#even if other games might be better

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

[feroluce]

“-and that's why I ain't allowed in Pier Point no more!” Boothill throws his head back and cackles, somehow completely comfortable on the bare floor of the archives. He's the very picture of ease, his arms behind his head, his legs bent and crossed.

Dan Heng barely looks up from his notebook, not much surprises him anymore after the first few tales of lawless exploits. “So they really have that many laws and restrictions there.” 

“And prob’ly a few more now that I've been through there! Heck, ya think they named any after me? I'm hopin’ so.” There's so much smug cockiness seeping through his voice Dan Heng could bottle it.

Silence settles in, stretches out. Dan Heng doodles pensive circles in the corner of his page.

He shouldn't ask. It's a private matter. It's none of his business. He of all people should know-

Something pokes his shoe, and when he looks up, Boothill has stretched one arm up to tap metallic fingertips against his foot. “Ain't like ya to hesitate.” With his head tipped back on the tiles and gazing at him upside down, Boothill's hair is out of his face and spooling out all over the floor, offering a rare view of his right side. His right eye is sealed over with a pitch-black patch, stark against his skin. Dan Heng wonders what he looks like behind it. “C'mon, then, out with it. Spill the beans, brother, just say it.”

“What does ‘Boothill’ mean?”

The man blinks at him, the crosshair in his cybernetic left eye flickering. Dan Heng shifts, smooths out his long coat. “I tried to look it up once. It's not in any database as a name...other than your wanted posters.” There's a thread beginning to fray near the hem, he should sew it up. “I couldn't find it anywhere.” 

He nearly takes it back, but- “Heh, ya that curious about me, darlin’?”

Dan Heng quickly levels his face into the most impassive, nonplussed expression he can muster, but Boothill has already turned away, head pillowed on his arms and face once again turned to the ceiling.

“But nah, ya wouldn't. Hah, like they'd allow any record of the language, fudgeheads.” One arm sweeps around blindly until it finds the edge of Boothill's hat, sets it back where it belongs on his head. Dan Heng shuffles around, scoots a little closer, but the brim is pulled too low to see his eyes anymore.

“It's ‘cause it's not a name. It's a noun.” All that's visible of his face is a sharp grin, pulled too tight at the edges.

“It's my people's word for a grave.”

Dan Heng's pencil stops.

“It's the kinda grave fer someone who died with their boots on. If ya catch my drift there.” Boothill's foot starts to bounce. “There was a war, and it got reeeeeal intense, yup. Folks started droppin’ like flies, ‘n’ there was bodies faster'n what we could bury ‘em.” A cooling fan kicks on somewhere. Dan Heng is pretty sure it's not any of the Express equipment.

“We lost some real good people there, real good. Mighty shame.” His hidden Vidyadhara ears detect a quiet metallic click, a whir, pressurized gas. Boothill's next words waft steam from his angry circuits into the air. “When I left, I decided to leave my name there, too. Didn't feel right otherwise. The life I lead now is a whole ‘nother existence.” And then Boothill turns his head, raises his hat, and Dan Heng suddenly feels pinned dead center, caught in that crosshair.

“Ya know what I mean, don'tcha?”

Dan Heng swallows.

Does Boothill know? Who he is and who came before him? There had been that moment in the Penacony Grand Theater, after he activated the Jade Abacus… Dan Heng had tried to shoo him out, keep him from seeing anything, but Boothill has the astounding ability to turn up exactly wherever people are trying to keep him away from.

If he did see, does he actually understand it? Does he know what a High Elder is? Does he know about the sedition of Imbibitor Lunae, the transmutation arcanum, everything Dan Feng had done and Dan Heng was punished for?

He doesn't want to explain it all. Not now. Possibly not ever, truth be told.

And it's not the same as Boothill leaving behind his old identity when whatever event happened that caused him to leave home. Not really. But…

But so far, Boothill has slid so easily into Dan Heng’s routine. His presence never feels like an intrusion. He's already figured out what he can push and when to back down. And even Dan Heng finds himself able to roll with whatever punches Boothill throws with baffling ease. They share too much in their methods and ideologies, and sometimes Dan Heng knows what Boothill will do seemingly before even Boothill himself knows.

“...Tell me about Talia and the Nailscrap Town.” Boothill must know he's avoiding the topic. He must. But the man just throws his head back and cackles, melting easily back into what they had been doing before, as he speaks fondly of a planet that Dan Heng has never visited.

Not today. But.

Dan Heng inches just a little closer, just enough to nudge his foot against a metal leg. Boothill doesn't pull away.

Maybe someday.

[hyakunana]

"So we'll need to think on our feet and act quickly. But that's what you're best at."

[bacchuschucklefuck]

the one thing amiss from nsbu's concept and the general isekai/modern jumanji medias in general is the fact that in the original jumanji all that shit happened in the real life town. people died for real. we need to bring funny games (1997) to the tabletop scene

[storywestistrash]

i am actually so tired of the way westerners treat eastern europeans

[prototypelq]

Let's press F in chat for the amazing and atmospheric concept art of DMC5, and how the game is just...devoid of any colour, except some rare cases.

[flygonscales]

2 weeks at uni and I’ve already reached peak procrastination. I found masking tape and somehow decided that the best use of my time was to make a tiny Belphemon-sleep.

[narwhalandchill]

oh btw. quick tip for anyone playing wuwa. do urself a favor (bc kuro default sound settings sure fucking werent doing the game any 💀) and adjust ur in game sounds to something closer to This:

if you actually want a chance to experience the OST and ambience of the game as intended lmao

[the-hilda-librarians-wife]

I was rewatching The Stone Forest and I really like to think that Hilda had to pass by the Bell Keeper’s outpost on her way out of the city limits. I like to think that idiot looked at what was happening, shrugged, and said ‘eh, she’s the scariest thing out there’

[monty-glasses-roxy]

I think it would be kinda funny if Roxy, with no attractions to run and not a lot else to do during the day, keeps getting really bored and showing up in the atrium with random shit that was discontinued years ago.

Like I dunno shows up driving a little train thing that used to drive people around all the different areas of the Plex or something and uses it to get people into areas they don't have a pass for as she runs over the staffbots that take your party passes. Starts her own robot wars thing on the main stage with a bunch of shitty remote controlled toys she found in the basement and taped a bunch of plastic cutlery to for weapons. Rallies a bunch of kids to call Freddy over and the second he pokes his head over the third floor balcony railing she fucking shoots him right in the face with a ball gun.

She does this kind of thing after hours too of course, but sometimes it's just a really slow day and she feels like the manager isn't mad at her enough yet lmao

[rizardofether]

I got an idea for one of those talk about your characters prompts:

How would your Commander/other GW2 characters react to being stuck in a time loop?

[du-hjarta-skulblaka]

Stuck on the first few eps of Farscape after finishing up Fantasy High s2 and maybe its the whole most recently consumed bias but I'm really struck by how much it feels like a dnd game??? Bunch of weird lil renegades slapped together and put in weird situations, honestly it would make a really interesting starting point for a game

Anyway John Crichton is a bard/wizard; he does a lot of persuasion as performance and that scene of him collapsing to the floor to write slingshot equations is THE most wizard shit- perhaps Artificer would be more accurate to him but it's not a class I'm familiar with.

[starswallowingsea]

having thoughts about what makes an interesting idol rhythm game

[get-more-bald]

the biggest thing about X6 is not that he doesn't think of himself as human (though he doesn't, and according to some it's correct) BUT that he doesn't see himself as a Person

[nomairuins]

like i wouldnt mind like. Not having new linear games post 5 its judt that sims 4 wasnt even supposed to Be The Sims 4 it was a last minute pivot and the base code is so outdated and was broken On launch so like. i just wish we could have the final actual sims game be like. one that was always intented to be a major sims release AND be intended to be so long term . yk

[fingertipsmp3]

I love the sims 2 because it will completely wreck your shit right when you’re least expecting it