#does not have a good ring to it

[shadesofmauve]

The first watch mess was arguing about gendered terms for asari when Junior Flight Officer Bo Huan showed up for what, for them, must be a very late night snack.

"I'm just saying," Kaur was (just) saying, "obviously the asari don't gender their words, so it seems like early translators made some big leaps with what we consider 'asari' terms."

Joker caught Huan's eye, held up a finger, and whispered, "Wait for it..."

They didn't have to wait long. With XO Nguyen's stern presence keeping everyone in line, Shepard was able to put her metaphorical feet up and join the fun — and she did relish telling people about being called an anthropocentric bag of dicks. She saw her opportunity as soon as Joker had, and Huan laughed in surprise at both the insult and Joker's apparent precognition.

When they'd stopped, they shook their head, grinning. "We do hang on to way too much gendered shit," they said.

"Well, you don't."

"Yes, but that's a lot of responsibility I have to carry for the rest of you."

"You wanna know some real historical shit?" Joker said. He leaned closer to Huan, grinning in anticipation, "That I will never say in front of Shepard?"

Huan looked a little leery, like this was either going to be good or they were going to have to entirely re-calibrate their idea of him as a person, and they weren't sure which, but they leaned in.

"Back, like, 200 years ago," Joker said, subtly indicating Shepard where she sat, smiling at her crew like a benevolent monarch, "They called the ship's captain the 'Old Man of the Boat.'"

Huan almost choked.

"I know!" Joker said, gleefully. "She'd kill me."

"Violence in the mess hall!" Huan said. "Pilot found stabbed with butter-knife."

"Oh, she has a better knife on her, bet your last credit, but it doesn't matter. She wouldn't even have to get up. It'd be the Death Glare, right from there." Joker squinted his eyes comically. "Boom, phhzzzzt! I wouldn't stand a chance." He rolled his eyes back and pantomimed his own demise.

Across the room, Shepard noticed his antics. Her forehead wrinkled, but she smiled bemusedly, glad they were enjoying themselves.

[largemandrill]

I made another one

[almondpiglet]

just fooling around at the speed of sound... found a cool brush to play with...

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.

[xy-is-i]

Just thinking about Dick freaking out over losing his title of best uncle to Jason.

Dick showing up to take Lian out and give Roy a break only to hear she's having a fun day with Jason

Dick walking into the room with the toy he knows Lian really wanted, only to find out Jason got it for her first.

Dick showing up to game night at Roy's only to find Jason already there.

Just Dick getting increasingly frustrated and his rival Jason having no clue well the the rest watch on in humor and exasperation. Roy finds the who thing hilarious.

Picturing it all coming to a head when Dick is babysitting Lian and she shows him a new photo they put up. Dick all dejectivly being like, "look, it's you and your favorite uncle."

The pure shock and joy he feels when Lian tells him he wrong and her favorite uncle is "you uncle Dickie, duh!"

The door opening and Lian shouting "Papa!" As dick turns to excitedly tell Roy what Lian said only to see it's Jason who's holding Lian.

Dick just bluescreening.

[carnivalcarriondiscarded]

Does

Does Barnaby

Does Barnaby tell the others to get off his lawn when he's angry

psh, who do you think he is, an old man? he'd Bark, like any lively young dog

[aroaceleovaldez]

i think the thing i'm most disappointed about with riordanverse fandom now versus like 2014 is not only has the fandom not gotten any less racist or queerphobic or ableist (in fact in some regards its gotten worse!) but now it's just boring too. like there's no fandom infrastructure anymore - the community these days is almost entirely source material-driven - and you deviate from canon even slightly people get weird about it. whatever happened to the post-HoO fanon boom. the fandom needs to get weirder again. and self-sufficient. and less offensive.

[egophiliac]

(it probably wasn't actually Idia's fault)

(or was it)

some quick initial reactions to celebrate Diasomnia Day One! it felt like a bit of a short intro, but oh, what a tasting menu of things to come.

[thecruellestmonth]

Remembering stuff like Alfred having Bruce and cutting his hair and and dressing him. Which could mean anything but really reinforce the upstairs/downstairs servile relationship. The lack of modesty or shame a rich person has around their staff is something else. And it’s just a like. Almost a Caste system where Alfred is second class and can never BE on Bruce’s level as an equal let alone authority figure. And Alfred is happy with that! Because that’s the story and he is, after all, the butler

[laufire's cool post on Alfred & Bruce]

Yeah, Alfred is not Bruce's father. Bruce is the pater familias of his household like his father before him, and Alfred is his very cherished manservant. Alfred can be a caretaker and a confidant, he can even be parental (-ish), but he's not a parent. (Note to self: rant about the awkward and aggressively enforced line between "parental" and "parent" in Batman mythos.)

IMO one of the most compact arguments on Alfred's role is in Batman: Year One (IIRC the very comic that established Alfred as an old servant of the Wayne family, instead of his original story of being hired by Bruce). Grant Morrison was on some podcast (I think either Kevin Smith's podcast or "Hypertime to Podcast"?) talking about the significance of how Bruce's first act as Batman is to ring a bell to ask for Alfred to help him. We see Morrison emphasize this moment in The Return of Bruce Wayne, where The Bell is a relic on the same level as The Pearls and The Gun.

I can agree it's a defining moment. To some extent I'm willing to accept Morrison's suggestion that Bruce ringing the bell symbolizes the value of asking for help, teamwork, comradery, family, humility, etc—and most fans would be happy to sprint with that interpretation. But I can also juggle a separate interpretation that branches off and veers to the left...

You do not ring a bell to ask for help from your parent or friends or family—you ring a bell to summon a servant.

Bruce becoming Batman in Year One is the story of a prince reclaiming his kingdom. (The Return of Bruce Wayne is a renewal of that story.) Summoning the family manservant is the act of Bruce finally accepting his royal inheritance, after his foolish attempt to slum it with the rabble. A good king is kind and attentive to his subjects, and considers the opinions of his advisors—but they're never his equals or his superiors, no matter how much he cherishes them. They're his subordinates. Nobody is on Bruce's level as an equal, nobody can win a case against his authority, in Gotham. Bruce is the rightful heir of his kingdom. The king and queen are dead, long live the king.

—I know some vocal fans are very critical of Miller, but there's no disputing that Miller's Batman: Year One is the definitive Post-Crisis story of Bruce's invention of Batman, and pretty much every modern comic writer and fan recognizes it. It's likely no comic writer or story has had as much enduring influence on the Batman mythos since Miller wrote Year One and The Dark Knight Returns. Case in point: Alfred.

So yeah. Alfred isn't Bruce's dad. The Gotham TV series probably makes the strongest case for Alfred as Bruce's dad, and even then I personally think there is wiggle room to say eh they're family and they love each other but they're not quite parent & child. Everything else—Batman '66, BTAS, the Nolan movies, Lego Batman, Battinson—ultimately doesn't Alfred cast as Bruce's dad, for the best. Recent comics and the later Arkhamverse games try to force the father-son thing, but it's cheap and unearned.

[sysig]

Puts the “plates” in “Fellplates” (Patreon)

[justagaycryptid]

Other People: Oh haha what if Morgott had more leonine features (typically drawing parallels between Morgott and his father Godfrey)

My Furry Ass: Yes What If

[uncanny-tranny]

What I think is so important to learning how to truly appreciate life is learning how to appreciate the creatures and things we've categorized as "disgusting" or "gross."

When I learned to appreciate wasps, I realized how much they just... don't really care about anything, and they're not trying to be an asshole because they're uniquely cruel. If they have any wants, it is to live. Why would I punish that when I also want to live?

This isn't to say you need to fall in love with the creepy crawlies that stalk this world or to love what you cannot, but to recognize that in their arrangement of atoms, they are trying to persevere, and in the end... aren't we all?

[katyspersonal]

me: I do not really understand the hardcore insistence of some Mohg fans/simps that he could not or must not have done any sexual-incestous crime! Not only it is a reasonable version, but also extremely interesting and intriguing to explore how not all victims of oppressive system are good people! Soulsborne is super fitting for fucked up themes and characters, any Mohg is valid and fun including the darkest you can get, right? Extremely messed-up interpretations of Mohg don't THREATEN other fans in any way shape or form!

fandom clowns: *passively-aggressively shun Mohg fans from the circles, attack Fromsoft for """homophobia""" (wtf), confuse acknowledging the event with enjoying the event, will label Mohg fans as insensitive or danger to real SO/incest victims, fear Mohg as an awful scary taboo to bring up in memes compilations or fanart that could obliterate all fun despite him being part of the canon, demand blacklisting anything about him in their clown Discord servers thus making lore chats weird, shame or block people with flattering interpretations for MeDiA iLiTeRaCy uwu, treat hating Mohg as a moral act rather than personal stance and generally cause a lot of hostility in the fandom, ALL because whereas seeing Mohg's SO as canon they then got mad at this canon instead of either swallowing it or move onto another videogame free of this theme*

me:

me: Nevermind, this fandom is chronically incapable of handling the dark themes and think the fandom owes them sanitised experience.

[softpine]

[olessan]

It's a bit wild that the War of the Rohirrim design leads thought that this sort of blatant plagiarism was a normal thing to do. 🤔

On the left (and the boots on the right) you have Helm (and Hera's) clothes from one of the newer pieces of art released from WotR. The other images are screenshots from LotRO.

Specifically, the breastplate is the Armour of the Eastemnet and the Armour of the Elite Rider. The boots are Westemnet Boots of x (multiple kinds). Helm's vambraces and faulds, and Haleth's tunic (in the group shot) also look very familiar.

They claim to be following the designs from the trilogy but oh boy did they just google "Rohan armour" and lift whatever they found.

[aroaceleovaldez]

in your most recent tyson post, you said something about leo being distinctly autistic-coded and I was wondering if you could elaborate on that? it sounds really interesting (sorry if you've already posted something on this, I couldn't find anything though)

Of course! I do have a specific tag for talking about Leo's autistic-coding/traits - [here], and [one for Nico as well].

The main aspects with Leo being autistic-coded actually have a lot to do with Nico being autistic-coded, because it's the comparisons between the two that most clearly indicate Leo is autistic-coded rather than it just being his ADHD or etc.

So with Nico being autistic-coded, it's very clear in the Titan's Curse that he's intended to be autistic. First, the first series has a repeating pattern of secondary characters being very distinctly neurodivergent-coded in different ways (Annabeth's adhd/dyslexia, Tyson's down syndrome-coding, Nico's autism-coding). With Nico's introduction, he's pretty stereotypically autistic and we're given a lot of descriptors about him that are notably not attributed to him being ADHD, like it would be for other demigod characters. He doesn't register social cues such as people getting annoyed at him, he's asking/making inappropriate or impolite questions/comments, he gets particularly upset about change (such as Bianca joining the Hunt) and generally gets emotional, and one of his most notable traits he's introduced with is the fact that he has a special interest (MythoMagic) - and we're shown that this special interest particularly colors how Nico navigates the world. While ADHD has hyperfixations, we don't really get much acknowledgement of hyperfixations with demigods usually - Annabeth gets a little, but most others don't and it's not nearly as focused-in on as Nico's is.

Then as the series continues we see these traits stick with him and him start to show or voice more traits that similarly indicate he's autistic: He regularly mentions how he doesn't understand living people and prefers the company of the dead (social issues). He has more notable stims than other demigods (twisting his ring, fiddling with bones, etc). He's indicated to have strong sensory preferences (usually wearing mostly black/aversion to bright colors, usually wearing layers/his coat, multiple times he's described as wearing loose/baggy clothing or clothes too big for him). He has specific comfort items (his ring, likely his jacket(s) as well). We later get even more information about his special interests (Mythomagic/mythology/history and an older interest in pirates - the latter he specifically notes likely heavily influenced his feelings towards Percy). He struggles with emotions and facial expressions and tone. He struggles particularly with ostracism and feeling like he doesn't fit in and has something distinctly different about him from the people around him (who notably, all have ADHD, which indicates it isn't the ADHD that's making him feel that way), and other characters regularly describe him as being off-putting because of his strange behaviors - again, different from specific ADHD traits they recognize. And that last point is kind of notable because we have Hazel and Bianca for comparison - we know people are off-put by both Nico and Hazel because of being children of Hades/Pluto and their powers/aura, but other characters get past that general feeling of discomfort way faster with Hazel. And even after characters get past the death stuff with Nico, there's a second thing that they aren't moving past that isn't a factor with Hazel (Nico's autism).

So that brings us to Leo - Leo is paralleled to Nico a lot. And there's some very specific traits about him that we know are autistic-coding because of how they're used with Nico: He similarly struggles with social cues/etc, and in a very similar parallel to Nico describes how he prefers the company of machines to people because machines make more sense to him. He has similar types of clothing/sensory preferences (again some stuff with layers but also - pockets! He likes having pockets and things to put stuff in! He's even introduced as having a jacket with lots of pockets), and he has a distinct special interest (machinery) that we specifically know heavily influences how he views and navigates the world (constantly comparing things to machinery, describing things with machinery metaphors/terminology, etc etc). He even describes his entire general worldview to Hazel and it's a machine metaphor. He also similarly struggles with ostracization like Nico does, the only difference being that Leo specifically puts on a persona to compensate for areas he knows he's lacking in and very explicitly describes it as a means to make people like him, because without it he normally struggles to fit in (He's masking!). We also see notes of characters describing that similar discomfort with Leo's behaviors that they do with Nico, except without the aura of death this time. And when we're in Leo's POVs we see a very stark difference between his masking and his actual personality/behaviors such as his internal dialogues or how he behaves when he's alone. Also, like Nico, he stims more than other demigods, though for Leo it's more attributed to his ADHD. Leo also, more often than most, similarly struggles with tone and reading the room, such as making misplaced jokes/comments or etc.

But yeah! It's really interesting. Also it's just a fun thing that ADHD/dyslexia and autism have comorbidity, so it makes sense that we see demigods who are also autistic. It's also really fun to look at how other characters are coded in the series, what coding looks like in the riordanverse specifically (usually it's tied into the mythological stuff - like Chiron being in a wheelchair but he's actually a centaur, Grover being introduced as having a muscular disease but he's actually a satyr, demigods having adhd/dyslexia, Tyson being coded as having down syndrome but he's a cyclops, etc etc - it's a lot of specific metaphor stuff that I've talked about a bit before), and to look at how characters are compared to one another.