#but what about before they get married? | Explore Tumblr posts and blogs

bumblingbabooshka · 15 days ago

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Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

#as a note do NOT read the comments on any T'Pol marriage clips on youtube they're full of 'haha women amiright' jokes about #how she's leading Trip on and being a bitch for not choosing him etc - if you become interested in female characters you learn #quickly just how much people still hate women displaying any amount of complexity/doing anything that isn't just falling into a man's arms #even if that hatred doesn't take the form of outright vitriol (aka: 'I feel so sad for Trip bc T'Pol's marrying some other guy')#Trip: T'Pol listen this arranged marriage stuff is no good - you've gotta be free! You have to do what YOU want to do!#T'Pol: -legally seen as property of her husband in the eyes of the law- ...............#<- not dunking on Trip it's just funny how easy it makes it seem - but!! He doesn't know all the facts #as evidenced by him saying T'Pol might 'call off the wedding' to her mother - T'Pol can't legally call off shit #It's also interesting how gender isn't really mentioned in any of the clips I've seen - it's very clear to me that T'Pol has no options #specifically because she's a WOMAN within her culture but that's almost like a quiet undercurrent and not focused on as a main #point of dissatisfaction - which I imagine it 1000% would be for Vulcan women when men have infinitely more freedom #Vulcan Man: I don't wanna marry this lady #Vulcan Law: Ok #Vulcan Woman: I don't wanna marry this guy #Vulcan Law: Noted. So - if you and your lover are willing to risk his life there's a chance (if he wins) that you can get out of marrying #him BUT if your husband kills your lover and still wants to marry you you DOOO have to marry him sorry you just gotta #<- this also makes it incredibly dangerous to in any way warn your legal husband that a kal-if-fee might be incoming #the element of surprise is a HUGE advantage when it comes to winning a fight to the death (which your lover can train for)#Vulcans #T'Pol #T'Pring #star trek #I don't think this is bad necessarily (as a fictional worldbuilding thing) but I wish it were explored more #It's especially interesting because it's an aspect of logical Vulcan society - it's clearly not logical but it's also clearly rooted deeply #in tradition which may mean Vulcan long ago used to have a much more extreme gender bias towards the male population #it just implies a lot that Vulcan has these old laws which are unfair towards women yet they still follow BUT women are treated as equal #citizens OUTSIDE of marriage! Maybe there was a feminist movement before? Is there another brewing? Where are the Vulcan feminists!

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formosusiniquis · 23 days ago

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a smile for the in-laws at the holidays

written for @thefreakandthehair's spicy six-ber challenge - It’s just dinner. It can’t be that bad

WC: 5414 | T | No Archive Warnings Apply | platonic Stobin & pre-steddie | AO3

It starts with the red light on the Harrington answering machine. Blinky and out of place, he's shouting, “Who would leave you a message?” Before he even stops to wonder if anyone can hear him. Steve had followed Robin straight to the bathroom when they'd gotten back to his place, he's given up on trying to figure out just what had them joined at the brain, hip, and bladder preferring instead to just wait and see which of the hundred and fifty bathrooms in the McMansion they would re-emerge from.

“I talk to more than just you.” Steve’s voice echoes off the walls of the hall bathroom barely audible over the sound of running water and Robin’s half of the conversation the two of them were still actively having.

Echolocated, he moves to the door they're hidden behind to continue to conversation at a volume that hurts his fucked up throat less.

“Jury's still out on that. But it's not like Wheeler is gonna leave a message.”

He can feel Robin’s spiritual hum of agreement, his conversation with Steve now interesting enough that she's paused hers.

“I keep telling you that Nancy and me are friends.”

His personal jury is playing a game of 12 Angry Men on that subject. Seven months post apocalypse and what started as one especially delusional voice insisting that there was “lip looking” and “chemistry between himself and the prettiest boy Hawkins has ever seen” has now become a beautifully hung 6 versus 6; with the part of him that was hoping he would get to learn if Steve Harrington was as beautifully hung as the rumors said gaining traction.

“If Nancy Wheeler needed you, she isn't leaving a message,” Robin picks up the track Eddie's wishful thinking abandoned, “she’s going to get your machine, hang up, and call me and then Eddie and then the Hendersons and then Family Video, the arcade, the-”

“Assuming it's life or death.”

“It's always life or death.”

Through the bathroom door, Steve's eyeroll is practically audible. “It is not.”

“I don't think Nancy Wheeler has ever once shot the shit, the breeze, or anything that wasn't an active threat on her life, so again not leaving a message.” Eddie calls out.

He's rewarded for his status as shit-head as the door swings open and he gets to see Steve's fondly annoyed face. Bitchy eyebrows raised and lip curled into something pretending it isn't a smile. He wipes his hands down Eddie's shirt in a failed attempt at returning the annoyance. First the backs then the front running down his chest from collarbone to chest.

Maybe it's his imagination but he could swear it lingers. The tips of his fingers taking their time on their pass down his chest to his sides. The jury will be accepting it as evidence.

“Dustin then,” Steve says.

“This is the Professor to the Hair, come in Hair.” Robin comes out of the bathroom mimicking the familiar sound of the walkie.

“Claudia then.”

“If it's Claudia, that means dinner.”

And that's the best thing about Robin, he thinks, her attention to the important details. Then there's her follow through, as she leads the charge back to the end table where the answering machine sits, all before Steve's hands have fully left his sides.

Her rewinding is unmatched, she takes the tape back to the final seconds of the outgoing message.

When it plays his first thought is honestly that Steve should probably replace the tape soon. The “Sorry I missed you,” has the warped and wobbling sound of an overplayed ribbon. But the woman speaking is not any more familiar as the tape levels out. “The lawyer recommended some time separated, I would have preferred actual separation. What's the point of this no-fault thing after all, but I suppose threatening to castrate a man at a public dinner doesn't make for a very good case for favorable asset division.

“Listen to me blabber on. I've got some things to see to here, but then I'll be on the first thing that gets me home. I’ll see you for Thanksgiving! I love you, Shadow, see you soon.”

There's enough detail there to pick out the obvious: he's now heard what Steve's mom sounds like. Which rattles his world the same kind of way learning that Freak lived with his grandma and her ‘best friend’ did.

And well maybe he has spent the last seven months, and a good five years before that, convinced that Steve doesn’t actually have parents. That he sprung into a fully formed, perfectly manicured existence like the Athena of Midwestern gay bait. Which is to say he’s too busy realigning his entire world view to notice how Steve is reacting to the sudden introduction of his mother until the door is already slamming shut behind him.

“Shit.”

The first time he sees Steve after that he’s alone.

It’s unnerving enough that he touches his back pocket to make sure his walkman is there. Steve might be smiling but it doesn’t meet his eyes, his hair flops at the awkward angle it does when he’s been tugging at it. It’s the Right Side Up Family Video, so he tries his best to approach the object of his possibly reciprocated affections like he’s a normal person and not like he's afraid that a secret pod person is behind the desk.

“Stevie, hey,” the probably Pod-Steve finches at the practically inside voice level way that Eddie has greeted him. He assumes that all further communication should be done in the same style he uses to talk to Tom Bombadil, the tray tabby he is going to coax into the trailer.

With both hands raised in a subtle non-threatening gesture, he tries for levity when he says “ I know it's Thanksgiving, but it’s just dinner. It can’t be that bad.”

“This is the first time she'll meet Robin.”

He says it in the easy way Eddie has learned is habitual for Steve. He tosses out facts like putting them out in the world like they aren’t a big deal will make it so. But unlike admitting he knows a teenager with psychic powers or that he helps reset Hawkins expiration date on a yearly basis, this time he can’t hide the quiet desperation in his eyes.

“Oh.” His rings tap on the clamshell box in his hands, the dull sounds of each contact annoying even him. “I’m sure it’ll be fine. It’s Robin.”

Normally he likes when Steve’s eyes linger on him. It makes his stomach flutter and his heart race, and it's the closest thing anyone will let him get to high now that he's technically died, twice. The vacant way Steve's eyes hold on his doesn't feel like that.

The thing is Eddie isn't sure if the jokes Dustin keeps making about Steve and Robin having their own little hive mind are actually jokes. It's sort of a reverse Clark Kent situation, he's never not seen the two of them in the same place at the same time, and now that he has Superman is looking pretty vincible.

“Exactly,” Steve says, after pausing for too long. “It's Robin.”

His improvisation fails him. It feels like his brain is moving a thousand miles an hour and not coming up with anything. His foot is on the gas but the road is wet, and his tires are spinning without catching on anything. He thinks maybe, maybe, he could bullshit something about good parents and families you make being just as important as the blood ones. When the bell above the door chimes saving him from fucking it up.

Steve straightens up like someone in the sky just yanked on his strings, smiling like he doesn't have a care in the world; and like Mrs. Johnson isn't glaring at Eddie like she has the Ronald Reagan given power to kill him with her eyes.

Eddie escapes before she can move to trying to bludgeon him with a copy of The Good, The Bad, and The Ugly that she's returning.

He's safely in the van.When he realizes he's still holding the movie Wayne asked him to return.

He'll try again later.

Robin is behind the counter when he comes back. Alone. She looks adrift. Staring out over the counter at the wide expanse of shelves and tapes, she doesn't seem to be taking any of them in. Just staring, empty.

There's a movie playing, Back to the Future, but it's noise. Just noise. Because Robin is in Family Video right now the same way that Steve is.

Video in hand once again, Eddie approaches the wide-eyed thing at the counter cautiously. Robin's shirt collar is popped on one side and he doesn't think it's a fashion choice. Her face is bare and it doesn't move when he reaches the counter. Not when he sets the tape down. Not even when he says, hey.

“Did you rewind that?” She asks. Her eyebrows don't furrow, her mouth only moves enough to get the words out.

“It's Wayne's.”

Robin grabs it from the counter, scans it, and adds it to a stack that only looks taller than it did this afternoon.

“Look, Robin,” he tries more gently than he spoke to Steve this morning, still smarting from the way he had responded. “It's just dinner. It can't be that bad.”

She blinks once. Twice. Three, four quick times before she finally seems to be looking at him. A lemon pucker frown twisted across her face.

“She knows we're married.”

Robin turned 18 three days after the end of the world didn't happen. She spent the day in the hospital, in a chair that sat in the space between his bed and the bed they ended up putting Steve in. He hears one doctor call it, “Miraculous, really,” that he had been standing at all this long after his injuries and with the infection that had set in.

He collapsed in the middle of the Hawkins High gym with someone's donated sweater tossed over his shoulder.

And they won't let Robin in the ambulance. Tears streaking down her face, voice hoarse, and the EMT who survived doing his job in a place like Hawkins has the balls of steel to look her in her red faced, dripping nose glory, and tell her only family can travel in the back of the bus.

Wayne Munson, who was only in the gym to put up more posters of Eddie when he was caught by a limping Dustin Henderson, is the softest touch on this side of the Ohio River. Wayne Munson found himself playing taxi, making a quick stop at the Buckley house before taking all of the loved ones that the ambulance left behind to Hawkins General.

Inside the backpack she forced Wayne to let her grab, is a change of clothes for both of them. A strange amalgamation of pieces from both of their closets and, more importantly, a blank marriage certificate waiting to be signed.

You can, it turns out, get just about anything with the right forms mimeographed from the library or a bright enough smile when you ask for them.

And what Robin got with the correct forms was getting to request a marriage license without anyone at the county clerk's office looking at her twice. And with the smile she gets the hospital notary ready to officiate their marriage once Wayne and a sour faced nurse agreed to be witnesses. Eddie only gets to watch, too shaky still to sign his name on the license, he chose privately to think of himself as the flower girl with some extra special buds he could give the happy couple once he could get out of here.

It wasn’t storybook, but Robin and Steve were smiling so wide that it made the stitches on the side of his own face hurt. He could tell from the set of Wayne’s shoulders that he was trying not to cry and if they had him on a little less morphine he might be on the same boat. He called for the first cheers to the happy couple and it didn’t feel weird at all that neither the Harringtons nor Buckleys were there to watch their two children get hitched.

Eddie is the only witness left when later that night the cot comes out and Robin and Steve Harrington-Buckley bed down separately for their hospital honeymoon. It's not like he wants to overhear their marital pillowtalk, but even though he knows he's supposed to be asleep it won't come.

It’s Robin’s voice he notices first, a rough whisper that soothes something in him. The words wash over him for a second before his brain catches up. “In two years,” she pauses, but even Eddie who barely knows them can tell that Steve is and always is riveted to whatever she is saying. “When we get out of this shithole, I'm gonna have an affair with the most beautiful woman you've ever seen.”

"Is that the feminism Glory Steinway is teaching people, women doing men's jobs?” Steve’s little giggle makes his heart monitor jump, Eddie squeezes his eyes shut and hopes they think he’s just dreaming. “That would explain why my dad doesn't like her.”

“A Steinway is a piano. It's Gloria Steinem.”

“And you can try, but I've seen your taste,” Steve continues his part of the conversation like she hasn’t even spoken.

But Robin continues hers too. “And anyway, I don't know if that second part even applies anymore anyway, asshole. Not after that stuff we've been talking about.”

He’s not a good person, he knows that, that’s the only explanation for the way he was straining to hear like he could make his ear stretch across the floor toward them to hear better.

Steve blows a raspberry, surprising enough that Eddie flinches back in his bed. “I can't think about that if I can't sleep on my back.”

“That's not how it works,” Robin says with the confidence of someone who isn’t sure what she’s saying and lets Eddie be sure that he’s not going to learn anything else about whatever stuff they had been talking about.

“It is how it works. I've got to have my arm all funny to get comfortable enough to sleep.”

“Make sure I'm in here when Nurse Ratched comes to check on you and learns you dislocate your shoulder to sleep on your side.”

“I don't think that's Becky's last name, I think it's Collins.”

“Who cares. Now scoot over, one of us should get some sleep tonight and this cot is worse than Eddie's floor.”

He understood the bone deep instinct for protection Steve had now. The same drive that had Steve, still high on painkillers and a lack of sleep, stumbling out of the bed beside Eddie’s in the hospital. “They always say it’s gone, and then it comes back,” he’d whispered while clutching Eddie’s hand tight.

Underneath the warning, he’d heard the want. The desire to take Robin and Eddie and the kids and everyone he cared about, to shove them all in the back of a car and drive as far away from Hawkins as he could. To stop them all from doing something stupid that shouldn’t be their responsibility anyway, to drive until Hawkins was a stain on a map that couldn’t be seen in the rearview mirror.

That’s how he feels right now.

It’s been three days and he hasn’t seen Steve and Robin in the same place at the same time. It feels like a sign he should have been looking for that this thing is coming back.

So he tries to think of his next steps as self-preservation. He has a certain reputation to uphold and going to the mall isn’t very counterculture. But Sam Goody is Sam Goody and getting his nearest and dearest their favorite tracks on cassette feels like the same kind of practical as the thick wool socks Wayne gave him last year. If he brought Steve and Robin then their presents wouldn’t be a surprise, is his reasoning And maybe that’s self-preservation too, it’s a long drive to Bloomington and it’s hard to imagine mirror-Steve and Robin being very fun to road trip with.

He’s talked himself around on it by the time he’s window shopping the Gap. Nancy is trying to organize a Christmas party from Boston with the single minded determination he would expect of a general arranging a siege. She had them pick names for Secret Santa while she was home for fall break and he’d drawn the short straw and ended up with the general herself. Which puts him outside The Gap, all he really knows about Nancy is her penchant for guns and a good sweater and he’d hate to get her a 9mm she’s already got.

The pastel colors are probably some kind of danger signal, but he’s already stepped inside and has his hands on a sweater he hopes says ‘I’m a badass and there’s a gun in my handbag don’t fuck with me’ in prep when he spots the danger.

The danger being Steve, alone still, with a dark plaid skirt pinched between his fingers.

He drops the sweater and slips back out the store, hoping he hasn’t been caught. He’ll find Wheeler a fancy pen or a nice notebook somewhere in Indy.

It's two days before Thanksgiving and when Eddie walks into Steve's place the first thing he hears is shouting.

Hand on the door knob, he pauses, listening as Robin's voice carries throughout the house. “I'm not wearing it.”

“Robin-”

“No, listen to me! I am not wearing that. I’m not gonna meet your mom looking like some, some-”

“Nancy.”

“You said that, not me.”

“Robin. Robin!” Footsteps, Eddie hears footsteps. Robin’s angry heels slamming down hard on the floors beneath her enough that he can track her movement through Steve’s house even though she’s only wearing her socks. He takes a step back toward the door. Puts his hand back on the door handle, ready to pretend that he had just walked in. Ready to pretend that he hadn’t heard the two most in-sync people in his life arguing like the Wheelers.

“Let me storm out! Let me leave. I can’t just stay here and argue with you until we both say something-” The knob twists in his hand to the sound of the desperation in Robin’s voice. Eddie’s feet don’t move, frozen in place by courage or cowardice or the seven years of high school engrained need to hear every last bit of gossip possible.

Steve has always been good at making good gossip. “Robin!”

“I’m not wearing that fucking thing just because you want to and can’t!”

He knows the sound of an argument ending when he hears it. The holidays always leave him a little more tuned in for the sounds of smashing glasses and raised voices.

The silence that comes after a landing hit.

The door knob gives in his hand, pulling it just wide enough that he can feel the chill of the late November air, Eddie is a little surprised at what side of the door he finds himself on when he slams it shut again.

Footsteps moving faster toward him, heavy heel first steps. He starts putting on the production of arriving: shaking his shoulders like he’s shaking off the frosty chill of the early winter hitting Hawkins like the latest plague. He’s got a toe at the heel of one boot, ready to kick it off when Robin comes barreling toward him. Barrelling into him, he stumbles over his tangled up feet to keep them both from falling to the floor.

She’s got a hand pressed into his chest, fingers digging into the fabric of his shirt, using it to drag him impossibly closer. He can smell the coffee on her breath when she hisses, “As one of the people responsible for saving your life, I need you to put me in that death trap you call a van and repay your debt.”

“I-?” Closer than he thinks he’s ever been to Robin, the fight he just overheard playing through his head once again, he tries to parse through the pissed off urgency in her voice that’s now being directed at him.

Her eyes are wild and she only looks more insistent as Steve’s voice carries from the kitchen. “Is that Eddie? Eddie, come in here and taste this.”

“If you have never trusted me before, trust me now, if you value your life you'll leave.”

There’s a part of his brain that believes her. There really is.

But then Steve whines, “Seriously, Eddie, I need you.” It’s a tone of voice Eddie has only heard in his wildest fantasies, and sometimes not even then.

“Oh that's a cheap trick,” Robin snaps.

“Please?” He drags the word out into a moan. Something sultry that Eddie wouldn’t dare dream of, so it has to be real.

“Cheap trick,” he pats Robin on the shoulder as he walks toward the vision he can only just begin to imagine in the kitchen. “Yeah sure, put them on.”

“This is for your own good.” For a band geek, she’s strong. Maybe it’s the world saving.

Eddie has only managed a step toward what has to be everything he’s ever dreamed of when her hand closes tight around his arm and pulls him back toward the door. The jury in his head has just reached the unanimous decision that he does actually have a shot with Steve Harrington as he’s being lifted kicking, but not yet screaming, by a scrawny band nerd and now they’re calling for her head.

“Eddie?”

“I’m taking him with me. Maybe between the two of us we can get the right onions.”

“Who would use a sweet onion for a green bean casserole?”

He’s stunned, still enough that Robin can finish pushing him back out the door he just walked through. Not because Steve was being a bitch, Steve’s always kind of an ass, but that Robin wouldn’t respond. The ‘god you never listen to me and I’m actually mad about something else but this is the thing that’s broken me’ tone is one he associates with the bitterly married Mr. and Mrs. O’Leary from the trailer two down, the frowning couples in the grocery, not Steve and Robin.

Steve and Robin had full conversations in their brains with nothing but facial expressions and laughter, they didn’t storm out of the house angry and resentful.

It feels like something is broken, waiting to be fixed. Broken things have always preoccupied him, and they’re halfway down the road before he realizes they aren’t headed toward town.

And that he isn’t the one driving.

“Um, Buckley? Did you get your license when I wasn’t looking?”

“I have my permit. We have the beamer, it's not like we’re going that far.” He grabs the oh shit bar as she rounds a corner without breaking.

“All due respect to the royal carriage- Shit, brake. Brake! Arwen doesn’t exactly handle the same.” He recognizes where they’re headed now, if only because the edge of the quarry is quickly approaching. Maybe he hasn't given enough weight to the amount of stress she’s under.

“It’s ridiculous. The whole thing is ridiculous.”The edge of the quarry is looming and her foot is too light on the brake. Even as the dust flies out behind the van, he’s torn between listening to her and watching the windshield. The brakes squeal as her foot finally presses down hard enough to actually stop the van all the while chanting. “It’s a dinner. A dinner. All this for a dinner.”

They stop. The car rocks back, Eddie lunges for the column to make sure it’s in park while Robin launches herself out of the cab.

He can see her pacing beside the van in the side view mirror, her mouth moving in a rant he can’t hear over the sound of his own panting breath. “Okay, this is okay,” the words leave his mouth but they might as well be coming from some third tag along in the van. “Robin is freaking out, so you can’t freak out.”

He scrambles into the back, knees smarting as he crawls across the blankets that aren’t doing enough to cushion the floor. Robin almost gets hit, when he tosses open the doors to usher her in.

“Climb in, we’ll partake in the time honored tradition of escaping from family, getting high, and bitching.”

She doesn’t look convinced, hands shaking when he grabs ahold to help her get into the back. Eddie makes it a point not to look at her as she settles. She fusses, fidgeting with pillows and smoothing out the afghan that Steve picked out from the thrift store, and he holds any comment about how Steve had done the same thing the last time they hit the drive in mostly because he knows she was there for it. His time is better spent carefully rolling up a fresh joint, lighting it, and taking a big hit.

He still doesn’t know everything that happened to them before he got involved with the Upside Down. But he knows that the Harrington-Buckleys don’t handle being high well these days. But with the doors open, the ambiance, and the faint second hand smoke it isn't long before Robin is speaking.

“It was funny when he was showing me the best way to climb into a girl's window or scale a trellis.” She isn't looking at him while she speaks. Her eyes are locked on the toes of the new Chuck Taylors that she and Steve had lucked into at a thrift store in Seymour of all places. One blue and one red, they'd split the pair after decorating them. The two of them so in sync they even share a shoe size.

Still the words keep tumbling out, slow but gaining speed like a snowball rolling down a hill. “It was fun learning the best way to shotgun a beer and the flirty hand thing. And I liked, like, having someone who will gossip with me and we can paint our nails.”

She stops, breath shuddering and it's worse, now that he's got the smell of weed around him but none of the haze, when she looks at him with red, watery eyes. “But now I'm gonna be the girl who isn't girl enough who ruined her perfect son and made him not boy enough and ruins their relationship forever. He loves his mom.”

“And he loves you, Rob.” There's no right amount of emphasis to put on the words. It feels like he’s repeating facts to a conspiracy theorist. DnD isn't devil worship. The Earth is round. Steve Harrington loves Robin Buckley, no matter what.

And just like spouting facts, he isn't met with a good reaction.

“I know,” she croaks, voice breaking as she holds back a sob. “I know and he knows better than anyone that loving someone isn’t enough to keep you from resenting them.”

It's miserable. He feels miserable. Robin looks miserable. And if there’s anything he hates more than injustice it’s misery.

“What can I do?”

She sits up further, grabs the wrist that’s holding the forgotten joint, a look on her face that makes him think of the urgency of a quest. “I can’t be someone he ends up resenting in a year, in five.”

“What can I do, Robin?”

“Say you’ll come Thursday?”

That sounds like the worst idea in the world, Eddie Munson, former murder suspect, joining in at the Rockwellian dinner table. But he isn’t good at denying his friends much of anything these days. “Will it help? Me being there?”

“I don’t know. I don’t know. But you’ll be there for me, for him, for us.”

“Then I’ll be there.”

Thanksgiving comes and Eddie’s hands are sweating around the wheel of the van as he sits in the Harrington driveway.

He hasn’t celebrated the holiday in earnest like this since he was little. When his own mom was still alive and they would load up in the pick up to drive to his Mammaw’s house where it would smell like roasted turkey and fresh baked bread. Now he and Wayne need the money too badly to skip out on the holiday pay. They would have turkey sandwiches for lunch before he would leave and Eddie would float around town selling to the teens who had slipped out their front doors for a “walk” before dinner so they could stand to be around their overbearing relatives.

Which leaves him in the position of trying to figure out his role here.

Is he the dirtbag that Steve has somehow managed to befriend, there to take the heat off of Robin and make her better by default?

Is he the reformed killer that the two of them have fixed through the power of their goodness, there to make them both look like the power couple that they are?

Is he there as their friend Eddie, there to be moral support in a stressful situation?

He isn’t sure and each different version of himself that he can imagine looks different. Each a different performance that requires different costuming.

It’s left him arriving late, wearing a hodgepodge of pieces that speak to each version. Stitched up jeans and a thrifted band shirt, overtop that one of Wayne’s cowboy shirts and he’ll kick off his trusty Reeboks at the door if he can get himself to go inside. He isn’t sure what anyone is going to think if he manages to make it in the door, but he can imagine what the neighbors are thinking right now.

Trudging up to the door, nerves prick at his fingertips but he doesn’t regret coming. Not even as he tries to anticipate the stuffy, frigid silence he’s about to walk into.

At least the food will be good, the stuff Steve made anyway.

Through the door he hears laughter.

When he knocks, it doesn’t stop.

And then he’s looking at Steve wearing that skirt from the Gap with his hair pinned back. “Eddie!” His eyes are wide, sparkling with a bright joy that Eddie hasn’t seen in days.

From down the hall voices, Robin’s he knows too well not to identify and the other’s can only be Mrs. Harrington, chorus, “Oh Eddie!” Before he hears the sounds of giggling laughter once again. Steve’s face flushes a beautiful, distracting pink.

“I should have brought something,” Eddie finds himself saying. Empty hands clenching even as his eyes are locked on those two moles on Steve’s cheek and how they stand out on that blush.

“You never have to bring anything, Ed.”

“Stevie! Quit hogging Eddie, we want to see him,” Robin’s voice has the slip sliding quality Eddie has come to associate with drinking.

“There’s still time to run, if you want to avoid everything,” Steve teases.

“You know I’m not a runner anymore, and anyway your missus invited me.”

“And nobody has ever accused Eddie Munson of being rude.”

“Got that right, baby.” Eddie can feel the smile on his face broaden as Steve rolls their eyes, a smile tugging at their lips, and that sweet pink kissing his face again.

But when Steve’s hand runs down his wrist, a tentative touch reaching to tangle their fingers, the situation he’s in fully cements itself in his mind. Fingertips brush past one another as Steve keeps walking and Eddie stays put. He can hear Robin’s familiar cackle and a pleasant laugh that shares the same cadence as Steve’s coming from the kitchen. Warm brown eyes look him up and down, he tries to ignore that as he listens for whatever conversation is accompanying that laugh.

“She wants to meet you, y’know.” Steve says finally. “Hasn’t shut up about how my tastes have gotten better now that I’m back to my old self.”

“And she means me?”

“She means Robin,” he laughs, “but she’ll like you because I do. Because you haven’t said anything about this,” he flicks his hand down to his skirt. “Because you won’t say anything when you see she’s wearing the same outfit.’”

“Mama’s boy?”

“Something like that. C’mon, I need someone on my side in there.”

“Yeah, alright,” Eddie agrees, reaching out to grab Steve’s hand for real, “It’s just dinner. It can’t be that bad, right?”