#feel free to add on to it tho

[ikol-art]

I'm not a writer so don't ask me for a fic, but

I keep imagining a scenario where Merlin is holding Arthur as he's dying, but with a magical grief outburst like Morgana's over Morgause. Except for Merlin it sends his time manipulation powers into overdrive and he ends up reversing it, all the way back to the beginning. I've read several fics where he time travels back, but in this scenario I imagine Arthur ALSO knows about it, because Merlin was holding him as it happened. Imagine Camelot at the very start of season 1 and only Arthur and Merlin have knowledge of the past/future 10 years. I'd imagine it would change quite a bit (they def support Morgana from the beginning, smuggle out any sorcerers because they don't quite want to actually murder the king, maybe Arthur and Morgana end up simply traumatizing him with their stances on magic idk, they adopt mordred and also hatch and smuggle Aithusa in, gaslighting everyone into thinking she's a bird)

Now Arthur has to do the whole 'keep Merlin's magic a secret' thing.. he's terrible at it, Morgana ends up knowing within 5 minutes

I would also imagine it would change the relationship dynamics, sharing 10 years with only one person is bound to bring you even closer together (yes I need merthur to happen here, but it could also be mergwenthur 👀 or if Merthur is endgame Gwen should at least get to end up with both Lancelot and Morgana, she deserves everything)

[corkinavoid]

DPxDC Recount Your Kids, Batman

[A loose continuation to this post]

Talia doesn't visit the Wayne manor. At least not regularly nor officially. All the batkids and Batman know she comes sometimes, just to check up on Damian and maybe bother Bruce from time to time, but this is the first time she has ever shown up to a dinner.

And, as they all take their seats, she gives Damian a long curios glance. Then, she looks to Bruce.

"Is that everyone?" She asks, easy and lighthearted. One might think she is simply not acquainted with the number of Wayne children or that she is teasing Bruce on the sheer amount of them. But Damian is looking down to his plate, and Tim knows for sure Talia keeps up with Wayne's head count, and Dick is fairly certain Talia would never tease Bruce, at least not so subtly.

It could have been some sort of a hint at Jason. If he was not here, that is. But he is, for once, so this is really all the family at one table.

"Yes?" Dick tries, looking around the table just to make sure. Steph and Babs are not here today, but that's definitely not what Talia could have meant. Bruce also looks just a little confused, which is a nice change of pace since he looked guarded and on edge from the very moment Talia showed up.

The woman hums, her eyes studying Damian. The youngest bat keeps his gaze down on his empty plate. No one really understands what's going on, but they all feel like there's something important and heavy hanging in the air.

Then, Talia stands up and turns to Alfred, "We will be dining later. It has come to my attention that kids are a lot more secretive than I thought," she explains cryptically and smiles at Bruce, "Beloved, will you come with me to the training grounds? I have something to show you."

Bruce doesn't move for a long moment, and Talia's smile becomes almost gentle, "It's about your son."

At least that makes the man move.

When they get down to the Cave - since Talia insisted this was not a matter that could be resolved in the manor's training room - it's not only her, Bruce, and the little bat there, of course. The whole family was way too intrigued, and some were even alarmed.

The most alarming part, though, was the fact that Damian had been uncharacteristically quiet on their way down. Yet, when Dick looked to Cass, she just shook her head slightly. The boy was not worried. To Cass, he looked almost resigned, if a bit displeased.

"Your sword, Damian," Talia commands, and the boy presses his lips into a thin line.

"This is not necessary, Mother."

"It is," the woman looks amused, but there's an underlying layer of concern to her tone.

"...Yes, Mother," Damian nods his head on what feels like surrender and takes his katana. Not the training one, the real blade. Bruce makes a soft, alarmed grunt, but Talia waves him off.

"Not to worry, Beloved. I will not harm our brethren."

She doesn't take a stance, nor does she pick out a weapon, simply lunges for Damian as soon as they are both on the mats. Two daggers seem to appear in her hands out of nothing, and, contrary to her words, her aim is towards Damian's neck. The boy blocks, jumps away, and blocks another attack.

Tim steps closer, "You can't just-"

"Step away, Drake," It's the first time Damian has spoken to them since they've sat down for dinner. His voice is tense, but not derisive. If anything, it sounds a bit tired.

Talia lunges for him again, faster, meaner. Metal clings against metal.

"You understand this can not keep going, my child," she tells the boy, startlingly gentle on the contrary to her definitely dangerous strikes.

Damian doesn't answer.

The rest of Batfam are forced to simply watch the encounter: Damian is mostly on defense as Talia goes for him, harder and harder with every hit. Until, without any warning, the woman strikes for Damian's arm, making him drop his katana, and-

A few things happen at once.

Talia lunges for Damian's throat. Bruce jumps onto the mats so fast that he almost trips. Tim yelps.

But Talia's blade doesn't strike.

A figure of another child, eerily similar to Damian and wearing the League of Assassins uniform, is standing in front of the littlest bat, two crystal clear blades in his hands, blocking the dagger.

Bruce halts midstep. The rest of the family holds their breath.

But Talia simply smiles and drops her daggers, backing away and looking at the boy between her and Damian with a fond gaze.

"Danyal," she greets, and the boy huffs, lowering his weapons. He doesn't drop them - they simply dissipate in the air, turning into tiny snowflakes.

"Mother," he greets back begrudgingly, and his voice is the exact replica of Damian's. A clone? No, because Damian reacts to him nothing like he had to the clones, simply clicking his tongue and rolling his eyes.

"You could have simply asked, Mother," he comments, taking a step forward and stading near the other boy. Danyal. When standing side by side, they look nearly identical - same facial features, same posture, same hair, even if Damian's is a little more tame.

But Danyal's eyes are just a few hues off. Still green but lighter than Damian's.

"I assumed if you have spent years living here and never bothered to mention your brother, I would need a little more than asking, my love," Talia doesn't laugh, but it sounds like she wants to. Both boys roll their eyes, perfectly in sync.

Hold the fuck up, brother?

"Huh. I thought you died," Jason mentions offhandedly, and the whole family whips their heads to him. Yet, before any of them speak, it's Danyal who answers.

"I mean, I did? Kinda?" He waves his hand in the air and shrugs, and he acts so unlike Damian while also simultaneously having his face, that it makes Tim shiver a little.

"You-" Bruce starts, seeming to finally find his voice, but the boy cuts him off.

"I'm not actually yours," he snorts at Bruce's facial expression, "Yeah, I know I look like I am. Blame the ghost sewers, Chronos, and my stupid ass for making decisions while not being fully awake."

There is so much to unpack in that sentence that no one has the barest of ideas on where to start.

Damian curves his lips down in a sneer.

"The longer you stay there staring, the colder the dinner will be when we return," he reminds them, and Danyal suddenly perks up.

"Dinner? Can I join? It's been ages since I've had anything home cooked," he smiles, like there's some kind of an inside joke in that sentence. Damian rolls his eyes.

"The food doesn't come alive in this household, Danyal."

"Bummer," the boy looks a bit disappointed, but not too much. "And it's Danny, for the thousandth time."

Talia picks up her daggers, hiding them somewhere in her clothes in an unnoticeable motion. Then, she gives Bruce a small, if a bit sly, smile.

"You can not call it 'family dinner' if not all your family is there."

[vonlipvig]

wordle: my wife of many, many years. simple, but reliable. knows that no matter what, i always come back to her.

connections: my mistress, exciting and unforgettable. a definite thrill, but puzzling, keeps playing with my head.

mini crossword: the woman i see on the train every day, our eyes meeting before she disembarks. alluring and promising, but fleeting.

strands: coworker i fuck in the storeroom, only to regret it later. weird, probably drunk. very flexible.

[maskofredacted]

Batman AU where the batfam is an extension of Gotham’s will so they can’t leave the city without taking a piece of it with them

Bruce, ever practical, has a batarang made from a steel piece off the bat signal (not that he’d be able to throw it but it’s a backup nonetheless)

Dick, Jay, and Tim have made it Robin tradition to carry pebbles in their pockets (the justice league has come to associate the soft jingling of rocks with the arrival of the Dark Knight)

Steph finds pretty rocks and quartz to crack open and share with Cassandra- and they cycle through their newest finds (cass does keep a shiny piece of obsidian in her utility belt, it was the first one Steph gave her)

Duke keeps a corner from a road sign in his pouch, the reflective yellow paint matches his theme- (what better representation of the city than perpetual construction)

Damian reverently carries a piece of deep green sea glass from the harbor. The color reminds him of his mother, and he finds the beauty fitting. (The irony that the only way for him to leave his new home is an echo of the reason he’s there in the first place is not lost on him.)

EDIT: LOOK AT THE REBLOGGED VERSION WITH MORE CONTENT ITS WORTH IT I SWEAR

[paarthursass]

genuinely love how the whole gang is like "fuck this guy"

[imhere-imqueer-ilikedeer]

“My body”? oh no you must be mistaken. This isn’t my body, this is just a thing I’m inhabiting for a while cause the other one was unavailable. No I will not elaborate.

[forgetful-nerd]

What do you mean turtles are highly trained ninjas? They’re just silly little goobers!

[smellpelt]

Goku in a suit compilation

[dapper-nahrwhale]

What each doctor would say when asked "what are your pronouns?":

1st doctor: now what ever are you talking about my dear, oh those radioactive spiders must have gotten to you worse than we thought

2nd doctor: *shrill recorder sounds*

3rd doctor: don't talk about me

4th doctor: who could say, really, I havent the foggiest idea

5th doctor: *gazes wistfully in the distance and sighs* oh,,, you know..

6th doctor: never refer to me behind my back to anyone or I'll beat you to death with a sack of hammers alright

7th doctor: hmm...ah, it's a secret ;)

8th doctor: Who? My what? Huh?

War doctor: was/were

9th doctor: I haven't got any pronouns, on account of all my nouns being amateurs hehe

10th doctor: Hurry! Theres no time for that, everyone is going to die!

11th doctor: I wasn't listening but don't repeat the question I'm busy

12th doctor: no she took my pronouns in the divorce

13th doctor: great question! :) anyways

14th doctor: Hurry! Theres still no time for that, everyone is going to die! Again!

15th doctor: ...

[moeblob]

Happy Birthday to Ferdinand von Aegir!

I actually made 33 emotes, affectionately known as Aegirglyphics to some, for my own personal use on discord. However, I figure why not share some of them! They're free to use for discord servers/icons/pfps or whatever. However, my only request is Do NOT use them as subscriber emotes on Twitch. You can make them free follower emotes but you are not to make them locked behind a paywall.

[levemetal]

No I won't elaborate

[obsessingoverthisandthat]

ANNABELL LEE

Is such a complex and lovely character, I can't. The difference between her thought process and Lenores thought process is beautiful and interesting-

She's a woman who very early in her life understood that she was not in a position of power, just by being a woman. That her life is controlled by a system everybody abides by that will never favor her. That she has to follow the rules of said system or even her family will cast her out as a mad woman, evident by the way they treat her anxiety/panic attacks. Nobody is safe. Nobody can be trusted. To keep safe is to follow the rules-

And the only way to get on top of anything, to gain even a smidge of control is to use the rules to you're advantage.

But this in turn demands of her to turn off care and empathy for others (which she is capable of btw. Annabell Lee is not just some unfeeling monster) Because factoring in how it would affect the other person, caring about another person is a risk factor to herself. And anyway, its not like anybody truly cares about her, right? Its not like there are people out there who would be willing to have empathy for her. They pretend, just as she does because it is polite. Some may even mean it on some level, but not truly. Not wholeheartedly. That's how she sees it.

She's on her own. Her true self is utterly and fully on her own.

Cue Lenore. Lenore started out just the same as any other person Annabell Lee could take advantage of. However, with one additional perk. She was a break. Annabell Lee didn't have to watch herself as closely, not maintain a facade as tightly as usual. Because she is talking to a mad woman. A woman diagnosed with hysteria, a woman shut in in the basement. She has no social power over Annabell Lee. Any accusations or similar can be explained away with her mental illness. So, with time she gets comfortable. Relaxes just a tiny bit. Lenore is pleasant company, sensible and quite smart to talk to.

She, on some level, understands Annabell Lee. And then. Then she cares.

And that is such an unfamiliar feeling. Such a dangerous sentiment. And ridiculous too, for why? Annabell is just taking advantage. Perhaps that's why Lenore is mad, for not quite understanding that. The social games and ladders.

And then the house burns down. And she grieves for a brief friend she had to leave, the first person who really cared.

And then Leo shows up.

Actually taking advantage of the rules, but in such a mad way, it is utterly baffling for her. It is the ultimate proof of care. Lenore cares for Annabell so deeply, it seems, she's willing to give away her life.

And she cracks. Because she desperately craves that. True companionship. True care. True love. And Lenore, wonderful, selfless Lenore, is willing to give her that. Does it with a smile and sacrifice.

So. The only sensible thing to do now. Is to make sure she keeps it. So, she cares back. So fiercely, she's willing to kill for Lenore. So fiercely, that Lenore becomes the only other real person in her life. The only other real person in the whole world.

It feels special. They are the only ones worth fighting for. They are a team, a unit. Annabell Lee truly cares for Lenore because Lenore will always truly care back. And that is worth more to her than a million other lives, that have never known true care even if it stood before them, waving.

Now, imagine the heartbreak when she understands, that Lenore is willing to truly care for others too. She never truly got the fact that Lenore wasn't all alone like her. That Lenore had a brother who truly cared and that Lenore became a madwoman because of said brothers death. She doesn't get it, that real connections do not require sacrifice. It is scary for Annabell that Lenore is willing to give up a lot for people, she perceives will simply not do so back.

Fact is Lenore was Annabells first and only friend. But Annabell is not the first and only friend of Lenores.

Fact is that Annabell thinks the only way to be safe and get ahead is to play by the set up rules. But Lenore doesn't see the sense in doing that if it harms her friends. Lenore would rather rip the system and rules apart than play by them. And that's always been the case.

Even if to Annabell, previously, it didn't look it. Even if Annabell thought they were the same.

And the most heart wrenching thing? Annabell will continue to act like she always has, because she values their relationship too much, values Lenore too much. Because that's how she keeps the things important to her, her life, her love, safe. And it will continue to drive Lenore away, because it requires sacrifice of people Lenore is fond of.

They will only get somewhere healthy when Annabell gains another friend and starts understanding Lenores point of view.

But Annabell is scared of that. It feels unsafe. She might become a madwoman.

So. We are at a cross point. Either Annabell Lee gives in or Annabell Lee loses Lenore.

Which. Fun. Is she gonna give in? Not without a fight, I imagine. It goes against everything she ever build up, against every rule of being she ever set for herself.

It is going to be difficult.

And there will be loss.

I'm so very excited to see it.

[deeply-unserious-fellow]

I DON'T have a favorite ship dynamic I DON-

...fuck-

[mr-president]

I think one of my favorite Funtermina things is how it uses characters as narrative foils, specifically in how those characters interact with each other and everyone else.

Karin and Daan’s is the most discussed as it’s probably the most apparent within the text: their volatile opposing viewpoints on life via their upbringings (despite being extremely similar otherwise). When Karin and Daan interact, it’s like a person arguing with themself. They clash like ammonia and bleach, unable to reconcile how similar they are (haha cleaning chemical analogy) yet toxic in their association.

Marina and Levi represent the different realities of Prehevil, what with Marina’s privileged upbringing versus Levi’s absolute shitshow of an existence. And yet, they get along incredibly well and form a cadence with one another because through each other, they can reconcile their upbringings in Prehevil. Levi is the Prehevil Marina tried to escape—Marina is the Prehevil Levi hoped to return to.

Marcoh and Olivia are interesting because—and I will argue this to the death—their relationship is wholly as siblings. And they’re also deeply connected by their relationships with their sisters, specifically how those sisters formulated and defined how they see themselves. Marcoh has done nothing but live to protect his sister, while Olivia has forever lived in her sister’s shadow. Their identities revolve completely around their sisters, and this also colors their relationship with each other as siblings.

I wish it was explored more, but I think there’s a level of disenfranchisement when Marcoh fervently tries to protect Olivia the same way he protected his younger sister (edit: rb for amendment). He clearly sees her in that role, and Olivia’s already got guilt written into her about her disability making her a “charity case.” I say this also because of their different opinions on guns, power, and death: Marcoh has no bloodlust and seems exhausted when he has to hurt others, while Olivia becomes almost jubilant when she receives a gun. And those reactions to enacting violence are directly informed by their relationships with their sisters: a begrudging responsibility vs empowerment.

My favorite is probably Abella and O’saa as foils. As characters they’re probably my favorites, and their foil makes it even better.

Abella easily connects with everyone around her, ensuring that they’re all getting along (or not killing each other) and she tries desperately to help everyone, even at her own detriment. She cares, so much, even too much.

O’saa on the other hand, is the exact opposite. He actively chooses to connect with everyone as little as possible, to the point where you can kill someone in front of him and he won’t give a shit. This is, obviously, to his detriment in terms of his goal towards enlightenment. He cares too little, even if at all.

They perfectly represent the dichotomy between altruism vs selfishness, the mundane vs the macro, democracy vs individualism. Fundamentally, both Abella and O’saa get shit done, and what makes them so compelling as foils is how similar the results of their different processes are.

Both of them are the only two that are capable of saving everyone. Abella does so by interacting with many of the other contestants, while O’saa does this by ignoring everyone and just occam’s razoring that shit. They both get shit done and to the greatest net success, but in both cases, because they operate on extremes, it’s to the detriment of themselves. The game shows this literally because, well, they sacrifice themselves to Logic for the greater good, but the game also implies this detriment via their moonscorches.

Chaugnaur represents how others have reduced Abella to a sexual object for their pleasure or a mindless brute for labor. It is a physical manifestation of how interacting and connecting with others can be to one’s detriment because Abella often cannot control how people see and define her. Mastermind, on the other hand, is O’saa’s brain swelling and overtaking everything else on his head to the point where he is blind (save for the eye) and mute, only able to speak in mumbles. Mastermind is how O’saa values logic, knowledge, comprehension over anything else, becoming blind to other viewpoints save for his own. Additionally, it’s unable to communicate or connect with anyone else, only able to ruminate get never share its thoughts.

Abella is one of the first to Moonscorch; O’saa is one of the last. I love them as foils because even though they’re the most different in terms of anything, they don’t hinder one another at much all. They’re just kinda chill. And this makes sense because their dichotomies aren’t volatile like Karin and Daan’s, nor complementary like the others. Rather, they operate in balance—you cannot be too altruistic without some selfishness. To help everyone and to achieve enlightenment, you must consider both the mundane and the greater picture. Society operates on a shared democracy and on empowering individuals.

Still, the fact that even operating on the extremes has the greatest positive effect (in terms of utilitarianism) really says smth abt whether these values even matter. But I’d argue that they do matter, cause it’s that question of whether it’s worth it to suffer or even sacrifice for the greater good.

As a whole, each foil represents a central theme/motif of Fear & Hunger: internal vs external locus of control (Karin and Daan), environment dictating identity (Marina and Levi), relationships and their impact (Marcoh and Olivia), and the thematic shitshow that is Abella and O’saa.

Tldr; the game is about some girls and their boy best friends.

[manawari]

When you think they are normal students, but they are not.

[angelsdean]

when dean. when he. when he looks at cas with thee softest fondest look in his eyes. yeag that's the stuff. LOVE IN HIS EYES. FOR 12 YEARS.