#differ from dvd/streaming releases

[wp100]

kinda interesting to know that when they released the first pokemon movie on dvd, they edited a SHITE-TON of things. they added cgi, more detail to some scenes. it just looks better and more polished

but what they also did was wipe the original theatrical version off the face of the earth. at least, it seems like it. i wonder if its lost media? might have to do some research here

[radio-4-is-static]

25コ目の染色体 | RADWIMPS

忘れてた泣き方 でも 今ここにある何か 目を閉じても零れそうな気がして

I will die for you, and I will live for you I will die for you, there is nothing more that I could really say to you

[edwardshundredyearoldspunk]

the only way to watch tv shows the way they were meant to be watched is through DVDs isn't it? I keep hearing of tv shows that netflix has made major editing/aspect ratio/music changes, once again cementing netflix as my archnemesis. yes I'm pedantic, it's my only talent

[flanaganfilm]

Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.

Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you’re having a great day!

(NOTE 6/4/2024: I'm editing this entry because, well over a year since it was posted, some journalists dug this up and used it to create click-bait headlines that are misleading, out of context and artificially combative. While I was of course disappointed over the years that Netflix opted not to release my work on physical media, I never experienced any hostility or aggression in those discussions, and I sincerely regret the manner in which this post was used in the press this week.)

Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.

So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.

Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.

However...

Working in streaming for the past few years has made me reconsider my position on piracy.

In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD.

It became clear very fast that their priority was subscriptions, and that they were not particularly interested in physical media releases of their originals, with a few exceptions.

While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing harm to the concept of film preservation.

The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.

We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.

The list of titles that have been removed from streaming services is growing.

I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.

Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.

But if some studios offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.

Netflix will likely never release the work I created for them on physical media, though I'll always hold out hope.

Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount, and I'm grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)

But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and don't appear to be priority for the studio at this time.

At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes.

The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.

Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?

This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?

All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience.

As for Netflix, I hope sincerely that their thinking on this issue evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity could potentially limit the audience and endanger the work itself.

[lizardsfromspace]

TV networks commonly cut movies short to fit a timeslot, trimming random scenes for time, but on rare occasions they'd have to fill more time and would air a longer version of the movie. This was before the DVD era, in a time before director's cuts and deleted scenes were a regular thing, so it was? Odd?

One of the best known examples was Halloween: when it aired on network TV in 1981, it included several scenes that were newly shot by John Carpenter during the production of Halloween II to fill up time. But that was an advertised event

The biggest of the random airings is The Goonies, when TV airings would sometimes include a scene involving a giant octopus that was deleted from the theatrical cut; bc many kids first saw it via those TV showings, many were surprised when the scene wasn't there on home video or on other networks. But it was just there on TV, sometimes.

I personally encountered one a few years ago: I was watching Independence Day on TBS or something & it had scenes I didn't recognize, bc they were just, with no announcement, airing a rare extended cut for no reason but a baseball game getting cancelled.

Anyway I was reminded of this bc there's an extended version of "Marley & Marley" from The Muppet Christmas Carol. It has, as far as I know, never been released as a deleted scene on any home or streaming release. It just randomly aired in Austin, Texas one day in 2000, and someone recorded it; if they hadn't, and hadn't noticed it was different, we'd have no idea it existed

[kyouka-supremacy]

from where do you read the manga?

I know this is not what you asked for, but here’s a masterlist of bsd resources I’ve used over the past year. Because every time I join a new fandom I always think “oh, I sure wish there was an all-inclusive masterlist that explained in detail how the material is divided and where to access to it instead of having to dig in myself”. So, this is for you January 2022 Kyotag, and for anyone else who might find this useful! I trust posting this on Tumblr is safe, but please do not share this outside of Tumblr in any way; it’s not for me, it’s for all the people who care to share. Specifically, do not share this on Twitter in any way or form. I will unleash a wild pre-promise Akutagawa after you if you do.

Edit: My biggest thank you to @amythedemisimp, who helped me expand and enrich this list. For your priceless contribution, thank you so much!!! Edit 2: Thank you so much u/barnacleunderthesea for reaching out and sharing new stage play subtitles!!! Check out their BSD English Content Archive here.

BSD resources masterpost

Before visiting any of the websites listed below, make sure to install and activate the uBlock Origin extension and to be using Firefox web browser.

Bungou Stray Dogs Story by Kafka Asagiri, art by Sango Harukawa. The original manga. Ongoing, monthly chapter release.

• MONTHLY CHAPTER FANTRANSLATIONS: translator 1 • Website 1: Official English translation of the manga up to volume 19 / chapter 83 (including all the extra volume contents and omakes) and fantranslations from chapter 84 upwards. It’s my favorite streaming platform for the manga as it grants easy access and download to most of the official translation (the quality is not the best, a sligthly blurry 900×1350px per page, but it is what it is). When visitng on mobile, there’s surges of adds on certain days for some reason, but overall it’s manageable. • Website 2: Official translation up to volume 20 (chapter 88), fantranslations after that. • Website 3: Official translation up to volume 23 (chapter 104), fantranslations after that. Lacks all the additional volumes content (and thus the first page of every volume since it’s in colour). Includes the Japanese raws up to chapter 104, so it’s useful if you need to quickly check the original. Denies download of the pages, and features a watermark. • Website 4: All the chapters fantraslated. Recommending it because it’s always nice to read different translations (and endearing too, at times. You wouldn’t want to miss “Dazai Osamu – Ability: Human Failure”), and because it’s for some reason the only website my university’s wi-fi allows me the access to, so shout-out to it. • Website 5: Raws from chapter 79 up to date. The image quality (1164×1618px) is generally better than the official manga English release.

Bonus chapter 1 • Bonus chapter 2 • Bonus chapter 3 • Bonus chapter 4 • Bonus chapter 5 /// (alt. translation)

DVD omakes

• DVD omakes English fantranslations masterlist • Vol 4 omake English fantranslation • Vol 9 omake • DEAD APPLE DVD omake English fantranslation • Folder with all the avaible omakes fantranslated in Chinese

Wan! Story and art by Neco Kanai. Gag spin-off manga. Ongoing.

• Link 1: Download link of the official English translation of the first four volumes of the manga • Link 2: Chapters 1-22; fantranslation. • Link 3: Masterlist of fantranslated chapters • Link 4: Various misc chapters fantranslations • Link 5: Various misc chapters fantranslations • Link 6: Various misc chapters fantranslations

Gaiden: Ayatsuji Yukito VS. Kyōgoku Natsuhiko Story by Kafka Asagiri, art by Oyoyo. Manga adaptation of a spin-off novel. Currently in unofficial hiatus (?) Gaiden is back!!

• MONTHLY CHAPTER FANTRANSLATIONS: translator 1 • Link 1: Download link of the official English translation of the first two volumes of the manga • Website 1: Fantranslation of all the released chapters

DEAD APPLE Story by Bungo Stray Dogs DA partners, art by Gun_Zi. Manga adaptation of the novel adaptation of the Dead Apple Movie. Completed.

• Link 1: Download link of the official English translation of the four manga volumes • Website 1: Fantranslation up to chapter 13 (discontinued)

BEAST Story by Kafka Asagiri, art by Shiwasu Hoshikawa. Manga adaptation of an alternative universe spin-off novel. Completed.

• Link 1: Download link of the official English translation of the four manga volumes • Website 1: Official English translation. Denies download of the pages, and features a watermark. • Website 2: Fantranslation • Website 4: Raws (1115×1600px)

Dazai, Chūya, Age Fifteen Story by Kafka Asagiri, art by Shiwasu Hoshikawa. Manga adaptation of a spin-off novel. Completed.

• Website 1: Official English translation up to volume 2 (chapter 10) • Website 2: Fantranslation • Website 3: Raws (1115×1600px)

Anthologies Six official anthologies, compilations of gag and slice-of-life oneshot chapters by various authors.

• Anthologies raws and translations masterlist

Novels Ten light novels set in the bsd universe and written by the bsd author that complete, expand and enrich the bsd story.

• Link 1: Folder containing all the nine official English translations of the novels, a fantranslation of Gaiden and a pdf merging novels 1-7 (minus Dead Apple) fantranslated in Chinese. • Link 2: Official English translations of the first eight novels, avaible to read online. • Link 3: Fanmade audiobooks of the first seven novels officially translated in English.

Extra Light Novels

• Gakuen Bungo Stray Dogs (fantranslation (incomplete)) • Untitled Ikebukuro Flagship Animate Store Story (fantranslation) • Kunikida and Katai's Brilliant Days (fantranslation) • The Day I Picked Up Dazai: Side A, Side B  (fantranslation)

Rakugaki Note Collection of bsd illustrations by Sango Harukawa, published in 2016

• Folder link

Anime Five season anime. Watch order is season 1 → season 2 → Hitori Ayumi (OVA) → DEAD APPLE (movie) → season 3 → season 4 → season 5

Streaming site 1 • Streaming site 2

Drama CDs Audio dramas recorded by the anime voice actors cast, released between 2015 and 2017. Some albums feature character songs.

• Drama CDs masterlist

Bungou Stray Radio Web radio for the anime hosted by Yuto Uemura (Atsushi’s va)

• Playlist (missing episode 17) (untranslated)

Welcome! To Uemura Detective Agency Anime vas show hosted by Yuto Uemura (Atsushi’s va) included in the first anime season blu-ray

• Playlist with all 12 episodes (untranslated) • Episode 5 highlights translation

Stage plays Eight stage plays that adapt different anime seasons and novels

• Folder link (mostly translated)

BEAST movie Direction by Kōichi Sakamoto, script by Kafka Asagiri. Movie adaptation of an alternative universe spin-off novel.

• Folder link

Official pages

• Kafka Asagiri's Twitter • Sango Harukawa’s Twitter • Sango Harukawa’s blog • Shiwasu Hoshikawa’s Twitter • Gun_Zi’s Twitter • Neco Kanai’s Twitter • Official manga Twitter account • Official anime Twitter account • Official Mayoi Twitter account • Official stage plays Twitter account • Official Beast movie Twitter account • Official exhibition Twitter account • Official Gakuen Twitter account • Official Wan! serialization site • Official Gaiden serialization site • Official DEAD APPLE serialization site

Other resources

• BSD wiki • Mayoi wiki • BSD-bibliophile • BSD updates countdown • BSD calendar • Interviews masterlist • Magazines Archive • Archive of official art • Megathread of art by Harukawa • Megathread of anime art • Merch archive 1 • Merch archive 2 • Official art scans • Website for manga volume raws, dvd ripoff, op/ed albums and basically everything • @/akutagawaprize, Tumblr archive of official content through 2015-2020 • @/popopretty’s blog for misc translations • Guidebook Gongeroku scans • Masterpost of literature works referenced in the bsd franchise • BSD Honorifics and Nicknames • Every Piece of Information Involving the Book • BSD anime irl locations tour

If you found this list useful, could you consider contributing to the archive? Things it would be nice to add include:

• Good quality scans (>1350px) of the 20th volume of the manga (Sorry. Once again, personal request.) • Wan! official English translations (minus volumes 1-4) • Anthologies official English translations (volumes 1-2) and/or translations of the remaining Anthology chapters (please check the masterlist above, I ran out of links per post) • Anthology 6 raws • English subtitles for the Fifteen stage play • Better quality versions of the stage plays in general (especially Fifteen) • Translations of the Return of the Detective's Good Mood short drama • Translations of untranslated magazines interviews (check out the megazines archive spreadsheet to see what has and hasn't been translated so far) • Scans of any of the Guidebooks (except for Gongeroku) / Genga Collections / Illustration books

If you think something should be added to this list, please do not hesitate to reach out!

LAST UPDATED: 09/01/25

[claraknight]

I've been having fun watching the different animations from the Simpsons DVD menus. I'm in LOVE with the way they implemented the key characters from each featured episode in such a smooth and clever way? Man, I wish they still released fun and interactive DVDs like this. It feels so.... artificial now in streaming sites (aside the whole "owning what your purchase" debate).

On other matters that also pull my heartstrings.

Why does Bob look so adorable here. I'm supposed to be worried about Bart, not to chuckle like a school girl with this guy's expressions. This is ENDING ME.

[simplydnp]

Do you think the recording of TIT (bc it has to be getting recorded at some point tbh) will be a dvd release or a youtube upload this time around? I forget if Dan said any specific reason why WAD ended up being free on YT, but I feel like after setting that precedent, there's almost no going back. Ofc, there is the precedent of the two actual dnp tours being dvd or YT Red/Premium releases, but do you have any thoughts?

oh anon i'm so happy you asked. bc i did so much research for this about WAD before we knew what would happen with it.

so. the problem with dvds is storage capacity. with TIT being 2 hours, that is a lot of footage to put on a singular dvd at the resolution that they'd currently want to. dvds come in 2 sizes: 4.7 gb and 8.5 gb. you can fit a 2 hr movie onto a single layer (4.7) but any longer, and you need the double layer (8.5). thus, TIT would have to be on a double layer, unless they don't plan on including anything else except the 2 hr recording. a dvd can't play high resolution footage, only standard definition (480p). so there'd be a picture quality difference.

this is where blu-rays come in. they can store and play 1080p footage. they also hold significantly more space (a single layer blu-ray can hold 25 gb, a double 50 gb). part of the trade-off here though is that higher resolution footage takes up more space. a single layer can store 2.25 hr of HD video; a double 3 hrs. they could get away with a single layer, and that includes room for 2 hours of standard definition BTS video.

problem is, not everyone has a blu-ray player (not like everyone has dvd players either). but the main issue is that DVD players won't play blu-rays--and this includes disc drives for laptops and PC's. you need a special external driver to do it.

we'd be wading into contracts and companies being interested in selling physical copies, and given how discs in general are sort of becoming obsolete, i would be surprised if they put it on disc.

our next option would be streaming. i don't really see them wanting to attach it to any larger corporation--especially given they're physical media guys. the thought of just losing something simply because a streaming service doesn't want it anymore, or the company goes under, would be enough to keep them away from that.

people pitched the idea of nebula or dropout, but i don't see them posting a single video on nebula and then nothing else. and since i don't see them as patreon guys, i don't think they'd want to do incentives for subscription style stuff. dropout would be more of a possibility, but they'd probably want to do more with dropout in terms of guest starring before entirely handing their baby over, y'know? like hank did a whole d20 season before he did his special there.

i do think they might just upload it to dapg. genuinely. because of what happened with WAD--both rights wise and precedent wise. but also, could be extremely good for them if they can actually monetize it. their longer videos on dapg do very well, and since WAD happened before TIT was fully ironed out, i bet they've included the prospect of doing so into their scripting, so it has the ability to be monetized on their channel. plus, the desire to make it accessible for everyone (even though they are trying to tour in more countries). depending on how that goes, it may be delayed in being released online.

a lot of technical talk but i am so glad you asked anon, i love logistics discussion!

[stxrr-strxckk]

Something I noticed about I Saw the TV Glow that I haven't seen anybody mention yet

I saw this movie in theaters back in early may when it was released (Twice!), and it's been lingering in my head ever since then. Something I noticed on my second watch through: When Owen (and the audience) first see the Pink Opaque, we see Tara and Isabel in this sort of 90s nostalgia light, and I always thought they looked quite similar to Maddy and Owen. For example: Here is Owen and Isabel next to each other for reference.

While it's not entirely the same (Owen has softer features and is warmer toned, Isabel is more sharp and cool toned), they do look like they'd at least be related, cousins at least?

Same with Maddy and Tara, though not as much. (They looked more similar after Maddy's haircut, but I'm too lazy to change the photo)

But then, at the end when Owen is rewatching Pink Opaque? It's completely different. That nostalgic effect is gone and all of a sudden Tara is nowhere to be seen (Since Maddy left the world they were trapped in), and Isabel is completely different. Instead of being the confident, strong, WOC we see her as originally, she's just the same boring white protagonist of every little girl's show we grew up on.

And of course Owen is panicking, realizing that he lost his chance: He buried Isabel; she's dead underground, without her heart and instead of being who he truly is where he truly belongs, he's just... Owen. Stuck in suburbia, living the hell of being a queer kid growing up in the suburbs. Except now, he's an adult living a lie, knowing what he could have had is gone and he's stuck.

And another thing: I think the choice of the fun zone being where Owen works is deliberate. Sure, they could have kept him at the theater, but the theater shutting down is not only accurate (sad but true- please support your local movie theaters!) but shows how everyone is moving on from that experience of going to see a movie (and also from the joy of childhood and into adulthood while Owen is still stuck that awkward teenager!) in person- choosing streaming instead.

And we also notice this change in the Pink Opaque when Owen is watching it streaming. This is a reflection of how media felt more special growing up when it was in a physical form. Cds, vinyl, Dvds, casettes, film reels, even game cartridges, we've always had some physical object that bonds us to the worlds of creativity in which artists express themselves. And whether you've noticed or not, it's a special sort of feeling that just... Dies with streaming. Its like you own a piece of the media. Like saying: "This is mine, it's my personal piece of media that belongs to me and only me." and that's always made it feel special. Sure, there may be multiple copies, but this one belongs just to you. Not to mention the ritual of actually putting in cds, dvds, casettes into a player, or playing vinyl on a record player. There's this action you have to take to consume this media that's familiar and sort of gets you to anticipate what you're about to watch (much like Owen and Maddy's ritual of Maddy taping the show then leaving them around school for Owen to find) whereas now, you're just on a streaming service that lots of people own, and you're just mindlessly scrolling through hundreds of options.

Another thing: What do we see when Owen cuts his chest open in the final few minutes? TV static. Like when a tape finishes and you don't take it out of the player. His tape is over, Isabel is dead, and all that's left is the static of his fake life as he slowly rots in this husk. Now with streaming, you don't get that static. His connection with the Pink Opaque stems from his friendship with Maddy, the nostalgia of his favorite childhood show, and of course: his own queerness.

It's no secret this movie is about growing up queer and feeling like something is wrong. Like some part of you missing, the part that makes you normal. I've seen many reviews on IMDB that clearly missed the point, so I really want to spell it out here: THIS IS A MOVIE ABOUT QUEER PEOPLE FOR QUEER PEOPLE. And I've never seen a movie so perfectly encapsulate that feeling more than this one.

From my experience as a queer POC growing up with little to no representation I know this feeling all too well of seeing someone and realizing: "Wow, that's me." And projecting who I wanted to be onto that person. Even though they're not queer, they're not a poc, they're just a character. We try so hard to make them into who we want to be that the image of this character becomes so distorted you barely recognize them. Then, later revisiting that media to realize that a: you've become them, your true self, or b, in Owen's case: that you've buried that person alive and barely recognize yourself now.

It's really such a unique experience that I've never been able to put into words before. These scenes gave me such a visceral feeling and I almost cried in the theater. The scene of Owen in Isabel's dress is just the cherry on top. I myself am lucky enough to not need to transition and growing up I didn't feel as much dysphoria as my other trans friends, but this reminds me of a good friend of mine who used to dress in heels, makeup, skirts, and dresses to try and lessen the dysphoria she felt growing up in the wrong body.

I also love how the movie shows being queer in school.

Like how Maddy asks Owen if he likes girls or boys, and he replies with: "I think I like TV shows."

Avoiding the question because you either don't know the answer, or are so afraid you're gonna get bullied even more for being who you are.

Growing up, there weren't many queer kids in my school. So when we found each other, we stuck together. But for most of school, we were alone. No groups, not many friends, no space at the lunch table for us.

And seeing Owen, I just felt this connection to him almost immediately. Alone, not part of any group, until he finally finds Maddy. They don't have anything in common except the show, which is really the only reason they're friends, but it keeps them together, They're bonded.

For me, I see this as finding another queer kid in a mostly straight school. You may not have much in common, but that identity means you two will stick together, no matter what.

TLDR: I love isttvg, it makes me cry, everyone is gay and fuck imdb.

[sweetmariihs2]

Toy Story: Content Masterlist 🚀🌵🍒⊹₊ ⋆

Trying to compilate every possible movie, short film, animation test, animated commercial, behind the scenes video, DVD extras and more into one single post, in chronological order and where to watch. All of these were produced by Disney and Pixar (or used under license by other companies) but not all of them are considered canon. I'm not a specialist on the subject and I've been making this list by myself so I would be grateful if you had info or content to share with me that is missing or incorrect on this list. This masterlist will constantly be edited since I'll always be adding new links, so it's really important to reblog only the latest versions of this post, or else you might be missing stuff.

Names in bold have links in them, except for the titles. Names without, don't.

Tom Hanks and Tim Allen reacting to TS toys

Toy Story 4 Ever

Movies:

Toy Story (first movie): Disney+

Toy Story 2: Disney+

Toy Story 3: Disney+

Toy Story 4: Disney +

Short Films and extras:

Toy Story Toons:

Hawaiian Vacation: Disney+

Small fry: Disney+

Partysaurus Rex: Disney+

Television Specials:

Toy Story of Terror!: Disney+

Toy Story That Time Forgot: Disney+

Short Movies:

Lamp Life: Disney+

To Fitness and Beyond (Pixar Popcorn): Disney+

Spin Offs:

Buzz Lightyear of Star Command: Not available to watch on any streaming service but there are episodes on YouTube.

Lightyear: Disney+

Beyond Infinity: Buzz And The Journey To Lightyear: Disney+

Forky Asks A Question: Disney+

Recovered scenes:

Buzz Lightyear Commercial

Woody's Roundup from Toy Story 2 in color, fullscreen and restored

Toy Story Treats:

Toy Story Treats "Full Compilation" (there are some missing)

Toy Story Treats - 4K Ultra HD (but there are some shorts missing)

Toy Story Treats - The Complete Collection (there's more than the last one but they're widescreen, which means that a big part of the screen was cut)

Toy Story Treats: The only 6 shorts that were dubbed in Brazillian Portuguese (it's great to have stuff in my language)

Made in Point Richmond: Television (2000 & 1997) (a huge mix of everything but with stuff missing... it's a mess, but the image quality is good)

ABC Toy Story 2 Bumpers (quite similar to the last ones you saw but different - newer ones)

Woody and Jessie on Ponkickies (the last short from the previous video but with Jessie instead of Buzz)

Buzz Lightyear: Mission Logs:

According to the Disney Fandom Wiki: "In 2008, two years before the theatrical release of Toy Story 3, a Buzz Lightyear toy went into space and returned to Earth in 2009. The special features on the 2010 Toy Story DVDs and Blu-rays say that Buzz Lightyear was Andy's Buzz. Each short shows him telling Rex and Hamm about his trip and how he got home in time for the events of Toy Story 3."

Buzz Aldrin coaches Buzz Lightyear for Shuttle Mission

Episode 1: Blast Off

Episode 2: International Space Station

Episode 3: The Science of Adventure

TV:

BBC Special featuring the Making of Toy Story 2

Oscars:

68th Academy Awards (Oscars) in 1996

72nd Academy Awards (Oscars) in 2000

Jessie Patsy Montana Entertained Award Acceptance Speech (Oscars) in 2000

Jessie Patsy Montana Entertained Award Recipient (Oscars) in 2000

88th Academy Awards (Oscars) in 2016

Character Interviews:

Toy Story: Character Interview

Toy Story: Character Interview (Version 2)

Toy Story 2: Character Interview

Toy Story 2: Character Interview (Version 2)

Commercials:

"Wall-E" Super Bowl AD with Woody and Buzz

—

Toy Story 2 - Original 1999 Teaser

Toy Story 2: McDonalds Ads (2000) PLAYLIST

Toy Story 2: McDonalds Ad, rare (2000)

Toy Story 2: McDonalds Ad: Surveillance (2000)

Toy Story 2: McDonalds Ad: Periscope (2000)

Toy Story 2: McDonalds Ad: The Remote (2000)

—

Toy Story 3: Meet Lots-O-Huggin' bear!

Toy Story 3: Movie Trailer Teaser

Toy Story 3: Dolby 3D Ad

Toy Story 3: 3D Double Feature

Toy Story 3: Silence Trailer

Toy Story 3: Visa Commercial

Toy Story 3: Toys Go To Target Ad

Toy Story 3: Priority Mail Ad

Toy Story 3: Peugeot 5008 Ad

Toy Story 3: Aflac Ad

—

Toy Story Of Terror: Sky Ad

Toy Story That Time Forgot: Sky Ad

Toy Story That Time Forgot: Sky Ad (Radio) where Buzz and Rex struggle with the wifi

Toy Story EE Ad (Radio)

Buzz Lightyear Attacks Disneyland Resort (TV Commercial)

—

Toy Story 4: Official Teaser Trailer

Toy Story 4: Make Joy Happen! Ad

Toy Story 4: Seiban Ad

Toy Story 4: Dance Party In The Chrysler Ad

Toy Story 4: Carnival Fun! Ad

Toy Story 4: Happy Meal Ad

Toy Story 4: Boost Juice Ad

Ballad Of The Lonesome Cowboy (song)

Disney Buzz Lightyear tiktok (getting stuck lmao)

Animation Tests:

ALL TOY STORY ANIMATION TESTS

Toy Story Pixar Internship Animation Reel

Riders In The Sky (Woody's Roundup):

Woody's Roundup (Riders In The Sky) music video

Woody's Roundup (Riders In The Sky) behind the scenes footage

Woody's Roundup (Riders In The Sky) music medley

Devon Dawson: How Does She Yodel? Jessie The Yodeling Cowgirl (WMA annual show and gathering, held in Tucson in 2000)

Dvd Menus and extra content:

The menus have extra content, like concept arts and new/extra character animations, like in the Toy Story 3 DVD. The DVD's contain exclusive extra content, like making offs, deleted scenes, storyboards, games and more. I'll separate them by each movie they belong.

Edit: I just noticed that the amount of extra content from the DVDs is HUGE. You can search about the extra content in Toy Story DVDs. A single DVD has, I don't know, around 20+ extra stuff? I won't add all of them here, just the ones that I found while searching for other stuff because they were already here.

Every Home Video of Toy Story ever - list

Uncategorized Extra Content:

Battlesaurs Opening (from That Time Forgot) (it's OFFICIAL)

Toy Story Of Terror: In-universe Toy Commercials (Combat Carl, OldTimer and Transiton, the only ones)

Toy Story:

Toy Story DVD Menu

Toy Story 10th Anniversary Edition 2005 DVD Menu Walkthrough Disc 1

Toy Story CAV Side 5 - Bonus Features

Full Design Gallery (Bonus feature)

Creating the toys from Toy Story (Brazil sub)

Toy Story: Behind The Scenes

—

Toy Story 1 and 2 The Ultimate Toy Box USA Bonus DVD Walkthrough

—

Toy Story 2:

Toy Story 2 - Menu Walkthrough's (Blu Ray + DVD)

Full Design Gallery

Which Toy Are You?

—

Toy Story 3:

Toy Story 3 - Menu Walkthrough's (2-Disc Blu Ray + DVD)

Toy Story 3 Grab Bag (random footage of the Toy Story 3 DVDs)

Accidental Toymakers (Thinkway Toys)

The Making of Toy Story 3 (voice actors)

—

Toy Story Special Edition (2010)

Toy Story Special Edition (2010) overview

—

Toy Story 4:

Toy Story 4 USA Blu-Ray Walkthrough

TOY STORY 4 | All Released Bonus Features [Blu-Ray/DVD 2019]

Bo Rebooted (Bonus Feature)

To Infinity And Beyond (Bonus Feature)

Toy Story at 20: To Infinity And Beyond

Games:

I will not include playthroughs of the videogames due to the link limit per post (100 links), so you can watch them on YouTube or buy the games. Recently (december 2024) Buzz Lightyear is making a cameo in Brawl Stars, which is not included in the list.

Toy Story: Disney Animated Storybook Longplay (just because you can't find it everywhere)

Toy Story Activity Center Full Playthrough

List with every Toy Story game ever.

Cancelled media:

Princess Academy — a short film that would include all the female characters from Disney and Pixar, according to the fandom wiki, "interacting with each other, singing, dancing and enjoying each other's company in a royal boarding school". Jessie and Bo Peep were included in concept arts and the songs would be composed by Alan Menken. But the short film was cancelled due to Disney firing most of their 2D animators and closing it's 2D studio in march 2013. (I'm so pissed I would have LOVED to see this)

Toy Story Wonderbook — A cancelled Toy Story game from 2013. There are concept arts, the creators wanted to have the characters in a paper toy style like in a storybook and they would be in tons of different adventure scenarios. According to David Hamblin on the website Artstation, (an artist involved in the project): "Unfortunately with the coming of Playstation 4 and PSVR Wonderbook as a platform was no longer a priority".

—

Should I include a park attraction topic? It's a quite huge list.

Link count: 88 links

[jimintomystery]

MST3K's most wanted

I've been organizing my Mystery Science Theater 3000 collection, so I've become preoccupied with the handful of episodes that are not easily available, and the reasons why. In case in anyone else is interested, I thought I'd share what I've learned.

For our purposes we'll be focusing on the ten seasons that aired on cable, from 1989 to 1999. With the post-2017 episodes, it's trivial to purchase them on home video or streaming. And the pre-cable stuff, from KTMA, is widely available as bootleg footage, which is probably about as good as you're ever going to get. But the episodes from the cable era have been notoriously difficult to re-release, and require special attention.

Of the 176 MST3K episodes that aired on cable, 166 have been released on home video, and 145 are available for streaming/download on the Gizmoplex. As someone who's been trying to collect the whole series since the 1990s, I think that's pretty impressive. But there are 40 episodes that have been particularly tricky. Let's take a look, won't you?

Currently available on the Gizmoplex, but never on home video (1):

913 - Quest of the Delta Knights

As I understand it, nobody was sure who owned the rights to this movie, or how to contact them, for years. The situation has only recently been cleared up, perhaps too late for a DVD release.

Currently available on the Gizmoplex, but out of print on home video (8):

203 - Jungle Goddess

317 - Viking Women and the Sea Serpent

319 - War of the Colossal Beast

510 - The Painted Hills

619 - Red Zone Cuba

806 - The Undead

808 - The She-Creature

912 - The Screaming Skull

It looks like all of these went out of print due to being on a set where a different episode's rights expired. Theoretically Shout Factory could re-release any of them in a "Lost and Found" set, but that may not be cost-effective as people move away from collecting physical media.

Currently available on home video and MST3K's official YouTube, but not on the Gizmoplex (1):

615 - Kitten with a Whip (Vol. 25 DVD, 2012)

Kitten is one of the Universal movies that could only be licensed for physical media. And yet, it's the only one I can find on the official YouTube channel. Beats me why that is.

Currently available on home video, but not on the Gizmoplex (16):

401 - Space Travelers (Vol. 32 DVD, 2015)

522 - Teen-Age Crime Wave (Vol. 33 DVD, 2015)

524 - 12 to the Moon (Vol. 35 DVD, 2016)

601 - Girls Town (Vol. 39 DVD, 2017)

605 - Colossus and the Headhunters (Vol. 38 DVD, 2017)

614 - San Francisco International (Vol. 32 DVD, 2015)

704 - The Incredible Melting Man (Vol. 36 DVD, 2016)

801 - Revenge of the Creature (Vol. 25 DVD, 2012)

802 - The Leech Woman (25th Anniversary Edition DVD, 2013)

803 - The Mole People (Vol. 26 DVD, 2013)

804 - The Deadly Mantis (Vol. 27 DVD, 2013)

805 - The Thing That Couldn't Die (Vol. 29 DVD, 2013)

814 - Riding With Death (Vol. 36 DVD, 2016)

815 - Agent for H.A.R.M (Vol. 33 DVD, 2015)

901 - The Projected Man (Vol. 30 DVD, 2014)

1013 - Diabolik (Vol. 39 DVD, 2017)

I was able to find the DVD sets listed above on Shout Factory's website. As far as I know, they'll remain in print for the foreseeable future, but there's no way to know how long that will last.

The general pattern with these episodes is that the movies are owned by major studios that would only license them for physical media. Columbia owns Teen-Age Crime Wave and 12 to the Moon. MGM owns Girls Town and The Incredible Melting Man. Paramount owns Diabolik. But the big player here is Universal, which controls the rights to Space Travelers, San Francisco International, Revenge of the Creature, Leech Woman, Mole People, Deadly Mantis, Thing That Couldn't Die, Riding With Death, Agent for H.A.R.M., and Projected Man.

The odd man out here is Colossus and the Headhunters; I can't find any info on who owns the rights to this film, which may be part of the problem.

The real hard cases, the stickiest of wickets, are below...

Released on home video, but now out of print (5):

212 - Godzilla vs. Megalon (Vol. 10 DVD, 2006)

309 - The Amazing Colossal Man (VHS, 1996)

910 - The Final Sacrifice (Vol. 17 DVD, 2010)

1001 - Soultaker (Vol. 14 DVD, 2009)

1012 - Squirm (Turkey Day Collection DVD, 2014)

Megalon and Colossal Man were both recalled when rights issues came up after they were released. Oops. These were produced by Rhino, back before Shout Factory took over.

The Final Sacrifice is particularly tough to find, even unofficially, because director Tjardus Greidanus is very aggressive about tracking down download links. I always figured someone was similarly possessive of Soultaker, since it's clearly a passion project, but that's purely my speculation.

The Turkey Day DVD set is still available on Amazon at a reasonable price, so Squirm is still relatively accessible for now.

Never released on home video or streaming (9):

201 - Rocketship X-M

213 - Godzilla vs. the Sea Monster

311 - It Conquered the World

416 - Fire Maidens of Outer Space

418 - Attack of the the Eye Creatures

807 - Terror from the Year 5000

809 - I was a Teenage Werewolf

905 - The Deadly Bees

906 - The Space Children

In 2017, Shout released its final (?) MST3K DVD collection, which included Satellite Dishes, a compilation of host segments from episodes that "may never get a legitimate release." This included the nine listed above, as well as The Amazing Colossal Man and Quest for the Delta Knights. Of course, Delta Knights eventually got a digital-only release, which is cause for a glimmer of hope. But the others are probably tougher nuts to crack.

Wade Williams owned the rights to Rocketship X-M and had a particular sentimental attachment to the film. His death in 2023 may make it easier to negotiate with his estate, but I wouldn't count on that being a swift process.

Godzilla vs. Megalon and Godzilla vs. The Sea Monster are part of a prestigious franchise, and it's remarkable MST3K got away with riffing on Godzilla movies in the first place. I get the impression that Japanese culture doesn't particularly appreciate the sort of mockery MST3K is known for, so the rights to these two movies may be a long, long shot. Then again I used to think there was no hope of for the Gamera episodes too.

Fire Maidens, Deadly Bees, and Space Children are owned by Olive Films, and currently licensed to Paramount. It's possible a deal can be made later on, but not until the current arrangement expires.

The major bugbear for MST3K fandom is Susan Hart, the widow of American International Pictures co-founder James Nicholson. One way or another the AIP catalog was split up and Hart laid claim to several of their films, including Amazing Colossal Man, It Conquered the World, Eye Creatures, Terror from the Year 5000, and Teenage Werewolf. Hart's price for licensing her movies is very high, and it seems Shout has given up negotiating with her. I suppose the situation could change when she passes away, but I'd feel rather silly hoping for an old woman to die just so I can pay 8 bucks to watch robots laugh at a werewolf movie.

In conclusion, I've already purchased all the movies available on the Gizmoplex (I got most of them in a Kickstarter reward package), and the 31 that aren't available there can be obtained by, ahem, other means. So it's a great time to be an MST3K fan, and I'm still amazed how easy it is to watch the show nowadays.

[do-you-have-a-flag]

a moment to rant about technology again (i've made variations of this post before but i keep thinking about it so here we are again)

my five year old laptop can no longer send or receive files from my three year old android phone, it's always struggled with bluetooth sharing, and these last couple years it completely stopped working.

for a while i would plug in my phone directly via a usb cable that i had to use with an adaptor since they keep removing ports on mac laptops.

the android file transfer app i was using got discontinued, the only options i have now are a subscription model app or 3rd party cloud storage.

So now if i want to get a file off my phone onto my computer i have to connect to the internet, log in to an account, wait for file upload, log in on my computer, wait for file download, hope there's no connection disruptions that break the process, hope there's no security concerns for hosting my files on an external server, and stay at the mercy of the free file hosting space limitations.

reminder: this is the only option when the ability to locally transfer for free using a cable i paid a few dollars for years ago is taken away from me.

OKAY annoying. i don't want to buy a new laptop or phone because frankly there are no actual improvements on the tech i would be paying for essentially slightly better function and dealing with a bunch of ad ons i do not want...

a more extreme example: I have a hand me down apple tv that's now 12 years old. this thing does not have an app store. earlier this year they removed the netflix app from it.

if i screenshare to the apple tv from my laptop to try and watch netflix from my laptop on the big screen it will stop displaying video.

the only way to watch netflix on the apple tv is to play it on my laptop while I use the same adaptor i use to plug in usbs to plug in a hdmi cable. kind of limits the portability of a laptop but whatever.

i will grant you over 10 years is a long time for support servicing a device, but at least newer apple tvs still run netflix on them.

the tv, the apple tv, the laptop, my phone, all things purchased full price years ago, all things that USED TO communicate fine, but every now and then an operating system will update and oops this feature or app you use regularly that you paid for won't run anymore! better pay a forever subscription for a totally different service! better buy a whole new device!

I like technology, but i think convenience stops being a convenience the second you have to pay unlimited money for it forever, the second it stops working completely if there's a minor network issue, the second it forces you to replace it every year, the second it impedes your right to repair. is it even convenient to rent access to everything?

in 2024 we had a power outage that lasted about a day, a complete network outage that also lasted for several hours and effected both wifi and network data, a tech outage that took down multiple services including eftpos for about a day. Sometimes power, internet, and electronics in general will crap out on you. it happens.

during the power outage I read a book. during the network outage i had mp3s and mp4s and cds and dvds. during the tech outage i had just enough cash to pay for the pet food when we discovered mid grocery trip that no one could pay by card.

I like the convenience of streaming and wireless sharing , i like not having to lug around multiple devices and a tangle of cables. but i also like not having to pay for wasteful tech. i also like owning the things i like. i also like having things that work and stay working until they're worn out instead of until a new version is released.

it's not about being a prepper or cutting off technology entirely. it's about having OPTIONS, it's about having something that functions for longer than 2 years, it's about having alternatives to apps and log ins and QR codes and 2fa.

it's great, for instance, to use your phone to hop on a train, look at a menu and place an order in a restaurant with a discount thanks to the points you have. but it is also good that i still have a physical travel card for public transport that i can just casually put in the hand of a guest who is visiting and shouldn't have to pay for an equally generic travel card for only 2 days of use. no id tied to it, just a piece of plastic with a fare already on it. lets say your phone dies while you're out and about. you have the travel card physically so you use that, you can' check your account balance with an atm and use the physical bank card instead of taping your phone, even if there's an issue with eftpos you might still cary some cash for a meal, and you wouldn't have to wait to pay back a friend you split a bill with if you have cash.

i think for sure rewards apps are useful, sure, however i think it feels extremely dubious security and privacy wise that we go from place to place leaving a trail of data with our spending habits. that already happens online of course but it doesn't have to happen in the real world.

why are we saying yes scan my face yes scan my fingerprint yes have data on what i buy and where i go and my contacts list and my files and my reading and viewing habits and my games. why are we acting as if linking all the services we have that data shared to with each other is going to be secure when the more businesses that demand these analytics the more our identifying information is at risk due to a wide web of possible weak points.

and circling back to the planed obsolescence thing, way too often the upgrades proposed to us is to trade ownership for forever-subscription access to libraries that have no interest in hosting their content if it's not profitable, or applications and services that harvest data and sell it to advertisers or scrape it for other products where the users provide free labour.

and what new conveniences are we sold? rent your phone it has ai assistants that are built from stolen data and will feed on your data so it can be sold and then a year from now when you're just about to have paid the same price you would have to purchase it outright you'll notice it's battery life has gone to shit and it's software has become weirdly unstable and you know you can get a great deal on the newer model!

but isn't it soooo convenient

you get a discount for 6 months on this streaming service and auto-predict on your texts in a different hat and an image generation feature so you can poorly edit your photos by adding in mulched pixels.

it's so convenient scan your fingerprint and tap your locked phone to check out faster at this self service bay where you don't have enough space and scan all the items yourself without a conveyor belt to organise them and you can't leave without a receipt because this way the store doesn't have to pay for more staff. some day your location will get those cameras that automatically scan your items as you walk around the store that definitely are run on ai and not just poor people working remotely checking the footage manually we prommyyyyy.

pay for 5 different streaming services to skip ads it's soooooo much more convenient than free to air tv or paid tv or the radio where you get ads. except sometimes you do still get ads unless you pay more and we won't let you share with friends and maybe we'll delete that show you were watching that we never produced a home release dvd set for.

we have screen sharing and wireless sharing and all kinds of watch together features but you have to get the newest version of our product it's so convenient just buy it again or be left behind even though your tv or phone or computer otherwise works fine. because you know if you pay for this service forever and get your friends to sign up with your code they get a discount! for a month! and the friends and family plans mean we get all kinds of linked data! share to your contacts! use our ai assistant to compose a message to your friends! share a link to this funny video with all the junk in the url so the video platform knows the age location device model and login id of the person you're sharing to! it's so convenient!

whatever. do whatever you want with your own tech useage. but maybe every now and then put your phone on airplane mode, maybe get cash out and go to a second hand bookstore or a cinema or a small cafe with friends, or if you prefer- go to a rave in an underpass or a music gig in an alt bar. take photos on a camera with an sd card. take photos on someone's polaroid camera. borrow a cd from your local library, rip the audio from it, make a mixtape, put it on a usb you covered in stickers, lend it to a friend. dig around second hand stores and online marketplaces for old mp3 players and get a pair of cheap aux headphones and listen to music free without ads.

you can still video call a friend so they can see their favourite singer live, or tip your driver who got you home at 2am, or watch an obscure foreign movie that went out of distribution in the 2000s, or find and order the exact model of a part you need to fix your vacuum using image search identification from a photo you took, or create a group chat with all your family members to share an announcement. there is legitimate convenience in tech.

I just want to advocate for backwards compatibility and a variety of options in preferences towards usage and ownership. I don't think that's too much to ask.

profits will always win out over privacy but i have a right to complain about it.

[sojourner-between-worlds]

How can a single of line of text/ dialog be translated [for subtitling] to mean two entirely different things and reference two entirely different characters in the process?

I asked a friend of mine about this, who has experience with French translation, and she was also completely baffled about how something like this could happen, so now I'm yelling it into the tumblr void and hoping someone yells back.

Like, I completely understand that certain things like idioms, puns, and slang terms get a little lost in translation and have to attempt to have an equivalent replacement found, but this... is not that. I also understand that since this is a Japanese anime from 2008 that older translations can be a bit... off in places, I guess, since they were more often than not subbed by fans. (And, since they're old, unless they are super popular, the less-than-legal sites often never get updated to official subs.) In this case, there was also a DVD release that is no longer available for purchase in the US (except off Ebay and shipped from overseas). I have no way of verifying if the same subtitles appear on the DVDs as appear when streaming on Crunchyroll. So the discrepancy is between the "official" Crunchyroll subs and either the DVD release or fansubs. But either option still makes this...weird. Even if the DVDs are older, there shouldn't be this big of a discrepancy. But I also can't blame it solely on "bad fansubs" because in all my years of watching this with varying subs across varying less-than-legal platforms, I have never had anything that has stuck out to me like this exchange this does. Difference in word choice, sure, that's basically inevitable; but I've never seen a conversation where the words spoken are about two entirely different characters.

For greater context, here are the two different ways the dialog in question is presented:

Source 1:

N: He's even stronger than before. Y: His opponent was weak, right? B: Yeah, he was completely played by Jack. Y: He's bored.

Source 2:

N: He's getting even stronger. Y: Was he facing a wimp? B: Yeah, Jack completely toyed around with him. Y: He was probably no big deal then...

So as you can see, this exchange is mostly the same. The baffling part is that last line. In the first one, Y is making a personal observation about someone he knows; in the second, he's making an impersonal observation about someone he doesn't know. The difference is getting information about a character (both the one spoken about and the one speaking) and just being a throw away line that doesn't mean anything at all.

This has been driving me nuts for literal years at this point, as to how this big of a difference in translation could happen. Again, it could have been a whoopsie on the part of a fansubber but everything else largely lines up between the two (as far as I can tell), and you'd think it would at least still be referring to the same character, which just makes it Weird to me.

So if anyone can actually explain how this happened, I would love you forever, haha.

[coconutcows]

Hey, since I’ve seen more people on my dash talking about The Muppets in general lately, here’s some links to older muppet media I’ve had trouble looking for in the past and even though they don’t seem as hard to find now, a lot of people might not have heard about them if they aren’t into muppets, so if you’re interested or want to watch something different or just kill some time here ya go

(All or most of these are uploaded by the same user and while their account has tons of muppet media it’s a little scattered so I wanted to put these specific ones together for ease)

Here’s Hey Cinderella!, a muppet production of Cinderella. I love the stepsisters and this has one of the few muppet monsters that have ever made me feel uneasy

Here’s the Muppets Musicians of Bremen, which features no human actors,

Here’s The Frog Prince, featuring the first appearances of dear Robin and Sweetums

Here’s The Great Santa Claus Switch, this upload has multiple sections of video because it contains everything featured in the dvd, the third one is the start of the movie itself

Here’s the lovely, heartwarming Emmet Otters Jugband Christmas

And here’s the two original pilots, The Muppets Valentines Show plays first and is then followed by The Muppets: Sex and Violence. They stick a little bit they’ll play through just fine.

I hope people enjoy and if there’s any interest I’d be more than happy to make another group post with links to other older muppet specials, just let me know!!! I watched all these and others while I was pretty sick last week

[putschki1969]

Hello dear Sarah, how are you? You know, I'm anxious, I wanted to know if you know if they will record the Kalafina concert? I'm dying to see that 😭Please tell me if there will be a release, I want to see them. I can't travel to Japan, it's sad to think that maybe I'll never see them live but I haven't lost hope so it would be great if this comeback was released on bluray I would buy it 😭 although I'm scared I won't receive the discs again excuse my weakness for the kalagirls

Hello there!

I'm good, thank you. A bit overwhelmed with everything that's going on right now but it's fine. I just have to focus on the fact that I will be seeing Kalafina in less than 10 days.

I wish I could give you the answer you are seeking but right now, we simply do not have any info on whether or not they are planning to record the concert. Usually, these things don't get announced in advance, we'll have certainty once the first people are at the venue and can confirm that there are lots of cameras around. I'll try to make a quick post if I happen to see anything.

But yeah, a DVD or Blu-ray would honestly be amazing. In theory, it should be no issue at all for Space Craft to release live recordings of Kalafina's music even without YK' involvement (they have done it before with Wakana's covers) but they might have to pay a fair amount of money to YK for a proper home video release. Not sure if they are willing to do that. We'll see. Maybe they will do a broadcast on a streaming platform instead? This method is becoming more and more popular these days, probably because it's a lot cheaper than a physical release.

I sadly cannot really give you any meaningful advice on how to best receive your packages since I have never really had problems with that. Maybe ask fellow Kalafina fans from your country about how they handle overseas purchases like that. Definitely choose a shipping option that offers a solid tracking service and maybe pick a different address than the one you used before (work place etc). Depending on where you live, you should also expect to pay high import taxes and/or custom fees so it's best to save up some money.

[triciaisonline]

WILL & GRACE: LOST EPISODES SEARCH

EPISODES HAVE BEEN FOUND, SEE UNDER THE CUT (December 21st, 2014)

A couple months ago, I reached out on the Will & Grace subreddit in hopes of organizing a search for potential lost media. Now, if you are a fan of the show - you might not know what I mean by "lost episodes". On home media releases and streaming, all known episodes are seemingly available. This is not any "creepypasta unaired episode" situation - but one where it's a matter of version.

During the show's history there were two episodes that were broadcasted live, each of these episodes were performed twice. Once for the East Coast timeslot and another for the West Coast, these were the same stories but often had differences in gags, punchlines and acting choices. Only the East Coast versions are presently available. The West Coast editions used to be easily found online but have become increasing scarce as more torrenting and file hosting sites close down.

In addition to this, there are a handful of episodes that have extended cuts that are in serious risk of being lost fully. These super-sized episodes have circulated online, and on random episode collections over the years. A full list can be found further down.

The goal is to track these episodes down in the highest available quality and archive them on the Internet Archive to prevent them from becoming truly lost media until such a point where they can be properly released and accessible in an official capacity.

Will & Grace currently only lives on in it's syndication edits both in home media and streaming - but with the help of you we can save one small piece of television history from being lost for good.

You can help by:

sharing this post / retweeting this message

posting any leads or information on the reddit page (I am the Original Poster there)

searching on archives, torrent, file hosting, hard-drives, etc - maybe you or someone you know may have one or more of these episodes handy!

Live Tapings

Still Missing

These have been found plus more over at: https://archive.org/details/willandgracearchive

Found

"Alive and Schtiking" (West Coast Version) [IMDb | Wikipedia]

"Bathroom Humor" (West Coast Version) [IMDb | Wikipedia]

Extended Episodes

"Strangers With Candice" [IMDb | Wikipedia]

"G*psies, Tramps and Weed" [IMDb | Wikipedia] - This episode has been known to be the hardest to find based on research for past hunts

Supersized Episodes

"Ben? Her?" [IMDb | Wikipedia] - This episode is only known to have an extended cut released on the The Best of Love and Marriage DVD compliation

"Women and Children First" [IMDb | Wikipedia]

"Dolls & Dolls" [IMDb | Wikipedia]

"May Divorce Be With You" [IMDb | Wikipedia]

"23" [IMDb | Wikipedia]

"24" [IMDb | Wikipedia]

"Dames at Sea" [IMDb | Wikipedia]

"A-Story, Bee Story" [IMDb | Wikipedia]

"Ice Cream Balls" [IMDb | Wikipedia]

"Friends with Benefits" [IMDb | Wikipedia]