this is so stupid but i always have fun imagining the milgram characters watching their own/others mvs and seeing their reactions, especially for MeMe
That’s not stupid at all, thank you so much for the ask!! It’s sooo interesting to think about! I planned on just posting this drabble, but the more I thought about it, the more I started jotting down headcanons for everyone 👀 Of course there’s the initial disbelief and shock that Milgram can really do what it claims, but once they accept that, they’d have a lot of interesting reactions…
Es gets to watch the video first, then the prisoners are free to watch their own in the privacy of the courtroom/extraction room/wherever. Other prisoners can watch them only with explicit permission from the video’s singer. No one is allowed to watch Undercover except for Es. At first they spend hours looking at those final frames of themself flinching from the camera, hoping to jog any sort of memories, but eventually they give up on it. While actually watching it, they don’t mind the murder silhouettes. While sleeping, however, it has triggered more than one nightmare.
Haruka: He thinks Weakness is very pretty – he’s amazed seeing himself on the screen and hearing his voice, knowing he’s not that good of a singer. Even before his innocent verdict, it gives him a huge surge of confidence. Once he gets to know the others better, he gives them mv permissions, then stares intently at their faces to see their reactions as they watch it. AKAA scares him a bit, seeing his own intense emotions on screen, and he only gives Muu permission to see it. When he’s alone, Haruka pauses the shots of his mother, just to stare for a while.
Yuno: Laughs at the symbolism her mind used in Umbilical. She’s never shied away from sexual words/thoughts, so it's funny the video was as tame as it was. She thinks the song is fun, and isn’t afraid to show the others and sing snippets of it around the prison. Some days it’s too emotional for her to get into it, but most of the time she tries to display a confident attitude about it. After Tear Drop, she’s satisfied with her anger and more overtly sexual images. If anything, she feels too exposed by the shots of herself looking more vulnerable/sad.
Fuuta: He experiences a solid mix of embarrassment at the gaming theme in Bring it On and feeling a surge of pride that he looks badass in the knight’s armor. He’s worried the warden won’t take him seriously with the video game obsession, but he absolutely loves the song and thinks it portrays his toughness and ideals well. He’s less thrilled with Backdraft, everything about it unsettles and embarasses him. He’s thrown by the shot of crossing out his own silhouette – he’d had self-harming thoughts, but wasn’t quite ready to confront them so blatantly yet. Like Haruka, he can be caught pausing the arcade shot just for a moment before turning the whole thing off and storming away.
Muu: She has mixed emotions towards After Pain. She hates seeing herself look so weak and pathetic, but it gives her a lot of hope that her story will be understood. She misses her friends, and seeing them again is bittersweet. She closes her eyes at the moment of the stabbing – she’s only gotten the courage to watch it through her fingers once. She watches INMF once, then refuses to look at it again from shame/horror. Despite Haruka’s begging, she doesn’t let him watch it, either.
Shidou: He asks Es what they saw in Throw Down. Upon finding out his family wasn’t in it, he chooses not to watch it. He believes he already knows all about his emotions and crime, so there’s no need to go through that pain again. He’s tempted to watch it when he’s confused about Es’ verdict, but still holds off. He does watch Triage when informed his family is in it. He spends hours in front of the screen by himself. Only after seeing that one does he watch Throw Down, though he’s still left confused about Es’ decisions.
Mahiru: Absolutely loves TIHTBILWY. She thinks it perfectly describes her situation, and that the song is very cute. She lets others watch it, and unlike Yuno, feels like singing it 24/7. It reminds her of her bf, and she thinks that’s very romantic. Similar to Shidou, she spends a lot of time watching I Love You just to look at her boyfriend. She shows it to everyone, just to show him off and talk about him, even if she does skip over the beginning and end each time.
Kazui: He is very similar to Shidou; he refuses to watch his videos until T2, assuming it would be too painful to watch something he already knows and wishes to avoid. Unlike Shidou, seeing Hinako is far too painful, and he regrets watching it and seeing her so happy on their wedding day. Though maybe he’s still waiting, and hasn’t seen any of the videos yet…
Amane: Magic makes her worry more than anything. She fears she’s poisoned by unnecessary vainness since so much of her video involves cute things, colors, outfits, animals, and is set up like a tv show. She’s also worried that Es and the others will really see her as a child because of how cute the whole thing is. She prevents herself from watching it too many times, but buried under all her fears, it gives her a surge of pride seeing herself so talented and pretty and the star of the show. Purge March only reaffirms her confidence in her crime – the video brings up some awful memories, but it shows her as a leader, a warrior, a hero! It brings her comfort and confidence more than anything.
Mikoto/John: The videos are distressing to both of them, and they spend all their time studying the others’ screentime. Mikoto watches in horror as John does things that line up with his spotty memories, and John panics seeing that his actions distress Mikoto more than they’ve reassured/saved him. John does end up watching his own scenes a few times – it feels incredibly good to appear in a way that Mikoto may finally notice him. He feels seen. Now, logically I think that MeMe would be the final tipping point in which Mikoto finally accepts the situation and his DID, but if I must stick to his canon denial, then I’d say he goes on a whole rant about movie magic andt the crazy things you can do with editing nowadays. He doesn’t have a good explanation on how Milgram found his home and knew so much about him, but he explains everything away as cgi or camera effects. Double manages to sway him a bit more, as he hears John speak so plainly to him. Just as the audience had some debate on who was apologizing at the end of Double, Mikoto and John wonder who is apologizing to whom. Though they both come to the conclusion it’s their own apology, they decide that if it was the others’, they’d accept it and forgive them.
Kotoko: She’s very pleased with Harrow, and is unashamed to show it to the others. Though she’d been able to watch a few of the previous prisoners’ videos, it still shakes her a bit when she realizes that Milgram really does have the tech to look deep inside her. She watches it just a few times – not obsessing over it, but not afraid either. Deep Cover, however, is a once-and-done sort of deal. She claims she’s not letting the others watch it because “they couldn’t handle such harsh but true criticisms about themselves,” but she doesn’t end up watching it anymore herself, either.
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you also have to consider that i don't think Zelda had a lot of high thoughts about herself because of everything her father told to her, it's pretty clear she thinks of herself a failure not fit to save anyone or even be a royal in botw especially the closer to the calamity we got in the memories. if they just had her and link go around hyrule helping people (which is what I assume they did) in the timeskip they should attribute people liking her so much to her being helpful and literally fending the calamity off for 100 years instead of being royalty, which they could have done easily because it's pretty obvious she did go around hyrule to help (the school is a pretty good example)! it would make zeldadorf going around being malicious way cooler as link has to clear her name around Hyrule
Yeah, Zelda's helpful and all the level of obsession the NPC's in the world have with Zelda doesn't at all match up with all the (fairly basic) nice things she's done, and ESPECIALLY doesn't work with how everyone is totally cool with Fake Zelda raising hell. Ensuring that one village has an elementary school should not generate enough goodwill to let people forgive brainwashing and attempted murder. Not to mention the long list of Good Deeds she apparently has time for is just... bizarre, and a sign that she's actually a pretty crappy leader considering she has zero time management skills. Like lady, you're rebuilding a fucking kingdom after a century long apocalypse, I really don't think you should be spending your time teaching people how to cook random recipes and helping to plant flower gardens. And the random carved little monuments for everyone who died in the Calamity also strike me as just... no. You can commission the fancy monuments later, everyone fucking knows it happened right now. Hell, why don't any of the villages have memorials for the Calamity victims, they're the ones that actually had to deal with the immediate aftermath. Having Zelda place generic memorials everywhere just makes me wonder why the hell there aren't any old memorials made by survivors in the immediate aftermath, in the places where people actually live and can visit them.
Also while I know all of the memorials having a respawning silent princess flower on them is just the game continuing to be wildly unsubtle about "look this flower represents zelda DO YOU GET IT GUYS", from an in-universe perspective it's absolutely hilarious. Those flowers are extremely endangered, and not even the best pre-calamity conservation efforts were enough to help. They're STILL very fucking endangered, and were believed to be extinct! They canonically cannot cultivate this plant, it's very rare and only grows in the wild... which is why they're picking these extremely rare flowers to use as decoration on a memorial. And now you can't find them growing in any of the spots they used to florish in, except the Lost Woods. They're not even tied to the fairy fountains, because there's none of them growing around the new fountain locations. I like to think that Zelda decided to make all the stupid memorials and have a silent princess flower left on each one, and so her loyal followers have been replacing all the cut flowers every time they wither, and as result the silent princess flower is on the verge of extinction again. I know it's not what the game was trying to say, but it's the logical conclusion to make - people have been picking this very endangered plant all over the country, and now you can't find it anymore. And also it's a really funny mental image that Zelda was so concerned about their conservation back in BOTW that she spent a whole memory talking about it, but now she's having them picked en-masse to make sure her vanity project has the correct aesthetic. I hate Zelda in TOTK for many reasons, but her new habit of intentionally killing an endangered plant is easily the funniest problem the writing accidentally gave her.
Anyways as for her mental state before the Calamity, I do see that as being very complicated. She's got a lot of Issues, mainly stemming from her family, religion, stress and powers. No need to go over all that though, as I think everyone has long since analyzed that to hell and back. BUT at the same time, while her personal life is fucking miserable, we can't ignore that she's still literally the crown princess of an extremely powerful nation, and has spent her entire life being told that she is fundamentally a better person than everyone else. She was being emotionally abused by her father, but that does not change the fact that she's incredibly privileged, and doesn't seem particularly aware of that fact. I mean fuck, the BOTW memories show Zelda had a habit of actively trying to lose her bodyguard and run off alone into the wilderness on a whim. And when said bodyguard caught up with her (with zero judgement or displeasure), her only reaction was to emotionally abuse him. She genuinely did not seem to understand or care that it's a universally bad idea to let an unarmed teenager run off alone into the monster infested wilderness, with nobody knowing where she's going or when she'll be back. And that's without taking into account people actively trying to kill her.
All of that behaviour right there is just a combination of teenage dumbassery and Zelda being extremely privileged. She lives in a world without any serious consequences, why would she need to learn self preservation? And her abusing Link was a hell of a lot more serious than the fandom likes to see it as. Being a knight is literally his lifes work, he's been training since he was a small child, he has no idea how to support himself in any other way. And he answers directly to the reigning monarch, which is currently King Rhoam... but in the very near future would be Zelda. If he doesn't follow Rhoam's orders to be Zelda's bodyguard, he's fired and his life is ruined. If he does follow his orders, he's angering Zelda, and then in the future she'll probably retaliate by firing him, and his life will be ruined. I absolutely hate that most of the fandom has decided Link was reacting to the verbal abuse with just "wow she's so smart and pretty, what a girlboss", because that's completely insane (and in the context of shipping, wildly unhealthy for Link). I see Link silently tolerating Zelda's harassment as just him desperately trying to minimize how much she hates him, because she can absolutely destroy his life on a whim, and her actions all suggested she will absolutely do so. Princess Zelda does not want Link to ever exist in her presence; why the fuck would she want to keep him employed after she becomes Queen?
...To be clear, I think all of this is a good thing. I mean, Zelda being a privileged little shit and coping with stress by abusing her personal servant are very negative traits for her as a person, but as a character I really like it! These are very serious flaws, but they're understandable - she's not a total bitch because she's pure evil, she acts like a bitch because she's a stressed teenager lashing out at the easiest target, and she genuinely does not realize how harmful her actions are. I liked that the game wasn't afraid to show us an uglier side of Zelda, and trusted the audience to understand that she was more than just her worst impulses. I think the closest we've ever gotten to that was Skyward Sword Zelda admitting that she pretended to be in grave danger to manipulate Link into doing her dirty work, and he should not be okay with that... but that wasn't quite as nuanced, because that was more Zelda literally being a god in mortal form, and doing something morally sketchy for the Greater Good. BOTW Zelda is just a person that hurt someone because it was an easy way to make herself feel better. It gives her a depth that very few Zelda's have been allowed to have.
And it really bothers me that apparently all of that is just gone in TOTK. Zelda, who is inexplicably still a princess for some reason, is the unquestioned almighty ruler of Hyrule. The Zora King and Gerudo Chief both swear eternal subversience to her in the ending, and Zelda happily accepts their submission as just what she is rightfully owed. When she's in the past she feels completely entitled to declare that Link will finish the battle for them, even though the last time she saw him he'd lost his entire fucking arm and was falling to his death, and also the entire situation is very political, and she has no idea which side Link would interpret as being correct. For fucks sake, she stole his goddamn house, made extensive renovations, added a large second room for herself, and still did not allow him to have any space in there. They're not sharing that bed, shippers. Link just does not live there anymore. That's why one of the TOTK sidequests is... Link getting a house again, on the other side of the country from where Zelda is living. The game repeatedly tells me that Zelda is actually the single bestest person who ever lived, but she never shows any real consideration for the wellbeing of someone who isn't Rauru, Sonia or Mineru... apart from the opening where she expresses concern that Link was seriously wounded by slapping three keese with his sword and killing them instantly. Which is more condescending than anything else.
And as I think I've mentioned before, all the apparently great and noble deeds Zelda performs are done with the overall goal of ensuring the Kingdom of Hyrule continues to exist under the control of the royal family. She's the current reigning monarch, so literally all of this is for her own benefit. There's nothing wrong with doing good things that also benefit you, of course, but once again the game constantly insisting that Zelda is a perfect selfless martyr... doesn't really track with the fact that she's the only one with a real motive to want Hyrule to remain under her rule. Everyone else has been getting by just fine without her for the last century, and Zelda going missing at the start of a crisis doesn't really cause any issues with leadership; things keep running smoothly, the only issues that ever show up is from Zelda not being there to do specific tasks she said she would do, like help plant a flower garden. Idk, it just leaves a really bad taste in my mouth; there's absolutely no reason for Hyrule to be a monarchy post-calamity, and the fact that everyone is so fanatically loyal to Zelda makes me feel like she's actively working to keep herself on the throne because she wants the power. If her first priority was being a good leader, people wouldn't be scared to question her.
But I'm with you on the Puppet Zelda plotline being wasted, it's like the whole thing was just there bcause the devs realized the main story quest (regional phenomenon) had nothing to do with the supposed main quest (find zelda), and just threw in a fake zelda to chase so the players would feel like they were making progress on that, but couldn't be bothered to make the fake zelda subplot have any consequences. That or they were just cowards with no faith in the audience, and figured if the fake Zelda's actions made NPC's express fear and hatred for the real one, the player would also be convinced that the real Zelda was bad. Which is ironic, considering the NPC's refusing to express any negative thoughts about the fake Zelda is a massive red flag about what the real one is like, and has convinced a lot of the audience not to like her.
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Hey guys, i found out too late but webtoon is doing an event for their 9th anniversary where u can unlock 9 episodes for daily pass series instead of 1 (resets at 7pm, so if u unlock 9 right now u can unlock 9 more at 7pm today)... but it's ONLY for the month of july (i found so late im sorry😭😭) so there's like 3 days left...
but I rly recommend checking these series out and unlocking as many daily pass eps as u can before july ends!!!
The Makeup Remover: This is like (one of) my fav webtoons EVER... u have to read it its got everything... Funny, cute art style, insightful + refreshing writing + social commentary that hits hard... A riveting story that reminds me of sports anime tournaments... AMAZING pacing and paneling/visual storytelling... extremely compelling well rounded characters, especially FEMALE CHARACTERS!!!, who have such incredible character dev, I cried so much bc I love them so much and it just hits so hard.... even the romance is well written even tho it's not the focus (unlike what the webtoon categorization says)... JUST READ IT PLS ITS MY FAV... It stuck w me long after I first finished it... and I'm on my 3rd read now and it hits just as hard as ever, I love it so much TT
When the Day Comes
Rly good slice of life... Even if u don't normally like slice of life genre, I think this is rly worth a read for everyone. I love the author's subtle, realistic writing style and pacing, they make even the smallest moments have impact and u can tangibly feel how each chara is feeling... It's a real treat to read and even if nothing else, the art and art style is GORGEOUS!!! Soso good and insp. But the writing is also really good, so it's a real gem... Also there's a canon lesbian chara who's rly well written and I love her deeply...
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