Two separate occasions but both bringing out a rare intense emotion from Saverio! Sometimes I like to think I make up cool lines on the fly when playing as him 🤔
I'd like to draw scenes to explain how he got to these points, but for now, enjoy an angry Sav~
*in the tones of a man revealing the secret name of god to you* "beets... are a very misunderstood vegetable"
god I'm fucking crying... there's no one in this shot I wouldn't kill or die for in a heartbeat. sisko I love you so much I can barely speak
tfw BEETS??? this is the most scared bashir has looked in the whole show (julian baby boy it's a buffet you don't have to eat beets if you don't want to)
odo… no notes you are doing amazing sweetie keep up the good work
Coworker: You know, you were talking about that book the other day at lunch, and I kinda wanted to read it.
Me: What book?
Coworker: The Hobbit.
Me: You’ve never read the Hobbit?!?!? Did you get it??
Coworker: I started last night and I’m already almost to the end…..I’m starting to feel strangely sad thinking about all the time I wasted being “too cool” to read for pleasure when I was younger. I wish I had known about this book when I was a teenager - it would have changed my life, I think. There’s just something about this story that I really love. It’s, like, comforting??
Me, trying not to get emotional: Yeah…the Hobbit really does that to you.
I’m getting weepy over the epilogue of Dracula when normally I don’t LIKE “# years and a baby later” epilogues
The year gap allows room for the grieving and trauma fallout and recovery that the book already established a pattern for. The found family is STILL TOGETHER and they mean more to each other than ever.
GRANDPA Van Helsing isn’t a lonely sad old man anymore he has a FAMILY. Orphans Jonathan and Mina now have a child of their own that’s certainly the most adored and cherished child in the history of the country. They panic about being parents since they had none of their own but they have a WHOLE GROUP to help them raise the child. Arthur is especially useful here, except for his tendency to gift little Quincey with so so many puppies.
The trip back to Transylvania is what’s really getting me, though. Returning to the site of their trauma. Paving over painful memories with new ones. Rewalking those steps TOGETHER, just like they had wished both times, enjoying the sights and eating the food and taking such joy in being alive and being alive together. They both keep trip journals that Mina transcribes and compiles upon their return to share with the others. Also lots and lots of recipes.
It leaves the final word as this being a story about Mina and those who love her, and how important passing that down about HER will be, and how their son will learn all about his namesake and his amazing family one day and learn about their bravery and love like we all have.
videos to reawaken every emotion that exists within you and make you fall in love with my chemical romance like it’s the first time you’re hearing them, even if you’ve been a fan for a decade or more.
famous last words recorded from outside the venue at mcr mk night 2 on 5/21/22, posted on tiktok 5/24/22 by alanpierre71
something i've already posted about in the past but am thinking about again because of the conversations in this episode is that i still truly do not understand bells hells'(well, particularly ashton's) view on what is going to happen if the information about aeor gets sent out to the people of exandria. obviously, i'm not an average person living in that world and am instead a viewer of the media with fairly extensive knowledge of the lore, so i could definitely just be missing what the impact would actually be! but the insistence that it would be a world shattering revelation that completely turns everyone against the odds just... doesn't make sense to me?
unless ludinus has a way of editing the information he presents and can take away the context, which would basically make the "footage" even more strange, what they're going to be seeing is... the gods saving themselves from people with the active ability to murder them all and having a rather humanizing crisis of what they should do about it? i guess the working with the betrayer gods part could be considered the controversial aspect of it, but overall, considering everything else that was destroyed in the calamity, aeor really was the one instance that was closest to being "justified". i don't think anyone who cares enough about the gods for this to cause any sort of big disruption of faith would have as big of a problem with it as they are assuming, nor do i really think it's something that would cause mass revolts against the gods in people who aren't devout.
welcome back to another game of 'starry gets Emotions about her aus that SHE Made as if she were a viewer' aka im analyzing my own characters again. today im having spontaneous feelings over Danny's facial scar in Things in Threes and his perspective of it vs everyone else
danny got his facial scar when he was five, protecting damian's cribside from a spontaneous attack by a pair of intruders. It narrowly missed blinding him and cuts down diagonally across his face. At five, it was jarring and incredibly noticeable, stretching from his hairline to his jaw. At 15 its still painfully noticeable, but scars do not grow with age, they shrink as your body grows around it. Now it only goes from the middle of his brow to below the center of his eye.
Danny's facial scar is a point of pride for him. Despite horribly traumatizing him he refused treatment to get rid of it because it was a physical reminder that it was him who got hurt and not Damian, that he was able to protect his family. Not once does he ever feel shame or disgust towards his scar, because to feel that is to feel ashamed of protecting Damian, and he is not.
To him, his scar is a trophy. A physical reminder of his capabilities and a reminder to keep honing his skills so that he can never be hurt like that again, nor allow anyone to get close enough to him or Damian to be able to hurt him like that again.
To everyone else it is a point of tragedy. To Sam and Tucker, it is just one more physical reminder of their best friend's sad, terrible background that he refuses to share with them. All they know is that it came from him protecting his brother when he was five, something that deeply horrifies them.
To Bruce and the rest of the family, it is a reminder of what Danyal has gone through. The leeching horrors of the league that resulted in a five year old boy killing two grown men and being permanently scarred as a result, and seeing that scar as something to be proud of.
There is so much to think about about Danyal's scar.
learning abt friendship decay and "not reaching out to your friends for months at a time unprompted is not neurotypical behaviour" has me feeling a certain way