#mlc

[zhoudadudugongjin]

Not me just realising now that my best boy Sima Shi from Advisors Alliance is that one guy in mlc whom I have seen on my dash intermittently!

He looks waaaayyy hotter with a beard and a topknot. Just sayin.

(sitting here hoping this will convince more people to watch AA)

[maybe-boys-do-love]

Mix Sahaphap gets to perform (and has the performance chops to perform) in a style that I’ve never seen any other male actor get to embody. Mix gets to unironically play the #strongfemalecharacter. The Beatrice, the Elizabeth Bennett, the Jo March. Strong-willed, emotional, kind-hearted.

Not only do the plot points line up, but Mix, more than any BL actor I’ve seen, fully leans into the embodiment of this archetype. In his roles, he rolls his eyes, pouts, banters flirtatiously, softens his posture and expression at small details. He doesn’t over-exaggerate and imposition other characters but his face also doesn’t hold back his character’s thoughts and judgments. And when the moments arrive, he lets all the hurt and anguish pour out in shatters of tears and visible heartbreak—the star-counting scene, anyone????—in a way that harkens to the operatic emotionality of well-done melodramas, soap-operas, and their contemporary Thai equivalent of Lakorn. It’s only that these have never been men’s roles in those.

It’s no surprise that one of Mix’s roles—Cupid’s Last Wish—is explicitly a gender body-swap, and Tian in A Tale of Thousand Stars is (albeit explicitly denied within the show) heavily connected to gender body-swapping. What Mix specializes in as an actor, and does exceptionally well, has been defined as feminine. To depict a kind of queer expression in this style is novel because it’s not camp, it’s not okama, it’s not a soft or femboy, it’s not a BL twink (Mix has been mostly excluded from the schoolyards and quads of the BL universe except for a role as a senior crush in Fish Upon the Sky). It’s too sincere and too adult for any of that.

In Moonlight Chicken we get to see, without the pretense of gendered mysticism, this performance style’s seduction, warmth, wit, and explosiveness within the framework of a general gay form of expression. It says that this kind of femininity might just be a gay thing. Not all gay men exhibit it, obviously—queer men aren’t a monolith. Still, it gives us something to consider about how we observe performance of queerness on screen, especially in front of an audience that puts so much more emphasis on ships, heat, and pairing chemistry to assess how well they perform a BL role. Could we look for other features to judge performance of queerness instead of how well they kiss?

Seme and uke roles would be the major performance style categories loyal BL fans assess actors with, yet even within the archetype his character’s fill within BL narratives, Mix’s performances differ from the typical uke depiction in BL because he really doesn’t perform them as passive. Rather, Mix’s characters and his portrayal of them are dynamic and demanding. It certainly fits certain stereotypes of ukes (Gilbert!) and their gay stereotype equivalent of bottoms as pillow princesses and brats. Mix’s characters, though, have more drive, agency, and compassion than that, and he plays them with all of those currents running underneath.

We certainly have openly gay writer/director Aof Noppharnach to thank for writing this kind of queer character for Mix to play in Tian and Wen. But for Mix’s specific commitment to the performance starting off with his (debut!?) role in ATOTS, we first have Earth to thank for believing in Mix’s ability and recommending him to portray the role of Tian, and then Aof’s acceptance despite his differing initial expectations for the character. Mix, Earth, and Aof have all been open about how Mix in his personal life and nature holds a lot of similarities to both his role as Tian in ATOTS and Wen in Moonlight Chicken. Some people might knock points off his performances because he’s like them. But his relationship to the characters, rather than dampening my enthusiasm for Mix’s performances, helps me appreciate his willingness to give an authentic performance in a style that hasn’t been encouraged on screens previously. It’s made more impactful that he chose to risk vulnerability to bring something personal that had previously been excluded from screens because of its gender deviance (and in broader society explicitly condemned). This doesn’t make a claim on Mix’s actual identity, but simply shows his willingness to understand and perform the expressions of his queer characters with an effort at empathy that many other actors would feel challenged to bring.

Some actors are chameleons, but some actors have a gift of a type within which they can explore depths and range that no one else can best. For me, that’s what Mix does in his work when directors and casting understands his talent. There’s a BTS video of Mix actually fainting during a scene while in Earth/Phupa’s embrace on the mountain that immediately brought to mind the wildly famous final scene in the film Camille where Greta Garbo as Marguerite dies in her lover’s arms.

For Mix, it was a serious incident due to regrettably extreme conditions and requiring the on-set paramedics, but these levels of theatrics, for me, are emblematic of what Mix is capable of as a performer, as well. After all, he had to faint in Phupa’s arms multiple times on purpose. It’s the kinds of Old Hollywood and heightened sentimental romance realms Mix takes his performances to! Then he can turn around and make it look easy to take that same character into grounded quips or dedicated everyday tasks. It only takes writers, directors, and audiences willing to see that men can feel this way and act this way. Mix has paved the way.

[wangquan-fugui]

I can't manipulate 💙 mansplain 💜 malewife 💗 my way out of this one boys

[lao-hulijing]

my small, humble selection of MLC memes thus far

[qpjianghu]

Who’s the real you? The person who did something awful... or the one who’s horrified by the awful thing you did? Is one part of you allowed to forgive the other? [insp]

Li Xiangyi & Li Lianhua | Mysterious Lotus Casebook (2023)

For @mysteriouslotuscasebookweek prompt, Day 4: grief

[miaoyincourt]

Mysterious Lotus Casebook - Li Lianhua/Yi Xiangyi & Di Feisheng 9/?

MLC 1 | MLC 2 | MLC 3 | MLC 4 | MLC 5 | MLC6 LLH 1 | LLH 2 | LLH 3 FDB 1 | FDB2 DFS 1 | DFS 2| DFS3 JLQ 1 JLQ 2 | JLQ 3 FEIHUA 1 | FEIHUA 2 | FEIHUA 3 | FEIHUA 4 | FEIHUA 5 | FEIHUA 6 | FEIHUA 7 OT3

[loveable-sea-lemon]

so fucking funny 😭

(twitter link)

[goblinkingsart]

"It's better to sleep at home, don't you think Xiaobao?" part 1

[travalerray]

Li Lianhua's will: I bequeath my dog, my swordplay and my homoerotic rivalry to Fang Duobing

[palehorsemen]

[circuscl0wn]

The Old Men of BLs

This might be a cultural thing but I can NEVER get over men who are like 29-35 being treated like decrepit and ancient beings in Thai BL series😂😂💀

Uncle Jim in Moonlight Chicken and now Uncle Alan in Pit Babe. And somehow both seem to be having money problems while taking care of their found families💀

Being called uncle is just about respect, but the way they’re shown to be a bit out of touch with the youth never fails to make me cackle. Mainly because they’re like 5 or so years older than other characters in their shows.

One things for sure I’d fuck the sh- *screen cracks and fades to black*

[wangquan-fugui]

[distant-screaming]

I love media that is about parents. the way it always leads back to the way characters have been raised, been loved, been taught to love. media about about fathers and expectations and understanding and cultural roots holding it all together, about rekindling relationships that never had a chance to exist and letting go of grief over relationships that don't exist anymore. media about mothers, and burdens, and shelter. media about generational cycles and legacies and futures that are dictated by the past, and media about nature vs nurture and the way they have lived. media about the wealth and family and what is important and when. media about family of blood and family of choice and family of convenience. I love media about history and inheritance and, most of all, parents.

[qpjianghu]

 “It’s not that you don’t forgive others... it’s that you refuse to forgive yourself.”

Li Xiangyi / Li Lianhua - Mysterious Lotus Casebook, Ep. 40

[maggiecheungs]

MOONLIGHT CHICKEN || ep 7

[miaoyincourt]

Mysterious Lotus Casebook - Li Lianhua/Li Xiangyi 4/?

MLC 1 | MLC 2 | MLC 3 | MLC 4 | MLC 5 | MLC6 | MLC7 LLH 1 | LLH 2 | LLH 3 FDB 1 | FDB2 DFS 1 | DFS 2| DFS3 JLQ 1 JLQ 2 FEIHUA 1 | FEIHUA 2 | FEIHUA 3 | FEIHUA 4 | FEIHUA 5 | FEIHUA 6 | FEIHUA 7 | FEIHUA 8 OT3