#everything makes sense now!

[black-klok-youth-pastor]

I’ve been cursed with the knowledge that Charles’ voice actor in the Latin Spanish dub of Army of the Doomstar is also Roger from American Dad

…you’re welcome (and I am not sorry)

[electrikorg]

always have many thoughts about pre-gorillaz stuart, the most average british lad there is. (2D with eyes jumpscare)

[forgettable-au]

END OF CHAPTER ONE

FORGETTABLE-AU (Page 65-72)

* Time to put this puzzle together.

[BEGINNING] [PREVIOUS] [CONTINUE]

[digitalmyyth]

Hey wait a minute—

[spliceyblues]

☆ He's a master of fright

and a demon of light ☆

[justgivemeabookplease]

[licorishh]

double ?? upload ???? yeaaaahh i've gotten FASTERRrr for whatever that's worth so complementary blyla because guess what i miss them too (nobody was surprised by that)

[kelpermoosee]

My friend labeled this “toxic aromantic yaoi” and I couldn’t agree more

[ominous-horse-noises]

anyway i want to reiterate that i hope the rat grinders are tpk'd, revived and uncorrupted solely bc i want them to have to spend senior year together. 'redeemed' doesnt necessarily mean friendly with the bad kids and honestly? its so much funnier if they continue being bitchy to each other but without the trying to end the world stuff. they've built plenty of positive relationships w/ former villains now it's time for the next stage: uneasy alliance buzzing with the tension of both sides trying to hold back the urge to clown on each other

introducing, fantasy high senior year: the group project

[ruporas]

endless love!

[ID Two drawing collage pages of Vash and Wolfwood from Trigun Maximum. In the first collage, top corner, Wolfwood looks upwards disgruntled with a flushed expression, lying against a pillow, as his hair is being pet by Vash's hand. Next shows Vash and Wolfwood from behind, Wolfwood with his top bare and hickies covers around his nape area. Vash lifts hair away from his nape and asks, "More?" Wolfwood nervously says, "No." Next is a side profile of Vash, his arms around Wolfwood from behind while Wolfwood rests his hands against Vash's arms. Next to this are two smaller drawings; Vash turns to Wolfwood and says repetitively, "Wolfwood, Wolfwood..." Wolfwood, not looking at him, says "What?" He finally turns his head and looks shocked as he exclaims, "So close!" Vash says plainly, "You just noticed?" Below these is a drawing of Vash and Wolfwood sitting together as Vash kisses and hugs him from behind with his right arm around Wolfwood's neck and his left hand around his side. He also has his right leg propped against Wolfwood's knee. Bottom of the page has a comic. Wolfwood looks annoyed, speaking to himself, "Where is that idiot?! Need to get out of town before--" A chat bubble exclaims, "Wolfwood!" The next panel shows Vash running from the townspeople, small text saying "Get him! Vash the stampede!". Wolfwood, mad and about to pull the Punisher off his shoulder, says, "Argh, you fucking dumbass!" Vash exclaims, "Ah, don't!" before pulling Wolfwood into a quick kiss. He then tugs on Wolfwood's collar and says, "There's no need to shoot, just run!" Wolfwood stammers, "R-right..." with a flushed, dumbstruck expression.

Second collage; Top left, Wolfwood spoons Vash in bed, his arms around his chest and the other beneath Vash's head. Vash has his hand on top of Wolfwood's as he sleeps while Wolfwood lies awake. Behind this drawing is faint sketches of Vash's face. In a small panel, Wolfwood hides in Vash's neck as he mumbles to himself "Stop. Stop thinking embarrassing things, Wolfwood..." Beneath this drawing is another of them in bed, Vash now turned to Wolfwood and a hand on his cheek as he kisses him good morning. In a simpler style, Vash wraps an arm tightly around wolfwood with the text "snork mimimi" next to him while Wolfwood says, "We need to get up. Spikey! HEY!" In this corner, there are faint sketches of Vash and Wolfwood; one of them looking at each other; Vash kissing Wolfwood's forehead; Wolfwood saying, "Hand" with an outstretch hand and Vash says "ok" behind a drawing of them holding hands, both turned away from each other shyly. Next is a 4 panel comic. First shows Wolfwood's face getting squished by Vash's hands with the text "squish" around his face. Next, his cheeks are stretched with the text "Chee--" Wolfwood then hits Vash's face with his palm, exclaimining "That hurts!" The last shows Vash on Wolfwood's lap, smiling to himself as he continues to have Wolfwood's face in his hands. Next to this is another comic; A close up of their hands, Vash holding Wolfwood's with both of his. He then kisses the palm of Wolfwood's palm and says, "They're soft!" Wolfwood looks at him with flushed cheeks, "There's no way that's true..." END ID]

[mossy-aro]

ultimately i think my insistence on aro positivity honestly is as much a political stance as a personal one.

when i say aro positivity is crucial and that i dislike doomer-ist posts that express sentiments like 'I hate being aro so much I wish I was dead instead’ it's not because I don’t think there can and should be a space for negativity and acknowledging self-hate, or the many ways being aromantic can really suck sometimes. i find that to be very important!

that being said. there is smth here about how self-hate posts are sometimes just arophobia that we inflict on ourselves. and when we put that out into the ether it (intentionally or not) can become arophobia that we inflict on other members of the community. i think there absolutely needs to be a place for negativity and the expression of anger and frustration and self loathing even - these are all good things to talk about because these are things that we experience. that being said, it can also be genuinely upsetting and triggering to people to have what is essentially arophobia shown to them and then have that be validated by other aspec people. your personal thoughts can affect your wider community on a level you may not anticipate. and i understand it i truly do! it took me so long to be able to recover from accepting being aroace - it threw my entire world off kilter and made me question everything about my place in the world.

but my insistence on aro joy and positivity is because ultimately i do believe that building is at the core essence of it all. that ultimately discussions and the purpose of community should be about construction, not destruction. and this is both a personal and a political stance. talking about how much you hate yourself and cultivating online discussions/spaces where negativity about aspec identity is the main and only theme is destructive - if that’s where we let the conversation end. these thoughts can and should be used as a vehicle to look for a path forward!

joy and positivity create a space where the focus can become on forging a path forward, on construction, on community building instead of tearing ourselves and others down with negative thoughts. it’s not productive or healthy when it stops at a place of negativity - it becomes actively destructive to the essence of community.

and i do think that this is especially poignant considering the fact that being any kind of queer, but especially aromantic (and/or asexual) means forging a path for yourself and making your own happiness where there is no obvious way forward. our communities exist mostly online (right now, anyway), there is little recognition of our existence in the real world, the effects of amatonormativity are both pervasive and actively dehumanising, and there are legal, economic and social structures in place actively making our lives more difficult. yes that all sucks! it’s good to acknowledge that. we need to in order to change it. but more importantly, that’s not the end. we are still here and our happiness, our future is for us to determine. even if we can’t change the laws or society, loving yourself and understanding aromanticism as a political identity (as well as personal), as a radical worldview, and as a protest against amatonormativity is essential for both community and personal well being. the personal is political.

tldr. i guess my point is that as a community, we should focus on building, improving, and nurturing ourselves and each other (construction) as opposed to destruction. we should recognise aromanticism and asexuality as political identities as well as personal ones and rely on community and self-love in the absence of anything else as a form of protest and political power. destruction (the recognition of everything that is wrong) is essential as a starting point - but where do we go from there? we rebuild.

[bietrofastimoff23]

"Teach a man to fish and you feed him for a lifetime."

Larys does what no one has done for Aegon: he's teaching him. he tells him the harsh truth, which hurts. Otto and Alicent did it too. but the difference is that Larys also demonstrates to Aegon that he is not alone in his path and he will have his support, he is here to help, not harm. He doesn't look at him as useless, even when he's lying in bed unable to move. he sees potential in Aegon - a combination of the ability to listen and the desire to return what is due - which is why he gives him a weapon "your mind is all that remains to you", rather than a finished result.

Larys can manipulate, using his own experience and genuine pain, and sympathize with Aegon's situation at the same time, these are not mutually exclusive things, especially when Aegon showed him his respect by giving him a position on the council ("i should be glad of your talents") and when their fruitful cooperation will bring victory to both of them. Aegon will become Larys' greatest creation if Larys continues to teach him inner restraint and cunning.

[secriden]

Oh-- oh I get it now. The scene in Style's bedroom is Style's gift to Fadel: an encounter designed to give Fadel as much of a chance to lay himself as bare as he could (further explanation here) with the layers of deception still between them.

But the garage scene -- this is Fadel's gift to Style.

Fadel presses against Style's lips delicate and soft, peels his shirt off all careful and slow, and nuzzles against the juncture of his neck as he slides into the narrow space between Style's legs. Everything about how Fadel is moving feels tender, because it IS: Style has granted Fadel's request, has let him into Style's space not only physically (in that this is where most of Style's life is) but also emotionally (because Style just revealed some very intimate and vulnerable pieces of his past to Fadel).

But even as this tone remains, the dialogue shifts into cheesy porn territory. Yet the delivery is still very intimate; Fadel is whispering his lines, slow and purposeful, gaze fixed intently on Style to see his reaction. Because this is something Fadel is creating for Style.

It's sex that is fun and playful and a little bit silly, and it's exactly the kind of romp that feels designed for Style. It's laughter and tenderness and comfort and sensuality and maybe kinda risky but oh so very intimate. It's a melding of pleasure and absurd frivolity that feels perfect for who Style is as a character. And it's orchestrated with such flawless precision; like the perfect, most wonderful gift.

Is it any wonder, then, that Style reacts this way?

[queeniewithabeanie]

The Reason for Corruption

Dpxdc prompt #5

It is a widely used headcanon in the dpxdc fandom that the lazarus pits are corrupted ectoplasm. However I have never seen anyone give an explanation for why they are corrupted past "they're runoff of the Infinite Realms." What possibly in the dpxdc fandom could be powerful and corrupt enough to taint that much ectoplasm?

The Ring of Rage

When Pariah Dark was put in the Sarcophagus of Forever Sleep he was sealed with the Crown of Fire, but not the Ring of Rage.

In the time between when Pariah was sealed and Vlad found the Ring of Rage in his keep there probably could have been a couple hundred years where the ring was lost in some ectoplasm.

This gives a reason for why Jason has pit rage. There's nothing more corrupting than the Ring of Rage. Rage is (quite literally) in its job description.

It also explains why the pit healed his injuries and made him physically stronger. With the Crown of Fire, the Ring of Rage gives infinite power, so on its own it should still be pretty powerful. If mixed with ectoplasm (something known to bring things back to life) it could probably do more than just bring the person to the state they were in before they died.

And with power comes corruption, which can explain why Ra's al Ghul is so enamored with the pits. While keeping him alive for hundreds of years past when he should have reasonably expired is good on its own, the power of the pits corrupting him does make sense when you think about it.

I'd also find it really funny if Danny saw Jason and is just like, "excuse me when did you get your hands on the Ring of Rage."

Like he thought that thing was sealed with Pariah and then later sealed in his own haunt. Why does this random twenty something crime lord have the Ring of Rage's power intertwined with his (not even fully formed) core.

Danny: see's residue of the ring of rage's power on jason

Danny: now correct me if i'm wrong

Danny: but that is Not Right

[moonsnqil]

Kevin watching Jean ask Jeremy if he's okay, watching Jean offer to hold Laila's bag so she can fix her shoe, watching Jean hand Cat a granola bar before a game because she looked a little unsteady. He's not jealous, he had his time by Jean's side. Maybe it's grief. Grief for something that was never so innocent, never so untouched by cruel hands, something that could've been better if they were anyone else. Grief for something that's long passed and can never be fixed to be made better than before. He had his time at the receiving end of Jean's concerned glances. Maybe he's just a little sad that when he's at an away game, he no longer buys post cards for a friend. Maybe he just misses this person who used to always be by his side but they both knows it's better this way. Jean is happy, it's not with Kevin, and that's okay.

[bigfatbreak]

Hello I love your art!!! I was reading through your changeling au and Felix mentions that fae are creatures of mirth. They literally need attention to survive. But what kind of attention? I guess I'm wondering because Adrien has been in the public eye for a while now, but has been personally neglected for even longer. What does that mean for him? Is he starving? Is he in danger of dying? Does he even know it? (I assume not given he doesn't even know he's Fae).

If he is starving / in danger of starving who is the first to realize this?

it depends on the mirth, on the attention, on what it is they seek. Without making things too complicated - I don't like to define everything into neat little boxes after all, there's fun in nuance - Felix is just explaining from his experience, the Fae he was with tended to be "entertained" by certain aspects of their playing, which was the mirth that kept them relevant. Relevancy more than anything is really what keeps their wheels greased.

In Adrien's case though, the reason he's cloying for so many names and to have so many thralls and attendants is because he SHOULD be a more social creature and has been kept woefully alone. He is kinda starving in the way a fae starves - he's relevant, but only in an image his father constructs OF him, which means it isn't REALLY him - and he has no one to play with. No friends, no lovers, and no rivals, makes a very sad fae