#clay hacks

[katabay]

earlier this year I started writing a comic about the siege perilous-grail quest situation after finally finishing the didot perceval, and it started circling around kay and perceval. kay as gatekeeper, taboo anxiety vs chivalry, and perceval not doing things "correctly," arthur's enduring affection for kay. that general area. also the horror of the grail quest itself.

this is comic is part of that narrative arc, so with THAT in mind: this is an abridged scene of a longer arc revolving around kay associating camelot with a cage, perceval's associations with jewelry and knighthood and the color red, and arthur's relationship with kay.

[some other scene context: perceval has injured his hand and can't participate in the tournaments, so he's craving some kind of fight. kay is disinterested in replying to this challenge, but he's not above reminding perceval of their first meeting. it's just mean enough in a weird-intimate kind of way that perceval's like, ok so we're doing the antagonistic version of court romance rituals. he picks up hunting because kay can't leave the castle.]

on the subtext of jewelry:

Clothes Make the Man: Parzival Dressed and Undressed, M.D. Amey

on the topic of kay, gatekeeping, and taboo anxiety:

Cei and the Arthurian Legend, Linda Gowans

the whole Red Knight/Perceval Shows Up In A Dead Man's Suit Of Armor transgression-situation (which kay references through red jewelry) mentioned is told in both de Troye's and Wolfram's Perceval narratives :)

anyway! to close out all this out: the transgressions. incredible! what is camelot but a bunch of transgressions stacked on top of each other tbh.

[mrbrightxside]

Ya no se si me gusta pero..... Hm... Nature.

[ahhvernin]

My favorite art hack to date is:

Buy more kneadable eraser than you need.

You only need a little to erase.

You can use the rest as a mess free model "clay". If translating what is in your head to 2d is hard, sculpt it with basic shapes, tilt it to whatever which way, put it in the perspective you need. It's solid grey so the tones and shadows are easy to see too.

[eyesteeth]

TSV IN APPROX 12 HOURS WOOWOOWOO

[maretriarch]

I should get back into snapping #2 pencils with my bare hands dozens and dozens of pencils

[3liza]

https://nationalpost.com/news/canada/theyre-not-human-how-19th-century-inuit-coped-with-a-real-life-invasion-of-the-walking-dead

Indigenous groups across the Americas had all encountered Europeans differently. But where other coastal groups such as the Haida or the Mi’kmaq had met white men who were well-fed and well-dressed, the Inuit frequently encountered their future colonizers as small parties on the edge of death.

“I’m sure it terrified people,” said Eber, 91, speaking to the National Post by phone from her Toronto home.

And it’s why, as many as six generations after the events of the Franklin Expedition, Eber was meeting Inuit still raised on stories of the two giant ships that came to the Arctic and discharged columns of death onto the ice.

Inuit nomads had come across streams of men that “didn’t seem to be right.” Maddened by scurvy, botulism or desperation, they were raving in a language the Inuit couldn’t understand. In one case, hunters came across two Franklin Expedition survivors who had been sleeping for days in the hollowed-out corpses of seals.

“They were unrecognizable they were so dirty,” Lena Kingmiatook, a resident of Taloyoak, told Eber.

Mark Tootiak, a stepson of Nicholas Qayutinuaq, related a story to Eber of a group of Inuit who had an early encounter with a small and “hairy” group of Franklin Expedition men evacuating south.

“Later … these Inuit heard that people had seen more white people, a lot more white people, dying,” he said. “They were seen carrying human meat.”

Even Eber’s translator, the late Tommy Anguttitauruq, recounted a goose hunting trip in which he had stumbled upon a Franklin Expedition skeleton still carrying a clay pipe.

By 1850, coves and beaches around King William Island were littered with the disturbing remnants of their advance: Scraps of clothing and camps still littered with their dead occupants. Decades later, researchers would confirm the Inuit accounts of cannibalism when they found bleached human bones with their flesh hacked clean.

“I’ve never in all my life seen any kind of spirit — I’ve heard the sounds they make, but I’ve never seen them with my own eyes,” said the old man who had gone out to investigate the Franklin survivors who had straggled into his camp that day on King William Island.

The figures’ skin was cold but it was not “cold as a fish,” concluded the man. Therefore, he reasoned, they were probably alive.

“They were beings but not Inuit,” he said, according to the account by shaman Nicholas Qayutinuaq.

The figures were too weak to be dangerous, so Inuit women tried to comfort the strangers by inviting them into their igloo.

But close contact only increased their alienness: The men were timid, untalkative and — despite their obvious starvation — they refused to eat.

The men spit out pieces of cooked seal offered to them. They rejected offers of soup. They grabbed jealous hold of their belongings when the Inuit offered to trade.

When the Inuit men returned to the camp from their hunt, they constructed an igloo for the strangers, built them a fire and even outfitted the shelter with three whole seals.

Then, after the white men had gone to sleep, the Inuit quickly packed up their belongings and fled by moonlight.

Whether the pale-skinned visitors were qallunaat or “Indians” — the group determined that staying too long around these “strange people” with iron knives could get them all killed.

“That night they got all their belongings together and took off towards the southwest,” Qayutinuaq told Dorothy Eber.

But the true horror of the encounter wouldn’t be revealed until several months later.

The Inuit had left in such a hurry that they had abandoned several belongings. When a small party went back to the camp to retrieve them, they found an igloo filled with corpses.

The seals were untouched. Instead, the men had eaten each other.

[earthlyelegance]

Stunning Heart Shape Earrings: A Complete Guide to Styles

[martinshep]

I’m gonna start describing Neolithic inventions and discoveries as hacks

[ercdouken]

Ultra ClayFighter Tournament Edition 3.1 (SNES, Rom Hack) - Bad Mr. Frosty Playthrough

[stinkyhyena9000]

bro clay calloway is just like sombra from ow2 because i love them and theyre so cool and epic ;33

[cowsabungus]

Art Hacks for Physical Disabilities!!

I know art can be inaccessible to physically disabled people for a lot of reasons, and I think art should be accessible to everyone, so here’s a couple of the things I found to help for a few different issues you may face that stop you participating!

I have a link to all these items (UK) in my link tree!!

IMAGE DESCRIPTION

Slide one: illustration of a white woman with pink hair, wearing a pink outfit, sitting in a power wheelchair, looking at the viewer with thumbs up. Text Reese “hacks to make art more accessible”

Slide two: illustration of three different kinds, using three different types of pencil grips. One hand uses a circular grip. 100 is a large, rectangular grip. Another uses a grip that is ergonomic and fit into the hand. Main text reads “Paul, grip, strength and dexterity”. Subtext reads “there are loads of different types of pencil, grips or design for different disabilities and conditions. Increasing the width of the pencil can give more texture for a better grip using a pencil with a thicker with also reduces the amounts of pressure needed to hold a pencil you can make your own using items like pool noodles. KT tape an air dry clay. You can also put these groups on things like paint brushes.“

Slide three: illustration of a hand using a tool that looks like a wrist support with a paintbrush connected to it text next to it reads “this talk next a paintbrush to your hand in a way that means you don’t need to hold the paintbrush with your fingers and you will need to move your arm around“ on the bottom right hand corner is in photograph of a guided hand device. Text read “regarded hand as a tool designed to reduce the need for moving your hands and fingers and relies on the movement of your shoulder and upper arms and can be used with different materials like paintbrushes, pencils, pens and styluses.

Slide four: main header reads “when in bed“. Illustration of an iPad pillow with a iPad in it is next to text that reads “iPad pillows, put your tablet at an easier to access level when sitting or lying down“. In the bottom left hand corner is an illustration of a girl sitting in bed in her pyjamas with a pillow behind her and a bed table as she is drawing. On the left hand side is a photograph of a bed table with the text reading “bed tables are used to give you a flat tire up surface while in bed, and are often height adjustable”. In the bottom right hand side is a bedsit, a pillow with the text underneath, reading “ bedsitters of specially shaped pillows that you put behind you in bed to help you set up and give you a soft surface to lean back on”.

Slide five: maisie had a read out “at a desk left”. On the left hand side is a photograph of the document holder with the text “document holders put your paper at an angle to help prevent crane in your neck down”. On the right hand, middle side is an illustration of someone using a armrest and on the bottom left hand side is a photograph of the armrest. Text next to them reads “economic arm rests clip onto your table or desk and give you a surface you lean you’re forearms or elbows on. This can be used to steady your arm and reduce pain and fatigue while sitting at a desk”.

Slide six: maisie reads “foot and mouth painters” . on the right hand side is an photograph of swapping Augustine, an Indian woman with no arms, wearing a sari painting with her left foot. In the bottom left hand corner is an illustration of a woman with green hair painting using her mouth. Text reads “foot and mouth painting is a technique used by artists who do not have, or cannot use their arms so hold the paintbrush in their mouth or using their foot. Swapna Augustine is a foot painter who has painted with her feet and participated in multiple exhibitions of foot and mouth painters. Her art is stunning and I would definitely recommend checking some of help work out.“

Slide seven: main text reeds “art without brushes and pens”. On the left-hand side is a photograph of a spin art device. Text next to read it reads “spin out involves using bottles of ink and squirting them onto a spinning piece of paper to create spiral art. On the middle right hand side is a illustration of a laptop with coding art written on the screen. Text me next to it reads “coding art involves making programs that design and create art pieces digitally. This could be used in conjunction with an eye tracking software.“ On the bottom left hand side is a photograph of a child in a power wheelchair with paint on their wheels painting onto a large piece of paper. Next to this is text reading “wheelchair painting involves putting paint on your wheelchair wheels and moving around and large piece of paper. Sometimes you can connect a roller to create more marks.“

Slide eight: text reads “what do you do to make art accessible for you?”

End of ID.

[thestuffedalligator]

It’s been said before but it bears repeating that Discworld is science fiction wearing the skin of fantasy.

Discworld tells science fiction plots and builds them from the material of fantasy. Feet of Clay is about robots and the ethics of artificial intelligence. Lords and Ladies is an alien invasion story. Moving Pictures and The Truth and Raising Steam are about the impact of new technologies on society.

Going Postal has hackers. They hack telegraphs, but they’re explicitly hackers.

Hex is made of magic and bees and ram skulls, but it is a super-computer. Discworld is built out of fairy tales and myths and swords and sorcery and a big hearty helping of Tolkien, but somewhere, deep down in its bones, it has a core of science fiction.

[ffaelix]

bruce wayne absolutely keeps every single drawing, card, and handmade gift his kids have ever given him. like, every single one. no matter how messy, weird, or even accidentally insulting (looking at you, jason’s “world’s okayest dad” mug from when he was thirteen), he keeps them all.

he has a drawer in his desk with the “important” ones—like the first time dick called him dad in a scribbled crayon card, or the weird but endearing origami bat tim made when he was sleep-deprived.

but the real collection? it’s in a reinforced, locked safe in the batcave.

alfred found out once when he caught bruce carefully putting away a pile of random childhood drawings. when asked why he had an entire safe dedicated to them, bruce just muttered something about “sentimental value” and refused to elaborate.

but really, he just can’t bear to part with them. his kids may not always say it, but those little gifts? they were proof that, in their own way, they loved him. and no matter how much time passed, no matter how rocky their relationships got, he never wanted to forget that.

..

years later, damian finds the safe.

he’s not even trying to snoop—he was looking for something important, something mission-critical, and instead, he finds this. a locked safe, hidden behind a shelf in the batcave, coded with one of bruce’s personal encryptions. naturally, he assumes it holds classified files, maybe contingency plans, or something worthy of all the security.

he hacks it in under five minutes.

when the door swings open, damian stares.

it’s not secret mission files. it’s not weapons or emergency cash. it’s… drawings? old birthday cards? a lopsided clay model of a bat (which he immediately recognizes as drake’s terrible handiwork)?

his eyes narrow as he pulls out a faded crayon drawing—one of his, from when he was younger. it’s him, a wobbly little stick figure, standing next to bruce in an oversized bat symbol. he vaguely remembers making it, but he definitely doesn’t remember bruce keeping it.

“tt.” he huffs, shoving it back in the safe. ridiculous. sentimental. pointless.

and yet…

when bruce walks into the cave later that night, he finds the safe locked again, nothing out of place—except for one new addition. a freshly drawn sketch, carefully folded and placed on top of the pile.

it’s of the whole family. him, grayson, todd, drake, cain—everyone. standing together.

bruce doesn’t say anything about it.

but the next morning, damian notices that his drawing isn’t in the safe anymore. it’s framed on bruce’s desk.

[kneelingshadowsalome]

I know we're all focused on Satyr/Faun König but that bull comment... I'm quite partial to minotaur's and whats better than a darling who isn't from the area. Oh yes she's innocent of the crimes against König because she was not raised there.

Some foreign little creature just running blind in a maze trying to see where there might be a way out. It's been days after all and the screaming has gotten quieter and she wonders if she's the last one left alive. He takes his time eating his meals... this can be stretched out for such a long time as she hides herself in a dead end just a short rest... the darling is so tired unaware of the horrifyingly silent steps moving closer to her little haven. It's just her left now.

@kit-williams I've wanted to write for Minotaur!König for ages!

Minotaur!König x Ariadne!Reader Word count: 5 k oneshot Tags/warnings: Sexual tension, threats of violence and rape, implied cannibalism, power imbalance, moral ambiguity. Predator/prey dynamic, Beauty and the Beast elements, Ancient Greek religion & lore. 18+ MDNI A/N: The Minotaur in this story is not an actual hybrid. Reader is Hecate’s initiate. Merry Christmas y'all! <3

EDIT: PART 2 HERE

The screams are the worst part.

They echo through the Labyrinth while you wait and wait and wait.

Even the very stones seem to cry and wail as you place your hope on Theseus who descended to this hell along with you and the human cattle. Seven young men and seven unwed women, meant to satisfy a beast...

And judging by the screams alone, it sounds like the monster is satisfied. It sounds like it's having a ball.

Fourteen lives have been lost, their blood swallowed by the earth as if Hades himself is drinking the crimson of Athenian youth in His feast. The flesh is the beast’s to devour: an underworld demon born of tainted lust.

Half bull, half man, you always thought the stories were only tales told by the fire to scare children. Turns out that the stories, for once, are true. There's something even worse in this maze, something cursed and foul... Hecate herself would shiver if She were here, in the womb of the earth, witnessing what you’re witnessing now.

You don’t actually see the Bull of Crete cut or hack or slash anyone, and you can only imagine what the monster does to the bloody, gutted corpses of the young. The only thing you see are the hollow, dark walls carved out of soil, sand, and clay, the intestine-like route dug deep into the earth. And you don't have to see the massacre: the screams tell you enough. The silence that follows betrays even more.

Your only light is flickering, waning: the candle will hardly last an hour. If the hero from Athens won’t arrive soon, you will have to leave this place. 

And oh, how you want to leave… You were a fool to follow him here. Blinded by love and hope, you thought Theseus of Athens would be your way out of Crete, but it’s clear that the only thing the young hero is capable of loving is fame. The only time his eyes turned to yours was when you said you might be able to help him with a small bundle of yarn.

Red as the setting sun or spilling blood, the thin woollen string is your only way out now. It’s ironic how a heap of twine is the only thing that can help you out of this hellhole, but the Fates always did possess a cruel sense of humour. Your silly daydreams might’ve cost your life, and even if you’re sworn to the dark goddess, you would rather die anywhere but here. In the darkness, all alone, with nothing but eyeless worms to keep company to your decaying bones.

The sudden draft from the outside world is warm but threatens to blow out your candle. It’s a sign from Apollo: if you don’t leave now, you’re dead. Theseus has to manage without you because you’re not dying in this underworld prison because of some man’s stupid lust for fame.

There's only deafening silence in the maze as you scurry up, taking support from the wall as your sight darkens for a moment. You rose too soon: you can’t even remember the last time you ate. And it appears that even the sun god has abandoned you because there's a faint echo of steps in the tunnel, and they don’t belong to a man. They’re too thick, unduly heavy, and it’s not a pair of sandals that are thumping against the soil.

So, Theseus is dead...

So much for the legend, the myth, the demigod.

Heart thumping in your chest and in the hollow of your throat, it threatens to drown the sound of approaching footsteps. They’re all dead, the people who descended here with you. The only thing you are right now is prey. You're being hunted; whether the Minotaur knows you're here or not, you know you're being hunted. You can feel it in your gut.

You cover the candle with one hand, hoping that the flickering light doesn’t reach around the bend. The falling thump of the footsteps stops, and you still your breath, hoping that the beast would turn around and search the other way.

You hear it sniffing behind the wall. It's trying to catch your scent in the air, the smell of dread and terror, sweat so thick it must reach his nostrils and make them flare with lust. Your heart is thundering in your chest, and the tunnel is so quiet that that you’re certain the creature will hear that, too. (Your heart always betrays you.)

And your luck is cursed.

The beast shifts. 

You can’t see him yet, but you can hear it: the scraping sound underneath his feet as he aligns himself anew, choosing the path that leads straight down to you.

“Hecate save me,” you whisper into the air that seems to grow denser as he approaches, loud thumps of feet now accompanied by metal grating against clay. 

“Hear me, flame-bearing guide... Darkness, protect me…”

He’s dragging bronze against the wall, announcing that he’s carrying a weapon with him, the strength of a bull apparently not satisfying enough if he wants to break your bones with metal.

Don’t blow out the candle... 

If you blow it out, you’ll die.

It’s a clear message, a knowing voice in your head that says it. It’s not young, it’s not old: just knowing. Alert. Wise beyond ages. 

So you still your breath and wait.

Shadows fill the curve of the tunnel just before he emerges: thick like thunder, a darkness so deep that even the name of the twilight goddess escapes your tongue. 

And he’s big. Bigger than the bulls you used to dance with, bigger than kings, or heroes, bigger than even Theseus, the man you thought was a myth walking. His head is enormous, bigger than the rest of him, awkward and rough like it’s not quite part of him even though he’s supposed to be half ox. 

The gigantic, horned figure stops when it sees you. Vast shoulders tense; the fat, double-edged sword falls to his side when he settles to loom between you and your only way to escape this place. You’re oddly thankful that the horrible screeching stopped, but then you notice that his blade is drenched in blood: actually, his torso, thighs, even the buckskin loincloth – the only garment this monster has chosen to wear – is spattered with red dots. 

The bronze tip drips with crimson, and the earth drinks it all. Hades is never satisfied: this beast is never full. Everyone who was sent down here is dead: everyone else has met their doom except you. You wonder if your mother would cry if she heard her only daughter died because she fell in love with a fool.

“I killed your hero,” the walls of hell boom. 

His voice is thick like tar, dark and foul like it’s the God of Earth himself speaking.

The flame in your hand quivers from fear, and you slowly remove your palm, the tiny candle illuminating the beast with warm homely yellow, making the prominent muscles of his chest even bigger. 

He’s carved like the statues in Athens, only, this giant is far hairier than the painted marble heroes of the city. The hair on his chest is thick and wild; it shoots down his abdomen and disappears underneath the loincloth, spreads over his inner thighs, even covers his shins in dark mats. He looks like a wild man, a beast indeed: sweaty, filthy and thick. But you never knew a beast like him could talk…

“A coward, that one,” he snarls, the voice reverberating oddly like it’s a human man speaking from under a wooden mask or inside a clay jug.

And you believe every word he says.

Theseus was strong and able-bodied, but he had built his strength just to show it off. This man’s body speaks of pure, ripe survival.

A hulking shadow with shoulders that barely fit the tunnels of the Labyrinth, with palms nearly twice the size of yours, he’s the myth walking instead of the hero whose blood now adorns that dull bronze blade. The Minotaur who survived his father’s wrath, his mother’s absence, these bleak surroundings, and all the heroes sent down to get his head… His weapon isn’t even sharp anymore, and still, he managed to cut through the sacrificial humans like butter. And what a horrific death it must’ve been to be hacked to pieces by a dull blade.

Is it evil of you to hope that the death of your “hero” wasn’t a quick one…?

Theseus was a fool and a coward, rotten to the core, but you saw all of that too late. He never cared about the human sacrifices or the king’s wrath; he never cared about digging into Pasiphae’s sorrow. He only cared about getting his face depicted on a pot or having his deeds played out in amphitheatres, his name uttered in song, accompanied by harp and flute.

“I know.”  

Your voice gets sucked into the earth: it doesn’t echo from the walls like his. It’s thin, damp, and frail, just like everything else meant to walk under the sun instead of stand buried under the earth.

But the beast before you tilts its head a little. It’s curious. 

Why would you say that? 

Why don’t you cry from hearing the news...? Why don’t you howl out your hero’s name and beg the gods to heed your grief? Why don’t you run away from a monster?

The candlelight is puny and weak, but it’s bright enough to bring out the eyes of an animal. You draw breath in the dampness of the earth when you finally see it: the bull’s head is devoid of eyes, and yet, the beast still has them. Blue as the summer sky, stern as the death grip of winter just before spring.

There’s nothing but ripped shreds of skin where the eyes should be, and instead of looking at you from the sides, they’re greeting you from the front. The horns are sturdy, but otherwise, the colossal head is a bit skewed... Thick patches of fur sticking out as if it was years and years old, and then – you realize it’s not his head; it’s only an illusion. 

There’s a man under there. A full, grown man who’s made himself a terrible helmet out of a bull’s carcass. 

“You’re a man,” you say out loud, earning yourself another shift of the colossal head.

“...What?”

The muffled echo confirms it: he’s speaking from inside the bull, moving only slightly to get a better look at you. 

“You’re not a monster. You’re just a man.”

His eyes are wild but intelligent; they pierce you from inside the inanimate shield. The large chest heaves, his ribs flare like sails as he draws air through what must be the foul stench of a long-dead animal.

He takes a step, and you shrink, almost dropping your candle and the roll of red yarn.

“You think talking will save you, female?”

He speaks like a man, walks like a man, but his moves are an animal’s. Shoulders slightly hunched like he’s a bull about to attack, you recognize the way his muscles quiver from the times when you used to do bull leaping. You don’t dance with Rhea’s oxen anymore: your tasks at Hecate’s temple are more suitable and less wild for a maiden your age. Back when you were younger and more agile, you used to jump from the back of one bull to the next, clouds of dust swirling around you as you showed your prowess to the priests.

But you can’t charm this ox by dancing. This one can’t be tricked or fooled: he will pierce you with those horns or his brazen sword if you take even a step.

“I can get you out of here,” you wet your lips, noticing that the blue eyes shoot straight to your mouth when you do that. “I know the way out.”

“What makes you think I want out,” he says, so tight and tense that you fear he’s either about to leap at your throat or plunge his sword into your chest.

And you should be concerned about your own safety, not about his sensibilities – if he even has such things – but hearing this beast man’s reply is like drinking bile. 

Why would anyone want to stay here?

You don’t know if he eats human flesh; you don’t know if he had to in order to survive. Everyone knows why his father threw him down here, but no one knows he’s not half the things the people above say he is. And if half of it isn’t true, what other lies have been told about the Minotaur? 

Even most prisoners see the sun, yet this man has been deprived of that, too. He’s been robbed of mother’s love, of father’s mercy, of friends and foes, of mentors and guides. He’s been robbed of life, of stars, of fires and summer skies, of women’s giggles, of fistfights with fellow men. Of songs and plays, of festivals and games, of bull dances, and maidens that leap…

“Have you ever been up there…? On the surface?”

You turn your voice into soft water on pebbles, a soothing pour of persuasion and goodwill. His pecs contract, strong abs under thin hair and body fat bunch like you’re about to hit him there. You take a step, and now it’s his turn to shun away. It’s only half an inch, but he actually moves away from you. 

“I can take you there,” you offer gently. “Have you ever seen the sun…?”

It’s like talking to a starved predator, trying to entice them to follow you with a fresh steak in hand, hoping that the fanged mouth won’t take more than was promised if it decides to accept the offering.

And the beast accepts. 

“As a boy,” he grunts, a tad more softly. 

Those eyes are fixed on you, reminding you of horses when they’re slightly afraid. The glint of white and blue behind the carcass is fiercely alive, quite unlike the hollow, disinterested stare of the Athenian hero who was only interested in himself.

But this beast is interested. Oh, the Bull Man of Crete is wildly, fiercely curious about you. 

“You’ll take me to the sun,” he repeats, an affirmation rather than a question.

“Yes. To the surface. I promise.”

He moves. Like an animal who learned long ago to drive others into the corner so that he wouldn’t get forced there himself, he’s primal, sensual in the way that oracles in a trance are sensual.

Approaching you in silence that’s almost eerie, the hairs at the nape of your neck stand on end by the time he’s only an arm’s length away. Why announce his coming earlier if he can move so quietly?

“You’ll lead me to my father.” 

His gaze bores into you, and not even the warm draft from the tunnels can prevent you from shivering. He’s distrustful, and it’s no wonder. It must be odd that some girl with a candle and a bundle of yarn is suddenly waiting for him around the bend, and doesn’t even flee. He’s a behemoth, but he’s not stupid. A stupid man would not have been able to survive, let alone thrive in this place.

And why should he trust you? Who is he supposed to trust in this maze when every person he has seen has either run away from him or tried to kill him? His father will slaughter him if he ever escapes the Labyrinth, so what else is a priestess in his kingdom but a squealing mouse, trying to feed him lies and then guide him to the surface and into a forest of spears? 

“No,” you shake your head slowly. “No, I promise I know the way. There will be no soldiers–”

You shut your mouth just before a huge palm closes around your throat. 

Gods, but he moves fast when he wants to… 

The candle and the yarn drop the instant his hand seizes your neck, strong fingers nearly meeting at the back as he squeezes your windpipe ever so slowly.

And he’s so close now. The carcass reeks of death, but the man underneath stinks of plain human sweat. His musk is a peculiar mix of blood, earth and soil, something both stale and invigorating, the thin sheen of sweat and dirt covering his muscles making him look like a common builder. It’s strange that the bull’s head hasn’t yet decayed in this place, that the man doesn’t reek of bodies and bones that must be scattered around like debris further down the tunnels. 

Another thing that’s strange is that he doesn’t seem to want to simply silence you.

He also wants to touch you.

A wide thumb strokes the underside of your jaw as he studies you. It slides down the column of your throat, the blue eyes gleaming with fascination when you swallow against him.

He drinks in the sight of you: the lips that part with fear, the frail collarbones that breathe against the side of his palm. The promising crevice between your breasts, the enticing softness of your teats. 

You can hear his breath grow heavy under ox skin and bone, the rugged, vicious helmet he has chosen to wear. What lies under, you can only imagine, wherein he has little left to the imagination when taking in the curve of your breasts, your nipples rising to peaks under the thin white linen only temple virgins use. 

Seeing your reaction to his touch makes him growl -- he actually growls like an animal, a deep, low rumble of approval rising up his throat when he sees how different your body is from his. How supple and cushy it is, soft and plump like a peach, covered only barely as if to tease a best like him. You wonder if he ever took pleasure in the maidens sent here by the king… If he ever thrust the sword between his legs into their weak bodies before giving them the mercy of his actual blade. Would he even know what to do with a woman, having lived here for so long?

“Please,” you whisper, bringing his eyes back to yours, the ice in them now liquid sapphire of pure want. 

Gods… You need to bring his attention back to your offer of help before he sees it more compelling to just stay here and play with his new, plump little mouse. Virgin or not, you wouldn’t survive a mating with this man. 

“I swear on Hecate’s torch that it’s not a trap. You have my word: I’m a priestess soon to be.”

He’s entranced. Hypnotized by your lips. You lick them to confirm your fears true: the man grunts with pleasure, out of instinct, absentmindedly like an animal who reacts to the sight of a fat, meaty bone. 

Oh, he might not know what to do with a woman… But he would try his best to find out. 

“Priestess…?” He rasps.

“It’s a holy woman,” you explain. “I serve the Goddess of the Crossroads.”

He snorts, either because he’s not impressed or because he’s downright amused by your vocation. The eyes, warmer, more demanding now, are far from the eyes of a bewildered beast.

“Little female of the crossroads... You will take me to the king. And then, I will kill him.”

He puts weight into his words, tries to make you understand. 

He wants you to guide him to his father. 

To the King who claims his son is half bull, to the husband who claims his wife was adulterous with an ox. To the King who demands tribute as virgins so that he can send them down to hell. The dark goddess screams justice, but you're at a horrible stalemate.

The gods will curse you for this… They will smite you with a bolt of lightning or drown you next time you cross the great sea if they see you’ve helped this half-beast escape. If you guide him to Minos, you’re a participant in kingslaying, and the gods never forget things like that.

“He’s your father and the king of Crete,” you whisper in fear. “The gods will strike you down–”

“Gods?” He spits. “I piss on the gods. I fuck their corpses and leave them to rot.”

You almost choke on the blasphemy levelled at you. The shadows creep closer, the stare behind the black fur is dark and amused, burning with the crooked wrath of a thousand years. 

“Perhaps I’ll fuck you too.”

It’s unnerving that you don’t find the threat wholly unappealing.

If anything, your eyes drift down to the hairs of his chest, to the two big muscles that resemble the work of the best sculptors in Athens. 

“Are you a virgin, female of the crossroads?”

His eyes search for your response: they want to see your fear and disgust. You swallow again, arduously against his hand, both caressing and testing you. 

The beast leans forward, as if weighing if he could somehow insult the gods by pillaging you. The rough hair of his chest meets the white cloth, it brushes against your nipples as he bends down to have a good sniff of you.

“You smell like a virgin,” he growls.

The hand leaves your throat, only to travel down your sternum. He grabs your breast nonchalantly, a little too roughly, the hot palm closing around the teat and squeezing it like it’s a toy. When you don’t react, he squeezes it again, this time hard enough to coax a whimper out of you.

“Sound like a virgin…”

Without warning, the hand dives straight between your legs next, palm forcing its way through your thighs and curving to cup your sex, moulding around it with barbaric thirst.

“Feel like a virgin, too.”

It’s thick, hot, and heavy, how he simply tries you through your dress. Fingers testing your folds, he’s clearly enjoying the subtle wetness he finds down there. You can hear another hitched grunt pushing up his throat, rugged and whiny this time, a broken groan that dissipates because of how dry his throat is. 

No man has ever dared to lay his hands on you... Many have wanted, but none have tried. Even drunkards and fools respect women who belong to the dark goddess.

But he doesn’t care about the wrath of Hecate. He doesn’t give a shit about the gods. He simply takes what he wants, what falls into his lap. The fifteenth offering, but he doesn’t seem to be interested in devouring your flesh. 

How easily he could simply yank that loincloth aside and drag your dress up. Force his cock into your tight, wet heat without uttering a word. You doubt that he would even take the trouble of laying you down on the ground for taking... Beasts rut when they want to: this man could fuck you against this wall if his loins demanded so, guttural groans being the last thing you hear before the candle goes out. 

You don’t know if you have to spread your legs for him before this is over, but you reckon you will do even that if it means you’ll see the sun again. You’ll endure every thick thrust, and gods be cursed, you wouldn’t even be solely disgusted if this half-animal chose to breed you... As shameful as it is, you would somewhat enjoy having him rut you like an animal in heat.

And you’ve gone mad, surely. 

You want to touch him too, just to test another theory. 

Deciding that it's a good idea to stick your hand into the maw of hell, your fingers lift. They meet his bicep, and the lewd panting stops.

He’s not even breathing… He’s just drowsy and drunk, looking at you with a mixture of soft sleepiness and awe in his stare. Like a dog who has never been petted, even his eyes drift half closed when he forgets to threaten you, now focusing solely on your hand. 

And you start to caress him, slowly, so slowly… Tracing the muscle all the way up where it meets the shoulder, you stroke even the thick cord that leads to his neck. The rest of him disappears under the bull, but the man behind it already shivers under your touch. He even bends his head a little in hopes that you would go under the mask and touch him there, and the gesture reminds you of an animal exposing its vulnerable areas, baring its very throat in submission. 

Braving a quick peek down, you notice that the buckskin cloth is stretched high and wide. His whole body is tense and immobile: you could cup him through the soft animal skin and he would probably shoot his seed from a single stroke of your palm. 

If this is not a virgin, you don’t know what is...

In a way, it would perhaps be wise to shove your hand down and disarm this man. That way, you would be safe for a few more minutes. Instead, you lay your palm over his chest, right over where his heart should be. 

“So do you, Bull of Crete...”

His gaze flickers.

The darkness hesitates, widens, nearly swallows the azure pools whole. But he doesn’t look irate or wild... Only shocked.

It’s an impasse. A thicket. His hand on you, your hand on him.

He surrenders first: the underworld budges before the utterly pure. You bless him with grace the instant he withdraws his hand from between your legs – slowly, reluctantly, like leaving a place that belongs to him. Or to which he belongs…

“I promise I’ll help you, Minos Tauros. But I need you to give me something in return.”

You remove your hand too. Softly, slowly, like a horse master who trains and tames wild things. All words seem to have escaped his tongue: he only grunts, unsure of what a beast like him could give you in return for your help.

“You must promise to be kind to me.”

“Kind...?”

“I need you to behave,” you explain. “No bad things on the way up... No fucking.”

Everything else, he seems to accept, but during the last sentence the Minotaur blinks at you, utterly confused.

“But... You smell like you want to fuck.” 

Your jaw drops open a tiny bit. Then you remember that a priestess of Hecate doesn’t gawk.

“I don’t–How would you know that…?”

The beast only shrugs. Then he leans forward and takes another sniff as if to prove it’s true that you want his cock inside you.

“You smell good,” he grunts. “Different... Female, not afraid.”

“That doesn’t mean I want to…”

He even raises his hand to inspect the slight wetness there. Fascinated by the thin film on his fingers, he rubs his thumb in it, probably thinking about bringing it under his mask to get a good sniff of your juices too.

You grab his wrist without thinking, mortified to your core by the prospect of him getting high on your slick. 

“Look. We need to leave before the candle burns out.”

The obsessive stare threatens to swallow you once more, so you let go of his wrist and steel your resolve. Scooting down to grab your things, you try to ignore the violent erection still pointing straight at you.

Hecate keep you from offering yourself to this man out of your own free will...

And you don’t have a torch, only a candle and a skein of blood-red yarn, but you know the way out, so there’s hope. There’s always hope.

“I need you to promise me,” you turn at the mouth of the tunnel, seeing that he’s still standing there, in the place where he almost took you like his first whore. As if waking up from a thrall, he straightens to his full height, picks up his sword and looks like a half-human, half-bull once more.

“I promise,” comes a booming voice from under the animal skull. “No fucking… I’ll behave.” 

You nod. There's a sense of trust in the air. A promise of hope... It's mutual, invigorating -- life-giving, like the sun and blood in your hands.

You don't know if the son of Minos has ever smiled in here, but from the quick glint in his eyes, you suspect that he's smiling right now, the man under that animal mask. Somehow, it reminds you of the stars in the sky.

“Lead the way, maiden.”

[pricetagged]

raft of the leucothea

A little Kyle piece for the Gaz lovers 💖 to tide you over while I work on the Nikolai and the Price stuff.

Shipwrecked. Washed ashore, injured and sick, and thankfully not alone. A man called Kyle Garrick has washed ashore with you.

No big warnings, just some ever-so-slight dubcon naked cuddling (for survival!).

----------

The harsh, salty spray stung your cracked cheeks. Like clay left to bake in the sun, you felt the cracking and peeling of stinging flesh. But you felt it, that was the important thing. 

Sunshine seared through your eyelids, a high noon wake-up call. Glowing ember-red, turning the sands to hot coal beneath you. You only had a second to process it before you rolled over, cramping muscles seizing in a paroxysm of a crawl as you hacked and coughed briny, burning seawater.

Alive then. 

You were scared to open your eyes. You could pretend that they were crusted shut, sand and grit and god only knows what flaking over. Irritating, painful. A conjunctivitis of caustic circumstance. If you opened your eyes, it was real.

No, it was better as you were. A temporary balm to a blistering scald. Eyes-wide-shut, blind to the horrible damp marl and putrid air burning through your smarting nostrils. Sea life and smoke; pungent enough to turn your stomach once more.

You moaned as you collapsed on the shore, skin-fever hot and itching. Grit and shell-shards dug in, piercing your sensitive flesh. Clinging, burrowing. Discomfiting. Like the discordant memories swimming to the surface, all driftwood and screams and kicking, aching feet.  

There was no more screaming.

The waves lapped at the shore, a gentle balmy breeze carrying the soft sloshing of surf. Hazy popping and crackling accompanied it, a paradisiac white noise that scrambled your sluggish thoughts. Your eyes fluttered open. Temporarily blind from solar glare, you blinked moisture back. Tried to, at least. You were parched, eyes-dry and throat drier. 

Perhaps you expected to see devastation. Destruction. Flotsam and jetsam and bodies strewn along the beach. There was a fire, yes, but it was not from the casket of the ship. Debris visible, but neat. Collected and organized into tidy little piles by a great smoking fire. Through the heat-haze of the flames, you spotted a flash of green: fresh leaves. Gaseous white billowed up; perfect for maximum visibility. 

"Ah, you're awake." A shadow fell over you, gentle hands supporting your back until you were somewhat upright. "Here, you'll need this."

You grimaced as your cracked lips crinkled around the fruit, harsh little fibres stabbing in. But the relief–

Light, nutty, refreshing. You guzzled it down, big greedy slurps as your hands raised to cup it closer, throat constricting as you lost your breath–

"Hey, hey, slow down," the stranger spoke, easily plucking the coconut from your shaky fingers. "You'll make yourself sick. Again."

"Thanks." You could at least croak out your gratitude, squinting to get a better look at him. "The others–?"

He was gorgeous, dark eyes and eyebrows slanted into the perfect expression of concern. He looked surprisingly normal, given the circumstances. Only a slight split on his full lips, a smear of sand crusted into his curls, marred his handsome face. You watched as his mouth twisted, as he rolled his neck glanced away. A grimace, more telling than words. 

"Just you, me, the sand and the coconuts. Paradise cruise, eh?" He finally spoke, nose scrunching as the joke came out a little flat. 

It wasn't a shock, but it was jarring all the same. Though you swallowed, your voice came out thick. "At least you're here. Wouldn't have gotten this open by myself."

It was feeble, words half swallowed as survivor's guilt and gallows humour met and warred. A dysfunctional marriage of relief and self-reproach curdled the coconut water in your stomach. A third player entered; unease. Anxiety, sending your heart rate spiralling high as your breaths grew shallow. Something stung your eyes, and you couldn't entirely blame the smoking fire–

"Hey, hey, look at me," You couldn't look away, not from his steady, unwavering gaze. Beautiful. Like sunlight filtered through whiskey, warm and soothing. "Breathe as I breathe– in, out, in– hold it– okay, out. That's right, that's perfect–"

He talked you through it, brought your trembling, clumsy fingers to his chest as he breathed in counts of eight. Kept his palm over your hand, cupped it against the rise and fall of his ribs. You could feel the firmness of his muscles beneath, feel the way his heart beat a steady rhythm just below your fingertips, and slowly, you relaxed into it. 

Your cheeks were wet. You realised that around the same time you realised his other hand was rubbing ataractic circles on your back. A shameful emollient, setting you at ease but lowering your gaze. Here, in the arms of this stranger, who were you? Troublesome castaway, retching on the beach as he built a signal fire. Slurping down the fruit that he offered, then crying in his arms–

"Stop that," His hand paused between your should blades, chin tucked as he leaned down to catch your gaze. "You're doing so well, love. Bit of a fucked up situation we're in here."

"How are you so calm? How are you so organised? I feel like I'm going to drift away like–like–"

The hand at your back pushed you forward, pressing until you were draped across his lap. He rocked you, stubble against your temples as he shushed and soothed. Analgesic whispers that slackened your tight limbs, sent eyelids fluttering until you slipped into slumber. Mind numb, docked in restful harbours. 

-----------------

When you woke up, you were hot. Shivering, teeth-chattering, but hot. You could no longer smell the fire, but you could feel it against your bare skin. Toasty, crackling embers smouldering and making you sweat. 

The fever slowed your mind, too. Thoughts turned to sluggish, sticky mulch as you nuzzled into the strong bicep supporting your neck. His skin was smooth, slightly tacky where it met yours, and you whined a little as you tried to pull away. 

But moving sent your head spinning, aching muscles seizing until all you could do was cry. 

"You're alright, just sleep. Don't move–"

"My clothes," you slurred the words, heavy and sticky on your tongue. Crystallising like spoiled honey, you tried to spit them out faster, but they just dripped. Molasses-slow, and murky. Confused. "I'm not– my clothes are– what–?"

"I took them off you–shh, shh– They were tattered anyway, we'll need to dig through the piles and see what we can repair." You felt his arm flex below you, rolling your head until it was resting on the pillow of his chest. You tried to open your eyes, but the image was hazy. Like looking through seaglass. "It's cold here at night, freezing. The fire's good, but body heat's best."

"'m too hot– feel too–" 

"Yeah, noticed you weren't just cold when you wouldn't stop shivering," his forearm banded around your squirming body, pinning you to his. "I know, baby, I know. It's not nice. Gonna try to sweat it out of you. Don't exactly have the luxury of good food and medicine." 

His voice was pitched low, sweet. It made you want to cry, mind adrift and body at his mercy. Holiday turned tragedy, swallowed up by the sea and spat up on the beach like refuse. Control slipped through your fingers, finer and more fickle than the sands below and all you could do was cry. 

You felt his fingers, whisper-soft, stroking through the ends of your salty, parched hair. Your tears dripped down, soaking into your flushed cheeks and the sparse, scratchy hairs on his chest. He paused for a beat, fingers swiping over your damp forehead. Whisps pushed away until you felt a butterfly kiss against your clammy forehead. Quick and gentle and fleeting. 

Small waves kissed the beach, too. Susurrus, splashing caresses that almost sent you drifting off again. The rumble of his voice tickled your cheek, made you blink slowly until you could make out his face through bleary eyes.  

"It's just you and me and this island," He spoke it softly, sting mollified by surety. Bittersweet ointment for a distressing prognosis. "I've got you; I'll take care of you. I promise."

Your answer was faint. "What if no-one comes for us?"

His arms curled tighter around you, twisted until you were splayed atop him. In another time, another place, you'd be flustered by the open splay of your legs, bare against his lean waist. Here, shame withered away, fizzled out. Ephemeral as seafoam. 

"I told you, I'll take care of you. Rescue or not, it's you and me now."

Later, you'd blame delirium, fever dream-fugue, for how the words echoed in your mind. 'Just you and me.'

You and him, and the island.

-----------

[esamastation]

Some Reeve Tuesti centric FF7 fic ideas...

1. Reeve Tuesti is the reincarnation of Regis Lucis Caelum and he's been keeping a secret from everybody - well, two. His ability to imbue Kings Magic into things (like, say, toy robots) and his young son, born with all the powers of the King of Light.

1.1. Alternatively, Regis is the reincarnation of Reeve and as a young prince he pushes through a bunch of quality-of-life-improvement reforms for the Kingdom of Lucis (like, say, proper railroads country wide) and as result the Great War has a very different conclusion.

1.2 Reeve and Regis switch bodies.

2. Reeve does time travel (maybe with friends?) and his plan is simple; the moment President Shinra makes the decision to drop the Sector Seven Plate, Reeve shoots him dead - and his directors too, if he can. And for the want of a nail, everything begins changing.

3. Reeve starts having doubts about Shinra long before the fall of Sector Seven. He also starts plotting WRO around the same time. Part of his plans involves having as much information as possible and so he's filled Midgar with his spy robots - in the shape of stray cats. Through their eyes, he finds Cloud before anyone else does.

4. Reality hopping Desmond (and in maybe a sort of System form, Clay) trying to escape some Isu trying to hunt them down. They get stuck in the ffvii world, and need some help getting through to the next reality / or just settling down in ffvii, but no one is going to help them for free. Between Clay hacking the local info sphere and Desmond's Eagle Vision they decide to go the way of assassins of old - by killing the bad guys for the benefit of a wealthy patron. There's certainly no shortage of those around. Problem is finding the patron. Reeve Tuesti isn't wealthy, exactly… but he will be once they make him the president.

5. Post AC Cloud goes back in time to save the planet. He has a bunch of Reeve's and Cosmo Canyon's work with him and the plan is to steer tech in a different direction, hopefully (and maybe kill some people while Cloud's at it). In order to do this though, they need to work together and in order keep meeting without raising any alarm bells, they do pretend relationship. Aka, AC!Cloud as CC!Reeve's hot biker trophy boyfriend.

...

i have a hankering for this man, idk.. Also, there's only 9 Cloud/Reeve fics on ao3??