#annabell lee is just

[obsessingoverthisandthat]

ANNABELL LEE

Is such a complex and lovely character, I can't. The difference between her thought process and Lenores thought process is beautiful and interesting-

She's a woman who very early in her life understood that she was not in a position of power, just by being a woman. That her life is controlled by a system everybody abides by that will never favor her. That she has to follow the rules of said system or even her family will cast her out as a mad woman, evident by the way they treat her anxiety/panic attacks. Nobody is safe. Nobody can be trusted. To keep safe is to follow the rules-

And the only way to get on top of anything, to gain even a smidge of control is to use the rules to you're advantage.

But this in turn demands of her to turn off care and empathy for others (which she is capable of btw. Annabell Lee is not just some unfeeling monster) Because factoring in how it would affect the other person, caring about another person is a risk factor to herself. And anyway, its not like anybody truly cares about her, right? Its not like there are people out there who would be willing to have empathy for her. They pretend, just as she does because it is polite. Some may even mean it on some level, but not truly. Not wholeheartedly. That's how she sees it.

She's on her own. Her true self is utterly and fully on her own.

Cue Lenore. Lenore started out just the same as any other person Annabell Lee could take advantage of. However, with one additional perk. She was a break. Annabell Lee didn't have to watch herself as closely, not maintain a facade as tightly as usual. Because she is talking to a mad woman. A woman diagnosed with hysteria, a woman shut in in the basement. She has no social power over Annabell Lee. Any accusations or similar can be explained away with her mental illness. So, with time she gets comfortable. Relaxes just a tiny bit. Lenore is pleasant company, sensible and quite smart to talk to.

She, on some level, understands Annabell Lee. And then. Then she cares.

And that is such an unfamiliar feeling. Such a dangerous sentiment. And ridiculous too, for why? Annabell is just taking advantage. Perhaps that's why Lenore is mad, for not quite understanding that. The social games and ladders.

And then the house burns down. And she grieves for a brief friend she had to leave, the first person who really cared.

And then Leo shows up.

Actually taking advantage of the rules, but in such a mad way, it is utterly baffling for her. It is the ultimate proof of care. Lenore cares for Annabell so deeply, it seems, she's willing to give away her life.

And she cracks. Because she desperately craves that. True companionship. True care. True love. And Lenore, wonderful, selfless Lenore, is willing to give her that. Does it with a smile and sacrifice.

So. The only sensible thing to do now. Is to make sure she keeps it. So, she cares back. So fiercely, she's willing to kill for Lenore. So fiercely, that Lenore becomes the only other real person in her life. The only other real person in the whole world.

It feels special. They are the only ones worth fighting for. They are a team, a unit. Annabell Lee truly cares for Lenore because Lenore will always truly care back. And that is worth more to her than a million other lives, that have never known true care even if it stood before them, waving.

Now, imagine the heartbreak when she understands, that Lenore is willing to truly care for others too. She never truly got the fact that Lenore wasn't all alone like her. That Lenore had a brother who truly cared and that Lenore became a madwoman because of said brothers death. She doesn't get it, that real connections do not require sacrifice. It is scary for Annabell that Lenore is willing to give up a lot for people, she perceives will simply not do so back.

Fact is Lenore was Annabells first and only friend. But Annabell is not the first and only friend of Lenores.

Fact is that Annabell thinks the only way to be safe and get ahead is to play by the set up rules. But Lenore doesn't see the sense in doing that if it harms her friends. Lenore would rather rip the system and rules apart than play by them. And that's always been the case.

Even if to Annabell, previously, it didn't look it. Even if Annabell thought they were the same.

And the most heart wrenching thing? Annabell will continue to act like she always has, because she values their relationship too much, values Lenore too much. Because that's how she keeps the things important to her, her life, her love, safe. And it will continue to drive Lenore away, because it requires sacrifice of people Lenore is fond of.

They will only get somewhere healthy when Annabell gains another friend and starts understanding Lenores point of view.

But Annabell is scared of that. It feels unsafe. She might become a madwoman.

So. We are at a cross point. Either Annabell Lee gives in or Annabell Lee loses Lenore.

Which. Fun. Is she gonna give in? Not without a fight, I imagine. It goes against everything she ever build up, against every rule of being she ever set for herself.

It is going to be difficult.

And there will be loss.

I'm so very excited to see it.

[cerealman]

Modern au is rotting my brain :(

[seikcadaikea]

[k3yboi]

This drawing is taking too long I am going to fly into the sun

[call-me-chips]

In honour of the second season coming out in a couple days, I give you ✨️✨️the gossip besties✨️✨️

[padchai]

lennabel/white raven textposts because toxic lesbians will never stop falling in love with their rivals

Part 2:

[muzetrigger]

In celebration of Nevermore S2, I feel the need to explain why I’m hoping for more Ada page time/development and why she’s my absolute favorite character, despite the series being absolutely stuffed with quality.

Oh and also why MorellAda is peak. I WILL TAKE NO ARGUMENTS ON THIS POINT.

So yeah, MAJOR SPOILERS Y’ALL

Okay, so when we’re first introduced Ada, she’s a minor antagonist, not just in the sense that she’s not the main villain, but that literally, she’s just kind of an annoyance to both Lenore and Prospero. That being said, shortly after the Labyrinth arc, we see her genuinely impressed with Lenore and trying to make amends.

Now at that point, there’s no real reason for us to believe that Ada is telling the truth. Yeah, she seems like she’s being genuine, but so far, we also know that she’s been playing some social games to get ahead.

That’s where we get this first piece of insight into her character (not actually the first piece but whatever):

Ada chooses caviar as her last meal, despite not liking it, or ever having had it before. She is the only student who doesn’t enjoy her final meal, and that tells us that one, Ada doesn’t know what’s good for her; two, that she probably comes from a lower class background that never would have had access to caviar; and three, that she aspires to that upper class position. She is exactly what Morella would call a “phony” but while her phoniness impacts her social behavior in the ways that Morella criticizes, she’s also lying to herself without even realizing it.

Okay, but that’s a bit of subtle character development, so Red and Flynn hit us with this:

(In case you didn’t hate Montressor already)

This moment is so critical to understanding Ada because it shows that she has absolutely no limits when it comes to proving her worth to other people. Why? Because Ada has no sense of self-worth. She is completely dependent on other people’s thoughts to feel adequate. That’s why she clings so hard to Prospero and Annabel Lee, which makes this preceding exchange even more brutal.

Ada reaches out to Annabel for support, and Annabel ignores her.

Annabel BETRAYS her, and this is going to become something of a running theme for Ada.

Now, of course, Annabel has problems, but this is COLD.

So cold even Prospero is surprised, and this sets up why Ada crumbles so easily, because the one person she thought was her friend at this school, literally her roommate (and we know what happens when you’re not on good terms with your roommate), the person who gave her (fake) love advice, just left her out in the rain.

No one is on her side, not Annabel who’s ignoring her, not Prospero (who is rightly) annoyed with her clinginess, not Will who is supporting Montresor, and certainly not Montresor who is verbally abusing her.

The only person by Ada’s side is Morella, partly because she’s being targeted too, but also because Morella is trying to protect Ada.

(Look at that hug. That is a small puppy trying to cheer up her depressed friend.)

Chapter 39-40 firmly cemented Ada as my favorite character because we get a deconstruction of this preppy, pompous, phony personality into someone with crippling self-worth issues, and I don’t know about anyone else, but I relate HARD to those feelings of inadequacy and needing external validation. Will might be the doppelgänger, but Ada is the one with Imposter Syndrome.

Anyway, now we’re going to have to skip a few chapters, because while the haunted house arc is great, it doesn’t really do much with Ada’s character. We do learn that Ada was almost definitely a servant in her past life because she’s able to navigate the house’s secret passages, and we learn that yes, she’s a romantic who clearly doesn’t understand TPO (time, place, and occasion).

Those details are important to understanding Ada, because they help contextualize why her confidence is so abysmal (servants aren’t to be seen or heard) and why she clings so strongly to ideas of ladyhood and romance (the women she served would certainly have appeared to be more comfortable than her, though I’m sure Lenore and Annabel would disagree).

We also get this feast for the MorellAda shippers:

At this point, it’s implied that Morella has stonewalled dozens of students into Prospero’s death trap, but she makes one exception that she will not stand for, and it’s Ada.

At first, I thought this was a little weird, because why wouldn’t Morella protect Lenore? I mean, she’s the protagonist and clearly treats Morella better, but looking back, it’s telling that Ada is the one who Morella chooses.

Morella’s whole deal is that she wants to protect people, and Lenore isn’t vulnerable, Ada is.

Red and Flynn do a lot of excellent foil work in Nevermore, most prominently with Lenore and Annabel, but the contrast between Ada’s dependence on what other people think of her and Morella’s dependence on what she can do for other people is just another reason why I think MorellAda is so good.

But the real interesting events happen post-house.

Prospero has had it.

Now, was Ada being clingy? Yes.

Was she being totally oblivious to all of Prospero’s signals? Yes.

Did she deserve to be told directly that Prospero was just not that into her? Hell. Yes.

But did she deserve THAT much of a verbal beat down? Probably not, especially keeping in mind that Annabel told her this:

So now that I’ve thrown Annabel under the bus for her hand in this disaster, I want to look at one line from Prospero in particular:

“Nothing you say will make you good enough.”

It’s not the final line of Prospero’s diatribe, but it’s definitely the one that hits the hardest for Ada. She is trying SO hard to play the part of a lady in order to be loved, and she is being told that at a fundamental level, she is inadequate.

And she takes that about as well as someone who’s had this happen to them could:

A hatchet to the stomach’s going to ruin anyone’s day, but we can reasonably infer that the person who axe’d Ada was probably the young master she was serving and was having an affair with, and that he aimed for her stomach to abort any kind of child she might have carried.

Again, we see this theme of betrayal and rejection. Ada might not have been able to be a lady, but in an affair, she might been able to pretend that she genuinely had her master’s affection, even though she was just there at his convenience.

This was foreshadowed all the way back with Ada’s first confrontation with Montressor and it’s a great example of how thoroughly planned Red and Flynn’s writing is (Annabel Lee’s panic attack at Lenore’s death in the Labyrinth and the House Fire is another amazing example).

But, it’s also super traumatic which means we finally get Ada’s Spectre!

First, let me gush about how AMAZING this design is. Just aesthetically, it’s great. But it’s also amazing because of how it showcases so much of Ada’s identity. If you look at the spectre’s skirt, you’ll notice it has two distinct parts, a larger back that mimics a lady’s hoop skirt, and a pleated miniskirt, which wouldn’t be out of place in a skimpy maid costume. In her spectre form, we can clearly see Ada attempting to match a lady’s silhouette but upon closer inspection, we can also see the part of Ada that might have sparked her fatal affair, this symbol of risqué servantile behavior.

It’s also worth mentioning what ISN’T in the Banshee’s design, her abdomen. Obviously, this might be a reference to the fact that she was killed by a hatchet to the gut, but if we get dark with it (and it’s Nevermore, we can’t not get dark with it), what men traditionally (and unfortunately still do if the 2024 US elections are anything to go by…) value in a woman, her reproductive ability, is absent.

Ada, who places so much importance on what others think of her, is literally is worthless to them. (I want to clarify, I DON’T personally believe that, but from a 19th-20th century male perspective, that tracks.)

We could also read her abdomen’s absence as another attempt for Ada to play into feminine expectations. Because she’s missing her stomach, she has a tight hourglass figure. I don’t personally believe Ada has an eating disorder, but as the last dinner scene clearly indicates, she has a complicated relationship with food and what stigmas are attached to specific cuisines, and unfortunately many people do metaphorically throw away their stomachs to pursue beauty goals like Ada’s spectre does literally.

Stepping away from design, I also love how Ada acts immediately after getting the slightest bit of power.

She is PETTY.

She taunts Prospero (and let’s face it, you cheered. Don’t lie to me!), which I find so interesting because suddenly, Ada is the one giving opinions.

Ada is finally allowed to express herself.

Here, she takes it out on Annabel, which makes total sense. Annabel abandoned her and is the embodiment of what Ada craves outwardly. But Ada also recognizes that she herself is a servant who was forced to serve people like Annabel and denied their comforts because of her status. If Ada hadn’t been a maid, if maybe she had been a noble or a “true lady”, maybe should would have been allowed a romance or allowed to keep her child or at least allowed to live.

The Banshee is such a perfect moment, because until this scene, Ada has bottled up her insecurities and played the part of a loyal lackey and been this “phony”. As a servant, her entire livelihood would have revolved around keeping up appearances (or disappearances) around her masters, but as a ghost, Ada is more genuine than she has ever been.

And that’s so wonderfully displayed by how Annabel defuses the situation:

To the very end, we see Ada being vulnerable. Annabel takes advantage of her insecurities, and as the Banshee, Ada doesn’t try to hide the fact that it devastates her.

If the Montressor moment didn’t guarantee a place in my heart for Ada, Episode 71 definitely did. I’m not going to argue that characters in Nevermore haven’t experienced worse, but I will argue that no character in season one ever gets close to how pathetic and distraught Ada is here.

And what’s so heart-wrenching about this for me is that Ada is aware of how pathetic she is. She knows she’s been acting like an idiot and throwing a tantrum like a child, which is a surprising amount of insight and maturity for someone we have been led to believe is quite frankly an idiot. And yeah, I relate to those feelings of self-loathing and not knowing what to do or even where to start triaging a disaster I made myself.

Now, Montressor takes advantage of this like the abuser he is by swooping in and wooing Ada, but before that, I’m going to rewind like the shipper I am to replay this:

Again, we see Morella trying to help Ada! And obviously, that’s not what Ada needs at that moment, but it’s worth keeping in mind that out of everyone in the lecture hall then, Morella is the first and really only one to reach out to Ada. (Montressor is a manipulator. He doesn’t count.)

Last time skip, I promise!

The end of the Wall arc doesn’t quite reach the highs (or is it lows?) of Ada’s character development, but I’m so excited for what it sets up in season two.

So, Lenore and the gang find where Montressor has Cask of Amantillado’d Duke and they dig their favorite French man out while beating the shit out of our cowboy(?). There’s a ton of great moments (hell yeah, Pluto! Get him!) but the battle really swings in the misfits’ favor when Duke hypnotizes Ada to traumatize Montresor.

One, this is just an amazing display of Duke’s spectre, two, it shows that Montressor has reasons (maybe not great reasons but at least they’re reasons) for being such an asshole, and three, it shows us that mental spectre powers are straight up busted.

We already knew from Prospero that Ada’s fear factor could trap a person inside a vision of their own trauma so realistic they can feel the physical effects of it, but she can also send a man with a broken Fibula into a full blown frenzy, AND Duke’s hypnosis is something even he can’t dispel.

(Does this look like the face of a man who has things under control?)

It also sets up this exchange:

Morella is able to break through Duke’s hypnosis, and she does it without attacking Ada’s insecurities like Annabel did. Now, I’m a hopeless MorellAda shipper, so of course I reading into this, but even then, it showcases how important Morella is to Ada. After all, Morella is basically the only person who has stuck by Ada’s side this whole time.

…At least until this happens:

Morella has had enough of Ada’s excuses, and just like Prospero basically tells her to shove off.

But the painfully ironic part about this is, Ada is telling the truth. This ONE time, it really isn’t her fault. It’s Duke’s.

But Morella won’t let her get a word in and I love how Flynn drew Ada’s face. It’s a different kind of fear than when Ada was groveling in front of Montresor or reeling from Prospero’s rejection. Here, she isn’t afraid of being abandoned by Morella; she’s afraid of losing Morella.

I know that difference might sound REALLY contrived to some people, but in this case, Ada has a way to keep Morella in her life that doesn’t involve debasing herself and believes that Morella will listen to her. For the first time ever, Ada thinks she has a little control over the situation together with a friend, not an enemy. They can talk things out, and that really shows how close her connection with Morella is and how that connection can be the catalyst for Ada to start developing some self-respect.

Except Morella totally shuts her down.

Of course, I’m disappointed that there’s this “divorce arc” but it makes sense in context and it’s healthier for Morella to make a clean break from the posh crew (even though Ada clearly needs her wife more than ever, like come on, don’t leave her in Monstresor’s clutches!)

Speaking of which, I’m much more disappointed with how Ada immediately crawls back to Montresor and Annabel after being chastised. If there’s one thing I have on my season two checklist, it’s Ada learning to have some confidence in herself (and maybe tossing Montresor to the Hunt).

And I really want an apology from Morella and Duke to Ada. Now THAT’S delusional, and I might be the only one who thinks Ada deserves those apologies, because let’s face it, Ada is a wreck, but it would be nice, especially if she gives out the several dozen apologies she owes the misfit crew too, so that she can hang with them and spend more time with her wife Morella.

Anyway, yeah.

I really like Nevermore.

And I really like Ada. I think she’s severely underrated.

Of course I love Lenore and Annabel, and Morella is a precious and badass cinnamon roll, and Duke is so SO cool, and Pluto is cute as hell, and Eulalie is basically manga-Orihime (which is amazing), but there’s something so HUMAN about Ada.

I empathize with her in ways that I just can’t with the rest of the cast because… they’re just too awesome. I have difficulty believing Lenore or Annabel will ever feel something as fundamentally devastating as Ada has. At their core, they’re just stronger people. Ada is someone who needs more support and it’s nice to see those weaker characters treated with the same amount of care as a protagonist who we typically see stumble a lot but ultimately succeed. With side characters, there’s a genuine chance that they fail permanently and that adds so much to Ada’s stakes.

And honestly? I’ll say it. I think a lot of the students had alright lives or even good lives, they just happened to be cut short traumatically. Exceptions for Lenore (obviously) and Pluto (baby, you deserved so much better than your deadbeat dad), possibly Eulalie for having to live through WWII, but you’re not going to tell me that Montresor didn’t have a good run being awful, Duke didn’t have a successful performance career, and Prospero wasn’t a wealthy bastard. But who knows? We haven’t delved too much into the others’ backstories, so I could be very wrong.

Anyway, I guess this was just a very long-winded way of me saying I love Ada because I’m a total girl-failure and also I’m super excited for season two.

[lina-studen]

it wasn't just any promise, it was a pinky promise, one can't just neglect it!

[sickczyk]

i like to think that this is the entire reason annabel put duke in that wall and tried to kill him (again)

[blacknedsoul-blog]

Montresor is the Bad Ending of White Raven

So Montresor has a religious trauma. And from what little we know of the flashback to his death, the man was apparently a corrupt preacher.

What that tells me about his life made me crack my knuckles, because holy shit, this guy is an even better villain than I expected. And not for the reasons I thought at first.

Montresor's possible backstory

A fun fact: "unholy men" used to be called "sons of Belial". Same as Monty's Spectre type, so there's the initial connection, but with what we saw in chapter 87, this phrase from his mother resonates quite a bit:

Montresor was most likely a bastard (literally), and if he was raised in a religious community, that immediately made him and his mother outcasts. Possibly his mother hated him for "ruining her life". Whether this is true or not, the implication is that he grew up a victim of a system that decided he was sucked by the devil from birth.

In this light, Montresor's attitude towards the world is actually a logical consequence: he has decided that abuse is the only way to relate, and you can either be the victim or the victimizer. Of course, he is now the victimizer.

But he decided that because life taught him two lessons that were important enough to make him the person he is now.

"I know this game better than anybody"

We know from the clothes and hat in his flashback, and the cross around his neck, that Montresor was a preacher. And I would venture to say an excellent one: he has heard all his life that he is a demon, he knows better than anyone what terror hell produces in people, so he knows exactly what to say (or not say) to manipulate others through that fear.

Montresor, like Annabel, is someone who exploits his own traumas.

Annabel has been almost conditioned to behave like the perfect high-society lady, and that includes going to impressive extremes if it means getting something in return. She has engineered her way through life by identifying the currency of the people around her and knowing exactly what to give them so that they will, in her words "kissing her rings".

Loyalty gained through fear vs. loyalty gained through pretended sympathy.

Same goal.

If the world has made them that way, both Annabel and Montresor will use every last footnote of knowledge gained through trauma to get what they want.

But then there's something else they have in common: this deep knowledge of the rules of the game has also made them both know that the odds are too stacked against them to ever win. In the past, we've seen Annabel throw in the towel on her arranged marriage, but Montresor took a different path, much more along the lines of…

"So I'm not afraid to cheat."

Montresor decided that if people wanted a demon. He would give them one. The worst demon of all, because this one knows the rules: he knows how to play the game, he knows how to cheat and get away with it. We don't know the extent of his atrocities, but given what happened in the flashback and the fact that his idea of a sleepover is stuffing someone behind a wall to slowly suffocate, this guy must have a long rap sheet.

So long, in fact, that he was tied to the tracks of a train to be torn to shreds without even a trial.

Because if the rules are just there to screw you, then screw them: the only option left is to cheat.

Which is exactly what Lenore did when she burned down her house and pretended to be a man to go after Annabel. Lenore jeopardized everything Annabel said was important to her.

And she got away with it. At least until they were both killed (or, if those of us with our chips on Annabel's childhood friend, they may have both died without anyone knowing).

Now, in Nevermore, Lenore is still doing that, as we can see in her reluctance to kill or destroy Montresor: she refuses to play the game, refuses to follow the rules.

She will look for ways to cheat here, as she did before (something Annabel actually expects her to do). The woman is too stubborn to bend, and so far she seems to have the wind at her back (the question is, for how long?).

The bad ending

These elements make Montresor a complete exhibition of the ultimate consequences of taking Annabel and Lenore's attitudes to the extreme: a person who instrumentalizes her own traumas to unravel and try to inflict them on others, and who is not afraid to cheat for her own benefit if it means getting what she wants.

The only thing that separates Annabel and Lenore from Montresor is that they both still use these attitudes in the name of other people: Annabel for Lenore herself, and Lenore for the people she cares about. That both of them (still) seem to have their hearts in the right place.

But if Annabel continues to use her vast knowledge of this twisted game to work her way through people without caring, and Lenore still believes she's above all rules, here's Montresor to show them (and us) what's waiting for them at the end of the road.

[sofiiif]

Everybody with their spectres: **Having deadly abilities and fight face to face**

Annabel lee ,with the withered peonies: HERE COMES THE HURRICANE,BITCH!

[dearllorenna]

i always had absolutely sure that annabel was a bottom, i just wasn't sure that she would be a giant huge tremendous unscrupulous one

good thing now i can say it with 100% certainty

LIKE??? BITCH AT LEAST TRY TO DISGUIS THAT DEVOTED SLAVE LOOK

im not even going to comment on "good girl" because if that's not proof enough I don't know what is

[lyranix1201]

One thing that I don't see people talk about enough, Is the fact that Lenores family is so rich, that they are considered royalty. And I'm not even joking.

Even at the first time that I read it , I saw it and I thought "oh, they are rich rich"

So lenore is basically a princess, and now everything makes sense.

Because lenore is married to Annabell Lee, making her a princess too. And let say that , lenores parents die from unknown reason (i killed them). lenore would become a queen after her parents disappear from the picture, automatically making Annabell Lee also queen.

What am I getting at?

What is Annabell Lee called in nevermore? She is called the queen and who is the second most powerful chess piece in chess, a queen. Who job is to protect the king, the most important chess piece, the queen and who does Annabell Lee try to protect at all cost, Lenore. And who does lenore try to protect, annabelle lee.

This makes lenore the king/queen of this hypertatical chess board.

I am a genius ( i consumed 20 different types of drugs, well writing this.).

(This is just a joke, I don't do drugs and alcohol, I don't get any bitches and I don't go outside. I like to rot at home☺️.)

[ketterdamskaelishprince]

she might do bad things but she’s literally just a girl guys

[rafatouille]

just sayin

[annabel-lee-nevermore]

silly low effort meme because I'm a haunted mansion nerd and the new bride they installed looks so much like Annabel's spectre

bonus version for the one eyed black cat