#for his own apartment

[sheepstitches]

Oughh hii

[canisalbus]

✦ Freshly ordained ✦

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[phantasmatoucan]

INVERTED PARALLELS

[lotus-pear]

i love you royal trio (minus akechi)

[starry-bi-sky]

on a completely separate note; shizun luo binghe with a disciple shen yuan who fell into the abyss??? *thinks about LBH canonically stealing SQQ's corpse for 5 years* he'd hallucinate i think. like, like visual and audial hallucinations.

Keeps thinking he's seeing SQQ in the corner of his eyes, or wandering between the trees, amongst a group of disciples. Thinks he hears him calling for him, but its just the wind or another disciple.

Gets Xiu Ya reforged but patently fucking refuses to make a sword mound. Because his disciple Is Not Dead :))) There was No Body. He's Not Dead. And If You keep Insisting That He Is, He's Gonna Skewer You :). He's holding onto Xiu Ya so he can return his most favored disciple's sword when he returns. It's on his hip right next to Zheng Yang where it's supposed to be.

Also this motherfucker?? does not sleep btw. He has the image of SQQ, wide eyed and hysterical and standing at the mouth of the abyss burned into his fucking eyelids. Can't use the dreamscape to escape it either because he keeps trying to save him and either he does and it's an incredibly cruel trick to wake up to, or he doesn't and he gets his heart broken in several different pieces again.

There is no convincing this man that Shen Qingqiu is dead. Absolutely nothing at all. He is buried so deep in denial that moles would be jealous of how deep he is. He keeps making tea for two in the bamboo house only to remember that it's just him. SQQ's fans are hiding everywhere, little reminders of his presence. He goes to wake up SQQ on the mornings he sleeps in-- only to find the room empty.

[spoksstuff]

Home 🏠❤️‍🩹

all credits to the original artist @zaerxa on X, ig & tumblr

[chloesimaginationthings]

I love the idea that Michael is always gloomy and low-energy with a bit of snark but the mere IDEA of Foxy turns him into the most easily excitable person on the planet

YES, but I also extent that to every animatronic he really likes!!

[catgrandpa]

I need a fic where Bruce realizes this kid who shoved his way into his sidekick roll will not be leaving anytime soon, and instead of emotionally distancing himself he becomes a combination Helicopter Mom and Shotgun Dad.

☆彡

Tim: Bruce, I’m headed out to meet my friends at the mall.

Bruce: Is that Kent boy going to be there?

Tim, rolling his eyes: Yes, Kon is going. And so is Bart, and Cassie, and maybe Bernard if he can make it.

Bruce: Hnn. Do you have everything? Coat, scarf, keys, wallet, tracker, pepper spray, dagger, kryptonite shard, emergency beacon, first aid kit, fire starter, extra pair of-

Tim: Yes, Dad! I already went through the list with Alfred. I’ll be fine.

☆彡

Kon: Hello Sir! I’m here to pick up Tim!

Bruce: Follow me.

…

Bruce: Sit down.

Kon: In your study? Is Tim on the way, or…?

Bruce: I just thought you might need reminding of the fact that I have a vault downstairs full of items specifically designed to take down a Kryptonian.

Kon: Whuh?

Bruce: You should probably ask your father about the time I was slightly annoyed with him for encroaching on one of my cases.

Kon: Why are you telling me this?

Bruce: Now just imagine what would happen if someone were to hurt my darling little boy.

*door opens*

Tim: Hey Bruce, Alfie said Kon was here, have you seen him? Oh! Hey, why are you two in here??

Bruce: Oh, hey sweetheart, we were just chatting. Have a good time at the carnival!

☆彡

Dick, pouting: I don’t understand, you’re not this protective over who Jason or I date.

Bruce: Don’t be ridiculous, Jason and I may have our problems, but he would never betray me by gallivanting off with someone I disapprove of.

Dick, who covered for Jay sneaking out to visit Roy Harper just last night: Mhm yeah, sure. And you’re not worried about me?

Bruce: Chum, I’ve known who you were going to marry since you were 12 years old.

Dick: WHAT?

Bruce: I have the whole ceremony already planned. I’ve got Gotham’s best wedding planner on standby. You have a very nice house waiting for you both, 20 minutes from here. A modest 7 bedrooms on 5 acres of land.

Dick: I’m not even dating anyone?!

Bruce: I can’t wait to meet my 3 grandbabies:)

[fabuloustrash05]

"When I was a young man, I fell in love with a woman-"

"Oh, hey, is it that late?"

"Sit."

This is such a funny father and son moment between these two, and I love it way too much.

Not only with Raph trying to get out of hearing a story from his dad that he's not interesting in/in the mood to hear, but also immediately wanting out the second he realizes it's about his dad's love life.

[bluerosefox]

Saying Sorry Will Never Be Enough

Feeling a bit angsty so I had this idea.

Danny is dating one of the Bats/Birds, and everything is going great, amazing even! They know each other secrets (from powers to everything etc), they have a wonderful place to live (even if its in Gotham), Danny is in college on the way to becoming a space engineer (and he does side jobs for unrestful ghosts), he's actually getting sleep again since leaving Amity Park, gets along with their friends and family (those who Danny or his partner still talk to, up to the writer), there is even talk about marriage and perhaps adoption/kids in the future between Danny and the Bat/Bird he's dating!

Everything is setting up for a good life in his future, something Danny didn't think could have after his accident. He was happy finally, and currently packing up his old apartment because he's moving in with his partner in a few days.

So he felt like his core was being pulled out of him when he opens his apartment door one day receiving a knock to find his parents, who had hadn't seen since they kicked him out of the house after coming clean about being Phantom (their words of anger and denial that their son was 'dead' and now a monster, still hurt)

Sure they didn't attack him or proclaim he's dead but still their last words and anger HURT.

Danny didn't give them a chance to open their mouths, both looking nervous and guilty, before he slams the door close and turns invisible, grabs his phone, and fly's out of his apartment to his partner's place in a panic attack.

His partner, isn't happy.

[valtsv]

But I have promises to keep—and miles to go before I sleep.

I couldn't stop thinking about VAL listening to Shrue's radio speech when she confronts Carson, and wondering just how many times she listened back to that recording while waiting for him. Did it bring her some comfort, to listen to someone else's last words as she waited to speak her own? Did she feel a little less alone, keeping company with another ghost that hasn't realised it's already dead?

[auxxrat]

so sick and tired of the “jedi are an evil and abusive cult that steals children” as if half the reason they weren’t protecting these children is bc sith were out killing them or TURNING THEM INTO SITH. they weren’t even STEALING children to begin with I thought we all knew that was Palpatine’s game not Yoda’s.

[camifandomfan]

*The fam is over at Tim’s apartment*

Jason: Ohhhh, we each get our own oven?

Tim: …No…

Tim, laughing: How many ovens do you think I have???

Jason, motioning to their kitchen: Three, I thought!

Dick: I see a-

Tim, motioning to one device: This is a microwave.

Jason: Oh, well I-

Tim: Hey wait wait, actually- hang on- *fiddles with the buttons on the microwave*

Tim, amazed: Its got a bake setting!

Dick: Ohoho, you learn something new every day!

Steph: Do we- Do we roshambo for who gets to pick first?

Tim: Now I’ve just discovered I have more ovens than I thought, we don’t have to roshambo nothin!

Tim: I am a man who owns four ovens…

Tim, louder and way too happy: I am a man who owns FOUR OVENS…

Tim: I didn’t know I was so rich with ovens…

Jason, pointing to another appliance: Also the toaster oven!

Steph: Ohhh, toasty boy! Four- five ovens!

Tim:

Tim, fucking ECSTATIC: I AM A MAN WHO OWNS FIVE OVENS

[fluffylord]

Look how far I went, for fear of losing you.

[dreadfuldevotee]

Let Louis be arrogant, self-involved and not the most observant person in the room. This is the man who said he didn't know Lestat could fly even though they floated together in the pilot ep. The man who looked his daughter in the face and said she was wrong when she told him that his new boyfriend put his hands on her in a scene 10 minutes after the one where he told said boyfriend to stop being a dick to her. Louis Du Lac gave up on photography after a year when he received critique from someone other than his own machination of Lestat, even though he knew the photos would be a lot better if he exercised just a little patience. its fuuuun, it makes him interestiiiiiing