#cause she never shuts up

[the-cat-and-the-birdie]

Punk is a thought, not a look. It's a message, not a sound. ________________________

Mariah-Janet Waters

Hobie's 'Mary-Jane' | Earth-138

18 - Any Pronouns - 5'3'' - Aro/Bi - Autistic - Pronounced Mariah-JA-net

Mixed Nigerian and Irish

Police Whistleblower from age 15, publishing anonymous exposés and hosting a local illegal anarchist radio-show

Daughter of Captain Walter Waters

Earned her blue laces off her father at 16 - Doesn't regret it all and still sleeps sound as fuck at night (well... not soundly)

Survivor of 4 assassination attempts - counting on a 5th

Most talkative person on planet earth - but wears the mask 24/7

Hates being called MJ DEEPLY

No piercings, untatted, and doesn't even like punk music

Entirely Punk none-the-less

[unmasked Mariah at the end]

Background:

Mariah-Janet has dedicated her life to the anarchist movement, and taking down Fisk's administration - no matter what it costs. Not that she had much left to spend. Born to Captain Walter Water's, a white police officer, and Barbra, her Nigerian mother, Mariah's mother left her life early - at the age of 4, not bothering to take Mariah with her. Instead she was raised by her father, an abusive cop mad at the world- and out to make it his daughter's problem. Raised in a tiny flat in low-income Tower Hamlets, he spent the majority of her childhood trying to iron the blackness out her hair and beat the queerness out of her soul. Though none of it ever worked much. She says change ain't in her nature. As Fisk's administration grew, so did her father's ruthlessness, and his newly earned V.E.N.O.M symbiote was only fuel to his fire. And at 15, Mariah become 'Red' - An anonymous Anti-Police whistleblower. Publishing dozens of exposes, reports, and zines against the administration - 'Red' rose to infamy through his illegally broadcasted rogue-radio show and his uncensored and ruthless protesting tactics. However, at 16 Mariah came across a story that would change her career - discovering the murder and cover-up of her own mother. Enraged but determined, Mariah leaked the report, at the same time her father uncovered her identity. Consumed by rage and powered by the V.E.N.O.M symbiote, when her father attacked her, Mariah earned her blue laces. And started wearing her mask, living life as the wanted 'Red'. Today Mariah lives in hiding, couch-surfing at the places of other organizers, or squatting in vacant flats.

Personality:

Don't let the bandana and dead stare fool you - Mariah is far from quiet and cold. Being autistic and hyperverbal, Mariah talks A LOT - whether she's actually saying something or not. She's not very expressive or emotive, and her humor is pretty dry and bland (think Dwight from the Office), even though she hates mean-spirited jokes. On the lighter side of things, Mariah is pretty brash and open. She's a writer, not a leader, and she's more interested in going with the flow than being in charge, though she often finds herself there. She fairly laid back - and incredibly confident. Almost outright cocky, even moreso than Hobie. She sits legs spread and burps loud and rolls her eyes and sucks her teeth. She enjoys cursing in front people who think it's 'rude', and she has an accent thicker than Hobie's. But unlike Hobie - she's not a 'typical, actual' punk (yeah right). She doesn't listen to punk music. In fact, she doesn't listen to much music at all. She has no real interest in the clothes, or the music, or the crowded live shows. And when she met Hobie, she had no real interest in the pretty boy who brings a guitar to a protest. Mariah is a punk, because that's how she lives her life. And she'll genuinely laugh in your face if you tell her she isn't, just because she thinks the Sex Pistols are shite. And she's incredibly loyal. To say Mariah doesn't trust anyone (from her universe at least) is an understatement. She can't afford it - what with 4 assassination attempts and counting - but if there's anyone on Earth she trusts, it's Hobie. But her and Hobie don't always see eye-to-eye. On the darker side of things, Mariah lacks the 'radical kindness' that Hobie does. Even though her and Hobie are both hard-core anarchists, 'Red's definition of 'justice' is often far more extreme. Mariah hates cops. All of them, and she genuinely wants them dead - in the most painful way she can muster. Knowing there are more men like her father out there, still sleeping soundly at night, and that there are men out there protecting them, Mariah says the movement isn't over until all of them are either punished, dead, or both. Mariah wants merciless punishment, and she isn't afraid to say it. For cops, politicians, fascists, nazis, racists, and any other bigot still breathing. She's an amazing planner, and a phenomenal speaker, but her protesting tactics often teeter into dangerous and malicious territory. Including arson, and if given the chance, execution. When Spider-Punk saved Mariah's life from a cop torturing her - the third attempt on her life - Mariah insisted he kill the already downed officer. Because it'd be 'One less to worry about.' Hobie didn't. And both began looking at each other a little bit different from that point forward. When they're alone and Mariah talks about how good it would be to live in a world without cops, Hobie can't help but agree. He's just afraid of what Mariah is willing to do to get there. And the more she tries, and the more she speaks, the more dangerous it gets for her.

Hobie & Mariah

Meeting:

Hobie knew his MJ Canon Event was coming - he just didn't know he already knew her. Hobie had met Mariah as 'Red', at an 'unpermitted political protest/performance art piece' - Hobie's words, not theirs. A Molotov cocktail in hand, and a balaclava across his face. To Hobie, to meet the person behind the words was surreal, and only for a few brief moments. Red met Spider-Punk months later. Coincidentally, while staring down the barrel of a gun. Faced with his second assassination attempt, Red comes face to face with the other masked anarchist, and is instantly filled with respect for him. Red's a fan, and Spider-Punk's a fan of his as well. And soon, the two are working together on the regular. Staging protests, running an illegal anarchist-rock-radio-show, and exposing insider information. It isn't until Red's third - and fourth - assassination attempt, that Hobie realized Red was now living in a bullet proof vest. After the fourth attempt, Hobie demasked himself, bringing an injured Red to the boathouse. He somehow convinced Red to stay while he healed. It was only then that Red revealed her identity to Hobie, and switched from ski masks to bandanas, and from Red to Mariah.

Relationship:

They aren't dating. If you even insinuate anything of the sort, Mariah is very likely to either tell you to 'piss off', or she'll (lovingly and playfully) insult him. 'I love charity work, darling. But not that much.' Romance isn't in the cards for them - Mariah's aro anyway. But that's not why this canon event exists. In every universe where MJ and Spidey are together, they are a rock for each other, mentally and emotionally. They're there to keep each other standing. Hobie didn't believe in canon events, and he still doesn't. But it took him a while to understand why Mariah was his canon event. Not to love her, but to protect her. Hobie believes in Mariah's message. And he believes in the power of her voice. 'Red' is loud. And Fisk knows it. She's a threat, because she's the voice of the people. Hobie may not agree with all of her methods. And that's fine. He can live with that. Because he believes in her message - and more importantly, he believes in her power. Hobie and Mariah were never meant to be partners in romance. And they'll forever be partners in crime. Outside of that - Hobie and Mariah's relationship is purely sexual and platonic. They're more than best friends. To them, they're two people who puts their lives in each other's hands every day, and respect each other beyond anything in this world.

Face Claims: Ice Spice /// Erin Kellyman

More about Mariah [Mentions of My Spidersona Disco-Spider Diane below]

Mariah is pretty romance averse. Her and Hobie never kiss outside of sex, and she's not touchy unless she's flirting. (Which she does, A LOT, just not to Hobie. She always tells him she can pick up more chicks than him - which, true.)

If Hobie tried to kiss her on the lips out of nowhere, she would look at him like he was absolutely insane. (She'd be like 'bruv - fuck are you in my face for')

She's not interested in romance at all, either thinking it's bizarre or distracting - and she's not afraid to say it

Though she has no interest in Hobie romantically (and doesn't see the appeal), she's still happy that he has Diane in his life. And she's VERY happy to leave that gushy shit to her.

*Makes retching noises when Diane & Hobie kiss in front of her*

Unlike Diane & Hobie, Hobie & Mariah are pretty open about the fact that they're fucking and nothing more. They're casual about it, but when Mariah is making Hobie sit on her lap at an afterparty - it sends a message.

She also likes to grab his ass at any opportunity, especially in front of people - doing things like pulling on his suspenders (then letting them go so they snap at his back lol)

She's also involved with Diane - originally independent of Hobie, after Mariah and Hobie got together - getting together shortly after Diane came out as bi

She knows Diane is not from their Earth - Hobie told her this before she ever met Diane. They first met when Mariah went alone to go introduce herself to Diane in her universe (with Hobie's blessing)

She went unmasked, and so Diane saw her face when they first met

The three of them are in a soft polycule

Mariah's masc-bi-butch and she prefers masculine descriptors.

Most of her clothes are thrifted jerseys of teams she doesn't back, and jeans 3 sizes up. When protesting, he'll wear all red.

Mariah prefers he/him pronouns when out as 'Red'. When out with unfamiliar people, organizers, or active protests - He's most often in balaclavas and ski-masks

Mariah doesn't wear boots - only trainers, but she still ties blue laces around the shins of her baggy pants every morning, because she feels like she's earned them

Wears her bandana almost constantly, and will wear it even when alone with Hobie - though she takes it off by herself. She has dozens, so it's always easy to grab one.

Very rarely will she take it off to eat or drink. She'll try to eat around it or drink around a straw, which is usually successful. If it isn't, she'll leave the room

She doesn't want people to memorize her face. And it's not that she doesn't trust anyone - which, she doesn't - it's that enough torture could break anyone. And she's not taking the risk.

If she takes off her bandana in front of you (unlikely) and you scan her face, she immediately doesn't trust you. (Why you looking so hard)

She wears her bandana so often around Hobie, that he finds it very easy to tell her emotions, even though Mariah does not emote much in general - besides, Mariah talks A LOT

It took her multiple months before Hobie saw her face, and she only showed him after living on the houseboat for some weeks, after they'd slept together

Raised being called 'MJ' by her father, Mariah highly dislikes it. She'll tell you not to call her it once, and every time after, she'll be a little more pissed

Around Hobie and people he trusts, Red prefers to go by Mariah or M - and uses any pronouns. If you ask Mariah their gender, you'll get an amused smile and bored shrug. What are you, a cop?

Asks people 'What are you, a cop?' or 'You a narc??' quite often. Half the time she's joking. Will also say "Okay, Officer." If you're being pushy and annoying, and laughs if that irritates you (Hobie)

Her laugh is very sharp, and it almost sounds mocking. Even if she isn't

Lots of times people don't trust her, what with the mask. These are the people she likes to take the piss out of most

Mariah experiences a lot of chronic pain, mostly derived from her father, and her 3 & 4th assassination attempts - making protests extremely taxing on her

Though she will hide this at all costs, in front of everyone except Hobie. During times of stress or increased pain, she'll take painkillers in sporadic doses. But being wanted by the state, she can only get her hands on so much.

She doesn't do much but protest and write. She doesn't like music like that, and she doesn't see the appeal. She doesn't draw anymore, though she used to

After years of living in survival mode, she works, plans, chain-smokes, and tries not to get killed while doing it

She doesn't understand Diane's groupie behavior, or Hobie's 'punk' rockstar cover. She thinks it's pointless, and on occasion she'll say this, not realizing how callous that may sound

To her, Hobie is a dork. And she calls him a dork all the time. How someone could see him as cool or rather - 'groovy' - is beyond her.

Has little to no filter - unless it comes to secrets and observations. Either she tells you exactly what she's thinking, or you get nothing at all.

Often has to be told when it's too much, and on occasion, during political planning, she has told Hobie he talks 'too nice'.

Though she does envy Diane, and her ability to just dance. Mariah has no form of escapism - her writing will always be a harsh reflection of reality. And she admires Diane's ability to live in spite of that, without the anger her and Hobie often go through.

The only escape Mariah has is reading, and puzzles. Mainly rubix cubes and things like that.

She loves fiction and fantasy. But her love of books doesn't stop there, and Red's radio show isn't all screaming.

Mariah is extremely versed in political and anarchist literature, being able to memorizes passages from manifestos and books easily, as well as speeches or direct pieces of confidential files she reads

Mainly leads riots - using anti-tear gas safety, road-blocking, and anarchist warfare like molotov cocktails & destruction of surveillance

Whereas a lot of Hobie's protests preach Love & Kindness among the community, Red's radio show and organized riots are backed by rage - telling the people to end the oppression by direct action, at any cost

Red wants revenge and a future, and if that means burning it all down and rebuilding from ashes and graves, then that's what he'll do. Happily.

She has killed in front of Hobie before, and he was not very happy about it (to say the least)

Sleeps in Hobie's bed a lot of nights - mainly because of the nightmares. She doesn't like doing this, and wish it didn't happen, but it is what it is. What helps helps, and she trusts Hobie more than anyone

Unlike how he is with Diane, Hobie is extremely protective of Mariah and worries about Red constantly - to the point that he's hypervigilant

Still has the badge she took off her father at 16. Her most prized possession

________________________________

ART STYLE: [We're almost done I PROMISE]

Less animated and expressive than Hobie - Mariah does not change colors the way he does. Most of the time she is black, white, grey, or the color of aging parchment, detailed with handwriting and lined paper.

Mariah can only turn Red, when enraged or at protest, and Blue, for injured, scared, or upset. As she gets angrier, the handwriting across her becomes more and more erratic and illegible.

INSPO:

Mariah is about being authentic without performance.

She's a punk, even though she 'doesn't look it'. She gets told that a lot. She's black, even though she 'doesn't look it'. Disabled, though she 'doesn't look it'. She's bi, but she 'doesn't look it' either.

Mariah isn't quiet, and she never hides the truth. But because people can't see her face, they act like they can never get a read on her - even though she's brutally honest.

I wanted her to defy the idea of what a punk is. She's not the girl who goes to Hobie's shows and kisses him backstage. That's Diane.

Mariah is the one that follows him into battle and debates him for hours. Even if she doesn't like his music. She still believes in anarchy, and fighting, and freedom.

She's still punk, and despite the anti-blackness of her father, she's still black.

Mariah is the opposite of Diane, although that wasn't really on purpose.

A lot of the time in the comics, MJ and Peter's relationship is about them being on the same side, and facing the world together - MJ always a encouraging force for Peter. And I wanted to boil that down as much as I could. So often that encouraging force is through romance and romantic affection - but unlike MJ and Peter, Hobie and Mariah have everything but that aspect. Both their attraction to each other and their mutal emotional support of each other are divorced from romance - instead being based in respect and care. Hobie wants to protect Mariah, and Mariah wants Hobie to fight at her side. Mariah is the reflection of Diane. She represents his political side, while Diane represents more of his musical side. She represents his enraged determination, while Diane is his radical kindness. Diane and Hobie aren't open about being 'together', but the romance between them is clear. Meanwhile Hobie and Mariah are open about sleeping with each other - and the lack of romance is just as clear. And my favorite part is their reflection of morals. To Diane suffering for the system, and for the Society, is a worthy cause. A necessary sacrifice. Diane is community oriented above all else, something she gained by her communist upbringing. Meanwhile, Mariah couldn't disagree more. No community liberated her. Instead, she liberated herself - not by sitting outside a courthouse - but by direct action - and killing her father when she got the chance. If life was a garden, Diane tries to plant flowers. Mariah is more interested in pulling up weeds. Maybe Diane is naive. Or maybe Mariah is cynical. Or maybe they both know exactly what they're doing. Either way Hobie cares for both of them beyond words. And in return, they love giving him headaches.

If you read this far - THANK YOU SOOO MUCH. Mariah took a while to come to me, but now that she's here she's as hardheaded and smug as can be (affectionately)

Her and Hobie are basically bros that fuck sometimes and their 'kisses' are actually just passionate looks of rage when they lock eyes during a riot lol

And because you made it this far: Here's a rare unmasked Mariah!

As per usual, take this Hobie photo, absorb it, cherish it, and use it in times of weakness for it will give you strength

Bye.

[paperglader]

they really put alicent in bridgerton blue on the reunion and genuinely expected me to think that she didn’t in fact march all the way to dragonstone to get wifed up? bfr

[kizzer55555]

DPxDC: Jarro Adopts an Alien

Ok, so Danny has a space obsession and a protection obsession (I headcanon that as a halfa, Danny has two obsessions like all Halfas do which makes them unique to other ghosts.) and so while he can get his fill protecting people in Amity, he struggles with his space obsession. Sure, he can look up everything he can about space and the stars on the internet. He can stay up until 2 am looking at the stars (who needs sleep? He’s a ghost, he can go days, or even weeks without sleep if he wants, same with a lack of air or food.) but it’s just not enough. He craves to learn more, see more. Just as Dani gets that itch to travel, Danny wonders. What would it be like to see the stars up close? Are they really as hot as a dragons fire breath? Hotter!? Or maybe they are so hot they are cold. What does it look like to see plasma dancing across the surface, or touch the gasses of Jupiter? Does Pluto have ice caves like the far frozen? How many planets are actually out there? What about Mars. There’s a whole species living there with a language and culture Danny can’t even fathom! Oh what he wouldn’t give to talk with martian manhunter or Superman. 

And what’s stopping him from exploring this? He can fly. He doesn’t need air. He can go intangible if it gets too hot and he’s practically immune to the cold. He wants to touch a space rock! See if they are smooth because there is no wind or earth to rub against them and erode the surface. He wants to see what planets they come from. What minerals they might have. He wants to know if there are currents in space. All of these things are right there just above the atmosphere. Surely it couldn’t hurt to take a quick peek. So he does. During a particularly bad day Danny flies as fast as he can until the earth’s gravity looses its effects. Until his hair is floating as of it’s in water even more than normal. Until he can feel when breathing no longer became a choice (still not necessary though). And it…was beautiful. To be surrounded by space. To see the earth like this. Pictures just didn’t do it Justice. He flew across the solar system and as he passed planets, he longed to fly through them. To search every crevice and learn their secrets. But he had a bigger prize in mind at the moment. The crown jewel of their universe. The closest star he could find. The sun. 

Danny was mesmerized. The plasma really did dance across the surface. Like a never ending performance of science and beauty. There were sparks that few in arcs. Danny flew down and played in them, making a game to see how many he could fly under. His ghost core purred in delight. His obsession had never been more satisfied. He spent hours out there. Just exploring what his solar system had to offer. So when he returned? He couldn’t just forget. Pictures and online science theories had nothing on the real thing. He wanted to explore some more. So he did. Every night he would go out and explore the cosmos. Flying from planet to planet. (Either the Martians were still around and Danny made friends with them, even learning their language, or he just looks at their ruins to learn as much as he can). And with both obsessions now being filled, Danny is more settled. More confident. And he can focus better. Everyone notices the change, even his teachers. They just think that he’s paying more attention to his education now. He’s even better during his ghost fights. 

But Danny can fly awfully fast. And he soaks up information even faster. Soon his trips take longer and longer as he flies further out. Sometimes he can barely make it back in time for school. And he can't go every night. Sometimes the ghosts won’t wait for daytime so he has to make sure the town will be safe in his absence. Although he’s been able to take more trips ever since Valerie joined the vigilante ranks. But still, he’s getting farther and farther from earth each night. Until one day he’s visited every planet, every star, every comet or debris in their solar system. Which would be fine. He could deal with that if that was all there was. But it wasn’t. Danny saw the stars just out of reach. He saw places the Milky Way was leaning towards. He saw just the barest hints of new solar systems with new planets and stars. And he knew of legends from lanterns that they had posted online. Heard tales from some scientists that have made better telescopes. And his core itches. It aches to know more. See more. Yet he can't go further. And this puts him in a sort of depression. Suddenly he’s back to his old self. Lagging behind. Distracted. Zoning out. Crashing into a few more buildings during ghost attacks. Yet he tries so hard to be satisfied with what he has. He can still fulfill his obsession…it’s just more like chewing on a granola bar rather than eating a decent meal. He’s almost becoming lethargic. 

So one day he goes to Frostbite to see if there’s anything he can do to lessen the effects. But the yeti just takes one look at him and gives him the infimap. And suddenly Danny is in a whole new universe in seconds. The planets are purple. The stars are blue. He’s pretty sure there are furry blob-like creatures living on one of those planets. And suddenly he gets that itch, but holding the infimap, he knows he had time, so he lets himself go. 

And for a while it’s good. great even. Since he can’t keep asking the yetis for the infimap, he goes over to Wulf to see if he’s up for an adventure. Most of the time he is and they go exploring the galaxies together. And then Wulf had the genius idea of teaching Danny how to make portals. It took a long time but soon, he could concentrate the surrounding ectoplasm enough to weaken it and pull. It took a while since Danny didn’t have ecto claws and would have to use his pure will. But this would allow him to follow his obsession anytime, anywhere. So it was only a matter of time. And once he figured it out? It was like something was unlocked. Danny had never before understood how Ellie could travel so much. But now he did. That feeling when you discover something new. When you add to your reservoir of knowledge. When the patterns in the universe just click. There is nothing Danny could compare it to. And to explore that whenever he wanted? It was so freeing. While Wulf sometimes still joined Danny’s adventures, Danny did most of his explorations by himself. 

He meets various planets and aliens. So many different cultures. He learns thousands of languages. Tries all kinds of foods (and it’s a good thing his ghost self has an iron stomach and he’s basically poison resistant.) even found a whole comet where blood blossoms grew. (Which he most definitely avoided). And wasn’t that fascinating? To find out they were from space. 

And then during his travels one day he met a space alien starfish. 

It was actually a funny story. A meteor shower was about to attack a planet of talking blue monkey creatures with 4 arms. Danny immediately started diverting them and was soon joined by some lantern corps (which his inner fanboy wanted to talk to so bad.). And a tiny starfish in a…Robin uniform? Oh and the starfish could apparently do martial arts which was interesting to watch him karate chop a meteor. He could also talk directly into Danny’s head which the halfa found more interesting. So they got to talking and apparently his name was Jarro. He seemed to be helping the lantern corps as a ‘proxy from earth’ to make better use of his skills. 

Danny would run into Jarro a few more times. Sometimes he was with Lanterns and sometimes he would just be exploring the galaxies. They started forming a pretty strong friendship and Danny would start seeking out the starfish alien to travel with him. He knew all kinds of space facts. Apparently he had an eidetic memory. When they explored, sometimes Jarro would just stick to part of Danny. Wrapped around his arm, his waist, sometimes just sticking to his back like a strange backpack. But they always had fun.

So Danny was happy. He could fulfill both obsessions and got a space pal. Everything was great!

Until the GIW caught him. 

It would probably be the worst day of his life.  There was an explosion in the lab. Something set up by them after they realized Danny frequented that place often. So they set a trap and blew it up. Thankfully, Jazz was at college during this but both his parents were home. When the explosion went off, Danny had tried putting a Barrier around them all. It took everything he had to maintain it. That’s how they found out he was phantom. Danny had a few moments where his parents said they accepted him but he couldn’t hold the barrier for long. His parents said that they loved him and then everything went green. He woke up in a lab, tired and injured. His only saving grace being that he remained in phantom form. And he was determined to remain so. 

Danny’s time at the GIW was a haze but eventually, he managed to escape. Bleeding, and tired, and still recovering from the burns in the explosion, Danny made a portal straight to Amity. Only when he got there, it was a ghost town. Streets were empty, buildings were boarded up. Even the Nasty Burger was deserted. As for his house, there was nothing but a crater left and some scattered debris. Danny looked everywhere but there was no one. No Jazz. No Sam. No Tucker. No one. and he was tired. And everything hurt, and he needed a friend. Someone he could trust. So in a daze he made a portal and tried to just project safe. Safe safe safe. Somewhere he knew he would be protected. And so Jarro got a surprise when his space buddy suddenly popped out of a green portal, bleeding green and clearly passed out. He didn't know what to do. He didn’t know how to help him. But Jarro knew someone who would. 

So with a speed never before seen from a tiny starfish, he flew to earth. Bringing his friend straight to his father. Because surely batman could help!

And with his appearance, the green blood, the knowledge of space facts. The lack of wanting to talk about where he came from (and the nightmares crying out for his parents). This is how the bats became convinced that Jarro brought them an injured alien. 

[zukosbangtan]

if u hate katara i'm just gonna assume that you're a misogynist bc wtf is there to even hate?? like ughh katara stop being so nice and selfless and always ready to help people in need and such a powerful waterbender master and funny and pretty and determined and strong it really makes me not like you!!! also you've already mentioned ur dead mother who was brutally murdered when she tried to protect u when u were just a little child like 67 times (eventho it was like maybe 4 times in the span of the whole series but we're going to increase the number bc we think it's funny to make fun of a child trying to cope with her mother's death)!!! how dare u mention the most horrific and traumatizing loss that has shaped u and ur entire life from time to time?? especially as a 14 year old like omg pls grow up already!!🙄

[hana-bobo-finch]

Shoutout to this draft I made a couple hours ago when I suddenly had an epiphany for how I could fix a part of my story and I was so excited that the only way I could express it is to write whatever this is but I couldn’t post it because I didn’t have internet

also it got marked as mature for some reason

[weirdbabs]

[shieldofmen]

Catelyn’s scared of society’s image of what a bastard is. This is why she treats Jon the way she does, because of her classist ass belief that Jon is inherently evil by nature of his birth. Shes not truly scared of anything hes done within those 14 years he’s lived in Winterfell. But Jon? The way he feels about her isn’t connected to some bullshit societal prejudice. That comes from her, and how shes reacted to him. (Which clearly still has an impact on him even after he no longer lives with the Starks) But yea somehow shes in the right for treating him like shit and hes in the wrong for? Existing within her general vicinity? Despite the fact that he had no choice. Would they have preferred Ned kicked him out? For an ADULTS comfort? Ah come to the asoiaf fandom where we think children should accommodate the adult because we are ass backwards.

Yall do realize just because someone lives in a time/place where the prejudices they hold are common does not mean they are absolved of the hurt they have caused, right?

[coquelicoq]

was telling a friend about the double today and got to the part where jiang li stops xue fangfei from killing herself by saying she has to live because she can't get revenge if she's dead. and my friend was like wait what french novel does this remind me of? and i was like babe. it reminds you of the count of monte cristo. the double is better though.

[todayisafridaynight]

whatever og text i had in mind for this post about ko shibasaki looking like sayama in this movie is completely cancelled on account of utsumi (this character)'s first name being kaoru and i only found this out cause i was looking up her name just to be sure when making this post

like jesus christ i legally have to make this post now

[6flyingosprey6]

QSMP Eggs and what Percy Jackson cabins I think they belong in

Chayanne- Poseidon

Dapper- Hecate

Leo- Iris

Ramon- Hephaestus

Juanaflippa- Nemesis

Bobby- Ares

Tilin- Aphrodite

Trump- Hypnos

Tallulah- Apollo

Richarlyson- Demeter

Pomme- Hades

Empanada- Athena

Sunny- Nike

Pepito- Hebe

Chunsik- Tyche

Nacho- Dionysus

[disfrutalakia]

Nobody tells you how lonely it is to hang out with your irl friends when you're the only one who is not dating, the conversation eventually always turns into them talking about their boyfriends and you have nothing to add

I'm happy for my friends of course, but it is lonely all the same

[abstractppsychopomp]

so I love Boba Fett with all my little weak heart and I decided that somehow I will write something about him. exploring his relationships with clones and his big ass family and his father and grief and Mace because I love him as much as I love Boba. Boba, after his years in prison, the war's ended, and Ponds (who survived and for the feels was the clone Boba was closest to on Kamino) takes him in and trains him because Boba is all "my dad was a mandalorian i will be a mandalorian in all but creed i will be like him what else can I be?". I will also include Din and Fennec, because... how could I not? and where's Din there's also Grogu. Maybe something along the lines of "Din rescues a Grogu who was taken for his force sensitivity before the Temple could take him in, so he wants to take him to the Temple, but the ones who put the bounty on Grogu want him for his blood (because yes we will keep the "let's create force sensitive ppl in a lab" plot line it's interesting) and he has to escape them, he meets Boba and Fennec, a trio is born, but when they finally take the little green child to the Temple he doesn't want to leave Din so they stay together!!". and somewhere Leia and Boba will conquer Tatooine together. don't ask why. maybe Leia wants to go to Tatooine to do 'something' but doesn't want his family to know so she pays Boba to be her guard but they both get taken by slavers, Leia kills Jabba when her brother and father come to the rescue, Boba takes over Tatooine and Anakin finally has a chance to free all the slaves, yada yada.

[daddy-long-legssss]

The Story Behind The Song: Arctic Monkeys’ early ambitions on ‘A Certain Romance’

Lucy Harbron – Far Out Magazine | January 17, 2024

It was 2006. Mortgages were crashing, and businesses were going bust. Tony Blair was on his last legs in office as the longest-serving prime minister since Margaret Thatcher, and the hangover of ‘Cool Brittania’ was beginning to set in with an unexpected ferocity. Things were bleak when a young Alex Turner sang, “There ain’t no romance around there” through the public’s speakers. Arctic Monkeys were about to write themselves into musical history as the voice of a new generation.

The final song on their debut album, there has always been something special about ‘A Certain Romance’. In 2022, after the release of their seventh album, The Car, Turner seemed to find himself reflecting back on that 2006 track. To the musician, that early cut holds a clue to everything that was to come as he said the piece “showed that we did actually have these ambitions beyond what we once thought we were capable of”.

Coming in at over the five-minute mark, ‘A Certain Romance’ almost feels like the Arctic Monkeys’ version of a rock opera, summarising all the themes, feelings and energy that came before it on their seminal album Whatever People Say I Am, That’s What I’m Not. It has the cheekiness of ‘Fake Tales Of San Francisco’ and the catchy instrumentals of hits like ‘Dancing Shoes’ or ‘I Bet That You Look Good On The Dancefloor’. Utilising the northern charm of ‘Mardy Bum’, it stands as a final, neatly summarising point on the social commentary found in their early tracks like ‘From The Ritz To The Rubble’ or ‘Riot Van’. Really, it could be argued that ‘A Certain Romance’ is the ultimate example of Arctic Monkeys’ original sound, perfectly encapsulating all the things that made the world listen up and pay attention.

It’s like they seemed to know that, too, always allowing the song a special place. In fact, it was really the band’s opening remark. Years before the offer of a debut album came around, the group were a well-oiled machine with their own local hits. They had the northern live music scene in their hands as their homemade demo CD was passed around like everyone’s worst-kept secret. Beneath the Boardwalk features eight out of the 13 songs that would be on Whatever People Say I Am, That’s What I’m Not, albeit in a slightly different, lower-quality version. But the opening number, ‘A Certain Romance’, sounds just the same.

It’s all there, from the rolling opening drums to that final guitar solo. Recorded and produced in a rented studio at only age 17, the existence of ‘A Certain Romance’, one of the band’s most explorative and energetic numbers, in this form this early in their career feels like a diamond sitting in a mine. It proves that they were always onto something special.

They never needed any help. In fact, their producer, Jim Abbiss, noted that they even seemed nervous about the help. “I think they were probably a bit weary, like ‘who’s this guy? And is he gonna make our sound this or that.’”

They didn’t want anything to change too much, as the group already had the songs figured out. Turner certainly did, as the track’s meandering narrative about hometown lads, fights, and local boredom is already there. Talking on a podcast, original member Andy Nicholson revealed the story behind the song. “We had a practice room with a pool table in, and we had a party in there, and we invited another band who were friends of ours, and we all had some drinks,” he said. “Then something happened, someone throws a pool cue, someone throws a pool ball, and everyone ends up fighting,” he added, explaining the lyrics, “there’s boys in bands / And kids who like to scrap with pool cues in their hands.”

But the magic of Arctic Monkeys lies in their nuance. What begins as a snooty analysis of his local landscape is a genuinely affectionate take. “Well, over there, there’s friends of mine / What can I say? I’ve known ’em for a long long time / And, yeah, they might overstep the line / But you just cannot get angry in the same way,” Turner sings, looking around at his bandmates and lifelong friends. ‘A Certain Romance’ is not only a time capsule for the group’s beginnings but is an ode to all the people who were there with them. It’s an ode to the hometown that made them and all its various characters.

But as the last guitar solo roars to life, there is an unspoken statement that they’re going to be bigger than what they came from. “I remember when we were recording ‘A Certain Romance’ and having a conversation with the producer about the final guitar solo,” Turner told NME, recalling the moment these songs were reworked for their debut. But they wouldn’t let anyone mess with ‘A Certain Romance’, knowing exactly what they were doing and trying to say with that one. In the 2003 demo version, all the feeling is already there, and Turner wouldn’t risk it.

“There’s something that happens at the end of that track where we break some rules in a single moment,” he continued. What happens at the end of the piece feels even more special, considering how the album was recorded. “These are the songs we wanna do, and I think this is the order we wanna do them in,” Alex Turner told their producer, recounting the conversation in 2007 to RadioX, “And he goes, ‘alright, we’ll try to record them in that order as well.’” As the final song, that last guitar solo is the last thing recorded for the album, standing as a cathartic outlet and a chance for the band to prove themselves.

“We focused on the [emotional] effect of the instrumentals over the words,” Turner reflected on the track, concluding, “and I feel like we’ve been trying to do that again and again since then.”

+

[fever-project]

Also also Ravio probably has pictures of Hilda that he shouldn’t have but he somehow got copies of em or something and they’re hidden behind a curtain, or in his diary. Kinda like marinette from ml

omg no I hate marinette 🫣<-closest emoji that I could find to describe putting my head in my hands all embarrassed like. But like, I can see him trying to snap pictures of Hilda, trying to be secretive. Hilda’s 100% aware of what’s he’s doing and finds it very amusing. She sometimes purposefully poses when she knows Ravio taking a picture of her “secretively,” but is trying to act natural about it so he doesn’t catch on. They’re both weirdos your honor.

[pergaminaa]

Modern au stuff for the witches and their witchlings:

Asterin does end up with her hunter, and she has two daughters although her eldest daughter is actively trying to get rid of her baby sister. At one point, she made peace with it “if Luna survives early childhood then she’s meant to live in this world” because at one point the one year old would run and hide as soon as she spots her big sister and that’s survival instinct

Vesta didn’t really plan on much she was okay with only one kid but she ended up with a boy/girl twins and she’s content with them

Manon was still very on the fence and was toying with the idea of having only one child because she’s been thinking!!!! But Asterin gave her the grim reminder “they can be twins, or triplets or—“

“You’re not helping,” Sorrel snaps at her

“I’m just stating the facts!” Because Manon, smart as she is, will overlook this detail in her overthinking and stressing. But as Sorrel said, she wasn’t helping by stating that fact.

It took Manon a while, and when she decided to have a child, she prayed to every existing diety that she only ends up conceiving one child and not multiples.

Because at one point, Manon realized that she’s happy with Dorian. Their family is perfect and she never felt more content and happy. She sat with herself for a long time, and realized that she will not let her grandmother dictate her life any longer. Her fear of becoming a mother is yet another leash around her neck. She knows that with Dorian everything will be okay. She will be okay. Their future child will be okay.

[blushblushbear]

Fuyu may be a bit of a stiff stuffy old man

But he's sad and lonely and really into theater and interested in musicals and such and fucking SAME

I wanna hold him, never let him be alone again and also take him to see a Broadway show or show him Pavaroti and both of us be excited nerds about it

Also he's tall and I'd have fun yanking him down to my height for a smooch