#dont you even wonder what its like out there

[wasyago]

hello! Im just wondering if there’s any side effects Etho has because of staying in the cave in trails gone cold au or did it just change his hair.

good question! probably? this hasn't really been discussed or thought through, so don't treat it as 100% true, just me thinking out loud.

❄️ talking visual changes, his hair and eyes changed color permanently, his skin is now paler, even if the effects lessened when he was out of the cave, nothing is fully reversible. i dont imagine there's a way to get rid of the sculk that is in his body already, because it's like- everywhere. in his blood, in his lungs, in his brain, in his bones. it's dormant and doesn't do him any harm, and maybe in 10 or 20 years his body will slowly get rid of it, but its an if not a when.

❄️ in terms of other changes... i imagine he's constantly freezing now, nothing ever helping to warm him up. his nervous system is messed up beyond repair, so he could probably shove his hand into fire and get burned and still be freezing.

❄️ he probably also always feels slightly feverish and weak? you know how when you're ill and you stand up to do something but standing up takes all your energy and you're too tired now? that kind of thing. he's just tired all the time.

and then there's also all the indirect changes?

❄️ he lost an eye. goodbye depth perception, and layered with his other changes he's probably very clumsy now.

❄️ i imagine his hands tremble more often than not, both because of the freezing and because of his strained psyche.

❄️ dude is like. traumatized. very badly. he decided to leave one of his closest friends to die so he himself could escape. his other closest friend was a better person than him but died because of it. he never said goodbye to any of them, he can never apologize. they're gone forever, and they're still down there. etho survived but at what cost and was it actually worth it?

❄️ i don't know if he feels any sort of calling from the cave, but maybe? maybe it's the sort of thing where he can't tell if it's his own thoughts or not, because it could be a cave trying to get him back or it could be his own wish to return in attempt to "fix it".

i also wanna say, poor gem. she has to take care of this guy now and im so sorry to her. it's gonna be a very long time until he even starts healing, and it's gonna be a very difficult time. there's like, so much to say about gem too, because she also lost two of her best friends and she wasn't even there to witness it, all she gets is her traumatized brother...

[agirlwithglam]

how to have an alluring and magnetic aura always?? even when you feel insecure 💞

hi pookie!

ok so first, fix the insecure part. because you shouldn't be wanting to be attractive and appealing to others when you're not even that to yourself! people see and feel the vibe of how you feel about yourself and if you're insecure, then they can see that. how do you expect people to love and accept you if you don't yourself?

so first to have a magnetic aura, grow yourself. become confident, evolve as a person, learn new things, be cultured, etc. learn more about yourself first. anyways, heres some tips;

how to be magnetic and alluring

⭐️magnetic people are charismatic! take an interest in others, make them feel seen and heard. to be honest nowadays its not even so hard to do that because so many people are obsessed with their phone or all they do is always talk about themselves. imagine how appreciated someone would feel if you actually took the time to make them feel seen and appreciated and loved as a person? stop focussing on making you look magnetic and alluring, and start focusing on how you can make other people feel better!

also along with this, be kind. you do not wanna be one of those fake confident people who think theyre confident but are actually really rude. no. instead, ask people about their day, check up on them. be a good person. be empathetic and show sincere interest in others!

⭐️your vibration. below i have put a vibration chart. when you are vibrating at a higher level with joy, love, and peace, you can easily attract much more and much better into your life! but when you're vibrating in the lower end of the spectrum in fear, guild, and anger, then people can also sense that and will stay away from you.

to get your vibration higher, what you can do is do things that make you happy, make you laugh! whether thats spending time with people you love, watching a comedy, dancing all your heart out (dancing is a very good option btw), do it and see how you feel after.

⭐️dont overshare about your life. let there be a bit of mystery around you. let people wonder a bit about you. dont tell theme very single story of your life- and learn that its okay if theres parts in a conversation where you're silent and have nothing to say. pausing to actually take the time to think about what to ask is much better then desperately trying to fill the conversations with meaningless stories about yourself.

⭐️BE AUTHENTIC. if youre trying to be someone else or copy their personality, how they talk their style, etc completely- people can sense that low vibrational energy! they can sense that you dont feel comfortable in the person who you are which then makes you more repulsive to others. always be fully and truly yourself.

not everyone will like or love you for being yourself, but you need to stop seeing that something so bad and scary. its actually good to be disliked because then you will attract so many lovely better people for you who love you wholly for the person you are!

⭐️present yourself in the best way possible. a way that makes you feel confident in yourself. a way that makes you step out into the world and truly believe that you can do anything. i dont mean be super obsessed with your looks, but take care of yourself. have good hygiene. smell nice. wear nice clothes that make you feel better. when people see that you're taking care of yourself and you really care about yourself, they will reflect that to you.

⭐️have an open body style! make eye contact and dont close your body- that will make you look reserved and as if you don't want anyone to come to you because you're too scared. don't be afraid to TAKE UP SPACE!

your to-do list:

when you're having a conversation with someone else, listen to all the words they say, how they say it, how they feel about it, then ask questions about it it will much more naturally come to you when you arent spending the entire time thinking about what to say to please them

go check up on a friend or a love one right now. text them saying how are you? let them know you're thinking of them.

start doing your favourite hobbies, stuff that your younger self loved doing.

actually take care of yourself when you go out. get your nails done, brush your hair, lip gloss, etc.

next time you're in a public space/ an event/ party, have an open body langauge and DON'T cross your arms!

do something that will raise your vibration

[lewkwoodnco]

Okay I’m just so proud of this edit I just havee to talk abt some of the scene choices hehe🙈🙈

Mon, pine - ngl i completely forgot this scene existed until I randomly stumbled upon it while looking for some other screencaps and thank god I did cuz it fits SO WELL??? Lucy’s possessed by Annabel who’s talking abt someone else obviously but just LOOK at Lockwood’s face half of him wants to snap Lucy out of it/make sure she stays safe and the other half is just mesmerised by the sight of her looking at him like that. And the dialogue??? YOU LOVE ME, DONT YOU????? And he so obviously does but can’t say it/ is too scared to and it’s frightening to see lucy like this but he can’t look away he’s drinking in the sight like a man starved 😭 just the juxtaposition of lovkwood’s pining and the cheekily on-the-nose ‘you love me don’t you’ line creates this delicious tension ARGH the writers were sick SICKKK for this

Tue, long - as soon as he first laid eyes on lucy it’s like he can’t help but let his gaze linger over her and even though she’s the candidate being interviewed the way he tries to impress her as he gives her the tour (the basement training area, the ‘high security’ storage room, her room in the attic) it’s like you can tell he’s already desperately hoping that she’ll join as if he’s longing for company like hers

Wed, ache - love is nothing if not pain like other than the obvious physical pain of being in such close proximity to a flare explosion etc bro is HURTING with regret for putting her (and george) in danger just cuz he insisted they take the case and now they’re in so deep and its all his fault but also he just wanted to fix the 62 sheen road fallout keep his agency open (it’s almost like he wants to prove to her that he/lockwood and co. is worth sticking with) but it’s all gone so wrong and he’s just drowningggg in physical and mental anguish only love can hurt/ACHE like this frfr

Thu, sigh - but at the end of the day lockwood is still a 16 ish year old boy who sucks at expressing his innermost feelings and doesn’t know how to deal with jealousy in any way other than being moody about it/suppressing it and this scene is like yea these are kids fighting ghosts night after night but for five minutes they get to be regular angsty teenagers and have the air between them hang heavy with unspoken words and it’s all so dumb and frustrating but also they’re teenagers what ELSE are they going to do HHHHHHH like look at his face!!! bro is befuddled. dumbfounded. bamboozled even. (what do you mean you’re going out with Kipps i thought we’ve been playing house tgt what)

Fri, lament - as funny as this scene is it’s oddly sweet how he’s ranting so openly to Lucy and like the way she tries to reason with him (he probably signed the same NDA we did) and he STILL stomps around throwing a fit aurgghh it’s so adorable just kiss already

Sat, crave - just look at him. bro is down bad for every single part of lucy it’s like he can’t get enough of her, he’s not even hiding it here like look at him watch her like she’s the most precious thing in the world ughhh

Sun, yearn - ooh this scene is like the breaking point of all the accumulated hidden feelings and thoughts between them and he’s messed up so badly atp even lucy is properly pissed (where’s that incorrect quote - my girl is mad at me I am going to KILL myself) but he’s just too paralysed by 16-year-old-boy syndrome to respond to her (tho he finally gets his head on somewhat right in the next scene) so he just stares at her and takes the scolding wondering how things got this bad when all he had done was care and love and yearn for Lucy (can’t you see his heart clawing out of his chest to get to her)

Also I think it’s so hilarious that in the scene in the top gif he’s talking to lucy aka the very person that has him BOOKED AND BUSY with longing 😭😭

a week in the life of London's youngest agency head (insp.)

[jadecantcreate]

curse of strahdanya has officially taken over my brain! alongside arcane…season two is SO GOOD SO FARR please go watch it if you haven’t. holy shit yall it does not disappoint

spoilers for up to and the entirety of episode 7 of cos — ill mainly be talking about character dynamics (mostly shepnax) but major events and plot developments will be explicitly discussed as well, so, if you’re not there yet, please don’t keep reading (getting spoilered for this stuff is not worth it i promise)

im sorry in advance. im not even done writing everything yet and its already very long

the way i see it, episode 7 is a major turning point for not only the whole story but inter-party relationships as well. i’ll be organizing this a little bit so it’s less text-wall-y (hopefully)

shepherd

there’s the raven mother they find nailed to the wall — the culprit being strahdanya. this definitely fueled the hate that all of the party had for her, but especially shepherd. he literally screams out in anguish and, later, calls strahdanya a coward and bitch — something we’ve never seen shepherd do before.* i think the events in the beginning of ep 7 is what really cemented his and the party’s objective: destroy strahdanya. before, i sensed some kind of ‘wiggle room’: the party would be willing to work with her a bit, though only for a very short amount of time and would probably backstab her. but after witnessing all that? strahdanya is irredeemably evil, not worthy of consideration / sympathy / courtesy, and i think it finally fully dawned on them all

*i also love how much raw emotion shepherd expresses throughout the campaign. the rest of the party has their moments too (i can immediately think of kana and victoria, but im not remembering any significant ones for clayton or sarnax though i know they exist), but shepherd consistently reacts to the hellhole that is barovia in such a genuine way that it grounds the whole narrative and, to me, makes barovia that much more horrifying. in other stories or discussions of stories ive seen like this (and even in the cos party itself), the characters are largely untouched by the horrors that occur in such a setting. which, fit the characters/purpose as it might, distances the audience at least a tiny bit from the happenings of the narrative. but when you have an otherwise grounded, calm, capable individual like shepherd crack? that’s when it really hits you i think. like, the whole thing with sarnax reviving the mother? shepherd being so relieved and overcome with a multitude of feelings that his voice cracks as he holds back tears, begging the mother to rest and not do any work? it made me feel the same way, and it really drove home how wonderful this act is and how dire their situation is. shepherd (and andy by extension!) have drawn the most emotion out of me in my watch, and its possibly the main reason i enjoy his character so much

him being seemingly chosen by the silver dragon (which, again, another turning point) is very compelling in a narrative sense too because shepherd doesnt want power, he doesn’t seem to even like the idea of leading (or at least being pushed into a position of leadership). i’ll touch on it later in the shepherd and sarnax segment (if i dont forget lol, my mind is running wild while i write this)

victoria

i think strahd’s infatuation with her and the physical effects it has (kana’s cleansing ritual failing because the water becomes blood as it touches victoria) is so interesting, especially her inner conflict with her heritage and wickedness (and the distrust it sows between her and the party, at least initially)

i really enjoyed how victoria was vulnerable with kana, and how kana handled it with such care and compassion. this is also a turning point, i think, when it comes their relationship: kana promises to protect victoria, and victoria promises to fight the darkness within her; they definitely got closer after that, and their bond was deepened. i dont imagine strahd would be very happy about victoria not being enamored by her and being helped by her party, though it’s very possible that she enjoys ‘the chase’ (for the lack of a better term)

when they came across the dusk elf in the order of the silver dragon estate-thing, it’s a pretty clear parallel to victoria given her appearance, heritage, and reason for being in barovia. i could be very very wrong about this but its heavily implied victoria’s elf half is a dusk elf, which makes sense considering, again, that she’s in barovia to learn about her lineage and that dusk elves are the only elves mentioned so far. i think this is the first time she’s genuinely made progress in her goal

sarnax

sarnax’s identity revolves around gherix: his whole life is devoted to the fire lord; he’s used to communing with and praying to his god. it’s likely what kept him going in such a terrible place with such terrible odds of survival, let alone returning (which he’s convinced he will not). so when strahdanya intercepted the augury spell he was so clearly shaken. it was one of the few moments, if not the only one, where sarnax was in genuine, utter panic — the whole time shepherd repeatedly asked him if he was alright and he didn’t seem to hear those words at all. suddenly he learned that strahdanya could damage or possibly sever his connection to his god, the being his life is centered around. (kana’s comment certainly didn’t help)

but what happens after — the augury spell reading ‘weal’ and sarnax being able to revive the mother — strengthens his faith. it was tested, but he prevailed. i think he was also filled with a newfound sense of purpose, knowing that, no matter what strahd does, his god considers him worthy enough

about him and kana: episode 7 is the culmination of their slow development towards not only tolerating each other’s beliefs but to understand and embrace them, specifically with kana saying that she trusts in sarnax and his god

sarnax and shepherd

the conversation between them was my favorite moment in this episode by far. there are so many layers,

shepherd so clearly doesnt want to embody his namesake and be a leader, but the silver dragon and someone he trusts so much — sarnax — and fate itself push him in that direction, so he just does. shepherd says:

“sarnax don’t”

“no why would you-“

“why- why- why would you put this on me, why?”

“how can you say that?”

“this was just a job. i mean this was just to make sure we all got here and back safely…how did this happen?”

then, later…

“alright, alright i…okay. i…dont know what to say”

“alright…alright…okay, understood”

“sure, sure. lead the way” and, after sarnax says “no, shepherd. you lead the way, i will light the path,” “…fine.”

essentially, he sucks it up. and that’s interesting to me since shepherd shows so much emotion, so it’s clearly not a ‘men dont cry’-type ideology thing. i think it’s probably related to his desire to do good, and as well as the good doc. after all, the doc gave him his virtue name: shepherd. it only makes sense that he would be written by fate as one: a person who guides the lost through the darkness. so that’s my guess as to why he so readily accepts this burden

i think sarnax being the one to say this also played a role in it^. shepherd witnessed firsthand the power of gherix and sarnax’s wisdom, so much so that he prayed to gherix. shepherd, who was originally averse to anything religious, prayed. and i also think sarnax is shepherd’s only true friend in the party. his relationship with clayton, victoria, and kana feels like professional acquaintances — they’re comfortable with each other and certainly growing closer, but he seeks out sarnax (and sarnax does too) and both have called the other a friend or good friend, on more than one occasion for shepherd and at least one for sarnax. it’s obvious that shepherd values what sarnax has to say and cares for him.

because of that, sarnax saying that he will die in barovia (specifically that he doesn’t “believe [he has] a place back in avantris” and that “whatever it is that [they] achieve here will be [his] end” because he has “seen it in the flames”) and shepherd’s reaction hits even harder for me.

shepherd says “i’m not gonna leave you. i’m not gonna leave anyone.”

and sarnax replies “then it will be i that leaves you.”

it’s the shortest exchange, but it holds so much weight. sarnax has accepted his fate, possibly long before this. but when before sarnax took charge and led the group, shining his light, he steps back, realizing shepherd is the one who (he thinks) fits that role. he still guides, but he doesn’t lead, and he believes shepherd should. but shepherd doesn’t. shepherd’s used to following orders, as we see so many times with him and clayton (but also him and sarnax), and struggles to make decisions for the group — when they ask him where they should go, shepherd seemingly blanks and he just picks whatever as fast as he can (to get the pressure off him, i assume). and despite this, shepherd’s line reinforces what sarnax thinks: a good shepherd doesn’t leave his sheep behind, he goes after and, well, shepherds them.

and honestly the whole relationship between shepherd and sarnax. them being regarded as monsters by others, being dehumanized by, for example, vascha [?] thinking shepherd is a devil and esmeralda calling sarnax shepherd’s pet ->

shepherd answers, understably upset, “he’s not my pet, he’s a person!” i figured sarnax felt the same way, but when he was praying to gherix, he referred to shepherd as “a vessel for [gherix’s] wrath.” so that raised a question to me: does sarnax truly care for shepherd (in the way shepherd does), or does he view him as a tool? it’s interesting to think about. it could be him truly caring about shepherd and seeing him as a capable person who will have a great role in his god’s plans which, i imagine, is among the highest of honors — the first possibility in the question, but filtered through the lens of sarnax’s religious perspective (which i think is the most likely and most compelling)

and there’s the parallel with them being connected to gold and silver dragons: different, but the same. (unrelated tangent but there’s also a very interesting parallel between shepherd being chosen by the silver dragon [‘good’] and victoria being chosen by strahdanya [‘bad’])

sarnax saying “silver will unite with gold” is, on the surface, about the two dragon-gods involved in the story. but i think, on a deeper and probably unintended level, it also applies to shepherd and sarnax growing closer (as they have been since the prologue, following in the footsteps of their respective dragons, and shepherd connecting the two dragons by his faith in gherix and affinity to the silver dragon.

i think that’s everything! hopefully i wont post this and immediately remember something i didn’t mention

thank you for reading all of this <33

[eternalera]

discussing project 2025 and how it will most likely NOT affect ao3

tw: p0rn mentions/discussion

ive seen some news in the past few days about something called project 2025 and how it could result in ao3 being taken down because theyre trying to limit pornography and theyre classifying the lgbtq (or trying to) as part of that content.

people are afraid that because of this ao3 might be taken down as a result but here's why it most likely won't and you don't need to worry to much (but should still be cautious just in case). from my reading of the situation theyre mainly focusing on porn sites, porn hub and things like that. theyre started making it so that you have to enter in your drivers ID to prove that you are above the age of 18 so that kids and stuff dont have access to this content.

of course that itself is going to take a while because its a whole damn website, its not just in the US but it's international in itself. the programming and passing the bill will take an extremely long amount of time.

but this bill (or whatever) also violates things such as freedom of speech. writing is a form of speech and you are allowed to write about whatever the hell you want and no one is able to take that away, whether it be online or in real life and believe it or not writing gay fanfiction is a form of speech. especially if youre creating healthy gay relationships and promoting lgbtq content. the government cant just take that away because they classify it as 'porn' when its clearly not.

thats called censorship, limiting what you see so that they can control what you get fed in media and stuff like that. but not only that but if they were to do this then it would also affect sites like twitter, facebook, discord, pinterest, tumblr, literally ANY website where you can make ANY statement this would affect.

and no one is going through with that lets be honest for a second. because at that point its just controlling the internet and whats put out and what isnt. and no one can do that, at least not in america because guess what? YOU HAVE RIGHTS. and i can NOT stress this enough.

the government is NOT allowed to control what media you get fed and what you create. in fact that cant even reasonably define lgbtq stuff as porn because guess what? it wont work. people will riot, they will find a way, and yknow why? BECAUSE ITS NOT PORN.

then again you must be wondering about the explicit fics on ao3 and to that i say what about the explicit stuff on twitter? the bots on tumblr? hell even youtube.

the government cannot control all of this.

and if they were to even try i guarantee that the silly little website known as ao3 will be one of the first not even top five things that they try to target.

they'll target pornhub, youtube, twitter, literally ANYTHING before they get to ao3. and even if they do im more than certain that ao3 will lawyer up and put together a case about why they should stay in tact.

ACTUALLY if they try doing this in the slightest about ANY website that site is likely to fight back.

so while you should stay cautious i dont think any major panic is necessary. in order to take down ao3 the freedom of speech would need to be taken away in an amendment and that is not happening.

so basically, stay cautious but dont be too worried. and if ao3 does get taken down (which it most likely wont) there will probably be a set date where you can download and save everything before then

[birdybirdnerd]

BTS for "don't you ever wonder what it's like out there?" please!

BTS: I’ll write a DVD commentary about my personal favorite passage from [that fic]

oh man, my first tsp fic! well, sort of- id posted the prologue for somewhere else by then, but hadnt gotten further than that. i was still in the planning stages, and needed to get a better handle on their voices before i felt comfortable writing something with more meat to it

BTS below the cut!

Of course, the Narrator knew that. Had known it for awhile. That didn’t stop him from forcing Stanley through the game, over and over again, for some twisted and unknown reason. It was enough to drive a man insane- it had, on several occasions. But with how the world reset at the end each time, it always passed, leaving Stanley sitting at his desk, cracks in his mind sealed over once more and he would get up again and begin the game again.

I always loved the idea that, since the resets fix any damage to Stanley's body, that they would also repair any damage to his mind- i.e. a mental break brought on by despair, or whatever's going on at the end of the Mariella/Insane Ending. I imagine that that, in and of itself, would feel like a new kind of torture, though; unable to recede into the haze and blur of a broken mind, forced to be one hundred percent present for every waking moment, for every dragged-on second you're trapped. Truly, Hell.

I am tired, he signed up at the ceiling. Tired of your bullshit.

“Stanley!”

askfjasd okay I know it's overdone but I love having Stanley just spew profanities and offend the Narrator. See: the 'asshole'/'not those words!' exchange from Somewhere Else. It's funny to me and it'll never stop being so.

“In one, it goes just like the Freedom Ending: you find the mind control center, turn it off, the door opens, freedom! Ta-da!” He laughed, the sound sending ice down Stanley’s spine. “The twist is, I would let you step outside. You would wander around, find civilization, maybe even make a home for yourself. You’d think: ‘Is this it? Am I finally free?’ You’d have your doubts of course, who wouldn’t?

This? This is horrifying. It's a form of the 'it was all a dream' trope, but in a new and horrifying way, to me. To imagine going through all that, getting out, making a life- only to have it snatched away and have you stuck right back where you started?

Horrifying.

“I’m… sorry, Stanley,” he murmured. “That was too far, even for me.”

Goddd, I love when they're both stuck and they both hate it but there's no one else around to take their frustrations out on, so they hurt each other and then they regret it and make up, only it's hard, because there's no one else to go to, nowhere else to hide, and it's awful and toxic and these two are not healthy for each other here. I'm not about to go expanding on this particular iteration's relationship, but there's no way they can grow anymore than swinging violently back and forth between animosity and cautious companionship unless they get out. Tragic.

-

Thank you so much!! This was fun, returning to an old story of mine :D

[vwoop-prince]

YJ S3 Dick, still in the midst of his fever dream, hides underneath the 'souvenir' instead of behind some boxes, and accidentally opens the airlock trying to take care of the Parademons. The others get it to close... but not before Nightwing is thrown into space.

There, he stares at the ship holding his friends and mentors. There, he wishes more than anything that he can, somehow, survive. There, he tries to live, if only so his family don't have to bury him like Jason.

There, Nightwing dies, wanting to save everyone, even with the cold seeping into his bones far too quickly for a regular section of space.

Then, Dick opens his eyes to... Earth? There's a little house, and grass, and trees, but there's a bubble of green over it all. Outside of that green was an entire castle, one that looked like it should have far more support beams than it does for even a hope that it stays standing.

And the sky was swirling shades of that same green. It makes him think of Lazarus.

"Well, that's something you don't see every day." He whips his head behind him, a bit too fast for Earth's atmosphere, but it doesn't hurt him. Past the bubble of green was a blue-skinned adult in purple robes, the insides of a grandfather-clock fitted inside their torso, and a black staff with a stopwatch on its top. Beside them was a man with snow white hair, glowing green eyes, a crown of frozen fire dancing above his head, and the most galaxy-like cloak Dick's ever seen clasped to his shoulders. He's wearing... a hazmat suit? Maybe? The twinkling stars and odd lighting of wherever he is were giving him a bit of a headache.

But in front of those two, within this bubble, was...

"DICK!" Wally shouted with unrestrained glee, a blur overtaking his spot for barely a heartbeat before Dick's stuck in a crushing hug that he reciprocates once his brain stops feeling like its melting.

He doesn't know how long it took for them to calm down, but the man with the crown spoke up after a time, as Wally was still wiping their faces free of tears. "Welcome to the Infinite Realms, Nightwing." Dick barely even registered that he was still wearing his suit, but now it felt suffocating. "I suppose you're the one Clockwork was holding out for; There shouldn't've been enough Ectoplasm around you to form a Ghost, and your physical body's still in space. I can see why you like this one, though, Clockie," he states flippantly, turning to his companion. Almost like he didn't expect Dick to pay too close attention to what he was saying.

"Either way, there's two options for you." The man didn't let Dick swallow his tears and question anything. Dick's not sure if he's grateful or not. "First: Stay in the Realms permanently. You'll see Kid Flash whenever you want and learn to be a Ghost with the denizens of the Realms. Maybe find your parents."

"But..." Dick pulls away from Wally, keeping him at arms length, eyes flitting between them. The two outside the bubble were distinctly... ghost-like, so the mentions of 'Ghosts' make sense. But Wally looked... alive. A bit pale, a bit thin... but alive. Dick can't see any of his own skin to see if it was blue or tinted that way, but the Nightwing symbol on his chest kept flickering between its own blue and this 'Realms' green. "But--What about the others? What about you? Why can't you come home?" The last two, he focuses on Wally, because now he can feel a heartbeat beneath his gloves. Wally's alive. He's alive.

His friend just shrugs. "Something about their portals not fit for the living? I'm meant to wait for someone to figure out a permanent portal, but they won't tell me how long that'll take." Wally glares at the... 'Ghosts'? There was a heat to it, but it also seemed like this was a well-worn argument.

"The permanent portal was always an 'if', Wallace West. And that is entirely dependent on if Richard Grayson takes the second option," the clock Ghost--Clockwork?--speaks up. But instead of the adult Dick was expecting, there was an elderly Ghost in their place. Still with the time motif. Was that... more literal than Dick took it?

"Yes, the second option..." The crowned man glares daggers at Clockwork. The temperature dips below comfortable. Dick tries to blink the spaceship and stars out of his sight, withdrawing his arms from Wally to try and warm himself. Tries to remember he's not in space. "The second option is that you return to your body... changed. You'll be able to protect Earth better, stay with your alive family, save the Lost Ones... for a price."

Dick doesn't know if he should ignore the plural in 'Lost Ones'. He doesn't know if he's reading too much into how, in this Realm, apparently only his parents were able to be found. Where's Jason? He doesn't dare hope, but...

"What's the price?"

The man smiles and a ring of blue forms around his waist. It splits in two and travels up and down his body, replacing the cloak and whatever clothes he was actually wearing with a NASA shirt, worn jeans, and red sneakers actually duct taped together. The blue tint to his otherwise tan skin fades completely. His hair turns black. His eyes turn blue.

He was like a taller, slightly slimmer, way hotter version of Bruce.

The man walks through the bubble, but doesn't disturb the grass beneath his feet. "You become the Ghost King's vassal." Dick flinches away and almost hides behind Wally. "Not my idea! But, well... it is either this, or your permanent death."

"What does becoming a vassal do to him?" Wally asks, gently trying to stop Dick from breaking his ribs with how tightly he was hugging himself. Does he even have ribs?

"He gains my powers. Ice, electricity, invisibility, intangibility, flight... He becomes a Halfa. He becomes what I was, in life. Just... needing to make offerings to me, now and then. Something like that, at least. I give him powers, he gives me a chunk of, I don't know, chocolate once a week. Like a warlock."

Wally keeps talking to the man, keeps getting information that he knows he should pay attention to, but something in his chest screams to accept this deal, and he can't focus on anything else.

Nightwing can protect. He can return to life and go back to Blüdhaven, be the Vigilante they need. He can visit Gotham every now and then, help with cases and stop criminals from harming others. He can see his brother. He can see his friends. He can eat Alfred's cookies, and have little get-togethers with Babs and the Team--hell, he can argue with Bruce.

And all he has to do is... give an offering to this guy? The Ghost King? Every once in a while?

"There's no other price?" The King turns his attention to Dick. His eyes had shifted to a blue-green that almost hypnotize him. The green swirls, the blue forms and melts like snowflakes, and he can't look away.

He takes another step forward and Wally steps to the side. There was familiarity between them. Wally deferred to him. Dick can't quite tell why. Though, with how Wally hasn't once looked at Clockwork, maybe it's because he's... grounded? Are all speedsters in trouble with, what, the Ghost of Time? That... actually makes perfect sense.

"I'll be honest, Nightwing: You've impressed me." The weight behind the King's words lifts the ones that've been on his shoulders since he was nine. "You remind me of myself. Maybe, if I wasn't a Halfa... If I had a mentor... I could've been like you.

"Despite Clockwork's insistence over the years that I get back in touch with the living, I've held off. When he eventually suggested that I help create another Halfa, I locked him in his tower for twenty years. I didn't want anyone to go through what I had. But, now... I see that you won't. You can't. Even if you hide this deal--our shared powers... You'll still have people by your side. Strong people. Smart people. You can already handle yourself. And I'd love to see what you can do--who you can save--with my help."

There was maybe two inches between their faces when the King finishes speaking. Dick roves his eyes across the other's face, trying to find the common and familiar ticks that show lies and deceit and manipulation. All he finds is sincerity and genuine care.

Wally plays with his fingers from the corner of his eye, gaze hopeful as he looks between the two of them. Wally, who was alive and breathing and able to leave if he accepts. Eventually. Somehow.

Dick Grayson sends a quiet apology to his parents and hopes they will forgive him for being a little bit selfish.

"I accept."

He flings his eyes open. Above him, domino mask too wobbly to be properly secured anymore, was Robin crying and begging him to wake up. His hands were sloppily placed over his heart. Batman was trying to drag him away, the firm set of his jaw screaming grief.

Nightwing gasps once he registers his lungs burning.

There's a large cacophony of noise, multiple bright suits and people hounding over him, and the distinct artificial taste of slightly-too-much oxygen that the ship with the Parademons had. That he flew out of and died. He was still too cold.

Someone moves their arm beneath his knees and shoulder and Dick passes out.

(Dick 'Nightwing' Grayson dies in space. Ghost King Danny Phantom likes this too-human Hero. They split their souls in half, take one piece of the others, and all they know is that Phantom is now Nightwing's Patron Deity. Danny uses ice, for electricity killed him. Dick uses electricity, for ice killed him. They are opposites, and yet so incredibly similar. Clockwork was looking forward to when Danny starts putting off his paperwork to hang out with his new 'friend'.)

[dailyloopdeloop]

DAY 71: shy

[poorly-drawn-mdzs]

Vine_Boom.mp3

[First] Prev <–-> Next

[al-luviec]

I got so insanely mad while drawing this

+ closeup and normalness

[meamiiikiii]

[reverse entry AU]

so glad the work week is over!

no more meetings!

what do you mean its only tuesday.

[tacagen]

one of the things that fascinate me about thawne: yes, he CAN be normal with kids! surprisingly normal!

((not at all times, though. his mental illness still spills through and as usual he, in trying to manipulate or hurt others, spits out at them the exact stuff that would hurt him (or have in his childhood/barry's rejection interpretation) the most in the first place lmao))

but at the same time. his like second instinct when doing his bullshit is FUCK THEM (as) KIDS

(and, well. whatever this classifies as)

[strangersteddierthings]

Porcelain Steve - Part 6

Part One��Part Two🦇Part Three🦇Part Four🦇Part Five🦇Part Six🦇Part Seven🦇Part Eight🦇Part Nine

Even though he's expecting company, Eddie still jumps and yelps when his front door flies open without so much as a knock, revealing Dustin and Will.

"I know I said to let yourselves in, but a warning knock would have been nice," Eddie shoots them a glare, not bothering to stand from the couch where he'd been pretending to watch whatever terrible daytime movie was playing.

"Sorry," Will apologizes sheepishly while Dustin just laughs.

"Which of your moms dropped you off? If it's Claudia, I'm filing a complaint about how you were raised."

"Har har," Dustin says, swinging his backpack off and knelling down to unzip and dig into it. "We biked here."

"Lucky you, then. The complaint will wait."

Dustin wrestles a blanket from his backpack. Unwrapping it reveals Steve, hair rumpled but otherwise unharmed. "Alright. Delivered safely. We gotta go meet El and Mike now but we'll see you on Saturday, right?"

Eddie sets Steve on the couch, angled towards the TV. "Yeah. I get the feeling if I don't show for the barbeque that Joyce will show up here and drag me there by my ear."

"She would," Will confirms with an easy shrug. The boys turn to leave before Will exclaims, "Oh! Almost forgot!" before digging into his pocket for something, turning around to give it to Eddie.

"What?"

"El and Steve spoke again. He had a lot of things to say. I spent a good portion of the last three days writing down everything as El repeated it to me. This is your letter," he says, having successfully pulled out what looked to be a folded piece of paper out of his pocket.

"Oh," Eddie takes it, and realizes it's not just one folded piece of paper, but three. "Wow."

"Seems you are Steve's second favorite," Dustin grins at him from the doorway.

"You are first, I assume?"

"No. Robin is. She got five pages."

That tracks, actually. Eddie's not surprised Robin got the most pages.

Soon enough, the boys are off and Eddie returns to the couch, pulling his legs up to sit crisscross. "Alright, Stevie, let's see what you have to say."

He unfolds the pages completely and is met with Will's now familiar penmanship scrawled across the sheets of wide rule paper that has clearly been ripped from a composition notebook. He's seen Will's handwriting plenty over this last year, quickly scribbling notes during DnD sessions and on the little item cards Will makes himself to hand out when he DMs.

Will's handwriting isn't always the neatest, but this looks like Will took time, wanted his writing to be legible. Flipping through the papers he sees it is two pages, front and back, of a letter, and the third page is a list of questions in a different, neater handwriting. He gets the feeling that Will probably didn't paraphrase anything. How many people got letters? How much of Will and El's time was devoted to doing just this?

Eddie feels emotional over this, misty-eyed and a lump in his throat, and he hasn't even read the damn letter yet.

"Shit, Stevie, do you even realize how loved you are?" Eddie asks out loud, turning to look at Porcelain Steve like he might answer him this time. Blank hazel eyes stare forward. Eddie shakes his head, to clear away his thoughts, and gets to reading. Not out loud, because he doesn't want Steve to hear how wet his voice will sound.

Eddie,

I guess the first thing I want to say is thank you. I was kind of freaking out when I first woke up like this. It was calming, that day on the lawn, after Robin and Nancy found me. You were so chill and just chatted my ear off like you would have if I were, like, there. I mean, there there and not like, doll-there, if you get what I mean.

Shit, man, being stuck like this would have been a hell of a lot worse without you, I'm certain. Everyone's been great, of course, and, like, no offense meant, Will and El, but you act most normal. Helps me feel, well, I don't know how, exactly. Describing emotions is not something I'm like, good at. Robin's great, too, but she catastrophizes, you know? And since I can't speak back, she can get herself pretty worked up about this and I hate that. Hate that I can't do anything to help her.

Shit. This isn't your issue. Don't include that. No, wait, do. Sorry, El. (It is here, off in the margin, that Will has added 'I wrote everything word for word. Enjoy the asides to El and me.) Hanging out with you helps her, I think. She seems less anxious on days we spend with you. So, I guess, I also want to thank you for that. For being there for Robin when I can't.

Eddie has to pause there because he had no idea. Robin has been a grounding force for him this whole time. He had no idea he was doing the same for her. She never said, or let on... well, that was probably her goal and now Steve's spilled the beans.

This is getting easier to say, even if I still don't know how to feel about the other two people who are going to be privy to everything said, or I guess from your end, written here. (Here, Will has transcribed a conversation they seemed to have had in the middle of writing this up.) Oh. He means us. - El Yes. Don't worry Steve, we'll do our best to forget everything you've said once it's written down. - Will Steve laughed and says thanks. - El I appreciate that but- well, being honest there's some things I want to say but I don't want anyone else to hear. Those conversations are better left face to face, anyway. So, uhh, what else did I want to say?

Oh! Yeah, I told Robin she could drive around the Bimmer, so she can have a car while I'm- so she doesn't have to bike everywhere but knowing her she probably won't take me up on that offer. Maybe you can talk her into it? Or, maybe she'll be willing to drive your van around and you can take the bimmer.

"Jesus, Stevie, can't you just be okay with existing?" Eddie says it under his breath and tenses instantly. For a moment, he forgot that Steve was right there on the couch with him, could hear him. Now he has to explain himself because Steve's already heard, and without the context of how Eddie really means those words, they can sound judgmental. "Shit. Sorry. I just read the part about your car and, dude, you just don't know how to not try and be helpful, huh? I bet it's destroying you on the inside that you can't do anything. But Steve, you gotta know, we don't care about you because you're useful."

Steve, of course, can't reply, so Eddie goes back to the letter.

Uh, what else was there? Oh! Yeah! I don't get migraines here. Or, in this body? Or, whatever it is. I haven't had one since this happened. Also, no hearing issues. Though I find myself wishing to be completely deaf sometimes. I get that Max can listen to Kate Bush for a week straight, but I'd like a little variety. God, what I wouldn't give to listen to the Top 40 again. Don't say anything, Munson. I can already see your judgmental face at my music taste. Unlike you, I have the ability to like multiple types of music. The Top 40 AND that one song from, uhh, shit. Might not have migraines or hearing issues at the moment, but the memory is still as it was. Which means it is shit. That one song by that metal band where their name sounds like it's metal? You know who I mean. (In the margin, Will has just written five little question marks in a row ?????)

"The band you were thinking of, it's Metallica," Eddie says.

Not important. But, uh, the reason for telling you this. I was hoping you might smuggle me to a show the next time your band plays at the Hideout? Last time I tried to go it was too loud and gave me a migraine, you remember, but I think that I could listen to your whole show like this. We might as well take advantage of the perks of this shit situation, right? So, uh, I wouldn't mind if you did that. Or, like, had Robin or someone else bring me. Whichever.

Actually, wait, I lied, I do care which way. I've already had them pen down Robin's letter, so you'll have to pass this on, but I want Robin to take me. So, I can also watch the show, not just listen. That was the part I liked most, when I went last time, before I had to leave. Wait. Scratch that. Ask Argyle. Other than you, he seems like the only person willing to be caught holding me in public, mostly because I don't think he even knows how to be embarrassed. Jesus that was such a weird sentence to say. Holding me in public. Such a weird thing to experience, too.

Uh, anyway, I think that's it for now. Thanks for everything, Eddie.

"I think you're handling this loss of bodily autonomy rather well, Steve. This letter is a lot more positive than the one I would have written if our roles were reversed," Eddie says with a sigh. He can't help but wonder what Steve would have said in this letter if it hadn't had to be filtered through two teenagers first.

He looks to the last page, the list of questions, and is surprised to see that, mixed in with questions about which sports team is winning (he is not going to watch Sportsball for Steve. There has to be a line drawn somewhere and this is it. He will ask Wayne about it later and hate the glee he sees in his uncle's eyes because now he's going to have to pretend to like sports for the unforeseeable future) and for honest updates about their friends are questions about Eddie's campaign that he's rambled on about since Steve can't escape. Steve wants spoilers, wants to know what Eddie has planned.

Steve has actually been listening. He'd been operating on the assumption Steve just tunes him out when he gets going, unable to stop his brain to mouth filter when it comes to talking about Dungeons and Dragons and his current campaign.

"I'm at your list of questions now. I can't answer anything about sports, and don't think I'm unaware of how you asked me and not Lucas. I see what you are doing and I'm not going to fall for it. So, your first non-sportsball question here; How is Dustin doing, really? Well, that's a whole thing but overall, okay."

[musubiki]

lately ive been thinking about the contrast going on in Early Lime where hes like "tbh im pretty sure i could have any girl i wanted including mochi i mean i guess if she wanted we could give it a shot one day but i dont really care lol" and then very easily becoming completely unhinged for her the second he gets a tinge of romantic affection

[presiding]

a doctor turned serial killer turned doctor again, an actor who paints, a gang leader, a mining baron, and a vice overseer walk into the room.

oh yeah and they lead karnaca now.

dishonored 2 is my fav game but i think it's mid, story-wise. here's why dh1 works and why dh2's overarching story sorta misses

tl;dr: story integration is critical for gameplay that offers audience payoff, but emily's personal arc from dishonor to honor is inconsistently demonstrated in the story, and is not an interactive part of the gameplay.

essay/long version under cut >

recap: what's dishonored's deal

[skip if you want] dh1 is an underdog story: corvo is an honorable man swept up in the machinations of a callous city, so his canonical ending being 'this child will rule over an empire' isn't about the child's rule but rather about corvo's reputation being restored in a more hopeful city, due to his & the player's rejection of the violent connotations of the tagline 'revenge solves everything.'

similarly, in dh1 DLCs, daud's story arc is that of an anti-hero: a dishonorable man who realises too late he has done irreparable harm. he sees the error of his ways after a single monumental death, and eventually a single life redeems him when he/the player stepped in to circumvent a terrible fate for a child, enabling her to rule unfettered.

daud & corvo come to a satisfying conclusion within the extent of their narrative arcs. it doesn't matter that a child on a throne isn't really a fix for a decaying empire - the player's actions throughout the city of dunwall was what mattered - and these stories could be framed as parables. in that sense, young emily as a ruler is a metaphor for a hopeful future for the city & empire.

dishonored 1 & its DLCs are also great examples of storytelling with perfectly integrated gameplay - you, the player, worked towards the outcome that redeemed the protagonists.

in your efforts to save young emily, you either achieved a good outcome (corvo) or prevented a worse outcome (daud).

bringing us to dh2 -

what's emily's arc

emily's arc is a coming of age: we're introduced to a reigning empress who questions her role & skillset ("am i the empress my mother wanted me to be?"), then her titular fall from grace occurs. from there, she learns to reject the violent, selfish connotations in 'take back whats yours' tagline (a la daud & corvo!) while rediscovering why her rule is critical to the empire.

emily's rule is no longer metaphorical, but:

a literal thing for audience assessment (is emily a good ruler?) AND

the crux of her storyline.

at the beginning of dh2, emily is introduced as a disengaged leader ("i wish i could just run away from all this;" "i dont know if whether i should sail to the opposite side of the world, or have everyone around me executed"). the antihero has a precedent for the dishonored series in daud, so it's not at first glance an issue*, however, the fact that emily has ruled poorly reframes corvo & daud's endings as being less than ideal (a moralistic retcon) *we could talk here about how ready an audience was in 2016 for a flawed women as a protagonist, hell, even in 2023,,,

throwback to the beginning of this essay when i said:

'this child will rule over an empire' isn't about the child's rule but rather about corvo's reputation

emily's story arc, unlike for daud & corvo, is literally about the quality of her rule. we're no longer in metaphor territory (ironic phrase): a parable-style ending doesn't work.

does emily become a good ruler

we know she becomes a good ruler because the game says so. it is narrated to the audience via a (literal) word of god in the space of 30 seconds, after the final boss. the outsider tells us that emily becomes known as Just & Clever.

drawing a distinction here - this narration is not the same as the player actively being involved.

the player does not throughout the game become aware that emily has made political allies. during the game, she doesn't talk to these characters about saving karnaca or being a better ruler to the empire (there's a few lines might imply it, but you need to be actively looking and being careful to wait for every voice line. it's a far cry from daud & corvo's fight to save emily being unmissable - even though daud doesn't know at the beginning that's the goal).

how does the game show it

you can coincidentally not kill most of your subjects and never be aware that emily is looking to restore karnaca by means of instating a council - it's never brought up. it *couldn't* be brought up, because that council serves under the fake duke (armando), who is the last person she speaks to before she leaves for dunwall. its her suggestion that he rules karnaca, but armando's condition is that he will rule as he sees fit.

to back up a bit, emily's canonical method of restoring karnaca is by banding together key allies - hypatia, stilton, [byrne &or paolo], pastor, under a council beneath the duke's body double. they are passionate people who would each individually make worthwhile advisors, but if you think about those characters sitting at a table trying to reach an agreement, it feels like an assortment of people that emily didn't kill along the way and doesn't feel organic (up to interpretation). it's not stated if emily herself banded this council together, but logically she must have (worth a mention these are mostly characters that you as the player had reasonable rationale to kill during a high chaos run, except pastor). the underlying concept may be that karnaca's power is returned to its people - which is interesting given that the monarchy remains and armando's decision is final.

this overarching solution could also be taken as a critique to dh1's 'put your kid on the throne,' which is another reason its worthwhile looking at how emily was shown to be a better leader. obviously my point isn't that her solution was bad given the circumstance, but i mean she has very little agency here in all. if emily was shown to be more controlling as a leader, this could be interpreted as character growth, but that's not the case.

coming of age

how do you learn & grow when you can't specify your failings? emily doesn't really touch on her shortcomings as an empress. she non-specifically worries delilah makes a better empress than her. it's hard to argue her worries are meaningful when someone good at their job will still worry when lives are in the balance.

emily's best 'aha' moments (eg. crack in the slab comment about gaining perspective) are consistently undercut by a conversation with sokolov or meagan afterwards in which she demonstrates she hasn't learned anything (before the grand palace, emily condemns 'toadies sucking up to me' and is reminded by meagan that she's part of the problem). the story is confused about what it's trying to say about emily's progress, and when she's meant to show progress, if she was meant to show any progress at all. it could be argued that emily was never even a bad ruler, she had just been fed misinformation about the problems in karnaca and been the victim of slander by her political enemies. the game doesn't make this clear - it's easier to argue that the opposite is true given that her allies only have criticism.

worth a mention here that the heart quotes about armando - a fake ruler - interestingly mirror emily's character concerns. "see how he sighs? his life is a gilded cage." but this essay is already long.

while corvo & daud spend their games (and through the gameplay) 'earning' their redemption, emily is being led by the NPCs around her to a conclusion and a fix for the political mess in karnaca: meagan & sokolov guide emily to her missions, and there's no recurring quest for emily to investigate possible allies. she is able to gather the people she hasn't killed to herself by manner of... post-game narration. during the game, she's primarily concerned with getting her throne back.

an easy fix: if there had been less dialogue & narrative focus on emily's failings perhaps the ending would have felt more satisfying. it has the feel of cut content, but i don't know what was cut to be able to comment on it.

so what went wrong?

i can't help but wonder if arkane were worried they would lose a certain demographic if corvo wasn't playable (may have been deemed too much of a risk - 2013 was a different time), and so they had to take out story elements that were unique to emily's growth as a character/empress, because the usual storyline/gameplay integration had to work for both characters - in other words, gameplay that made sense for both corvo & emily was prioritised before emily's story & character development. which is a silly problem to have in a game that added character voices for the sake of improving characterisation - maybe emily's tale would have felt more akin to a parable if she had less lines that betrayed her ignorance (to the disdain of those around her).

i wish more care had been taken with emily's story. most players will never really notice the large variety of different endings - they're not particularly satisfying in and of themselves.

it's ironic that one of Emily's complaints is about her father/protector being overbearing, when his (parallel universe) presence in the gameplay may be one of the reasons her own narrative arc falls flat.

what are the upsides here

changing tune from what didn't work - don't you think the concept is fantastic? it's a great idea overall - can you imagine if the coming of age storyline was better integrated into the game?

it's valuable to talk about the integration of story and gameplay and characterisation from a craft perspective. dh2 genuinely is my favourite game - it's beautiful, the imm-sim design philosophy makes the world a delight to explore, the combat gives endless creative options for tackling any fight, there is a far greater diversity of cast in an in-text canonical way. there's loads to love!

i love emily as a dodgy leader, to me it adds interesting dimensionality to the outsider's narrations - of course in dunwall there's never a neat happily ever after! emily, like the outsider, both work well as characters who hold ultimate power but aren't necessarily worthy of it - and this makes perfect sense for the dishonored universe's morality & critiques of power. however, within this grey area there's still plenty of room for a satisfying ending, which isn't what we ended up with, whatever the true reason for that was. and also, damn, emily's a marked assassin empress, if she can't lead well then who can?

while dh1 was criticised for its narrative simplicity, dh2 in contrast and in hindsight shows us that simplicity isn't so bad - there's satisfaction in gameplay achieves a clear, simple narrative goal.

[spacedlexi]

speaking of fucked up overly hated female twdg characters i find it Super Interesting how people will say carver was the best villain in the whole series, but when lilly is literally just a successful carver (iron fist leader of a community turning children into soldiers) suddenly shes a bad/lame villain for some reason 🤔