#contract to hire

[enfycon054]

Technology talent sourcing

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[metromax-solutions]

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[recruitmentstaff]

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[anxiousapplepie]

Fighter GOT!!! And thus began the journey to kick a wannabe monarch in the tail in the name of pettiness and friendship When I was drawing this comic last week, I tried to fill in the gaps? but then I realized "nah. this is basically all I wanted to draw" so you guys can imagine what's going on in-between these pages. Hopefully it still tracks okay even without me going Big on this idea I love Fighter!Bonnie so much tho. I need them to be my coach and to convince me violence is always the answer if you believe hard enough.

[unpeeled-human]

this beat SUCKS kid

[coco-loco-nut]

Why Logan Sargeant should go to Haas (from a sports management major/lens of corporate sponsorship):

- Haas has an empty seat

- Both are American

- Logan being with an American team is a draw for American sponsors, especially with America being a budding F1 market

- American fans have a growing interest in F1, so an American driver and team is a draw for fans who don’t want to be the Cowboys/Duke Basketball/Yankees/Dodgers fans of F1

- Logan needs a seat next year and pookie deserves the best

- The American sponsors that brought money into Williams for Logan are more likely to connect with the Haas sellers more due to the American draw

- If I am Haas, sign Logan, then make overly American merch (at a good price for fans), you can bet your ass every American fan will be buying it

- honestly the property assets alone that can be made by going all in on “american greatness” would be worth it

In conclusion:

Logan Sargeant + Haas = 🇺🇸💸🦅

[tsunanami17]

The magic is broken like chocolate melts

[ahappydnp]

Like how did they even book a BBC1 radio show???? Like weren’t they basically nobodies back then??? I like can’t believe high execs looked at them and were like yeah why not

idk if this is a real question or a joke but real answer is the BBC wasn't getting the young people viewers and they knew vaguely of youtube and internet people so as a way to get the Youths interested they approached popular creators

and phil was kind of perfect for the 2011 christmas special radio pilot as he had experience hosting shows (like battlefronters, apartment red, sap) AND had done an unaired pilot radio show with someone else prior but it didn't get picked up. so he had experience in traditional media plus an editing degree so he could edit his own content. also they've talked about how their managers back them were really pushing for traditional media as that was all they really knew back then.

so phil got offered a trial run radio special and asked if his bestest buddy could be his co host and then a magic happened that even stuffy radio execs saw

[nico-drives-badly]

I had a dream where I was applying to Devil May Cry for a job, not even in my dreams am I safe from my looming unemployment smdh

[thelaurenshippen]

open ai made a little post about how they chose their chatbot voices and two things stood out to me:

a) I am genuinely pleased and surprised that the voices come from specific real people that they hired and paid, rather than being built off of all of the data open ai has scraped. the voice for siri did one job for one company 20 years ago and now she is literally everywhere without ever being compensated by apple or even acknowledged as the voice. there's simply no way she was paid enough in that original job. whereas, open ai says "each actor receives compensation above top-of-market rates, and this will continue for as long as their voices are used in our products." this could mean literally anything (what market rate are we going above? does continue mean they get residuals or get paid for doing more sessions?) but, christ, at least the actors are doing it with full knowledge of what their voices are being used for and can decide for themselves if the compensation is enough

b) the post talks about working with "award-winning casting directors" to get the voices. first of all, yay for paying casting directors! we love to see it. but they also say the CDs received over 400 submissions in a week and they state that like a big number and it's just...not at all. and look, without knowing the intricacies of the casting process, it's hard to know what approach the CDs took - it's very possible they were selective from the jump and 400 is a lot from the pool they were tapping. 400 would be a lot if you were going to the agencies directly and asking for names, but there's just no way in hell open ai went after big stars for this. so it would've been a pool of unknowns. in which case, 400 is laughably small. even if you're not using the big casting sites like actorsaccess, I've worked on projects with CDs and their own internal systems where we've gotten over 100 submissions for a single role. I've posted roles on casting sites and received literally thousands of submissions in just a few days

look, I have a very limited perspective on this - I am not a casting director (imo, one of the most important and undervalued jobs in hollywood) and I, in fact, hate the process of casting with a passion. but 400 just seemed like such a tiny pool to pull from and, idk, it heartens me! it's heartening to think that there's very little interest from actors and agents to be doing this kind of stuff. and absolutely no shade to the actors who did--I want actors to get their bag however they want as long as it's, like, safe sane and consensual, you know? but there's something encouraging about thinking that open ai hired some big casting agency to get their foot into the voice acting door and people didn't come running

[cimicherrychanga]

autistic gamer catboygirlfriend (1 soda 10 candies/hr)

they/them

[bestworstcase]

Are you worried about Viz taking over RWBY? I’ve heard Kerry is still going to be involved in some capacity but that’s ambiguous. What about the other writers and creatives as well? Works like this are never written/realized by one man, it’s the collective hard work of the group. A lot of the intricacies you’ve teased out of RWBY, and their culmination in the narrative, rely on the same team (or some of them) being involved going forward. Where are you at on this rn?

really seems like the best case scenario honestly – kerry being the showrunner is obv the one taking point on the negotiations but it seems like the rest of the core crew and cast are being kept in the loop at minimum, though i’d bet contracts and production logistics are still being worked out behind the scenes. on the viz side they are clearly REALLY excited about the IP and kerry being involved decision-making for the show’s future is a pretty firm signal of intent to preserve the original vision and direction for the show, plus i would assume keeping the crew and cast together to the greatest degree possible is probably kerry’s biggest priority rn now that the first hurdle of finding rwby a new home has been cleared.

the ambiguity is 100% because nothing is settled yet aside from what’s been announced. it is frankly shocking that they closed the deal on the IP this fast—i know two months feels like a really long time when you’re waiting for news, but corporate acquisitions of any kind are not like picking up milk at a grocery store. just from a strictly financial standpoint everything needs to go through accounting and depending on how viz is structured treasury might have needed to sign off too, so that’s financial projections and budgeting that needs to happen and pass through multiple different layers of approval potentially across two different departments on top of legal and whatever specific considerations other departments may have had; there are a lot of moving pieces that have to be lined up just so. i was really, really confident that rwby would get picked up pretty quickly but if you’d asked me after the shut down announcement i would have told you six months to a year because that’s, in my experience, about how long this sort of thing takes if nobody is dragging their feet.

two months is fuckin wild.

but by the same token, yeah everyone involved with this deal is going to be up to their eyeballs in paperwork and meetings for at least a few more months before we get any concrete new announcements, and nothing is getting announced to the public until it’s settled because you don’t want to be announcing things that aren’t locked in yet. that includes basic stuff like whether the original VAs stay on—there is absolutely no reason to think that, say, lindsay won’t keep their role as ruby, but we are not going to hear that until they’ve signed a contract, which may still be months away. similarly there is no reason to think that viz acquired the IP without every intention to greenlight v10, but we are not going to hear a v10 announcement until all the production logistics and legal and financial decisions have been squared away.

just keep in mind that corporations move like glaciers and the two months between the RT shutdown announcement and viz snapping up both the IP and the showrunner means this is all happening at breakneck speed, suggesting that everyone with decision-making power at viz is incandescently excited to get this show back on the road. it’s in good hands, they’re hustling, we’re probably on track for v10 news sometime this fall.

[parisoonic]

Just wanted to say thanks for all the tf2 art.

Your art is great and is really reminiscent of the comics. I hope Valve hires you in some official capacity to work on something tf2 related cause your work is just fantastic.

Cheers for the lovely comment! HAH that would be a dream come true but it's also cool that the 'TF2 project' as it currently stands is a tight consistant team of artists, writers and creatives - that doesn't happen much in the industry nowadays.

[rosymiel]

i just got offered a permanent position at work 3 months before my contract was supposed to end 🥳🥳

[loosingmoreletters]

so about that regressing saintess trope—

Cedric was sure he was making a fool out of himself in front of all of his Knights, but he couldn’t give up after coming so far.

“Your Grace,” his Knight Commander finally addressed him. “Is there a particular reason we are in this city?”

The Knight Commander had already served Cedric’s father. When his parents had died, the Knight Commander had cared for him as though Cedric were his own child. The Ashvain duchy’s reputation hit rock bottom when Cedric inherited it, and many of the servants could’ve left, but instead they stayed to support the child they now had to call their lord.

The least Cedric could do was insure they’d survive this time.

When he’d woken from his seizure, nearly ripped apart by his magic, he’d been granted the memories of a future undone, the continent ripped apart by monsters, their only saving Grace too weak to stand up against them as she was caught up in intrigues of the palace and her training stifled.

“There’s a woman here,” Cedric said. “Brown hair, brown eyes, plain looking. She sells cabbages.”

For half the price if my customer looked really poor, Your Grace! Ah, don’t tell His Highness I said that…

“A woman,” the Knight Commander repeated. “Your Grace, have you—“

“I do not have a lover,” Cedric cut him off. “I wish for you to make her your apprentice.”

The Knight Commander stared at him in disbelief. “Why?”

Because a year from now, they will proclaim her Saintess and the Temple and the Crown Prince will dress her in silk instead of armor.

But Cedric couldn’t say that without raising suspicion or seeming like mad man.

“Just trust me on this,” Cedric asked and took a look around the marketplace. All eyes were focused on them, and there, right in front of the temple, stood an unassuming woman with a stall full of vegetables, wearing a farmer’s garb and an apron.

If she would refuse to come with them, Cedric would damn well strip her himself and put her in armor. God’s most beloved daughter belonged in the battlefield and he’d drag her there himself if he had to.

[demonadelem]

I'm kinda absolutely horrified by how medieval Europe historically treated cats vs everywhere else in the world. Holy fucking cow