#costumes in television

[phrynefishersfrocks]

The fourth outfit of "Murder & the Maiden" (Season 3, Episode 2) is Phryne's disguise of a brown velvet jacket, black camisole and pants, along with an embroidered headwrap worn while trying to draw out the Russian Anarchists.

Borrowing Tatiana's embroidered headwrap and brown velvet coat to confuse the anarchists, the rest of Phryne's wardrobe is in similarly muted tones. The deep brown velvet caplet with mid-length sleeves and a wide collar (possibly allowing for a hood) is worn on top of her black camisole with a straight neckline and decorative scalloped edging. Her classic black wide leg silk faille pants add to the practicality and color of the outfit.

She accessorizes with fawn colored gloves embroidered with a black emblem of wheat, and a beautiful hand embroidered brown head wrap which features a variety of colors and types of floral embroidery, from large orange flowers to green grass to blue and red sprigs. The earth colors tie into her large leather bag and add to the somber tone of the scene. Phryne finishes off the outfit with dark strapped heels.

Season 3, Episode 2 - "Murder & the Maiden"

Screencaps from here, promotional photos from various sources (x, x, x).

Please credit me if using my work.

[spirk-trek]

S2E26: Assignment: Earth ⋆.˚ ✧ · ˚⊹

[tuserlivia]

THE BORGIAS (2011-2013)

[prokopetz]

I want what Hollywood costume designers circa 1987 thought "punk" looked like and what prime time television costume designers circa 2007 thought "goth" looked like to fight each other to the death.

[wherewisteriaends]

For all of you that are thirsty for the comic design of Agatha because of the grey streak and claim that it would serve

I'm just saying, we have evidences already

[heartnosekid]

day 6 of @deadboystims’ 300 follower event: a stimboard of my favorite aesthetic! i call this 90s halloweencore lol

🎃-👻-🎃 / 👻-🎃-👻 / 🎃-👻-🎃 / ~divider~

[wronghands1]

[merchantphoto]

our upscaled and enhanced photos of Max Klinger (Jamie Farr) dressed as the Statue of Liberty on M*A*S*H

[cressida-jayoungr]

One Dress a Day Challenge

November: Grey Redux

The Millionairess / Maggie Smith as Epifania Ognisanti di Parerga

Maggie Smith is the ultimate in 1930s chic in head-to-toe grey with extravagant furs on top of a fur-trimmed cape. She even has grey hose, shoes, gloves, and purse. A side-of-the-head hat with a filmy veil and flower-shaped metallic ornament finishes off the outfit.

The Millionairess was presented as a BBC Play of the Month in 1972. The costume designer was Rita Reekie, who worked on many BBC shows from the 1960s to the 1990s.

[thisisrealy2kok]

Seven Of Nine from Star Trek: Voyager, first appearing in 1997.

Potrayed here by Jeri Ryan.

[queen-paladin]

disclaimer: yes, I am complaining about cheating in media. Because, yes, writers have the freedom to create what they want but if the morality in creation is free for all forms of media, but no piece of art is exempt from criticism, and that includes criticism on personal moral grounds. I betcha if I said Harry Potter is good, actually, everyone on here would flood my blog telling me I am wrong because of the author's intense prejudice. That being said, I am criticizing cheating in fiction, If you don't like that, don't interact

So often lately I see period dramas where the husband cheats on the wife (ex. Poldark, The Essex Serpent, Queen Charlotte, The Great)...and not only do I despise the cheating trope with every fibre of my being to where I get panic attacks when I consume the media...but specifically with period dramas...

Do these writers not understand the greater implications of a husband cheating on a wife during these periods? More than just the humiliation and heartbreak in the case of a loving, good marriage just like it is today.

In the Western world, probably until certain laws were enacted in the 1900's, if a woman married a man, she was legally his property. She had no legal identity under him. She was financially dependent on him. Any wages she made would automatically go to her husband. Her children were also not legally her children- they belonged to the father. If the husband died, even if the wife was still alive, the children were legally considered orphans.

Women could only rarely gain a divorce from their husbands. In England in the mid-1800's specifically, if a wife divorced a husband she had to prove he had to not only cheat but also be physically abusive, incestuous, or commit bestiality. On the other hand, a husband could divorce a wife just for being unfaithful. Because, kids, there were sexual double standards.

Getting married was often the endgame for a lot of women during that time. Sometimes you couldn't make your own living enough- marriage was a way to secure your entire future financially, with more than enough money to get by. If you were a spinster and middle class, you could get by with a job. But if you are an upper-class lady, the one thing a lady does not do is get a job and work. So upper-class spinsters basically were dependent on their families to get by (ex. Anne Elliott in Persuasion faces this with her own toxic family). As strange as it sounded today, marriage gave them some freedom to go about since a husband could be persuaded sometimes more easily than a father and one had a different home, their servants, etc. A husband was your foundation entirely for being a part of society, and standing up as your own woman.

So if a husband cheated on a wife, that was a threat to take all of that away.

He could give a lot of money that could be used to support his wife and children to the mistress. He could completely abandon said wife for the mistress. And since the wife legally couldn't get a job as he still lived, she would be dependent on any money he would said- and that is IF he sent over any money.

He could take her to court and publicly humiliate her to get a divorce away from her (look up the separation of Charles and Kate Dickens, he would call her mentally ill and say her cooking was bad and that she was having more children than they could keep up with all while having an affair and divorcing her to be with the misteress). And even if the wife was the nicest, more proper, goodest, more rule-abiding never-keeping-a-toe-out-of-line lady in town...as a man, the law was default on his side (look up Caroline Norton's A Letter to the Queen which details exactly that, the poor woman had her earnings as a writer taken by her husband and was denied access to her children from said husband)

So yeah...even if there was "no love" between them (and anytime the wife is portrayed as too boring or too bitchy so He HaS tO cHeAt is brought up is...pretty victim blamey)

So yeah. Period drama writers, if you have the husband have an affair ...just consider the reality of these things and address them, maybe punish the husband for once (*gasp* men facing consequences for their actions?!?!!), and if not, just please find other options and other tropes and devices for once.

[phrynefishersfrocks]

The seventh and final outfit of "Death Defying Feats" (Season 3, Episode 1) is a beautiful black net dress decorated with silver vines and a gold floral headpiece.

Known as the "Tarnished Net" dress, this gorgeous gown is made of a black silk slip underneath a black netting embroidered with a burnished gold floral design, with a wide elaborate lace border. The dress itself is a simple wrap dress, with wide shoulder straps and fastened together at the waist with a 1920's clasp shaped into a lily pad with decorative pearls that belonged to costume designer Marion Boyce.

Phryne accessorizes her gown with a beautiful wrap made of antique tulle with a similar wide burnished gold lace border to match the edging of the black netting of the dress itself. Her hairpiece is a complimentary metallic gold floral decoration set onto a comb. Diamond cluster earrings and a burnished gold ring finish off the look.

Season 3, Episode 1 - "Death Defying Feats"

Screencaps from here, costume exhibition photos from Frock Flicks, Marion Boyce's website, and Nikki Johnson's Flickr.

[spirk-trek]

S2E26: Assignment: Earth ⋆.˚ ✧ · ˚⊹

[black-salt-cage]

Day 19 of #heartnosehalloween! ₊˚🕯️♱‧₊˚.🎃 Prompt: Make an uncanny / liminal / weirdcore stimboard ☽ - ✰ - ☾ ☽ - ✰ - ☾ ☽ - ✰ - ☾

ଘ(੭*ˊᵕˋ)੭* ੈ♡‧₊˚

[prokopetz]

1990s sci-fi television makeup is like "is this character supposed to be a space alien, or just old?"

[mcudc616]

𝐣𝐨𝐞 𝐥𝐨𝐜𝐤𝐞 // 𝐦𝐚𝐥𝐞𝐟𝐢𝐜𝐞𝐧𝐭 𝐜𝐨𝐬𝐭𝐮𝐦𝐞 𝐟𝐢𝐭𝐭𝐢𝐧𝐠

𝐀𝐠𝐚𝐭𝐡𝐚 𝐀𝐥𝐥 𝐀𝐥𝐨𝐧𝐠 (𝟐𝟎𝟐𝟒)