#eternity past

[mybeautifulchristianjourney]

Predestined for Adoption through Jesus Christ

4 even as he chose us in him before the foundation of the world, that we should be holy and blameless before him. In love 5 he predestined us for adoption to himself as sons through Jesus Christ, according to the purpose of his will, — Ephesians 1:4-5 | English Standard Version (ESV) The Holy Bible, English Standard Version. ESV® Text Edition: 2016. Copyright © 2001 by Crossway Bibles, a publishing ministry of Good News Publishers. Cross References: Leviticus 19:2; Leviticus 20:7; 2 Samuel 22:24; Matthew 25:34; Luke 12:32; Acts 13:48; Romans 8:14; Romans 8:29-30; Ephesians 1:11; Ephesians 2:10; Ephesians 4:2; Philippians 2:13

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What does it mean that God chose us before the foundation of the world?

[gomacave]

Locked in eternal struggle !

[drenched-in-sunlight]

*SoTE spoilers undercut

This is a continued discussion in light of Marika's newly discovered tragedy. It changes so many things about how we look at the story thus far but more importantly - the DLC story trailer, especially this scene:

think about how Messmer knows, very acutely, that at one point his mother could have been cut up and put in a jar. and that his other kins were not so lucky....... it gives that scene such a tragic edge.

he wasn't doing this just for the violence. this is his answer to Marika's love and all she has done for him. yeah it's not right, it's not justified, but as something done to avenge for the kind of pain she went through? it won't be logical nor right but it's something he will do again without hesitation.

the infirmary in Shadow's Keep shows that he's trying to care for and save whatever left of her people. their people.

the line he said in his armor set description hits different when you consider all that. he wants to be the heir to all her sorrow and all of her pain. wishing that he could alleviate even just a bit of the burden of her grief and survivor guilt.

i wonder if, when Marika hid him in the Land of Shadow, fearing people will judge him for the malevolent snake he carried, she raised him in her home village? this will explain why the Tree Sentinels guarding the village drop two Blessing of Marika - the blessing that specifically stated Marika made it for Messmer's sake and him alone. it will also explain how he knew of his Mother's tragic past and took it upon himself to carry out her wish of vengeance for her people.

(also if you wanted to get to Marika's village, you have to perform the O Mother gesture before her statue in his Shadow Keep, implying he's guarding the way to her home village as well.)

One other thing I like is that in the story trailer, the heroic music sounds like it's for Miquella. and it is, in a way. it is his boss music, but the lyrics has "Ave Marika Aeterna" (Hail, Marika The Eternal).

Given that the boss arena is where Marika - the sole survivor of a whole village, walked through to salvage the remains of her people, making them the symbol of her divine ascension, I wonder if that OST is actually for her - the God, the woman whose story is finally realized in this DLC, and those female voices singing in honour of her are the spirits of her fallen kins: cheering on their last hope for justice. Through this girl, those people who had been wronged and died there will live on eternally.

All this of course seems like such a charitable take on all this, after all Marika ended up being just like the oppressors who used to put her people in jars, but I think I just want to appreciate how the environmental storytelling of this DLC is simply amazing. and once you consider that this is, in the end, Marika's story, everything will make a lot more sense.

[billy-crudup]

PAST LIVES 2023 | dir. Celine Song

[puppetmaster13u]

Prompt 195

“Oh. It’s you.” 

The entity that had been summoned practically growled, a cloak like swirling galaxies- or was it swirling galaxies molded into a cloak- shimmering around their form. One pair of arms crossed over a chest where a star pulsed with the heartbeat of universes, alive yet dying as lazarus green eyes glowered down at the league and bats alike. 

“You know you could, fucking call, right?” they whined, aura of terror suddenly broken, unnatural fear torn away and leaving all of them wrong-footed and confused.

Well, apparently all of them except for Ras, who had an honest to fuck grin on his face, one that looks almost carefree, if a little feral. Nope. No thanks. Not this timeline-

“But phones didn’t exist last we spoke, ya ‘amar.” 

[spirk-trek]

S2E26: Assignment: Earth ⋆.˚ ✧ · ˚⊹

[fatedroses]

More than just the Demon.

[stonyponyofficial]

so when imbored i type out a bunch of two word icarly style t-shirt slogans and just save em to my drafts. here are my favorites so far

[kitnita]

happy last-stretch-of-baseball-season-before-hockey-season-starts to all who celebrate. can i interest you in an improved take on baseball au robotter?

[aroaceleovaldez]

i'm so happy you brought back up the topic of rick's shitty writing of anyone even remotely non white / "white passing"

with that being said, do you think the shitty script he gave to annabeth in the show has to do with him just being deeply uninterested in adapting his story to include characters of color? bc it seems like once rick encounters a character that cannot be easily erased all ethnic or racial identity of to fit them into an usamerican specifically white ass narrative, he gets lost.

i just keep thinking how the only thing that "changed" about annabeth as presented in the show was her race but her plot relevance and her characterization got downgraded severely. meanwhile percy, whiter than before (wheres the mediterranean god look......................................), got half her functions. like i just look at rick in context and i wonder if he just gives so little fuck about characters of color he cant even write a decent character arc for an adaptation of a very established persona

thoughts? thank u!

I wouldn't be surprised if it's Rick (and the writer's room, since it actually seems Rick isn't all that heavily involved if much at all with the script itself based on some interviews) just has internal biases that he refuses to reflect on. It would be a consistent trend with the uptick in offensive writing in the books themselves (see: the troglodytes in general, all the Jewish kids in CHB being in Hermes cabin, etc etc). Rick seems to want to engage with these topics but refuses to actually assess how he's approaching it and his own biases while also overemphasizing his engagement with the topics. It's a kind of big talk/words vs actions type thing to me.

[this got a wee bit long so throwing it under a cut]

I was having a couple of conversations about this topic recently - one being group reading/discussion of WottG and how, allegedly, the slightly different characterizations in that book are inspired by the actors in the show. Annabeth is repeatedly and frequently described as motherly and maternal in the book, plus some other misc characterizations that make you tilt your head and go "Wait, what about Leah made you want to write Annabeth this way?" and concerns about it leaning into stereotypes. (It's also strange, because in the show Sally is MUCH more aggressive and less maternal, and this is painted like it's supposed to be a girlboss thing cause her being too soft and motherly was too weak or something? But now book Annabeth is now being described as all soft and maternal??? What. What is happening.)

Another conversation that i had with my therapist (cause we talk about pjo a lot lol) and later repeated and discussed more with other folks on discord more specifically regarding the show was a lot of discussion about the casting. Particularly casting choices and how the writing either is refusing to take casting into consideration to respectfully approach how things would be changed to avoid problems or are actively changing the script for characters in a way that is potentially if not downright offensive. Clarisse is the number one example i bring up because a lot of people say that the reason a plus sized actress wasn't cast for her was to avoid the "fat bully" trope. The thing is, there is ALSO a POC bully trope that is just as bad if not worse, so if they were actually taking offensive tropes into consideration one would expect them to avoid that too (especially since Percy was cast as a pasty white boy - which just makes it all look worse)? (Also other plus-sized characters like Dionysus and Gabe were also cast as skinny, same with Tyson. So it just seems like they don't want to cast plus-sized actors either.)

But also they're rewriting stuff that actively puts the casting decisions into worse tropes. Like hey, why is Percy (a white guy) the one who knows the "real" versions of all these myths and is expositioning them to Annabeth (a black girl), who in the books is supposed to know more than him? Why does he know better than her for some reason and have to guide her? Why is Percy teaching Annabeth about pop culture and how to be a kid? Not to mention stuff like the show constantly encouraging the viewer to doubt or distrust characters like Grover and Clarisse and Annabeth as red herrings as to who the traitor is. Plus there's no adjustments to stuff from the books like Annabeth initially being somewhat aggressive/antagonistic towards Percy, or Clarisse's aggression and bullying towards Percy to try and circumvent those being bad tropes in the contexts of the casting.

And there's an ongoing trend of characters who are antagonistic towards Percy in the books being divided into two groups: those who continue to be antagonistic towards Percy in the show, or those who are tweaked to suddenly become kinda silly-goofy and significantly less threatening. Gabe, Dionysus, Ares, and Hades are all examples of characters that should be antagonistic towards Percy but are softened SIGNIFICANTLY and played for laughs in the show. Echidna is played as a twist antagonist because she initially because she approaches the kids as very sweet and helpful. And they're all cast as white! Meanwhile other characters like Clarisse, Luke, Zeus, etc, are still antagonistic towards Percy (plus also like Annabeth initially and again, Grover being painted as a major red herring). Plus some new additions like Hermes, Mr. Lin Manuel Miranda himself, being wholly introduced into the plot when he's not supposed to appear until book 2, and all he does is sabotage the quest. Like, it's weird! That's a weird writing decision!!!! I get wanting to get that sweet sweet LMM cameo money, but, why is Hermes an antagonist here???????? he's not even supposed to be here yet!.

We also have stuff like Poseidon (who, like many of the god/major kid pairings so far seems to have been cast to match each other appearance-wise) saving the day for Percy and being this weirdly good dad, versus the books where we get the iconic "I am sorry you were born" line and Percy and Poseidon's tension is part of their arcs. Notably, Poseidon does this by ceding to Zeus, who is actively about to start a war. While Gabe is rewritten to be a total loser, Sally is MUCH more aggressive and her yelling and screaming at young Percy is supposed to be sympathetic for some reason? If Gabe were acting like Sally does in the show, he would actually be significantly more like his book counterpart! The show is making active decisions to paint these characters the way they do!

Admittedly, part of it may just be they got overzealous with their casting (not inherently a bad thing! diverse casting is good!) and then proceeded to not consider how that casting affects the way the characters are perceived. It also doesn't bode well for certain guesses we can make going further into the show - Thalia is very at odds with Percy initially. She's a very aggressive character. They fight a lot! Also Annabeth's description already implies that they're tweaking Thalia's character to be more "tough love" versus the books where she's significantly more of a bleeding heart when she first meets Annabeth. Like, I'm very happy about Thalia's casting, her actress seems amazing, but also I'm VERY concerned with how they're going to approach her character to make sure it doesn't end up wildly offensive. Athena is similar - we can guess based on casting decisions so far that they're going to try and cast Athena as similar in appearance to Annabeth/Leah. The show has already painted Athena has antagonistic and uncaring towards her daughter. If projected trends continue, these things are not gonna be great.

And the show does seem to rarely want to engage with these topics - like the scene with the cop in the train. You can tell what they wanted to address by having Annabeth be the one to confront him. The thing is they were too cowardly to actually have that conversation! They paint the kids as being unreasonable and getting unnecessarily upset when they aren't directly being accused of destroying a room, therein painting the cop as the one in the right in that situation. The implication seems to be a little bit they were going for "Oh, this is Annabeth's hubris getting them into trouble" but. that's such a bad way to do it! That's like the worst way you could have done it! (This is also a trend in books from HoO onwards, more or less - Rick tries to engage with certain topics, often using characters of specific demographics, and then proceeds to do a really bad job of it.)

There are also some aspects that are just like - in the books, Luke being a middle-class blond-haired blue-eyed pretty white boy is relevant! Because the fact that he has privilege from that particularly in how he's perceived is part of how he came to where he is and why he acts the way he does. Percy not having those same privileges, and having aspects like constantly inherently being labeled as a trouble-maker just based on his atypical (neurodivergent) behavior and coming from a lower socioeconomical background play heavily into his character!!! Percy being both a poor and disabled kid (and implied potentially POC) plays DIRECTLY into why he feels so strongly about standing up for other disenfranchised kids (in SoM, explicitly including other disabled kids and kids of color). It directly relates to his experiences and standing up for kids who are like him because he didn't have that, versus Luke whose perceptions and goals are very self-oriented. Now, in the show, we've essentially swapped Percy and Luke's appearances, and that paints a very different narrative. And that's important to acknowledge!

[shyjusticewarrior]

Jason: "Punching Dick Grayson is kinda my dream date."

Jason in a fear toxin hallucination:

[carnivalcarriondiscarded]

wifies

[kabutoden]

listen i know i said they dont have godtier powers but au where they do. list. listen. are you hearing me. mage of time ceruleanblood with intense and volatile emotions and low emotive knight of doom rustblood. its doomed yuri. its timed yuri. ill love you forever but we dont have that. and we never will. duty. knowledge. resignation to fate. a single moment between enemies/lovers to last an eternity the scorpion and the fly..........

[zahri-melitor]

Okay because I am setting my expectations as low as possible in the hopes I get to be pleasantly surprised, here is the history of Black Canary as a solo title at DC:

Black Canary 1991: 4 issue miniseries. Probably best described as 'mediocre'. Dinah discovers Ollie's being an unemployed dropkick who has been stealing/borrowing money from the Sherwood Florist till and not accounting for it; out of her frustration at him she goes and beats up a drug cartel and white supremacists with the help of her new friend Gan Ngyuen, who would be a better boyfriend to Dinah than Ollie is being right now. In conversation with her Grell appearances, but seriously underestimates Dinah's actual skillset.

Black Canary 1993: 12 issue ongoing. Dinah's basically broken up with Ollie for the whole of this, which is completely fine by me, as Ollie uses some of his appearances in this book to accuse Dinah of sleeping with Ray Terrill. Who is 18 and was trying to look after the injured superhero who turned up on his doorstep. Time to go die in a firey helicopter crash, Ollie, you are terrible in the early 90s. Anyway, this is an incredibly uneven run that covers topics like Dinah's backstory, why Ray Terrill develops the biggest puppy crush on Dinah, and also the very first Nightwing-Oracle-Huntress-Black Canary team up. Tragically despite the compelling characterisation going on in this title between the four of them, the story they are in is a white slavery plot, rendering it almost impossible to recommend to people who aren't the sort to read every single appearance of a character.

Black Canary 2007: 4 issue miniseries. This would actually have been a compelling story apart from its intent and outcome. Dinah and Ollie, in the lead up to their wedding, grapple with combining their families and Dinah works with integrating Sin into the US educational system. Unfortunately, Sin is abducted and then Ollie fakes her death and doesn't tell Dinah what he's done, as he makes Connor take her off to one of the Himalayan monasteries various Arrows and companions have spent time at. Sin does not get to attend their wedding, and for some reason Dinah does not tell Ollie it's off even though he just faked Sin's death and lied to her about it.

Black Canary and Zatanna: Bloodspell 2014: Graphic novel. Paul Dini's pet project that he spent the best part of a decade trying to get DC to publish. The only decent Dinah solo on this list, it's not actually a Dinah solo because it's co-starring Zee. Dinah and Zatanna met each other as teens trying to live up to the expectations of their families, then reunite in Vegas after some of Dinah's friends tell her that someone's made them swear a magic oath to take part in a heist, and it's killing them. Hijinks ensue! This is the only title of any of them on this list that's actually full of joy. Please read it.

Black Canary 2015: 12 issue ongoing. 'What if Dinah decided to make Black Canary be the stage name of a musician in a band rather than a superhero?' Does this have any connections to previous Dinah characterisation? Not really, no. Does it sound like the premise of an Elseworlds rather than main continuity, even for n52? Yes. Dinah decides being a superhero is just too much work, so she'll be in a band instead, aside from all those times she needs to stop singing to fight crime in the audience. Contains a time travel plot involving Kurt Lance, aka the worst decision DC has ever made in regards to Dinah's love life, and I'm including Ra's al Ghul and marrying Ollie on that list. I think they made Kurt Lance save the universe but I admit I was hatereading at that point. The final issue has Dinah have her life flash before her eyes while retconning out most of the n52 changes to her characterisation and also suggesting she got pregnant with Ollie's baby at age 53 before dying of a mystery disease at age 69.

EDIT: Reminded of the Teen Book

Black Canary: Ignite 2019: DC teen graphic novel. Written by Meg Cabot, this is one of their teen alternate continuity rewrites set around the awkward period when Dinah was a teen and wanting to be a superhero like her mother, but Dinah Drake was firmly refusing to train her. Contains Larry Lance and is actually set in Gotham! (this is a good thing) On the other hand, maintains the 'was in a band' concept from Black Canary 2015, which personally I would rather stuff into a black hole never to be seen again, but angry teens singing in bands is a genre conceit for a reason. It's cute.

So really. Why would I let myself get my hopes up over Black Canary Volume 5?

[normalbrothers]

TOMMY: The war is done! Shut the door on it like I did.

[puppetmaster13u]

Prompt 242

   He looks the same as he had that fateful day, a storm raging around him and risking sending the ship down into the abyss. Hair whipping in the wind as the sky roars its deadly challenge echoed by the beasts they all sought to bring down those centuries ago. 

   It looks just as human as they- that is to say not at all, not anymore. A body twisted, sand and lightning melding into a molten sea ever-expanding. Its eyes as gold as the treasure it guards, brilliant blues and greens dancing across bodies in sigils unknown. 

   It looks exactly as it did that time ago, smile dancing on its lips as the sky opened up in torrents, like blood gushing from a wound. “You’re free to go,” it says, in words they understand and words they don’t. “You don’t have to stay here any longer.” 

   “Where will we go?” They ask, so very tired of this eternal battle, of being trapped in crashing waves and storms of water and sand. Being tossed one way and the other, never able to go home, for home was gone long ago. 

   It looks up, their own gaze following, the ship crashing through the dredges of a storm they had thought eternal. And for the first time in eternities, they see them. The stars. Dancing and dripping from a serpentine form that cradles the Sun and Moon, smiling down to the beast and them alike. 

   And so, they take from the seas, and take to the stars instead.