#but she has lived a GOOD life

[mozart-the-meerkitten]

Hey guys, if you could pray for me and my parents I'd be really grateful. The last cat in our old brigade, Tansy, is almost 15 and at the end of her days. She tends to get sick from allergies during the spring and she's had a rough winter and she's just, she's not going to make it through this time and she's been SUCH a good cat her whole life that we're not gonna let her suffer through it to the end. We're hoping we can get an appointment to get her put down tomorrow (that sounds awful saying it, but she's miserable and I can't watch her suffer she doesn't deserve that), so we would really appreciate your thoughts and prayers.

[poorly-drawn-mdzs]

Not beating the allegations.

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[stealingpotatoes]

heres a crappy venn (??) diagram explaining the dynamics in the tl4j time travel au bc it's easier than trying to write a full plot

[bacchuschucklefuck]

space sweepers but they're delivery people and are at no point on screen through the entire movie

[cometblaster2070]

madame morrible has the worst fucking luck ever and I CAN'T because first of all after decades and decades of waiting she finally gets her most promising student yet right; she finally gets someone who actually has magic and who might actually be able to read the grimmerie and help further her and the wizard's plans and COINCIDENTALLY this student (bless her heart) is shunned and ostracized by literally EVERYONE including her own family and is desperately craving some form of parental love and affection and validation and acceptance and so madame morrible is like 'ooh this is fucking PERFECT this girl is going to be SO easy to manipulate into doing what I want what could possibly go wrong wow.'

and in comes the fucking pink lesbian.

because elphaba is shunned and hated and all of her peers avoid and detest her because she's weird and green BUT then all of a sudden?? out of nowhere??? she and her pink roommate who, mind you, had a choreographed song and dance routine which involved the entire student body in which they detailed how much they really really hate each other, got really fucking close??? now they go everywhere and do everything together??? they are attached at the hip and looking longingly into each other's eyes WHAT IS HAPPENING????

you are madame morrible and you think galinda upland is in love with your student and what is worse is that your student might be in love with galinda upland and that fucking SUCKS because how the fuck are you supposed to properly emotionally manipulate her now. and it makes absolutely zero sense to you because WHY is galinda upland, the most popular girl at shiz taking an interest in your student??? WHY IS SHE HERE, WHY IS THE FRUITY BITCH RUINING YOUR PLANS???

glinda's very EXISTENCE is a thorn in your side; her simply being herself and interacting with elphaba is probably the reason why you feel a headache coming every time you see them together and is perhaps the reason why you scream into your pillow at night because this absolute loser lesbian just being there might upend a huge fucking chunk of what you've been planning for years.

and then the fucking cherry on top of all of this your student decides to play vigilante and flies off into the sunset and then that leaves you stuck WITH her situationship who you hate more than anyone in the world and you're forced to sort of team up with her for a bit except she doesn't really know magic and she's just being sad and gay and moping about missing her girlfriend and you're sitting there FUMING thinking about how all these fucking witches are fruitier than fuck and all of them are useless to you at this point.

like this is just madame morrible at shiz after elphaba asks her to include glinda in their study sessions just realizing 'dear god I am going to be ping-ponging between these lesbians for the rest of my fucking life aren't I.'

ik she needed elphaba for the plot and for her dastardly plans but in all honesty if I was her and elphaba came up to me at 1am and was like yes please I need you to include my roommate with whom I have a homoerotic relationship in our study sessions or else I will quit right now. also, you have to go down to our party this very instant and tell her in person yourself bye and thanks, I would've just handed in my resignation letter right then and there and cut my losses.

[castielsprostate]

okay but what if wade's birthday wish was to finally mean something. to finally have a purpose bigger than himself, to be something, anything! be someone that has a meaning. to finally be seen as someone worth sticking around for, someone worth dying for- someone worth living for. and then he opens the door

[ectonurites]

CHAPPELL ROAN THE LATE SHOW [2.15.24]

[yashley]

I feel like if she's telling me so strongly to stay away from it, I don't trust her anymore.

[samble-movedd]

"homura is an evil abuser who wants to control madoka and hates their friends" tired trope, canonically untrue, congrats on falling for the facade put up by a middle schooler.

"homura sees herself as inherently evil and abusive due to her upbringing, past actions, and status as a witch, which is still ongoing even at the end of rebellion" fresh, new, actually closer to canon, doesn't demonize a child for being mentally ill.

[mwagneto]

i have a lot of things to say but to keep it short moffat's writing so often completely lacks emotional weight, either because he fails to insert it or because he removes it without realising

as an example of the former, both the women in this episode have scenes where the sad music swells and everyone's crying and you're meant to be sad along with them, her mum died, the doctor's leaving, they're sad conceptually but i couldn't help sitting there and thinking... i just don't care about this. you've failed to write characters or scenes i can get emotionally invested in and instead reached for the cheapest tricks available (universally relatable sad concepts such as dying parent or ending friendship) and figured that would be enough to elicit a reaction. this is something he comes back to countless times, which i don't want to dwell on here but once you notice he's doing it, it's everywhere.

as for the latter, take the death of trev. he's a likable guy and watching him slowly dying would be quite sad but my immediate thought wasn't "aw oh no :( " it was that i have seen an unfortunate amount of moffat media and all his doctor who episodes so i am 100% certain that this isn't trev's actual end, that somehow his consciousness is gonna get uploaded to a database and live on, so there's no point being sad for him. and what do you know, like 20 minutes later they confirm i was right, which the doctor and the audience learns at the same time (except the doctor learns he's alive before he even learns he died, so he never even has to mourn). moffat's completely removed any kind of weight regarding the character's lives since he never actually just up and kills anyone so his stakes are impossible to take seriously.

[hel7l7]

I still don't ever feel like I'm good enough

[poorly-drawn-mdzs]

Bonus 13: Beware the Grapes of Wrath.

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[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[doverstar]

actually I love Tentoo and he is the Doctor and it was the only ending for Rose that worked and it is a huge gift to be able to have the man she loves grow old with her, they were always heading for that, y'all be quiet. I 100% understand the angst but it's okay, they're okay, good ending-

[unsiredtribrid]

Do you guys ever think about how hollow and isolating certain things about Hope’s life must feel? When she was a little girl she was promised to be protected by her dad and treated like a princess and she had this image in her head of growing up and being a powerful witch and doing all of these things. And then she gets older, her parents + family members die/split off, ‘always and forever’ is dead in a way, most of the supernatural community either thought or still thinks she’s a danger to them, and then by Legacies we know that she also is faced with having to become immortal in order to stop something that’s going to kill what few friends she does have. She doesn’t want to be immortal. She’s been kind of an introvert and a loner and for all intents and purposes, her existence has been a huge disappointment. She doesn’t see being a vampire as some cool thing, she sees it as something that will at worst, make her more isolated because everyone thinks she’s a monster like her dad. And then that’s before you dig into what the trauma of Greta and Roman did to her. She was told that who she is is wrong and is going to hurt people. She’s been trying not to live up to all these horrible expectations everyone has of her because one of the things her family (propogated by Elijah and even Klaus when he tried to keep her from falling asleep to the Hollow) seemed to believe is that her existence would somehow fix everything and she would miraculously be a good person. So not only is becoming a vampire scary because she doesn’t want to become the worst version of herself and prove everyone right (therefore also reliving all of this trauma she has from other peoples’ expectations of her) but she also has to be alive forever in this sort of lonely state. She doesn’t have ‘normal’ things to look forward to that normal kids do. She’s been told her entire existence will suck for her and everyone else, actually. We even have the firstborn Mikaelson witch thing that posits she will suffer from the strength and uncontrollable quality of her magic. Idk… it’s just crazy how miserable and depressed she must be sometimes

[basofy]

i think you can be as critical about the venezuelan opposition and maría corina and edmundo as you want but arent venezuelans allowed to choose for themselves even if the options arent perfect? are you willing to justify electoral fraud and police brutality, class inequality, bad management of resources, lack of maintenance of the country, breach of the law, lack of investment in health services and education etc etc just because the person doing it is someone you like or because you don't like the other option? are people at fault for wanting something different?