#digital information product ideas

[health-supplementproducts]

Healthy Heart Solution Kit Digital - Ebooks

A Brighter Outlook on Heart Health: My Experience with the Healthy Heart Solution Kit (Digital - Ebooks)

As someone who's always been fairly active, I never thought I'd need to worry much about my heart health. But after a recent scare with high blood pressure, my doctor recommended some lifestyle changes and suggested I look into resources to keep my ticker in top nick. That's when I stumbled upon the Healthy Heart Solution Kit (Digital - Ebooks). Let me tell you, it's been a game-changer!

Unveiling the Root Causes: Knowledge is Power

One of the things that impressed me most about this program was its focus on understanding the underlying reasons behind heart issues. The ebooks delved deep into the science of heart health, explaining how factors like inflammation and cholesterol can contribute to problems. This knowledge was empowering. It wasn't just about following a rigid diet or exercise plan blindly; it was about understanding why these changes were important and how they would benefit my heart in the long run.

A Bespoke Approach: Tailoring the Plan to My Needs

Thankfully, the Healthy Heart Solution Kit isn't a one-size-fits-all approach. The ebooks provided a variety of strategies and techniques, allowing me to create a plan that fit my lifestyle and preferences. Whether you're a gym bunny or prefer a gentler form of exercise, there are options for everyone. I particularly enjoyed the emphasis on stress management techniques; a good cuppa and some deep breathing exercises do wonders after a long day!

Delicious Discoveries: A Heart-Healthy Diet Doesn't Have to be Bland

Let's face it, the thought of restrictive diets often leaves a bad taste in the mouth. But the Healthy Heart Solution Kit surprised me with its focus on delicious, nutritious meals. The included recipe guides were packed with flavourful options that incorporated heart-healthy ingredients. From vibrant veggie dishes to lean protein options, there was something to tantalise everyone's taste buds. I've even managed to impress my mates with some of the new dishes I've whipped up!

Keeping Track and Celebrating Success: A Supportive Companion

The Healthy Heart Solution Kit also included a handy journal that proved to be a fantastic tool for tracking my progress. It allowed me to monitor my blood pressure, note down healthy meals I'd prepared, and even record my exercise sessions. Seeing the positive changes I was making, both physically and mentally, was a real motivator. It felt like the program was cheering me on every step of the way.

A Heartfelt Recommendation: Invest in Your Wellbeing

Overall, I can't recommend the Healthy Heart Solution Kit (Digital - Ebooks) highly enough. It's a comprehensive, informative, and, most importantly, effective program that has helped me take control of my heart health. It's a worthwhile investment in your long-term wellbeing, and it's much more affordable than a gym membership or a basketful of fad diet supplements! So, if you're looking to improve your heart health and embrace a healthier lifestyle, this program is definitely worth considering. You won't regret it!pen_sparktunesharemore_vert

[tinystepsforward]

autocrattic (more matt shenanigans, not tumblr this time)

I am almost definitely not the right person for this writeup, but I'm closer than most people on here, so here goes! This is all open-source tech drama, and I take my time laying out the context, but the short version is: Matt tried to extort another company, who immediately posted receipts, and now he's refusing to log off again. The long version is... long.

If you don't need software context, scroll down/find the "ok tony that's enough. tell me what's actually happening" heading, or just go read the pink sections. Or look at this PDF.

the background

So. Matt's original Good Idea was starting WordPress with fellow developer Mike Little in 2003, which is free and open-source software (FOSS) that was originally just for blogging, but now powers lots of websites that do other things. In particular, Automattic acquired WooCommerce a long time ago, which is free online store software you can run on WordPress.

FOSS is... interesting. It's a world that ultimately is powered by people who believe deeply that information and resources should be free, but often have massive blind spots (for example, Wikipedia's consistently had issues with bias, since no amount of "anyone can edit" will overcome systemic bias in terms of who has time to edit or is not going to be driven away by the existing contributor culture). As with anything else that people spend thousands of hours doing online, there's drama. As with anything else that's technically free but can be monetized, there are:

Heaps of companies and solo developers who profit off WordPress themes, plugins, hosting, and other services;

Conflicts between volunteer contributors and for-profit contributors;

Annoying founders who get way too much credit for everything the project has become.

the WordPress ecosystem

A project as heavily used as WordPress (some double-digit percentage of the Internet uses WP. I refuse to believe it's the 43% that Matt claims it is, but it's a pretty large chunk) can't survive just on the spare hours of volunteers, especially in an increasingly monetised world where its users demand functional software, are less and less tech or FOSS literate, and its contributors have no fucking time to build things for that userbase.

Matt runs Automattic, which is a privately-traded, for-profit company. The free software is run by the WordPress Foundation, which is technically completely separate (wordpress.org). The main products Automattic offers are WordPress-related: WordPress.com, a host which was designed to be beginner-friendly; Jetpack, a suite of plugins which extend WordPress in a whole bunch of ways that may or may not make sense as one big product; WooCommerce, which I've already mentioned. There's also WordPress VIP, which is the fancy bespoke five-digit-plus option for enterprise customers. And there's Tumblr, if Matt ever succeeds in putting it on WordPress. (Every Tumblr or WordPress dev I know thinks that's fucking ridiculous and impossible. Automattic's hiring for it anyway.)

Automattic devotes a chunk of its employees toward developing Core, which is what people in the WordPress space call WordPress.org, the free software. This is part of an initiative called Five for the Future — 5% of your company's profits off WordPress should go back into making the project better. Many other companies don't do this.

There are lots of other companies in the space. GoDaddy, for example, barely gives back in any way (and also sucks). WP Engine is the company this drama is about. They don't really contribute to Core. They offer relatively expensive WordPress hosting, as well as providing a series of other WordPress-related products like LocalWP (local site development software), Advanced Custom Fields (the easiest way to set up advanced taxonomies and other fields when making new types of posts. If you don't know what this means don't worry about it), etc.

Anyway. Lots of strong personalities. Lots of for-profit companies. Lots of them getting invested in, or bought by, private equity firms.

Matt being Matt, tech being tech

As was said repeatedly when Matt was flipping out about Tumblr, all of the stuff happening at Automattic is pretty normal tech company behaviour. Shit gets worse. People get less for their money. WordPress.com used to be a really good place for people starting out with a website who didn't need "real" WordPress — for $48 a year on the Personal plan, you had really limited features (no plugins or other customisable extensions), but you had a simple website with good SEO that was pretty secure, relatively easy to use, and 24-hour access to Happiness Engineers (HEs for short. Bad job title. This was my job) who could walk you through everything no matter how bad at tech you were. Then Personal plan users got moved from chat to emails only. Emails started being responded to by contractors who didn't know as much as HEs did and certainly didn't get paid half as well. Then came AI, and the mandate for HEs to try to upsell everyone things they didn't necessarily need. (This is the point at which I quit.)

But as was said then as well, most tech CEOs don't publicly get into this kind of shitfight with their users. They're horrid tyrants, but they don't do it this publicly.

ok tony that's enough. tell me what's actually happening

WordCamp US, one of the biggest WordPress industry events of the year, is the backdrop for all this. It just finished.

There are.... a lot of posts by Matt across multiple platforms because, as always, he can't log off. But here's the broad strokes.

Sep 17

Matt publishes a wanky blog post about companies that profit off open source without giving back. It targets a specific company, WP Engine.

Compare the Five For the Future pages from Automattic and WP Engine, two companies that are roughly the same size with revenue in the ballpark of half a billion. These pledges are just a proxy and aren’t perfectly accurate, but as I write this, Automattic has 3,786 hours per week (not even counting me!), and WP Engine has 47 hours. WP Engine has good people, some of whom are listed on that page, but the company is controlled by Silver Lake, a private equity firm with $102 billion in assets under management. Silver Lake doesn’t give a dang about your Open Source ideals. It just wants a return on capital. So it’s at this point that I ask everyone in the WordPress community to vote with your wallet. Who are you giving your money to? Someone who’s going to nourish the ecosystem, or someone who’s going to frack every bit of value out of it until it withers?

(It's worth noting here that Automattic is funded in part by BlackRock, who Wikipedia calls "the world's largest asset manager".)

Sep 20 (WCUS final day)

WP Engine puts out a blog post detailing their contributions to WordPress.

Matt devotes his keynote/closing speech to slamming WP Engine.

He also implies people inside WP Engine are sending him information.

For the people sending me stuff from inside companies, please do not do it on your work device. Use a personal phone, Signal with disappearing messages, etc. I have a bunch of journalists happy to connect you with as well. #wcus — Twitter I know private equity and investors can be brutal (read the book Barbarians at the Gate). Please let me know if any employee faces firing or retaliation for speaking up about their company's participation (or lack thereof) in WordPress. We'll make sure it's a big public deal and that you get support. — Tumblr

Matt also puts out an offer live at WordCamp US:

“If anyone of you gets in trouble for speaking up in favor of WordPress and/or open source, reach out to me. I’ll do my best to help you find a new job.” — source tweet, RTed by Matt

He also puts up a poll asking the community if WP Engine should be allowed back at WordCamps.

Sep 21

Matt writes a blog post on the WordPress.org blog (the official project blog!): WP Engine is not WordPress.

He opens this blog post by claiming his mom was confused and thought WP Engine was official.

The blog post goes on about how WP Engine disabled post revisions (which is a pretty normal thing to do when you need to free up some resources), therefore being not "real" WordPress. (As I said earlier, WordPress.com disables most features for Personal and Premium plans. Or whatever those plans are called, they've been renamed like 12 times in the last few years. But that's a different complaint.)

Sep 22: More bullshit on Twitter. Matt makes a Reddit post on r/Wordpress about WP Engine that promptly gets deleted. Writeups start to come out:

Search Engine Journal: WordPress Co-Founder Mullenweg Sparks Backlash

TechCrunch: Matt Mullenweg calls WP Engine a ‘cancer to WordPress’ and urges community to switch providers

Sep 23 onward

Okay, time zones mean I can't effectively sequence the rest of this.

Matt defends himself on Reddit, casually mentioning that WP Engine is now suing him.

Also here's a decent writeup from someone involved with the community that may be of interest.

WP Engine drops the full PDF of their cease and desist, which includes screenshots of Matt apparently threatening them via text.

Twitter link | Direct PDF link

This PDF includes some truly fucked texts where Matt appears to be trying to get WP Engine to pay him money unless they want him to tell his audience at WCUS that they're evil.

Matt, after saying he's been sued and can't talk about it, hosts a Twitter Space and talks about it for a couple hours.

He also continues to post on Reddit, Twitter, and on the Core contributor Slack.

Here's a comment where he says WP Engine could have avoided this by paying Automattic 8% of their revenue.

Another, 20 hours ago, where he says he's being downvoted by "trolls, probably WPE employees"

At some point, Matt updates the WordPress Foundation trademark policy. I am 90% sure this was him — it's not legalese and makes no fucking sense to single out WP Engine.

Old text: The abbreviation “WP” is not covered by the WordPress trademarks and you are free to use it in any way you see fit. New text: The abbreviation “WP” is not covered by the WordPress trademarks, but please don’t use it in a way that confuses people. For example, many people think WP Engine is “WordPress Engine” and officially associated with WordPress, which it’s not. They have never once even donated to the WordPress Foundation, despite making billions of revenue on top of WordPress.

Sep 25: Automattic puts up their own legal response.

anyway this fucking sucks

This is bigger than anything Matt's done before. I'm so worried about my friends who're still there. The internal ramifications have... been not great so far, including that Matt's naturally being extra gung-ho about "you're either for me or against me and if you're against me then don't bother working your two weeks".

Despite everything, I like WordPress. (If you dig into this, you'll see plenty of people commenting about blocks or Gutenberg or React other things they hate. Unlike many of the old FOSSheads, I actually also think Gutenberg/the block editor was a good idea, even if it was poorly implemented.)

I think that the original mission — to make it so anyone can spin up a website that's easy enough to use and blog with — is a good thing. I think, despite all the ways being part of FOSS communities since my early teens has led to all kinds of racist, homophobic and sexual harm for me and for many other people, that free and open-source software is important.

So many people were already burning out of the project. Matt has been doing this for so long that those with long memories can recite all the ways he's wrecked shit back a decade or more. Most of us are exhausted and need to make money to live. The world is worse than it ever was.

Social media sucks worse and worse, and this was a world in which people missed old webrings, old blogs, RSS readers, the world where you curated your own whimsical, unpaid corner of the Internet. I started actually actively using my own WordPress blog this year, and I've really enjoyed it.

And people don't want to deal with any of this.

The thing is, Matt's right about one thing: capital is ruining free open-source software. What he's wrong about is everything else: the idea that WordPress.com isn't enshittifying (or confusing) at a much higher rate than WP Engine, the idea that WP Engine or Silver Lake are the only big players in the field, the notion that he's part of the solution and not part of the problem.

But he's started a battle where there are no winners but the lawyers who get paid to duke it out, and all the volunteers who've survived this long in an ecosystem increasingly dominated by big money are giving up and leaving.

Anyway if you got this far, consider donating to someone on gazafunds.com. It'll take much less time than reading this did.

[butchfairyzine]

Butch Fairy Zine: Answering questions

What art style are we looking for? What is the estimated timeline? Will you get paid? we answer them here!

We will be answering more questions and posting them in the days leading up to the artist application form opening. So if you have questions, use our inbox, or you can fill in our interest form and leave them at the bottom. And if you have queries for the frog, you can leave them there too. He is very busy, so keep that in mind.

Find the interest form here.

Our Artist Application form will open on the 12th of January 2024.

text version under the cut

What type of artists are you looking for? And are you after a specific style or a range of styles?

We are looking for artists who can create pieces with fully rendered fairies and a background within the specified schedule. These can be digital artworks that are flat colour artworks, paintings, a mixture, or another style entirely.

We will also accept mixed media and traditional artworks, but they will need to be scanned at a minimum of 300dpi.

~

When you sign up for an artist position, are there any requirements to be a part of the team?

E-mail communication is required (discord is optional).

You must have a PayPal account to receive payment.

You must be able to communicate comfortably in English.

You must be 18 or older at the time of signing the contract by the 16th of February.

~

For artists accepted into the zine what would be the timeline for completing and submitting artwork?

Our current schedule for the artists requires concept ideas to be submitted by Feb 16th, and the final version by May 16th! Progress check-ins will be on Feb 29th, March 21st, and April 11th.

(In the image there is also a table including this information as well as the final submissions date being May 16th)

~

When the zine is for sale, where would the profits go to (charity, zine admin, etc.)?

We are aiming to hold pre-orders in June/July of 2024, with a flat fee paid to all contributors and additional proceeds split between contributors and mods.

Our priority is to make sure each contributor is paid fairly for their work. If sales do well enough, 20% will be used for future books and projects, and 80% split between taxes and fees, production costs, contributors and shipping costs.

~

Is this physical or digital and will there be prints of the art available? Got any merch ideas planned to go along with the zine?

Both physical and digital! Our goal is to make a 210 x 148 mm (A5) perfect-bound soft cover book.

We also plan to add some paper merch, including prints of some of the art from the book. Additional merch ideas include stickers, sticker sheets and bookmarks.

[ayeforscotland]

What is Dataflow? Part 2: Diagrams

This is the second part of a couple of posts about Dataflow, particularly why it's important for the world going forward and relating to the Crowd Strike IT disaster.

Read the first part here.

Before I get into this one today, I wanted to address a couple of things.

Firstly, Dataflow is something that nearly every single person can understand. You do NOT:

Need to have a degree in Computing Science

Need to work in IT

Need to be a data analyst / Spreadsheet master

If any of you see the word 'Data' and feel your eyes glazing over, try and snap out of it because, if you're anything like me, Dataflow is much more approachable as a concept.

Secondly, what do I mean by IT?

Traditionally in most of our media the all-encompassing 'IT department' handles everything to do with technology. But every business works differently and there are many job titles with lots of crossover.

For example, you can be an infrastructure engineer where your focus is on building and maintaining the IT infrastructure that connects your organisation internally and externally. This is a completely different role from an Application Portfolio Manager who is tasked with looking after the Applications used in business processes.

Both are technical people and come under the banner of 'IT' - but their roles are focused in different areas. So just bear that in mind!

Now that's out of the way, let's begin! This one will be a little bit deeper, and questions welcome!

An Intro to Diagrams

You probably do not need a history of why pictures are important to the human race but to cover our bases, ever since we put traced our hands on a cave wall we have been using pictures to communicate.

Jump forward in time and you have engineers like Leonardo Da Vinci drafting engineering schematics.

You get the idea, humans have been creating diagrams (Pictures) for thousands of years. Centuries of refinement and we have much more modern variations.

And there's one main reason why diagrams are important: They are a Common Language.

In this context, a Common Language helps bridge a language gap between disciplines as well as a linguistic gap. A Spanish electrician and a German electrician should be able to refer to the same diagram and understand each other, even if they don't know each other's language.

The reason they can do this is because they're are international standards which govern how electrical diagrams are created.

A Common Language for Digital?

Here's an image I've shown to clients from governments and institutions to global organisations.

Everything around us, from the products we use to the bridges we drive over and the buildings we live, work, enjoy and shop in had diagrams backing them.

You would not build a skyscraper without a structural engineering diagram, you would not build an extension on your house if an architect couldn't produce a blueprint.

Why is there not an equivalent for the Digital World and for Dataflow?

Where is the Digital Common Language?

This is the bit where the lightbulb goes on in a lot of people's heads. Because, as I mentioned in Part 1, the flow of data is the flow of information and knowledge. And the common mistake is that people think of dataflow, and only ever think about the technology.

Dataflow is the flow of information between People, Business Processes *and* Technology Assets.

It is not reserved to Technology specialists. When you look at the flow of data, you need to understand the People (Stakeholders) at the top, the processes that they perform (and the processes which use the data) and the technology assets that support that data.

The reason why this is important is because it puts the entire organisation in context.

It is something that modern businesses fail to do. They might have flow charts and network diagrams, and these are 'alright' in specific contexts, but they fall to pieces when they lack the context of the full organisation.

For example, here is a Network Diagram. It is probably of *some* value to technical personnel who work in infrastructure. Worth bearing in mind, some organisations don't even have something like this.

To be absolutely clear, this diagram will hold some value for some people within the organisation. I'm not saying it's completely useless. But for almost everyone else, it is entirely out of context, especially for any non-technical people.

So it doesn't help non-technical people understand why all of these assets are important, and it doesn't help infrastructure teams articulate the importance of any of these assets.

What happens if one of those switches or routers fails? What's the impact on the organisation? Who is affected? The diagram above does not answer those questions.

On the other side of the business we have process diagrams (aka workflow diagrams) which look like this.

Again we run into the same problem - This is maybe useful for some people working up at the process layer, but even then it doesn't provide context for the stakeholders involved (Are there multiple people/departments involved throughout) and it doesn't provide any context for technical personnel who are responsible for maintaining the technology that supports this process.

In short, nobody has the big picture because there is not a common language between Business & IT.

Conclusion

So what do we do? Well we need to have a Common Language between Business & IT. While we need people with cross-functional knowledge, we also need a common language (or common framework) for both sides of the organisation to actually understand each other.

Otherwise you get massively siloed departments completely winging their disaster recovery strategies when things like Crowd Strike goes down.

Senior Management will be asked questions about what needs to be prioritised and they won't have answers because they aren't thinking in terms of Dataflow.

It's not just 'We need to turn on everything again' - It's a question of priorities.

Thing is, there's a relatively simple way to do it, in a way that looking at any engineering diagram feels simple but actually has had decades/centuries of thought behind it. It almost feels like complete common sense.

I'll save it for Part 3 if you're interested in me continuing and I'll make a diagram of my blog.

The important thing is mapping out all the connections and dependencies, and there's not some magic button you press that does it all.

But rigorous engineering work is exactly that, you can't fudge it with a half-arsed attempt. You need to be proactive, instead of reacting whenever disaster strikes.

[crowleysgirl56]

Ok sssoooooooo I did a little digging to try and figure out exactly WHAT THE FUCK is going on.

Firstly, Goodomensnews which is what everyone is sharing here is an Instagram account which screen shot two sources.

First is a website called UK Productions News. Here’s their website: https://www.ukproductionnews.com

Seems to be a subscription service for people looking for TV/film production work to get information about what is happening and where. From the contact page it seems to be run by one guy who I can’t find any info on regarding whether he’s actually a known industry professional. The listings section apparently lists productions that are being filmed in the UK. You can only see four pages worth outside of the subscription and most is stuff I’ve not heard of. Plus the actual production information is also behind the paywall. The very top one listed yesterday is for a GO TV film.

This brings us to the second cited source from that original Instagram post, TV Zone UK, which basically tweeted the info you see above. They haven’t cited any other source, and they themselves are just a random website that basically gives out snippets of entertainment news. I don’t think they’re a big name entertainment media outlet. I’ve googled and there’s nothing from all the usual entertainment media outlets like Deadline, Digital Spy, Hollywood Reporter, Den of Geeks, etc.

So basically a website that we have no idea if they are truly an industry professional run website was contained information that was tweeted by a not very big entertainment information site and then reshared on Instagram.

It’s probably not anything to worry about but it does give us three possibilities:

1. The information is a mistake or false

2. Episode 6 will be movie length (god I hope it’s this one)

3. The information is correct and it may be that the last season has now been reworked into a movie, and THIS is what the “Production changes” were referencing when the season was paused back on 10 September.

Though I honestly don’t understand how the third one could be true. How do you go from 6 scripts which took 9 months to write to condensing it into a film in a month? And still proceed with production in 3 months time? I honestly don’t know enough about how the industry works or can work to answer this question. Did they get Gaiman to do it? Or did they get their own editor to do it? It leaves so many questions.

I know that having a movie instead of an entire season feels disappointing (if this turns out to be true), because it feels like we won’t be able to get the full story. It won’t leave us enough time with our Ineffables. But as someone who really loved Sense8 on Netflix, trust me, getting a movie is better than nothing.

So I guess let’s all just hang on a little longer. Keep pressuring Prime and pray that this is just number 1 (or maybe number 2!) on that list.

[sgiandubh]

Lallybroch: copyright vs. trademark

An excellent question was asked by our friend @rosfrank in the comments thread to 'The door faces North' post and given the cosmic amount of uninformed bullshit being ventilated for almost ten years in this fandom, I think it's time to answer it once and for all:

Whenever we are informally talking about 'owning the rights to something', I think it's very important to bear in mind a fundamental distinction between two different categories of ownership rights: copyright and trademark.

The copyright is the most familiar one to many of you. It is what you usually find on those annoying and apparently useless first or last pages of all the printed or digital editions on this planet. Something like this:

In the US, copyright issues are regulated by the Copyright Act of 1976, as included in Title 17 of the US Code. The US public authority competent for registering and managing copyright is, as predictable, the US Copyright Office.

Perhaps the most seminal US Supreme Court decision, as far as copyright is concerned, is the 1991 Feist Publications, Inc., v. Rural Telephone Service Co. In it, the Court ruled that mere compilations of information or facts (such as, for example, telephone books) are not protected by copyright, according to US law. In other words, the ancient legal concept of 'sweat of the brow' (which simply means the amount of work required to gather and compile those facts/information) is not enough to qualify a work for copyright protection, if no creative effort is added to enhance its content. This is why I have always considered absolutely ridiculous Marple's efforts to watermark public information screenshots: it is useless (to the extent that it legally protects her from nothing) and, as her timelines, a mere compilation of facts (legally ditto). A similar approach is preferred by the UK and also by many Roman law legal systems, such as the French one - just making things clearer, here, by the way.

See how 'Erself is roughly doing, right now, in this department:

But I am rambling. In my view, Lallybroch, as a pivotal concept used in Diana Gabaldon's books, is protected by the copyright granted to each and every of her books mentioning it, according to the Roman law principle 'accessorium sequitur principale' (the accessory follows the principal). So it will remain protected for at least 70 years since the last of her books mentioning it would have been published under copyright. Unless she chooses to separately protect the entire finished cycle as a whole, once Book Ten (fingers crossed) is published, preferably during our foreseeable lifetimes.

That being said, that goes only for one copyright category: (published) text - you cannot copyright that secret diary in your drawer, LOL. This is why, the current US Copyright Office records concerning Lallybroch look like this:

Sony Pictures Television Inc owns the copyright to the fictional name Lallybroch in the motion pictures category, as it is the title of the Episode 12, in Season 1 - DG has been handsomely compensated for this, no worries. And someone I have no idea about owns the rights to an original musical score she has written and titled Lallybroch in the music category, since October 2013.

Onwards to the trademark. This is something different and this is all about making your name/concept/idea profitable. It is all about branding it, putting it on a product and selling it under that brand. It includes all the graphic elements and the logo of the brand (accessorium...) - in short, its visual identity to the consumers. In the US, trademark issues are regulated by the 1946 Lanham Act and the public competent authority is the good old US Patent and Trade Office (USPTO).

Right now, the situation for the Lallybroch trademark is as follows:

So, we see three different trademarks: two of them, owned by Diana Gabaldon, are classified as 'dead' (cancelled and/or abandoned) and the third, Lallybroch Spirits, owned by S's Great Glen Company is pending approval - he will not be able to label any booze bottle Lallybroch Drink Me before permission is granted by the USPTO.

Let's unpack:

Both Lallybroch trademarks formerly owned by Diana Gabaldon were filed at the USPTO on February 21, 2000 and granted on December 12, 2000. The first was aimed at producing 'tartan fabrics for the manufacturer of clothing' and it was abandoned in December 2003:

The reason is that the owner did not file in any Statement of Use after the trademark was granted. She had three years to do so, and since she chose not to do anything about it, the trademark was deemed abandoned (Stacy K. Smith is the attorney hired by Herself, btw). That means she specifically implied not to intend using it in the future. As such, she may claim NO rights on a now free to use mark:

The second trademark was aimed at producing 'clothing, namely, t-shirts, dresses and headwear' and also 'jewelry, namely, rings, pins and necklaces'- to cut the story short: OL merchandise - and it was cancelled on March 1st, 2013:

The reason is that the owner did not file the Section 8 declaration (of continuous use for five years) within the allowed legal timeframe (6 months after the fifth anniversary of the trademark granting renewal). Her trademark federal rights are now deemed canceled (but not her state law and/or common law rights!) and if she wants to ever use that name again, she would have to start the whole process over, bearing in mind the trademark could have been granted to someone else, in the meanwhile (not her case).

And for anyone who might ask, 'Erself does not own any other trademarks whatsoever:

The other (Doll Lab - LOL for ages) Diana Gabaldon is a pharmacist from Albuquerque, NM. Chill. 🤣🤣🤣

The owner of the copyright to the fictional toponym Lallybroch, as far as published text is concerned, is Diana Galabdon.

The owner of the copyright to the fictional toponym Lallybroch, as far as motion pictures are concerned, is Sony Pictures Television Inc.

The owner of the copyright to the fictional toponym Lallybroch, as a personal work of music, is Mrs. Kelly Ruth Davis, of Pennsylvania, USA.

The owner of the Lallybroch Spirits trademark will be Sam Roland Heughan, when that trademark is granted by the USPTO.

I hope this answers your question, @rosfrank. Thank you for asking.

[justicesocietyzine]

Applications Open for Better Heroes: A Justice Society Zine

Better Heroes is a fanmade zine dedicated to the Justice Society of America. We are looking for contributors to help make this zine as spectacular as the team it's representing!

Better Heroes will be a digital zine, with a later physical release. We're hoping the physical release can be bundled with potential merchandise, but that will be dependent on applications and on fundraising.

Any proceeds that exceed our production costs will go directly to aid for Gazans and for Palestine. We are currently weighing different charities, and intend to be as transparent as possible if and when we reach our funding goal. We're hoping we can raise enough with your help!

Will you join us?

Read on for guidelines that will help with your contributor application. And if you have any questions, drop an ask! We're happy to talk to you.

What Are We Looking For?

Writers: obviously fanfiction, but ALSO, if you have an original essay (personal or academic) or a nonfictional historical piece, we are more than happy to consider it

Artists: we're looking for cover artists, splashpage artists, artists to be paired with writers, and general. splashpage and pairing might end up more hand in hand, but that is tbd!

MERCHANDISE Artists: we are CONSIDERING, based on the interest check, making merchandise to go with the physical zine, including but not limited to stickers, pins, charms, and prints. For the integrity of the zine, please do NOT submit any merchandise ideas for THIS zine. if we move forward with merchandise, we will work with you. this is NOT the same as applying to be a zine artist, but you can apply for both! however, if you apply and are selected for both, please understand artist and merchandise artist as 2 separate jobs.

Pinch Hitters: if a contributor defaults up to 1 month before the turn-in date, a pinch hitters will be tapped. this means a pinch hitter could have anywhere from several months (if the contributor defaults early in the process) to only one month. if you are chosen to contribute AND you want to opt in to pinch hitting, there is a VERY small chance you will be asked to do both - we'd like to include as many creators as possible.

Additional Information: We are heavily considering offering a smaller zine-within-a-zine of NSFW content. this zine is not automatically included with the regular one, and buyers will have to opt in. you are welcome to apply for only sfw contributions, only nsfw contributions, or sfw AND nsfw contributions. if there is a want for additional merch to go with the nsfw zine, or a want for an nsfw-only package, we will consider it based on finances. NSFW proceeds will be bundled into our charitable donations.

[wheelsgoroundincircles]

1969 Holden Hurricane Concept

1969 Holden Hurricane Concept

1969 Holden Hurricane Concept

1969 Holden Hurricane Concept

1969 Holden Hurricane Concept

Holden has gone back to the future, restoring its very first concept car - the 1969 Holden Hurricane Concept.

The futuristic research vehicle described as an experiment "to study design trend, propulsion systems and other long range developments" has been restored to its former glory as a labour of love by a dedicated group of Holden designers and engineers.

Code named RD 001; the Holden Hurricane is a mid-engined, rear-wheel drive, two-seater sports car which incorporates a remarkable array of innovative features and technology, much of it way ahead of its time.

Features such as electronic digital instrument displays, station-seeking radio, automatic temperature control air conditioning, rear vision camera and an automated route finder were all showcased in this ground-breaking vehicle 42 years ago. Many of these technologies have only recently made their way into mass production, demonstrating Holden's remarkable foresight into both design and engineering technology.

The Holden Hurricane stole headlines and dropped jaws nationwide when it debuted at the 1969 Melbourne Motor Show.

Michael Simcoe, Executive Director GMIO Design, said it was fantastic to see such a significant vehicle restored.

"At Holden we have always prided ourselves on our ability to look into the future through our concept cars," Mr Simcoe said.

"It's amazing to think that the features we take for granted today were born out of creative minds over 40 years ago."

As its code name suggests, the RD 001 was the first product of the GMH Research and Development organisation, staffed by a small squad of engineers working in conjunction with the Advance Styling Group at the Fishermans Bend Technical Centre in the 1960s.

The team that designed and built the original Holden Hurricane employed some advanced technologies and techniques when it came to the powertrain. Powered by an experimental 4.2-litre (253 cubic inch) V8, this engine was a precursor to the Holden V8 engine program which entered production in late 1969.

The Holden Hurricane's V8 engine featured many advanced design components such as the four-barrel carburettor - a feature which wouldn't be seen on a production 253ci Holden V8 until the late 1970s. The end result was approximately 262hp (193kW), a towering power output in 1969 and one that ensured the Holden Hurricane had the go to match its show.

But perhaps the two most innovative features were the "Pathfinder" route guidance system and the rear-view camera.

The "Pathfinder", essentially a pre-GPS navigation system, relied on a system of magnets embedded at intersections along the road network to guide the driver along the desired route. A dash-mounted panel informed the driver of which turn to take by illuminating different arrows, as well as sounding a warning buzzer.

The rear-view camera was also a ground-breaking innovation.

Engineers using a Closed Circuit Television (CCTV) system with a camera mounted in the rear bumper feeding vision to a small black-and-white TV mounted in the centre console.

Former Holden Chief Studio Engineer Rick Martin led the modern-day Hurricane team in researching the vehicle's components, systems and history in order to restore it.

"There are some genuinely remarkable ideas and technology in the Hurricane," said Mr Martin.

"From the automatic air-conditioning and magnet-based guidance system, to the inertia-reel seat belts and metallic paint, this was a car that was genuinely ahead of its time.

"The hand-picked team of engineers and designers who built the original Holden Hurricane worked in strict secrecy and began Holden's now proud tradition of ground-breaking concept cars."

RD 001 stands just 990mm high and has no doors in the conventional sense. A hydraulically-powered canopy opens upwards and forward over the front wheels, combined with twin "astronaut type" power-elevating seats which rise up and pivot forward, along with the steering column for ease of access. Occupants are then lowered to a semi-reclining position before the roof closes over them.

The wind tunnel-tested fibreglass body consists of three segments; the canopy, the engine hood and body shell and was finished in an experimental aluminium flake-based metallic orange paint.

Safety innovations included a foam-lined fuel tank, integrated roll-over bar, digital instrument readouts, ignition safety locks, interior padding and a fire warning system.

The project to restore RD 001 began in 2006 and has been a genuine labour of love for some very dedicated Holden employees. The entire restoration process has been driven primarily by volunteer labour from Holden designers and engineers in their spare time.

But the Hurricane first entered Holden Design in less than immaculate condition. RD 001 had a residency in a trade school where apprentices practised their welding on the priceless concept.

After being returned to Holden in 2006, the Hurricane restoration project has taken many thousands of painstaking man hours to lovingly restore RD 001 to concourse condition.

Holden's Manager for Creative Hard Modelling, Paul Clarke, has been largely responsible for managing the restoration of RD 001. He ensured as many of the original parts as possible have been used or remade using modern techniques to 1969 specification, in order to preserve the authenticity of this hugely important Holden.

"The entire team has done a fantastic job in bringing this beautiful concept back to life," Mr Clarke said.

"The talent we have within the Holden organisation is simply outstanding. Every time we take on a project I'm constantly amazed by the passion and talent in this company, making it a genuine pleasure to work on these projects.

"The Hurricane plays a crucial role in Holden's story and the company has such a great sense of history and heritage that it was very important to bring RD 001 back to life. It's been a challenging but incredibly rewarding process."

Since the debut of the Holden Hurricane Concept in 1969, Holden has continued to build a global reputation for envisioning and executing world-class concept vehicles. Holden is recognised globally within General Motors as a centre of excellence for concept vehicle and show car development and is one of only three GM design studios that is capable to design and build concept cars.

Michael Simcoe added that the Hurricane holds a particularly special place in Holden's history as it kick-started Holden's long love affair with concepts that has since seen the likes of the iconic GTR-X, Torana TT36, Coupe 60, the GMC Denali XT (which was requested specifically by GM for the North American market) and the award-winning Efijy.

Holden Hurricane Concept (1969)

[ikkosu]

G1 prowl. I don't know where I'm going with with this. Mention of 'suggestive stuff but it's not explicit.' hrhrghrhhhrh

IT was a fine evening that night in his habsuite. As usual, the lights are turned off; room shrouded dim with the only illumination apparent is the iridescent glow from the desk lamp that tugged an ache in his optics.

He persevered, however. No matter how uncomfortable the ache pulsed. Bent over the desk, he skimmed through the expense protocols from this morning's briefings. It wasn't usually his position to handle the funds. The most he's got his hands on is managing the military expenditure, ensuring nothing is nicked during the process. But given the mech prior his employment had handled the situation indelicately, 'usually', he's now tasked with the errand to do so.

Another one of the many issues he'll have to sort through. As if being the tactician isn't enough. Not only will he have to spend weeks formulating battle plans but also play side-hustle as a financier.

Ultra Magnus expected the finished product the end of this week. Unfortunately for him, he'll give it seven days prior.

Footsteps patter in front of the door. He's too fixated on a misspelling to hear it slide open. (Is it so hard to not miss the other 'i' in Liaison?) And when his proximity sensor does register — swivelling around in surprise, the chastise lodged in his throat is cut short when a forty Cybertronians isn't in his view - but tipping his helm down is your minuscule form on the floor.

You peered back up, features twisted in solemn ire. Nose scrunched, lips down turned. Eyes distraught.

"You look..." He tried to find the word. When he couldn't he settled on something less severe he winced out. "...unhappy."

You sighed. "You have no idea."

With a slight tilt of his helm, he crouches to your level and curls out a servo. It didn't take long to waddle onto the palm, clutching the thumb to keep yourself balanced as he raises himself. You blinked when the thumb you're holding moves, pressing against your cheek then back and forth against the skin. You leaned into the touch and nuzzled the ridge.

"I was in trouble.” You spoke after a moment.

Prowl raises a brow. Oh? Trouble? You're not usually the worst ones. Worst are the twins. Along with an occasional Smokescreen and Hot rod thrown into the mix.

"That seems a little vague." He says, ploddings towards his desk.

"Hardly. It's just a little scolding I've got from ultra Magnus."

" What did you do to warrants such a transgression from the commander? Nothing too severe, I suppose?"

"That's for Wheeljack to decide. All I did was follow what the twins told me to do.

He sets you on the table, turning around to sort his datapads while you brought your legs to your chest, crossing your arms and perching your chin on top of it.

"Twins?" He frowned, tossing aside a datapad that read: Base Report #096.

"Sunstreaker? Sideswipe? The twins?" You list off. "...Don't tell me you forgot them too."

"I've got better things to remember." He tosses aside another report. Battle plans. Classified information. Blueprints.A digit points to his helm. “ Hard copies are unreliable. They're easily taken advantage of if not stored safely. That is why it is essential my processors are clear of any 'irrelevant' information."

You rolled your eyes. “Right. Red black. Yellow black. I don't see how hard it is for you to remember primary colors."

"Perceptor is also red and black."

"But you remember him."

"Only because he is my direct liaison to the Scientific district." Prowl turns halfway to you and you can see the quirk of a smile. "He's worth remembering." A pause. “And I suppose," He goes back to his desk. "You are too."

Silence. Prowl's door wings flick up straight as he fully faces you. You observed the unusual blue hue on his cheeks, though. Are those...?

"What did they tell you?" He asked, organizing the datapads

There was a pause as you observed him for a moment.

"Promise me you won't laugh."

He shoots you a look. "I don't laugh.”

"You do."

"Only when it's necessary."

"That's a 'somtime."

"A probability close to half."

You groaned. "Its just some stupid joke they've managed to rook me into. Tell me, what the hell does frag mean?"

His door wings flick up, just as his lips does. " Why, its an equivalent to your, ah, well — equivalent to the curse word—"

" Fuck?" You finish for him since it was obvious Prowl would take a lifetime to enunciate that word.

"How...tragic."

"Oh, please—"

"I'm going to assume they've tricked you into uttering it beside the commander?"

You crawled towaeds him, "They said it means rest! Can you believe that? Everytime I needed a break they told me to use 'frag' since it practically means the same! Except Cybertronian? Can you imagine the humiliation when I realized ice been going around telling bots that I need a frag? To everyone?!"

He scoops you up into his servos,and you noticed the surface lightly shook. You look up and is greeted by the crescent crease of his optics.

"Laugh and I'll pour water on your datapads."

He starts moving again, still unable to hide his sounds of amusement. " I admit that's a little—"

" It's terrible!"

"Yes, very terrible." Prowl sits on the edge of the berth, adjusting his position as he leans back, you perched on his chassis. " You have my condolences."

" Now, everyone thinks I'm some player with a desire to bag all bots in this base!" You hid your face into your palms. The memories of this morning resurfaces and the burn sears into a scalding heat. "This is— they're not even my type.....i don't even— ugh. Take me, now."

"Not unless you've taken the lives of the twins first."

You look up. Prowl is looking down softly.

"Oh, I will." You crawl up, tucking yourself under his chin. "Tommorow. They're never going to escape."

"An apple for an eye?" His voice rumbles as he spoke. A digit curls out and rubs your back.

"A paint job for a paint job." You leaned close into the cables of his neck.

"Sunstreaker adores his finish..." He mumbled.

"That's why I'll give it a little mishap."

[transmutationisms]

ok i still haven't seen the video du jour so i'm not casting aspersions on it, specifically, but i must say i am baffled by seeing responses to it on here that seem to be written under the presumption that newspaper journalism is somehow immune to the economic forces that cause digital creators to churn out endless streams of low-effort, plagiarised content. have we not all had the experience of trying to find information about an event and clicking on a few different news stories from 'respectable' outlets, only to discover they're all using the same three quotes and just paraphrasing the copy around it, and then clicking around more and determining that those three quotes all turn out to have been sourced from a local paper that broke the story last week but has a circulation of approximately ten people and was mostly ignored, and meanwhile critical details of the situation have now been distorted or omitted in a game of lazy newsprint telephone?

this is more of what i mean when i say that plagiarism is not a bug of capitalist knowledge production and circulation; it's a feature. newspapers and academic articles and youtube video essays are all products and they all exist to sell themselves. individual writers and journalists and editors may be more or less invested, personally, in what they're making, but regardless they are all subject to the same forces incentivising more content and shittier source attribution: it's good for your bottom line if you can continually present yourself as some brilliant thinker who is coming up with wholly original ideas and bestowing them upon the masses. it is much less beneficial to you, economically, to direct people openly and honestly to others' work by crediting them and presenting your own output as part of a larger collaborative social endeavour.

this sort of knowledge production is therefore prone to plagiarism as an expression of the contradiction between the idealist pretense to knowledge circulation as a beneficent activity of social enlightenment, and the material reality of knowledge circulation as a capitalist activity both productive of and dependent on structures of exploitation and inequality. it's not a problem that's unique to individual bad actors, or to any specific medium or professional credential or lack thereof. let's be serious

[apas-95]

The fundamental point that should be taken away from all the questions of piracy, whether copying digital information is stealing, etc - is that information technology is fundamentally incompatible with capitalist relations of production.

The way we understand the value of an object is through the labour that goes into it. A berry picked from a bush requires minimal labour, has little value - that same berry mashed, boiled, jarred, and transported is far more valuable. The tools used to make it required their own labour to build - and they impart that labour over their lifetime. The stovetop that makes ten-thousand jars of jam before breaking down imparts one-ten-thousandth of its value into each jar of jam. Using modern technology, it wouldn't take a whole day's labour to make enough jam to live off for a day. The rest of the workday, then, can be devoted to producing beyond what is needed. Under capitalism, that extra productive time is turned over to the boss, as the source of profit - but that is particular to capitalism.

When we talk about information technology, these ideas begin to break down. A video game, for example, definitely has labour put into it. A computer, as well. If there existed but one copy of that video game, then it would be very valuable. If a computer cabinet had to be custom-built to hold each copy of the game, then copies of that game would be valuable. However, if that video game is simply information - simply a series of ones and zeroes that can be, at the cost of a few millijoules of power, seamlessly and perfectly copied, then it begins to lose value. The amount of labour put in remains the same, but now it is spread across two copies. As there is no real limit to how many copies can be made, and as each copy requires functionally no labour, the value of each copy approaches zero. That is to say, capitalist relations begin to break down. While the use-value of each copy remains the same - each game is still equally as desirable to play - the exchange-value, the price, fails to exist without scarcity. The only 'theft' being carried out is the collapse of potential profit for the capitalist.

When applied to art in specific, the results are even more stark. The reason a one-of-a-kind painting is 'worth' millions is because its owner has a monopoly on it. If a million identical paintings were produced, they would have the same aesthetic worth, but cost a pittance. For all the anger and vitriol from the 'AI art is theft' crowd against NFT types, the creation of the NFT was the attempt to force information technology in line with capitalist relations, to force scarcity and monopoly pricing into the digital realm. If you want to enforce your ownership over a JPEG, you should be aware of your bedfellows.

[cloudraker]

heyo! I saw ur post and wanted to ask for tfp decepticons with a winged! S/o

preferably with megatron, soundwave or shockwave and knockout! Like how they would react and act around them, or like how they would use reader to their advantage? (Not in a bad way)

Reader has a long wingspan (18 ft) and is bigger than a normal human? Like smaller than Arcee but bigger than average.

Please tell me if that’s too much for you! And ty! <3 stay safe

Ofc!! And no worries, it's not too much at all :) Thank you sm for requesting <3

TFP Megatron, Soundwave, Shockwave, and Knock Out with a Winged S/o

Under the cut :)

Megatron

Honestly probably doesn't even notice you're any different at first until you start zipping around

I would say that of the four he's the one that cares the least

That isn't to say he doesn't care at all, far from it! He's got more than a handful of schemes, plots, ploys, etc ready to use when the need should arise

Depending on how you fly and such, he might take your movements into consideration when it comes to his own flight or when training troops. The information gets passed on to Starscream for the latter, but he's still aware of it

He doesn't expect you to be able to keep up with him when he's flying, but he will commend the effort

He does expect your wings to be in peak condition; they're one of your defining features and something that he see as putting you above the rest of your species

If you're at all self conscious about your wings, he scoffs and tells you to take pride in what sets you apart. It's not great advice, but it's something

Soundwave

Enjoys running his fingers through your feathers if you'll let him

Despite being in a relationship, he's still got a job to do. If you're up for it, he'll ask you to do recon or survey areas that need to be scouted in a more subtle way

He's not above using your humanity for the benefit of the Decepticons, but he wouldn't knowingly put you in harms way

Of the four, he's got the easiest time helping you groom your wings due to how thin his digits are

He draws comparisons between you and Laserbeak at times, though he does keep those thoughts to himself

Shockwave

Dude has got plans and ploys in place to test things and ideas

At times it might feel like you're more an experiment than a partner

He's always more than happy to run tests on how far you can fly and how fast, how much weight you can carry and for how long/far

He's also rather interested in your biology, pulling up diagrams of a typical human body and comparing it to yours, trying to figure out why you're different

It might be hard to notice, but he's more careful when it comes to tests. It's one of the few ways he has to show he does actually care about you, and doesn't want to see you hurt if it can be avoided

If there's something you want to train towards physically, you can count on him to come up with the most optimal training program possible

He finds it helpful to have you in the lab and having you zip around and collecting tools for him so he doesn't have to step away from his work

He understands the concept of keeping muscles strong, and makes sure you exercise enough if you're keeping him company in the lab

Knock Out

Dude makes sure you know how pretty your wings are

Makes sure you've got every product you'd ever need to keep them in top condition. Don't ask where he got them from tho

Schedules regular sessions where the two of you just preen and gossip

Also finds it super helpful that you can just fly up and reach the spots he can't and buff them out for him

Absolutely admires the strength you have in your wings. The idea that you have to actually flap them and have enough strength to get yourself off the ground is foreign to him as it's super different for Cybertronians

Not a fan of molting tbh. There's feathers everywhere and guh they're everywhere

Will still (reluctantly) help you deal with it tho

Knock Out makes sure you know he thinks that your wings make you much cooler than other people, and is not above making fun of the Autobots for having 'inferior' humans on their side

[simp-ly-writes]

Just a Small Crush

Ask: is there anyway that I can get a Vox x Reader oneshot (from hazbin hotel ofc) where the reader Alastors sister but has a crush on Vox and secretly still hangs out with him and also gives him information of what’s going on at the hotel.

Pairing: Vox x Alastor Sister!Reader

Warnings: light teasing and brief mentions of death.

A/N: I LOVE THIS IDEA TYSM FOR THE ASK ANON!!!!!!

Masterlist | Taglist | un-edited.

Hazbin Hotel Masterlist

↳ You were Alastor's sister, having died a few years after he did you had come to terms with the changing of technology better than he did. Adapting to smart devices and social platforms with relative ease thanks to the help from a certain bright-eyed princess

↳ From this adaptability of yours you soon became the hotels advertisement manager, creating digital ads, short video skits with the guests and posting how-to-make drink recipes with Husk at the bar.

↳ Alastor smiled at this, seeing you so lively and back to your charismatic self that he thought to be forgotten after your sudden death at a young-age. Nevertheless he never became blinded by this happiness of his- often found glaring at the electronic device super-glued to your hands or the keyboard stuck to your fingers. But he would only make side snarky reminders about the time you came from and how you should still uphold your mannerisms

↳ Flashing a quick, bright smile towards your brother you skipped away, phone in hands as you brainstormed a new caption for the radio segment you just filmed together. Your heart races when the video goes green and hundreds of likes come flooding in alongside various comments of varying enthusiasm towards the content

↳ Shutting your phone off, you head to your room for a break, settling in your bed you flick on the newest episode of Late Nights with Vox. Having worked late last night on the editing of your new television advertisement- you had missed the live airing of the show

↳ "Welcome back everyone" Vox leans his head towards the camera hands behind his back as the camera pans backwards and exposes the wooden desk that he is stationed against. You watch as he leans back against the desk, watching as his suit distorts to capture his form as you rapidly scroll through Velvettes Hell-Page, looking for any other pictures of his new suit. "Tonight we some of only hells finest joining us for exclusive interviews alongside the first viewing of our latest Vox-Tech inventions you are sure to love!" A few cheers can be heard just as you clap your hands, immersed in the show and its presenter

↳ Swiping onto your personal account, you flick Velvette over a quick text- sending your praises for Vox's new suit just as you laugh in tune to the TV's cackles in response to Valentino crashing the set and announcing a new production as the show cuts to commercials. A ping of your notifications has you stopping your conversation with Velvette and transitioning over to other Vee as your hands being to sweat.

↳ Vox has texts you, "Hey!- a certain bird tells me you are enjoying the show?" You roll your eyes into a wide smile, he has been picking up on your expressions with all the recent time you had been spending together after-hours from both your jobs.

You: "You do well every night, I don't think you need me to add to your ego..."

Vox: "but you do. "

You: "?"

Vox: "Who else can say that they are friends the radio demons sister?"

You: "you out of all people better not be going around saying that! I do quite like you- wouldn't want my brother to spoil that by spilling your guts out on to the street if we found out."

Vox: "my lips are sealed then."

↳ A few moments pass before Vox texts again, "doing anything tonight?" your face goes red as your eyes flicker over the space, ensuring that you are in fact alone before you respond. "Nope, got all my work done, would you want to come around?"

↳ Your heart races, watching as the message bubbles bounce as you lay there in wait. But just before you can check the message, Vox has travelled through the electrical wires of the buildings sign and is sitting on your windowsill, taping on the glass for you to let him in

↳ A small scream escapes you, falling off your bed as you race over to usher him in. "So..." Vox starts to say, looking around your room before his eyes fall on to you, a smile expanding across his screen as he leans towards you, matching your height as you take a step back, looking for the remote to pause the television show in the background.

↳ "Watching me again?- why need the recording? I can always remake the scenes here for you, give you a synopsis if you will?" He asks, looking at his gloves before casting you a wink. He stands up straight, walking over to your desk before twirling around in your office chair as you sit on the edge of your bed, observing his actions

↳ "I like your suit." You blurt out, eyes going wide as hands cover your mouth in shock that you just admitted that to his face and not Velvette. Vox throws a hand to his knee, repiedidly slapping it with his laughs before he turns to face you once more. He stands, capturing your chin with his hand- ushering your eyes to meet his own. "No need to get embarrassed now, Velvette did a good deal of work on it- whats not to be admired?"

↳ Now scoffing and turning your head away with his ego flaring up once again. He drops his hand from your face as you let out a breath and listen up to what he has to say next, "Anything new to report on here?" You shake your head, unlocking your phone to show him the recent cocktail you and Husk invented, "Thats about it other than Charlie getting that meeting with Adam I told you about last week..." you trail off, breath hitching as you see footsteps from underneath the door

↳ You reach upwards, smacking a head over Vox's mouth. Failing to see as his screen flickers blue for a split second at the sudden touch. You sigh out in relief as the footsteps carry down the hall after a moment, dropping your hand and turning back to watch as Vox raises an eyebrow, "If you want me to shut up, just tell me or else I will think you just don't like me anymore" He states with a teasing smile, enjoying the way your face fires up as you flip him the finger

↳ Taglist: @jtcat305 @amarokofficial

[etheribot]

5 tips for the work-at-home witch ദ്ദി(˵ •̀ ᴗ - ˵ ) ✧

when i'm not witching around, i actually have a day job! my job is primarily a work from home job, spending my days alone in my room writing reports and reading legal documents... it gets stale (●´⌓`●) this is a list of some little witchy things i do to keep my head on straight and prevent myself from going mad and impulsively quitting my job!

some of these tips might also work for students!

you might have to switch it up a bit, but some of these tips could help you get through homeschooling, digital learning days, or homework.

₊˚⊹♡ 1. light a candle ♡⊹˚₊

one of the first things i do when i begin work for the day is to light a simple votive candle. the element of fire is a strong element, and by lighting a candle you can harness the energetic energy of the flame. the goal of lighting a candle while you work is to keep yourself "fired up" per say ᕙ(⇀‸↼‶)ᕗ . light the candle with the intention of remaining motivated and energized. for extra effectiveness, you could dress the candle with herbs that also have energizing metaphysical properties. (remember, though, always double check that your herbs are safe to burn!)

₊˚⊹♡ 2. use a sigil ♡⊹˚₊

sigils are an extremely simple yet effective way to use magick! personally, i like to draw the sigil on the back of my dominant (or "working hand") with a non-permanent marker. if you follow this method, be sure to wash it off once you've finished work for the day! leaving a sigil on your body too long can be a bit draining in my personal experience.

if you're more artsy, you could make a piece of art out of a sigil to keep on your desk. a painting, a piece of embroidery, a sketch, or even some digital art done and turned into your desktop wallpaper (tech witches would love that, i feel.)!

i personally like to make my sigils for work out of phrases like "may i work efficiently", "may my work be done properly", but & "may information come easily to me".

₊˚⊹♡ 3. money bowl ♡⊹˚₊

i actually haven't done this yet (˃ᆺ˂) it's a spell i plan to do during the next full moon.

but! the idea of a money bowl is to essentially bring more money in to your life. if you're looking for a promotion or a pay raise, a money bowl on your desk certainly won't hurt!

₊˚⊹♡ 4. work outside ♡⊹˚₊

if you're able, work somewhere other than you're typical working area at least once a week. coffee shops, libraries... even a different room in your house! the change of energy will keep you from feeling too stagnant.

i really recommend taking your work outside, if able. sometimes, i print out a few documents i need to read and go sit out under a tree in my yard. sitting outside in nature not only helps to keep you grounded, but it also helps foster your connection with the local nature spirits. connecting to your local nature spirits AND getting your work done at the same time... talk about multitasking! (ᴗᵔᴥᵔ) if you can't work outside, then take time during your breaks to step outside. a small walk or even just sitting outside under the sun is enough to help keep your centered.

₊˚⊹♡ 5. enchant a watch ♡⊹˚₊

i have severe ADHD, but i also have severe severe severe anxiety. because of this, under my doctor's guidance, i can't take ADHD medicine for fear of my anxiety medicine not working effectively. since i'm rawdogging my ADHD i tend to have a hard time staying on schedule... so i've enchanted my watch!

i recommend using materials that promote focus and organization. ever since casting an enchantment on my watch, i've noticed an uptick in my overall productivity in all facets of my life - work included. i haven't missed a deadline, and while i still have a nasty habit of procrastinating, once i finally make the effort to begin work i find myself staying on schedule way easier than before.

that's it for now! if you have any questions or would like me to go further into detail about certain things, feel free to send me an ask! <3

[archivecon]

Statement begins...

Statement of ArCon staff, regarding the third annual ArchiveCon convention for fans of Rusty Quill’s The Magnus Archives/The Magnus Protocmagprool. Statement recorded 23/02/09 by the Official ArchiveCon Tumblr.

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Hey archival assistants, avatars, and everyone in between!

Welcome to the official Tumblr for ArchiveCon 2024. We are proud to be hosting our THIRD (!!) ArchiveCon - a fan-lead, fan-run online mini convention for 18+ fans of the Rusty Quill horror podcast, The Magnus Archives (and now Protocol!)

Whether you are an old fan, a new fan, a deeply-rooted fandom denizen, or looking to make your first connections in our fan community, we hope you’ll join us. ArchiveCon may be online-only, but we’ve got all the energy and features of a traditional offline convention - everything from panels and special guests (voice actors, writers, and industry professionals!), to cosplay and games, streaming and discussion, and even an Artist’s Alley.  

Here’s the quick rundown:

- June 21-23, 2023 (that’s three days, folks - Friday to Sunday!)

- 18+, online only (Most areas of the con will be SFW, but you still must be 18+ to attend)

- FREE TO ATTEND! (Registration is required and must be done so before the convention starts; you can register here!)

- All events scheduled in PST, but all international fans are welcome and most panels (at the discretion of individual panelists) will be recorded for post-convention, on-demand viewing.  

- Primarily focused on The Magnus Archives/Protocol, but fans of all things horror, podcasting, and transformative works will find something to love. The Plain Old Curious are always welcome, too - we have to feed The Eye somehow, right? ;)

For more detailed information and FAQs, visit our website!

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Are you an artist? A storyteller? A connoisseur of pulp fiction novels looking for an audience? ArchiveCon is here for you, beyond attendee registration. :)

Artists and artisans of all kinds are welcome (encouraged!) to apply for a slot in our Artists’ Alley. Do you take digital art commissions? Make soap? Knit hats?  All of the above?? (Kudos to you, you must be using superhuman eldritch powers to get all that done.) We’d love to give you a place to showcase and sell your work, reach a like-minded audience, and network with fellow creatives. 

Don’t have anything to sell, but want to share your passion for the world of The Magnus Archives and its fans? Then we’d love to chat with you about hosting a panel. ArchiveCon will host panels on a wide variety of subjects including (but not necessarily limited to!): 

- deep dives and meta on TMA/TMP characters, plot points, history, and relationships (we love a detailed ship manifesto)

- queer identities in horror and fandom spaces

- the evolution/history of fandom culture

- fan creations and transformative works (such as zines, art, fic and fic-binding, cosplay - you name it)

- friendly discussions and debates

- technical tutorials and discussions on podcast production, streaming, sound editing, etc!

For more insight and ideas, check out last year’s program schedule!

Applications aren’t open quite yet, but we’ll update all our pages when they are.  Hope to see you there!

[Statement Ends.]

[sgiandubh]

Tools of the trade

Came home an hour ago from a reception I literally fled (busy week in this respect, unfortunately). And I kept being internally nagged during the short taxi ride, by what is probably at least this season's Anon. Landed in @bat-cat-reader's inbox with regard to Marple's most recent innuendo:

I had to know more about this, since I had no idea such deep diving tools were now available for pretty much everyone. Here's the gist of how it works, in pics and a quick review:

What Snoopreport promises its subscribers is to basically keep them posted on the targeted accounts' online behavior patterns...

... without the need to publicly follow them on Insta (sounds familiar?)...

...leaving no trace (zero accountability, because it uses only public data: this can be interpreted differently, in a different legal system/context, since several European countries, as I already discussed, have more protective legal provisions for a person's right to his/her own image)...

... at minimal costs (I suppose the most cost-effective, if we assume this is one of the used monitoring tools, would be the small business pack, allowing the super sleuth to track 10 different accounts, for peanuts):

A review of this product I have checked here (https://www.techuntold.com/snoopreport-review/) points out the obvious Achilles' heel of this app. Snoopreport obviously does not work for private accounts:

Which brings up a logical question: could the (in)famous 'resource' be S's private Insta account, in which case it would be very difficult for the sleuth to admit stalking it? Is it even technically possible to stalk a private Instagram account and remain unseen?

The answer to the latter is yes: other actors of this apparently very lucrative market, such as Glassagram (https://glassagram.com/), do not have Snoopreport's scruples and monitor even private accounts.

I think this is pretty self-explanatory and to be honest, it gave me the chills:

Serious reviews (https://www.techuntold.com/glassagram-review-spy-instagram/) are raving about this one, calling it the best app on the market, mainly because you can save all the snooped content on your own device:

... and the price, for stalking (their own choice of vocabulary, not mine, for once) an unlimited number of accounts is reasonable:

Best of it? They've been around since 2017.

In a nutshell: is it legal? it would seem so, in the US, not so sure about the UK/EU. Is it moral? It's up to you to decide what to think of a firm which has no problem admitting to encouraging stalking (but hey, don't listen to the nutcase here, huh?) and uses completely different real-life situations (infidelity, kids' monitoring) to assert its legitimacy and utility.

What I mean by this very long and illustrative post is this: you do not need inside sources/information to have one day the idea of crossing what is obviously (at least in my book) a red line. You just have to be able (lots of free time), willing (asserting power over a very thirsty and not so digitally skilled audience) and voilà: a Super Sleuth is born.

It is one thing to analyze and speculate, based on open sources, to your heart's content. It is a different affair altogether to obsessively monitor someone, with so much detail and personal (& financial) investment, over a substantial period of time. I will die on this hill and you will never change my mind on this one.

Is the emperor naked? I wouldn't venture speculating. What I do know, is that this emperor is a very, very sad one.