6

13 or so days and it's finished!

Main things are traditional and Loop's body was edited digitally after

Unedited it looks like this

I've been torn on how to do Loop's body for the entirety of lining, also

A bit sad the main lines are visible only as a wip, most of this thing is literally just a ton of sharp lines

I think it's also my first day of drawing, Loop is just a sketch here (feat. my leg)

I even finished the beans before it so they were a moral support, because if you let me things like this take a year

[inkskinned]

there's a video on instagram of a man kicking his partner's door in. the top comment is (with over 4 thousand likes): "how about you tell us what you did to make him that angry?"

barring emergency, nobody should be kicking anybody's door in. many of us lived in houses where it was always, somehow, an emergency. there is a strange, almost hysterical calm that comes over you in that moment - everything feels muted, and you almost feel, however incongruently, like you should be laughing. you are living inside of "the emergency." oh my god, you think. i am now a fucking statistic.

there is another comment with 2.8 thousand likes: "if this was a woman doing it to a man, nobody would give a shit."

do people give a shit now, though?

barring emergency, the door should remain standing. the emergency should be panicked, desperate - "i'm coming in there to protect you." many of us know what it feels like when the emergency is instead "i'm coming in there to get you."

1.5k likes: "and yet you post this for notes. glad to see being the victim has become your whole personality."

hysteria is a word connected to womb, from greek. what you're experiencing is so senseless and inhumane that you (a rational creature) try to find any ground within what is irrational and cannot be explained. one of the most frustrating things about staying in bad situations is that we also lie to ourselves. we also ask ourselves - wow. what did i do?

women can be, and often are, also abusers. abuse is not gendered. abuse is not just a "straight person" problem. abuse does not have a face or figure or sexuality. you cannot pick an abuser out of a crowd. an abuser could be actually anybody.

and then so many people rally behind the man kicking the door in. here is something nobody should be doing, right? you want to ask every person that liked that first comment: do you ask this because you side with him? do you ask this because it helps you feel safe from this ever happening?

in some ways, you're weirdly sympathetic to the top comment, because it is the same logic you see frequently. the idea is that the average, normal, sane person doesn't just break down a door. doesn't just shoot up a school. doesn't stalk and kill women. doesn't threaten sexual assault. doesn't run over protesters. doesn't shoot an unarmed black person. doesn't scream at underpaid walmart employees. doesn't just "lose it". something had to have happened, right? because the default (white. straight. cis.) - that is someone who is always, you know. "sane."

(right?)

on a podcast, you hear a sane, normal, rational person. "if you piss me off, i'm going to need to hit something. sorry but i'm not apologizing. that's just who i am that's how it is." his voice almost sounds like he's laughing.

you think of the door, and how you were almost laughing behind it, too. ironically, every real emergency in your life has almost felt peaceful in comparison. fire, car accident, flash flooding - these felt quiet, covenant to you. you'd stood in all of them, feeling them pass over and up to your chin, never actually overwhelming.

but when the door was coming down, you had felt - is there a word for that? there has to be, a word, right.

surely one of us has figured out the word for that, i mean. it's such a large fucking statistic.