#cdrama clothes
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clj-art-blog Ā· 1 year ago
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ę‹œč§ęœˆå°Šå’Œęœˆäø» (Baijian Yue Zun he Yue Zhu) | Greetings Moon Supreme and Moon Queen!
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naomiwielant Ā· 2 years ago
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Give me a moment to appreciate these beautiful costumes!
I really really love the posters released by Gone with the Rain!
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Especially ones focusing on details of costuming!
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Seriously!
Mmmmmm! Look at the ornament!
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dadodo Ā· 3 months ago
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costumes for various villainesses, demonesses and other supernatural creatures in Journey to the West (1986)
costume design by Wang Yunqi
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journey-to-the-attic Ā· 5 months ago
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the new nightmare is cool but i think not putting them in hanfu was an missed opportunity
(+ long hair version that i wasn't as sure about)
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nunafilms Ā· 6 months ago
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Your clothes look terrible.
āœ©Ā  The Double ā”€ Episode 30 (å¢Øé›Øäŗ‘é—“)
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buried-in-stardust Ā· 1 year ago
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A transformation
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k-odyssey Ā· 8 days ago
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å¤§ę¢¦å½’ē¦» Fangs of Fortune | episode 17
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chinesehanfu Ā· 6 months ago
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[Cdrama Hanfu]š—–š—µš—¶š—»š—²š˜€š—² š—™š—¶š˜ƒš—² š——š˜†š—»š—®š˜€š˜š—¶š—²š˜€-š—¦š—¼š—»š—“ š——š˜†š—»š—®š˜€š˜š˜† (šŸµšŸ¬šŸ³ā€“šŸ­šŸ®šŸ³šŸµš—”š——) š—›š—²š—®š—±š˜„š—²š—®š—æ & š—›š—®š—»š—³š˜‚ š—¶š—» š—–š—±š—暝—®š—ŗš—®ć€å¢Øé›Øäŗ‘é—“/š—§š—µš—² š——š—¼š˜‚š—Æš—¹š—²ć€‘
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怐Historical Reference Artifacts怑
1.China Portrait of Qian Duo (10 March 852ā€“ 6 May 932), King Taizu of Wuyue (å³č¶Šå¤Ŗē„–)<Ming Dynasty replica>
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2.China Five Dynasties and Ten Kingdoms period: <White marble relief sculpture of Musician> Unearthed from the tomb of Wang Chuzhi, the governor of Yiwu Army during the Five Dynasties period
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3.Chinese Five Dynasties Period and Ten Kingdoms Murals: Tomb of Feng Huiå†Æę™–å¢“
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怐History about Chinese Traditional Headwear: Futou怑
FutouĀ (simplified Chinese:Ā å¹žå¤“;Ā traditional Chinese:Ā č„†é ­/幞頭; also pronounced and written asĀ putou), also known asĀ fuĀ (幞) andĀ toujinĀ (é ­å·¾),[1]Ā was one of the most important forms ofĀ Chinese headwearĀ in ancientĀ ChinaĀ with a history of more than one thousand years.Ā TheĀ futouĀ first appeared inĀ Northern ZhouĀ under the reign ofĀ Emperor WuĀ where it became prevalent.Ā It was also commonly worn in theĀ TangĀ andĀ Song dynasties.ā€ŠĀ TheĀ futouĀ was typically worn by government officials.TheĀ futouĀ was originally turban-like headwear which was tied at the back of its wearer's head, with the two corners going to opposite directions and acting as decorations.Ā From theĀ SuiĀ to theĀ Ming dynasties, theĀ futouĀ evolved and was developed based on theĀ fujin.TheĀ futouĀ eventually came to assume a variety of shapes and styles.The shape of theĀ futouĀ worn by the government officials in the Song and Ming dynasties, the latter known as theĀ wushamaoĀ (ēƒē“—åø½), was based on theĀ futouĀ of the Tang dynasty.
TheĀ Chinese futouĀ was also introduced in both KoreaĀ Unified SillaĀ and continued to be worn by government officials until the late KoreaĀ Joseon:ā€Š25ā€ŠĀ TheĀ futouĀ with aĀ jinziĀ (lining) was also introduced back in theĀ SogdianĀ areas inĀ Central AsiaĀ spreading to the Western regions through theĀ Xinjiang region.Ā TheĀ futouĀ withĀ jinziĀ was also introduced inĀ JapanĀ during theĀ Japan Nara periodĀ throughĀ Prince Shōtaku.
Sui, Tang dynasty, and Five dynasties and ten kingdoms period
Prior to theĀ Song dynasty, theĀ futouĀ was mostly made of black muslin.ā€ŠĀ In the early Tang, theĀ futouĀ was aĀ sijiaoruanjinĀ (å››č…³č»Ÿå·¾; 'Four-feet soft scarf'),where all four ribbons were allowed to hang down after being tied.Ā Later on, the early Tang dynasty minister,Ā Ma Zhou, was the first person to use a square kerchief in order to tie aĀ futouĀ and was also the person who added a lining to shape hisĀ futouĀ making it more beautiful.The lining which was added to the inside of theĀ futouĀ from the year 614 AD was calledĀ jinziĀ (巾子); theĀ jinziĀ was used to make theĀ futouĀ look more straight and beautiful in terms of appearance.Ā After being cut into the desired shape, theĀ jinziĀ was painted black with lacquer and would then be covered by theĀ futou.Ā TheĀ jinziĀ was made with soft and lightĀ tung woodĀ and with other materials such as bamboo strips, timbo,Ā miscanthus, silk, and leather.Ā It was also possible to line theĀ futouĀ with a mount-shaped item made out ofĀ paulowniaĀ (Chinese:Ā ę”ęœØäøŗ冠;Ā pinyin:Ā TĆ³ngmĆ¹ wĆ©i guān;Ā lit.Ā 'paulownia crown') in the front.Ā The step-by-step process to wear theĀ futouĀ withĀ jinziĀ was to tie the hair up in a topknot, followed by covering the topknot with theĀ jinziĀ as hard lining, then wrapping the head and theĀ jinziĀ with a black, square-shaped piece of cloth, and finally tying the cloth in the desired style.Ā TheĀ futouĀ withĀ jinziĀ then became the standard form ofĀ futouĀ in the early Tang dynasty.Ā A form ofĀ futouĀ withĀ jinziĀ was a kerchief with two corners attached with two ribbons in opposite directions of each other; the ribbons would then be tied at the back of the wearer's head, allowing the two back ribbons to hang down freely as a form of decoration.With time, theĀ futouĀ withĀ jinziĀ was further developed, and a ribbon was attached to each corner of the turban to make it more decorative; two ribbons were tied on the top of the head while the back ribbons were tied and were allowed to hang down freely.Ā TheĀ futouĀ withĀ jinziĀ could also have all four ribbons tied at the back of the head and allowed to hang down freely.Ā TheĀ yingwangboyangĀ (Chinese:Ā č‹±ēŽ‹čø£ę ·), aĀ futouĀ with a big and forward topĀ jinzi, was created byĀ Emperor ZhongzongĀ and became prevalent during his reign when he awarded this type ofĀ futouĀ to his officials.Ā During the reign ofĀ Emperor Xuanzong, theĀ neiyangĀ (Chinese:Ā å†…ę ·), aĀ futouĀ with a small and round top jinzi became popular around the year 726 AD.Ā Moreover, by adding wire or silk strings inside the added ribbons, theĀ futouĀ could take different shapes and styles depending on its wearer's liking.Ā However, in the Tang dynasty, only the Emperors could use these hard ribbons; these hard ribbons would be bent upward.The Tang dynasties emperor wore aĀ futouĀ with two upturned tails until theĀ Five dynasties period.The Tang dynasty emperors also wore theĀ zhijiaofutouĀ (Chinese:Ā ē›“č…³å¹žå¤“;Ā pinyin:Ā zhĆ­jiĒŽofĆŗtĆ³u;Ā lit.Ā 'straight-feet futou').
For more the history of futou's evolution, please refer to:
The evolution of futou in China
ā€”ā€”ā€”ā€”ā€”-
Photoļ¼šChinese Actor ę›¾ęŸÆē…/Zeng Kelang
CDrama nameļ¼šć€å¢Øé›Øäŗ‘é—“/š—§š—µš—² š——š—¼š˜‚š—Æš—¹š—²ć€‘
šŸ”—Weiboļ¼šhttps://weibo.com/u/7823001376
ā€”ā€”ā€”ā€”ā€”-
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kimp05 Ā· 1 year ago
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love you seven times (2023) : appreciation post | xiang yun / cang hai costumes
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evilsment Ā· 4 months ago
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Saw this painting from the 1600s by Gu Jianlong é”§č¦‹é¾ and it reminded me of the red hanfus seen in many C-dramas.
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la-muerta Ā· 6 months ago
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Parallels // Di Feisheng x Li Lianhua vs. the doomed lovers of Cailian Manor
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madeleineengland Ā· 1 year ago
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Fairy Xiang Yun (Love you seven times; 2023)
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lunar-bunn Ā· 2 months ago
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Longing glances during a romantic cave interlude? In my cdrama? It's more likely than you think! (now with even more faux siblings than ever before!!)
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dream-thief-forever-amen Ā· 2 months ago
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Meanwhile our girlies having an awkward dating experience in the prison cell. Itā€™s like those reality tv dating shows where they tie the possible couple to the mast or something and say ā€œjust act natural!ā€ as they steer directly into a hurricane.
Enjoy your tapas girls. Gossiping about your boyfriendā€™s ex boyfriendā€¦ who may or may not be dead (gasp!).
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psalm40speakstome Ā· 6 months ago
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The Double. Episode Thirty.
Duke Su sexily ridding her of another manā€™s cloak and then taking her straight back to his house to dress her in his clothes.
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madamadragon Ā· 1 year ago
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Cheng Yi in wedding dresses
(Immortal Samsara 2022)
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(Mysterious Lotus Casebook 2023)
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+bonus
(Deep Lurk - not released yet)
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(At this point i think there's a clause in his contract that determines at least one scene dressed as a woman, and we like it)
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