#god i am never over this

[beepborpdoodledorp]

shes doing great actually thanks for asking

[p4nishers]

i cant get over the ball being so CLEARLY all for crowley i can't get over aziraphale trying to woo him with a WHOLE FUCKING BALL because that's what he knows that's what romance IS for him because he's been wanting to dance with crowley ever since dancing was invented and he's so stuck in time with the way he dresses and talks and he still thinks a dance is the high of romance AND HE MADE A WHOLE ENTIRE FUCKING BALL FOR CROWLEY JUST SO HE COULD DANCE WITH HIM like now it's so fucking obvious he gave away his BOOKS without a second thought and it was all for crowley he organised a whole JANE AUSTEN THEME BALL just so he could have an excuse to finally dance with the love of his life and i can't get over this i'm shaking my fists and pacing up and down he did not give a single fuck about anything other than dancing with crowley and HE BARELY TOUCHED OTHER PEOPLE'S HANDS WHILE HIS WHOLE FUCKING PALM WAS PRESSED TO CROWLEY'S AND i need to lie down

[honeyhobbs]

I'll meet judgement by the hounds

[0bir]

Can We Start Over?

[starry-bi-sky]

do yall ever think about bruce/batman!clone danny standing in front of his bathroom mirror after finding out he was a clone and silently tracing his face. The slope of his jaw and point of his chin. The high angle of his cheekbones and the shape of his eyes, the curve of his brow bones and the shape of his nose. The volume of his hair and the way it curls and gets fluffy when it gets too long.

His hair is black the same way a crow's wing is black. His dad's hair is black the same way a black bear's fur is black. His dad's eyes are blue like the ocean is blue. Danny's eyes are blue the same way a glacier is blue.

His dad has a square jaw and straight flat hair, and he tans and gets a face full of freckles when he's out in the sun for too long. Danny burns like a lobster and his face remains untouched. Danny has a sharp jaw and tall cheekbones, and Sam says when he's not smiling there's almost something regal about him. You would never call Jack Fenton "regal" when he's not smiling.

Sam says when he's not smiling he looks scary the same way a stone statue is. Jack Fenton when he's not smiling looks scary the same way that german shepherd staring at you across the street is.

Do you ever think he grew up wondering if he was adopted. Because of course, he has black hair and blue eyes like his dad. But having the same color doesn't make you someone's child.

Or, worse, things he's heard from the other kids and the other parents and even some of his teachers growing up; that he was the product of an affair. And that his dad was just too stupid to notice. And Danny would defend his parents until the day he died, because Jack Fenton wasn't an idiot and Maddie Fenton wasn't a cheater.

But doubt comes in with fickle tongue. his parents swear up and down that he is their child when he asks about either. That Danny just had his grandparents' features, but he was their son and they loved him.

But Danny doesn't look like either of his parents. His mom's eyes are blue like an aquamarine and Jazz's too. And they burn like lobsters in the sun too, but Jazz gets freckles on her face and so does Maddie. And as Danny grows up he doesn't bulk up or get stocky like his dad did, and when he hits puberty he doesn't shoot up like a tree like Jack Fenton did.

He stays small, and they say he's a late bloomer (and he is), or that he just has his mom's height. But he's fast and has good stamina, and some days it feels like he's built entirely different from his family. That the things they went through growing up just didn't apply to him. Jack and Maddie Fenton both had acne and breakouts when they hit puberty, and Jazz inherits it and he's seen the amount of skincare products she keeps on her side of the bathroom.

And then he hits puberty and breaks out maybe once or twice, but his skin stays clear for the most part and the problems and changes his dad went through just don't happen to him.

And the truth is worse than all of the lies.

How horrifying.

[forzathunder]

"I have many fears, most of them about Lucrezia." — Cesare Borgia (The Borgias, 2011-2013) + hints of insecurity

that she adores someone that much / if she will reject his dark nature and act of love and violence as Ursula did / if he truly is not part of her desires / that she easily forgets him

[citroncynique]

“Thus, then, in our hearts’ honeymoon, lay I and Queequeg—a cosy, loving pair.”

[love-in-the-time]

One of the things that kills me so much about it is that once she had her memories back, and was back in her own self, she knew how much he loved her. She remembered what he felt back then, which she knew the first time but had to forget, and now she knows the redoubled love and desire and need and want he has for her. She knows his name, knows his feelings for her, and knows that he never meant to hurt her.

It's why when she says "you don't have to stay forever" he is so quick to say "we'll see" because he's going to stay. He's going to stay because he loves her, and because now he understands that the first time around Donna needed to know how he felt and wouldn't assume it on her own. Even the second time around she won't assume it; he is holding her, kissing her, talking to her, telling her it is about her after all.

She figures out that he's come home to her and it heals her even more. The bi-generation is ridiculously romantic for DoctorDonna purposes. He loves her so much he doesn't want to leave her even when he changes, so a part of him stays with her forever. And by extension, as long as he is with Donna, being loved into recovery, all the rest of the Doctors can continue.

I think Donna was very calm when she was the Doctor Donna because she could see what was in the Doctor's mind. She knew that he loved her and he was very sorry to lose her. She was completely full of love and peace. But after the meta-crisis left, she was unnecessarily mad at him because she was still angry about leaving her behind in Journey's End. And triggered her lack of self-worth. She started to figure it out towards the end of the episode. After all those kisses and chats.

Well written.

[kanotototori]

The welcoming and friendly and bright facade of "Mother" and the family she raised at the Hearth, whose cruelty was hidden just beneath the surface - raising children as brothers and sisters so that they might slaughter each other in the future for the title of "King",

Versus

Arlecchino as the "strict" and "unfeeling" and cold and emotionally distant Father, who teaches her children that they should rely on each other, love each other, cherish each other and their own lives, stand on their own two feet in the world. The names of Arlecchino's constellations - "You shall become a new member of our family / You shall love and protect each other henceforth / For alone, we are as good as dead / From this day on, we shall delight in new life together" - are her teachings to the children of the House (and her hopes, too - we shall delight in new life together).

And the warm gentleness in her voice when she begins speaking - "come with me" - that turns into cold monotone, "like a strict and unfeeling Father". You can literally hear the moment she creates the persona of that "cold", "unfeeling", "strict" Father, when she puts on her mask.

And that's not even getting into how it's also a continuation of this vicious cycle - "I will raise you as my child" - because while Arlecchino's House is certainly leagues better than Crucabena's, she is still raising soldiers and ultimately leading many of them to their deaths* (despite her best efforts, it seems), she is actively priming Lyney to be the next "King", and the throne of the "King" is upheld by much death and bloodshed.

*As an aside, I gotta wonder if Arlecchino's crimes were pardoned only in exchange for her becoming a Harbinger, so now she's locked into a job where she has to raise more child soldiers and send them to die, just like her siblings were sent to die. It would explain why Childe clocks her loyalty to the Tsaritsa as being very shaky (him being a Tsaritsa fanboy in the first place, anyway). But if she didn't become "King"... well, wouldn't that mean all her siblings' sacrifices would be in vain? That would be kinda fucked up innit.

[nick-nellson]

[naamahdarling]

I didn't get pics I didn't get pics my phone was in the bedroom charging but FANCY IS PLAYING WITH THEM. Not next TO them but INITIATING PLAY WITH THEM.

Not bitchily, not reluctantly, not with a short temper, not tolerating THEIR advances, but making her OWN advances! Inviting them in!!!!!! Even the detested Junie!

CRYINGGGGGG.

[lululeighsworld]

it was literally their moment and they just let us watch

(if you need me i'll be marinating in this for the foreseeable future)

[rin-solo]

This came to me earlier, and now I am utterly obsessed: While it was clear to me that Odysseus stabbing Poseidon wasn't any kind of Vengeance, there was one act of Vengeance after all, even if inadvertent—it was Odysseus disproving Poseidon's "Ruthlessness is mercy upon ourselves" belief right in front of his very eyes. With him as the subject, even.

Think about it—the fact that Poseidon remained ruthless and insisted on punishing Odysseus was the only reason he got stabbed repeatedly. If Poseidon had been merciful, if he had accepted Odysseus' offer of forgiveness, he would've been fine. His own ruthlessness backfired so hard on him this time that I am sincerely hoping it haunts him forever.

I am actually utterly obsessed with Poseidon thinking back to Odysseus "Maybe you could learn to forgive?" on a daily, no an hourly basis. I cannot and will not lie to you that is unironically my favorite moment in the whole Vengeance saga just because of what it says about both the characters—about Odysseus for offering and Poseidon for declining (and also because Odysseus sings it in Poseidon's own motif which is just absolutely brilliant.) And this makes me love it even more.

Poseidon was going to decline, we all know that. I don't think anyone watching—even Odysseus, probably—expected him to accept. But then I'm picturing him lying there, bleeding into the stone, and, against his will, wondering whether maybe he should have. Maybe if he had, he wouldn't be in pain. Maybe if he had not killed Odysseus' fleet ten years ago, he wouldn't be in pain either. Maybe this one time ruthlessness wasn't mercy upon himself—maybe this time, his one grand belief was wrong. Maybe ... it was always wrong.

Obviously, he would never admit to these thoughts, he would slap himself for having them one second later. But I simply need this self-proclaimed god of ruthlessness to be utterly haunted by that and question whether he made the right choice or no—whether he's even lived by the correct philosophy all his immortal life—and no matter what, be too stubborn to admit he was wrong.

He's trying to pretend like nothing changed, but the thoughts still remain. They pester him. They won't leave him alone. Especially every time someone—anyone—is kind to him for whatever reason, they come crashing back into him and they won't leave.

"What if my own ruthlessness hurt me that time?"

"What if ruthlessness isn't mercy upon ourselves after all?"

"What if I'm wrong?"

"What if I have always been wrong?"

The most dreadful thoughts imaginable to a god as proud and stubborn and old as Poseidon, but they're there now and he can't do anything about them. You all don't understand how much I NEED this god to jolt up in his bed at 3 am after having a dream or nightmare about something related to one of his many ruthless deeds (maybe even sinking Odysseus' fleet) and go "BUT WHAT IF I HAD LEARNED TO FORGIVE?? WHAT IF I STILL COULD??" only to immediately slap himself for it because that's absolutely ridiculous.

He is left to watch this belief shatter before his very eyes as he's clinging to the remains of it desperately, trying to keep it all from crumbling. Not because he genuinely believes he's right anymore, but because he simply cannot imagine ... does not know how to live by any other philosophy.

No matter whether it's objectively correct or not, it's the very thing that defines him. The thing he's known for. He has built his entire image around this, he cannot give it up no matter what ... at least not quickly or without help.

But as much he would seek to deny it, his core belief has now been proven wrong; he has actually lived through an instance where it was wrong, and he can do nothing to erase those memories or conclusions from his mind no matter how much he yearns to go back to simpler times.

And that was the real Vengeance, guys—possibly the biggest, most painful existential crisis of Poseidon's immortal life. I rest my case.

Although before I disappear back into the void I simply must give a shout out to @o3o-lapd-o3o (this came to me during a conversation in one of their comment sections for the glorious Friends In Higher Places AU, which is quite possibly my favorite piece of EPIC fan content that exists ...)

[arttsuka]

I LOVE Teen Stan and Ford, it’s sad they don’t get drawn enough, so thank you so much!

Does Ford ever help Stan when he gets overstimulated? Or maybe when he has a rage response and suddenly starts crying and calls himself stupid?

Here's the other post with Ford

[valgeristik]

Ничего не останется от нас, Нам останемся, в лучшем случае, мы

hi. hello. listen to this song

i have so many thoughts about these two. oh my god. maybe i will write it out some day, but for now drawing it out will do

translation will be under the cut! knowing the words does add to the work so i do recommend reading it. or just enjoy the art <3

Vetted Gaza Evacuation Fundraiser List

E-sims donation

heres the translation, color coded according to how i broke it up for the art. just in casies

first page:

Love is scarier than war

Love strikes more true than steel

second page:

More true, because of your own volition

third page:

You run towards all the winds

Let there be pain and eternal battle

Not atmospheric, not earthly

fourth page:

But definitely with you

caption:

There will be nothing left of us,

we will be left with, in the best case, ourselves

[bookshelfdreams]

That is certainly - a statement.

What about Jim, who both metaphorically and literally discovers a path for themself beyond what they were raised to be? What about Pete, who learns to overcome his toxic masculinity, his posturing and self-importance? What about Ed, whose entire story is about deconstructing the performance that is expected of him?

What about, oh, idk, our main fucking character Stede Bonnet, whose arc starts with him literally breaking out from the hetero marriage he was forced into despite never fitting in? Who tries (and initially fails) to build a community where he can be himself? Whose entire story is about discovering his own queerness! He starts out not even able to put a finger on WHY his marriage made him feel so suffocated, and then journeys through s1 until he reaches the emotional climax - "His name is Ed"!

Contrast that with Izzy, who has to be dragged into a supportive community kicking and screaming. Who rejects care and compassion, even at his worst, who has to be forced to accept help. He receives the leg and calls the crew a homophobic slur for it, ffs. Only after that, only when people refuse to let him push them away, is he able to poke his nose into something approaching positive human connections. And that's a powerful narrative, sure, in it's own way; but it's hardly the Ultimate Queer Experience, and it's definitely not the "only queer arc".

And Izzy never lets go of the old ways. He never abandons the Blackbeard-era pirate lifestyle for something more positive, not fully. And that's okay, because ultimately, his arc isn't even about himself.

It's about Ed.

Ed keeps repeating toxic relationship patterns, and Izzy is a part of that. He's linked (on purpose, and I wish it had been done more explicitly) to Ed's father; because Izzy represents the poison that was instilled in Ed from a young age, and that has become so entrenched in his system that he can't imagine a life without it. He keeps Izzy around despite being hurt by him because Izzy is predictable, and in that, is safe, even though he hurts Ed; at least it's a hurt Ed is familiar with and can rely on.

When Izzy slowly changes it's to show that Ed is growing beyond the little voice in his head telling him to reject softness, that he can never be loved, that We're just not these kinds of people. If Izzy can evolve from someone spitting boyfriend at Ed like it's a slur to someone congratulating him on getting laid by that same person, Ed can overcome his inner demons telling him the same thing.

That's the point of Izzy's arc. And this is why he has to die, because Ed can never be truly free as long as Izzy is around. So Izzy goes, quietly, peacefully, and releases Ed of the poison; apologizes to him, tells him I was so wrong, and I am so sorry, because that's what Ed needs to hear to move forward.

And that's such a kind, positive way to end the story of Izzy Hands.