#but yeah you all are making me uncomfortable and it sucks

[wis-art]

Hai, I wrote this post with picture examples of me in replies being extremely transmisoginistic but the person blocked me, which, fair.

Anyways hi, I did not realize what role my post I made in 30 seconds would play in this all, and how my response to first contact with these posts of teans women's experiences was to make this post.

I saw posts of these women, being angry about being treated below Trans men, and expressing it in a very angry way and made a post expressing how that made me uncomfortable. Lately I have been finding that I am pretty slow, and that I really struggle to pick up on the true meaning of emotionally charged posts. Even if it is obvious.

I think it's important to talk about experience with transmisoginy, I think it's good Trans women are angry at being put below people, I think it makes people wake up to the idea that maybe our community isn't so perfect and that maybe we are experiencing oppression within it ourselves.

I won't deny that you got the reason why I made this post spot on, i think that wouldnt be very productive. This is a new and very important avenue of discussion and while I am slow and I didn't pick up on it and that this post isn't any less harmful to the discussion because I now know better, I want to let people know that I do know better, thanks to the discussions the women who expressed their anger and emotions held.

If not for the women talking about this, I wouldn't realize just how much internalized transmisoginy i carry around within me, I wouldn't realize just how little I value myself and how I have been conditioned to think I am below everybody. Something so obviously wrong, yet hard to see for me. So yeah. It sucks! And I can't really blame anybody for finding my takes, repulsive.

I'm sorry, I don't know how much weight these words really carry. I understand the issue at hand, I understand my role and how irresponsible with my platform I was. I understand why people are upset that this is the first thing I thought to myself is to tell these women to shut up, I think it's really telling. But posts like this, analyzing the mistakes and deconstructing misoginy however uncomfortable are very important, and make you realize how much the society and every interaction we ever experienced really imprints on us all.

If you don't fuck with trans men get the fuck off my blog, it's transfem and transmasc solidarity bitch 🖕🖕🖕🖕

[rosyhoneydew]

nsf/w continuation of this fic below ⬇️ happy Thanksgiving pt. 2!

Buck opens the door for them to step back inside. He thrills a little at the feeling of Tommy's hand on his waist. God, it feels good to have those hands on him again. Chimney's alone in the kitchen, bagging up turkey and setting the dishes in the sink. He smirks at the two of them when they walk in and Buck resists the urge to smooth down his hair where Tommy had grabbed at it.

"You two talk things out then?"

Buck gives him a look. "You know there were easier ways you could've gotten us to talk."

"This way seemed more fun," Chimney responds lightly. "Can I get you some leftovers, Tom?"

"That would be great, thanks."

When Buck looks up at him, Tommy is smiling. He looks like he's come back to life. It's a stark difference from the cautious, uncomfortable man that walked in a few hours ago.

Tommy catches him looking and the smile grows sweeter.

"Come home with me tonight," Buck leans up to whisper.

He gets an eyebrow raise in response.

"Just to spend one night, not- I'm not asking for more than one night."

Tommy leans in even closer, his lips pressed to Buck's ear. He places a kiss at the soft spot of his jaw and whispers back, "Okay."

They pack up the night quickly after that. Tommy helps with the dishes, You guys did all the cooking, let me do this and Buck gets called into Jee's bedroom to say goodnight. When he emerges, 2 stories later, Maddie, Chim, and Tommy are standing around the counter, chatting and laughing. It sends a ripple through his heart. He can't help but think of Maddie's advice I think you have to trust the Universe is gonna bring you a special person. What could be more special than this, he thinks, a warm feeling washing over him.

Tommy drives them back to Buck's apartment. There's a slight hesitancy in him as they walk inside, maybe wondering if Buck has changed his mind, remembering what happened last time. Buck hasn't. He grabs Tommy's hand and pulls him inside.

He doesn't give either of them the time to overthink. The moment they're inside he's got his arms around Tommy's shoulders, kissing him messy and dirty and full of pent-up feeling that he's been trying and failing to burn out in his oven.

Tommy matches him step for step, he wraps one arm around Buck's waist and drops the other hand to his ass, squeezing and pulling him closer. They stand there, making out in Buck's kitchen for minutes on end before the desperation Buck feels becomes too much. He pulls away, pecking Tommy on the lips a few more times, like he can't stop.

"Bed?" he asks.

Tommy nods, repeats, "Lead the way."

Buck walks them upstairs, shimmying off his pants and shirt before laying back in the center of the bed. Tommy watches for a moment, like he can't believe he's here. It's sweet, but Buck is hungry so he spreads his legs wide and drops a hand to his dick, playing with it over his boxers.

"Come on," he urges.

Tommy follows after that, dropping to his knees and hooking his hands behind Buck's legs. He uses the leverage to pull Buck to the edge of the bed, nuzzling his cock the second he's eye-level. It's not what Buck was expecting, the sudden movement and stimulation making him gasp.

"Baby," he groans.

Tommy opens his mouth and places kisses along Buck's cock, sucking through the cloth at the head. It's dulled by the cotton, but the feel of Tommy's warm mouth and tongue pressing against him still leaves Buck moaning through it.

Tommy pulls his underwear down at the sound, staring at Buck, fully bare and flushing under the attention. The sensation of being watched sends tingles through Buck's body and he squirms. Tommy holds his hips to keep him still.

"I've missed you so much."

"You talking to me or my dick?" Buck asks.

Tommy sends him a look, but it dissolves in a moment. "Both," he admits. "I love your dick."

"Yeah, you miss having it inside you, baby?"

Tommy groans. Buck wishes either of them had the patience for that tonight. He lifts his hips a little instead.

"Want your mouth."

Tommy doesn't make him wait. He licks up and down Buck's cock a few times and then sucks the head inside his mouth. It's hot and soft inside his mouth, the way it always is, and Buck moans.

He sucks the head a few times, getting the angle right before he takes Buck down, going all the way until his throat is stuffed full. It makes a wet, clicking sound when he does and Buck gasps in response, eyes closing in arousal. He's always loved the sound of sex.

Tommy works him faster after that, gliding up and down in a wet slide that leaves Buck moaning and twisting in Tommy's hold. It doesn't take him long to get close. The feeling of Tommy's tongue pressing flat against him and the Tommy's right hand slips up to play with his balls and press just behind them gets him there.

"Close, baby, I'm so close," he gets out, urgent.

Tommy groans, working faster and spending more time sucking at the head as he does. He runs his tongue in figure eights there and slides down in rapid up and down motions and Buck is gone.

Buck can hear himself moaning and tries to keep his hips from fucking up into Tommy's throat with too much abandon, but Tommy doesn't seem to mind. He moans himself, swallowing and sucking Buck through it.

Buck is still coming down when he notices, Tommy's got his head resting against Buck's thigh, his mouth open on the grunts and groans pushing forward. He's got one hand, still wet with Buck's come, stroking his cock fast and hard. Buck's not even sure when Tommy got his pants undone. The sight of it is so blingingly erotic that Buck feels a shockwave of arousal run through him again. It's not long after that that Tommy looks up at him, eyes pinching before they roll back as he comes.

They sit there breathing for a moment, before Buck pulls Tommy up to the bed that has to be hell on your knees. Tommy lays down next to him, reaching a dry hand over to weave his fingers into Buck's. There's still so much to say, so much that Buck wants to make sure they air out, but for now they're content to lay like this. They've got time.

[queenburd]

I write this post with the caveat that I was into TSP and TSPUD before discovering Cl0ck 0ut and I never joined any servers around it, so the impact to me is extremely minimal compared to many others who were heavily inspired by it. I recognize that while it's sickening to me, it's even harder for the people who joined the TSP fandom because of Cl0ck 0ut.

I'm also extremely on the fringes of the fandom in general, I've never gone out of my way to interact with people who are more well-known for their narrator designs. I don't know that this post is going to reach its intended audience that much.

With all that aside, I really want to tell the people who are extremely hurt and reeling and sick to their stomach something that I think is pretty important:

You may have been introduced to TSP from watching Cl0ck 0ut, and it may have inspired you, but it is not the thing that kept you here interested in the game. You're in this fandom because you found like-minded people, maybe through the animation sure, and continued to make connections beyond that surface-level one.

Look, I've been here before. I'm not old, but I'm in my late twenties now and I've been in fandom circles for nearly 2 decades. There were inevitably times where the fanbase learned bad things about the creator, or a specific "big time" fan whose works they liked. It does suck, it does hurt, you're more than allowed to feel betrayed and sick and stressed.

A lot of what got me through it was having other people to talk to, who understood because they were also going through it. They understood because they were in that same fandom with me, we had met through it. The thing that mattered was that I had friends I had made beyond a superficial initial connection.

You made bonds. You created things (headcanons, art, stories, theories) with other people, and you still enjoyed the initial thing, yeah, but you enjoy it more because of the extra layers of connection that it led you to! But remember, please remember, that while it was a jumping off point, and you might attach a lot of value to it for that, it didn't do the work. You and other people did that. And that's the real valuable thing. That doesn't have to be stained with the bad feelings, I promise. It can and has evolved past the initial connection.

It's gonna sting for a while. That's understandable. If you need to take a break from creating, no one can blame you. But keep your connections with other people. Keep your friends.

(And if you made things that were directly inspired by Cl0ck 0ut designs or initial story, I can understand if you're feeling extremely uncomfortable with making more of it. I have a couple fanfics I was reading that were based off it.

At the end of the day, do what makes you most comfortable, even if that includes putting it down and never picaking it up again; but know that people liked what you were making, again, not because it was Cl0ck 0ut based, but because you were doing interesting and unique things with the premise. That's what fandom does with any media, and the story you were crafting does not, I think, need to be wholly discarded despite its premise having...'issues'.)

[rei-ismyname]

Uncanny X-Men #6 From The Ashes

We're starting to see Raid on Graymalkin come together with each team having a member in custody, but first we get to know these kids a little better. Spoilers, naturally.

Yeah they're a mystery to us too.

Calico/Becca has been in pretty serious denial about being a mutant and is easily the least worldly of the four. Context clues told us she grew up wealthy, sheltered, and that her mother did a number on her. It's good to make that explicit but I think something is lost by doing it in third person flashback. This is information she doesn't know and considering what happens next it'd be more effective to have her tell her own story. The flashbacks feel jarring to me too, knocking me out of the present. Her having Ember kick Logan was pretty funny though.

And she's cured! 🙄

Calico has a breakthrough after a minute talking to Gambit, completely accepting her mutanthood. I think this would be the place to hear her speak - just a little back and forth instead of Gambit getting through instantly. She basically drops out of the story at this point, repeating that she's a mutant to anyone who'll listen. Yeah, she's been going on about goblins and her mother the entire time, and she was clearly in denial, but the sudden acceptance feels unearned.

We're not done with Harvey X, it seems. He's died at least once on page and said his powers would move on when he did. Does that mean he's not dead or was he just wrong? The thing with fakeouts is that the more you do it the less readers trust what you tell them. Logan brings up the old guy whose death bed he visited in issue #1 and shares the story behind the Tequila. He asks them to drink it with him and Rogue realises he's heartbroken. This feels unearned too, frankly. We'd never seen this army buddy before and while it's sad, there's so much trauma in all these people's very recent history. Krakoa, The School, Chuck, a genocidal war, Beast, hundreds of thousands of slaughtered mutants. The narrative doesn't really need new trauma when so much is already set up.

It sucks to lose an old friend, but the reader doesn't know the guy at all so it comes out of nowhere. A lot of page space was dedicated to the Sarah Gaunt/Chuck relationship and both aren't present in the story right now. Imagine if that space was spent on, say, Sarah/Logan instead. Very little needs to be changed and being blinded/nearly killed by his now monstrous ex would be a payoff that was setup.

I have complex PTSD myself and I would love to see it handled well in this book, but it's off to a weird start that centres Rogue more than Logan. He's in the middle of sharing his trauma and reaching out when she does this. It's really fucking odd, and I have an uncomfortable feeling it's not meant to be. I'll reserve judgement and see how this plays out.

Is the spit take because of what she said or because she's acting strange? You all have PTSD

Uhhm, what? Is this meant to be Harvey X's influence on Rogue? Her narration seems to suggest that, though she's still using her accent. I don't know, but it feels off. It's great to see the letters PTSD in an X-Men comic, because no shit Logan has PTSD. However, once you pathologise it instead of just referring to trauma, you need to pay that off. I'll believe that when I see it. Also, she just cut him off and told him. Logan says she's not qualified to diagnose that and he's right.

The kids are off to school! I think this is an interesting way to keep the education element of X-Men books separate from the mutant part, and naturally the kids run into bullies straight away. We're shown the other kids listening to Jitter though her confidence is attacked by jerks making fun of her stutter. Ransom has her back but Deathdream is really committed to the bit. This scene shows us what class dynamics are at play too. Showing and not telling might seem like faint praise, but I appreciate it when it's done elegantly. It's something this title has struggled with and I'm happy to see Simone lifting her game with the kids. That said, the bullies are extremely generic. Total cutouts that could be from 1950 or 2024. That's probably intentional but high school drama is a trope that's been beaten to death. If you're going to do it you want to do it well.

More bullying happens and Deathdream seems to take Ransom's words to heart, scaring the bullies with Eldritch horrors. Deathdream really doesn't seem bothered he's about to catch hands, but Ransom rolls his sleeves up and lays them out. I think the Olympics business was overegging the pudding, we can tell from his stance and form that he's trained in boxing. Or maybe this could have come up when they fought the X-Men. Everyone would notice an Olympics hopeful boxer. It could have been in Rogue's narration and wouldn't need to be vocalised as the skill is being used. Chekhov's Skill - it's narratively satisfying.

Unfortunately, while this is going down five heavily armoured dudes corner Calico and tase TF out of her. They call it in to Graymalkin and the Raid is set up. I wonder how they got into the school or knew they were here at all. Cerebro explains the latter. Why are they so obsessed with these kids anyway? Dr Ellis was concerned for their lives 2 issues ago and now she's encouraging brutality. Whatever, big ding for the Uncanny team's record of caring for children.

Kurt and Jubilee head to the store to do shopping and Kurt BAMFs away to save a little girl from being hit by a bus. For once he gets some gratitude, though while he's doing this Jubes is being cornered by Siryn, Blob and maybe Wild Child in full Hound mode. She gets snatched up too and Kurt returns to blood and mess everywhere. He calls Rogue and she tells him to get back quickly. The ending leads straight into 2 issues of Raid on Graymalkin (with 2 over in X-Men) and both teams have their motivation. I'm not looking forward to the contrived conflict but maybe we'll get some answers. We saw Siryn and Blob being tortured in earlier issues, but I'm surprised they're here unsupervised. Perhaps those collars are responsible.

Pound for pound I'd say this is the best issue of Uncanny yet. It had some super odd moments but most of them were relics of the first arc. I do wish we got more time to know all the characters, especially the Outliers, before moving into a mini crossover but this is what we have. Still skippable but seems to be getting better. I'm interested to see how the PTSD thing plays out though my expectations are low. I know that sounds quite negative for what was an improvement, but the first arc left a bad taste in my mouth and trust is earned. Also there's NINE main characters which is really not especially sustainable in a book like this. There's just not enough space, and you end up in situations like heading into an event without a solid grasp of where most of the cast is at.

Don't stand behind a horse, Logan. Lucky you have a healing factor.

[novankenn]

The TA -- Joan(Jaune) Arc

Artwork Inspired Posts - First / Second / Third / Fourth

(Artwork created/owned by @pilot-boi, No rights Claimed/Implied by the author of this story)

Joan(Jaune) wanted to leave as soon as they reached the infirmary, but she choose to stay. She was a little worried about what happened to Ms Nikos, but she was more afraid of what Aunt Glynda would do if she returned with out the trio of students she was supposed to be supervising.

After a quick look over, Pyrrha was roused with the use of some smelling salts. The nurse then informed them she would return in about fifteen minutes for one final check before letting them leave. So as Pyrrha's teammates, well really just one teammate unloaded barrage after barrage about what happened, and how she was feeling. Joan(Jaune) sat in a very uncomfortable plastic chair, tapping her foot on the tiled floor.

"So..." Pyrrha looked past Nora at Joan(Jaune), "You are really a girl?"

"Yes."

"Really?" Pyrrha hesitantly asked again.

"Yeah. Is that a problem?" Joan(Jaune) answered standing up and approaching the bed Pyrrha was laid upon. "Like seriously, why..."

"The boobs, or the lack of them." Nora interrupted.

"I have boobs!" Joan(Jaune) snapped.

"Not from what I..." Nora didn't get a chance to finish as Joan(Jaune) grabbed her by the wrists, pulling her hands towards her chest. Nora's eyes went wide when she felt the heavily softness under her hands, "You do... "

"Anyone else need to feel me up?" Joan(Jaune) asked as she released her grip on Nora.

"Can I do that again?" Nora asked.

"What? No!"

"Please?" Nora begged, "I'll share my pancakes with you?"

"Huh?" Joan(Jaune) took a step back a little creeped out by the orange haired girl. "Is she okay?"

"That's just how Nora is." the lone male in the room, informed Joan(Jaune). "You'll get used to it. I'm Ren by the way."

Joan(Jaune) gave Ren a sideways look.

"I'm sorry, about all this." Pyrrha offered with a soft and sad smile. "I didn't mean to upset you..."

"You annoyed me. Not upset." Joan(Jaune) responded, before asking, "So what was your malfunction?"

"Excuse me?" Pyrrha asked as Ren acted as a buffer between Nora's grasping hands, and Joan(Jaune).

"Just what I asked."

"I don't... understand the question?"

'Why did you freak when you found out I was a woman?" Joan(Jaune) asked, while leaning in to look Pyrrha right in the eyes. "You have pretty eyes."

"Because of stuff like that!" Pyrrha yelped her face growing flushed with color.

"What not used to be complimented?"

"No... it's... because... um... fuck it!" Pyrrha snapped. "You say stuff like how I'm hot and shit, and I'm get interested and then... I like men! I can't be attracted to a woman, even if her ass if so delicious!"

"Okay." Joan(Jaune) stood up straight, sucked on her front teeth before speaking. "If you like guys, that's great. I like guys, but that does NOT meant you can't find people of the same sex also attractive."

"But..."

"Are you really that repressed?" Joan(Jaune) asked, with a roll of her eyes. "Listen Pyrrha. I can find you hot. I can find Nora adorable, and Ren handsome. Do you follow?"

"I'm adorable? and Ren's handsome? Way to put out the moves Joan(Jaune)-Joan(Jaune)!" Nora cheered finally having given up on molesting Joan(Jaune)'s chest again.

Ren just stood there one eyebrow raised.

"I think so?" Pyrrha answered.

"Good. NOW just because you like my ass doesn't mean your suddenly going to try and make a move on me. It means you find something attractive about me. You follow?"

"Yes?"

"No you're not." Joan(Jaune) sighed. "Do you find men or women more desirable?"

"Ah... um..."

"Did you grow up in a convent or something?" Joan(Jaune) sighed out. "Fine. would you rather do this with a guy?"

Before Pyrrha could answer Joan(Jaune) rounds about hooks her hands behind Ren's head and neck and pulls him into a heated, breath stealing kiss. It last only for about ten seconds, before Joan (Jaune) breaks contact.

"You... kissed... Rennie..." Nora whimpered as she just stood there, watching her life long friend weave on his feet.

"Or would you do it with a woman?" Joan(Jaune) asked as she closed on Pyrrha, slipping her arms around Pyrrha's shoulders and neck, to give her a sizzling deep kiss.

Pyrrha's mind screamed in confusion. Joan(Jaune) was kissing her! She was being kissed and the lips felt so soft and tasted delicious. Her tongue... WAIT her tongue!!!

Nora stood in utter shock, as Joan(Jaune) had moved from making out with Rennie, to some heavy duty face-sucking with Pyrrha. The lip-lock broke after again only lasting about ten seconds or so.

"As you can see. I'm fine with girls or boys... did she just pass out again?" Pyrrha's eyes had rolled up into her head and she lay limp on the bed, her lips slightly parted, and moist with saliva.

"RENNIE!" Nora shrieked when Ren just finally collapsed to the floor in a limp heap. "KISS OF DEATH!!!! KISS OF DEATH!!!"

"Huh?" Joan(Jaune) turns from Pyrrha to see Ren on the floor. "Shit!"

"I must feel their heavenly form again before you steal my soul with your succubus ways!" Nora cried out as she lunged for Joan(Jaune), her hands in front of her, with her fingers spread wide.

"SHIT!" Joan(Jaune) cried out as she tried to keep away from the suddenly very energetic organette.

(A/N - Okay I've been pushing in my head for a female!Jaune stealing a kiss from Ren in front of Nora, since forever. It has now happened. My life is complete! Wonder what Weiss is going to say with Nora's new fascination? Any way hope you're all enjoying this unplanned chaos.)

[plusvanity]

Thanks to your blog — that I discovered randomly — I got sucked into the whole Mayhem lore. 🥲 I got the general order and gist of the things (especially around the whole mythos that people build over the years) but there is one thing that I can't stop thinking and it just bothers me.

So, we all already know that Varg and Øystein start as friends, good ones at that. Varg admires Øystein meanwhile Øystein thinks they share the same vision music wise, they burn churches together, he defends him from the press (and generally TO ME, it seems like it was Ø doing the heavy lifting and all the work in this friendship but whatever) and so on; until Varg's opinion of him shifted all of a sudden: Øystein became full of flaws, or only flaws at that point, and the tension arises. Many people spoke about how they were kind of fighting for dominance of the BM scene, but really, how much is this a factoid? Yeah Varg can brag alllll he wants about how Øystein was jealous because he was becoming more popular, but to me it's more that Ø was just annoyed by his behaviour, he did not feel threatened of being 'dethroned'; it reads like a fantasy of Varg (that besides, came out of nowhere and all of a sudden in the scene meanwhile Øystein was already a well established personality). I also do not really agree on the stance that Øystein was a megalomaniac, but I'll put that aside.

Varg at a certain point says that he 'listened to a call' where Ø was talking about how he wanted (and would) kill him. Is this even true or pulled out from his ass to justify himself? I only found one source that mentions briefly that he THOUGHT about 'getting to him first' but A) he never really wanted that nor was violent and B) it was a private conversation that got out after his death, and I'm referring to Mortiis.

Either way, it does seem that Øystein was a bit preoccupied when it came to Varg. He wanted him out and most importantly, far from himself. There is also what I'll label as a rumor that Ø was agitated after hearing that one clairvoyant (sprinkle of salt). So why would he EVER open the door to him that night? It certainly was weird and he knew that Varg was dangerous, hence why, among other things, he wanted to put him in jail. And even Varg admits that Øystein was clearly uncomfortable seeing him. Would Varg have killed him even if Øystein never opened that damn door (oh, how I wish!), or would his impulsive anger cool down?

Varg and Øystein started as friends because Varg was looking up to Øystein. I have no doubt that Varg was putting up a mark at first to seem more likeable, to get closer to Øystein and eventually become relevant in the Black Metal scene since back then he was a nobody and Øystein was a well-established personality between their friends. As time progressed, Varg's admiration turned into jealousy and envy since he was an undisclosed egomaniac and wanted to have what his 'mentor' had. Their fight for dominance is not a rumor. It is a fact that led to Øystein's tragic end.

No one can blame Øystein for getting sick of Varg's bullshit and giving him the taste of his own medicine by talking badly about Varg's on his back. I believe their animosity was going back and forth because I think I'm one of the few people who believe that Øystein had a bit of an ego too, because after all he was leading a brand new music scene and he was entitled to his position. I don't necessarily think there is something bad about this because after all he was the one (together with Pelle) who built their own, unique style. Whether he really felt threatened by Vikernes or not, we can't tell for sure.

Varg will use everything in his side of the story to make people believe that he was right all along in what he did and not only that, but he even 'did the right thing' by his delusional, egoistic and envious standards, so, my suggestion is to believe anybody else but Varg. You cannot tell what is real and what is fiction, including the call that he pretends he heard. I would say (with indulgence) that 90% of what he states is pulled straight of his ass. He is a nothing but a pathological liar and that's it.

I believe that Øystein was, to a certain extent, having the thought of Varg doing 'something' against, but when all they ever did was throwing empty threats, how could Øystein be sure that this time Varg means business? He wanted Varg out of his life, that's for certain. Vikernes' actions cause him bad publicity and his shop, Helvete, to close.

Why Øystein opened the door that night, I can only speculate the most plausible answer. It was 3 or 4 o'clock in the morning and he woke up from his sleep, too tired to realize how late it must've been, and answering the door came as an automatic reflex. He didn't know who was waiting on the other side and he was surprised to see Varg there. In retrospect, Øystein would've had the chance to put up a better fight if he wasn't taken by surprise like this, but after all, Varg had a knife on him and this was the surprise element that, if you don't have an equalizer, you've already lost the fight unfortunately.

Varg must've been a madman to drive 5-6 hours in the middle of the night from Bergen to Oslo to kill. I don't think that not having that door open, you would just shrug and be like 'Well, that's it, folks. I'm going home'. No, he would've find a way to get in. It's the adrenaline that brought you there that won't allow you to leave even if you would somehow realize that what you do is gonna cost you a lot of trouble. The impulse is too strong, you can't just walk away simply.

I also wish Øystein never opened that door, but I guess we all wish that.

[l3monsoda]

Dear Art influencers everywhere,

I know you gotta make trendy content to stay alive and I can respect the grind but you do know the problem with HBO’s Velma isn’t the designs right? It’s the writing. If I see one more “Fix it” aimed at Velma that’s first choice is instantly to put everyone back to white I’m going to scream.

This show has real problems, the characters are unlikable, the A plot is so buried under forced comedy I don’t think even the show wants to remember it, and it really seems to genuinely hate it’s audience and source material. You know what doesn’t have anything to do with any of that? The race swapping. Listen we can debate all day about whether race swapping actually helps diversity representation or if the creation of more POC original characters would be a better direction of those efforts, (Well you can, I’m white as a sheet and don’t actually really have enough information to contribute to those talking points) but what I DO know for certain as a writer is it doesn’t in anyway hurt the narrative. 

Listen I know you all seem to think since the show is bad you can get a free pass and that you can quickly group the race swapping elements that made you uncomfortable in with all of the bad choices this show has made but it’s not as subtle as you seem to think. When you redesign the scooby gang in general sense you can take whatever direction you want with it but if you are going to reference HBO’s Velma directly to get that sweet sweet traffic and you go ahead and make your redesigns white, without saying a word you have broadcasted to your entire audience that “This character was made Indian in the show” is also a “problem” to be “fixed”. 

Bad look fam, I’m embarrassed and uncomfortable for you. 

[trashcreatyre]

I think the main thing that pisses me off about like 90% of mephiles ships is that people will be like "how old is he??" Look that fanwiki says that he's ten and they RUN with it. Like they don't read further. I'm so convinced that most people don't even know the plot of 06 bc the shit I've seen people draw and write with the characters is just mind boggling.

[alagaisia]

Hey if you’re still enjoying and engaging with Harry Potter in any capacity you can unfollow me 😊 please and thank you

Like. I get it. I was super into it as a kid too. I did not have the social context to pick up on the antisemitism or transphobia or sexism or fatphobia or bioessentialism or racism or anything else. I also picked up on surface-level language of Fighting Back Against Evil and ascribed my own values onto what that meant and thought we were all on the same page. I remember when the original kids who grew up with the books started becoming adult fans and picking up on the (blatant!) antisemitism and everybody was still mostly willing to give JKR the benefit of the doubt on it. (“She was writing kids books!” They said. “She didn’t know she was penning a global phenomenon! She picked a common literary trend in European fairy tales (antisemitic caricature) and didn’t examine it closely. It’s a mistake anyone could make,” we said. “She would probably do things differently now. After all, she word-of-god confirmed the vaguest hints she dropped that Dumbledore might be gay,” we said.) There was actually a span of several years where biases inherent in the actual real content of the Harry Potter series were coming to light and even the people pointing them out still seemed mostly to think it was an unfortunate accident.

That time has passed. Years ago! We are long past the first months of “maybe she doesn’t realize this seemingly-feminist tweet she liked was made by a noted TERF” and then “how could she not realize that these many veiled TERF-y things she’s retweeted have implications for the many queer fans of her work” and finally “oh wow okay JKR just dropped an entire transphobic manifesto on twitter. I guess the transphobia was the point.”

Yeah, there were a few months after that where people were still processing and still working through how they felt about Harry Potter and all of its flaws with the context of the now open transphobia of the creator. I was there for that. Remember how I was one of the kids who built it up into something noble and worthwhile based on my own beliefs about what messages it was probably trying to convey? Turns out it wasn’t trying to say any of those things, and when you take the time to examine all of the terrible shit that made its way into the text whether JKR intended it to be there or not, the whole series falls apart. It’s weird to discover that there’s a room in your house that’s rotten to the core, but eventually you figure out you can’t live like that, still going in there and holding your nose and pretending it’s still the same room you thought it was when the termites were only inside of the walls and hadn’t yet started chewing their way through the furniture. Because what’s going to happen is that they are going to infest the rest of your house. If you decide you can ignore transphobia and antisemitism and everything else just because you liked the color of the wallpaper, the rest of your principles are going to crumble too. You get rid of that fucking room. You put those books on a high shelf in the back of your closet behind other outgrown clothes and interests and you move the fuck on.

JKR uses the money made from her transphobic antisemitic children’s books to actively funding hate groups and to lobby for legislation that will and has actually affected the actual lives of trans people in an entire country. We are past the point of grieving something you were wrong about in childhood. Kids are wrong about a lot of stuff. You grow up and you learn new information and you change your behaviors based on it. You have to choose. It is transphobic to pretend there is not transphobia where there is. It is transphobic to support the work of someone who is using those funds to take rights from trans people with every fucking dollar. It is hateful to continue to engage positively with a story that at its very core is rooted in hate and bigotry and prejudice. You can choose to do all of those things but you cannot claim ignorance of them and you cannot choose those things and still pretend that choosing them upholds the values we convinced ourselves that Harry Potter stood for over a decade ago as uninformed children. You cannot choose to do those things and pretend to still support your trans and queer and Jewish neighbors. I do not want you in my neighborhood. Leave.

[angorwhosebabyisthis]

honestly it's been really healing being back to actively contributing things and writing out thoughts on tumblr the last week or so, because while twitter tends to be easier for me to write out Thoughts on without getting overwhelmed, the environment in the twitter fandom circles i'm interested in is not only infested with antis but cliqueish in a way that is caustic to the fucking soul if you try to express a thought that's more than three sentences long--a hundred times over if you're autistic in slightly the wrong way--and it's incredibly reassuring to come back to an environment where the very kindest and most inclusive people toward you are not clearly thinking the r-slur the entire time they interact with you lmao

[wayfinderships]

Saw this one post that was like "imagine your f/o" and it involved being called "kitten" and ew ew Nope ew-

[jabeur]

i need to say something just to get it off my chest

[anaalnathrakhs]

manifesting for everyone people who love them how they want to be loved 🙏

[dappy-dappernette]

Aaaugh ngl sometimes it's hard to find artists to follow because 90% of them draw your NOTP, especially when your current fave is a half of that NOTP, and most of the people drawing him are fans of said ship.

Obviously no shame to them, ship what you want as long as children aren't involved with adults but like- Still.

[orcelito]

Having lost my cat, my uncle, my great grandmother, my grandma's best friend (& one of the people who helped raise me), AND my dad all within the span of 9 months,

I have little sympathy for people who use deaths as an excuse to be an asshole. I get it, it sucks. Get the fuck over it. Your grief is not an excuse to treat others like shit. What the fuck.

[waywardsalt]

the phantom hourglass manga is the one i care about the most out of all of the loz manga and therefore the one i am most willing to rip apart because of its relation to the game, its own problems, and the potential that was lost or thrown away for any reason at all

making this separate than the list of things i liked about the phantom hourglass manga

im not going to be too organized about this; ill go by topic and in each topic go in chronological order through the manga and everything else will probably be all over the place

im not even going to touch the story yet and just go after the art off the bat because i really believe that this manga has the weakest art of all of them. i dont know if its due to some kind of time crunch or a lack of care but its really… im not expecting any of these books to have killer art, but in ph it just feels like there was less effort with inconsistencies in some designs and either very low detail or just absent backgrounds. this feels like a mean-spirited critique since i understand that manga is difficult to create and requires a lot of effort but its just visually… worse than the loz manga that came before or after it.

some specific grievances i have with the art are things like inconsistent designs of some characters (linebeck is hard to draw and i get that but hes just… never totally consistent) and some items like weapons (the shape of bellumbeck’s sword changes during the fight for some reason) and stuff is… left out. the fire temple has basically no layout since link’s just in some flavor of void for the entire blaaz fight. one of the panels with linebeck’s ship shows it from the behind at an angle where you should see the deck but its just not there

his ship is also missing its chimney on the cover art

this is also more of an opinion thing but the way astrid looks almost nothing like her game counterpart is just… it’s a nickpick based on opinion but that is Not The Same Character.

you can absolutely tell a fantastic story with lacking art, but the reason why im criticizing this manga’s art is because its the tenth in a series of manga who, up until this point, has had consistently good art, and then it drops off with weak backgrounds and character inconsistencies.

plus, i really care about how this story is visually portrayed.

the pacing, even with half of the story cut, is also a bit of a problem. as far as i'm aware, this is the only loz manga to have significant chunks of the story cut out, and while it admittedly works well with only half of the story, it fucks with the pacing a bit. specifically, it screws over linebeck's arc, which i'll talk about more in a different section, but it also kind of glosses over the phantom sword and (obviously) loses some possible time for further character exploration and whatever. the cut from the ghost ship right to jolene right to the final boss is, while handled well, kind of abrupt.

obviously, cutting half of the damn story will make what's kept feel a little too fast, but even some of the stuff more original to the manga is paced weirdly or is just... eh.

there's a bit after neri is found where linebeck decides to stop working with link and basically ditches him and this whole thing lasts one to two goddamn pages before everything is patched up and good and... why even include it if you turn the page and oh problem fucking solved. it's even a little out of character for linebeck at that point since a few pages before he's seen getting the sands of time for link and it's... it make sense but it's a really extreme character choice and while it serves its purpose (introducing the idea of linebeck not valuing other people very much and realizing that) it's still extremely brief.

the added stuff with linebeck being a past member of the ghost ship, while fine and interesting at first glance is also a strange choice that doesn't work all that well? it works for characterization and all of that but it makes for a weird situation with linebeck's character motivation where he's a coward and after the ghost ship for the treasure on it, but if he was present on the ghost ship literally as it was fucking gutted then he would know exactly what the danger of the ship is and want to avoid it no matter what. in the game his motivation for going after the ghost ship works because he doesn't know for certain whats on that ship and has never been on it. plus, aside from character backstory and whatever, it doesnt serve much of a purpose. linebeck even makes some comments about the ship's interior and the like but it all amounts to nothing because link never actually goes into the ship anyways. it's just a weird backstory to give linebeck.

the shuffling around (and cutting of one of) the three final bosses is also weird. it makes sense for the story order the manga goes with, but it actually lowers the stakes for the bellumbeck fight (in the game literally everything is on the line but in the manga its just linebeck and they absolutely use that to their advantage but still) and mixing the ghost ship fight and bellum fights make the final encounter really brief and kind of anticlimactic in some way. it's difficult to express, but the order of the final bosses in the game makes bellum a more interesting villain and melds with linebeck's arc in a much more interesting way. it feels like there was a specific reason for that given order and for the manga to just toss that aside means it loses something.

also reserving pretty much an entire chapter for jolene is A Choice to make. there's nothing wrong with using an adaptation to flesh out a character but here you don't learn anything new about jolene she just kind of makes very little sense in her motivations when you give her more screen time but dont change her from wanting to kill linebeck for fucking off but also still liking him maybe. good for you if you like jolene since she got more time here but they did pretty much nothing interesting with her

this is something i figured out while writing this, but the manga actually does Fuck All with the actual hourglass. you could've cut the fucking thing out and it wouldn't have effected the story too much. link never goes into the temple every again and the phantom sword is just. made on request with link having no interaction with it before using it to kill bellum. the only time the phantom hourglass is actually plot relevant aside from link first getting it and then using it to gather sand is when bellum tells link to bring it to the temple and then it's used exactly once to stop time and then it's used as proof that everything happened. oshus says link needs to use it and the sand to break the curse over the temple of the ocean king and then that never actually happens the sand and the hourglass is just used once to stop time once and otherwise it might as well not be in the story it's so weird. it's also implied that oshus needs the sand to restore tetra after he returns to his own true form but they dont say anything about that after he initially mentions it so who cares. oshus also tells link that zuaz will teach him how to defeat bellum. link never meets zuaz and still beats bellum anyways.

it feels like they cut the latter half of the story but forgot that the fucking majority of linebeck's entire goddamn character arc happens in that part of the story. sure, most of the cutscenes and whatever happens in the first part and linebeck does develop a bit in the first part but he doesn't really start to change until after the ghost ship, when you get his letter and his dialogue starts to change slightly to suggest that he's starting to like link more and care about something other than the possibility of treasure. the manga cutting out the latter half of the story but still making linebeck's arc end in similar places makes his arc feel really fast and even abrupt in the manga. he goes from being fully motivated to get treasure and still kind of selfish to caring a lot for link and deciding not to wish for treasure and the time was just NOT put in to make that a smooth transition.

honestly linebeck overall got fucked in the manga more than any other character. his arc was shafted, his characterization is strange and even kind of changed from the game, he's never drawn consistently and doesn't even look great since he seems to be stuck between two styles when he's drawn, he's more shallow and generally a less interesting character, and while most of that is probably a product of having one book to cover ph, it's still a problem.

like with all of the loz manga, the extremely limited amount of space and time the story is given absolutely fucks it over so you really are stuck with telling nothing more than an abridged and seriously inferior version of the story. i dont care how good the original stuff is if it barely qualifies as a good adaptation. the story wasn't told all of the way and none of the game's strengths are kept or expanded upon. you lose the majority of the best character's arc and depth. half of the story was cut. the title item is barely used. it feels like they didn't really care about adapting phantom hourglass and just hashed out a trimmed-down version of the story to fit into 188 pages and while there was some effort put in with a bit of a unique take on linebeck but it just falls flat when everything around it feels like it wasn't given a second thought.

i'm not suggesting that the author's didn't fucking care, i don't know what the process was with this, but it just... it doesnt feel like they actually wanted to earnestly create a good adaptation of this game. i have an altered perspective on all of this because this game is my special interest and something i deeply care about and inspect the little details of and it kinda just sucks that phantom hourglass never got a good adaptation because... this game has some serious potential for a really good extended adaptation.

Unlike the other Zelda games that the other manga cover, the structure of the journey in Phantom Hourglass has an insane amount of space for fleshing out of character, exploration of new concepts or character relationships, or just.. whatever you want. Providing you cover the original story, of course. Off the bat, there's a nebulous amount of travel time between islands, which can be used by authors for character moments and interactions and just little moments that can be used to further themes or concepts. You can use the implied time overseas between islands to have some interactions between Link and Linebeck. Show the three fairies hanging out with each other. Show the whole crew becoming closer to each other as time drags on.

Linebeck's existence and function within Phantom Hourglass alone is so fucking unique and amazingly good for an extended adaptation. In most other Zelda games, the companions are pretty much glued to Link's side and follows him through dungeons, or they're characters locked in a specific place, more or less divorced from Link's quest, but Linebeck is an integral part of the plot, present for every part of it as it advances, and yet he's out doing fuck-all while Link is in dungeons. He's a great excuse for authors to add detail to islands, write new characterization for background characters, or even just give Linebeck his own b-plot running concurrently with the game's normal plot. He's important to the plot and yet doesn't touch the gameplay; he's free to do whatever you want while Link does dungeon stuff. One possible idea I've mentioned before is the idea of, while Link is in the temple of the Ocean King, is to create and explore a possible relationship between Oshus and Linebeck. Scenes of them talking can be used to flesh out Oshus as a character and to add some extra depth to Linebeck and make his arc more interesting to follow.

There is... SO MUCH you can do with Phantom Hourglass if you care enough to do it, and I'm just so frustrated that we got this solid 4/10 of a manga.