#but she has lived a GOOD life

[mozart-the-meerkitten]

Hey guys, if you could pray for me and my parents I'd be really grateful. The last cat in our old brigade, Tansy, is almost 15 and at the end of her days. She tends to get sick from allergies during the spring and she's had a rough winter and she's just, she's not going to make it through this time and she's been SUCH a good cat her whole life that we're not gonna let her suffer through it to the end. We're hoping we can get an appointment to get her put down tomorrow (that sounds awful saying it, but she's miserable and I can't watch her suffer she doesn't deserve that), so we would really appreciate your thoughts and prayers.

[poorly-drawn-mdzs]

Not beating the allegations.

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[bacchuschucklefuck]

space sweepers but they're delivery people and are at no point on screen through the entire movie

[castielsprostate]

okay but what if wade's birthday wish was to finally mean something. to finally have a purpose bigger than himself, to be something, anything! be someone that has a meaning. to finally be seen as someone worth sticking around for, someone worth dying for- someone worth living for. and then he opens the door

[ectonurites]

CHAPPELL ROAN THE LATE SHOW [2.15.24]

[yashley]

I feel like if she's telling me so strongly to stay away from it, I don't trust her anymore.

[samble-movedd]

"homura is an evil abuser who wants to control madoka and hates their friends" tired trope, canonically untrue, congrats on falling for the facade put up by a middle schooler.

"homura sees herself as inherently evil and abusive due to her upbringing, past actions, and status as a witch, which is still ongoing even at the end of rebellion" fresh, new, actually closer to canon, doesn't demonize a child for being mentally ill.

[hel7l7]

I still don't ever feel like I'm good enough

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[doverstar]

actually I love Tentoo and he is the Doctor and it was the only ending for Rose that worked and it is a huge gift to be able to have the man she loves grow old with her, they were always heading for that, y'all be quiet. I 100% understand the angst but it's okay, they're okay, good ending-

[bonefall]

Imo Onestar should've been like, killed by Darktail and have Darktail survive. Imagine the drama from that. Windclan changing from it. What could've happened.

Even if Onestar didn't die, maybe leave him on one life as Darktail managed to escape and i this looming threat haunting him.

WELL if you're interested. At the very least, in BB, the Kin Remnants are still going to be around. That I decided early, but they simply haven't had a chance to come back around.

I'm planning on killing Darktail in a way similar to canon, BUT, this time it's actually a conclusion both to Onestar's and BREEZEPELT'S arcs. Breezepelt joins The Kin for most of AVoS until he realizes it was a huge mistake and helps to free several cats from a massive execution with a great escape.

After seeing Needletail die to save Violetpaw, Breezepelt comes up with the plan to drown Darktail... but he realizes that there's no way to do it without going down with him. He confides this plan in Onestar, expressing it's the only way he feels he can ever make up for everything he's done.

With all the people he's saved behind them, plus Harespring and Heathertail who love him very much, he expresses that he doesn't feel like he deserves to be alive. That at least if he does this, he can be remembered for what he died for.

Onestar, whose anger and paranoia caused all this, from his embarrassment about the affair that made Darktail, to his demand to embargo ShadowClan during the yellowcough outbreak, and his cowardice in calling a retreat, feels sick at what he's hearing. Breezepelt is planning to kill himself to fix HIS mistakes.

He connects the dots: there is a similarity between himself and Crowfeather. How they caused their kids hard lives of loneliness and ridicule. That's what "The Kin" meant; Darktail created the family he never had.

So... I do need to kill Darktail here. This is his send-off. He's a violent cult leader slipping into paranoia against anyone who stands up to him, just a little further gone than Onestar himself was when he launched an embargo on medicine during an epidemic.

But SLEEKWHISKER is actually staying around. The back half of AVoS is getting an axe and things are being MASSIVELY redone.

She is going to be the leader of the Kin Remnants. Whatever remains of the cult, she is going to be leading away from the Lake.

I'm still working them out, though. So far they only have one major role as a group that Tigerheart leads the newly reformed ShadowClan into a fight with. But if there's going to be a random antagonist group in the future, in BB, that's going to be the Kin Remnants.

So, there's still something out there haunting the Clans. Onestar and Darktail are gone at the end of AVOS in BB, but Sleeky is still around.

[poorly-drawn-mdzs]

Bonus 13: Beware the Grapes of Wrath.

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[mwagneto]

i have a lot of things to say but to keep it short moffat's writing so often completely lacks emotional weight, either because he fails to insert it or because he removes it without realising

as an example of the former, both the women in this episode have scenes where the sad music swells and everyone's crying and you're meant to be sad along with them, her mum died, the doctor's leaving, they're sad conceptually but i couldn't help sitting there and thinking... i just don't care about this. you've failed to write characters or scenes i can get emotionally invested in and instead reached for the cheapest tricks available (universally relatable sad concepts such as dying parent or ending friendship) and figured that would be enough to elicit a reaction. this is something he comes back to countless times, which i don't want to dwell on here but once you notice he's doing it, it's everywhere.

as for the latter, take the death of trev. he's a likable guy and watching him slowly dying would be quite sad but my immediate thought wasn't "aw oh no :( " it was that i have seen an unfortunate amount of moffat media and all his doctor who episodes so i am 100% certain that this isn't trev's actual end, that somehow his consciousness is gonna get uploaded to a database and live on, so there's no point being sad for him. and what do you know, like 20 minutes later they confirm i was right, which the doctor and the audience learns at the same time (except the doctor learns he's alive before he even learns he died, so he never even has to mourn). moffat's completely removed any kind of weight regarding the character's lives since he never actually just up and kills anyone so his stakes are impossible to take seriously.

[puhpandas]

I think the reason beckory works well is that tony has a habit of getting self righteous and in his own head about things but Gregory isnt afraid to tell him off or call him out about things. the point of tony in ggy is that nobody ever told him that how hes treating other people isnt good, so that's why he got so bad. but tony would be close to Gregory and have every rational reason in the world to listen to Gregory so when he would say something like "you're treating ellis badly and that's not what a good friend does, you need to do better" hed actually listen and take it into account and improve himself

[starmist]

I genuinely believe Naksu haunts the narrative. Her actions and existence as Naksu heavily impact the entire story. Her past, the life she lived and the shadow of it in Mudeok. But we don't actually know any of it because Naksu is not in the story.

Like. What she lost as Cho Yeong is something that we are never allowed to forget, the loss of her body, her powers, her freedom, and her impending death as a soul shifter hangs over Mudeok's head like guillotine.

All the while we don't actually know the Shadow Assassin Naksu, she died in the first episode, as soon as the story began. Other than training and killing (soul shifters) what kind of person was she when she didn't have to rely on another person else or hide or live as someone else? We don't know and we don't ever learn any of that.

Still, her absence is the plot, yet her former existence as Naksu influences everything; Yul's actions and what she was to him, Jang Uk's goal of returning her powers, the revelation of soul shifters to Park Jin, Jang Gang's departure, Jin Mu's accomplishments, the King's Star even.

Everything is about her existence but she doesn't actually exist at all anymore.

[xxplastic-cubexx]

dumbass supreme says 'yeah ill play a quick game of rivals before lunch why not' and gets mvp more at 1