#every emotion is the same

[regaliasonata]

For: @skyland2703

Inej and Kaz: Guess what? *Holding hands *

Alina: What?

Inej and Kaz: We’re having a kid.

Alina: Yes!

Jesper: The first human that won’t be able to smile is about to be born and Y’ALL ARE CELEBRATING?!

[bixels]

Posting a sneak-peak of this now because I'm about to be In The Shit school workload-wise, so this'll take me a while to finish.

Doing some character design exploration/expression sheets for Celestia and Luna. Figuring out Celestia's weird ass anatomy while I'm at it.

[acid-ixx]

gets fucking stabbed by damian and my last breath still be like "it's not his fault ! he is ten and was raised to be murderous since he was born ! kid entered a household where everyone ignores my existence, i don't blame him for assuming that to be the norm and acting evil to me so that he assimilates to his new environment ! bro literally went through the worst all his life so of course the way he expresses himself is harmful to others !"

and then i get stabbed again lol

— masterlist !

OH MY GOD PLEASE 😭 the gaslighting yourself is real, i'm telling you.

unfortunately, the reader's toxic mindset of justifying everything your family does is a common scenario for every time one of them fucks up; only in the past though. the present chapters will have you slowly realize just nothing really is ever your fault. that you've never once been in the blame for the actions of your youngest brother.

but right now, i want to focus on why you just seem to let damian go about his own crazy path of targeting you. and it's either it's because you have nothing, nobody else to fight back with you, or it's purely because you allow him to.

to destroy you, to make you suffer, to make you learn that you have no place, or standing in the family. and if you do have a place, it is at the rock bottom.

this is what damian is taught: the weak should be eliminated before they fester into some type of unnecessary cancer.

you're weak, when he first saw you, when you first approached him with your tail tucked behind your legs and an invitation to hang out together with the scent of cookies wafting in the air— he knows that it is you who will make him weak.

you give him temptations to be a child, he's raised to fight against it. he ignores the unwelcomed feeling of wamth that blooms in his chest, those are feelings that gets you killed.

so it's how the story goes: he brings his sword up to your neck, and sways his hands swift enough to make a small cut to ensure that the first thing you associate him with is fear. and for someone vulnerable like you, it doesn't take much before you quickly submit to the prospect of your place beneath a trained assassin like him.

he ignores the sudden pang of his heart and the aching, gnawing dread that chews at his mind at the memory of your widening eyes and the wobble in your steps.

it's already damaging enough to have the youngest be introduced and immediately accepted into the family, but it's worse when he's significantly younger than you, a boy nearly half your age; someone you've always wanted to have, to care for, to help raise and cherish... despises you from the start, before you two even formed a connection.

someone you once called your younger brother, now became an enemy in opposing lines in a place called home.

what would've been fine-tuned jealousy towards him because he was given everything in a silver platter turned into shame that you couldn't even face him, not right after he threatened to kill you, no... and especially not after you've convinced yourself that if you couldn't even prove your worth for a young boy like him, then you really have nothing good to offer.

you give him the autonomy to think it's alright, that due to his upbringing, alongside your naive brain always justifying that your other siblings are right, and you are in the wrong— he was given every opportunity to torment you when you even go as far as being in the same room as him.

and i have my receipts on why you're just like that; all in the grace of low self-worth and self-esteem. past you reasons out that it's because it's always your fault.

you couldn't even find a way to save your mother, you couldn't even establish your place in the manor, you couldn't comfort bruce when he was still not over jason, what more could you be when all you see damian as is a young, broken child like you? that behind that veil of threats and weapons ready to attack you, is someone you knew could've been different, if he was raised right...

if he'd given you a chance to help nurture the softer, more humane part of him.

you've always wanted a younger sibling, not only from back when you were just with your mother, but also when you were introduced to the manor. because not only did it mean that you'll know how your mother felt when she raised you, but because you thought you'd have somebody by your side throughout the silent torment you've went through.

and when you're graced with one, who doesn't even consider you his older sibling; you let it be.

you let him be himself.

damian wayne, demon's granson, the son of the bat.

so many titles he's called, but never one where he's your younger brother.

it doesn't help that you justify his past, because the man you idolize, dick, does so too whenever you try to complain. his excuses are never out of malicious intent to have you suffer further— it's just that he never once actually considered you as important enough to bat an eye on, like how the rest of them treat you.

because you know that even dick has his limit towards the youngest member of the family; he just never reaches it when it comes to you.

so if you have a person allow another to act terribly towards you, but have another, a friend or family, who teaches you that it's not right, who fights by your side; it wouldn't take long for you to also learn how to defend yourself then. you'll gain confidence that you're at least not alone, that your actions are completely valid.

... but if you have an entire family that couldn't even scold the boy for leaving a scar on your neck, who brushes his mean comments about you aside, who isolates you even further with malicious words that you know becomes crueler when targeted at you—

then you have no basis for what is right, and what is wrong.

and that makes your authority, your trust in yourself dwindle like your already crumbling relationship with all the others the further you try to fight back.

that's when you learn what it's like to give up, all over again. if you accept his vidictive insults, if you know your place to turn back if you see him in the same room, if you knew from the start that sometimes trying doesn't equate to succeeding; then it'll at least numb the pain that comes after.

for the entirety of your life from when damian was introduced, that was how you coped—

but your life after the manor, after damian matures and learns softness, about empathy (that he's buried long ago during his training from when he was all but a toddler) on your situation; reading your journal entries because he still felt entitled to due to some hidden, twisted trait of possessiveness... that's an entirely different story.

would you still be as understanding as you were back in the past towards him? would you still force yourself to love the demon you saw as just a little boy? or would damian finally understand that it's too late to turn back time, to correct all his mistakes?

either way, if you were capable enough to change (at least, in his eyes), becoming an independent person (you think, huh? your place is at the manor), then maybe you could give him a chance too, to fix your relationship and build a bridge to an even stronger one.

one where you could finally baby him, like what you've desired. one where he could feel vulnerable, when he learned that it's valid to feel weak— it cuts back to the previous points: you make him weak.

and when he's out to find you after going through every single diary, every entry, after deducing that there's still a small spark in your that'll forgive him if he tries; he refuses give up any sooner if it meant replicating the same warmth he felt when he stood by your presence.

so... you wouldn't want to leave your youngest brother waiting for you, don't you?

after all, it's just like what your entries told him, right? this is what you always wanted, right?

a/n: everyone is entitled to their own feelings about how i portray damian and mc's relationship!!! i love how all of you guys have different conflicting reactions to this. it's all so complex for me, how damian sees you as someone who's weak and makes him weak (he's just a stubborn little guy), and you, who sees yourself in damian, alongside the added desire to just have someone to care for (because you want to so badly honor your mother's memory), and that person also caring for you is ARGH!!?!

i apologize for my long rambles (if anyone wants me to cut back on posts like this, just tell me), i'm sure everyone is anticipating chapter 5 and possibly (soon) chapter 6 (since the drafts, not the final work is becoming too long). but right now, all i could provide are my depictions of the reader's relationship with every member of the family. i love to churn scenarios where it feels like you're actually part of the family so i'm actually manipulating all of you guys to become attached to the characters too, just to add an extra layer of angst, hehe...

[zu-is-here]

During the post dark cream arc where Cross was pregnant with Aim, is it possible for Aim to mive and kick while in the soul…? And if so is it painful for Cross+

continuing @clownyclowns' comic's topic <3

[luckyblackcatxiii]

Two separate occasions but both bringing out a rare intense emotion from Saverio! Sometimes I like to think I make up cool lines on the fly when playing as him 🤔

I'd like to draw scenes to explain how he got to these points, but for now, enjoy an angry Sav~

[khaopybara]

❝We may not love each other much, but I'm not cruel enough to hand someone like you over to my sister. And that's be too easy for someone like you. People like you, May, must pay for what you did.❞

NAMTAN TIPNAREE as OB-OOM INGSAMAK episode 8 of PLUTO

[amaltheas-garden]

I miss when Alicent was allowed to have emotions

the range 🤌

[fluffylord]

Look how far I went, for fear of losing you.

[vaguely-concerned]

*in the tones of a man revealing the secret name of god to you* "beets... are a very misunderstood vegetable"

god I'm fucking crying... there's no one in this shot I wouldn't kill or die for in a heartbeat. sisko I love you so much I can barely speak

tfw BEETS??? this is the most scared bashir has looked in the whole show (julian baby boy it's a buffet you don't have to eat beets if you don't want to)

odo… no notes you are doing amazing sweetie keep up the good work

[lethal-spaceship]

And they were roommates!

Oh my god they were roommates…

I think both Kaveh and Alhaitham snore loudly.

[hamletthedane]

Coworker: You know, you were talking about that book the other day at lunch, and I kinda wanted to read it.

Me: What book?

Coworker: The Hobbit.

Me: You’ve never read the Hobbit?!?!? Did you get it??

Coworker: I started last night and I’m already almost to the end…..I’m starting to feel strangely sad thinking about all the time I wasted being “too cool” to read for pleasure when I was younger. I wish I had known about this book when I was a teenager - it would have changed my life, I think. There’s just something about this story that I really love. It’s, like, comforting??

Me, trying not to get emotional: Yeah…the Hobbit really does that to you.

[nibeul]

wish people would acknowledge mic's rage more often.

[a-scary-lack-of-common-sense]

More Mean Girls × Inside Out crossover because I still think it's funny

Regina Geroge's emotions!

[steviesbicrisis]

As a society, I think our major flaw is that we don't talk about this enough.

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[stardust-moth]

In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.

Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.

1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.

Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.

He has to watch helplessly as she disappears.

He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.

2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.

In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.

Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.

He has to watch helplessly as she drives away.

3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.

For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.

He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?

He has to watch helplessly as she drives away.

It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.

3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.

The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.

Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.

She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.

He has to watch helplessly as she drives away.

4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.

Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.

4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.

On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.

He's helpless to save her, again.

4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...

El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.

Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...

Once again, he has to watch helplessly as she drives away.

4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...

There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.

Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.

She's losing. She's choking. She's dying. He's helpless.

He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.

She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.

Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.

The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.

He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.

And it works. It's music to her ears.