#driving post op

[beaulesbian]

more one piece (mostly zolu) + text posts [2/?]

[orphiclovers]

cw rape discussion

Okay, let's talk about this little moment from early ORV.

Here, Kim Dokja deliberately uses the language of 'tactfully rejecting a further relationship' - 'we had fun together but let's not see each other again' which is something you might say to someone after a first date or, and what is more likely meant here, a one night stand.

The context to this scene is that Kim Dokja temporarily let himself be possesed by a constellation to win a battle, but now the battle is over and he wants the constellation to leave, please and thank you. A one time thing and not an extended relationship. Sounds kind of like a one night stand, doesn't it?

Kim Dokja thought so. While he is only rejecting a further sponsorphip offer, the fact the situation feels like a double entrande is something he himself recognizes and makes a private joke in his mind referencing.

This comparison, no matter how light-hearted, is the first thing in this scene that encourages drawing parrarels between the events happening and sexual imagery in the readers' mind. First, but not the last.

The constellation does not "accept no as an answer" and does not leave, staying in Kim Dokja's body and trying to pressure him into further relations. Even describing it this way sounds...bad. Technically nothing untoward is happening, but an ...uncomfortable... vibe permeates the whole scene, as he repeatedly ignores Kim Dokja's verbal revocation of consent.

"Stop." "I said no." with these words on their own, but even more so compounded with the vague reference to sex a paragraph before, it feels as if we are reading a thinly veiled rape scene.

'Possession as symbolic rape' is well-trodden ground in paranormal stories, as it is often potrayed as the ultimate violation of bodily autonomy.

What ORV does differently from those, is acknowledge the role of 'continuous consent' in what changes 'possession' from fine and even welcomed, as it was before during the fight, to a violation. Which is not a distinction these stories usually make, as it would require potraying possesion as a possibly positive experience - but orv does that many times. In ORV, 'possesion' is not an inherently violating act, it really is only a matter of consent. Like sex is in real life.

My final piece of evidence for us being meant to read this scene as a rape allegory is perhaps the most explicit about it.

The words Kim Dokja says to himself in this situation. A deep breath to calm himself. "This is my body. I would never give it to his guy or any constellation." He explicitly asserts his bodily autonomy, using very loaded language. And these are the words that give him a power-up.

TL,DR: 1. Kim Dokja himself acknowledges that this situation is similar to an affair of a sexual nature. 2. The language used to describe this scene is reminiscient of sex and sexual assault imagery. 3. Possession as rape is a legit analogy that is often used in fiction.

[ruanbaijie]

underrated threesome dynamic of herding dog x lamb x wolf [insp] @asiandramanet october creator bingo board ⎈ twisted (relationship) + purple & orange

[raconteur-wanpi]

Time to defend Reiju again because sometimes I feel like people have a misunderstanding of her character and even what Sanji thinks of her.

I love looking back at the source material because it's always a good reminder of what the characters actually say, feel and do.

Immediately you can tell she trusts Sanji so much, she tells him "I know you wouldn't lie to me". She trusts him with her life. At this point she's even supposed to still have her cold facade, but she lets that kindness towards him "escape" from her mouth.

I've seen some people even say that Reiju's kindness only extends towards Sanji, but she so clearly despises the fascism and violence of Germa with her whole being. This scene is not just her being suicidal, she thinks Germa shouldn't exist. Sanji's reaction to the idea of her dying is immediate as well! He's extremely upset at the idea of her getting hurt.

And when he's worried about her, she dismisses it. It's so easy to misread the middle panel as her saying "oh Sanji, I fooled you into thinking I care about you", when what she's actually saying "I'm not worth your kindness". She's not trying to be cruel towards Sanji in this scene; she's trying to be cruel to herself. She doesn't see herself as worthy of any love, concern or praise from him.

Once again she is sacrificing herself for him. Again and again, the only thing she cares about is his safety. Telling him to be with the people that are free to openly love him and take care of him. She doesn't care about what happens to her. She never partook in the cruelty towards him out of any agreement with the rest of her family. It was always fear and self-preservation that motivated her, and it's apparent how much it haunts her and how much she regrets every second of it.

She also doesn't blame him for Sora's death in the slightest! The moment Sanji even thinks about it, she shuts it off immediately. It was Sora's decision, her strength, her choice, her power. Reiju doesn't want anyone to take away that from her mother. She respects the little agency that she had. After all she wishes she was capable of such disobedience and rebellion towards her father. She sees Sanji as the gift Sora left to her and to the world, not as the thing that took her away. And she clearly wants Sanji to feel the same way.

The juxtaposition of "Sanji's a worthless failure" from the rest of their siblings to Reiju saying 'of course you're not a failure" hurts so much. She used to pretend to agree with the rest of them as a kid. She'd call him a failure in front of them. This is her admitting she never, ever meant it or even thought it. This is the closest her emotionally constipated ass can get to an apology. She's telling him to his face how she really feels, that she didn't mean it. She cries! She cries while she tries to hold it back, this is how much she cares about him! She's telling him how much she appreciates his kindness, but also how she doesn't she herself as kind like he is.

Again, telling him to run away. She's not worthy of mercy in her eyes. And Reiju here not only rejects Germa's fascism, she also shows a really good understanding of how it works. Glorification of an imagined past is the first telltale sign of the ideology. She is very clearly both emotionally and intellectually opposed to the ideology itself, not just Germa's tangible actions. She sees all of it as a plague.

And here's the part that frustrates me the most when it comes to people misremembering or misunderstanding canon: Sanji absolutely does not group her with the rest of his family. It's text, he says it right here! "I have nothing but hatred for them, but why you? Why do you have to die?!".

Every time Sanji rejects his birth family, this panel makes it clear to me that he understands that Reiju hates them just as much, that she is a victim of the same abuse. He is not including her. It's normal for him to have conflicting feelings toward her, don't get me wrong. He doesn't seem to trust her at first, especially when she puts those handcuffs on him. I don't think that he doesn't have feelings of discomfort about how she was forced to treat him in the past. He obviously does! That's normal! But that doesn't mean he doesn't understand why it happened. He can feel upset and recognize the situation at the same time, those aren't contradictory. He absolutely does not see her as or include her within the rest of the Vinsmokes.

It's interesting to look back at Arlong Park and see the way Sanji talks about Nami being forced to act cruel and lie about who she is, presenting herself as a monster. He immediately recognizes that sort of behavior. He understands what young girls often have to do to escape the violence of men; he saw it with his own very eyes with Reiju. And like Nami, she sees herself as someone who has to hurt and isolate and self-sacrifice for the safety of those she loves. Hell, Sanji does the same thing! This is probably the moment where he realizes what he looks and sounds like to the Strawhats during this arc, what self-sacrifice looks like to those who love you. It's probably part of the turning point for him to decide to go where Luffy is waiting for him. He finally got to look at the situation from Luffy's eyes.

It hurts. She's saying "leave me behind" again. Like you did those 13 years ago. You were able to find the people "out at sea" I promised you that you would. Maybe they can love you for me, in my place.

And he knows it. She's not the same as the rest of them, she never was, and she never will be in his eyes. She's his mirror. She's who he'd have to be if he was forced to stay behind. He understands.

[spaceistheplaceart]

ART FOR DONATIONS

I'm updating my commission rules for this: a donation towards ANY verified congo, sundanese, palestinian, etc fundraiser or organization I will return with art for. Because I haven't seen any art for donation projects open for new artists, I'm doing one on this blog. Although, if you know of any that are open I could apply to: please let me know!

Places to Donate:

You can donate anywhere, but here are a few I have seen that I trust.

anything on OOB

gazafunds.com

helpgazachildren

gazaesims

PalestineAction on twitter is doing great direct action work, and you can donate to legal funds etc here.

Sudan, Congo, and other countries relief fundraiser masterposts (here) and (here) and (here)

This is by no means a comprehensive list and if you see another source you trust, lmk and I'll update this post for others.

Donation Rates:

$3+ = a sketch

$5+ = a sketch + lineart

$10+ = coloured sketch

$15+ = coloured sketch + lineart

To get art, just donate, then send me a screenshot of your donation email confirmation into my askbox. Give me what you want me to draw, and I'll do it once I've verified the donation :)

[kacievvbbbb]

I imagine the after Mihawk’s first duel with Shanks (being both older and vastly more experienced ) he beats him pretty effortlessly but Shanks is an interesting opponent and he can see the strength he will eventually grow into. So when it’s all said and done and Shanks’ lies, defeated, at his feet, red in the face but still smiling. Mihawk, haunting as ever, stares down with unnatural gold eyes and tells him;

“Get stronger, Challenge me again”

And Shanks does.

And I wonder if when it’s all said and done, and Zoro and Mihawk have their fated match up. When Zoro looks down at the pinnacle of everything he wanted to achieve; This god turned mentor turned man, defeated at his feet. I wonder if he’ll remember what Mihawk was like; powerful and bored, and decide he doesn’t want to end up like that. Maybe he’s taken a little too much from his captain, but I wonder if he’ll look down at Mihawk and demand;

“Get stronger, Challenge me again”

I imagine Mihawk would be shocked to hear those words echoing all the way back from boyhood to haunt him at what should be his final moments.

But I wonder how he’d react after the shock. Would he be angry that Zoro didn’t take his life along with his title , outraged at the perceived disrespect. Or maybe some part of him might be happy that this isn’t the end, that he has a dream to channel all his restless energy towards again. Or maybe he’d just be proud, after-all this is the boy he bet it all on, and he’s done it. His student has become the master, the unquestioned greatest.

I don’t really know which I prefer.

But I do think that no matter what, just like Shanks probably did all those years ago, he’d laugh.

Because Mihawk’s never not been excited by a challenge. And when’s the last time he felt the blood boiling in his veins with something to prove.

And so he does.

[cutewebgraphics]

I'm really curious! I format my posts based on how good they look on my laptop, specifically using this Stylus userstyle by Pixiel (installation guide here) because I can't stand anything but the old Tumblr layout.

I know that some specific post types (mostly bullet / tiny pixel formatting) don't translate the best on mobile because of how they're blown up to fit the screen. I don't plan on changing my post formatting for the mobile gaze... but who knows? x)

[phail]

Second to last One Direction concert ever for the ORTA tour: October 30, 2015

[moongothic]

I was Once Again thinking about that one SBS question and more specifically about how it had been translated, when I accidentally came across this lowres photo of it (on KnowYourMeme of all places lmao)

(It's Vol 90, Page 174)

So the reason I had been wondering about the actual translation of what Oda said here, is because while Viz translated the first sentence of Oda's reply as "I wonder if any of them have been married.", fantranslations have ranged from "The marriage experience, huh." to "I wonder if any of them have been to a wedding."

Needless to say, those are all very different things.

But now that I got access to the original text, I get to read it for myself and check what Oda actually said! So here goes (assuming I'm parsing the lowres jpg correctly)

結婚経験あるんですかねー。子供がいるのかいないのか知りませんが、とりあえず僕の想像でお楽しみください。 Kekkon keiken arun desu ka nee. Kodomo ga iru no ka inai no ka shirimasen ga, toriaezu boku no souzou de otanoshimi kudasai.

Arguably, the most literal (and thus clunky) translation would go something like "I wonder if they do have experience in marriage. I don't know if they have kids or not, but for now please enjoy what I imagined up". So I would say Viz's official translation is indeed the best/most accurate one-- like for the "been to a wedding" version to be an accurate translation then Oda would've had to say something along the lines of 結婚式に行ったことあるのかな (Kekkonshiki ni itta koto aruno ka na), and the "marriage experience, eh" version excludes Oda wondering if any of the three actually have any.

And, yeah, now I know. Fan vs official translations can have very interesting differences to begin with for a variety of reasons (not even getting to when mistranslations happen, which can and does happen to both), but with a series like this with a lot of "Oda said this" and "Oda said that" going around, it is really nice if you can doublecheck things yourself. Now this translation ghost will no longer haunt me!

And I can focus all my neurons on the missing ring instead!

[drinkingdeadpeopletea]

man not to read too much into spahr's "there was a reason i picked him" about phineas but. i am always keeping in mind that spahr pulled phineas out of the delta personally. he didn't meet phineas as a prospective adsecla he met him as a scared little kid! maybe it wasn't so much that spahr actually thought phineas was the best choice as that he really wanted to believe he was. maybe without even being aware of it! how could he not want to believe in the rags to riches of it all? something that started with that scared little kid HE was able to help save? a tangible representation--beyond valor--of something good he did? but now of course that whole narrative has crumbled around him! phineas did something horrible (that was all spahr's fault as far as he's concerned) and now phineas is dead! that's it! story over! :)

[lord-squiggletits]

Y'know the thing about writing feral/unhinged versions of Orion/Optimus, is that you can't go too far into the feral/unhinged direction to a point where OP's core character traits are lost or become too diminished. After all, in a multiple-continuity franchise like TF, part of what makes the stories make sense is that even if details change (sometimes major details), the characters are still recognizably themselves to one degree or another. (Although this isn't always the case due to executive meddling or some characters being such blank slates from their initial G1 appearances that there's basically nothing to model them off of, but I digress.)

It's pretty much another reason why I love IDW1 Optimus, bc he literally is a canonical feral/unhinged Optimus who's unhinged as a direct consequence of who he is as a person and what he's been through. Like, he still has those fundamental character traits of trying his best to be moral and make good choices, trying to be a role model, etc, except after 4 million years of war and untreated depression he's basically holding onto his sense of self by his fingertips. So when he "goes feral" e.g. losing his temper and beating up/killing people or saying hurtful things, he's feral in a way that's directly tied to his normal personality and not just as a random quirk he has.

IDW OP's feral moments arise from the gaps between "Optimus' attempts to be who he thinks he needs to be" and "the reality of the world that he can't fix/seems to only make worse" that cause him to lose hope, or become cynical, or lose his temper. But in this case, the unhinged-ness makes perfect sense because it arises out of Optimus trying and failing to be the best person or to make the most morally good choices he's trying to make. Basically, the "feral/unhinged" label is just another way of me trying to say that he's not just unhinged because he's weird or because he's a bad person, but because it's an emotional reaction (more like an emotional explosion due to pent-up emotions) to the context he exists in.

I'd also say that IDW OP's personality being generally reserved/stoic and (trying to be) noble works in tandem with those moments he has of going feral because it makes him more realistic. His psyche is treated in a way where the writers are like, "Hey what if the pressure of having to be everyone's idol and be the best person in the galaxy at all times actually broke Optimus down mentally and emotionally?" It makes IDW OP far more relatable. Instead of naturally being a perfect Christ-like figure who never wavers in his morals or convictions and is just naturally a nice person who always has the wisest and best answer, being a good person is something that IDW OP has to consciously strive to be. Even when he feels like it's useless, or the cycle of violence will never stop, or any attempts he makes to help only ends up with things becoming worse.

And I feel like this does a service not only to IDW Optimus as a character, but also as a sort of moral/philosophical perspective for the reader to ponder upon? I feel like culture at large (or at least my experience of it) tends to believe that "goodness" in a person is simply an innate feature that people are born/not born with, and that being "good" means that you must be good at all times, both in your actions as well as the way you feel emotionally about yourself and the world. Like, there's a tendency for our vision of "a good person" to be good in every aspect at all times without having to try to be a good person. So I think IDW Optimus' character stands as a good example of how someone can be good at heart but still struggle to maintain those feelings of optimism and hope and justice. It's a good idea to have such a paragon of a character (in-universe and out-of-universe) be so conflicted and to even be mistaken, misguided, or make things worse because it shows that goodness is as much about "trying to behave/act in a way that is good" and not just "existing as an innately good person."

It's way more realistic for a person to want to be good, try to be good, and sometimes/often fail than it is for them to just be a good person. I enjoy the fact that IDW Optimus is both a good person at heart, but also has to strive to be a good person and live up to other people's expectations of what they see in him. I like how he wants to be a good person and change society for the better, but he also spends a good amount of time either feeling hopeless and alone or being angry at/detached from other people because of how frustrated they make him. He's realistically portrayed as someone who wants to be good and hopeful and change things for the better, but is also mentally and emotionally broken by that burden because of how impossible it is for him to Fix Everything and be the Perfect Prime/Leader/Autobot that people see him as. It's this fascinating mixture of "yes, this is who he is as a person" but also "there are things he desires to be that he could never possibly become or live up to."

This got really far off based from feral/unhinged Optimus sdklfjaslkdlfkas. The TLDR is that if people want unhinged OP, I feel like they should give IDW OP a chance because he IS unhinged but he's unhinged in a way that's a realistic/thematic representation of how being an Absolute Good is impossible. And how being a good person isn't just about Existing And You Are A Good Person, but rather goodness is a constant state of flux in which you adjust, you make mistakes, you lose your temper and feel hopeless, but then you pick yourself up and try again.

Also IDW OP really likes climbing in dangerous wilderness and jumping out of flying vehicles which I think is very feral and sexy of him to do.

[vonlipvig]

listen i'm not sure if this is YOUR guy but this tweet feels like something you would post regardless... like manifesting a middle-aged french catboy you know? https://twitter.com/voightkampffft/status/1767726323697369131

the post in question

it IS my guy, thank you so much. and yes, i deserve a middle aged french catboy, preferrably covered in blood. i just need to fIND THE SUBTITLES FOR THIS MOVIE PLEASE UNIVERSE LET ME HAVE IT--

(wait i dug a bit and the op of the photoset has a google drive with his films AND the subtitle files EVERYONE GO GET YOUR MIDDLE AGED FRENCH CATBOYS)

[overtake]

Drive to Survive: 5x1

[incorrectccrp]

Emma (texting): only cause you dot joke the score

Paul: What?

Paul, 2 hours later: Emma whenever you send a really poorly written text and then don't reply forever I worry you were texting while driving and died while sending it and that I'm gonna have to be on a commercial holding up a sign saying 'only cause you dot joke the score' and tearfully say "my wife died sending me this text. I have no idea what it means."

[gaylactic-fire]

Jfc some of the notes on the last post. Good to know some ppl are still blaming Jojo for issues that have existed within LoZ as a franchise for decades /sarcasm

[iamthepulta]

I love seeing inaccurate mining posts on tumblr.com. Listen, you want to go to bat over environmental issues? Use the correct problems. Don't just lie to people in front of my salad.