#every emotion is the same
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regaliasonata · 6 months ago
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For: @skyland2703
Inej and Kaz: Guess what? *Holding hands *
Alina: What?
Inej and Kaz: We’re having a kid.
Alina: Yes!
Jesper: The first human that won’t be able to smile is about to be born and Y’ALL ARE CELEBRATING?!
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bixels · 9 months ago
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Posting a sneak-peak of this now because I'm about to be In The Shit school workload-wise, so this'll take me a while to finish.
Doing some character design exploration/expression sheets for Celestia and Luna. Figuring out Celestia's weird ass anatomy while I'm at it.
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luckyblackcatxiii · 4 months ago
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Two separate occasions but both bringing out a rare intense emotion from Saverio! Sometimes I like to think I make up cool lines on the fly when playing as him 🤔
I'd like to draw scenes to explain how he got to these points, but for now, enjoy an angry Sav~
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amaltheas-garden · 4 months ago
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I miss when Alicent was allowed to have emotions
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the range 🤌
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vaguely-concerned · 8 months ago
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*in the tones of a man revealing the secret name of god to you* "beets... are a very misunderstood vegetable"
god I'm fucking crying... there's no one in this shot I wouldn't kill or die for in a heartbeat. sisko I love you so much I can barely speak
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tfw BEETS??? this is the most scared bashir has looked in the whole show (julian baby boy it's a buffet you don't have to eat beets if you don't want to)
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odo… no notes you are doing amazing sweetie keep up the good work
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lethal-spaceship · 9 days ago
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And they were roommates!
Oh my god they were roommates…
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I think both Kaveh and Alhaitham snore loudly.
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hamletthedane · 6 months ago
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Coworker: You know, you were talking about that book the other day at lunch, and I kinda wanted to read it.
Me: What book?
Coworker: The Hobbit.
Me: You’ve never read the Hobbit?!?!? Did you get it??
Coworker: I started last night and I’m already almost to the end…..I’m starting to feel strangely sad thinking about all the time I wasted being “too cool” to read for pleasure when I was younger. I wish I had known about this book when I was a teenager - it would have changed my life, I think. There’s just something about this story that I really love. It’s, like, comforting??
Me, trying not to get emotional: Yeah…the Hobbit really does that to you.
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nibeul · 5 months ago
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wish people would acknowledge mic's rage more often.
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More Mean Girls × Inside Out crossover because I still think it's funny
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Regina Geroge's emotions!
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steviesbicrisis · 1 year ago
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As a society, I think our major flaw is that we don't talk about this enough.
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balleater · 2 months ago
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something i've already posted about in the past but am thinking about again because of the conversations in this episode is that i still truly do not understand bells hells'(well, particularly ashton's) view on what is going to happen if the information about aeor gets sent out to the people of exandria. obviously, i'm not an average person living in that world and am instead a viewer of the media with fairly extensive knowledge of the lore, so i could definitely just be missing what the impact would actually be! but the insistence that it would be a world shattering revelation that completely turns everyone against the odds just... doesn't make sense to me?
unless ludinus has a way of editing the information he presents and can take away the context, which would basically make the "footage" even more strange, what they're going to be seeing is... the gods saving themselves from people with the active ability to murder them all and having a rather humanizing crisis of what they should do about it? i guess the working with the betrayer gods part could be considered the controversial aspect of it, but overall, considering everything else that was destroyed in the calamity, aeor really was the one instance that was closest to being "justified". i don't think anyone who cares enough about the gods for this to cause any sort of big disruption of faith would have as big of a problem with it as they are assuming, nor do i really think it's something that would cause mass revolts against the gods in people who aren't devout.
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suja-janee · 2 months ago
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My overall analysis on Sektor and Bi-Han’s relationship and how I still think a Bi han redemption is possible.
If you don’t wanna read all this let me know, I’ll give you a summary
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al-luviec · 22 days ago
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zane + nya parallels
#alek gifs#ninjago#zane julien#nya smith#that's enough main tags for me#i had to MURDERRR the quality on these sorry for ugliness#also for those confused on why i picked these :#gif 1 “what are they doing” followed by gif 2 which is wu's response.#gif 3 is the funeral and gif 4 is what people did to honor that sacrifice. zane statue and 'nya day'#a lot of these differences are because of the writers / animation studio#i am not power scaling their funerals based on attendance#which is. hilarious concept wise actually#braincellshipping#can be taken as such . wink#something about zane and nya and ice and water and how without one the other cannot function the same#zane going to the digiverse / rebuilding himself. nya going to the sea and having to rediscover who she really is#the way nya saw zane die. like legitimately she was on the rooftop (with pix and borg but yknow)#the way zane's ice was what held nya's form together in s15. oh guys im crazy#they have a lot of trust thats kinda. looked over. she did all of his repairs!! he was fine with her poking around his mind and body#which means a lot bc zane is a very closed off guy. 'i dont feel strong emotions but you can see my every thought nya c: '#also victims of the 'written as hating being seen as one thing... and thing ens up written as just that one thing' ninjago writers issue#zane w robotism. nya with being a girl / jay's girl. oh goodness im cuckoo#ignore how inconsistent the text sizes are i threw this together at 6 am and im NOT feeling it#i forgot how much gif making sucked#oops#rant over
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starry-bi-sky · 3 months ago
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welcome back to another game of 'starry gets Emotions about her aus that SHE Made as if she were a viewer' aka im analyzing my own characters again. today im having spontaneous feelings over Danny's facial scar in Things in Threes and his perspective of it vs everyone else
danny got his facial scar when he was five, protecting damian's cribside from a spontaneous attack by a pair of intruders. It narrowly missed blinding him and cuts down diagonally across his face. At five, it was jarring and incredibly noticeable, stretching from his hairline to his jaw. At 15 its still painfully noticeable, but scars do not grow with age, they shrink as your body grows around it. Now it only goes from the middle of his brow to below the center of his eye.
Danny's facial scar is a point of pride for him. Despite horribly traumatizing him he refused treatment to get rid of it because it was a physical reminder that it was him who got hurt and not Damian, that he was able to protect his family. Not once does he ever feel shame or disgust towards his scar, because to feel that is to feel ashamed of protecting Damian, and he is not.
To him, his scar is a trophy. A physical reminder of his capabilities and a reminder to keep honing his skills so that he can never be hurt like that again, nor allow anyone to get close enough to him or Damian to be able to hurt him like that again.
To everyone else it is a point of tragedy. To Sam and Tucker, it is just one more physical reminder of their best friend's sad, terrible background that he refuses to share with them. All they know is that it came from him protecting his brother when he was five, something that deeply horrifies them.
To Bruce and the rest of the family, it is a reminder of what Danyal has gone through. The leeching horrors of the league that resulted in a five year old boy killing two grown men and being permanently scarred as a result, and seeing that scar as something to be proud of.
There is so much to think about about Danyal's scar.
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tremendously-crazy · 3 months ago
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Relationship envy except I envy the bond between iconic fictional characters Sherlock Holmes and Dr. Watson
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stardust-moth · 19 days ago
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In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.
Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.
1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.
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Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.
He has to watch helplessly as she disappears.
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He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.
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2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.
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In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.
Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.
He has to watch helplessly as she drives away.
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3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.
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For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.
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He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?
He has to watch helplessly as she drives away.
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It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.
3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.
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The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.
Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.
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She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.
He has to watch helplessly as she drives away.
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4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.
Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.
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4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.
On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.
He's helpless to save her, again.
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4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...
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El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.
Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...
Once again, he has to watch helplessly as she drives away.
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4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...
There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.
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Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.
She's losing. She's choking. She's dying. He's helpless.
He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.
She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.
Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.
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The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.
He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.
And it works. It's music to her ears.
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