#doctors excuse for work

[christopher-carleo]

Online Doctor's Note | Get a real doctor's note in minutes! - MD Anywhere

Sick and need a doctor's note? Get treated and receive an online doctor's note immediately! Work notes are available for many acute illnesses!

[multifandom-nerds-blog]

I'm rewatching Trollhunters in the background right now, and the disfunctional mother son relationship between Jim and his mom is making me crazy.

Like, he's taking care of the household and his mother for years as a teenager and before probably. She is sometimes giving half hearted comments about him not having to do so much, but very obviously she's not gonna make him stop do all the cooking and cleaning. Y'know. Both because they've been living like this for years, and because it's obviously also very comfortable to have someone do all the house work.

Then Strickler comes into the picture, and if we ignore the whole Troll and changeling side of the story, Barabara gets very offended cause Jim doesn't want her to meet him privately. Again, ignoring the whole magic and trolls stuff, STRICKLER IS JIMS TEACHER. If Jim hadn't figured out that Strickler was a changeling he probably wouldn't have a problem with it, but the fact that he does, no matter the reason, should be enough for Barbara to put a stop to the relationship. Her child is clearly uncomfortable with her seeing/dating that guy, for whatever reason, and even clearly vocalized it. But she doesn't care about, or rather, she tells Jim that she "wouldn't expect something like that" from him. Obviously not, cause she may see him like her child/teenager he is, BUT DOESN'T TREAT HIM LIKE ONE.

And then Jim, unknowingly to Barbara, becomes the Trollhunter, and his behavior changes. He's suddenly doing reckless stuff, sneaking out, getting bruises, landing in detention and even at the police station, barely avoiding a police report. What does she do? Asking him what's going on? If everything's alright at school? If he has any other problems? Maybe trying to lower his workload around the house, which again, he's doing most of that as a teenager and longer probably.

Nah. She doesn't do anything until he lands in the hospital. Except for again, dismissing him rather negatively at the one topic he's openly expressing any negative opinions about (Strickler). And after he lands in the hospital she now starts not asking questions, but demanding answers. Demanding answers from a teenager in a difficult situation who is also now acting much more like a teenager than he ever did before, from her point of view at least. Except she obviously doesn't know how to deal with a teenager, cause she has never had to raise or live with a teenager. She instead lived with a child pretending to be an adult for years, that was partly much more of an adult than she was, who did way to much work even before Jim became the Trollhunter. So she throws punishments at him and grounds him, but does he listen?

No. Cause why should he? Not only is he dealing with things much more important than being grounded, yknow, saving the world, he's trying to protect her from the sheer knowledge of the supernatural and physically protecting her from getting harmed. And again, for the majority of the time since his dad left he pretended to be an adult. He was and is the main adult in the household, dealing with important things she doesn't even know about.

The only one's treating Jim like a teenager are teachers, other children and Blinky and Aaargh sort of when they're not in the middle of Troll business. Strickler, in the first episodes where Jim doesn't know about his true identity, is much more of a parental figure to Jim (also after his redemption later on tbh) than his mother.

In summary: Barbara is treating her son like an adult, almost like a partner, instead of a child/teenager. And when that isn't possible anymore she doesn't know how to properly treat him. She also doesn't really care that her son is uncomfortable with her being around Strickler, or Strickler in general. And it takes Blinky telling her (when Jim is 16) that Jim might be affected by his father leaving when he was five years old.

Jim meanwhile is treating his mother more like a child/teenager instead of the adult and MOTHER that she is. Seeing her as his responsibility. Cooking for her. Cleaning for her. Telling her to rest and take breaks.

They obviously love each other other. And their relationship might not be toxic, but it's very much disfunctional. In a way that is mostly negative for Jim.

[marleysfinest]

they should bring back prescribed orgasms for when you're feeling a little bit Weird

[pitynostars]

so. are they seeing the camera crew behind ruby

[avoidmint]

Careful Infinite, this is a one way ticket to him just putting you in the cute little white dress I did my playthrough of him in.

[ineed-to-sleep]

I finally played the touchstarved demo and I thought I would be stronger than this but when this man showed up I folded so fast

[nerdsandbabyteeth]

Cyberwoman redesign

[midnightrings]

Eleventh Doctor x River Song

-> Doctor Who 5.05: Flesh and Stone

[penicillium-pusher]

Something I've noticed lately is that every time I go to the doctor and they ask how long I've been on testosterone, they are always surprised when I say ~6 years, like in a way that suggests they don't interact with people who've been on t that long, and I'm just so??? What? Do transmascs not ever visit the doctor after just starting t? Where are the longer term t users and why am I one of the first ones in this establishment

[quietwingsinthesky]

okay. i think i've put my finger on what i don't like about thirteen's era. not that i don't like thirteen's era as a whole, mind, i still greatly enjoy it. but the problem is, i think, that there sure is a lot happening! it's all extremely surface level, though!

[wolves-in-the-world]

Goran Višnjić as Nikola Tesla in Doctor Who 12.4, Nikola Tesla's Night of Terror.

image descriptions below the cut

—

[1] A still from an episode of Doctor Who, showing Goran as Nikola Tesla in front of Niagara Falls with an audience of men in suits and top hats, only their backs shown to us. Nikola is gesturing towards the waterfall as he speaks. He's a tall, slim man of about fifty in an old-fashioned suit with a tailcoat, pinstriped trousers, a waistcoat and watch-chain. He has a moustache, and brown hair parted in the middle, a few inches long and styled neatly with a bit of a wave.

[2] Goran as Nikola Tesla gesturing towards a device I don't understand well enough to even describe except that it's two corrugated metal cylinders and electricity is arcing between them, blue and dramatic, while he gestures like a magician. His other hand is on a lever, his face obscured by a starburst of blue light.

[3] A close-up of Goran as Nikola Tesla with a lightbulb in the foreground gleaming with warm light. He's looking off-screen and smiling slightly, eyes large and grey-blue, eyebrows raised, creases in his forehead and around his mouth. He's wearing a butterscotch-yellow tie with a wing or tuxedo shirt collar.

[4] A side-on view of Goran as Nikola Tesla bent over a workbench doing something with a tool we only see as a faint gleam of metal. He's bent almost double, intent on his work, a curl of hair falling down above his forehead, his coat gone and his shirt sleeves rucked up to the elbow so that his arms are bare and evidently hairy. The scene's dark, lit only by a candle lamp.

[5] A view of Goran as Nikola Tesla looking at a figure mostly out of view, visible to us only as blonde hair at the side of the screen. Nikola's eyes are a little wide, his mouth slightly open, making him look bewildered, and perhaps wary - I thought of it as his "okay, either you or this situation is bonkers" face. His thumb is just visible at the bottom of the screen, suggesting he's gesturing or fidgeting with his hands.

[6] A view of Goran in a crowded street, no coat, standing almost a head taller than everyone else and gesturing with one hand in a way that signals frustration or defensiveness, his eyes closed, mouth open as he speaks. A few bowler hats are visible around him, and a few of Nikola's companions - Dorothy, a serious-faced woman of thirty or so with tightly curly hair and smart clothing; the Doctor, currently a woman with straight blonde hair looking curiously past Dorothy; and just a glimpse of Yasmin in the background in a flat blue hat.

[7] A side-on view of Jodie Whittaker as the Doctor and Goran as Nikola both paying rapt attention to a glowing green mechanical-looking ball in a dish, with the Doctor pointing her sonic screwdriver at it and Nikola bending down to watch at the opposite side of the desk, hands folded together as if he's fidgeting, intent on her work. The Doctor's in a long light grey coat with a hood, incongruous for the era, and it's clear she'd be a lot shorter than him if he weren't currently courting back pain.

[8] The same scene as before, minutes later - the Doctor only visible as blonde hair in the foreground, Nikola's face transformed like he's realised something wonderful, eyes on the Doctor and leaning forward slightly, or still leaning on the desk. His mouth is open as he talks, his eyes bright, skin creasing faintly at the corners with a real smile.

[9] The same scene as before, seconds later. Goran as Nikola is looking to the side, no longer smiling but serious and thoughtful.

[10] The same scene as before, seconds later. Nikola is looking back at the Doctor and raising his eyebrows in a question at something she said, his forehead creasing, his expression perhaps a little doubtful.

[11] A close-up of Goran as Nikola in a room with warmer and dimmer lighting, his hair coming loose a bit as short curls on his forehead, frowning as he talks to someone off-screen. The angle exaggerates his nose, emphasises the lines around his mouth.

[12] A different view of the scene, zoomed out. Nikola is bent over a worktable beside Yasmin, a young woman with curled hair and a smart navy-blue jacket, and they're looking at each other as though discussing a problem, Nikola folding or rubbing his hands together. The desk of a mess of wires and oddments, lit bulbs in metal cages and what might be the odd green ball from earlier.

[13] Nikola and Yasmin in a very different location, dimly lit, with strange red lights in the background and a green light over their faces. (They're on an alien spaceship.) Yasmin is looking down at the floor like she's stunned, mouth open, and Nikola is holding her arm like he's just pulled her back, but his eyes are on something or someone else we can't see. His eyes are wide, his expression startled and openly afraid.

[14] Nikola and Yasmin still on the spaceship, blurry machinery behind them, but Nikola is almost level with Yasmin now and they're standing close, both looking at a third party off-screen. Yasmin's expression is one of distaste and a little anger, and Nikola's eyebrows are drawn down, expression somewhere between bewildered and worried.

[15] A different scene, different lighting - deep blue in the background, warm light on Nikola's face. It's an odd angle, his head ducked as though looking at something, his expression serious.

[16] A different scene, perhaps daytime with electric lighting, Nikola in conversation with someone off-screen who's clearly shorter than him. His hair's a little disarrayed, eyebrows raised and forehead creased, but there's something of a smile to his eyes and his mouth that gentles it.

[17] The same scene, seconds later, slightly zoomed in. Nikola's eyebrows are lower, forehead still creased and eyes a little scrunched, like he doesn't understand yet what the other person means. There's something tender about it still.

[18] A different room, darker, Nikola grinning while the Doctor is mostly off-screen, just a little of her hair visible, except she's raising a hand for a high-five that he isn't reciprocating. Creases are splayed out from his eyes, deep ones around his mouth, his nose sharp from this angle.

[19] A different view of the high-five moment, focusing on the Doctor as she realises he doesn't know to reciprocate - the high-five wasn't invented yet - and starts to lower her hand. Her mouth is wide open, teeth showing, somewhere between a grin and talking, and her body language is open exuberance. The creases around Nikola's eyes are still very visible from this angle, though most of his face isn't.

[20] A view of Goran as Nikola with his eyes closed as if he's blocking something out, and a look of forbearance and faint frustration on his face.

[21] A side-on view of Goran as Nikola, a shorter man in the background and the TARDIS behind them both, its windows glowing white. Nikola's expression is determined and a little grim, more hair curling messily against his forehead.

[22] A view of Goran as Nikola outside, trees in the background, a blurry blue-white sky and what might be yellowish grass. He's wearing old-fashioned aviator goggles on his forehead, where they're pushing his hair up so it's even messier, and he's looking down at something with a troubled expression.

[23] A view of the Doctor and Goran as Nikola in the TARDIS, the scene awash in electric blue and peach-pink, and no other lighting. The Doctor's leant over the TARDIS controls doing something there and looking back at Nikola, who has picked up some sort of contraption and is looking down at it, expression either troubled or focused. The light on his face is blue, throwing his features into sharp and unflattering relief.

[24] A view of Goran as Nikola in the TARDIS still, the lighting blue, the angle of his shoulders suggesting his hands are on his hips, and his expression now one of open joy. His eyes are large, his mouth open and smiling slightly, soft creases on either side.

[25] A view of Goran as Nikola on the street, looking with his head tilted at someone in the foreground - barely visible, except for the bowler hat. Nikola's expression is tolerant, a restrained smile with narrow eyes, and his hands are probably clasped behind his back.

[26] A view of Goran as Nikola on the street, now talking to the Doctor, only the back of her head visible. Nikola's in the same pose as before, hands behind his back, only leaning slightly towards her now, his expression warm as he talks to her. The creases around his eyes are back, and it's another angle that emphasises his nose.

[27] The same view as before, only now Nikola's ducked his head, almost like he's shy, or needs a moment to collect himself. The creases have gone from his eyes, but the smile's still there at his mouth.

—

[mizgnomer]

Behind the Scenes - The Stolen Earth/Journey’s End (Part 18)

Excerpts from The Writer’s Tale - The Final Chapter

From Russell T. Davies to Benjamin Cook, Thursday 31 January 2008

I know what’s really preying on my mind, though, and stopping me moving onto the Christmas Special. Julie said, ‘That scene on Bad Wolf Bay isn’t working, is it?’ And she’s absolutely right. I love a good note, because it’s like someone has articulated the voice at the back of your head. That scene doesn’t work. I have always known that, from the moment I typed it out, but I don’t know how to fix it.  [...]  The hardest thing of all in that scene - and Billie might yet have problems with it - is getting Rose to walk away from the TARDIS in the first place. That, indeed, is the problem with the whole scene, that Rose has to act out of character to stay on Bad Wolf Bay. She’s utterly, marvellously selfish, and would push past anyone to get to her Doctor.

From Russell T. Davies to Benjamin Cook, Saturday 9 Febuary 2008

[Russell has a bad case of the chicken pox...] I’m itchy, scratchy and tired, and I still have to rewrite 4.13. And I just realized my plan to make the Bad Wolf Bay scene work - the one involving Voidstuff - won’t work, because I’d forgotten that Mickey has to be free to stay in our universe.  Bollocks. Julie’s upset. She’s saying, ‘Leave Mickey in the parallel universe,’ and I’m saying, ‘Too late! We promised Noel that we’d bring him back in Torchwood Series Three.’

From Russell T. Davies to Benjamin Cook, Monday 18 February 2008

The Bad Wolf Bay scene still isn’t working, but do you know what? No one’s giving me good notes on it, when they should, so sod it. It’s slightly better now, and I’ve cut the kiss between Rose and Doctor #2, but it still sucks.

From Russell T. Davies to Benjamin Cook, Saturday 1 March 2008

I’ve rewritten Bad Wolf Bay again. Finally, I’ve got it right!

Basically, I’ve given more of the decision to Rose, put her in control, and used that control to push away the original Doctor. And the kiss is back in!  Then the scene finishes as before: Rose saying, ‘No - !’, as the TARDIS fades away. Doctor #2 taking her hand, and a wide shot of the now-empty beach. Julie is happy, David is happy, phew, good. Series Four, final rewrite, done.

From Benjamin Cook to Russell T. Davies, Saturday 1 March 2008

Never mind Julie and David... are you happy with it, Russell?

From Russell T. Davies to Benjamin Cook, Saturday 1 March 2008

I am delighted. That is such a weight off my mind.  Knowing it wasn’t working was driving me mad. It hung over me, during Chicken Pox Fortnight. Literally, all the time.  I tell you what helped: I watched the footage of the 4.12/4.13 read-through. They filmed it for Doctor Who Confidential, then edited it together fast so that I could see it - and they had to read the first draft of 4.13, because that’s all I had written. It was so slow!  I could see what worked and what didn’t, and I realized how good the kiss was, but equally that the kiss had no consequence. That’s why it wasn’t earning its place. But it’s obvious, in the end, isn’t it? The scene is about Rose choosing between two Doctors. So, on the last draft, finally, I’ve written clearly, obviously, Rose making that choice. Rose is in control.

The rushes have helped, too.  When Rose is in the TARDIS with Doctor #2, Billie is looking at him with sheer lust.  As only Billie can do! That, too, puts the power into Rose’s hands. The mechanics start to work...

Link to [ part one ] of the Stolen Earth/Journey’s End Behind-the-scenes posts or click the #whoBtsStolen tag, or the full episode list [ here ]

[cosmic-hoboandthehighlander]

Wait the best part….the birthday gift my friend got me!! It’s a tiny Third Doctor! Look at him! 💕

[good-beanswrites]

My english lyrics for Triage woo! (They're written out under the cut, I just wanted to share my lil chart lol)

Though I'm too indecisive to officially label this as my favorite song, it's had the strongest emotional impact on me by far. It holds a special place in my heart, I definitely wanted to write lyrics for it first! I'll leave all my rambling process commentary in the tags, but I was so happy with how it came out!!

All of those cards of promise thrown down carelessly,

This must be retribution for all I've taken endlessly.

If that were the case, it should have been fate for me to die.

That's the truth, given my crime, so why--?

No, I can't take it, to this cruel joke I'll submit. You

don't know, you can't know, but I'm ready to admit:

Killing for them, extracting for them, won't change the fact they're dead.

I need someone to tag me as RED.

It makes me sick (sick), it's too unpleasant. Sick (sick)

Is this punishment? What do you mean I'm INNOCENT?

I see, the world is cruel and leaves you on your own.

(I can't die) to atone. (I can't love) alone.

I can't be saved (saved), you've nothing to give. Saved (saved)

But what if I lived? Why else would you choose to forgive?

I see, there's lives to save so let's be sensible.

Right now, you need me, (I can be) indispensable.

Tilt to and fro, I know the scales should land on GUILTY for me.

Tilt fro and to, it's INNOCENT that they choose.

They cry (x4) out in pain, I can hear them. There's no one else, to guard their health,

My mission is offering help.

All of those cards of promise thrown down carelessly,

This must be retribution for all I've taken endlessly.

So if that's the case, then it must be fate to make amends,

Extract that fang before we meet the end.

It makes me sick (sick), it's too unpleasant. Sick (sick)

Is this punishment? What do you mean I'm INNOCENT?

I see, the world is cruel, but what I've realized is

(Now I want) to be INNOCENT. (Now I want) to live.

It makes me sick (sick), This wasn't my plan, hostages at my command.

Their future resting in my hands

I see, there's lives to save so let's be sensible.

Right now, please save me, (I will be) indispensable.

Maybe this was meant to be -- oh  -- or maybe neither of us can know

There's lives to save so let's be sensible.

Right now, please save me, (I will be) indispensable.

---

I mentioned earlier that I always get annoyed with myself when people post translyrics and I can't figure out the rhythm they were going for, so here's a recording of me singing, but I'm bad at it! It's just for fun! Like a rough draft for music! Because the only thing worse than people hearing my voice is people thinking I can't count syllables!

[seaweedstarshine]

Okay so The Star Beast was fun and I'm hyped for Wild Blue Yonder and everything but I am shattered over the new episode of Eleventh Doctor Chronicles.

Broken Hearts is some of the best dark!Doctor Expanded Universe exploration I ever consumed, and that includes The Eleventh Doctor Year Two comics. I am sobbing. I am in tears. I am broken as thoroughly as the Doctor broke Valerie Lockwood.

Me when I can't find any Broken Hearts/Curiosity Shop stan posts to reblog or fic to read to get out the angsty energy...

(fic. I'm writing fic. and yes this is an open request for reading recs)

[companion-showdown]

Who is the Greatest Accomplice to the Doctor's War Crimes?

TOURNAMENT MASTERPOST