#fantastic writing though

[brunchcorpse]

I think its absolutely hilarious that Dean and Castiel go through inhuman amounts of trauma over the course of a decade plus, and somehow they still arent the human x angel ship on the show that has gone through the most detrimental mind bending shit. Michael and Adam were literally trapped in hell together alone for over 1000 years and they walked out the other side healthier than Dean and Cas could ever possibly be. Iconic really

[themostuselesspotato]

I'm in denial

I finished rewatching arcane s1 at 2 am. I'm about to start s2. I am not ready for this. I am SO ready for this. I will never recover

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[ozzo-the-wozzo]

I need to you guys to stay with me and imagine Adrien Agreste experimenting with what to wear after he quits modeling but being hopelessly lost on where to start so, after much consideration, he gets the brilliant idea to mimic his friends clothing aesthetics.

So naturally one week he’s wearing a backwards cap and baggy jeans in an attempt to mimic Nino who is ecstatic and another he’s wearing a lot of flannel which makes Alya roll her eyes and another him and Marinette are practically twins much to his delight until she gently tells him he only likes it because they are matching and he should probably keep looking until he finds something that is his own.

But instead he just keeps on mimicking classmate after classmate until he runs through them all and he starts talking to Kagami who’s figuring things out herself and doesn’t provide much to go off of and he settles on wearing suits until someone mistakes him for Felix.

So then he decides to move on from people and starts to look on Pinterest at Marinette’s suggestion and he copies the outfits down to a science but why does everything STILL feel not right? He decides it’s the website so he moves on and copies what he sees in magazines and in ads and it feels a little better but he also feels a little sick when he does it and why isn’t anything right and he’s twisting the ring on his finger so much it’s leaving a mark and hes pacing around the mansion and it has so many portraits and his dad is in all of them and why is he suddenly getting the feeling nothing he puts on will ever be right and why in the world does this stupid ring feel so heavy.

And so after a month of experimenting, he gets up in the morning one day and decides to try on the outfit he always used to wear and attempts to do his grown out hair the old way and looks in the mirror and stares at himself for a while. He slips on his sneakers and then the door rings and he heads downstairs to meet Marinette for school. As they’re walking he is still trying to decipher what he feels and he suddenly realizes that his dad would like this outfit a lot. He smiles to himself and tells Marinette and she smiles weakly and says she supposes he would and then avoids his eyes.

Adrien feels that familiar twist in his stomach that tells him something isn’t right, but when he tries to reflect on why that would be he’s only met with the same fuzzy memories of his father that he can’t quite sort out. He wonders if that’s where the unease comes from but then he shakes his head because those memories must be good because his father died a hero.

And so he wears the same outfit he always wore, ignoring the fact it feels a little too tight on him and that it makes his new ring feel heavier than ever.

[auriidae]

goofy hermit doodles!! because uhh why not!!

[chase-ing-shadows]

AU where Atreus gets stuck as a bear and him and Sindri have to go on a brother bear style adventure to make him human again.

also open to the idea that this happens after Ragnarok and this is the story of how Atreus and Sindri reconnect

[aroaceleovaldez]

i would like to say my ideal PJO adaptation (if i was being physically forced against my will to have to pick a live action adaptation over an animated one for some reason) would be a combo like writing of the musical + casting of the show + visuals of the movies

BUT the show actually does have the playwright for the musical as one of the major writers for like three episodes and that did nothing for it. so...

[hailsatanacab]

For the prompt ask game!

9. Sleep deprivation and/or 37. Secret Relationship and/or 40. Identity reveal/major secret reveal

(I selected a few so you can chose the one that resonates the most.)

For any DPxDC characters. <3

*emerges from a google docs, covered in blood and panting* i did it... it is done.

thank you for the prompt!! because i love a challenge, or because i can't stop myself, i went and did all of them!! for everyone!! everyone is sleep deprived and everyone is revealing secrets ^^'

Danny/Tim, mentioned Jazz/Jason

(๑•́ ₃ •̀๑) enjoy!! prompt ask game

kid napping

“Red Robin, sound off. Status?”

“All good here, Oracle. Everything okay?”

It’s been a slow night, never a good sign. Pent up energy itches under his skin and he stretches when he stands, preparing for whatever Oracle is going to throw his way. It’s going to be something, he can tell.

“Good.” Relief briefly colours her voice answers, before she becomes serious again, keys clacking away in the background. “There’s been a report from Agent A. It appears that one Timothy Drake has been kidnapped and is being ransomed for five million dollars and a helicopter. I’m tracing the call now.”

“A helicopter, too? Kidnappers these days, used to be they just wanted their money and that would be the end of it… a fucking helicopter, wow.” Red Hood scoffs, and Red Robin can’t help but join in the laughter over the comms.

“Doesn’t exactly sound like these are the brightest tools in the shed now, does it, Hood? Wonder what poor schmuck they’ve got instead.” Nightwing says, slightly out of breath. 

The smile slips off Red Robin’s face and clammy, cold dread shivers down his spine. A stone settles in his stomach. He wets his lips and clears his throat. “Oracle, can you pull up the CCTV on my apartment near WE? Any closer to tracing the call?”

“Still on the trace, they’re using a jammer. Agent A is cooperating so they should phone back soon, which will help.” she reports, falling into silence as he finds the video feed.

“You know who it is?”

“I hope not.”

It’s tense, he taps his feet on the rooftop, fingers tightening over his grapple as he fights the urge to fly off the roof and check for himself. It better not be him. Please, dear God, don’t let it not be him.

“What are you thinking, Red Robin?” Batman growls through the comms. Red Robin can hear the wind under his words, whipping fast as he no doubt makes his way over to his position.

“I had a, uh, a friend coming over tonight. From behind, he… he could be mistaken for Tim Drake.”

The jokes fall silent, the comms growing serious as they pick up on his tone.

“Well, fuck.” 

“Eloquent as always, Hood.”

“Shut up, bat-brat.”

“You were right, Red Robin, it looks like it was your… friend they caught, instead. About two hours before the call came in. I’m following their van now, I should have the destination soon. In the meantime, it looks like they’re heading towards the docks.”

Red Robin throws himself off the building, shooting his grapple as low as he dares to get the fastest swing he can. 

They have Danny. 

Worry gnaws at his gut even as gravity pulls it into his throat with another swing.

Danny is… And Red Robin means this in the nicest way possible, but Danny is fragile. They haven’t talked about it, but RR knows that Danny has health problems. Something plaguing him since he was young, that’s landed him in the hospital more than once. A weak heart, far too slow to be normal, possibly chronic fatigue—he’s always so tired, falling asleep anywhere he can.

Sometimes, he doesn’t even need to put his head down. Once, when they had gone to the corner store to get some popcorn to enjoy their movie (which Danny had explicitly and repeatedly promised he wouldn’t snore through this time), Danny had rested his head on Tim’s shoulder while they were waiting and he’d just… gone. On his feet, asleep, just like that.

He’d laughed, when Tim woke him up. Apologised. Said Tim made him feel safe enough to fall asleep just about anywhere and—

Red Robin grits his teeth and corrects his course as Oracle updates them with more precise coordinates.

Tim had carried him home that night, piggy-back for four blocks, but by the end of it, he wasn’t tired at all. And that’s another thing, Danny’s just so light. It’s concerning.

They never did watch that movie, but it’s a night that Tim can’t help remembering fondly all the same. They’d ended up rewatching some old sitcom that Danny’s seen countless times but Tim’s never really bothered with, Danny drifting off to sleep again and Tim eventually following him, because… sleep is easy with Danny.

It’s the same for him, he thinks. He can’t explain it, but he feels safe enough to sleep with Danny, too.

He needs to be alright.

“So… Is this friend just a friend? Or a friend friend?” 

“A friend, Nightwing. Now hurry up.”

He’s not in the mood to play these games, not now. There’s a reason why none of them know about Danny, and this is one of them. His family, as much as he loves them, are just too damn nosey for their own good.

“You know that doesn’t answer my question at all.”

“Then why don’t you ask something intelligible, rather than continue with your childish antics?” Robin snarks, and for once, Red Robin has to agree with him. Or, rather, he’s grateful for the distraction that it gives him.

Tim has secrets. He’s sure that Danny does, too, and so far—aside from the standard background check he always runs on new friends and friend friends alike—he’s done very well to respect them. He just can’t say that his family would do the same.

They can be overwhelming, to say the least, and Tim has tried his best to protect Danny from that.

Only to fail to protect him in every other way that it counts.

“How long have you guys been ‘friends’?”

“Nightwing, save it, please.”

“What’s his name?”

He ignores him.

Red Robin lands on the building first, thank goodness. He wastes no time in finding a skylight that can be pried open fairly quietly, slipping inside without a second thought.

“Wait for backup, Red Robin, that is an order!” Batman says, when he lets them know he’s in.

“Negative, Batman. I’m getting him back.”

“Red Robin!”

He weaves silently through the desks on the second floor of the warehouse, always moving, always keeping a trained eye on the shadows around him.

When he reaches the stairs, he hears voices.

“Looks like three of them, armed. The-the hostage is tied to a chair in the middle of the room, he…” Red Robin takes a steadying breath. The person has a burlap sack over their head is slumped to the side, from where he is, Red Robin can’t see if his chest is moving. There’s blood on the floor. “He needs medical assistance. Another two on the northside entrance.”

The comms explode in admonitions, everyone pleading with him to stay where he is, to wait for help, but fuck that. With a tap, he switches them off and he can finally, just about make out the words of the kidnappers as he creeps down the first few steps.

“—shouldn’t he have woken up by now?”

“I don’t know, man, you’re the one that hit him! Do you think he’s—”

“No! I didn’t even hit him that hard, I swear!” the man cries, holding his hands up in surrender. “I just couldn’t take any more of his stupid jokes!”

If there was any doubt in Red Robin’s mind that they picked up Danny by mistake, it’s gone now. Yeah. If you get Danny, you get his stupid jokes, too.

He creeps closer. 

There’s some storage crates between him and Danny, if he can get behind there without being seen then that leaves him in a good position for when whoever’s next in takes out the guys at the front. He can’t do anything without them gone first, not without risking them taking shots inside and endangering Danny.

The man that hit Danny circles round behind him and grabs at his hands.

“What are you even doing, Pat? Who gives a shit, leave him alone.”

“I’m just checking! I just gotta see!”

“Fuck’s sake, guys, who cares? We just gotta get our money, that’s it—”

“And our helicopter!”

“And our—”

“Shit, I can’t find a pulse! Shit, Frank, I killed him, I—”

Jason told him once that when the Pits overtook him, he used to see green. Instead of blacking out, he’d be swimming in that putrid Lazarus colour and he’d slip into that rage and bad things would happen.

He’s heard of people seeing red, too, but really, he thinks that’s more of a literary device.

Tim doesn’t see anything aside from his targets.

A barrage of birdarangs take the guns from the guys at the front, the three around Danny startling badly enough that the guy that kil—that’s behind Danny—stumbles, losing his footing.

Only one of them shoots.

Amateurs. 

There’s a round of curses on the comms as the shots come through. Oracle must have turned them back on.

“Fucking hell—Nightwing and I are at the front, Red Robin, don’t worry about them.”

Red Robin’s barely listening.

He spins, kicking the largest guy in the stomach hard enough so that he doubles over, wheezing. Following through the movement, another kick lands on the side of his head and he’s down. 

The second one, Frank, gets his wits about him and raises his gun, spraying wildly. He’s a shit shot, going wide in panic, and Red Robin simply ducks and rushes forward, keeping low. Tackling the guy, he grabs the gun off of him and uses it to smash him across the face, once, twice, three times, before he stops moving.

“Oracle, get police and paramedics on scene, now.” Batman says, the displeasure in his voice evident. “Red Robin, Robin and I are coming in from the top.”

Pat hasn’t even made it up off the floor yet, scrambling backwards, fear plain on his face. 

Red Robin stands, breathing heavily, gun still in hand.

“I’m sorry, I’m sorry, I swear I didn’t mean to do it! Please—please, don’t, please!”

Red Robin doesn’t kill.

Well, no, Red Robin doesn’t normally kill.

No, that’s not quite right, either.

Red Robin has killed. Red Robin will more than likely kill again. Red Robin sees no problem with killing.

The gun is up, pointing towards the guy without any real thought about it.

Footsteps rush behind him, the familiar heavy footfalls of Batman and Robin, so he doesn’t bother turning around. The gun follows the guy as he keeps pulling himself backwards, snot and tears mingling down his face.

“Red Robin,” Batman says, softly.

It’s always weird hearing Batman’s voice like that. It’s not the first time, obviously—Batman can’t use his scary intimidating voice on victims or children, after all—but having it used on him is weird. 

“Breathe.”

“He’s dead. They killed him.”

If hearing Batman’s voice was weird, Red Robin can’t even recognise his own.

Distantly, he realises he’s dissociating. There’s a tightness in his chest, it’s hard to breathe, a growing buzz drowns out any noise in his ears and he can’t think, he can’t—

A heavy hand squeezes his shoulder, jolting him out of his thoughts. Batman reaches around and gently removes the gun from his grip, and Tim feels the instant loss of it. He should have done it, why hadn’t he done it?

Robin takes care of the last man, his crying cut off by a swift kick to the head. Nightwing and Red Hood join them, zip-tying the men on the floor and starting to drag them back to the entrance of the warehouse one by one.

No one says a word.

Shrugging off Batman’s hand, Tim moves towards the chair.

Shaking, he takes a deep breath and removes the sack. The small part of him that was left hoping it wasn’t him, it couldn’t be him, please dear God let it not be him, shatters.

Even dead, he looks peaceful.

Tim’s seen death. He’s no stranger to it, he’s seen what it can do to a person. There’s some blood coagulating over his eyebrows, but otherwise, he looks peaceful. Is that comforting? That he didn’t suffer?

Danny’s head lolls to the side as the sack comes completely away, his hair flopping over his eyes. Tim’s been on at him to get a haircut lately, he thinks it’ll be nice tidied up a bit, just on the sides. It’ll get rid of that permanent bedhead. Help him with job interviews, he’s got to be thinking about that now that he’s in his last year of college.

It’s about the only thing that’ll hold him back, Tim thinks. Danny’s brilliant. Any employer would be a fool to turn him down because of his shaggy hair, but employers are stupid so it makes sense to put your best foot forward and—

Tim falls to his knees.

Fuck.

He’s dead, he’s really—Danny’s skin is horribly pale, cold to the touch. Gone is his bright, cheerful smile. 

“Danny, I’m sorry, I’m so, so sorry, I—” 

He stops himself with a deep, shuddering breath. He can’t break down here, he can’t, he can’t, he can’t.

Instead, he tips forward to rest his head in Danny’s lap, arms curling around himself. They were too late. They got here as fast as they could and they were too late.

 “Danny, I’m so sorry…” he whispers. “I… I love you, I love you, I’m sorry.”

Dimly, he can feel the others standing around them. Someone crouches down beside him, resting a comforting arm over his back, but he doesn’t turn his head to see who it is. He squeezes his grip on Danny’s legs tighter.

“Come on, baby bird. Let’s—”

They’re interrupted by a huge, honking snore as Danny jerks himself awake.

Tim’s head snaps up, staring at Danny with wide eyes.

“You were asleep?” Red Robin springs up, several different emotions rapidly flip flopping through him.

“Wha… What?” Danny heaves a yawn, blinking blearily down at him. “Sorry, I’m just… they were shit kidnappers, man, really boring. Honestly, worst abduction yet.”

“You were asleep? I thought you were dead!”

“Not mutually exlusive, you know.” Danny says through another yawn. He rolls his neck around with an almighty crack and glances at everyone. “Didn’t think I’d warrant the whole Bat brigade, though…”

“The kidnappers thought they had Tim Drake.” Batman supplies, while Red Robin tries to work through the emotional whiplash.

“Ah, makes sense… wait.” Danny sits up suddenly, squinting at Red Robin. “Did you say you loved me?”

“No, of course not, why would I—”

“Tim? Is that—are you—are you Red Robin?”

“Everyone, hold the fuck up!” Red Hood shouts from the other side of the warehouse, having finished securing the perps to a streetlight outside. “Double R is dating Danny fucking Nightingale?”

Well, there goes his identity… Oh, who’s he kidding, Danny’s smart. There’s no way he could have salvaged that. This was not how he thought the night was going to go.

“Cranberry, is that you?” Danny twists in his chair, somehow delighted to see Red Hood rescuing him, too. “I thought I smelled you lurking about!”

“Shut it, you little shit. Since when were you dating this dweeb?”

“I’m sorry,” Red Robin pleads, hands in the air to try and slow down the onslaught of information and insults, “you two know each other?”

“Cranberry?” Nightwing echoes, looking as lost as Red Robin feels.

“Yeah, Cranberry—The Cranberries—zombie, zombie, zombie-ie-ie. Obviously. Also he’s wearing a big, fuck off red helmet.”

“Yeah, sure, makes sense.”

It’s about the only thing that does.

“And please don’t call my boyfriend a dweeb, Cranberry. Especially when he just said he loves me for the first time.”

“He only said it because he thought you were dead.”

“I am dead, so it counts.”

“Only half, so I’d say that puts you at a solid ‘like’. Tim’s—and savour this, Tim, because I’m only going to say it once—Tim’s intelligent, so I’m sure he’ll come to his senses soon.”

Danny just throws Red Hood such a shit-eating grin. A level of feral that Tim’s only seen before in Damian. 

“That’s what I used to say about Jazz, too.”

Hood scoffs in offence, and to be honest, Tim’s not sure where he should go from here. What the hell is happening, how do they know each other?

“Come on, is anyone going to untie me or am I really meeting your family mafia-style?”

“Do it yourself, Slimer.” Red Hood laughs, crossing his arms.

“Ugh, you suck so much. I’ll fucking slime you, just you wait. Can’t believe Jazz even likes you, I preferred it when she was dating Johnny.”

And then, without Danny doing anything other than muttering obscenities at Red Hood, the ropes fall to the ground. In one swift motion, Danny stands up and stretches himself to his full height of 5’6.

“All of you need to explain, now.” commands Batman, and honestly, Red Robin’s very much on his side of it.

“I can’t believe it… Jason and Timmy are both in secret relationships? That’s… How come no one told me?” Poor Nightwing sounds the most shocked out of all of them. He turns to Damian and clasps onto both of his shoulders. “You’re not secretly dating, are you, D? Please tell me you’re not, please tell me you’re single, please?”

Of course, Robin just clicks his tongue and pushes his hands away. Really, Red Robin doesn’t think that Nightwing’s in any danger of that happening, he’d be surprised if anyone could stand Robin enough to actually date him.

He shakes his head and turns to Danny, who’s staring right back at him, worry clear on his face.

Fuck, he... He's alive. He's really alive.

Tim pulls him into a bone-crushing hug, fingers buried deep in his NASA shirt. Tucking his face into the crook of Danny's shoulder, he laughs wetly with the joy of it. He's alive. He hasn't lost him. He's safe.

“I’m sorry I haven’t told you before now, starshine, but…” Danny breaks the hug and softly pulls away from him to rise on his tiptoes to place a kiss his cheek. The skin burns cold where his lips touch. “I love you, too. Also, you’re gonna wanna sit down. This is going to be a lot.”

[the-uss-wossname]

The thing about Star Trek Voyager is that even though it’s a bad show, you can very clearly see the bones of a good show. All the ingredients that are needed to make the show good are there except for good and consistent writing. Which is why it’s so infuriating and also so compelling.

The voyager cast incudes some of my favorite characters in all of trek. Captain Janeway? Tuvok? Chakotay? B’elanna? The Doctor? Seven of Nine? Harry Kim? They are all such compelling characters!!! The actors all put their heart and souls into the performances! It is so easy to make up good stories about these characters!

And then a lot of the plots are actually good and compelling they just tend to lose the thread halfway through the episodes! The premise of the show is FASCINATING and they underutilize it immensely! A lot of the things that Do get written end up serving as incredible commentary on the time and NONE of it is self aware at all!!! It drives me nuts!

Like. It is so easy to keep watching voyager to feed the good version of voyager that lives in your brain. It is an excellent exercise in critical thinking and seeing what works about storytelling. The sets, the make up, the sound design, is all Incredible and it’s so visually fun to immerse yourself in.

And like. It’s fun! It’s a fun show! They boldly go! They get into situations! They have really compelling character arcs! They pose interesting questions! Do they think any of this through or resolve anything? Hell no! But part of Star Trek is making you think anyway! And it is SO fun to think about voyager. It is so fun to be like ok this is what I would have done to make this episode work, or, what do you think they were actually going for here, or, this was accidentally a really good commentary on what it’s like to be biracial or traumatized entirely by accident how wild, right?

And like that’s why every voyager fan is so deranged yes (I include myself in this god bless) because it takes a certain kind of person to see this show and care about it and think about it. And it also just hits that perfect spot in the curve where there is so much potential and also so much content that was not delivered on to make it absolutely Perfect for fan interpretation and fan content.

Anyway reblog if you too look at voyager and go “I can fix him” lmao

[nobodysdaydreams]

Nathaniel Benedict/Ledroptha Curtain (TMBS) and Count Olaf (ASOUE) are proof that mentally unstable former theater kids with sad backstories make the most entertaining villains, especially when their main adversaries are genius children they lose to every episode. And one of them is canonically a literal toddler/baby.

[dumb-alek]

Say what you want about SNW but I REALLY loved the way in the episode where Pike sees the future where Jim is not the captain of the Enterprise lil glimpses we get of him having just insane professional chemistry with Spock.

Like across realities and in different universes, Kirk sees Spock across the room through a video transmission and calls him impressive. It's like a jolt, bullseye, and laser focus towards eachother before they even meet in person.

They instantly agree and see eachother's point of view. There's SPARKS. I genuinely felt watching this as if they were the only people in the room (and I feel like the camera work in that conference room helped with that - purposely).

Not to mention Jim's full body turn he does when he watches Spock leave, which to me definitely betrayed some kind of interest on Jim's part.

I get being mad at comphet Spock, (though TOS did comphet Spock also so 🤷) and I think if snw went in a slightly different direction with Chapel they could do something interesting and canon-compliant, which is a shame.

But after finishing the 1st season I really do feel the show only gets better (when they lay off the one liners a bit and focus more on the honestly pretty cool episode ideas they have), and it looks like it's done with love, attention to details and understanding, overall, what star trek is. (Which I can't say about some other star trek media cough cough).

But most importantly, at least for the sake of this post and for the sake of the ship that started modern fandom culture, I feel like they understand the gravity of K/S.

Now, I'm not deluding myself that they're going to 'get together' within SNW, if it's to keep with the tos timeline even in the slightest. And as much as I enjoy the show, it doesn't seem likely for it to be breaking any new grounds. Besides, at this point in time it would make no sense, considering there's no space for them to be together in TOS until season three at best. Any alternatives would either be either out of character, or simply upsetting (such as an on and off relationship, a breakup, things I don't want to think about 😞)

HOWEVER. They already made a hint Chapel is bisexual, and while they do try to generally keep with TOS canon - they diverge from it only when they think they are the point A from which they can get to point B, which is TOS. I don't always agree with their vision, but I can respect it. So I wouldn't be that surprised (though ecstatic) if they hinted at at least at Kirk being bisexual, here and there.

And in TOS canon Spirk is inescapable. If we ignore the romantic interpretation, which is already pretty hard to ignore, then in their capacity as soulmates - a part of canon that's impossible to ignore. And with as little Jim and Spock as we got so far, I think they understand that.

In SNW keeping Kirk and Spock apart messed up the whole timeline! You could say that Spock dying is what really messed it up, but we can clearly see the episode we've seen in TOS from a different perspective and things went south the moment Chris started to act. Both Kirk and Spock are there - both the same as in the regular timeline, in their respective duties. But they're not together and them not being together is so bad for the universe that Chris has to go back in time to tell himself to die (well not die but suffer from a horrific accident).

And if it doesn't feel extremely monumental, soulmate level shit idk what to tell you

[tswwwit]

Wait so he’s not taking it from the back while seeing unimaginable horrors?? I guess i misunderstood portal smut

Technically speaking it'd be more accurate to call it 'glory hole with identity surprises' smut, but portal rolls off the tongue better!

Though if it helps, your concept is excellent and your mind a beautiful treasure.

[prince-liest]

more self-indulgent jgy abo headcanons

I read a fic so long ago that I no longer remember the fandom nor characters involved, but the thing about it that really stuck in my mind was that it was an abo-verse fic that used the concept that omegas have an ingrained biological need for physical (including platonic) affection, to the point where “touch-starvation” was a medical diagnosis

this is obviously extremely up my alley for ALL my blorbos, but consider jin guangyao in particular:

unlike the usual ‘omega pretending to be a beta’ trope, I think that once he is established at jinlintai, he would not really try to let people assume that he’s a beta. being an omega leads people not only into underestimating him, but also into offering him a certain degree of safety in providing a veil of stereotype-associated demureness, placidity, etc. it is more to his benefit for people to see him as a polite young man, perhaps even one who, yes, is a war hero - but people can’t quite imagine what kinds of things he must have done for that. surely nothing too bad.

but at the same time, this is the character who couldn't even serve tea to people as nie mingjue’s deputy without people making a show of wiping off their fingers after touching the cups. people know he is an omega, people judge him for being an omega on top of all the other things he is already judged for, but I suspect that most of the relevant and appropriate people in jinlintai avoid touching him unless absolutely necessary. in a world where casual contact is thoroughly commonplace just due to the socialities set up by their biology, jin guangyao has a personal space bubble of like 2-3 feet because he's the dirty son of a prostitute.

he walks through the halls, ostensibly the second young master of the tower, and feels like he is drowning in the physical manifestation of loneliness.

who does he have left? family? jin zixuan is not close to him, and frankly is likely an alpha raised by alphas to whom it would not even occur to that such needs need to be minded. jin guangshan certainly is aware, but is using it as leverage, allowing and denying contact as he see fits to manipulate jin guangyao the same way he does with his fatherly affection. there are his sworn brothers, but his relationship with nie mingjue is fraught: certainly da-ge wouldn’t withhold contact as punishment or leverage, but that doesn’t mean he wants to touch jin guangyao anymore, nor does he really understand how the necessity of it feels when he grew up with nie huaisang, an omega who has never been shy about taking whatever affection he wants. and er-ge... he just isn’t around enough.

lan xichen is still the best option, and by the time they have the opportunities to see each other, jin guangyao is pressing nails into his palms to stop from just plastering himself up against lan xichen’s side, which surely would be humiliating for both of them. but still, he’s so aware of it any time they’re in the same room, meting out as many small touches as he can get away with without embarrassing himself. lan xichen slips his fingers over jin guangyao’s wrists as he pulls him up from a bow, intending warm affection. jin guangyao doesn’t want to let him know that it feels like being allowed to gasp for a single breath of air before his head is shoved back underwater.

(with nie mingjue, it is worse. da-ge is just as aware as jin guangyao is when they touch, but for all the worst reasons.)

it is the strangest blessing whenever jin guangyao sees nie huaisang. it’s embarrassing, a little - the knowledge that nie huaisang understands, unlike most people in jin guangyao’s life. but nie huaisang takes that embarrassment onto his own self willingly, never hesitating before making a fool of himself in the way that only a terminally younger brother can, and simply flinging himself into his san-ge’s arms. it’s nostalgic, too: nie mingjue isn’t quite so aware of how important touch is with how proactive nie huaisang can be, and so during his days as deputy, it was often nie huaisang who gave meng yao what he could not ask for.

the cultivators at jinlintai look down on him just as the ones in the unclean realm did, but now there is no willing young master to soothe away the tangible, physical ache of it. more often than not, jin guangyao tucks his hands into his sleeves to hide the way his fingertips shake.

anyway this is my petition for jiang yanli to take two looks at this situation and promptly wrinkle her brows just the slightest amount, expressing quiet concern to jin zixuan that it’s strange how she doesn’t see anybody touch his half-brother very much, does she? and jin zixuan is a little confused, a little embarrassed, a little off-balance - he doesn’t feel close enough to jin guangyao to be that casual, but he’s an alpha, he doesn’t get it until jiang yanli explains to him, with a beta’s patience, the value of family bonds to an omega as well as jin zixuan’s responsibility as a brother (older brother? younger? his father claims older, but there’s no way to truly know - ), and isn’t it wonderful, having a little brother?

and then someone pats jin guangyao over the head until he’s feeling a little less strung-thin and out of options, he realizes he has to keep jin zixuan and jiang yanli alive lest he actually lose his mind (sympathy for da-ge? oh no...), and etc etc things end happily ever after, the end, QED.

[bonefall]

have you talked about fern leaf yet by any chance? i love her a lot :3

Fern Leaf's one of the few things that's enjoyable about those last two books lmaoo, but the thing that ended up happening was that BB!DOTC got MASSIVELY overhauled. It's the arc I'm not honoring fully; and a big part of that is making the main books JUST be about the formation of the Clans.

It's what I wish the arc had been. Watching the actual dawn of the Clans happening before your eyes. Seeing how the naming system, the customs, deputyship, and the groups themselves came into existence. BB!DOTC is about the period BEFORE the Clans are officially formed.

So to do that, instead of the First Battle happening in Book 3, it's now in the LAST book. THAT is the moment when the Clans are officially formed. Slash has been cut completely. One Eye is now the major antagonist of Thunderstar's follow-up SE.

Aaaaand Fern Leaf is kind of up in the air because of that. I could just shuffle her in as a member of one of the proto-clans, but she feels too special for that, you get me? It's why I haven't talked about her too much, PLUS Milkweed, who is another cat who owns my entire heart.

I'm hoping that when I get deeper in the re-read I get some more ideas... I have a bit of a fixin' to maybe steal some of the Slash drama and give it over to BB!Clear Sky. He has the range.

[avirael]

FFxivWrite 2024

Day 06 - Halcyon

The last golden rays of the sun before it vanished behind the horizon always were the most magical moments of the day in Southern Thanalan. How they painted the desert sky until the whole world seemed to only consist of warm hues of yellow and orange anymore would never get boring to A’viloh.

Today however his attention was not entirely aimed at the beautiful landscape. Impatiently he twirled a blade of desert grass between his fingers and tried to estimate how much time was left before the night would put its star-speckled veil of darkness over the land.

If the hunters didn’t return soon they would have to spent another night camping between the desert dunes unless they wanted to march through the night. But it had already been two days since their departure and they rarely remained gone for so long even with a smaller hunting party, so A’viloh had hoped to see them return to the village from his vantage point.

He had climbed one of the small hills at the edge of the oasis from which one could see quite far towards a good part of the desert. It was just outside the enclosure of the settlement but still very close to the springs and therefore very green and covered in flowers. He loved this place for its beauty and often went there when the tribe and their expectations got to much for him and he needed a moment alone.

For probably the millionth time in the last bell or two he tried to estimate how much sunlight still remained and scanned the horizon for movements with a sigh. He was so absorbed in his observations that he didn’t even notice the footsteps approaching on the dry crispy savanna grass.

“Here you are! Are you looking for something special up here?”, someone asked and for a second the Miqo’te was startled before he realised the familiarity of the voice. He turned slightly to greet the person behind him and immediately a happy smile appeared on his face.

“Laqa! What are you doing here? I didn’t see you arrive!”

“We returned from the other side of town.”, he explained and then grinned. “I can leave again if you don’t want me here.”

“Of course not!”, A’vi protested and stretched out a hand, gesturing for Laqa to sit down with him. “How was the hunt? You returned later than expected…”

The blonde Miqo’te threw a quick glance over his shoulder before sitting down in the grass beside A’viloh. “It was good. It just took longer than expected because we found traces of the lizards and did a detour just in case…“

With a mix of surprise and shock A’viloh stared at him but Laqa immediately tried to reassure him.

“Don’t worry, we didn’t actually see any of them…”

But still the red-haired Miqo’te looked like he was playing out all the possible scenarios of what could have happened in his head, so Laqa put a hand on his and added with a smile, “But next time you need to come along. So much time without being able to see you was absolutely horrible.”

This at least made A’viloh chuckle a little although he didn’t seem to like the idea. “You know I’d rather not…but I missed you too.”

Laqa shook his head and grinned.

“Don’t tell me you were waiting here for me since we left!”

“Don’t make fun of me!”, A’viloh scolded but clearly wasn’t serious. “I’ve only been here for a bell or two. I like this place, the flowers, the sunset, the sound of the springs. It’s really beautiful.”

Laqa leaned closer and whispered, “I think the most beautiful thing here is you.”

Immediately A’viloh’s face turned red. “Oh you…”

“I’m serious.”, Laqa added before A’viloh could protest and with a grin he asked, “May I get a kiss?”

Slowly the red-haired Miqo’te nodded and smiled back at his boyfriend who didn’t wait long to turn words into deeds. As he pulled back A’viloh asked, “Do you think we can stay a little longer and watch the sunset together?”

“Mhhh…”, Laqa tilted his head and glimpsed over his shoulder. “At least a little. I don’t think anyone will miss us for at least a while…”

With a contend smile A’viloh rested his head on Laqa shoulder who in return pulled him closer so the smaller Miqo’te could sit with his back rested against his chest. Lazily Laqa wrapped his arms around A’viloh’s body and pressed another kiss to the side of his head, while the sun slowly vanished behind the horizon.

“I love you, A’vi. Everyday the sun rises I pray to Azeyma and thank her that she sent you to me.”

Relaxed A’viloh cuddled even closer and glimpsed at the Miqo’te behind him.

“I love you more. And everyday the sun sets I pray it rises again the next morning and all of this wasn’t just a pleasant dream.”

So they remained for as long as they dared and in moments like this the world was perfect.

[kaidanalenkosprmanager]

THE BEST OF SHENKO 1/?

The end of the world has a way of reminding you of all the things you forgot to say do. Mass Effect: Legendary Edition (2021)