#and she has some traits like me

[blushblushbear]

Fuyu may be a bit of a stiff stuffy old man

But he's sad and lonely and really into theater and interested in musicals and such and fucking SAME

I wanna hold him, never let him be alone again and also take him to see a Broadway show or show him Pavaroti and both of us be excited nerds about it

Also he's tall and I'd have fun yanking him down to my height for a smooch

[teratomatica]

you always land on all fours

[fatedroses]

More than just the Demon.

[crustyfloor]

“My amazing daughter” ❌

Too human, not dystopian enough

“my lovable creature” ✅

Unintentionally objectifying, affectionate in a dystopian way, true to the canon “pet and owner” dynamic most aliens have with their pet-humans, “Aliens can never truly understand humans they are two different species”

[theatercatklio]

OC Intro - Klio

(click image for better quality)

"I'll change this world for the better. Doesn't everyone want to live in a fairytale?"

RARITY: ✦✦✦✦✦

⭒♬ Titles/Aliases⭒› Lady of the Theater, High Court Magician, Patron of Heros

⭒𝄞 Path⭒› Emanator of Enigmatia

⭒♫ Faction⭒› The Grand Promethean Theater

⭒♬ Combat Info⭒› 5 Star, Fire/Harmony

⭒𝄞 Species⭒› Grimalkin (species info to be added)

⭒♫ Planet⭒› Bacharach - Laurel Wreath Galaxy (planet info to be added)

@miscellaneouslibrary @raven-starlight hope you don't mind me tagging you two, but you both seemed interested in knowing more about her :D

COMBAT:

pretend XX is a number I'm too lazy to figure out what it would realistically be T-T

⭒𝄞 Basic ATK⭒› Cutting Words

Deals Fire DMG equal to 50% of Klio’s ATK.

⭒♫ Skill⭒› Lights, Curtains, Action!

Increases the ATK of a single ally equal to XX% of Klio’s ATK for two turns. At the same time, Advance Forward the targeted ally’s action by 20%

⭒♬ Ult⭒› Final Bow in a Full House

Creates a field that lasts for two turns, decreasing by one at the start of Klio’s turn. While the field is active, increase DMG done by allies by XX%. Additionally, while an ally’s energy is full inside the field, gain Patronage, lasting until the Ult is cast. Ults cast while Patronage is active use up less energy and deal increased damage.

⭒𝄞 Talent⭒› A Tough Act to Follow

After a character uses their Ult, their next attack deals XX% more DMG 

⭒♫ Technique⭒› Shifting Stargazer

....I'll figure it out later its late and I'm tired

LORE

Introduction

A playwright and Emanator of Enigmata who wants to make the world more like one of her shows (really taking the phrase "all the world's a stage" literally huh) She's revered for her storytelling and her status in high society as a patron of heros.

Personality

Eccentric and dramatic, Klio usually follows her heart over her head. She's very emotional and rarely seen being calm or serious. At worst, she's childish with a dangerous amount of power at her fingertips. At best, she's playful and happily uses her status to uplift others.

Character Stories

(to be added)

Voicelines

Voice Claim - ok imagine Furina's voice but 1) slightly deeper/mature and 2) slightly Italian boom done

First Meeting: "I've been keeping up on your journey, Trailblazer. If you ever want a stage adaptation, you must let me know at once!"

Greeting: "I've been running into you a lot...hey, this isn't a ploy to get free tickets, huh?

Parting: "Leaving already? Well, if you must leave so soon, make sure you come to see my next show!"

About Self - Book and Pen: "The book records and the pen rewrites- it's simple enough."

Chat - Intelligentsia Guild: "While the Genius Society is too busy to focus on me, and the IPC likes me enough to leave me alone, some members of the Guild have nothing better to do than bother a lady on her rest days- the day they stop messing with me will be the day I keel over dead!"

Annoyances: "Too often I have to wake up early for events- why can't they set them for later in the day, when people aren't asleep?"

Hobbies: "In addition to writing the scripts, I compose the music for my plays as well. It's rather relaxing, you should try it sometimes."

About Mr. Reca: "We disagree on some points, but I can always count on him to give me good feedback- that's why he always gets the first invite to my premieres."

About Dr. Ratio: "What was it he called me? Ah, yes- "a hedonistic fool who delights in obscuring the truth." Well, I was made an Emanator, and he hasn't gotten so much as a glance- let me ask, which one of us is the true fool?"

About Duke Bellerophon: "How he can manage to be that calm all the time is beyond me. If I had to sit through that many useless meetings I'd go insane!"

About Duke Bellerophon (2): "He's rather quiet, but I guess anyone would be considered quiet when compared to me, hehe."

Trivia/Fun Facts

⭒› She was originally designed to be a Masked Fool who was Elio's sister, and her first design was purple and black instead of red, white, and gold

⭒› VERY picky with her food, she's very gourmet and dislikes processed food. Her favorite food is sweet crêpes, she likes how versatile they are.

⭒› Despite being powerful magically, she's a coward, squeamish, and bad at most kinds of physical combat. No wonder she gets other people to fight for her!

⭒› Her last name is Vittorio, meaning winner or conqueror. She picked it out for herself after seeing it on the inside cover of her book.

⭒› Her and her planet are based on the Baroque period, specifically Baroque Italy/Rome, France, and Germany.

[gemini-queen42]

Batb: Other Than Human - Themes stuff (& why I Called It That)

That's right folks, the self-indulgent "throwing any concept I like at the wall and haphazardly mixing together what sticks" au rewrite Thing has Actual Themes! That kind of happened accidentally but they are so real for that so let's get into it.

The Main Narratives Themes Trio of the story now all also embody expanded themes about being an "Other", when being a person is not enough to be properly considered human- more specifically of a neurodivergent/queer girlhood type flavor.

Summary is that it's called "Other Than Human" because the prominent theming is about being considered something other than human due to not fitting the mold of the 'norm'.

[This is a long one so details & specific character stuff are under the cut<3]

Amalure has the greatest departure from her original counterparts thematic placing, so we'll start with her. Amalure retains Gaston's social standing, reputation, etc. But it's of course not quite the same- because she is a woman, and she is not revered for being the picture of ideal womanhood/femininity. Instead, she excels in masculinity, but remains firm that she is and always will be a woman. So, to justify the desire & awe people have for her, they dehumanize her: She doesn't need to follow the Rules because she is outside of them. Amalure is not a person: she is a symbol, a figure, an object. A legend, a folksong, a modern myth. Her skills are not skills they are blessings, inherent, a mundane magic or supernatural. Despite having grown up in Villeneuve for her entire life, she is considered exotic, and is practically, if not actually, fetishized. And through all of this, the status quo and social order gets to be retained without question, and she gets to exist as the exception that proves the rule, rather than the Undesirable that she'd be marked as otherwise.

Amalure is fine with this, because this dehumanization is her status quo: She doesn't really view herself as a person either, she is defined by her relationship to other people, by who she is to them. Amalure has never been a person to anybody: Growing up she was never just a girl, never just Amalure: She was a girl with a mans brain, an embodiment of her fathers greatest achievements, an embodiment of her mothers worst mistakes, she is her fathers daughter or her mothers daughter, but not her own. (and she never both, it is either or, mother or father, never both, never parents.)

Princess Eve/The Beast is the other end of this, of operating through her dehumanization. Upon being cursed, she adheres to what societies have oft wanted to happen to their Undesirables: Hide away and never be seen by the public again. It is entirely self-inflicted, as most of her suffering truly is. She operates not through others dehumanizing view of her, but her dehumanizing view of herself and its warping of how she believes others view her. Because, well, the servants still view her as a person. I mean, they're still human- under the new object forms. And the separation of humanity that is easy to slip into on matters of royalty is awfully minimal as well; they watched her grow up, and she grew up among them.

The girl's bratty, spoiled, temperamental, and is a ball of horrid consequences of the shallow views and ideals learned from surrounding nobility. But she's also the girl that fell asleep listening to Cogsworth explain the many technicalities to managing servants; because she was stubborn in asserting her authority as the mistress of the castle, and thus she Must have say over its goings ons. But the majordomo's voice can be awfully soothing when he's not high-strung on anxiety, and it's hard to pay attention when you don't understand what's being discussed, so its all going in one ear and out the other. And She's Lumiere's 'Evie', who was so amused when Lumiere would draw on a little mustache when dancing the male roles so the princess could learn some duo dances, or because she didn't look very "waiter-like" (because Eve wasn't entirely sure what a maître d' did, but it seemed to have something to do with waiters), and who got annoyed every time the dance teacher/maître d' would warn her not to hurt her body in her pursuits, because it seemed so silly, why would anyone do that? And she's the girl who dragged Mrs. Potts to have tea with her, because she made the best tea and as princess she would have only the best; and if you're going to have tea you may as well have a tea party, and you can't really have a party of one, but two isn't much of a party either so she's going to drag Babette away from her duties too, since the maid was so elegant and thus would be perfect.

Honestly, the girl probably would've turned out fine if she was raised by just the servants. But they weren't the only forces in her life: she's a princess, so she's got to host and interact with important people and learn how to Be noble which isn't something any of the servants can teach her. And it is under the pressures and eyes of nobility, is in mixing and learning their social rules, that learns the lessons that will lead to her curse: That to be considered human and treated as such, one must look human. And to be such as a woman meant to look beautiful, like the ideal. As a woman, to be worthy is to be beautiful and vice versa. And even if she does not, she must have some way to serve men. Otherwise, she is nothing. Eve met these requirements well, and where she did not yet her authority as princess covered. So when a beggar woman is at her doorstep, the princess turns her away: because she is old, ugly, so long past her 'prime'- there is no worth to her anymore. There is no point caring for her future.

Helene stands as both the middle ground and inverse to the other two. She is an Other by virtue of her mind, she is Objectifiable by virtue of her beauty. She sits on the precipice between Undesirable and Desired, seeming nearly apathetic to where she lands despite popular encouragement to embrace or smother aspects of herself. Helene is quite sure she's a person like anyone else, thank you, and is frankly frustrated and a bit weirded out that others seem to have a hard time getting the memo- she doesn't like or want to assume the worst, though, so maybe she just missed another confusing untold social rule or something. I mean, the local triplets really do seem to be advising in good faith- they really do think of her as one of them to an extent (for reasons Helene is yet to know); they just don't understand her.

When Amalure pursues her, there's an unspoken aspect to the deal of marriage she proposes: Helene will get a secured place on the in of the community, a secure standing the promises people no longer questioning or trying to encourage her to no longer be herself. But Helene just isn't interested in Amalure like that, and she also sees what the real trade-off of that security is; that uncomfortable dehumanization that is exactly what Helene doesn't want to deal with anymore. If Amalure is fine living with it than she is free to do as she pleases, but the huntress doesn't seem to understand what Helene could possibly have a problem with- and it's not like they can discuss it, because it's unspoken, and you're not supposed to speak the unspoken things, because they're unspoken for a reason- even if you don't know what that reason is. Helene knows that rule, at least.

When Helene meets the Beast, she regards her as she does any other. It's plain as day that the Beast has a humanity to her, whether she's really "human" or not- she thinks and she feels, and that's enough for Helene.

Because Helene grew up raised by a single dad who she got most of her brain workings from, and he is a man of compassion and science. Off he'd send his beloved daughter to go and question and figure out the world for herself, to experiment and learn and become whatever she desires. Off to bed he'd send her to tell her fairy tales and have their lessons of love and compassion and humanity understood as she drifted off to sleep. Helene was never Odd with her father, never Other, in fact they were so easily two of a kind. It was so jarring, hearing people imply Tyndare less than sane; his logic paths were so easy to follow- but apparently his voice gruffs enough that others have a hard time understanding what he's saying sometimes, so that's where things seem to get lost in translation she guesses. People became jarring in other ways as she grew up too, because suddenly there seemed to be lots of social things she was supposed to know or be but didn't and wasn't, and it became very apparent very quickly that she was an Other among her village.

Overall: Eve & Helene get to go through these themes through the main plot, and post curse-breaking is when Eve gets to properly deal with the internalized issues and whatnot. Like she's learned beauty doesn't matter when it comes to love, and shouldn't decide whether or not someone should be cared about, and Helene loves her despite her having been beastly and despite her being a failure of a woman- (because she no longer fits the feminine ideal after the curse is broken, and frankly she never will again.) But she's still a Failure Of A Woman and Helene deserves Better Than That! So there's still work to do.

Amalure remains static on this aspect of the narrative until after the battle at the castle, where she does survive! .. barely. and it's later, in an argument with her mother that same night, bleeding out on the kitchen floor, when she asserts that she's her daughter too, not just her fathers. she has always been her daughter, always will be, she is the daughter of both of them, because that's not something that just switches or turns on and off- and it's an entire rant that I will not recite here, but the important part is the assertion that she is, always has been, always will be, the daughter of both her parents at once- that's the first little step for her arc of recognizing her own individual personhood and whatnot.

[asexualsimonsnow]

A few people in the tags on my Agatha romance plot line poll are voicing the same sorts of thoughts I had. I did not like her romance plot line because she had all these lines in the two previous books that, to me and many others, were implying her aromanticism. To have a chapter from her POV where she expresses feeling broken due to a suspected inability to feel that type of attraction only to later have this “resolved” by her finding the right person was extremely frustrating and disappointing.

Even beyond an aro reading of the character, it’s disappointing to see her coupled up at the end of the third book. So much of the first book was about subverting the expectations that come from these types of stories. One of these expectations seemed to me to be not just that the chosen one gets the perfect girl, but that all the characters are neatly coupled up by the end and have romance as a part of their story. In the first book not only is Agatha not with Simon, the chosen one, her supposed destiny, she’s not interested in coupling up and fulfilling that expectation placed on her by the world in which she lives and by the type of story she inhabits, at all. It feels like backtracking on her character growth to watch a romance play out for her in the third book.

[recareels]

sobbing over the thought of mr reca calling you ‘my little starlet’ >.<

but he says it like my leetle starrrlet! ｡ﾟ(｡ﾉωヽ｡)ﾟ｡

[icewindandboringhorror]

examining a seemingly normal image only to slowly realize the clear signs of AI generated art.... i know what you are... you cannot hide your true nature from me... go back where you came from... out of my sight with haste, wretched and vile husk

[laika-of-the-stars]

that scene with cyn/the solver and uzi at the very end where the solver/cyn is still a part of uzi.... so OSSDID/System coded fr fr.... im going insane abt it. im so autistical abt this

please please PLEASE send me asks abt this i am so eager to talk to ppl abt it

(rambles in tags)

[goldyluna]

Just thinking about all those comments and posts on tiktok that your sona — a character that is a representation, an interpretation of you on the internet — should look exactly like you. That you can't make your sona look prettier than you, make them perfect and give them everything you want.

But art is all about creativity and fun. Why restrict ourselves? Why spoil fun of others? Why should we limit our artistic crearivity and freedom just because someone doesn't like that we and our sonas don't look realistic.

It is not a self-portrait. We don't draw ourselves in realistic styles so it is just us but on paper or screen. Art is for us to use it how we want. Do you want to make your sona as pretty as you want? Do you want your sona to have some animal traits? To have crazy hair or cool outfits? You think this will show how you are? How you want others to perceive you? Then go for it! If you have fun with it and in the end, you are satisfied with the results, it is all that matters.

So to everyone that feels like they should change their sonas or can't use them or anything, just because some people can't take others having fun... It is not their characters. They are not you, it is not them drawing your sona. You know the best what you want to represent and how you want to look. Don't let them take from you the joy of drawing anything.

[rackartyg]

in therapy today i just talked about the dark urge and astarion and my therapist was elated about it. it was fantastic. “wow you’ve really been using this story and those characters to process things. that’s amazing!”

the era of being ashamed of my interests is over. it’s apparently Cool and Healthy to use fiction to cope. i wish i could tell fifteen year old me about this it would blow her mind

[kelin-is-writing]

Everyone, remind me to not trust my dad’s relatives with food and parties because they can’t do even that much the right way. The peoples are so questionable 💀

[rexscanonwife]

And by the way just to add some like...angst to my sea beast s/i I guess 😂 I was thinking about the research I did into old selkie folk tales and how they typically tend to go and how it applies to my s/i with Batterbie stealing her coat.

1. She did it when she was still just a child and had lost her whole family, so she probably holds that over her head by saying she's lucky to have had a place to stay and food to eat at ALL and 2. That she could have it...a LOT worse 😬

[lesbiansanemi]

I hate when I’ll be complaining about some stupid bullshit a coworker does to other coworkers and half the time their response is to lower their voice and go “well…. You know…. I’m pretty sure they’re… on the spectrum, you know?” And every time I have a split second when I have to consider saying “you know I’m autistic, right?” just to make them vaguely uncomfortable for a few minutes and actually think about what they’re implying but of course I do not do that because the gratification is not worth a large sect of shitty coworkers knowing that about me and then talking about me like that every time I do something vaguely annoying or dumb but man…. It does get tempting sometimes