#fuck fuck fuck fuck fuck how did i end up with so much food

[lamefish]

kento nanami is an anniversary man. nsfw

you think it's sweet, how he has the date of big events in his life on memory. when it's a loss, he'll take the day off to remember, with his head in your lap as he tells stories of whomever has passed. you listen intently, ask questions about them and watch as your husband recounts every good thing about a person.

he celebrates the good, too. almost excessively. the date you met is circled on the calendar, and kento will wake you up with breakfast in bed and a day of doting to show you just how important this anniversary is to him. you turned his world upside down in the best of ways, and what kind of man is he if not one to celebrate the light in his life?

of course, your wedding anniversary too. it's the one he goes all out for: more often than not you put a weekend aside to take a trip and spend some uninterrupted time together. you'll act as newlyweds again, because you still feel like newlyweds despite the passing years, and you'll be reminded over and over just how lucky you are to have found your soulmate in a man like kento nanami.

a man who is sentimental, and so very in love with you. and also celebrates the first time you had sex.

that first year, he had spent the day doting on you so profusely that you were convinced he was going to propose. he was pulling out all of the stops, taking you out fopr an expensive meal, dosing you with fine wines and so many kisses you could get drunk off the taste of him alone. he took you home, ran you a scented bath and took care of the house while you relaxed.

and of course the night ended in mind blowing sex—as your nights usually do. he had insisted on fucking you in missionary despite his recent penchant for taking you from behind and, once he has ripped two orgasms from you and was working on your third, he let it slip.

“we made love for the first time a year ago today,” he whispers against your lips, cock pulsing inside of you as he reaches deep inside of you. “just like this—looking into each others eyes, three orgasms from you, two from me. fell in love with you that night, do you know that honey?”

“you kept track of the day?” you cant finish your sentence without a moan breaking from your throat. “kento, you’re something else.”

“of course i did. it’s an important date, reaching such intimacies—feeling these beautiful velvet walls of yours for the first time… i’ll never forget it.”

you laugh, though it’s quickly swallowed by a kiss from your lover. he rocks his hips into you, feels every inch of his veiny cock disappear inside. he looks down to watch himself sink into you, though his gaze his brought back when you speak.

“three.”

kento blinks. “three what?”

“orgasms from you. you said you had two, but you came a third time right at the end—i milked you dry and you were so sex-drunk and exhausted but you insisted on making me food.” you reach down and grab his hand, the one that had been cupping at your chest, and hold it up for him to see the gentle scar that runs across his thumb. “you cut yourself slicing the bread because i fucked you mindless.”

it comes back to him in gentle flashes. you had, in fact, milked him of a third release. he had just been so out of his mind with nerves and pleasure that the memory had washed itself clean from his mind. he scolds himself mentally for ever daring to forget a detail about being intimate with you, but smiles.

“i remember,” he says. “you told me sex made you hungry so i wanted to incorporate it into your aftercare…”

“silly man,” you wrap your legs around his waist and lick your ankles behind him. with a gentle nudge, he’s forced that tiny bit deeper inside of you. “my silly man.”

kento moans—his eyes flutter shut and his lips catch between his teeth. he adores you—he really does. so much so that the sheer memory of his first time with you is quickly becoming too powerful of a memory to have.

and you, his beautiful other half, laid beneath him with lustful eyes and parted lips, smile up at him. “are we recreating our first time, ken? is that what this is?”

he nods, a little wordless as he tries to keep his mind straight.

“then i think you know what i’m going to do to you, my love.”

he smiles. “milk me for all i have. it’s all yours anyways.”

you lean up and kiss him. it’s slow, gentle, like your first kiss with him was. you taste him wholly on your lips and thank all the divine beings that may exist for putting such a man in your life’s trajectory. his cock twitches inside of you, he fills you out so perfectly.

still, you smile as you roll your hips up to meet his. “just let me handle the aftercare this time.”

[sinofwriting]

All Relaxed - Jenson Button/Reader/Logan Sargeant

Words: 1,698 Summary: Jenson sees how stressed Logan and his girlfriend are and just wants to get rid of it for them. Note(s): Slightly NSFW, Dom/Sub Relationship/Dynamics. Dom!Jenson, Sub!Logan, Sub!Reader. Don’t be like them and approach a brand new dom/sub relationship like this, I beg of you. Also, no one ask how this ship popped into my head, I can’t be held accountable for my thoughts.

Masterlist | Support Me! 

Jenson watches as both Logan and Y/N practically stumble into where the fan stage would be happening. You’d think they had just woken up, but he can tell that still sleep is invading them. The circles under their eyes have worsened and his worry grows when he notices them both shake their head at food being offered. The same thing they did yesterday as well.

He more than knew how rough Formula 1 could be and that was before they made the calendar twenty-four races long. But he never had been that exhausted. Some of it was without a doubt the treatment of Williams affecting him and Jenson had tried alleviating that, trying to somewhat step into the mentor role, but it was obvious that he wasn’t doing enough.

And poor Y/N had broken down in his arms the last time they saw each other about everything going on with her family and school.

He wants to fix it. To see them without any worries, to see them relaxed. All loose limbs, no tension, eye bags and circles gone. He’d like to see them not look so gaunt as well. He’s sure Elias is fine, but it’s obvious he doesn’t know Logan. Benny would have straightened Logan’s current less than stellar eating habits in a few days and Jenson knows it’s been at least a month of Logan barely eating anything unless it’s one of his premade meals.

It’s the thought of wanting to see them all relaxed that has him begin to plot. It would be far too easy to invite them to his house in California. Undisturbed, no close enough neighbors to really bother them, not that he planned on really having them leave the house. If anyone spotted them it would be the end of a peaceful trip. And he knows that they are both free for the next two weeks. He had heard Logan mention it just the day before.

He starts making a list of groceries that need to be ordered, then he makes an email to a friend who owns a private jet and owes him a favor. He texts his housekeeper, asking if she wouldn’t mind going to his house today if she has time and straightening up the place.

As he starts to order the groceries, his attention is drawn away by the sound of a breathless sort of sigh. His eyebrows quirk up when he notices that it was her and he follows her eyes and fully understands, his throat going a little dry.

Logan had been put into a tight-fitting team shirt, something either tailored to him or knowing Williams and their budget they had just given him a smaller size and it looked good on him. The thin fabric clinging to every muscle and inch of his upper half. Jenson hadn’t realized that Logan had gained that much muscle since last year, even despite not eating it seemed he was keeping it well.

He watches as Logan smiles at him before looking at his girlfriend, sending her a small wink and Jenson can’t help but look at her, see how she reacts, and he shifts in his seat seeing the grin on her face, the way her shoulders have slightly relaxed.

What he wouldn’t give to see them both all relaxed for him, laying flat on their backs in his bed, letting him take care of them. He nearly drops his phone as the thought strikes him. Fuck.

—

Jenson watches amused as they walk around his house. Perhaps it was stupid to still invite them to his house after realizing he wanted them both in his bed. But he couldn’t continue to let them go about running on fumes.

“You guys go get settled, take a nap, rest, and I’ll cook dinner.”

“Let me help, Jenson.”

He shakes his head at her offer, “I’ve got it, sweetheart. I’ll come and get you both when it’s all ready.”

She looks ready to protest again, Logan as well, but he gives them both a stern look, and a simmer of arousal hits him as they both immediately start walking to the guest bedroom with quiet thank you’s. This might end up being a bit harder than he thought.

It does end up being harder than he thought, a lot harder in fact. It seems him realizing he didn’t just find them both attractive but also just plain and simple liked them had opened the floodgates. And their responses to him taking care of them was certainly not helping either.

It was only the third day of them being here but Jenson was sure he was going to cause a bit of an issue with the water with how many cold showers he might end up taking. His satisfaction of them letting him take care of them instantly turned to arousal.

That same day however after dinner as they laze about in the living room while he cleans up the dishes he realizes that they might feel the same way. They can’t stop looking at him. At first, he thought maybe they wanted something but were too shy to say something but when he looked over, they both looked away, clearly flustered at being caught and when he went back to cleaning up, their eyes were on him again, lingering.

It’s confirmation, but he doesn’t plan on doing anything about it, not until hours later as he does his rounds in the house, making sure everything is locked up and he passes their room and he hears them both.

The light sound of skin coming together, small whines and breaths that are more like gasps. His hand palms himself before he can stop it and then he hears it. His name. He freezes, thinking he must have misheard, but then he hears it again, the both of them moaning his name.

He barely makes it to his bedroom, back against the door as he presses his hand into his bottoms and jerks himself off, finishing quickly and making a mess of his sweatpants.

Jenson of course brings it up the next morning. The two are so flustered that even if he hadn’t heard he could guess that something happened.

“Good sleep?” He starts off with, hiding his smirk by taking a drink of coffee.

They both nod, shoulders tensing a little and that has him frowning, setting his mug down. He just started making progress on their tension. “You both sounded lovely.”

Logan’s head snaps up, eyes wide as he looks at him while she gasps, hands coming up to cover her face.

His eyes flicker between the both of them. “I wouldn’t mind hearing you both say my name like that again. Maybe with the visuals as well.”

She makes a squeaky noise at his words and Logan’s cheeks have managed to turn more pink.

“And just to be clear, I wouldn’t want it to be a one time thing, or just sex.”

“But, you want the both of us? I mean more with the both of us?”

Jenson smiles gently at Logan’s nervousness. “Yes, the both of you. I want to take care of you two. And sex doesn’t have to be on the table, I’ll still happily do it without anything sexual, but I figured I’d put it on the table.”

Logan looks a little confused but before Jenson can say anything else, she’s giving a slight tug to Logan’s shirt.

“He’s offering to be our dom.” Her voice is quiet, the words clearly meant for Logan, but her eyes flicker over to him as well.

The American’s eyes widened. “Oh. I, we’ve never,”

“Done this before?”

They both shake their heads.

“I sort of figured. It’s not something I’ve done lots of either to be clear and never on this level. The last time I dommed was years ago and it was just sex. What I would like with us would be more than sex if we even agree to have sex be a part of it at all or to do this.”

“Why do you want to?”

Jenson smiles at her question. “I like you both and want to take care of you. You’re both stressed, spiraling. Barely sleeping or eating. Your shoulders are practically touching your ears with how much tension you both are carrying. I want to ease that, take everything off your shoulders, make it better or rather easier to deal with.”

“And you like taking care of people.”

“Not everyone.” He corrects. “I’m a bit too selfish for that, but certain people,” and his eyes flicker between them. “Absolutely.”

It’s not a very long talk, not as detailed as it should be. But he promises himself that he will sit down with them tomorrow to talk everything out, but they’ve got the basics down. They all are interested in the sexual and in private, like Jenson’s home, are happy to be submissive but don’t want it to bleed into their work/student life as much as they can. He makes sure they know to tell him no. He doesn’t foresee himself pressing too hard about taking breaks and such that it would make their work and student life suffer, but it’s always a possibility and he is far from perfect.

And now not even two hours after waking up he’s got them both in his bed and he can’t help the slight amusement he feels seeing them both wearing Logan’s boxer briefs, he’ll have to see about getting them in his next time. His amusement doesn’t last long however as he takes them in, both laying flat on their backs, upper halves completely bare, both stunning.

“Gorgeous.” He murmurs, sitting at the end of the bed and pressing a kiss to Logan’s calf and then hers. “Both of you look gorgeous for me.”

Her breath audibly stutters, while Logan lets out a keen, fingers twisting in the sheets.

He tuts at the tight grip, running his fingers over the younger man’s until he loosens it. “That’s better. Let’s get you both all relaxed for me, yeah?”

“Yes, Jenson.” They say together and his cock twitches. Fuck is he lucky.

[sofa-king-lame]

Buddie Drabble just because!

Started writing this to fill a prompt and it took on a life of its own, so…here’s a drabble for no reason other than I wanted to write it.

—

Kissing Buck in his Jeep at a Raising Cane’s drive-thru at two in the morning wasn’t exactly the way he had planned on kissing him for the first time, but Eddie wouldn’t change it given the chance.

They’d spent the day hitting thrift stores up the coast in search of a first-edition book by an author Buck was currently fixated on. Neither of them had realised just how far up the coast they’d ended up until it hit eight o’clock and Buck had punched in Eddie’s address to head home. Five hours if they took the highway, four and a half if they bent the speed limits a little. Because it was the end of a holiday weekend they hit traffic just outside of Fresno, adding at least an extra god knows how many hours to their trip.

Eddie had dozed off at some point to the sound of Buck tapping his fingers on the steering wheel along to his playlist of nineties alternative songs. He wakes as Buck finishes ordering their food in the drive-thru, rubbing his gritty eyes with closed fists.

“That’ll be twenty-five even,” comes the exhausted voice of the cashier. “Please drive to the next window.”

“Thank-you!” Buck says cheerfully. Eddie doesn’t know how he’s still so upbeat, given they’d left Eddie’s place at six that morning. Buck notices Eddie is awake and flashes him a soft smile that makes Eddie’s stomach somersault in a way he’s become quite accustomed to.

“Where are we?” Eddie yawns. “Aside from the obvious.”

“Bakersfield,” Buck answers quietly as he pays the cashier and pulls forward to the next window. “Felt like my stomach was starting to eat itself, figured you’d be hungry too.”

“Famished,” Eddie replies, taking the food Buck hands him. Opening the bag he finds exactly what he would have ordered for himself had he been awake. He stares at the food, unblinking as he turns to look at Buck (who has pulled in to a parking space so they can eat).

“What? Did I order the wrong thing?” Buck asks, eyebrows creasing in concern. “No pickles, extra bread and extra sauce. Right?”

“No, that’s - this is exactly right,” Eddie croaks. “Buck, the last time we ate Raising Cane’s together was two years ago. You seriously remembered my order?”

“I remember everything about you,” Buck murmurs softly and that’s all that Eddie needs before he’s leaning over the console and kissing Buck like he’s the answer to all of Eddie’s questions. Which he is, he’ll have you know. Buck makes a muffled surprised noise against Eddie’s lips before he’s kissing him back enthusiastically, fisting a hand in the front of Eddie’s shirt. Dreams by The Cranberries starts drifting through the car speakers and Eddie has to pull back to laugh.

“Your stupid fucking playlist,” he huffs in amusement, forehead pressed against Buck’s.

“What’s wrong with it? This is a great song!” Buck argues indignantly, bringing one hand up to rest on the back of Eddie’s neck.

“It’s perfect,” Eddie sighs.

“You’re perfect,” Buck mutters, which is total bullshit but Eddie will allow it.

“I love you,” Eddie murmurs, pressing a soft kiss to Buck’s lips.

“I love you more,” Buck grins.

“Not a competition, Buck,” Eddie snorts, because if it were Eddie would win hands down.

“You’re just saying that because you know you’d lose if it was,” Buck teases, kissing Eddie again. Eddie lets him have this one too, because he has Buck. He doesn’t need much else.

[ippipo]

self aware caleb? yummy

part 1

you were in deep concentration when you heard a grunt coming from your phone while studying with caleb. he was staring at you from the phone, which you assumed was a glitch in the game.

"caleb, honey, if you make sounds like that just as i finally concentrate i swear to god i'll throw you across the room," you threaten him playfully, totally unaware that he understood every word that you said.

you return to focusing on your textbook, trying to regain the ability to pay complete attention to it. his eyebrows pinch together. who was this girl, and why was he seeing her? he was unaware if you were danger or not, you did just threaten him.

he waited until he heard a ding, watching you sigh. "finally, i finished studying. let's get me some food," you speak to him, confusing him even more. "who are you?" he asks, his tone was cautious.

"what the fuck, what the fuck, what the fuck, what the fuck, what the fuck?" you panic. you stare in all directions, blissfully ignorant to the device in your hand. you finally looked at your phone and caleb is closer to the screen now. "nah, i must be dreaming," you snicker and go to the kitchen.

he was annoyed now. "no, you are not," he confirms your suspicion. "caleb? what the fuck?"

"yeah, that's my name. who are you and why am I able to see you?" he asks you with more aggression this time. you read stories about these things but never really imagined them to happen. and you did what you thought you would do while reading them instead of freaking out. explain to him your world, of course. but you were so close to pissing your pants, partly from excitement. but this was a dream come true, were you really gonna waste it on some stupid sense of fear?

"this is gonna take a while, buddy. you might wanna sit down for this," you say with a sigh, motioning him to sit down.

you told him about your world, and how magic and superpowers don't exist and how he was in a game. it took you about an hour. he was attentive, listening to every word you were saying, not taking his eyes off of you.

"so....to summarise it up, i'm an otome game character and that girl from my childhood is not real either. just not aware?" he asks, you nod. "the creators are so cruel, man. why would they make a cool guy like me go through that?" he remarks, a grin etched onto his face despite the sadness behind that statement.

"i don't feel anything towards her now, though," he states while scratching his nape, feeling lost. "i guess you aren't my love interest anymore, aw." he remained quiet at that statement, wondering what happens now. sure, he was attracted to the person he was talking with right now. but wouldn't it end tragically if he were to fall for you?

pushing those thoughts aside, he was curious about the real world, "how are the people there?" he asks you. "they're......cruel. but the people around me now are pretty alright, i don't go out much because i prefer staying at home," you reply.

"cruel? how so?" he questions, unconvinced with your answer. he was expecting the world to be better, without deception and unfortunate circumstances. "for starters, women here are still struggling, being treated disgustingly, racism is more prevalent than ever, the nazis are somewhat back, some orange white capitalist dude is ruining an already ruined country, and everyone's suffering," you finally take a breath.

you watch caleb's conflicted expression, regretting info-dumping on him so much. "so it's the same like here," he trails off. "it's still as shitty as here," he completes.

"don't think so, your world seems slightly better. i think i would be scared of walking alone at night because of wanderers instead of men," you state. he felt bad for you, and a familiar protective feeling resurfaces, the one he was conditioned to feel for the girl in the game now felt for you.

it was weird how he no longer recognized whoever that was. "i feel like i know you more than the character in here," he confesses. "well, she's basically me. although the personality is different, her name and stuff is basically mine."

caleb sighs in relief. it brought him some comfort knowing you were controlling it, not him involuntarily falling for someone he didn't know consciously.

"this sucks, i would rather be there with you," he reveals. he probably didn't know that made your heart flutter just a teeny tiny bit. just a little bit. "don't say stuff like that," you warn him. "hm? why?"

"i've read stories like this and they always end painfully. you'll start wanting to be with me because of my amazing gorgeous personality and eventually we'll do the boom boom pow online. suddenly you'll wanna do it with me, then you'll visit me and you'll have to choose between that world or this world. then you'll realize this world sucks and you'll have to give up our love. you'll go along with the mc and i'll end up missing that ding-a-ling," a shit-eating grin made its way onto your face. you felt proud of yourself.

he suddenly starts laughing at the way you worded the whole thing. "you're really something," he says making you snort. "i won't fall in love with you, i'm not that dumb," he states. you ignore the soft clench in your heart.

"are you sure you can resist all this, baby?" you flip your hair and wink at him. he rubs his ears to hide the redness, which was an unusual movement because his character never did that.

"positive, baby," he flirts back. it was your time to blush now. you clear your throat in embarrassment, "wanna see me cook?" you look at him hopefully, wanting to show off your skills. "i'll cook along too," he says.

he moves to his kitchen, the view to you was like as if you were on a video call. the screen showing you things in the game you wouldn't normally be able to see.

you hear a knock on your front door. "hey, lemme just check that and come back," you tell him before going to the door. your neighbour wanted some salad dressing. he was a fairly tall, good looking guy. he was married though, and he carried his ring around everywhere.

caleb watches the stranger waltz into your kitchen. his brows furrow in discontent. he didn't like the idea of you letting in another man into your house. he pinches himself and finally snaps out of it. 'you just met her properly for the first time, loser. control.'

the neighbour thankfully doesn't notice the animated but realistic man on your phone glaring at him. "thanks," the man smiles at you and leaves your house. "who was that?" caleb finally asks the question he was itching to ask. "my neighbour, he's making salad for his husband," you casually mention, unaware of the relief he felt. he was married, perfect.

you turn your back towards the camera and bend down to pick up a spoon that fell earlier. your ass on full display to him, well, not exactly, you had some shorts on. you didn't realize it, despite being an incredibly self-aware person. but caleb got the biggest loser boner ever.

he shifts in his place uncomfortably. "caleb, are you okay?" you ask with concern. "yes, great actually," he skillfully covers it up with a cough. "just getting used to not following a script."

this was gonna take a while.

[writingoddess1125]

1999 pt. 7

Kurt Wagner x Fem Reader

Some Angst, Sad Topics

Reader has Empath abilities where she can feel others’ emotions, her mind can’t be read by either, and if she touches someone she can make them feel what she feels.

Marvel Masterlist <<

Milo had always been prepared to hate his father, to hate the man who had left his children and their mother- to suffer and figure it out on their own.

However- When he saw that man's face.. the sparkle in his eyes and despite seeing awkward and terrified- happy to see them, joyous almost...

It was too much and Milo felt like his got sucked into the vacuums of space.. He honestly didn't know why he just walked out of the house, it took him about 4 blocks down the street to actually use his mutation to get to where he wanted instead of walking.

Ending up with Milo had his forehead pressed against a tree, his mind oddly blank and clear of any thoughts- his chest felt hollow and body felt like it was barely there. Only just.. existing in this moment.

However it seemed he was taking it better then Leon who had his face smashed into his knees crying with his tail wrapped around him. Sobbing so hard that he was hiccuping and seemingly having a panic attack-

"T-This is so fucked man.." Leon finally hiccuped out, Lifting his head enough to wipe the tears and snot from his face. Milo finally snapping from his almost comatose state.

Milo slowly moving plopped down on the grass next to Leon.

"Yeah it is..."

Leon looked to his sibling seeing that vacant and clearly shell shocked look-

"...You look like someone who got back from war dude" Leon managed to sniffle out as he wiped his face more, Milo pushing Leon with his tail lightly.

"Yeah and you're crying like a chick who lost her husband in a war" Both boys now able to at least crack a smile, starting to at least somewhat calm down.

Milo looking around the patch of seemingly overgrown trees and grass around them and humming.

"How did we end up in the same spot if we left at different time..." He mumbled.

"Cause we go to the exact same place everytime we freak out"

Both boys looked at each other. "Behind the Gas Station" they mumbled in unison- before seeming laughing a bit at this.

The two sat in silence for a while longer hours passing as they watched as the sky darkened.

"We.. are gonna have to face all of this huh-"

Leon nodded at this as he clicked his tongue with a nod.

"Yep-"

Milo sighed heavily and rubbed his face harshly. Clearly not really up for this type of situation in the slightest.

"We need a gameplan.. like- Odviously Mom is gonna do 'I know this is a lot and you have questions- So' blah blah-" Milo started as he seemed to try and logically think this over and-

"Why are we blue.. And the fuck is with the tail?" Leon cut in- Milo blinking at his brother.

"Thats.. a good question actually.."

Both boys spent a better part of an hour thinking over every question they could ever think of. From the Eyes, Teeth, Tail, Why the bad smell when they teleport, and a host of others as why as the obvious one of why he wasn't in their life.

After an hour of this when it was almost pitch black did the two feel satisfied with their list of questions.

Now standing there apprehensive and seemingly stalling- Leon breaking first.

"Alright lets..lets... go home-"

Both teens nodded as they nodded and disapeared, appearing in their backyard. It seemed like a bad idea to just burst in the house so they slowly slid open the window and crawled in- Glancing around the area as both boys could already tell it had been used.

Especially seeing what seemed to be take out on the island- Leon stepping over to it and silently opening up the boxes to see some fairly decent Italian food. Which Leon took the chance to shove some cold garlic bread in his mouth-

Milo however went into the junk drawer to get a pen silently to make sure they had all the questions written down that they had-

However after he had written down the 4th one and Leon had eaten 2 more pieces of bread the kitchen lights flicked on making both boys jump- well 3 as Kurt jumped from his sleeping position on the couch.

(Y/N) standing there, arms crossed in her robe as she stared at her sons and now Kurt who were all wide eyed.

"...We either all go to bed, or have a conversation now"

Her voice felt like law as all three blue men seemed to awkwardly squirm in their place, However the twins couldn't help but have their eyes land on the man on the couch- who seemed to be stealing glances at them like he was afraid of getting caught just as they were with him.

Milo swallowed thickly as he held up the napkin he had managed to write the start of his questions.

"We- have questions.."

That one sentence turned into the 4 of them now in the livingroom, (Y/N) having heated up both boys the leftovers as Her and Kurt sat on one side and Milo and Leon sat on the otherswide.

Leon and Kurt looking at each other awkwardly while Milo and (Y/N) seemed to be having the most intense staring contest in the world. (Y/N) finally sighing as she gave a soft nod.

"You two have the floor-"

"Um- Why are we blue?" Leon weakly asked seemingly breaking the ice, Kurt giving a shy smile at this as he rubbed his hands together.

"My Mutter is blue- It seemed to simply be a popular trait I suppose" He said softly.

"Why didn't you want us?" Milo shot back sharply, making Kurt eyes widen.

"N-Nein.. Milo I never- I didn't know, I would never not want you.. or you Leon.. I.."

He looked to (Y/N) finally who seemingly refused to look at him, however he could see her eyes watering.

"It was my fault- I failed all of you.. Back then I had assumed that your mother was cheating on me.. and with how fragile my ego was, I didn't want to listen to her. I know now she was trying to tell me she was having you two but.. I am foolish" Kurt said softly, his hands tightly clasp as he looked down at them. Guilt eating through his soul.

(Y/N) now finally turned to look at him, a swirl of emotions on her face.

"You thought I was cheating on you? Are you fucking serious Kurt I gave you a God damn card and-" Kurt seemed to sink further in his seat.

"...I didnt... read till a few weeks ago" He mumbled out, feeling (Y/N) glaring at him. He was sure if she hadn't thrown a lamp at him before she would have done it now.

However much to the whole family surprise this game of what felt like 20 questions was oddly- pleasant? With some sprinkling of awkward moments.

From telling of Kurt's early life in a Circus which seemed to peak Leon interest, Their heritage, to explaining how he discovered his parentage which even surprised (Y/N)- However it seemed Kurt kept his career as an Xmen for a different time.

However when (Y/N) finally got questioned- She wasn't exactly thrilled at the line of questioning, especially from Kurt.

"Where were the children born?-" He hade asked softly clearly ment to be innocent however it truthfully was a heavy topic.

"You Gave Birth on Za floor of a resturant?" Kurt said horrified, Leon and Milo also shocked.

"Chicago, In the bathroom floor of a Dinner"

The silence that fell over was almost suffocating-

"I thought we were born in a Hospital in Cook County?" Milo asked equally horrified. (Y/N) shaking her head calmly.

"Well, you two got your birth certificates there- but no, you were born on the floor of the diner I was working at.. and I raised you two in a woman's shelter for the first few months of your life"

Kurt felt the air leave his lungs, his hands so tightly clasp almost white with how hard it was. Regret so strong he could taste it like it was bile in his throat.

The group now sitting in silence as the weight of those words seemed to sink in. (Y/N) swallowing thickly as she looked at the clock on the wall.

"And You didn't tell us?- How many things have you not told us?" Leon said softly, looking to his Mother as for the first time, anger flickered through him.

"...A lot..."

"Let's pick this back up later.. all of us need to sleep.. You boys head off to bed okay?"

There seemed to be a silent agreement to leave the other questions lie as the boys silently got up, tossing out their paper plates of food and walked to their rooms silently, (Y/N) not missing the side glare from Leon and the hollow look on Milo's.

(Y/N) rubbing her head, having felt overwhelmed by the constant waves of emotions- truthfully feeling nauseous by it all. Standing up prepared to probably take some sort of headache medicine and lay down for the evening- or morning in this case.

As she turned to leave Kurt hand shot up and grabbed her own. (Y/N) facing him as she saw the grim and deathly serious look on his face.

"...can we speak for a few moments longer?"

Tag List:

@bruher @alexloveskii @hahaspoilhaha @coliflowerplants @trinswhimsys @black-brained @alastorhazbin @slytherinmushu @i-am-iron-man-3000 @justarandomwriterwriting @allgonemad @sadslasher13 @bimboshaggy @koko-kiko @boywivlove @devotedlyshadowytheorist @newtonfinnigan @mad-grace-amber @bufaunfu @babyred7 @veronika272 @scarymosscryptid @songbirdemerald-blog @lunas-nova @author-kweenyluv

[blorboresidue]

feeling kinda lightheaded but the world is okay I have only a few simple Night Chores ahead of me and, most importantly, I have so many leftovers in my fridge that it's almost stressful (👍)

[coolnonsenseworld]

Omg your instagram story is so right! I can’t believe I’ve never even noticed that, probably because in fanon keith and shiro are so close that I’d forgotten that isn’t canon :0

Deserves this awesome quote which I had to dig out of my sideblog reblogs

[mars-ipan]

some postgame doodles for pride month

[hauntingblue]

Gear 5 luffy's laugh is so contagious I just hear the drums and go insane how does this work. What did he do to me

[ajdrawshq]

i can almost guarantee ive said it before but. he would thrive in a zero escape game

[skrunksthatwunk]

ok so. kiwami 2. rooftop scene. the ending. it's a bit of a clusterfuck but i wanna talk about one detail, a problem they bring to your attention by Fucking. Talking About Her.

haruka is watching all of this unfold.

[this post is like 4.5k words long + pretty critical + has spoilers for kiwami and kiwami 2, and really minor/vague ones for a couple others. they're not that bad though, trust me (and i added a warning in the one place it is major)]

ALSO CONTENT WARNING i'm gonna talk about kiryu's passive suicidality a good amount in this one, so stay away from this if you think that might affect you negatively/you'd be better off skipping it. i'll also make a tl;dr (which i will highlight in red) at the very end if you really wanna know what my point is that will exclude those elements <3. i am also going to use a lot of choice-based language in regards to kiryu's contemplation of suicide because i think it's the lens through which the games treat the topic, but i personally don't find it a productive or realistic way to look at suicide or suicidal ideation at all. someone dying by suicide absolutely does not mean they don't care about their loved ones enough to fight on or whatever. i love you, and proceed with caution on this one.

(also i'm using the kiwamis as my point of reference because i uh. don't have a ps2? those are the games that i played, and though the differences are likely slight, i wanna be clear about that. also,, ignore the watermark on these screenshots,, i didn't notice them and i'm not retaking them. we're all gonna have to settle for youtube cutscene comps for now xoxo)

first, we have to talk about the ending of the first game.

[note: i am Really Really Confident kiryu has a conversation earlier in the game about his going to jail in nishiki's stead being him running away and choosing not to resist his two options (go to jail or let nishiki go to jail) and define his own path, fighting his way against fate to make it happen. part of why i'm so confident it exists is because it made such an impression on me at the time. it's pretty important to my interpretation of things but i also can't find it for the life of me, so uh. sorry ✌️ i really tried. this post's takes/analysis will be dependent on this scene existing, so keep that in mind. if anyone knows where to find the scene/screenshots of it, lmk and i'll add a follow-up with it]

kiwami stuff

so as she's dying, yumi tells haruka this:

that she may be dying (painfully, and right as she's getting everything she wanted), but she doesn't regret it, because at least she did something rather than running away from it all. that you shouldn't run away, ever.

shortly thereafter, when the police find kiryu and haruka, this exchange happens between him and date. here's the play by play:

date tells kiryu he can get him out of trouble with this, and that if he doesn't, he'll get life in prison; kiryu declines his help:

kiryu is so devastated (understandably) by the back to back losses of the three people closest to him that he resigns himself to life in prison, and the death-in-effect that would be. he would prefer to waste away rather than struggle through a life without them. prison was monotonous and isolating, but coming back after a decade was overwhelming, and coming back to everything being so warped and twisted, and then losing the corrupted scraps he had anyway, well. he wants to go back to sleep. he doesn't want to be in a world where everything's the same except he's on his own. better to return to safety, to die slowly in a hell he knows well than weather a new one where he has control and agency, and thus one where he has the ability to fail and to lose anything at any time. he explains to date that that loss is why he can accept his death:

date shakes him and asks him if there's really nothing left for him, no reason to keep living at all:

then echoes yumi's advice to haruka:

which makes an impression on kiryu:

date gives him a reason to live in the form of haruka, saying she'll be on her own again if he goes to jail. he hijacks kiryu's tragic protector complex to keep him alive, because she needs him, and because she's someone precious to him:

after the dust has cleared,

kiryu and date also have this exchange, where date tells him to stay away from the cops (and presumably arrest and a return to prison, the aforementioned fate akin to death), and kiryu cites haruka as his reason to stay away, one he holds to with no uncertainty (showing again that he's accepted date's logic, that his reason to keep living even when it's incredibly difficult is to care for the more vulnerable haruka). given the weight of the consequences, to me, it feels like date's telling him not to be alone with his thoughts or something. it's almost frightening:

so, what's our takeaway from kiwami?

kiryu lost everything and hit rock bottom, but he chose to fight, and to live life on his own terms, even when it got difficult. that's the narrative life lesson he had to learn to avoid repeating the events of 1995. he made that choice for haruka's sake. it's seen as growth.

and without him, haruka would've just returned to the orphanage (assuming she could make it back to sunflower at all) with no one who knew or understood what she had been through, no one to mourn with her, and no one to give her the attention, care, and protection she needs. kiryu knows what it's like to be an orphan with a limited parental figure who only checks in every so often (kazama, "aunt" yumi), and what someone will do for attention/affection from that person (via both himself and nishiki swearing up, climbing the ranks, etc. arguably haruka coming to kamurocho by herself to find "mizuki" is similar), and what it's like to lose them anyway (again, kazama, yumi). their situations parallel each others' somewhat, and that binds them further. and after losing everyone (which he blames himself for to some extent, as one can probably assume from this and 2, and something key to his arc in later games), he chooses to protect her. and this time, he won't fail. at least partially because failing would hurt him, too. he'd have nothing left again.

okay. now we get to kiwami 2.

if you forgot, the context is basically:

everybody's fighting on the roof of a building which i'm sure will not be a running theme or anything as the series goes on

there's a bomb that's about to go off and they don't know how to/can't defuse it

ryuji shot the twist villain to death, but took fatal hits to do so

sayama's like hey!! let's get out of here!!! and kiryu and ryuji are like nooo we have to settle this oughh it's punchin time and they stick her on an elevator and send her down so she doesn't have to watch

ryuji loses. sayama returns, they have a cute sibling heart to heart, and ryuji dies in her arms. sad

kiryu is in rough shape as well, and there's like 2 minutes left on the bomb's timer

here's the scene itself:

sayama tells kiryu they have to run, and kiryu says he can't. the gist is "let's run!" "you go without me" "i'm not leaving you!" "i'm in no condition to run" "i'll carry you then!!" sayama: *sees how fucked up kiryu is, realizes he's Going To Die Anyway* "ok, then i'm staying with you!" and then further bickering about that, before they give up and make out (as one does i guess)

date (he's here now) yells this at them from a helicopter:

before someone else in the helicopter tells date this:

we get this shot of haruka calling out to kiryu as the helicopter swerves away:

and kiryu and sayama have this exchange about haruka where they say they let her down, but that she'll understand:

then they hug and the bomb ticks to zero right when the credits hit. in post credits it's revealed that the twist villain defused the bomb when they weren't looking, betraying his co-villain for reasons i truthfully do not remember and am unwilling to look up. it's not about that right now.

so, how does this scene interact with the ending of the previous game?

the short answer is "badly <3" but here's the long answer:

it's about choices.

the thing about fiction is that anything you want to have happen, as a writer, can happen. it may not be effective, internally consistent, or logical, but you can write it regardless. audiences suspend their disbelief for the sake of engaging fully with your fiction, but everyone has a threshold past which they will stop being engaged in a story and either become uninvested or annoyed. writers usually have lines they're unwilling to cross as well. but in almost every story, there's at least a couple of places where they stretch reality a little to make the narrative they want happen. this is not a bad thing at all. that's how stories get told.

now, i'm gonna be real with you. i don't care about how feasible plots are like 95% of the time. it's not something i think about much, nor is it something i prioritize. i am a very character-centric media consumer, so if world building and/or plot are a bit stale or contrived, that doesn't really bother me much so long as i'm invested in the characters involved. some people can't stand plot holes or the ways musicals burst into song or whatever, and that's fine for them. but it's not something i tend to find that all that important.

this is all to say that i have a sorta affection for rgg's flavor of bullshit pulling. and it is a powerful flavor, maybe even an acquired taste, but i can and do rock with it so long as it doesn't damage the characters too much. this is why i'm not making a lengthy post howling into the void about joji kazama or the second joon-gi han or how many secret relatives there are. those things are silly and endearing and a clumsy yet heartfelt part of a series i care about very deeply. i'll joke about it, but i don't consider it much of a flaw. it's more like personality. flaws are texture, and they help a piece's identity. point is i am very, very willing and able to suspend my disbelief for these games in exchange for a good time, particularly via good characters.

(if you want another example of where i draw the line from within rgg, the answer's the YAKUZA 4 SPOILERS INCOMING rubber bullets twist, because i think 1) it's actively horrifically stupid (especially retconning a scene we SAW HAPPEN. WE SAW BLOOD ON EACH IMPACT, AND RUBBER BULLETS DON'T OFTEN BREAK SKIN THAT DEEPLY (THEIR DAMAGE IS MORE PERCUSSIVE THAN PENETRATIVE). THESE EVENTS HAPPEN IN THE SAME GAME YOU DON'T HAVE TO RETCON IT JUST REWRITE IT. OR DON'T SHOW THE HIT AT ALL SO THERE'S MORE PLAUSIBLE DENIABILITY. DON'T DO THIS JUST TO HYPE UP YOUR SHITTY VILLAIN NO ONE CARES ABOUT. and 2) (a bit more importantly) i think it actively removes saejima's primary internal conflict for that game, that being his intense guilt over the 18 murders he thinks he committed, one i was invested and interested in. but this isn't a rubber bullets post.)

characters in this series walk off a lot of life threatening injuries. they survive miraculously, they escape in the nick of time, and they pull through in the end. kiryu still somehow hasn't killed anyone. almost every game in his saga ends with an "is kiryu gonna make it out this time?!?" shortly followed by a "yeah lol. lmao" postcredits reveal. kiryu fucking punches a marble statue into dust in the first game. having a story that asks you to suspend your disbelief so much and so often means that when a decision is made, it's not the writers saying, "well, this would have to happen so we are obligated/forced to write it happening" so much as "we wanted this to happen for some reason(s)," because you already know that they're not guided solely by logic. again, this is true of all writers, it's just amplified in stories like these because they've already given you so many hard mode suspension of disbelief moments (they've broken you in like leather, yeah? or like how obvious internet scams allow for self selection by being so obvious that only the most vulnerable people would fall for them. they curate an audience willing to play along with their bullshit flavor so they can tell a story that's more likely to satisfy that audience. in a good way, in a fun way! mass appeal is overrated). there is not much limit to what this series is willing to try and sell you.

so when ryuji takes lethal damage taking out the big bad, that's a choice. when he doesn't die immediately, that's a choice. when ryuji and kiryu send sayama away in the soon-to-be-forgotten elevator so they can settle this like men or whatever despite the literal actual bomb about to go off, that's a choice. when sayama comes back, that's a choice. when ryuji does die, that's a choice. when kiryu determines that he can't escape in time, that's a choice. when sayama is unwilling to leave him, that's a choice. when she says she'll carry him out and there's an elevator right fucking there and then she's like never mind i guess i won't anymore we're dying together right now kiryu like they're not gonna even try?? wouldn't distancing themselves from the blast give themselves a better shot, something that's super possible given the 2 minutes they have with that elevator??? sayama you met him like a week and a half ago why are you ready to die with him that's not a plot hole i just think that's kinda strange whatever anyway, that's a choice. when kiryu stops arguing with her so they can kiss (next to her brother's corpse), that's a choice. when date shows up, that's a choice. when the helicopter can't save them because the bomb was going to go off too soon, that's a choice. when they put haruka in that helicopter and take her away, let her only impact be reminding kiryu and sayama that they can't help her, that's a choice. when they spend their last moments talking as if they're already dead, then simply waiting, that's a choice.

they're all choices that the writers made for the characters, and we are asked to believe them for the sake of achieving the writers' vision, as with any story. the only problem is that the writers' vision here fucking blows.

i'm not saying it would be realistic for kiryu and sayama (and even ryuji) to make it out alive, but it wouldn't be out of character for the series in the slightest. kiryu is suddenly unable to power through here, and that's a choice. so, what is their vision?

put simply, i think they wanted a romantic last stand for kiryu and sayama, a tragic scene of doomed, devoted lovers. and i think they wanted an edge-of-your-seat fake out death. they wanted spectacle.

here's how some specific choices they made undermine all that shit we talked about earlier from the first game.

once again, kiryu is called by date to live, to pick himself up and keep going, no matter how impossible the odds are. he's even reminded by haruka's presence, his one anchor in keeping himself going. the growth he had in the parallel scene in the previous game is challenged, and he fails.

it's not enough this time. and that's a choice.

it's also one i can't think of a good reason for, and that's the real kicker.

characters can have developmental backslide just like people do, and if they're given good reason for it, it can be just as, if not far more compelling that purely linear growth (i am a chimera ant arc enjoyer, and that's all i'll say. sorry if you haven't seen hunter x hunter. uhh. i am also a zuko avatar enjoyer if that helps). but i can't think of anything that happened in that game that would cause this from a character perspective. if anything, kiryu should be less likely to do this intentionally. he's spent around a year raising haruka, and a year has passed since he lost his loved ones. at the very least, the pain should be more dull, though it is established through an early nightmare sequence that his ass is (justifiably) not over it yet. given that their deaths were the initial motivation for his willingness to rot forever, theoretically, he should be more motivated to stay alive than before now that he's got more investment and stability in his life outside of them, particularly when it comes to haruka, his reason for surviving. and if the ongoing nature of the trauma was the motivator for this, then they should've had it affect him more past that nightmare scene (it really serves more as a recap of the last game than anything else) so it didn't come out of nowhere. so the reminder of the lesson that saved his life and then guided it for at least a year afterwards, one that the whole resolution of the previous game relied on heavily falls flat for... some reason.

i think this is a good time to mention that, generally speaking, you don't write arbitrary choices into characters. sure, people in real life are often sporadic, but when analyzing fictional characters, every choice is filed into a portfolio of characterization that can and should be analyzed. going for pure realism can obfuscate their development, motivations, themes, etc. their choices and reactions may be unorthodox, but they must be internally consistent. this is very related to how i view plot contrivance as well. characters drive the plot, not the other way around. stories are about the ways characters affect their worlds/lives and vice versa, and they're the human face to the themes and ideas the writers are trying to explore and express. maybe my stance on this seems hypocritical. i don't know if it is. but to me, plot issues are usually a matter of engagement and investment, while character issues are a matter of substance.

i hope this doesn't feel patronizing explaining all of this, but i want you guys to know where i'm coming from in my analysis. starting at my base philosophy on writing is the easiest way to do that, i feel. defining the terms of the debate, and all that. anyway

and i mean, look. they survive because "it was defused the whole time we just didn't see it happen", so it's not like narrative tension or realism or whatever was THAT big of a priority overall. if it was gonna be a cop-out anyway, they should'nt have ruined kiryu's development too, yeah?. and sayama fucks off to america after this game anyway, so it's not like the doomed lovers thing had much payoff or meaning after this one (though you could argue that's more an issue with yakuza 3 than yk2, which has some merit to it). which means that they chose to sacrifice kiryu's prior development and internal logic for the sake of cheap tension for their finale that was both kinda illogical in and of itself (the elevator!! the elevator!!!) and a romantic climax that neither required nor really benefitted from this staging. (like. you coulda had them make out and then get saved by date, or kiss on the elevator in a "it's moving, but will we make it in time??" way or whatever. look i'm not saying those are great options either but they're SOMETHING okay. it would remove/reduce the amount of time wasted on characters sitting around with their thumbs up their asses for no reason in this finale).

instead the message of this finale is that, actually, sometimes it is impossible to change your circumstances and fight for your own way out of an awful situation. and what should you do about this unfortunate truth? uh. die! i guess. it's the exact opposite of the encouraging, optimistic message of the last game. zetsubou chou pride my ass.

note: i feel i should mention that when suicidality is brought up within the series (particularly in substories), it is always something someone has to overcome themselves through wanting it badly enough. they simply need the inspiration and the motivation to keep going. it's arguably treated as a moral obligation. frankly, the series is broadly very meritocratic (<- bad) when it comes to this topic (and others, but that's a Whole Other Thing. see akiyama's weird loan shark tests as well). sheer will and resolve is enough to conquer any problem, be it physical or mental/emotional, and it's irresponsible to act/feel otherwise. this is the logic the games operating under, and kiryu is often the mouthpiece for this bootstrap-pulling "tough love" sentiment. so when kiryu "chooses" to die, yet faces no emotional fallout from date, haruka, or anyone else, it feels very out of place. it's not just an odd choice; it's specifically, once again, an odd choice to make in context of the game/series/character it appears in.

kiryu's just like eh, haruka'll watch her only family die right as she gets some sense of tentative stability and lets her guard down after a devastating month the year prior (and a relatively dismal upbringing before that) that we trauma bonded over. sure, she likely came to view me as the one who would stay no matter what, who was too strong to be taken out, who she could always rely on, and so i know that dying would hurt her immensely, but she's smart enough to know it'd happen eventually. her eventual recovery means it's okay for me to do this (somehow, in a way it wasn't in the first game). it's an excuse within the narrative's logic, and one it is uncritical of simply because it's kiryu. he gets a pass.

and i think with the previously mentioned passive suicidality and general series-long mental health issues kiryu displays (i mean. yakuza 5's literally his depression arc), this could be retroactively seen as an interesting choice, like a piece in that particular narrative. i don't even dislike that viewing, especially in terms of fan approach. but (assuming this went down the same in yakuza 2), they likely didn't have that in mind. all they had then was the first game and the movie. and they took the first game's Entire Message and contradicted it for nothing but a scene they wanted to have happen because it'd be suspenseful and/or emotional (without actually doing the work to earn it). and they're not fans trying to analyze his character, they're the ones making choices for him. and they chose to massacre my boy. and if the subject of kiryu's mental health was a priority of theirs, why didn't they explore that? haruka and date's feelings on him not resisting and their words not being enough (whether that blame is justified by the narrative or not (it shouldn't be btw)), the uncomfortable drifting that resigning yourself to death and living afterwards anyway often brings, literally any conversation about it besides the minimal shit we get post credits of date being like "did you know about the bomb not having a fuse?" which like. bad answer either way (which is why they weren't straightforward about it, the cowards). you can't just be like "oh uh. idk he just gave up this time. yeah he was gonna die on purpose for some reason. good thing the bomb was fake lol" and then pack up and go home!! that's stupid!! any merit the idea of kiryu dying by suicide in this scene and in this way could have had from a character-based perspective loses its weight because 1. it didn't happen (for kinda stupid reasons), which makes it fall flat and 2. no one is really affected by the fact that it almost did, including him. they sacrificed his ass and replaced it with nothing, even when there could have been interesting outcomes to it.

so the narrative effectively chose to kill him by making the situation impossible, and this impossibility is ultimately arbitrary, given the series' usual approach to miraculous, illogical escapes. that, or the choice to stay was up to kiryu and sayama, one that 1. doesn't make sense and is actively regressive in context of kiryu's arc in the only other game in the series (as well as his whole saga in retrospect) and 2. one that contradicts how the series sees/treats resignation to death/death by suicide in all other contexts without being addressed, challenged, or condemned in ways it would in all other contexts. because they don't want you to think about it like that. they want you to think he (and the narrative) had no choice, that it made sense to do that. but it didn't. it doesn't.

and look, honestly? if i was bleeding out and had like 2 minutes to live, there's a non zero chance i'd say fuck it and kiss a girl too. i get it. but i am (and this is crucial) not a fucking yakuza character. and i'm certainly not kiryu kazuma.

tl;dr (basically just rephrasing the second to last main paragraph)

there are not sufficient character reasons for kiryu and sayama not trying to escape. additionally, because the narrative regularly facilitates even less likely escapes, it's not so constrained to logic and reality that it couldn't pull this one off. the choice to let their situation be impossible this one time was a cheap and arbitrary way of forcing a scene they thought would be cool and dramatic, and in doing so they chose to cannibalize a key emotional note of the previous finale (namely kiryu's mission to dedicate his life to protecting haruka) for hollow last minute stakes-upping in this one. it is then completely disregarded anyway. god damn.

[lesbiansanemi]

I'm so tired

[spikeyjo]

Siri how do i stop the cycle without doing these bitchass tiny steps

[february-academia]

28.04.2023

So much happened this week. (In tags I'll rant about it)

N4 is coming and my prep is not at all good. Took a test today and i failed🥲. But i know my prep is soo bad,it was bound to happen. So have to study for that.

College exams are coming🥹 also have to study for that. The dissertation proposal is in the finalising stage,so that's good. But have to work on it properly imo.

Then i also proposed another research study to my professor and he has encouraged me to go for it. So,also have to work on it.

These very cutu plants in the scorching heat were a treat to eyes and mind.

Got this book from the library and I'm really enjoying reading the essays.

( correction in a tag- she scored less than me in class and she was all sad sad. With her i had to suppress my happiness at moments like these)

[wabbitears]

feddy movie

[rosicheeks]

why drive so long? is it cause airfare is so expensive?

My family went to Disney world for a little trip 🥰

And we drove for a few different reasons I guess