#but this happened between my sibling and me

[rui-ayaki-lower5]

*in another part of the living room, Tanjiro happens to find a window seat with a two-person game of cards that looks more untouched than the rest of the house, almost like Rui did not want to mess up whatever game had been playing despite the players having gone missing. There are deer outside the window, a doe and a few fawns. There are a few books sat on the floor against the wall, mostly ghost stories from across the sea. Then there is the hallway to the rest of the house, I.E the kitchen, dining room, ect. Who knows whats in those rooms.... Rui nods excitedly and scurries over to look* "mhm, my little sister Hana drew this before she got taken...thats her right there" *he points to the smallest figure in the drawing* "thats my little brother Izumi over there, then theres me and my sister Himari" *he chirps pointing to the second smallest figure in the drawing on the other side of the page, then the drawing of himself which is in the middle, and then the figure his size who is next to Hana* "then there are my big sisters Oni and Rini" *he points to the two somewhat taller figures that are between another boy and his drawing, Rini wearing her hair back and Oni having it relatively loose* "then there are my big brothers Masami and Kaito" *he points to two figures on either side of the page but closer inwards than his younger siblings; Masami standing between Izumi and Rini, and Kaito sitting between Himari and another figure* "And lastly our parents, Our mother Miu and our father Taiki" *he points to the figures on either side of his figure*

continued from: here

"I should hope so...They actually inspired me to try to be better..." *Perhaps an excited student presenting their latest project to their teachers might be more accurate of a comparison? He points to the sword-loss-preventative attachment before explaining it* "With this one, one end will attach to either the guard or handle of the sword, whichever one works best and the other end will attach to the slayer uniforms belt-loops. It will also be stretchy enough to stretch the users entire arm-span without the snap-back effect hindering the effectiveness of the users swing" *He pauses for a moment and looks at the two with a slightly confused expression* "I really don't mean to...just spiders are so effective at what they do and webbing has so many uses...and I do not really know how else to help...As for talking about using these with your master, the other hashira and the weaker slayers; that would probably be for the best...considering these could very well be essentials once muzan makes his next move..."

(holy mother of the gods, the queens and holy freaking shit tumblr is driving me up one side of the crazy tree and down the other)

She smiles softly. She couldn’t wait to bring Tanjiro and Nezuko over to see him. She knew it’d make all of their day just to see each other. She holds her sister close as she watches his little presentation with excitement. “Hm….it might make more sense to see it in action I’m a little confused on how this might work sorry.” She wanted to understand him so bad because he seemed so happy but it was still a little confusing. She sighs. “Yea it’s just that I don’t want to overwork all of you since I know you’re still so small and your spiders are too. The hashira are pretty strong so we won’t need it as much as the younger slayers but I’ll still discuss it with them.”

Shinobu agrees with her. “Yea it’s better for them to try it out first just incase something doesn’t work right. Also they definitely need any help than can get based off how terribly the training is going.”

[wisteria-lodge]

What do you think of Bellatrix? Would you have liked to explore more dynamics about her?

I *love* unpacking sibling dynamics and toxic relationships, so of course I find Bellatrix fascinating. (Also "Bellatrix Lestrange" might be my favorite name in a series full of very good names. 10/10.)

To me, what's key about Bellatrix is that she's the oldest of the three Black sisters. She could have been written as the indulged, attention-seeking bratty baby... but that would be a less interesting character.

Growing up, I think Narcissa was probably the quiet, passive child. That's her strategy when Voldemort shows up and she's once again living with a powerful, unstable authority figure. (I mean we have no info about what Cygnus Black was like, but he's Walburga Black's younger brother, and I imagine they probably enforced each other's extremism and intensity after their brother got blasted off the tapestry.) Narcissa's strategy is fade to the background, don't react, don't let them see what you're thinking, let them ignore you.

(I also think it's very believable that she went subtly went low contact with the Blacks after she married Lucius. The Malfoys have *always* been much more squeamish about violence, and much more politically moderate. I think Narcissa likes that.)

Andromeda you can take in a couple of different directions, but she was probably the problem child/scapegoat. And if she wasn't before she married Ted, she DEFINITELY was after. She also looks so much like Bellatrix that Harry does a double take, which I think... would have really bugged Bellatrix growing up, and informed their dynamic. Bellatrix sees herself as SO exceptional that she wouldn't want to be compared to anyone... but if she were, then it would be important that any casual comparisons come out in HER favor. (Which can't have been fun for Andromeda.) It's interesting that Voldemort underlines the connection between the two sisters as a way to get under Bellatrix's skin, and it works *really* well. She's got a competitive streak.

Because Bellatrix would have 100% grown up the *Golden Child.* Powerful, driven, beautiful in a striking way. The Daddy's Girl energy is off the charts (and she was probably Aunt Walburga's favorite too.) Bellatrix is described as acting like a queen, which is exactly how she sees herself. She grew up in an echo chamber not only telling her that people like her were special and better... but that she was the most Special one within the Special group.

So she meets Lord Voldemort. He's beautiful, driven, brilliant, power levels off the charts. He's Grindelwald born again (but straight) (probably.) He's not just the Dark Lord, he's a King. He wants to rule the world as an immortal god-king. He tells Bellatrix that this is going to happen, and she believes him.

And like - of course she's into that. But also, seeing yourself as a temporarily embarrassed Immortal Goddess Empress requires such a specific self-concept. You are going to need a delusionally high opinion of yourself... but also enough talent/power/beauty/external validation to carry that idea into adulthood.

(also Rodolphus... he doesn't count. Good Marriage was just another box to check as a young woman so Bellatrix could remain Perfect. The rules are different if you're a Immortal Goddess Empress anyway. Any consort she had would be so far below her own power level, or the power level of her King, that he literally would not matter. But she's not going to have a *kid* with Rodolphus. She's Voldemort's favorite, Rodolphus is not good enough. You sire PRINCES with the KING.)

Voldemort of course would know all this. And we see him have so much fun finding ways to creatively torture Lucius. He's a sadist in general sure, but there's something specifically about bringing pureblood royalty low that he gets REALLY into. He *likes* bringing up the werewolf nephew-in-law and and watching Bellatrix scramble desperately for ground, crying, while the rest of the Death Eaters point and laugh. Until he tells them to cut it out, because he's the only one with enough power to do that.

And then Bellatrix goes back to her room and probably constructs a whole narrative about how that was actually Voldemort protecting her, because she's the most Special, and it's all in good fun really. Because the alternative is having to admit that she's not extraordinary, she's just a punching bag (like Lucius Malfoy.) This is where a lot of her anger and instability come from. Every time she's in a situation where someone else is doing something *more* or *better* ... she lashes out.

In the main timeline of the books this mainly shows up in her dynamic with Narcissa. Bellatrix tries to give orders in Malfoy Manor (I am sure it really annoys her that Voldemort is using her sisters house as his HQ. That isn't how it's supposed to go.) Narcissa is sacrificing Draco for the Dark Lord? Well, Bellatrix would have five sons (hypothetically) and sacrifice them all (happily.) She tries to shift the blame for Department of Mysteries thing 100% onto Lucius, and gets really defensive when Snape implies that he has more emotional intimacy with Voldemort than she does.

But she's still really, really useful, and Voldemort knows this. She is talented, and powerful, and his best enforcer. So he would have so much fun dangling that carrot just out of reach, forever. The prophecy makes such a big deal about Voldemort marking Harry "as his equal," because that's just not a thing he does. BELLATRIX certainly isn't his equal.

(dumbledore though... we can maybe revisit.)

[peanutbutterandbananasandwichs]

do u have hcs for sams post canon family life

Ok so gonna preface this with the fact that I hold opinions that I think are relatively uncommon in this corner of Samblr which is that as a general overarching thing Sam was relatively happy, he and blurry partner stayed together and were mostly happy, and Sam was on the whole a pretty good dad. Not that everything was perfect, far from it, but that generally it all worked out ok. I feel this way mostly tbh because if I didn't I would genuinely struggle to get any enjoyment out of the finale. I'm a FAKE Sam suffering enjoyer lmao. It's already deeply fucking depressing to me to imagine Sam spending eternity in heaven with Dean being squished back into The Roles, I need SOMETHING so cling too lol.

ANYWAYS that being said:

Said this before but although I am fairly flexible on identity of blurry partner my personal favourite thing to come back to is that she is Amelia. So I'm gonna run with her for the rest of these.

Related to this is that I think when we see Sam leave the bunker in the finale to go on the hunt in Texas that ended up being the last time he ever returned. He didn't mean it to be, it just happened. Maybe subconsciously he knew because he'd packed the little memory box with pictures etc in the trunk of the Impala without thinking about it. Anyway keeping this on track, he ends up staying in Texas and eventually, he and Amelia run into each other again - her having left Don again after things didn't work out a few years ago (gonna be real with you I think Don was abusive) and end up reconnecting.

Riot and Miricle are kinda grumpy but tolerant about each other.

They also eventually adopt an old lady tabby cat from the local shelter who absolutely terrorises both dogs, but dotes on Sam.

Sam ends up telling Amelia the truth about his life about 3 months into their relationship restarting, not all of it, but enough to keep her aware. She says that honestly even though it sounds crazy it makes a LOT of sense of how Sam was when they first met. This is the point at which they decide they do want their relationship to last and be serious. Amelia suggests they do couple's counselling together, given both their past issues if they really want to make this work.

He and Amelia never marry for a variety of reasons, but it works for them.

Sam ends up getting a degree - I think in something like anthropology (me an archaeologist totally not biased here lol), he does it through a distance learning program so mostly online but with some in-person classes and workshops.

DJ wasn't a planned pregnancy and it took a lot of discussion between them to decide to go ahead. Sam in particular was very anxious about the idea of being an actual dad to an actual baby, as much as he was kinda one to Jack he knows this is a whole different level. Amelia never wanted kids with Don. Amelia is also in her 40s by the time it happens so there are extra potential complications to consider. In the end they both agree that they want go ahead, and they both acknowledge that this will probably be their only kid.

Already mentioned Sam and DJ being autistic elsewhere but that's very precious to me.

Sam does struggle to find a balance between making sure he's there for DJ in a way his dad wasn't for him and being too much of a helicopter parent. He's SO conscious of DJ being an only child and the potential for loneliness stemming from that (absolutely projecting his own childhood loneliness SO hard and of course, his ideas on sibling companionship are NOT normal lol). As DJ get's older Sam does manage to relax a little, although it is still an issue from time to time.

That being said as I mentioned previously re the autism headcannon this level of worry also means that Sam puts in SO much work and research into being a supportive dad to an autistic kid.

Amelia is the 'breadwinner' in the relationship, continuing to work as a vet, Sam works a series of different part-time jobs over the years, mostly involving fixing stuff. After he gets his degree he works a couple of days a week at the local library as an assistant.

Related, finally stopping hunting gave him time to really catch up with and assess his body, and a lot of the weight and wear and tear of what he'd been through hit him quite suddenly. He has chronic fatigue issues in particular for the rest of his life which is why part-time work ends up being the best solution for him. Although Amelia, and DJ when he's a teenager, do still frequently have to sit him down and force him to stop trying to do too much at once.

Amelia passes away before Sam. She had been dead for about 5 years by the time Sam died.

Sam keeps very little contact with the hunting world, but Jody does still come to visit. DJ is very fond of her, much to Sam's delight.

The first time Sam had to look after DJ on his own after Amelia went back to work full time and was working a nightshift he was stuck to him like glue, Amelia came home to find him curled up on the floor asleep right next to DJs cot.

Sam loves helping DJ with his homework, and DJ loves it too - its their special time together, and its when Sam is able to be most emotionally open and present.

Sam's issues with food never go away, and its one thing he and Amelia do get into fights over is Sam (unintentionally) putting some of his issues on DJ (think Sam telling Jack he shouldn't eat sugary cereal).

Sam and Amelia both discover a love of gardening and they spend a lot of their free time together working on their garden. Amelia particularly loves roses and has a little rose garden that becomes their little sanctuary (Amelia's ashes are buried there). Sam creates a little healing herbs garden, he doesn't actively practice witchcraft but he likes to make little tinctures and teas and stuff.

I'll stop there lol

[winters-on-the-wing]

hmm, well, you're one to talk about letting people like what they like when you're going batshit on me about a post that does not mention jegulus anywhere. do you see me saying a single word about james? the only two names i mention at all in the post are regulus and umbridge.

so what the hell does that have to do with jegulus?

answer: nothing. but YOU can't handle your precious little fascist white boy being shipped with anybody but james, so you got on my blog and chose to scroll to my post that's just talking about a ship i like, and then hating on me just for talking about kittywater, a ship i happen to like! you're the one that's shitting on me for no reason! you're the one that needs to let people like what they like!

also, let me say a few things based on what you've written.

the other two things we know about regulus in canon, the things that jegulus stans love to purposefully ignore, are that he had a voldemort shrine in his bedroom, and that he got the dark mark by choice when not even his parents had it. regulus adored voldemort. and it doesn't matter that he changed his mind. he still helped voldemort kill thousands of people out of sheer hatred for a minority group that did nothing wrong. he's still a racist and a fascist. and he didn't even die for those oppressed people. he got upset about voldemort's wrongs only when it affected HIMSELF. HIS slave. so yeah, i'm gonna go ahead and say that regulus is not a good guy. sorry? but i actually read the books.

there are so many more differences between jegulus and jily than the queerness. first of all, regulus is an active oppressor of the minority groups in this universe, while lily is a member of said minority group. second of all, regulus has no personality in the books while lily has a beautiful, complex, well-sculpted personality. your fanon little wet cat doesn't count.

and the most important one. there is NOTHING about lily and regulus' family/sibling situation that is REMOTELY similar. if anything, they have opposite situations. you are not actually comparing sirius to petunia?? let's do a little review of their situations, shall we? sirius was being abused by his parents due to his disagreeing with their blood supremacist views, and as a result, he ran away for his own safety and peace of mind. regulus could have left with sirius at any time, but regulus CHOSE to stay with his parents and become the new heir. regulus CHOSE to become a death eater even though the black family was not affiliated with voldemort whatsoever. now, lily was the favorite child of her family, and this became especially blatant when she found out she was a witch and petunia wasn't. petunia was so overwroght with jealousy that she made lily's life a living hell, to the point where lily had to completely abandon the muggle world for the wizarding world. when looking at these two stories side by side, you can see that regulus isn't similar to lily at all. regulus is similar to PETUNIA. :) so if by similar, you mean that regulus is similar to lily's abuser, then you're right there! but other than that? i think you're just delusional.

guys regulus and umbridge are so perfect for each other

they’re both evil little shits who like to pretend that they’re the heroes of the story and the victims of their situations even though every awful thing they did was a conscious choice! they’re made for each other!!

[shizuturnspages]

What if Diluc and Kaeya shared a darling? (both characters separate)

How would they react if that darling favored them over the other sibling? Would they notice or be unaware? Would they still feel jelly over the other one? Etc. (^v^)

"You're Mine, Not His"

Synopsis: Sharing a darling was never an option. As tensions rise between Mondstadt’s estranged brothers, Diluc moves in silence—protecting you from Kaeya’s deceptive grasp—while Kaeya weaves a web of sweet words and lingering touches to make you his alone. But no matter who you choose, one truth remains: neither will ever let you go.

🔥 Diluc: The Protective Flame

Would He Notice? Yes. Diluc is incredibly perceptive, especially when it comes to you. If you favor him over Kaeya, he’d pick up on the small things—how you seek him out first, how your voice softens when you say his name, how you always seem to linger in his presence just a little longer. It would soothe him, reinforcing the idea that keeping you close is right.

His Reaction to Being Chosen Over Kaeya: A mix of relief and possessive satisfaction. Kaeya has always been unpredictable, someone he wants to trust but never fully can. So if you prefer him over his brother? It only solidifies his belief that you belong with him, that you see the truth.

Would He Get Jealous? Not outwardly, but deep down, yes. Even if you favor him, the idea of you spending any time with Kaeya unnerves him. He wouldn’t voice it directly, but his grip might tighten just slightly when you mention Kaeya’s name, his tone turning clipped whenever you bring up time spent with his brother. He’ll always see Kaeya as a threat—because Kaeya is too charming, too manipulative. If you ever waver, even for a moment, Diluc will be there to remind you why he is the only one you need.

What If You Preferred Kaeya Instead? Oh, that would break him. He wouldn’t show it outright, but something inside him would shatter. He wouldn’t lash out—Diluc doesn’t believe in recklessness—but he’d become even more protective, more possessive, more determined to make you see. He’d be colder toward Kaeya than usual, making it very clear that his patience is running thin. And if he starts noticing Kaeya getting too close? Well… accidents happen.

❄️ Kaeya: The Manipulative Frost

Would He Notice? Oh, absolutely. Kaeya is hyper-aware of emotions and relationships, always watching, always analyzing. If you favored him over Diluc, he’d drink it up. Every lingering glance, every stutter in your words when he teases you—it would be delicious.

His Reaction to Being Chosen Over Diluc: Pure, smug satisfaction. His dear brother always acts like he knows best, always tries to control things in the name of “protection.” But you? You chose Kaeya. That means something. It means you see through Diluc’s cold distance and recognize who truly understands you. He’d use it against Diluc every chance he gets, letting subtle, biting remarks slip. “Oh, don’t be jealous, Diluc. It’s not my fault they prefer me.”

Would He Get Jealous? Oh, Kaeya doesn’t do jealousy—at least, not in the traditional sense. He doesn’t get mad. Instead, he gets even. If you ever so much as entertain the idea of favouring Diluc, Kaeya will remind you why he’s the better choice. Subtly, of course. He’ll pull you into private moments, whisper words in your ear that make your heart race, fill your mind with little seeds of doubt about his brother.

What If You Preferred Diluc Instead? That… stings. More than he’d ever admit. But Kaeya doesn’t lose. If you think you prefer Diluc, then clearly, you don’t understand him yet. And that’s okay. He has all the time in the world to fix that. He’ll be patient, calculated. Slowly inserting himself into your life, subtly discrediting Diluc, ensuring that you second-guess everything you thought you knew. And when you finally turn to him instead? Oh, how sweet that victory will be.

[boookfreeak]

character A: "Yo, B! Wanna know what I got C for christmas?"

character B: "Yeah, sure, why not."

character A: *pulling out a sock puppet* "I made them a hand puppet out of an old sock."

character B: "You... what?"

character A: "Well, they told me to throw it out because it was so old but I didn't want to. They said, 'what are you going to do with it, make a hand puppet?'."

character B: "Okay, fine, I get that."

character A: "Wanna know what I got for D?"

character B: "Sure."

character A: *pulls out another sock puppet*

[demaparbat-hp]

Oh, Lala...

[aliusfrater]

incredibly important detail also: the white collar little brother is gay

also also jared's the older brother on walker and he's got a little brother. normal, whatever. only a little bit of a Thing but ultimately cute and not implicative of anything, right? anyway, the younger brother works high up in the DA's office while jared, the older brother, is the cop (ranger, whatever 🙄 all the same to me) with a partner who is a woman. which could mean absolutely nothing.

[torchickentacos]

i will always shout praises of bi4bi but given recent discourse I feel the need to say that I love bi4het too! I just love bisexuality in general in its many forms, and anyone who only likes it when it's 'queer enough' for them is biphobic. Bisexuals should be able to bring their LaMe CiShEt BoYfRiEnD to pride without being made to feel like spectators and outsiders to their own event.

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.

[catkindness]

un-traumatizing my faves. they're fine now

[supermusicallee]

NO other show in existence understands sister dynamics better than fleabag. especially from the perspective of older sisters i believe. having the same character yell "...you're fine! you'll always be fine. you'll always be interesting, with your quirky cafe and your dead best friend. you just make me feel like i've failed," AND "the only person i'd run through an airport for is you" !!!!!!!!! it's insane and it's exactly how i feel

[c0rvidfagg0try]

My thoughts on Chimney Punching Buck:

Okay so I’ve seen a lot of Chimney hatred becuz of this scene in particular and it upsets me becuz Chimney was right. I said it.

Now do i think him punching buck was right? No. Do i think he had his reasons and took them out it the wrong fashion? Yes.

Everyone seems to think that Chimney was being irrational in this situation and Buck was a holy saint who did nothing wrong. No. Buck was wrong this time.

Let’s look at Maddie. Maddie has been alone for years. Her parents abandoned her for their grief and she had to raise Buck alone, and then she entered an abusive relationship where she couldn’t get help for years. She was never wanted or desired. And yes Buck loved her but he was a child and couldnt provide the love she deserved.

Maddie running away from Chim and Jee was becuz she felt like she didnt deserve them. She didn’t feel like she was worth saving.

She NEEDED someone to run after her. To show her that she IS wanted, she IS needed.

Buck kept her location a secret from Chim becuz he still looks up to her like a child would to a parent in some ways. He has a bit of a hero worship for her in some ways and doesnt really understand the extent to which she needs help becuz shes been such a strong figure for him their entire life and hasnt really let him see her be weak.

Chimney on the other hand HAS seen her at her worst and knows her intimately. He knows she needs someone to love her with their entire being and thats what he did by running after her. She needed to know she wasn’t alone and Chim did that for her.

And Chim punching Buck was when he was at the height of his emotional breakdown. He was terrified, upset, probably running on very little sleep, of course he was going to snap. I don’t think he should’ve punched Buck but i don’t that makes him the devil.

And neither does him ignoring Buck. He’s obviously frustrated becuz thats his everything right there and he cant find her. She could be dead for all he knows and Buck kept it from him.

Both of them have their flaws in this situation but Chim knew what Maddie needed and Buck didn’t. And Buck’s not in the wrong for not seeing that, he just didn’t know and needed to learn that.

[hetagrammy]

This might be controversial, but I've never had this idea of Britannia as being a particularly warm maternal figure. Like, I think she definitely loved her kids, but she was more concerned with their survival than with letting them be children if that makes sense. Her way of showing love was trying her damndest to protect them, and to make sure they could survive on their own after she was gone. It was less explicit "I love you"'s and more compliments on their progress or stern scoldings when they'd gotten themselves into danger. The British Isles Siblings are hard pressed to remember the last time their mother hugged them or sang to them, but they remember her pressing a blade into their hands, kissing their foreheads, and telling them to be brave. They know their worth because of her, but what tenderness they gained they learned elsewhere.

[wutheringmights]

next ctb will probably not be next week but the week after, if only because i can't use my saturdays to binge write this month

[finemeal]

Butthead

Damian sneers at Jason, wrinkling his nose as he somehow looks up at Jason but down his nose at him. God, he’s a brat.

“You’re such a butthead, Damian,” Jason taunts, placing his hands on his hips. He purposefully leans over Damian, reminding the little twerp of how much bigger Jason is.

Damian tuts, forehead wrinkling as he glares at Jason.

“I would expect nothing less of you, Todd. Resorting to such childish insults.”

Jason, then, vaguely recalls a memory of a similar conversation between him and Dick. Back when Jason was Robin.

Smirking, Jason grabs Damian quickly. Damian yelps, eyes widening as he is pinned to the ground. He thrashed in Jason’s hold, but Jason’s already moving.

Jason sits on Damian’s head. Gently, mind you, he doesn’t need a lecture from anyone for being too rough.

“You’re literally a butthead, Damian.”

Jason laughs over Damian’s outrage, shooting up and running out of the room. Damian’s war cry follows after him.