#for some reason i sketched out episode 2 first???

[monebula-art]

More Turtle refs for Fleeting! Yes, Harley is the one who made the pants originally, after Mikey almost catches pneumonia. And I was practicing some Leos since in this AU there’s actually farm animals at the Farmhouse. And since Leo decides to be a moody loner out in the barn the second he can walk, I thought it’d be fun if he had some company, even if he doesn’t really want any. Clyde is the name of the draft horse. A gentle giant. And there’s another, older brown colored mare named Bonnie who likes to bite~

I didn’t actually include any design notes on the original post cuz I was a lil burnt out, but this time I’ve got details and closeups under the cut!

Not exactly an original take, but in my FleetingAU, the boys all originated as common red ear sliders. Scale patterns! I had tried it on Leo originally in another sketch and found it so cute that I fell in love with it, so had to give them all their own patterns. The other element was their eyes! Which is one of my favorite parts about them since they have the dark bar pupils horizontally across their irises that common sliders have! Natural turtle eyes are so pretty if you look at them so I had to incorporate it. They also have different plastron patterns and shapes, it they are t all on display here as they were in the full lineup post.

Starting with everyone’s favorite Red Ranger, Raphael! I designed him with a boxier build and shape to his head, with an angled squarish beak and brow ridges. He’s the second tallest of the brothers, with a second heaviest build. I went with a scale pattern that was somewhat similar to Leo’s but the direction of it is different, and I wanted thinner spacing that made it sort of resemble blood splatters. And the pattern under the angle of his jaw almost feels like it could be sideburns which felt lol and rugged, which is Raph’s whole vibe. Seemed to suit him~ Raph also obviously has a few scars about him, with all the brawling he gets into but he’s proud of them, and they’re mostly covered by his mask anyway. His eyes are an amber-brown color, with a sharper and more focused shape to them that always makes him seem like he’s glaring.

Next we got the angst magnet himself, Leonardo. FleetingAU takes place specifically in the 2 month period after the events of The Shredder Strikes Back. So Leo is in his first angst arc over that winter at the Farmhouse. He’s got a lot of fresh scars after the beating he took, including a pretty stark line over his right eye, a gash on his jaw close to his neck, and two claw-like marks on the lower left side of his face. His face shape is the sharpest and most angular, with a smaller beak and more narrowly sloped snout and head. I took a bit of inspiration from Rise of the TMNT’s Leo. ^w^ He’s also the shortest and most lithe of the brothers because Short-Leo supremacy. And also having recently rewatched season 1-5 of 03, he’s always the most flippy and extra with the way he moves. A smaller and more compact build just made more sense for all those acrobatics. His scale pattern is a lot closer in clusters and spaces out as it moves away from his back towards his collarbone, and down his shoulders. I like the ones across his nose the most. His eyes are a somewhat rounded almond shape, with dark blue-grey colored irises.

Up next we got the squishiest smartest boy, Donatello! My bean. This isn’t the most original take either but Donnie is the tallest! He is also the bulkiest and like physically strong turtle. My reasoning is, I like drawing him as a beefy nerd, and in one episode I saw him deadlift a metal support beam off of himself with no assistance. Bro is jacked and you will not change my mind. But since in both his voice and demeanor he just seems like a sweetheart, I made him squishy because I just wanna squish his cheeks, he’s round in the face with the flattest beak of the boys that curves sharply downward almost making him look a little owl-like from the front with a rounder and fuller chin and jaw. Since he’s also the most jacked/heavy of the boys, doing all the crazy cartwheels and flipporama Mikey and Leo can do isn’t as easy to sustain or display for Don. But just like the sturdy Bo staff he wields, Don is a firm standing and sturdy figure with a gentle and soft demeanor. Make no mistake tho, he’s hard as a rock despite how squishable he looks. His scale pattern is more in raised gloves that resemble stripes that start at his snout and line the entire back of his head and around down his shoulders as far as his elbows. He’s got rounder, somewhat sad looking eyes that kinda play into his owlishness, which is fun ass hell to run into at 4am in a pitch black lair. His irises are a forest green color.

Last but obviously not least is my chaotic genius, Michelangelo. Mikey has generally rounder features with a more square jaw, but a sharper beak that’s rounded at the snout kinda like Don’s it just doesn’t slope as steeply. Mikey is the second shortest, with a somewhat squarer build in shape but is narrower/smaller in size and muscle than his brothers obviously. On display by the free form and flippy style of fighting he uses. He’s light on his feet and won’t let anybody forget it. His facial features are gentle, with bright, wide eyes that seem to always turn upward at the ends a little as if he were always smiling. His face has a very gentle and friendly look to it that’s disarming to look at. Like this lil guy won’t hurt me, though he very well could. Won’t look any less cute doing it. His scales are the least clustered in a bubbly freckle-like pattern over his snout, cheeks, head and shoulders down to his elbows. He’s the only one who hasn’t got any scales on his jawline at all I thought it made him look a lil softer/younger in his features. His eyes are chocolate brown, Cuz he’s a sweetie. With Mikey I tend to incorporate his personality in the poses I put him in and the WAY he moves, and less in the distinctness of his appearance.

And there’s the boys! Hope y’all are enjoying my lil FleetingAU previews!

[dovewingkinnie]

Two lil questions about everybodys favorite frog boy

1 is froggy like an actual frog or just in a frog costume. 2 can we maybe perchance get some more art of him please (/nf of course)

1: froggy is in a frog costume!! 2: i haven't been posting much art of him BUT ep 1 of whimsinoia focuses on him and lola!! so there will be lots of froggy content hopefully :D

[blavikennbutcher]

August Walker x Reader (Drabble)

Warnings: Daddy/little vibes, noncon/dubcon, violence...its August.

There's no plot I'm sick and possessed.

It was your fathers business, then it was your brothers business. You didn’t care for the details of it, you just looked after the gardens and made sure the house was in good condition. Talked to the servants and all that. Sure, you knew it was a dodgy business. Far too often you saw people going home in body bags in the dead of night. But you chose to ignore it.

The current guest….was a man named August Walker. You caught a glimpse of him as he was dragged in through the back door, unconscious. He was gorgeous in a demented, do not touch kind of way and that intrigued you all the more. So when your brother said he’d be away on business for 2 days and you weren’t to go into the basement…well. It was obvious what you would do. One peak wouldn’t hurt, right?

At first the man is terrifying, and even speaking to him is like dipping your finger into a lake of piranha and waiting for one to snap.

But eventually you realize his binds are painfully tight around the centre column he's sat against, which means you can tease and annoy the living daylights out of this poor guy. And hey, if he's tied up in your basement it's for a good reason. Maybe a bit of fun torture would do him well. Besides, you were dreadfully bored and the staff had all gone home for the weekend.

He can’t do a thing.

The more he calls you a slut, bitch, whore or worse, the more you giggle. It infuriated August to the point he almost welcomed death.

On the first day, you sit 10 inches from him with your drawing pad and sketched him. You made small talk, showed him your drawings. He'd even admit you're a decent artist, that is until you added the kitten ears and heart stickers to his illustrated face. After a few hours your curiosity grows. You've one pink heart sticker left and you want to see how close you can get to the lion before the lion rips your hand off.

"Don't..." He warns. You giggle. "I mean it, girlie. Don't you put that thing on me." He wiggles again and you pout, frustrated. “Get the fuck off me, dumb bitch!”

“Hey! That’s not very nice! I’m giving you my heart!” You giggle. Once he calms down you try again, ignoring his persistent complaints. The more he speaks, the more his warnings turn to a plea. "Hey! No!" He shouts, snatching his head away from your index finger.

"Hold still, Mister! It won't hurt." You gently press the sticker to his left cheek with your finger and smooth it over with a gentle kiss and a loud “Mwah!”

August huffs as he stretches his face muscles to try to get it to wrinkle but the damn thing won't come off!

"All pretty! Good night, mister." You blew him a kiss as you closed the basement door and left him alone for the night.

“Stupid girl…..” He mutters. Wait… Why was he so uncomfortably hard? “Fuck.”

On the second night, you feed him some bread and cheese by hand and reluctantly he actually lets you. You were finally taming him!

August sits with you in his lap, a firm and unwavering snarl painted on his lips. You begin to play with his curls with one hand, and his chest hair with your other. All the while August is growing more and more hard under you. You're so distracted by a specific lock of his hair that you fail to notice all but a sound when the rope finally snaps behind him.

With a stupid amount of bravery you climb into his lap and start to tell him all about your day as if he was a willing listener. You feel something solid beneath your skirt but choose to ignore it. Your nonsensical ramblings about the latest episode of your favourite TV show send him into a begging frenzy yet again, but what you don't realise is that those bindings are getting more and more loose as you yammer on.

"Did you hear that?" You ask, curiosity lacing your words

"Must be the pipes. We are in the basement, girlie." He lies.

You snort at him. “I like you. You even have a cute nickname for me! I’ve never had a nickname before.”

You start to comb your hand through his hair and you're suddenly taken aback by the look he's giving you. Like the cat who got the cream. Was he...enjoying you stroking his hair? You tried not to think about it and continued but his unwavering stare and….lustful eyes? Well, you were drowning in them.

You're gently pulled closer by his left hand and in your naivety you give him a sweet smile before the penny drops.

And boy does it fucking drop.

You gasp. His fangs show in a sinister grin and you launch yourself from his lap, snatching his hand from your hip. He only has one hand loose so you take it as your opportunity to escape, slamming the door behind you to slow him down.

You sit in the cloakroom, cowering with the cobwebs and long forgotten coats of the guests who never had the chance to leave this house. Hoping and praying your brother would be home soon to save you. But the truth of it was, superheroes don't exist.

The heavy sound of the prisoners bare feet on your father's old wooden floors beat in tandem with your heart as he chases you through your home. Eventually you lose him and as quietly as humanely possible, you climb into the cloakroom and hide.

Nothing was coming to save you.

You stayed silent for what felt like hours before you were alerted to a dull creak and a loud slam as the cloakroom door was almost ripped off its hinges.

"Found ya!". You screeched as you were physically dragged from the cloakroom by your ankles.

"No need to squeal, little pig. It'll only hurt a bit." You clamber to your feet, the harsh carpet making your ascend slow enough for August to catch you first. He sticks his foot out, tripping you to the floor again, toying with you. Like you were food.

"Oh stop crying, girlie. I thought you liked to tease?" You try to stand and run again but you're thrown over his shoulder in a split second and no amount of hitting him is helping. There’s nothing else to do but to watch his feet as he carried you up the stairs, straight to your bedroom.

With one swift movement and a harsh grip of your hips he has you pinned, chest down to the bed.

"That's a good girl, stay still for Daddy." He purrs, pulling your bright pink stockings from your legs. He tosses them to the floor as he climbs onto the bed, the mattress deepening under his heavy body.

"Please! I'm sorry, I was just bored! I didn't mean to upset you-" You try your best to help yourself, but it’s like a switch just been flicked and he turns from excited, to pissed the fuck off.

"You were 'bored'?!" The man flips you to your back and yanks your body towards him, as he leans on his calves. "No, no, no. You're a slut. A dirty brat and you thought you could get away with it, didn't you? Thought I wouldn't break free and catch you. Well I know just what you need, just what you asked for."

If you could, you would laugh at the situation. Here was this gorgeous, dangerous and absolutely insane man. Kneeling at the end of your bed, hard as a rock and all the while with a heart sticker attached to his cheek. And he was so pissed!

It was the reappearance of the rope binding in his hand that brought you back to the severity of the moment. Fear turned to manic terror as you shuffled backwards.

"No...no! Please don't!" August climbs on top of your body, thick thighs trapping you to the bed as he deliberately presses his hard crotch into you.

"Ah, ah, ah, shhh." He presses his index finger to your lips. You can't stop him, he's twice the size of you at least. So you watch as he ties your hands to the headboard of the bed.

Once he's done, he leans down....covering your entire body with his own...

"I fuckin' hate a tease." He snarls into your ear, before your pretty pink skirt is ripped clean off.

You’re pulled back to the office with a sudden wave of guilt and shame. Your face felt like it could light a match and your coffee cup almost slipped from your sweaty hands.

“Are you alright, Miss? You look like you just remembered an embarrassing dream.” Mr. Walker teases, before he walks on past your desk and towards his own. Fuck. How could you have forgotten that dream until now? How could you have even dreamed something like that up, and with your boss. And that look on his face, it was as if he knew.

You shake your head and face your computer, determined to continue your work and get on with your day. Maybe you could look into therapy later or talk to your best friend about it. Surely there was a completely normal reason for dreaming about your boss being tied up in your basement and then chasing you for some depraved, frustrated sex. Right?

“Ms. Y/S/N, Mr Walker would like to see you in his office, it's urgent.” Fuck.

[mask-of-prime]

TLG: Battle for the Pridelands Sketches

To celebrate the 5th Anniversary of one of my favorite episodes of TLG, I decided to do some sketches of some takeaways I had during a rewatch of the episode:

1. Wema, Tunu, Dogo, and Kijana aged up to how old I think they'd be around the time of the episode. Why were they not aged up?? Kiara, Tiifu, Zuri, and Mtoto were given some specific age models only used in this episode, why not the Outlander kids? I feel the jackals would be the equivalent to 12 years old by this time, while Wema and Tunu would be like 8-year-old kids.

2. I've heard people ask where the zebras and baboons were during the final battle, and for a while I was like "Yeah aren't they significant recurring characters? Where even were they in the Pridelands Army arc of Season 2?", but THEN it dawned on me: Baboon. Zebra. Cavalry. When watching the scene where everyone charges to the Outlands, I saw the galagos riding the sable antelope and went "haha like horses, that'd be funny if it was with zebras because equines", then I was like "baboons would probably be like humans while riding zebras" and I was just "WAIT IS THAT WHY PEOPLE WANTED THOSE ANIMALS IN THIS EPISODE". So here we are, Big Baboon and Thurston team up to surprise the Outlanders (and even the Pridelanders) by doing what they do best -- throwing fruit and panicking and running, respectively.

3. A sketch of this sudden visual I got during Ushari and Scar's conversation where Scar promised that Ushari and the rest of the reptiles would have whatever's left of the ravaged Pridelands. I instantly imagined the Pridelands becoming this unrecognizable wasteland ideal only for heat-seeking reptiles after the disastrous volcanic eruption Scar had in mind. The environment would be a tad like something out of the Mesozoic era.

4. One of my favorite aspects of this episode: The famous important-as-hell-but-vaguely-presented lore drop of the Strange Lion's (actually pretty ambiguous) existence as well as his actions accelerating Scar's entitlement and envy of Mufasa (which would kickstart the very premise of the first movie and the franchise as we know it). I love this guy's design for the same reason I love Zira's -- it's just so consistent in shapes and colors that all match with each other.

5. I find it funny that in order to not interfere with the events of TLK 2, TLG just decided to have it so the Outsiders would be completely out of the loop of the fact that Scar's spirit returned. It could easily be explained that Scar kept Zira out of it on purpose, or that he didn't know (and possibly didn't care) that she was still around. I have to think that the Outsiders don't live too far from the Outlands Volcano, so they've had to have heard some commotion and wonder what on earth could be going on. Looks like Zira's fanatic spiritual connection with her beloved Scar can apparently be heard by her peers.

[imjustapoorwayfaringgeek]

character portraits part 2 this time for yoi fandom

katsuki tends to gain weight easily, even though for most of the anime he's skinny i wanted to keep some roundness to his face. it also matches with his docile personality. i really like his slightly longer hair in the last episode's final scene so i used it.

WIKI SAYS VICTOR'S HAIR IS PLATINUM BUT IT WAS SO GREY IN THE ANIME I THOUGHT HE WENT GREY PREMATURELY LIKE MY MOTHER but i made it actually platinum because him being one of those few people with natural platinum blond hair makes more sense considering he had it since his childhood. this guy gives me bigger, sharp, hooked nose vibes so much but i can't even explain why. i didn't draw him with a full heart shaped smile here but the reason i kept his lips rather thin was because i thought when he smiled it would bring out his heart shaped mouth more. also he's an arctic fox to me, he has fox eyes.

plisetsky was a 15-16 year old who hadn't had his growth spurt yet throughout the anime, it was pointed out by several characters multiple times that he looked feminine, therefore that's exactly what i made him. i assumed his facial features weren't fully developed yet so they're not sharp and bony. he always seemed like a character who tends to overwork himself to me. i gave him eyebags but it's not too visible because i accidentally painted the whole thing way too pastel. that combined with his natural scowl creates his resting bitch face.

otabek gets the kazakh cheekbones. he also has a natural scowl like yuri but i didn't give him an emo face. doesn't mean i won't in the future. it's too pastel here but i usually draw otabek with really red cheeks. he's a biker and kazakhstan isnt the warmest place he probably gets wind burns idk. instead of pure black i like to make his hair very dark brown, it's usually how it is in where i live and i don't live too far away from kazakhstan both culturally and location-wise.(also here's a fact i think yoi fans can have fun with: otabek's last name altın means gold/golden, it's a common word between kazakh and my native language turkish.)

even though it's just a sketch i wanted it to mirror their first encounters. yuri and otabek stare at each other rather meanly, yuuri and victor glance like they're trying to seduce the other.

[winxwannabe]

Winx Season 9/Reboot Leaks

Okay here's the tea: earlier today a twitter user by the name of Cataclysm_Power started posting a video they claimed was from the new Winx season/reboot. When pressed for further information, they linked to a telegram chat with what appeared to be assets from Rainbow (17 screenshots/2 videos). After some C-grade internet sleuthing, I am here to give my (worthless and possibly wrong) opinion on which ones I think are real and fake.

A note before we jump in: I'm not posting full images on my blog, because again I do think some of these are real and if the leaker is to be believed, they hacked Rainbow to get them. You can look yourself through the telegram link, or others who've posted them on the Winx Club tag. I also think the leaker themselves is scammy because they've tried charging for Miraculous leaks before. Do NOT give them any money if they ask.

Real: Bloom, Stella, and Icy's asset sheets, Bloom Full Body Pose

A lot of these leaks are 3d modelling assets, and these 3 are the ones I'm totally convinced are real.

The biggest clue of their validity is the bottom banner. All 3 sheets have them, along with the same episode code and notes in Italian. They're all also linked to the same person: Pasqualino Masciulli is Rainbow's 3D modelling supervisor, and has been with the company for at least 9 years. He's done videos on Rainbow's youtube channel as well, using his shortened first name Lino. My main point is that's way too niche for someone to fake just to make some convincing leaks, and it would make sense for the assets to be tied to him.

Likewise, there's a full-body frame post of Bloom with fucking ugliest denim leg warmers credited to a g.riccobono. This is likely Giulio Riccobono, who is listed on Linkedin Italy as a Rainbow employee.

Probably Real: Tecna's asset sheet, Bloom's detailed asset sheet

Both of these are likely real but have weird things about them that make me pause. Bloom's more detailed asset sheet is missing the name, date and episode reference on it, and the notes are in English. Tecna's is missing the bottom banner entirely, and there's some weird cutting around her head that makes it look like someone hastily made a png and stuck it on there.

Unsure: Computer File Tab, MD Concept Photos, Videos

There's a screenshot of a folder with both 2D and 3D assets of all the girls. in the files. I'm not sure if this is from a computer at Rainbow or the hacker's personal folder, so it goes in unsure. I do think most of the assets in it are real - it's low res but the eyes on the 2D sketches are so similar to the ones on Rainbow's newer images of the girls I think they have to be connected.

There are also some full body concept photos for Bloom, Aisha, and Stella. They all look pretty legit (as they're updated version of images we've already seen) but Stella's has other images for 'possible pallets' included. She's the only one with it and the images look like they came from a flash dress-up game, and it gives me pause.

Lastly, the teaser videos of Bloom are probably real based on the outfit, animation and that stupid fucking Bloom shelf being in the background, but I'm placing it in 'unsure' because of the bandicam.com logo burned into the top. If it really came from Rainbow and everything else was downloaded, there was no reason for the hacker to not get the raw file. I think it's real, but I don't know if it came from Rainbow.

Something Ain't Right: Group Shot

What gives me pause in the fully-rendered group shot (even though its shown in the computer file tab) is it shows transformation we haven't seen teased and has a 'Lorem Ipsum' placeholder text. Aisha's hair also looks like it was done with AI - the back of her wings clip through the hair, and parts of it look copy-pasted. I'm stupid, it's the end of her braids. The 'Lorem Ipsum' thing still stands, but I'm re-filing this under 'unsure.'

Probably Fake: Darcy and Damien's asset sheets

I'm showing things from here on out because I'm so convinced it's fake please let me be right. Unlike the other character sheets, the ones for Darcy and 'new character' Damien have no bottom banner, are marked as 'Winx Club Season 9' with an outdated Winx logo, and have notes written completely in English. Darcy's has a bit of 3D modelling, but it's too different from Icy's. Maybe they're super early concepts for Darcy, but Damien...go home, buddy.

You're in the Wrong Place: Rainbow Pants Girl

I'm convinced this girl is from a different show and was saved to the 'Winx Club' folder by accident. Different clothing, hair, and shading. May you end up somewhere better than this reboot, Mystery Girl.

[centaurianthropology]

Oh man, I think the Circle of the Crimson Mirror might just be MY Candela circle. I enjoyed the goofy schlock horror with the Circle of the Vassal and the Veil, and really enjoyed the amping up of horror in The Circle of Needle and Thread (though the horrors of war theming was not specifically for me, it was still well done). I haven’t gotten to watch the Circle of Tide and Bone because life happened, but from what I’ve heard it was very good.

But I was laughing out loud with glee for the first episode of the Circle of the Crimson Mirror. All these characters are delightful. The setting is fascinating (starting out OUTSIDE of Newfaire and expanding the world was really fun), the theming of Irish folklore horror gives a folk horror mixed with cosmic horror vibe that I’m really excited for. And Liam is just the sort of ruthless DM that is perfect for a horror game. Because for me, keeping your players wrapped up in the horror, making them at least a little genuinely afraid (after talking through Lines and Veils of course) in a fun and contained way IS the heart of playing a horror game. It’s the same as watching a horror movie, in that you WANT to be scared, that’s part of the enjoyment, but in a horror game the fun is having it happen to you.

And both folk horror and cosmic horror are some of my favorite subgenres, so this is hitting all my favorite sorts of horror. And because it’s me, see below for my much longer thoughts about this first episode and the characters. Because I’ve never found a topic I enjoy that I can’t write an essay about.

Liam comes for everyone straight out of the gate, doesn’t he? While I found the train cold open in chapter 2 exciting, I found this even more harrowing. With NPCs we barely know constantly imperiled, all the investigators are really sketched so clearly right off the bat with their actions rather than their more open explanations later. I love that all of them lean heavily into being out of their depth, even sometimes making poor choices because of it. The players are aware they are in a horror game. The characters are not.

So let’s talk about those characters:

MALCOLM TRILLS

Imari Williams was the player at the table I had no prior experience with, and I love what he’s doing here. He puts his whole body into acting out the scene, even at the table. Even before we know he was a Sole Survivor of a massacre during the war (and I found it deeply entertaining that Imari couldn’t help but dump his backstory all over the floor. Liam’s gently encouraging everyone to hold it back for dramatic moments, and Imari is just so excited he’s like “NO! HERE IT IS!” not once but twice in the very first episode), we knew that. Because Imari is clearly dedicated to acting that out through what Malcolm chooses to do. He believes in saving others, especially after losing his entire squad. He has to do it, even (or maybe especially) for those civilians he doesn’t know. His entire point in being in Candela is saving people. So when Liam dunks two unnamed sailors in the ocean, Malcolm goes in. His friends are horrified. They love and value him, and they value him more than two randos. But to him, the randos are the point. Saving people is the point. So no matter how many disappointed dad-lectures he gets from Leo (and this is clearly not the first one he’s gotten), Malcolm is always going to be this way. He’s always going to try to play the hero in a horror setting, which is such a delicious choice for a horror player to make. Everyone at that table knows how perilous it is, but Imari is fully committed, and I love it.

We already know a lot of his background, but there are things we don’t know. We don’t know his relationship with his family, or why Leo is so disdainful of the Trills as a group. There seems to be an implication that the Trills are old money in Newfaire, perhaps, or at least a legendary family for other reasons. And apparently reckless heroism is a family trait. But what does Malcolm do in his day-to-day? He’s the one we don’t have a career or life for back in Newfaire yet, and I am interested to see who he is when he’s not playing the hero for Candela.

LEO AMICUS

I love the description of “I’m going to lie a little and say ‘early forties’” as an explanation for Leo’s age. It tells me a lot about his character right off the bat. We know he’s older (but not how much) and that he doesn’t want to admit he’s older. There’s just a touch of vanity already there, and given that he’s also a man in a dressing gown on a ship in a severe storm, who thinks that his presence is deeply inappropriate? Who asks if there’s a bar on a tramp steamer? We know so much about Leo already, and I love it all. Taliesin plays a dandy so well, his table reactions are so expressive, and it’s so clear that a setting like this is NOT where Leo shines. He shines in social situations, in parties and bars and places where his charms mean something beyond keeping a crewmember calm long enough that she can be knocked unconscious. But he’s so great in being totally overwhelmed and being useless in an action sequence.

And once the storm is over? We find out that Leo is very much the mother hen of the group (probably the oldest member). He knows Malcolm well, and treats Grimoria like a beloved niece. We haven’t gotten a lot of interactions between him and Edgar, but I’m excited to see what their relationship is like, as the two more cautious members of the group.

It was in his interactions with the other members of the circle that I realized how much like family this circle is. They are VERY close, despite ostensibly just being coworkers. There is such a deep care and concern for one another here and I love knowing how dangerous that also is in a horror game. And Leo is the one most open about his attachments here. We know he doesn’t have much blood family, and doesn’t talk to them. We know he looks at these people as his family.

And I love that, for that family, we see a REALLY different side of Leo. While he was overwhelmed and trying not to look at the blood on the boat, the second the Murphy girls (or whatever was masquerading as them) tried to murder Malcolm and the others, Leo was grabbing kitchen knives and trying to kill them. His perspective from his talk with Malcolm also remains consistent: you put your family first. When his family is threatened, meek Leo melts away and we have a man who will do whatever is necessary, kill whoever is necessary, or let anyone die to protect them. He seems to have few moral convictions, but an enormous amount of love, and that excites me for this character.

And I love that we actually know very little about him right now. We know he lives in Red Lamp (because of course he does) and that his apartment doubles as their chapterhouse. So he can be Team Dad at every meeting.

Also congrats to him for getting laid in the very first episode. Hot sailor dude propositions him, and Leo is all about that life. This Professional Man of Leisure is clearly gay catnip.

DR. EDGAR LYCORIS

I was so excited that Alex was finally going to be in a filmed Candela game (he was apparently one of the play-testers during its development, and it’s so clear he knows the rules). Dr. Lycoris is cool, calm, almost robotic in his presentation. He’s definitely a classic Alex character with his calm and his normal-guy-in-a-group-of-weirdos vibe (while secretly being very much a weirdo himself), and filled with casual competence and rudeness. But at the same time there are hints of how much he cares about this circle too. Him quietly calling Grimoria ‘Grim’ when she’s unconscious and he’s tending to her, telling her, “You can’t sleep forever, Grim,” in such a fond tone. The two of them clearly have some quiet history together, and there is a real softness between them that I’m excited to see them dig into as they get deeper into the game. There’s clearly a long-standing connection with Malcolm too, with both of them extremely aware of one another’s skills and weaknesses, working together seamlessly, especially in moments of extreme stress. I want to see more of these soft moments, these personal moments when his icy demeanor cracks, and I imagine we’re going to get plenty of them, given that THIS is how intense the first episode was.

He and Leo are the two characters we know the least about at this point. We know that Edgar is a surgeon working in the main hospital in Newfaire. We know that he is cool under pressure, and that he is both used to fighting (his immediate shift into using his scalpel as a precision weapon to go after arteries and tendons is such a nice touch for the character), but also can really be shocked by sudden violence (I love that he totally freezes after THAT happened to Declan’s mother). He states that he wears nice and fashionable clothing, but the clothing is almost wearing him rather than the other way around, like someone picked them out for him. I want to know who that other person is (is it Leo???). I want to know who he is when he’s not trying to wear what other people expect of him.

I am so excited to get to know Dr. Lycoris.

GRIMORIA

Likely a stage name, and I do wonder if we'll get her birth name, or if that even matters to her at this point. Mechanically, I am thrilled to see a Candela player try to homebrew a multiclass in this system. She’s essentially gone for a Medium/Magician hybrid. We know she works as a procurer of esoteric artifacts. She performs shows with smoke bombs, so likely is a stage magician, and that she has been able to channel spirits since she was a small child.

And we know that she’s 18. In a group in which consists of a man who is at least in his mid-forties, a man who is 32, and a man who is a surgeon (so has at least obtained advanced training, and is probably in his late twenties at minimum, and is likely in his thirties given the hints that he served as a battlefield surgeon during the war), Grimoria is YOUNG. Absurdly so. The guys care about her in a different way than they do one another. They look out for her in subtle ways, though are all very careful not to treat her as a child. The softness between her and Edgar is reflected in the overtly familial way that Leo talks to her, treating her like a very clever niece, but also the person he finds the most calming in the group. It’s fun to see that, even though he treats her as his relative, he doesn’t treat her as a child. She’s the one he goes to when he needs to clear his head. He just wants to listen to her read aloud. He finds talking with her soothing, and it’s clear why. She has a good head on her shoulders, and is rising to the occasion, so while he is caring for her, he also intrinsically understands her need to care for him as well. And Aimee really sells that in-between nature of being 18. It’s such a great portrayal of someone on the verge of being an adult, but not quite there yet. Someone her friends want to care for, but also want to treat like an adult and like any other member of the group. There is a tension in those relationships purely because of her age.

I also like that she’s the most pure investigator of the group. She’s the one who pushes for information, who has a burning desire to KNOW. And that’s a great flaw and danger for a character in a horror setting. The desire for knowledge in cosmic horror is so dangerous. Her willingness to channel spirits right off the bat is dangerous. She is, in her own quieter way, just as reckless as Malcolm and I love to see it. Aimee is throwing herself into this, playing a character who doesn’t know she has limits let, and is eager to push every boundary. I can’t wait to get to know her even more.

CONCLUSIONS

I love that we have two cautious characters and two reckless characters. I love that we have a balance, and we have a group that instantly portrays exactly how close they all are to one another. We’re not sure how these bonds were forged, but they are so well portrayed and so clear. These people love one another. They would do terrible things for one another, and I can’t wait to see what they go through together.

Count me very excited and very eager for next month’s addition to their story (and count me already sad we only get three episodes with them).

[genericpuff]

The Extended Mishandling of LO's S3 Midseason Finale Premiere

Alright, so I had mentioned leading up to the release of the newest LO episode that my feelings regarding LO returning were pretty "meh". Not hyped, but not completely back of mind either. Just sort of a weird calm before the storm type feeling that could go either way.

I'm glad I got to have that moment of calmness because good god, this episode was an absolute shitshow. And honestly, I'm not surprised, for several reasons:

Rachel has never been good at maintaining a buffer, even back at the start of the series she only ever had 2-3 episodes ready ahead of her schedule which is NOT an ideal buffer for an originals series.

Rachel has never been good at writing, she's very "draw first write later" and has stated as such in interviews that when she gets 'stuck' on what she's writing, she'll just start drawing and fit the pieces in later.

Four months is NOT enough time to both rest, attend massive conventions, and work on improving a project while also getting buffer episodes ready.

Because of the FP episodes remaining locked over the hiatus, technically Rachel only needed to have ONE episode ready upon return for the newest FP release, not multiple like she'd usually need like in the past during the S2 midseason hiatus or the season finale episodes which would unlock those FP releases like normal - so for all we know, she could have drawn this episode literally last week, especially when the promo material was so last minute. Frankly I think it was REALLY stupid for whoever it was who decided to keep these FP episodes locked (whether it was her or WT, it was more likely WT) but you can read all I have to say about that in my review of the midseason finale episodes.

All that's to say, no, there was never any guarantee Rachel was going to somehow "turn around" the ride we're currently on. I know that many of the critics were hoping for that to happen, but with the circumstances of the hiatus mixed with Rachel's bad habits of putting her best efforts into the procrastination projects that aren't her actual comic (ex. the few original pieces and LO sketches she put out during the hiatus) it just wasn't in the cards. This is where the comic is at and this is where it will remain until it's over.

I want to also point something out about this episode that was... really glaring to me.

As with all of these hiatus returns, LO got priority advertising in the first two banner slots and push notifications AND a popup ad within the app. This is unsurprising, Webtoons is still trying to milk this thing for what it's worth.

I know a lot of people are gonna focus on the art, or the fact that WT is continuing to shill LO, but I wanna point out the part that WT implemented specifically - "NEW SEASON".

This is literally just false. At best I'd like to think some intern just messed up and thought this was a new season, but it's literally not, the episode designation still says "S3". Note that the creators only design the banner art, the actual labels on top are put there by Webtoons.

But at worst, this feels like blatant lying to continue to hide the fact that LO is ending. Mind you, Rachel and Webtoons have still not put out official posts stating that this is the final arc. There is NOTHING from either of them to communicate to the audience that the comic is ending next year. It feels like they're trying to avoid the topic altogether out of fear of losing the fanbase they still have, rather than hyping up the comic's end for those who have stuck around to see how it all wraps up. And honestly, I wouldn't be surprised if this was the case, considering they're now trying to funnel the fanbase into Penguin/Inklore with new marketing deals and the whole Rachel Smythe Presents thing. They're trying to make this seem like the beginning of something "new" when it's really just a quiet shifting of management (Penguin House).

But all that aside, let's actually get into the episode. It's one episode after 4 months, which is not standard for LO's hiatuses, typically FP episodes release on schedule (meaning free readers start hiatuses 3 weeks after FP readers do), the only time this has been an exception has been with the 2 week breaks because the whole point of those was to build a buffer (which you can't do if you're going ahead and releasing the FP episodes anyways). For extended hiatuses like these, usually free readers still get their FP episodes, but that wasn't the case here. That means Rachel technically only needed one episode ready for the comic's return, and it shows. It really fucking shows.

FROM HERE ON OUT THERE WILL BE FASTPASS SPOILERS REGARDING EPISODE 254. DO NOT CONTINUE IF YOU DO NOT WANT TO BE SPOILED !!!

As per tradition, we get a title that means nothing at all. It just says what we already know.

Our collective husband Zeus is dying, no thanks to the poison cupcake fed to him by Apollo. For those who don't remember, Apollo had tricked Zeus into eating the cupcake by making him believe it was from Hebe. We are fully aware that it was Apollo who poisoned him. Remember that for later in this review.

Right off the bat we're off to a hilarious start, both with a cryptid appearance from Apollo in the background (lmao) who is, for some reason, ALREADY returning to the scene of the crime he just committed because... who knows at this point. Apollo and Psyche know it was Apollo at this point, I might add, but I have no clue why Apollo is actually returning to the scene of the crime when he has no idea Eros and Psyche know.

Moving on from that, can we talk about this hilarious dialogue?

"We have to call a doctor! Let's call Asclepius!"

"No, we can't trust him! Gosh darn it, why are we only bothering to think of ONE doctor in this universe where we've seen more than one doctor?? Guess Zeus is just gonna die! What a horribly contrived situation this is!"

And that's literally how I can best describe most of this episode. Contrived. There is a LOT of manufactured drama in this that makes ZERO sense even on a surface level.

And what do you mean exactly, Eros? "What a terrible system!" Is this supposed to be a joke? Lampshading? We've seen Persephone go to the gynecologist. There are non-god doctors who tend to gods all the time here.

Eros just doesn't seem to be that pressed over this, he sounds like Ned Flanders and that's NOT a good way to open up a scene like this... let alone an episode people have been waiting four months for.

Anyways, after a few pointless reaction panels (again remember I have to cut a lot of what I show here for Tumblr image limitations but I promise you, I'm keeping as much important stuff as I can in this, there's just THAT MUCH filler at this point), Eros and Psyche confront Apollo and he is... good god.

There is... so much to unpack here.

First of all, remember those theories about how Rachel was clearly trying to write Apollo as this "secret twist villain" the whole time but it doesn't work because Apollo is simultaneously written as both a 'conniving villain' and a massive dumbass at the same time?

Well, I finally have a more appropriate term for him. He's your average red pill redditor - someone who thinks he's smarter than everyone else when really all he does is sit on reddit all day using big words incorrectly in arguments he gets himself into with a bunch of equally-air-headed dumbasses.

"You can't possibly understand the nuances of the Olympian political system," Apollo said proudly, a man who had, ironically and obliviously, run for president in a monarchy. The union of kettle and pot is eternal.

He's the Slappable Jerk but instead of it being a painfully hilarious impression, it's just painful and hilarious for all the wrong reasons.

this is so stupid because it's 1.) Eros pointing out how obvious Apollo's plan was, despite Apollo acting smart two seconds ago with a goddess who, mind you, has been a goddess for ten years, and 2.) patricide isn't even intrinsically linked to politics, there's nothing 'political' about a guy trying to kill his dad except in, idk, a monarchy, which again, Apollo has spent ten years trying to rise to power in as a president which is a completely different form of government.

If I wanted to be really granular with this, I'd like to think Apollo is making some kind of point about the critics who call out LO's whack as fuck political system (especially in the trial arc) - as if he's saying "well you're just a stupid reader and this is fantasy where you don't understand exactly what political system we're using, so shut the fuck up you stupid twig" - but I don't think it's meant to be that deep. I think it's just Rachel trying to write a smart character and then failing at it because she, herself, is not a smart writer. And I'm really inclined to believe that more than the theory about this being some kind of meta-narrative about the critics because this entire plotline is contrived and stupid down to its core.

I did not cut anything out here, that's the pacing. Leto literally just appears out of nowhere and uh oh spaghettio's, she has Kassandra! Remember Leto? The character we were led to believe was truly "pulling the strings" until she disappeared from the story completely after she realized that Apollo and Persephone weren't a thing, even going so far as to call out her own son for being a fucking dumbass? Well, she's back and once again she's being involved as some kind of "double agent" in this whole thing, even though we literally haven't seen her since halfway through S2.

"Mm yes, you're so stupid, falling into my trap! Even though you had no reason to remember Kassandra anyways because she's literally a mortal woman you just met and you yourself have committed acts of violence against mortals without a shred of care! I'm so smart! My plan is all coming together!"

We've never seen Apollo do anything except cry and poop his pants, the closest he got to being "powerful" was his attempts to murder Daphne (who he seems to have forgotten about in this "master plan" of his) but ultimately he's literally just a piss ant baby and there's no reason to believe that he could somehow outmatch the God of Love who can literally manipulate people's emotions and states of mind with his arrows. But yeah sure go off, you're so powerful and smart.

The worst part is, I can't even buy this as the narrative trying to be like "see how manipulative and conniving he is?" because it's just silly. We've SEEN this man cry with his victim complex, we've seen him say and do the DUMBEST things that don't lend to any amount of "intelligence" he may have, it comes across less as him being "smart the whole time" and more as him trying to sound smart but ultimately sounding incredibly stupid. And I can't even immerse myself into it and buy that maybe that's the point, because it doesn't feel like the point, it just feels like inconsistent writing, he doesn't feel like a 'threat', he's just monologuing.

Bad art and Apollo literally just repeating what Leto already implied so this is a waste of the audience's time.

This is the funniest panel in the whole episode because I can't tell if Apollo is supposed to be in the background (for some reason, despite him literally being in front of Eros and Psyche two seconds ago) or if he's in the foreground and just REALLY small for some reason. This is so off-putting. And of course, it's just Apollo explaining what we're ALREADY SEEING ONSCREEN.

You see, in addition to this episode being contrived, it also talks down to its audience a LOT by explaining exactly what we're seeing onscreen. It's like Rachel saw the criticisms about her not including enough to depict what's actually going on in her head and so she thought the solution was to spoon feed information over pictures that are already doing the job of explaining what's going on. Rachel really doesn't know how to write and even when she tries to implement changes that reflect criticisms that have been made of her writing, she somehow makes things worse because she completely misses the point of what those criticisms are trying to get across.

Anyways, without even trying to resist (for some reason) Eros and Psyche get sentenced to horny jail.

They're now trapped in a basement that Leto somehow has in her home. How do we know that?

HAHAHA FUNNY LAMPSHADING SO FUNNNYYYYYYY

Leto claims that they shouldn't try to escape because the dungeon is "enchanted", but she doesn't even bother to explain what that means. So they literally don't bother trying. They don't try to call her bluff, they don't try to teleport out of there, they literally just go "well shoot", shrug their shoulders, and accept their fate. Just like with the whole "we can't trust the only doctor we bothered to think of" situation, Eros and Psyche are turning out to be some of the stupidest, lowest-effort characters in this comic who literally can't be bothered to try because that would require too much brain power.

Notice how much time we've spent on this and we haven't gotten back to where the cliffhanger of the last episode left off? Well buckle up because there's still more to cover.

So it turns out Hebe was still inside with her dad, in FULL VIEW of what was going on through glass which is somehow COMPLETELY soundproof, and when Apollo steps inside, she just has no idea what happened. She never bothered to even look outside to see what was going on with Eros and Psyche, she's just been sitting on the floor staring at Zeus' dead face for what was likely several minutes, unless Rachel is seriously trying to convince us that conversation and hostage negotiation from earlier only took 2 seconds. The timeline is such a mess at this point that characters basically freeze in place as soon as they're not the focus of the scene.

Apollo rushes inside, acting shocked over the situation, and when Hebe asks where Eros and Psyche are (again, she could have just looked out the window at any time), he's just like "dur idk they just left lol" which Hebe just... buys, I guess.

That's just Persephone but yellow. She's even missing her beauty mark.

See how Apollo put his hand on Zeus' chest/shoulder by the way?

Apparently, despite Mr. Smarter Than Everyone Else trying to pretend it wasn't him, he's able to discern that Zeus is dying from a toxic and rare poison just from touching him. He doesn't even really seem to use his powers, he just touches him and goes "welp he's dead i guess lol don't bother asking me how I know that".

But oh nooo remember that note from before? Well gasp Apollo's gonna use it to frame Hebe! In front of no one else at all!

Hebe of course says she didn't write it, but Apollo continues to try and frame her anyways, even though, again, there's no one else present here, and so it effectively just becomes the most absurd form of gaslighting I've ever seen.

Again, THERE IS NO ONE ELSE HERE IN THE SCENE. He's just trying to claim she did it to absolutely no one at all, in the hopes of... what exactly? That she'll just take the fall for something she knows she didn't do? That she'll somehow be convinced? It's not like Hebe has the same thing going on as Persephone where she has a 'wrathful dark side' he could pin it on, this is just a criminal who just robbed a building pointing at the first person they see and yelling "YOU DID IT!"

All I'm saying is that Apollo would be really bad at Among Us. He'd be the type of player to kill someone, hit the report button, then claim yellow did it which, even if he DID convince the rest of the team, would still get kicked anyways as soon as yellow was proven through the eject to not be the imp and everyone would go "okay cool so yellow wasn't the imp, that means obviously it's purple self-reporting." It's a trick that doesn't even work anymore because of how old it is. Hebe isn't a child here, she's an 18 year old woman who should be fully capable of raising an eyebrow and wondering why Apollo is this quick to accuse her - almost like he's trying to hide the fact that he did it.

But Hebe can't catch onto this, just like Eros and Psyche, she has to act stupid for the sake of the plot.

At first I thought maybe Rachel was trying to do some "whodunit" scenario, but that doesn't work here because we already know who did it. And while there are stories that exist like that that pull it off (ex. Knives Out) the problem with trying to do this the way Rachel did is that the person being framed has to have this thing called motive. The reason why Knives Out and Glass Onion work so well is because the person who was murdered (or conspired against) is someone who is being targeted by multiple people who could all be the murderer. It's quite literally called out in Glass Onion as a form of smart lampshading. "It's like putting a loaded gun on the table, and turning off the lights."

But it doesn't work here because Hebe does not have motive. If you're going to attempt to frame a murder on someone, it has to be someone who would have reasonable motive to commit that murder, even if they didn't actually commit it.

And who among Zeus' children has motive?

What about the war-mongering bloodthirsty god of war who has been regularly sentenced to time in the Mortal Realm to fight in wars in which he's been regularly injured?

What about the chaos-seeking wrathful goddess who would do it to get revenge on the parental figure who cast her aside, or even just for the fun of saying she did it?

Why try and pin it on Hebe, the doting daughter of Zeus who's only had a collective of maybe 20 panels in the entire comic?

But then I realized... it's not Knives Out, it's the fucking Lion King.

Which is just as contrived - if not more - than the assumption this was gonna be some attempt to frame Hebe. It's not. He's literally just trying to keep her from assuming it was him. He could have just as easily played dumb without calling attention to the note but he intentionally went out of his way to try and be Scar from The Lion King , while completely missing the point of why that scene worked in the original movie.

Scar wasn't trying to 'frame' Simba for Mufasa's murder. He was trying to hide the murder, while also attempting to get the only heir to the throne out of the picture, so he passed the guilt of the death onto Simba - a child who, unlike Hebe, wouldn't have the ability to rationalize or realize his uncle his a scumbag - who then ran away from home because he was too terrified to face his family for what happened, assuming that it was all his fault when it wasn't.

That's not how this is panning out here. Hebe is the now 18 year old daughter of Zeus, and not one of his only children. She doesn't even fit into the whole "sons overthrowing their fathers" prophecy like Aries would. Apollo is literally just being a big idiot here by saying "well I'm gonna give you a headstart to run away, because if you stay, I might hurt you" (which btw, should be MORE of a smoking gun that Apollo did it??)

And again, it's all so contrived so that the plot can move forward. "Well I'm going to frame you for this murder, but y'know, you should just leave, I'm not gonna try and press it further lmao"

Again, Apollo is a fucking idiot here, because he just attempted to frame someone who has NO MOTIVE to harm Zeus, to absolutely NO ONE at all who would side with him, only to let her go which would leave her to question why Apollo would try to accuse and harm her in the first place before considering other options. And through ALL this he claims he's the smart one, which I can't even be bothered to "love to hate" because it's written so poorly.

And really it all comes down to how everyone else behaves in relation to Apollo that makes it so stupid and unbelievable. Apollo, you're not smart just because all the characters around you are intentionally being written to be as stupid and non-confrontation as possible. If you can only write a smart villain by making everyone else stupid, you haven't written a smart villain, you've written a dumbass whose victory only happens due to contrived plot convenience. It's not even done well like in Glass Onion, it's just bad writing, full stop.

And who does he call to report this emergency? The satyr police? His son the doctor?

No.

The media. Literally just "hello, the media?? I need your best journalist here stat!"

I need you to understand, even if he were calling a tabloid magazine like The Weekly Nark, you don't just... call a journalist to report a murder. These are not the actions of someone who's trying to absolve himself of guilt, these are the actions of a complete dumbass trying to get news coverage of his trophy kill who would be better off just playing dumb instead of trying to play smart. Even Walter White wasn't this fucking stupid despite all the times he fell on his own sword, Apollo is literally just instigating suspicion towards himself for no reason at all. He's self-reporting so hard and worst of all, you can't even take any of this seriously because of how corny it is. There's no dramatic tension, no stakes, it's just a bunch of characters performing in a really bad stage play and reducing every conflict to "well I guess Zeus is just dead now because no one's bothering to make an effort to stop Apollo or ask questions lmao"

It's truly the epitome of "this plot wouldn't exist if characters would just talk to each other."

But finally, FINALLY we mention the thing this episode is named after, the transition point to Persephone.

Just like with the midseason finale episode, there's a lot to cover here, so I'm gonna get more into it in a part two post.

That said, you can see already this is the messiest, most contrived bullshit to ever wind up in LO. It's trying so hard to be smart and it just comes across as a bunch of toddlers in the world's worst stage play rendition of Clue. None of what was done here was in any way dramatic or tense, it's just a bunch of characters infodumping shit we already know, trying to set up new plot threads that don't make any sense, and allowing one another to get away with what they're doing because they don't bother to even try.

It's completely manufactured, contrived nonsense. It's not "smart", it's not "so dumb it's brilliant", it's just dumb.

[martyryo]

Okay

I don't do..anons. so yes, just gonna ask this as me‼️ Hello‼️‼️

When

Right okay, I saw your art like the yellow red one right and I saw you talking about your tulpa in that and it took me a second cause at first I thought you were doing a Collab with someone and I was looking for a tagged account or something 😭😭 and then I was like hang on it's not been tagged so it can't be that. And then I saw the hashtag about the tulpa thing and my brain was like, I've heard that term before. And I had, but it was cause of Supernatural. Think the episode was Hell House, either way in that course some kids draw a sigil and don't know what they're doing, spread a rumour and enough people see the sigil and believe the made up story for it to become real. I'm gonna hazard a guess that this isn't what's happening here. Cause 1. No axe murderers are present and 2...idk. suppose it wasn't on accident lol

But basically, what I'm asking is, what's gone on? Like please could you define what a tulpa is cause I'm a tad bit confuseled. I've got a grasp. A jist if you will. But yeh, that, and how it works for you and how long all this has been about for because yeh, the original post confused me a lot and I had no context to understand what was going on lol

Hiii!!!!!

Ok so, never watched supernatural cause I lack media culture, but I looked at the fandom wiki and I assure you it's NOTHING like that 😭

Ik the practice of creating a tulpa comes from buddhism and is related to religion and stuff, but like I found out about it through an online friend back in 2017ish cause they developed one. Needles to say, in these cases we're talking about the western interpretation of the phenomenon that is mainly psychological and not spiritual.

With a tulpa you bascially create a sentient being on a subconscious level that shares the body with you. Please note that this is not in any way related to conditions such as DID, as you do not have the splitting of a subconscious, you actually add more of them into a body. And an important aspect that separates tulpae from alters is that with a tulpa you're fully aware and consensual with having a second person inside the body, you will never accidentally develop a tulpa out of the blue.

To make an example also, imagine there's a wheel with a hamster inside, they represent respectively the body and the subconscious mind that inhabits it. Now imagine there are more hamsters but they're in the same wheel. That's a body with more subconsciouses (I might be butchering this word I'm so sorry).

Needless to say, doing this requires a long trail of meditation, as one needs to focus on everything they perceive out of a person normally (the way they look, talk, move, smell. you get it, everything) and obviously their personality. These things do change with time once the tulpa settles as a stable part of the host's (the one who creates them) life, but at least sketching down the idea of the person that you're creating helps in the overall process.

Ok so. The most important part. A tulpa is NOT evil, and cannot be evil. That's something I found out in the guides I followed at the start of my journey with my first tulpa. They have no reason to turn over their creator cause they are meant to be companions. I'm not super informed on the theory thing now cause I got into it two years ago and since then we've just been living, but there articles online who talk about this so feiughirgh

Now, in my experience Jack came to be part of my life around two years ago, on july 9th. I was going through a weird depressive period where I would not talk to anybody and felt like shit over nothing. During that time I also used to watch fight club a lot, like three times a week, and grew obsessively attached to the characters to the point all I thought about was fc (this feels so weird to remember omg). Anyways, remembered about my friend with the tulpa, and decided to do the same thing. So I got informed on the procedure and gradually managed to develop Jack over time :3

On the 27th of Trevor also started developing, in his case it was Jack that went throughout the major part of the creation process cause I was busy with school, but yeah since then it's been the three of us living life yk.

Also, I obviously got better since that summer, them being with me helped me out a lot and obviously I didn't create them with the intent of getting. Free experimental therapy or some shit. They are part of me and I love them ver very much, knowing that they're always with me brings a sense of sheer comfort in my life. I just love my bros man. Then again, I suck at communication so there are days when we talk less. nonetheless we still interact via concepts or through the headspace (mental landscape where they pretty much live when not fronting).

Oh, also lately we've been aware of the fact that Jack is kinda always fronting (fronting is having control of the body btw kewnkfkgb) during the day when we are in silence at a school or on the bus, while I am the one that keeps the conversations with people (ironic ik). Trevor instead has no interest in the outside world, he just stays in the headspace and works as a mechanic apparently (he doesn't tell me where his workplace is also??? like for no reason at all also, I can't find that fucking place no matter how much I roam around).

Ough ok I know I sound a bit insane saying those things, but that's how it is 💨

With tulpamacy there are so many aspects one can discuss, but again, there are guides online where everything you need to know is explained, and they are explained better than whatever ramble I'm putting down here. I'm not an expert of the field, I just happen to be living it yk.

Sorry for the long and I guess confusing post, there is much more stuff I could tell you about but like. I think this manages to get the overall idea of how we work out 😸

[injuries-in-dust]

My Amazing Digital Circus theory of the people who became the characters:

All of them work at this C&A company (logo seen in episode 1)

Kinger: Programmer. Worked on the digital circus, perhaps he was even head programmer. He entered the game to do some final debugging. Most likely some tweeks to the AI and hopefully fix the issues with collisions we saw in episode 2. Brought his wife along to see the wonderful game he had been working on.

Ragatha: I feel she worked in HR. She likes everyone to get along, tries to de-escalate situations, and tries does her best not to be a bother to others. However she can bring down discipline when he has to (like tying up Jax in episode 3). I think she was put into the game by force. Someone put a headset onto her, to get her out of the way, after she was going to go to the authorities to stop the company, basically, torturing people trapped with the game.

Jax: I buy into the fan-theory that Jax is a rogue NPC within the game.

But if he isn't, then he's an unpaid intern. He either put the head set on willingly, thinking he could get to play this game for free and before its release to the public, or he was ordered to put it on to be a beta-tester. (why pay for a play test, when you can just get the intern to do it.)

He may not even be fully aware of why he's mean to everyone, and I'm sure he thinks he has reasons; "none of it matters, it's not like the NPC's in the games are real." or perhaps, "It's not like we can die or anything."

Honestly I think it comes down to, after who knows how long of being the office gopher and paying for the bosses coffee order with his own money (no reimbursement), he just started out by getting major catharsis against the other company workers.

But he's enjoying doing that way too much, and the fact that there are no lasting physical consequencesto his actions is leading him down a very slippery slope toward becoming a sociopath, maybe a psychopath.

Gangle: Worked on art and design. We've seen Gangle likes to draw and sketch and that may mean they created concept art, or digital designs for some, or all, of the named NPC's within the game , from Gummygoo, to Martha Mildenhall.

I think she also has depression symbolised by how their main body is a big loop of ribbon (empty inside). They've learned to hide it (or mask it) behind fake smiles and insincere laughter.

I also think art is both their hobby and a kind of their therapy, helping them just pour all their feelings out through their creativity.

They do feel joy at times, especially when it's quiet and no one is putting any demands on her, and just let her do her own thing. Episode 3 is evidence of that, where she was happy to be with the group, not necessarily taking part in their activity but enjoying being there and doing her own thing. Namely, sketching.

Zooble: They're non-binary and has issues with dysmophia, or dysphoria.

The reason they ended up in the game is the same as Jax, it was cheaper to get them to play test than hire a play tester. But I think Zoople is an actual paid employee, not an unpaid intern.

The vibe I get with Zooble is "freshly graduated from college and this is their first job." They're young enough that they're still figuring themselves out, which doesn't always mean young, but it more often found in people under 30. However they have a certain level of maturity to them. They set up Kaufmo's funeral, and spoke at it, despite how uncomforatable they can feel discussing their feelings.

Pomni: Whoever is in charge at this C&A company, Pomni worked alongside them. Maybe a business partner, I think more of a PA.

Their clothes are telling; a Jester. Jesters would work for a monarch and entertain their guests, just as a PA would work for the company boss and would handle people that the boss didn't want to talk to. The privilage of being the PA to the company boss would give Pomni more leeway to talk freely without risk of being punished. Just as a jester had that privilege within the royal court.

I'm trying to hint that Pomni may have been the one to pass down the orders that put Jax and Zooble in the game. I don't know if I'm saying it well enough.

Two lines in episode 3 stuck out to me, after Pomni is in hell.

"How's your wife, Kinger?"

Did Caine program that into the game? Did he get that specific insult ready in case Kinger accompanied Zooble into the scary path of the game?

Or did the evil-souls pull the knowledge our of Pomni's head? Because Pomni observed these events on the outside.

Caine did say that any torture is accidental on his part.

The second line: "I knew it would turn out like this... he just wants to torture me."

Was she talking about Caine? I don't think so. I think she was talking about her boss.

For resons currently unknown he forced her to put on the headset, but she knew what would happen if she did; she would lose most of her memories and be forced to play the games until she went nuts. Would her boss listen? No. Her conclusion, whatever reason he gave to get her into the game was a lie and it was just to torture her.

[yourlocalartsonist]

MONTHLY MFIP UPDATE✨✨

9/24 | Month 2 | Next Month | Month 1

Hey folks 🦐 I finally got the chance to make this month’s MFIP Update cuz god damn life was kicking my ass. College is fine for the most part tbh, just a lot of reading and writing cuz of the specific classes I chose. HOWEVER I have 💥FUCKING PMDD💥 so um skill issue on my part but it’s why I’ve been kinda exhausted as shit this week and was late with the update so my bad folks! (Also for more info on PMDD, click here! I don’t wanna spend this post yapping about it but wanted to leave a resource to spread awareness just in case :3). Also, Imma be tagging some of y'all who have been reading/supporting MFIP consistently just for this post, so yk you guys actually know these updates exist. I was gonna do that for the first ever update but as with many things, I forgor, so I'm doing it now! They’re supposed to come out on the 18th of every month, but yk sometimes life happens and I’m a lil late. It won’t be any earlier than the 18th tho so look out for these once it hits that date! Anywho, cheers to this month’s update!

Alrighty folks we be starting with the Art~!

Alrighty so obvious new thing, WE GOT RAPH’S REF SHEEEEEEEET TEEHEEEEEEE

BRO IM SO HYPE ABOUT IT! It turned out so genuinely amazing and I’m ridiculously proud of it! Especially cuz I honestly thought Raph was gonna be a harder design to figure out yk? I’m not used to drawing his body type, I wasn’t as familiar with his outfit, and even tho I’ve sketched him a few times before, I was just a bit nervous with Raph. Funfact, he’s also been the hardest to figure out how to write back when I was first starting MFIP. I genuinely don’t know why, but I got there eventually (I actually really love writing him now—) and same thing happened with his design!

Since MFIP’s taking place a few months after the Krang invasion, i’m able to take creative liberties and update the boys’ designs more! For some clarification btw, in my story’s lore, the invasion took place in September 2020, and MFIP starts on March 2021. Anywhizzle, my ideas for the boys’ designs is to combine their movie look with their show look, cuz while I do LOVE the black on them, it doesn’t feel right to me to not make them still unique in their own ways. These guys are all about authenticity, so why make their gear exactly the same, ya get me? I basically recolored his show gear to be black and red (and added a lil asymmetry on his legs) cuz I think it makes Raph feel older and more sure about himself, just feels right for him! I also just think the red fade on the black is hella cool! Fun lil color theory i think application, the black is more of a really dark, inky blue, so it makes the red pop out even more! I decided to make a bow out of his mask tails, too! I don’t wanna spoil the entire lore reasoning for it yet (it’ll pop up in the story), but I can indeed say it’s intentional that it looks a little like a lunamoth with damaged tails :3 I also took a BUNCH of creative liberties with his sais’ handles, since we haven’t really seen it much so like idk gaslight yourselves into thinking it’s always been this epic✨✨

Also I gave him his shorts back because FUCK YOU I LIKED THE RED TRIMMMM—

OH I ALMOST FORGOT yes he has longer eyelashes! I saw he grows to have really pretty eyelashes in the future cuz of his turtle species, and I wanted to lean into that by showing they’re starting to grow now :3

Bullshit Gag Because Yes‼️‼️

There ain’t shit to say about this, I just pulled a silly. I saw the fact Donnie was supposed to have a “Doctor Donatello” persona in the deleted episode where Dale turns into a werewolf. I’m really heavily on the train of Leo being the team medic and into medicine in general. I don’t think it makes sense for Donnie to be the medic judging by his sensory issues and this mf being as much of a germaphobe as my mom, and in my opinion it felt too stereotypical anyway to have Donnie be the medic. Ofc, to each their own, and this is just my interpretation of it, but I thought it’d be funny if Donnie still had this persona and was passionate about it, but was like horrifically bad at being a doctor. I made this dumbass sketch that I’ll finish sometime in the future (it’s gonna be a chapter in Arc 3 probably) and I just wanted to share it with yall~

THEY’RE HUMAN NOW⁉️

My ass wanted to show off cuz I’m sketching out some ideas of what my human designs for the boys culd be. I already did Leo’s like ages ago so he’s not on here but I’m realizing as I’m typing this my dumbass forgor to post it so um my bad I will do that in a few days—

But I wanted to design (or more accurately, redesign cuz I did draw em once a while back but I’m not satisfied with them) and I think I ate so far so uh yea. There isn’t any logic to sharing this, I just thought it was cool😭

And actually, imma share them here too just so y’all can see my boy ;w;

(A lil outdated cuz I didn’t give him lips at the time)

Okay there we go~

As you can see, I want all the boys to look kinda etherial and like they'd turn heads, and I think I am SUCCEEDING SO HARD SO FAR CUZ DAMNNNN THEY'RE ALL PRETTY AS SHIIIIIIIT TEEHEE✨ Also am tryna make sure they actually look Blasian since that's what the canon of my story says they are. I'll talk about them more another time when I have all of them on here~

But yea that's all for art this time folks :> ONTO THE NEXT THINGGG

Chapter Progress Time Whoop Whoooop‼️‼️

I didn’t make much progress on anything this month due to college—again, it’s fine, but there’s a shit ton of time management going on in my part to just manage everything and make sure I’m on track—BUT I am indeed still working on chapter 10. We’re up to 20 pages now which is only two more pages written from last month, but it’s kinda cool writing Donnie and I feel like I’m getting a better understanding of him! One thing I’ve been tryna do is understand autism better as a condition cuz I do wanna acknowledge and show bro’s autism instead of just ignoring it due to a lack of understanding. Donnie ain’t Donnie without it, ya know? I don’t know everything and tbh I would say I still have A LOT to learn on the subject matter, but I’m tryna expand my knowledge every opportunity I get and experimenting with how to better show it! This is to say tho, I’M NOT A MEDICAL PROFESSIONAL, NOR AN EXPERT ON THE AUTISM SPECTRUM. This is what I’m finding and comprehending via my own research, and can tbh end up being wrong so please don’t quote me as a reliable source, I’m still learning ;v;

I remember one of the things I kept hearing about was autism leading people to struggle with empathy. The best way I heard it being described was someone bringing the example of when their friend was upset. That person can’t truly feel their friend’s emotions because they’re not the one experiencing it, so can’t properly understand how it’s making their friend feel. But they can see that their friend is communicating their sadness, and they still try to comfort them and make sure their friend knows they’re there for support. I understood it as bringing logic to emotions in a sense; collecting data and figuring out how to handle the situation based on the data rather than using intuition alone.

I’ve been using that to figure out how Donnie might handle more emotionally subtle situations, where he might try to rationally work through what’s happening and kinda substitute it in place of natural empathy. Like the little tidbit I gave above! Instead of just automatically being able to get vibes that the other person is upset, I felt maybe Donnie would instead notice the fact their tone is kinda different from before; it’s basically a data point. With that data point in mind, he could connect it to past experiences where a tone change could indicate a mood change, and as a result he might conclude that Salena’s tone change means she’s upset. I comprehend it as manually working through empathy rather than it being second nature, if that makes sense. Obviously and thankfully Donnie isn’t gonna spend the entire chapter playing a guessing game or anything with Salena’s emotions, it’s just one lil moment that I thought was cool challenge to myself with when writing him! I really love putting myself in the characters’ shoes when I’m writing them or their dialogue. I highly recommend it as a tool too, since it's helped me a lot with staying in character!

Last Lil Segment Y'all

Aight so, I wanted to try doing something cool if y'all are up for it. I really love rambling about my story and lore and characters blah blah blah, but I don't really know how to do so tbh. I'm not that familiar with how social medias work cuz I just never took it seriously, and I don't wanna just keep being like HEYYYYY ASK BOX IS OPENNNNN like I'm screaming from the top of the hill either. Sooooo insteaddddd

I think it'd be fun to do Q&As here! Or at least something similar. I'll open my ask box again and feel free to send any questions you want; it can be about the story, past lore, design questions, getting to know the characters, absolutely anything! Then when I'm gonna do my update for the month, I'll compile all y'all's asks, (prolly will have to tag to make sure you guys know I answered it, or if you ask anon then uh idk look out for the monthly update) and then answer them during the monthly update as the last section! I think it'll be a cool way to make this feel more interactive, and gives me an excuse to ramble. Don't be afraid to ask potentially spoilery questions either! If it's something I can't spoil yet or even give hints or vague answers about, I'll just say so in the update!

Anywhizzle, That's All Folks~!

I'm glad there was so much to talk about this month! I actually deadass thought it would be short but I should know better with my yapping' ass💀✨ But yeah, thanks for reading everyone! I hope y'all enjoy the rest of your days, and I shall see you next month~ Bye :D

Tageroonies:

@yosajaeofficial @chaoticspeedrun @ramblehour @randomcerealbrand @goldanrabbit @m1sf0rtun3 @foundthethief @ackalice @jellyfishheartsss @dollyrin @harukonene @iieieiw @mwantstossleep @zipzaizen @hypocriticaltypwriter @lordfreg @rainbowpr1sm @idioticsky @oleander-nin @cheeselord-official @skittlesqueen101

By the way, if you guys think you’d like to be tagged whenever an MFIP chapter is posted, lmk in a reblog or comment (no asks or dms plz, too inconvenient) and I’ll be sure to tag so it’s more reliable than tumblr notifs :3🫶

ROTTMNT: Moths Fly In Packs

[denimbex1986]

'...In season 2, Gaiman and his co-writer John Finnemore takes us beyond the pages of the original book and focuses on the millennia-lasting connection between the book-loving angel Aziraphale (Michael Sheen) and the demon Crowley (David Tennant), who cares more about saving humanity than he'd care to admit.

While fans are certainly eager to see more of Aziraphale and Crowley, actors Sheen and Tennant were also more than happy to reprise their roles. "It was very pleasing to slip back into those slightly too-tight trousers," Tennant joked to me about donning Crowley's wardrobe once more. I talked to him about "Good Omens 2" before the SAG-AFTRA strike, and we touched on how season 2 even came to be, what it was like to have Jon Hamm's amnesiac Gabriel throw a wrench into Crowley and Aziraphale's relationship, and — for a brief moment — about fan fiction.

With the first season, there was the source material from the book, but season 2 is new territory. How did Neil [Gaiman] pitch season 2 to you, and when did he pitch it to you in the process?

It gradually came into focus over a couple of years, probably. I mean, from the initial idea that there might be more story to tell, which probably had its genesis way, way back as a sort of fantasy idea, really, where we were shooting [season] 1.

And then [season] 1 came out, and I think from that point, there was a slow realization that actually there might be more to come. Neil was clearly excited at the idea, and I think Amazon were keen to do it. And Michael and I were thrilled that we would get to return to [these] characters. We always thought it was a one-off. That was how it was pitched. That's what we were contracted for. When we started off on that journey, there was never a sense to go further, but what a treat that it was going to. And I think Neil would drop us little nuggets down the months and years, really.

Then there was a point, now when would it have been? I was in Romania filming "Around the World in 80 Days." Michael was, I can't remember where he was, but we had a Zoom call together where Neil read us the first scene, the opening scene, which is, if you've seen it, you'll know we meet a very youthful Crowley and Aziraphale, very much way back at the beginning of time. And Neil read that out to us over a Zoom call and then gave us a quick sketch of what the rest of the series was going to be. He told us some of the other writers that he was working with, and some of the early ideas, and he told us how it ended. That was all worked out, and it just felt delicious, really. I mean from that moment on, it just felt like it was always meant to be. It felt like it was such a perfectly formed idea. I think it's fair to say that Michael and I didn't need much persuading.

One thing I love about both seasons is that Aziraphale and Crowley are definitely an odd couple, but in "Good Omens 2," they're an odd couple who gets a toddler — at least in the first few episodes with Gabriel.

Yes, yes. That's a very good logline. Yes. The odd couple with a toddler.

I have a toddler, and some of the lines, I was like, "Is Neil in my house taking audio of my child?" Because you had the established dynamic with Michael for Crowley and Aziraphale in the first season, how did the dynamic change in those scenes with the two of you and with Gabriel when he's in that toddler state?

Well, I suppose it's Gabriel's very presence that changes it, isn't it? I mean, he's the grit in the oyster there, because I think they've just about managed to figure out a way of existing separately and together without their head offices ruling their lives. They're living with existence in the shadows on Earth and actually having probably quite a reasonable time. I mean, Crowley's living in the back of his car, which isn't ideal, but they're bumping along, and they can spend time together with less of the threat of being told off for it.

The absence of heaven and hell has actually been quite a good thing for them on the whole. So to have Gabriel revisiting is a bit of a disaster. Especially — I mean, he did try to discorporate Aziraphale and that Aziraphale was actually Crowley at the time, and that's not something Crowley's wanting to forgive. So to have Gabriel back in their midst and inexplicably amnesiac at the same time, it's not really what they needed and it's not helping them to keep their heads down. So it's brilliant in terms of setting these characters off on a new story and taking them to places they didn't imagine they would ever have to go. It's a fantastic device and like you say, yes, it's a bit like the odd couple with a kid, or two supernaturals and a baby, something like that. And I think that's the joy, isn't it? If there's characters that you know and love, you just want to spin them into a situation that they've not been in before and sit back and enjoy it.

Another thing in season 2, and I'm going to keep this spoiler-free, but there are a lot of flashbacks to other points in time, which you got a little bit of in the first season. But I think we get more of it here, and one of the things with those flashbacks is that you, especially as Crowley, get to wear the most magnificent costumes. What was that like for you, to embody these clothes and portray Crowley through all those different points in time?

Who wouldn't get a kick out of being able to reimagine what that version of Crowley would've been? Because unlike Aziraphale, who tends to be a bit more conservative in the way that he addresses whatever period he's living through and in some ways sort of changes very little, Crowley leans into wherever he is and tries to find the zeitgeist of the moment and chew it up and spit it out a little bit. So from a design point of view, that's great fun. Obviously, Kate Carin, our costume designer, was allowed to run riot, because you get to design a period look and then add another 25% on top of it. And Stevie Smith, who designs my makeup on it, gets to find new ways of sticking facial hair on me. And it's hugely fun to play, and hugely fun for everyone to create.

And those little stories — the stories within the story — to get to see those characters at different points in their existence, it's a treat. It was always Michael and I's favorite bit of the first [season], that sequence — episode 3 where you saw them traipsing through history. And so it was delicious that there was more of that in season 2, and they're very much crafted at specific points in the story to illustrate an element of how Aziraphale and Crowley's relationship has developed over the millennia and why they are where they are now. So they're not just indulgences for us all. They're very specific plot points to tell.

I'm sure there's fanfic out there that's similar to what we see of Crowley and Aziraphale, and it's interesting to see the official version of it.

Yes. I mean, I've experienced some fanfic in my time. I think it's best, probably not for me [to read]. Sometimes you find yourself doing some very, very extraordinary things. So perhaps I'll leave that ....

No, I think that's wise on your part. And then for my last question, it just looks like you're having fun when you're playing Crowley —

I wouldn't want you to imagine anything other than very, very hard work. Very difficult, very dull, very boring. I'm never enjoying myself at all.

Yeah, no, of course not! But for Crowley, is there anything you do to get into that mindset?

It was interesting going back for series 2, because there's been quite a gap between filming 1 and 2, and I was a little bit concerned that the voice or the walk or whatever else it might be have slightly left me. But once I was staring at Michael Sheen's bleached white hair and his ... oh, I could be rude. I'm not going to be rude. So no, it all sort of seemed to come back fairly easily, to be honest. I felt, there's certainly, it's a very pleasing character to inhabit and all that full cynicism that he splashes around himself, which actually hides, I would say, a heart of gold, although Crowley would never admit that himself. It was very pleasing to slip back into those slightly too-tight trousers. It really was a pleasure. It was great fun.'

[maniculum]

Bestiaryposting Results -- Hreksong

Slightly awkward timing on this one: the animal in question happened to come up on a recent episode of our podcast (We literally quoted a line from the Bodley MS 764 entry, because it was relevant to the story we were reading). So any of the artists who listen may have gotten spoilers. (I say "may", but I've already seen one art post that references the episode.) Sorry about that, artists. Kind of a bizarre coincidence, actually -- it's pretty rare that we happen across bestiary material in a narrative text, and the fact that we did so shortly before the relevant entry came up in the rotation... well, the odds are against it.

Anyway, anyone who doesn't know what this is about should check out https://maniculum.tumblr.com/bestiaryposting. You can also check the "maniculum bestiaryposting" tag to see what beast is the current prompt. The entry for this week's drawings can be found here:

Art below the cut, roughly chronological, as always.

@silverhart-makes-art (link to post here) decided that the best interpretation of the information given was that this was a sort of arboreal mongoose that practiced mouthbrooding. If you want to know what the reasoning was there, you should read the linked post -- it all makes sense there. I absolutely love that the one in the picture is opening its mouth to show the baby riding inside. Silverhart indicates that this is a quicker sketch than usual, but frankly their animal-drawing skills are so good that even a quick sketch is impressive from my perspective.

@cheapsweets (link to post here) did separate drawings for the large outdoor version (upper image, carrying its young) and the small indoor version (lower image, stealing someone's food). The linked post, which explains the design in some detail, indicates that CheapSweets was thinking along similar lines as Silverhart -- i.e., what kind of animal is known for hunting snakes? I like the pose in the first image, and I really like the scene depicted in the second one. On one hand, I'm sure having little creatures live in your roof and steal food literally out of your hands is quite frustrating, but on the other hand, it's very funny. Look at that little guy just brazenly stealing some chicken (or whatever type of bird). The idea of them using their back legs to grip rafters for exactly this purpose is excellent.

@strixcattus (link to post here) decided these could be birds, and has drawn these owl-like creatures for us. They look a bit surly, but that could just be the feather pattern on their faces. As always, I strongly recommend checking out that linked post, as Strixcattus writes brilliant interpretations of these entries in the register of a modern naturalist to accompany the illustrations.

@pomrania (link to post here) has noted that cats live in houses and eat mice, and given us this charming domestic scene. They also note the issues with this interpretation in the linked post, which of course you should read. I think the poses of the cats are very well done here; one of those kittens looks like it wants to paw at the monk's belt but can very much not reach.

And now for the Aberdeen Bestiary:

I'm not sure about the head proportions -- I'd suggest that the flattened snout is because the artist ran out of space, if it weren't for the fact that they were fine letting the back foot extend into the border -- but that is recognizably a weasel.

A few things to note from this:

1. Medieval people apparently had not only mice in their homes, but weasels, which I'd never really thought about. I'm not sure what the distinction they're drawing between the type you find in your home and the type you find in the woods is about, though.

2. The weasel's healing magic crops up in multiple texts, including the Lais of Marie de France and Volsungasaga. It's less common than you might think to find overlap between bestiary-weirdness and narrative-weirdness, so that's pretty notable.

3. I have no friggin' idea why anyone thought they gave birth through their ears. Baffling.

[companion-of-the-dragonmark]

Are the Hamishes Based on Book Characters? (HTTYD)

(Special shout-out to @yv-sketches and the link to this particular fanart here. I'll never stop looking at their book drawings, they're so good!)

Well met, my fellow Dragonmarkers! Here's another article for Character Comparison series, where I try to find a plausible, even possible, comparison between show and book characters of HTTYD.

Today, we'll be diving into the Hamishes. Very well-timed, considering what I had found recently.

Shout-out to @noctusfury and his article on the Hamishes and the Mystery of the Missing Portrait(s). Very good read.

Now, for those of you who haven't watched DreamWorks Dragons, or have forgotten who these two are, they are two of several Chieftains of Berk that is seen in the Riders of Berk episode "Portrait of Hiccup as a Buff Man".

The portrait below is supposed to be that of the two Hamishes.

It must be said, of course, that there is some debate about that due to an apparent error that was made during production and that the portrait of the 1st chieftain and his son (the top left in beginning picture) was the real Hamishes, design-wise.

You'll have to read the post in the link above, since that gets into greater detail.

However, we're not here for that. We're here for who the Hamishes are and who are their closest comparison, in MY opinion.

Hamish the First was Berk's most successful and wealthiest chieftain, having been a raider and pirate and accumulated for himself a massive hoard of treasure. We can assume that his rule was a successful one based on the only description we have of this historic figure.

His son, Hamish the Second, was a Hiccup, in reality, and, after his father's death, and, presumedly after he was coronated as the new chief, he built a labyrinth of traps and riddles to protect his father's treasure, hoping that his successor, a future Hiccup, would be able to find it.

It must be noted that this young man was a rather masterful riddler and engineer — to the point that NOBODY was able to even FIND the labyrinth, much less REACH the treasure. He was also assumed to have been a friend of dragons, since it would've been impossible to build it without their help. Plus, he also knew dragon characteristics and intentionally built the labyrinth to be impossible to navigate without a dragon (you most certainly wouldn't have survived the fall without one).

Now, it is my belief that the two Hamishes — and this is rather obvious given their backstories — are based on Grimbeard the Ghastly and his son, Hiccup the Second.

Like Father, Like Son

When you think of it, everything fits — albeit, with SOME differences.

For instance, they were kings (Hiccup a prince), while the Hamishes were just chieftains — that we know of, anyway, from their VERY SPARCE backstory (come on, DreamWorks, get it together!). Hamish the First died before his son, while Grimbeard lived sometime after Hiccup (for certain - ahem! - reasons). Hamish the First had a successful reign as Chief while Grimbeard's rule as King ended literally in flames due to his crappy parenting. Hamish the Second was the one who hid his father's treasure, when in the books, Grimbeard hid his own treasure for his future Heir to find. Hamish the Second was also a genius engineer/architect, while Hiccup the Second was not, though both were excellent riddlers and writers.

And, while not proven, it is assumed that Hamish the Second wasn't your typical Viking, while Hiccup the Second, despite being a Runt, was your Viking's Viking, but with brains, beauty, and brawn (if yv-sketches' sketches are to be believed lol 😂).

That being said, there were several similarities.

1) Both Hamish the First and Grimbeard had successful reigns for the most part and were best known for their pirating and attaining massive wealth.

2) Both fathers had Runts for sons, but loved them dearly (probably at the expense of their thrones).

3) Both leaders had treasures that Vikings, greedy to acquire the hoard for themselves, tried to find but failed and even lost their lives over it. In fact, in both instances, the true locations of the hoards were hard to find in hard-to-reach places, were booby-trapped, and had dragon guardians watching over it.

4) Both Hamish the Second and Grimbeard had a LOVE for booby traps and hard riddles.

5) In both the show and in the books, it's shown how both Stoicks were greedy for the treasure, but later realize that their greatest treasure was their sons (Hiccup the Third).

6) Both pairs were Berkians and Hooligans.

7) Both Grimbeard and Hamish the First felt confined on Berk and preferred going to other places.

8) Both sons had a great love and loyalty for their fathers, and both, respectively, have shown that through their actions.

9) Both sons have had an ambiguous imprint on history that can't immediately be seen at first glance.

10) Both sons loved dragons very much.

11) Both likely met fatal ends due to schemes for the throne and the treasure. (There is no portrait of Hamish the Second and his son, so it's possible that, like Hiccup the Second, Hamish the Second could've either lost his life or was exiled because of the dragons he was friends with or simply due to the schemes of those who wanted the treasure and throne of Berk.)

12) While the TV show would've never had this in their content for viewer reasons, it would be interesting if both Hamish II and Hiccup II shared similar childhoods of being abandoned and then taken care of by dragons, only to be reunited by their fathers later.

13) Both pairs were likely succeeded after their deaths-cum-disappearances by their respective Chuckleheads as Chieftains of Berk, respectively.

The Viking portrait on the right kinda looks like Chucklehead, doesn't it? 👀

Okey-dokey, I think that's everything. Interesting how I had a point for every Wilderwest King in the books. There are 13 points for 13 kings.

Anywho, that's all for this article.

What do you guys think? Let me know if you have anything to add that I missed or needs correction.

Thank you so much for reading and for your support. It's been VERY fun writing these posts for you guys! 😁

Have a wonderful week!

Long Live the Wilderwest!

— Companion of the Dragonmark

[reagi-df]

I am very much obsessed with your Runt AU; I desperately need to know more about your ideas for this unique idea.

The updated designs on the turtles look incredible but of course; Leon is best boy. All of this praise aside; I do have a few questions:

1. When does Runt move in with the turtles?

2. What is Runt's and Splinter's relationship like? Is it antagonistic at first or is it full of comfort?

3. Has Runt ever tried pizza? If so what is his reaction to it?

4. Will the disaster twins be even more chaotic then usual with their relationship?

5. And finally, what is Runt's reaction and thoughts to his first turtle pile?

I've become so infested with the brain rot!! I adore you so much and I eagerly await the next crumb of knowledge from this amazing AU! <3

Hahaha thanks! im glad hes rotting your mind like he is mine. I was gonna do a drawing for this but never managed to get to it

Im glad you like the redesigns, I had been putting it off for so long. Mostly because I didn't want to draw Raph and I was talked out of killing him so I didn't have to draw him.

1 - Runt moves in with the turtles after the bug busters episodes, not so much by his own choice. He had suffered from a bad migraine but powered on only to get hurt by Draxum and then thrown off a roof. So he wasn't having the best of time. The boys took him back to the lair and Runt did try and escape but it ended with him running into a wall. So he stayed until for maybe 2 days? or well until he thought, it was reasonable time to go, and ran back to the Hidden City. After that he kept coming back to to the mission.

2 - Runt and splinters relationship... it's not really antagonistic so to speak. Runt defiantly isn't friendly with splinter at first. Runts more focused on his mission (the brothers) to really pay him much mind. So for the most part Runt will ignore him. It’s not really until splinter tires to make an effort and open up about his own migraines to runt that things slowly change. Splinter teaches him how to make tea and they have late night tea when they both can’t sleep

Very slow progress though, there’s things later on that strains the relationship slightly.

3 - since he grew up sheltered up until his first mission, he hasn’t really had a chance to eat a lot of different types of food. However it wasn’t until he was living in the lair full time, is when he started to experiment with foods but that was mostly Mikes doing. His first tasting was overwhelming for him and had refused to eat the rest. But it wasn’t until later where he started to crave it. And he would secretly go to the fridge at night until mikey saw him try and. Much to ruby’s horror. strawberries are his favourite though. Not allowed a lot of sugar after last time.

4. - The lair games really set into motion the rivalry and competitiveness between them. Runt love challenges, he’s competitive by nature but all from his training. He finds joy in tormenting Donnie. Sadly I haven’t got much yet for them but don’t worry they will have the disaster twin title.

5 - Runt grows to love turtle piles. They’re warm and cosy where he can burrow into them. I haven’t thought of when his first one would happen but I know he’d probably flinch away. Unsure as to what’s going on. Once he does hell still be a bit stiff and be on edge. He’s act like nothings wrong but will slip the first he gets. It’s his mission to get close to the brothers so he’ll do this that make him uncomfortable if it means he’ll get in their good books.

Ahhh thank you! I’m glad you like this crazy ideas xD ❤️ ❤️❤️ I do have somethings pint you can have these sraftsfs

Ahh thank you! I’m hoping to get more out cos I love this gremlin❤️. But it’s been slow, been hating everything I’ve been doing. But have some sketches

[inkymers007]

Fujiko Revamp & Rambles (Pokemon Horizons Oc)

Hi there! So I'm going to be doing something similar to my friend's, @khyiratw, ramble post. Because I so many ideas for Fujiko and how I'm going to write her and her crew into the plot.

So if you want to hear me go on about my oc! :D Btw most of the drawings are doodles/sketches done by yours truly.

🌕For those who don't know Fujiko's the captain of the Howlers. A group of pirates that take back stolen pokemon and give them back to thier rightful owners. As well as steal treasure from those theives and find treasure. The ship, The Howl Of The Storm, is Fujiko's pride and joy. Since not only did she steal it with her brother Ringo, someone who I'll talk about in the next post, but it was her first heist. I haven't decided on what the ship officially looks like, but think of it similar to Plasma Frigate in Black and White 2. It can fly but it's spends a lot of time in the sea.

🌔Despite Fujiko being the captain she doesn't look like the captain at all, nor does she act like it initally. She's very laid back and fun loving. Often getting into trouble for a thrill and because it would be fun. However she's cunning and very perecptive, picking up little details to use against her opponents. Thus making her a force to be rekoned with. Espeically if she's mad and serious about something. Since she'll go from some jokester, to someone cold and mericless.

🌓This attitude carries to her battling. With someone she likes or friends she'll playfully tease them. Regular opponents she'll banter with them trying to piss them off to get them to slip up and act irrationally. Meanwhile with someone she hates she or a battle more serious she'll be less talkitve and be more agressive ruthless.

🌒Onto some changes I decided to change up Fujiko's hair as well as her ace. The hair changed mostly for me, because it's very hard to describe Fujiko's hair color when writing. It's still gonna be long, but I might play with the colors as well as the stripes in her hair.

🌑Her ace has been replaced with a shiny Mimikyu instead of an Umbreon. This is mainly because I didn't want Fujiko to step on Spinel's toes by having an umbreon as her ace. That and I feel like it's more in character for Fujiko. After all Fujiko is Friede's rival and Mimikyu's have a rivalary with pikachus. I also think it fits her character very well since she's disgusing herself as a part of the crew rather than the captain to fool people. The mimikyu's name is Dusk and I might give them a lil pirate outfit because I think it'll be cute. :3

🌒Fujiko's team as of right now consists of Mimikyu, Salamence, and Basculegion. The reason why I'm holding off on revealing her whole team is because I want her to have two mega pokemon for her and with ZA coming up I want to wait until those megas come out to see if I want to incorprate them into Fujiko's team.

🌓I'm gonna be keeping the mega swords because I think it's cool. Here's a drawing of the sword she uses's to mega evolve Salamence:

🌔I'm working on revamping Fujiko's outfit. I thought that her original outfit looked bland. And while yes, that's the goal to not make her stand out I just didn't feel like was enough. I felt like there was something missing to her design and that it was lacking something. So I decided that I would redesign a bit and it's been fun! Here's a potential design I might use. I might change a few things, but otherwise I think it fits what I've been missing:

🌕If Fujiko was in the actual anime she'd show up in a handful of places and episodes to interact with The Rising Volt Tacklers, but not a whole lot. After all she doesn't have any connection to Rauka. And Friede's not going to tell her about it because you know... he forgot. :D

🌔Speaking of Friede, him and Fujiko are rivals. The two of them strive to one up each other and beat each other. Keeping each other on thier toes and inspiring each other. Whenever the two of them get word that the other is nearby they instintly go after each other. Seeing if one of them is slacking off or getting stronger. I won't go into to much detail into that because I want that to be a surprise.

🌓The only one who doesn't react that way is Roy. Because Roy gets really excited whenever he sees them fight eachother. The first time he saw them fight however he was kind scared, as he didn't know that Fujiko was a friend or not. After that though they were chill. Fujiko even becomes sort of a mother figure to Roy. She even went so far as to give him some books about Rayquaza. How she got those books may or may not have been through thievery.

🌒Each crew knows of thier rivalary and are just kinda like: "Ah shit here we go again." Some of them are even like: "God can you two just kiss already?" The only one who's chill about thier rivalary is Ludlow. Who knew Fujiko when she was a child. She looked up to him as a sort of mentor figure. So he knows she means well.

That's I got so far. But I'll hopefully come out more about the Howlers as well as thier dynamic with each other. So stay tuned. :D