#but it's always the way these posts are phrased that is just... there's something very off about it

[nightwingsgypsyrep]

Ok so I’ve been umming and ahhing about making this post for a while. I’ve always kinda planned on it, but seeing these tags on a previous post of mine (no hate to this user) made me want to post something now. It’s also gone 3am. So it’s not really going to be very clean and tidy, and will probably be a bit rambling, but I can always post a ‘tidy’ version another time.

So! Tackling Dick Grayson’s Romani/GRTSB heritage (warning: it’s a long one)

So, as usual, a few disclaimers: 1) I am not American. 2) I myself fall under the GRTSB umbrella - for clarity, I am from the fairground/circus so a Showman, but my family were simply ‘gypsies’ before getting involved in that in the Victorian period, so I use gypsy/traveller/Showman for myself. I also speak Romani and grew up in the culture and on the grounds. I’m not just talking out of my arse, I promise. 3) I do not pretend to have read every comic. However, this post will be based in things which DC have published (yeah I know it gets retconned every two minutes but hey, I’m working with it), even if some of it is more speculative/Headcanony, it will all be canon-compliant/what makes sense based on my own experiences. 4) That being said, everyone who does in some way fall under the GRTSB acronym will have different experiences and opinions, and all are equally valid and should be respected. 5) I use the term ‘gypsy’ a lot. Where I am from, it is not a slur, but is used almost a catch-all phrase for GRTSB people, by us. We also see Dick use it so I’m going to. I personally don’t mind if people use it (so long as they don’t use it as an insult) but not everyone will feel that way, so it’s always better to ask individuals. 6) this post is intended as a fun exploration of a character whom I relate to based on our shared heritage (when it’s really rare to find characters like that). I’m not trying to dictate to you how you should interpret Dick’s character. You’re welcome to different opinions and interpretations - this is just one of mine! :)

So, first, what is GRTSB? Well, it’s an acronym which covers all aspects of the gypsy/traveller umbrella. It is used in British legislation. It stands for Gypsy Romani Traveller Showman (aka fairground and circus) Boater. Under British legislation, only the first three (Gypsies, Romani, and Travellers) are considered an ethnic identity, whilst Showmen and Boaters are considered a cultural identity.

This is absolutely FULL of problems and has been hotly debated for years, with different people identifying in different ways. People who share the same/very similar ethnic heritage (i.e. siblings, or cousins) can have completely different points of view on what they identify as. As such, don’t take it as gospel - it’s more of a guideline than anything. Especially since a) these groups often intermarry, meaning that someone can be multiple at once; b) if a Showman stops travelling with the fair and settles, they don’t become a non-traveller, because it’s in your blood, not just a job; c) people can trace their heritage back past a particular group - e.g. my own family (circus and fairgrounds aka Showmen) can be traced back to at least the 1600s, before fairs were really a thing - at the time, they simply identified as gypsies. They didn’t stop being gypsies just because they changed their job/founded a circus/fairground. As such, many in my family identify primarily as a gypsy or traveller, and a Showman secondarily, whilst others do the opposite, or identify as just a Showman or just a traveller/gypsy. Like I say, this classification is not perfect, and is hotly debated, especially at the present time.

So, now, onto the subject of Dick Grayson. I included the tags above mostly because of the ‘tell me you don’t know a character without telling me you don’t know a character’, because, firstly, rude. secondly, the poster makes reference to the Golden Age. And yeah, obviously DC aren’t going to make reference to Dick being a gypsy in the Golden Age - do you really expect writers in the 40s to care enough about the nuances of a character’s ethnic heritage, especially a gypsy, at a time when it was still common even in countries like England (where legal segregation wasn’t a thing) to have signs on pubs like ‘no blacks, no Irish, no dogs, no gypsies’ - btw we still get those occasionally? However, if we look at the comics which have been published in the eighty five years since Dick’s debut, we see a lot of references to Dick having Romani/GRTSB heritage. Again, I’m not well read, but in Grayson’s run, at least, we do see Dick speaking Romani and self-identifying as a gypsy (Nightwing #91 btw). So I’m sorry but it is definitely canon that Dick has at least some Romani heritage (since Romani, by culture, is not taught to non-travellers on purpose, and is thus only passed down from parent to child. Hell, even some of my cousins who are half gypsy - Diddakois - don’t know the language!), and the fact that he speaks it and IDs as a gypsy does suggest that this is something important to him and his character. I know that being a gypsy is certainly a big thing to me (with how the world treats us, you have to be proud of it and have it be important to you to make it worth it).

So now we come onto the second part of my rant: wtf is going on with Haly’s Circus.

So, an important bit of context is, what makes a gypsy a gypsy? And the answer to that, in my opinion, is a mix between culture and blood. You can’t be a gypsy (unless in circumstances like adoption) unless you have both. What I mean by that is, if you’ve got one gypsy great great great grandparent, but weren’t bought up with the culture and morals, you have gypsy heritage but are not a gypsy. However, if you are a gypsy and you decide to settle down in a house, work in an office, and never speak Romani again, you are still a gypsy. Similarly, if you suddenly decide to take on the gypsy lifestyle (maybe work on the fairgrounds or in the circus, or go travelling like the New Age lot), you are not a gypsy, because it’s not in your blood - hence why it’s an ethnicity, not a cultural thing really. As such, it is common for there to be a us vs them mentality even with those working on the ground - you have the gypsy/traveller/Showman who tends to own/run things, and then you have hired non-GRTSB staff (traditionally called chaps, but this has fell out of fashion in recent years).

Now, I make this distinction because Haly’s Circus is really odd in that regard.

Most gypsy (or Showmen - like I say, it can be both at the same time) ran circuses and fairs tend to be family affairs. For example, it might be John Doe’s Circus on the tin, but the Smith family (which Mr Doe’s sister married into) will often work with and alongside the Does in the running and operating of the events. Largely, this is on an ownership level, with various relations then owning the surrounding supporting elements (e.g. sideshows, fairground rides and joints, food kiosks). Other family members might then help ‘mind’ the stuff, or you can hire non-GRTSB staff to help.

Now to draw on my own family history: historically, in the Victorian period, etc, it was common for the gypsy family who owned the circus to also perform in it. For example, in my grandfather’s circus, my grandmother was a lion tamer and equestrian performer in parades. They did also hire non-traveller performers, but there wasn’t such a distinct line. However, by the 30s approximately, this had changed to be a more managerial role, with it being more common to have purely hired performers in the main event. The exception here was for sideshows and fairground rides - it is still common today for these to be ran/worked by GRTSB people (e.g. my grandmother did the dookering - fortune telling - and my grandfather did the boxing; today, we still run and operate the rides and kiosks).

However, we know that Haly’s circus was not like that. We honestly don’t know if Haly was a gypsy or not. Also, usually, gypsies have such big families and are surrounded by them, but we know that the Graysons died with no living family (no William Cobb does not count here) and had no relation to anyone at Haly’s. I suppose if you want a canon answer, you could point to how Haly’s was used by the Court of Owls, but it could just be Like That. This is unusual but not unheard of, but still worth pointing out I think. Alternatively, it could originate from one of the non-GRTSB started circuses which were popular around the turn of the 20th century. Since being a gypsy is really tied to your family name and, ethnically, means you have to be born into it - you can’t just start a fair and claim to be one-, even 120 years later, these families are still met with scepticism - they could marry into a 100% gypsy family in 1901, and have all of their descendants do the same, and still the older generation would look at their surname and scoff and say they’re not a real traveller because that one great grandfather 100 years ago was not a born-and-bred traveller. But honestly, I think 100 years is enough to integrate. So, to summarise, Haly’s circus is quite unusual in that it does not appear to be operated by only gypsies/Showmen, even if it still common for circuses not to be performed in by just gypsies.

Now, to answer, how Romani is Dick Grayson?

Like I say, canon does explicitly tell us that he has Romani heritage, placing him firmly within that second category of the GRTSB acronym (and he also identifies with the more general Gypsy identity). However, it’s frankly unlikely that the writers really went in depth with the whole GRTSB thing, so I think we can tentatively suggest that he might have also identified (keyword here being ‘might’ - this is more canon-compliant HC here y’all) as a Showman (called a Carney in the US) because the whole deal with being a Showman is the circus/fairground aspect (but, like I say, it is still a ‘gypsy’ identity as you must be born a Showman, you can’t just sign up, because it is based on a mutual gypsy heritage which predates fairgrounds/circuses, which means it still fits into what we know of Dick in canon. As such, Dick being a Showman is hardly canon, but it is 100% compliant with what we know of Dick in canon). As I’ve said, they are not mutually exclusive. He could ID as both or either, or just prefer the all-encompassing ‘gypsy’.

Now, we also know that Dick is not 100% gypsy (but tbh who is nowadays? I have two non-gypsy great-great grandfathers). Although Dick’s family history is limited, we know that his great grandfather William Cobb was likely not a gypsy (he could be ethnically, it’s not ruled out, he might have just settled, but let’s go for safety’s sake here and just say he’s not). Similarly, his partner was from a wealthy non-gypsy family, meaning that ethnically, their baby (John Grayson’s father) was likely not a gypsy (though could potentially have been a Diddakoi aka a half-gypsy, if we believe William Cobb to be a settled gypsy). However, since this baby still grew up amongst the circus, it is not impossible that he ended up marrying a gypsy, which would make John Grayson half gypsy - aka a Diddakoi. In fact, I would argue that it is even likely, owing to the fact that Dick speaks Romani, and the fact that Romani is only taught to other members of the family, meaning that somewhere in the Grayson family, a Romani speaker had to be introduced. Mary Grayson (formerly Lloyd), on the other hand, probably was Romani/GRTSB herself. I say this, based mostly on her closeness with the OG Richard aka Raptor from Seeley’s run, who was Romani, and the fact that it is really common in gypsy circles to mostly mix with other gypsies, meaning that it would make sense for the pair to meet based on the fact that they were both gypsies/Romani. Therefore, I would argue that even if Dick is not wholly Romani/gypsy ethnically (but, like I say, who is nowadays?), I think there is enough both blood and culturally to make a pretty good case for him IDing as such, and foregoing the need to make any distinction. (Also, especially nowadays when Diddakois are increasingly more common, it’s not even that prejudiced to be a Diddakoi. A lot of my cousins are and you don’t even think to mention it). Aka. He’s a gypsy. Nuff said.

Then, I suppose, the final thing I’ll address is the ‘whitewashing’ issue, or, what I really think is a non-issue.

Sure, a lot of ethnically Romani people are dark skinned. There is a reason why the term gypsy exists. Now, as my grandad will tell you, gypsies originated from Northern India about 2000 years ago, before moving into Europe. However, a lot can happen in 2000 years. There are a lot of people in the UK, at least, who identify as purely Romani who have very pale skin. My family has a real split: my dad’s side of the family is quite dark, and are often mistaken for being South Asian in the summer due to how dark they get when they tan. Meanwhile, he refers to my mother’s side of the family as being ‘poxy and pasty’. My mother is a full-blooded traveller btw, same as my dad (barring their singular non-gypsy great grandad they each had). You just can’t paint everybody with the same brush. Take me for example: I am pale af and take after my mum’s side of the family, but I’ve still got the stereotypical dark curly hair and blue eyes of gypsies (which my boy also shares). Genetics are weird. So whilst I am a big fan of dark skinned Romani Dick Grayson, it’s also still ok and accurate for him to be paler. This does not make him any less Romani. (Like I say, this is all based on my experiences in the UK).

SOOO… TLDR:

Dick definitely has Romani heritage. This has been canon for decades and cannot be taken away from him.

He canonically self-IDs as a ‘gypsy’ (as well as the Romani heritage), and may also be interpreted as being a Showman (even if this is more of a European term) if you want to see him that way, especially since a lot of Showman families (mine included) can trace their families back past the origin of the fairground to when they simply identified as gypsies or Romani (hence why Dick might ID as a gypsy with Romani heritage. Honestly, this is mostly in the realm of canon-compliant Headcanon now)

The GRTSB classification system is a mess y’all and everyone has a different opinion. Just roll with it and don’t get into the debates is my professional opinion.

Being Romani/a gypsy/a traveller/a Showman is something you are born into. You can’t just become one, or stop being one. So, if we presume that William Cobb had no Romani heritage/was not a settled-down Gypsy, even after he joined Haly’s he did not become one. It really is in your blood, and is tied to family.

Haly’s circus is unusual because it’s mostly not a family affair (though points for the Graysons sticking with it and inheriting their roles - that is realistic!). It’s unclear how many of the members of the circus are Romani.

Dick also has non-traveller heritage due to the William Cobb thing. His grandfather, at least, was probably not ethnically Romani (though he might have been half if we want to view William Cobb as having Romani heritage/being a settled gypsy). However, since Dick canonically has Romani heritage, IDs as a gypsy, and speaks Romani (a language which is closely guarded amongst gypsies), it had to come in somewhere. Honestly, I think we can comfortably view him as being at least 3/4 ethnically Romani/a Gypsy, but also since modern Dick Grayson was not born during prohibition, this really isn’t a problem as it’s really common for Diddakois (half gypsies) to be treated as full gypsies nowadays.

As much as I love darker skinned Dick Grayson, it’s not a requirement. A lot of the GRTSB community (especially in Western Europe/Britain/Ireland) are on the pale side. This does not take away from their identity.

So that’s my rant. It’s like 3.30am so it’s probably a complete mess but hopefully it gets down the basics, at least insofar as it relates to my experiences and understanding as a gypsy from the fairground/a circus family. People will probably have different experiences (especially since I’m in the UK). Although I have based all of this on canon, and as such it should all be canon-compliant to my knowledge (I’ve still not read all the comics!), it is also equally based on my experiences, so you may interpret it completely differently. The beauty of Dick’s character is that he has been built up over 85 years, and as such, we have to do our best to interpret what was laid down in the Golden Age by writers with no idea of what Dick’s character would grow to be. As such, canon really is a bit of a sandbox, and this is my own go at it!

If anyone has any questions/wants clarification/notices any obvious contradictions with canon since I’ve not read them all yet, please feel free to point it out! This is not intended to be a lecture/call out post/dictatorship on how you view canon, just a small exploration of my interpretation of a character whom I relate to as a Romani speaking gypsy from the fairground/circus myself.

[todosdream]

stress relief | ony

15k wrds. strangers to friends? to lovers. slow burn. plot with smut. fem black oc. see the moodboard.

warnings: MNDI! lots of profanity, usage of n word, pet names, mentions of weed; smut: unprotected sex (PLS BE SAFE), edging, a spank or two, naaasty talk, degradation? more like brat-taming, dacryphilia for two seconds, ony rightfully has a bbc, begging, ony’s a talker (duh), choking? really just a hand necklace, pussydrunk ony, lowkey d/s but not explicitly mentioned

additional #: oc needs to get laid fr. kt needs her headphones. becca needs a new job. author doesn’t box. shout out mrs. etta. ony is chalanting with a girl for the first time. (and he’s vibing with it.) oc really needs to get laid. oc is a bit bratty… sorry. ony needs to get off his ass. oc is actually very bratty, damn. oh hell, oc gets laid!

“girl, I’ma be real with you… you need some dick,” crystal’s best friend tells her through her screen. kt’s giving a look, an interesting mix of pity and annoyance. her knotless braids are framing her face, mocha skin radiant as always but lashes looking quite barren. “yeah, and you need a lash refill, ho,” crystal snorts. since she’s bringing up needs and shit. it’s unfortunately been a while since they’ve hung out, kt now visiting family in colorado for about a week.

being the type of friends they are, the both of them have no issue communicating through tiktoks and sending pictures of silly things. just yesterday kt sent a picture of herself holding up a peace sign with a joint between her lips. she stood next to a 'no smoking' sign, the ‘no’ smudged. she thought she was just so clever. crys in return sent a saved picture of an unimpressed squidward, a typical exchange between the two goofballs.

“yeah, okay, ho. I’m just saying. maybe you’d be a little nicer to me if you got some,” she rolls her eyes, giving yzma. her rescheduled lash appointment can’t come quick enough. “says the girl getting some every day and still being mean to me,” crys scoffs.

kt’s living with her boyfriend, expecting his title to change to fiance after feeling a certain anticipatory energy from the man. her time consists of working and chatting with friends, and being with and posting videos with her partner. crys, however, explores her free time in many ways. picking up hobbies that have about a 50% chance of sticking, trying different restaurants, teaching her dog funny tricks, and the occasional friend hangout. it’s friday night and she’s doing her own nails just for the hell of it. although the uninhibited girl’s words trigger an automatic negative response, crys knows why she’s speaking them. when the phone call ends, kt will turn over and cuddle up to her man, maybe ‘get her shit rocked’ as she likes to so delicately put it. crys, however, will be left with her dog, her empty home and bed, and whichever toy she vibes with for the night.

she likes being alone, it’s an accomplishment for her to feel confident and comfortable being single after wasting her time with people that don’t care, men that don’t even actually like her. but when it’s all said and done, people are meant for connection. of course platonic, family, community… but that pull? that yearning? it can’t be replicated, no matter how many times she rewatches bridgerton or insecure.

it’s been a while since she just let go with anyone other than those already close to her. the last time she let someone new in, he showed her exactly why ‘niggas ain’t shit’ is such a popular phrase. it was a situation that didn’t make any sense, and in retrospect, she cringes. the embarrassment, the useless attempts at communication, the settling… never again. however, that’s a part of her life that’s being fully neglected. no dates, no late night rendezvous, no flirting, no sex.

one word: cobwebs.

“why are you more worried about my coochie than I am, anyway?” crys jokes as she fixes her gel polish, deflecting the conversation. it’s not something she wants to discuss or harp on. that’s just life for her right now. she’s tired of people wasting her time, so she became unavailable. simple. plus, she knows kt’s nosy ass man is lying next to her and listening because that girl never wears her damn airpods. “you think that’s an insult? girl. that only makes you look bad, not me,” she sasses. crys hears a soft snicker in the background. “oh, fuck you,” the girl mumbles in response. “and will you please put headphones on the next time you decide to go talkin’ bout my coochie? cause I’ll happily tell all those stories about yours, pimp.”

“stories?” crys hears in the background of the call. “ain’t no way she just called you that. what the hell that mean, crystal?” the bestie purses her lips and squints at crys. she watches as the brown skinned girl tilts her head, making her curls flop to the side with a ‘gotcha’ look. “I know where you live, you know that, fo’head? have a good night with your vibrator, ho,” she speaks lowly. shuffles are heard as she drops the phone onto the duvet next to her. “she don’t mean that, pookie, she’s just all pent up.” kt’s middle finger is all that’s visible on the screen before the phone echos a tone a few times, indicating the end of the call. crys snorts in response and sits her phone to the side. she sighs, looking over her nails for any imperfections as her mind echoes her words.

she wouldn’t be opposed to a night in the sheets. it’d be nice to dust off the cobwebs. get some head, maybe get her shit rocked like she hasn’t had in a while. part of her wants the slow and sensual, romantic sex with someone special. the kind of sex that touches her soul, that you can feel on every level. the other part… well. that part stays right in the cage where it belongs. that part likes to drown in frisky pleasure even if the one giving it is a life source draining leech.

it’s normal to want pleasure, it’s human. but the thought of all the bullshit that comes with dealing with another human, let alone a man in this day and age is enough to make her reconsider taking that step. so like usual, she brushes the words off and refocuses on her spa day so that she can be at her best for the work week.

ᥫ᭡

despite her best efforts, the next week is particularly irritating. mercury must be doing her shit, maybe all the damn planets, because so many people have had wack ass attitudes and it’s rubbed crys wrong. terrible interactions with customers, coworkers called out and left her in a busy store with little help, and she broke a nail doing something very much so not in her job description. on top of that, the amount of random things outside of her control that have gone haywire is deeply irritating. her tv crapped out and decided to just stop working out of nowhere, her wifi is out for local renovations, and her trash can is missing.

again.

it’s a wonder she hasn’t either had some type of crash out or just cashed in her pto for a fucking break. instead, she decides to get dressed for the gym and puts on a purple workout set. if she wants to be cute and sweaty she damn well will be. she grabs her favorite gym shoes and her essentials. she leaves her curls alone for now, but takes a scrunchie to put it up later. when she gets to the gym at a completely different time than she’s used to, it’s practically empty, save for a young and obviously bored receptionist that’s glued to her phone and a middle aged woman power walking into her destiny.

seriously, crys will have some of what she’s having. the woman is on fire.

sighing to herself, the frazzled girl goes to scan her member qr code, only for the damn scanner to decide to stop working. the blonde receptionist behind the desk sighs as if doing her job is the last thing she wants to do. crys usually wouldn’t blame her for that, but the way she’s popping her gum has the curly headed girl imagining a modern re-enactment of that one scene from that madea movie. the receptionist seems to be in absolutely no rush to fix the scanner, completely oblivious to the metaphorical cloud over crys’ head that’s growing by the minute. she fights the urge to furrow her brows and take a week’s worth of irritation out on the worker, deciding to take a deep breath instead.

the brief look up that the girl gives in response has her immediately regretting her decision.

before she can even think of something to say, the door opens behind her. she’s in no mood to look at the person, figuring they’ll both be waiting in line. she doesn’t want to seem open to small talk because she’s just not. however, the receptionist— becca, her nametag reads— looks up like the sun just graced the sky for the first time in centuries. she stands up straighter, obviously trying to make herself look like she’s doing the job that she’s been failing at, and calls over crys’ shoulder. “hey, ony, technical difficulties. you’re free to go ahead you don’t have to wait, I can check you in once this is fixed,” she smiles. that lucky bastard. it’s the first smile on her face in the entire time the bristling girl has been there. crys swears if this was a cartoon scene, the blonde girl would be fluttering her lashes with hearts in her eyes.

there’s a deep chuckle from behind. “thanks, becca. they should give you a raise,” a low, raspy voice responds. crys’ eye twitches. the hell they should, she thinks. hand me the damn performance review form cause I got shit to say. becca, now looking as if she’s on cloud nine, waves him off dismissively. “just doing my job. leg day?” she questions, trying to sound as casual as possible and not like her drool is threatening to ruin the damn scanner beyond repair. “mhm,” the stranger hums. “nice kicks,” he mumbles.

crys is too busy zoning out and imagining herself tap dancing on the broken pieces of the scanner to realize that he’s talking to her. the way becca’s eyes shift gets her attention. “oh. uh, thanks,” she murmurs, looking up. all she sees is a muscular back walking towards the men’s locker room. she doesn’t have time to look him over because ms. becca decides she actually can do her job and calls out to her that the scanner is fixed.

it just needed to be plugged up again.

ain’t no fuckin’ way.

becca doesn’t even seem embarrassed. she’s holding the scanner lazily and looking around, probably for that ony guy. the blonde doesn’t realize that crys is holding her phone out, and she’s still popping that damn gum. instead of saying something to the girl like she really wants to, she grabs the scanner from the “worker” to check her damn self in and quickly heads to the locker room. the girl doesn’t deserve her week’s worth of anger.

after some time, she’s finally out on the floor to stretch out. soon after the warm up, she’s at the punching bag. it’s not her usual choice of workout, but she took classes when she was younger and knows it’s a great way to release all that irritation from the week in a more physical outlet.

crys quickly wraps her hands and soon she’s throwing punches and listening to rico nasty, an artist who has several tracks on her ‘temper tantrum’ playlist. she gets into her groove, trying to remember the important tips from the classes she attended years ago. it’s hard to recall all the basics, but she gives it her best shot. not too long after, she notices a shadow of someone’s frame behind her. it must be that lucky asshole from earlier, probably here to be a bother. or maybe becca decided to do her job and came to tell her to move her bag off the floor. she sighs, taking out her headphones and turning to look. it’s the stranger. the man’s arms are crossed as he watches, showing his sleeves of tattoos.

crys wishes she could say he was ugly, but he’s definitely not. he’s fine as fuck, actually. his skin is dark and healthy, making him look like he actually has a skincare routine and not just 100-in-one soap. he has an athletic build visible even through his clothes that makes her want to drool like dear old becca. he’s tall, maybe 6’4 or 6’5, so she has to look up at him, even being on the taller side herself. his black durag matches his all black workout fit and she wonders what exactly lies underneath considering the size of his arms.

his demeanor is calm and steady, confident in a way that’s quiet, as opposed to many other gym bros™. his face is calm and there’s barely any tension in his body. crys thinks she’d like to make him bothered, just to get a rise. see if he’ll hold ip or bite back. but no, that’s rude, and she doesn’t know this man at all. his eyes are looking at her intently, and she despises how beautiful they are. why do men get to have natural lashes that look like that? it’s not fair she has to get extensions when his are so long with an almost perfect curl. and the color of his eyes make it worse, the light brown contrasting his dark skin so prettily. and his lips? full, perfect for kissing, among other things.

lucky bastard.

“you gone bite my head off if I suggest how to fix your form?” he asks with a simple raise of his brow.

ᥫ᭡

ony’s a hardworking man. he likes to handle business but have some fun on the side too. he’s chill. everyone would describe him as that. he’s the levelheaded friend, usually the calm in a storm, and not one to be all over the place physically, mentally, or emotionally. he’s a steady beat and he likes it that way. life is peaceful and secure, challenging in certain ways, but calm in others. he has a good paying job as a personal trainer, proper work life balance, and a good head on his shoulders. he doesn’t do too much, honestly, but that doesn’t mean that his life doesn’t have some interesting twists and turns. his boys always seem to need rescuing in some form, sisters all a whirlwind of their own. his mom is always a source of entertainment, although his dad is much like himself. he likes his life, simple as that.

but things have been becoming monotonous lately. his clients aren’t having any interesting developments and his social life is steady but uninteresting overall. his family group chat is going through a quiet spell and his boys are actually not up to anything stupid like they somehow always are. he’s been particularly unfulfilled by the game and there’s no sport he wants to keep up with as of late. it’s all kind of… blah. he’s grateful that nothing’s going wrong. he could be having a bad week as opposed to a boring one, but he aches for a spark, something different to bring a bit more color to his life. maybe he should get a pet? maybe some little fish couldn’t hurt. he thinks over the new idea while he follows his usual routine to pack up and leave for the gym.

and then he sees crys.

he notices her form as she stands at the check in desk, interest piqued. he’s never seen her before, and he comes to this gym at least five nights a week. he knows names and faces, especially since there’s usually no more than five people when he comes. her figure catches and keeps his eye, his gaze taking in the woman’s long legs, thick thighs, and plump ass, seeing how her afro falls around her shoulders. his excuse for where his gaze is centered is that it’s all he can see from where he’s standing, but it’s not much of an excuse. she’s just fine as hell. her workout fit is cute and colorful, contrasting his dark and bland one. her hand is in on her hip that’s popped out, accentuating her form.

his interest is definitely piqued.

he gets to see more of her when he comes around to speak to becca. pretty almond eyes, soft looking lips, the bottom currently being chewed with vigor. she’s beautiful… but one look at her profile and the flames in her eyes tell him all he needs to know: look the other way. ony grew up surrounded by strong black women in his life, his mom, sisters, aunts, cousins… learning to read body language and— well, the room, was something he learned quickly and he’s applied that lesson everywhere in life. everything about her body language and that cute, barely contained frown screams bad day. so he greets becca— who’s really a sweet girl, just unbothered— compliments her shoes, and moves on about his routine.

it’s like clockwork. he puts his stuff away, makes sure his chain is safe and secure, fills his water bottle, waves at mrs. etta on the treadmill, stretches, locks in, and gets the workout started.

he’s getting into his mode and enveloping himself in the feel of the workout, but he can’t help the way his eyes are pulled back to crys. the way she stretches, the way she adorably bobs her head to the seemingly… aggressive? music. she’s gorgeous and new, which has him feeling like every routine move he makes is just a little different. her and her angry pout and her curves and her curls…

she approachs a punching bag, which ony can admit he didn’t expect. the outfit convinced him she’d be power walking with mrs. etta, or doing pilates in the corner. his mom always told him what assuming does to someone, though. he looks away as he tries to focus on anything other than her. he counts his reps like usual, trying to submerge himself in his music. it doesn’t work. as soon as she takes her first swing, his eyes are back on her, taking notice of how she punches.

hm.

he can see she knows a bit more than someone just randomly choosing to throw a few hits, but he isn’t fond of some of the habits she has that could actually hurt in the long run. he debates approaching, but he’s always been one to help others in the gym. attitude be damned, he’s a personal trainer. he knows the importance of doing things correctly. after watching for a while, he decides to walk over. he knows that if she doesn’t fix her punch, she’ll be angry all over again tomorrow because of sore wrists. she turns, obviously annoyed, but he’s not scared. she looks him up and down, her facial expression barely shifting. he wonders what she’s thinking, wants to hear her voice. when she finally looks up at him with those eyes, he almost tilts his head.

how can someone be so fuckin’ pretty?

she’s a vision with her bare face. eyes he could get lost in, features he wants to admire for moments on end. he would actually guess that she’s quite sweet behind the haze of her frustration. obviously a multifaceted person, and he’s interested in the idea of learning all those facets. who she is, maybe what she likes, what she doesn’t like. maybe even what makes her happy, what would put a smile on the adorably scrunched up face. for some reason, he wants to see that happy expression. actually, as a matter of fact, he wants to see all her expressions. smiling, confused, relaxed, aroused. she’s caught him with a simple gaze and he’s confused about it.

“you actually know what you’re doing?” she asks. it’s not meant to be a jab, truthfully. she’s been hit on by guys that try to “help” just to flirt, but ultimately make a fool of themselves— and her for giving them the opportunity. she doesn’t have the patience for it today, it in fact might be the straw that breaks her back. she can see amusement tickle at his expression, but no signs of him being offended.

because he’s not. he can tell she isn’t asking in a facetious way, she just seems… tired. like she doesn’t want her time wasted. he can respect that. “I promise you, I do,” he says with a slight smile. just a little one, unable to contain his utter enjoyment in her sass, and still having that almost sickening feeling of attraction.

crys hums, her gaze sweeping over him again briefly, taking in his calm but confident demeanor. the little smile on his face is lowkey pissing her off, but she has enough sense to know it’s because she has a lot of stress to work out. he’s fine as hell and now’s really not the time for all that. even still, he’s bold to come over with the metaphorical storm still rolling above her head. bold… or stupid. who walks towards a burning house? but she knows if he could tell her form was off from so far, she could really be messing herself up with how she’s going at the punching bag. she wants to just kick and punch it randomly, similar to what her ‘temper tantrum’ playlist suggests, but she knows that’s no good. and again, he’s fine as hell.

all the same, she’s still irritated and frustration-filled. “sure, yeah,” she mumbles as she turns back to the bag.

ony’s quite intrigued, interestingly enough. he knows a person close to the brink when he sees one. he can see the irritation in her eyes and in the way her shoulders are set. her movements are stiff and her brows are still pinched, gorgeous even with the possibly dangerous amount of upset toiling in her. despite her tense demeanor, he can tell she’s still at least trying to be respectful. and he appreciates it.

“what’s your name?” he asks, shifting to stand next to her. she’s staring at the bag, itching to just punch. “crys,” she answers, sparing him a glance as she fixes the wrapping on her hands. she’s pulling it tight, her movements swift. she can feel him watching her intently and she doesn’t know how she feels about it.

he nods. “ony. I’m no expert but I can share a few tips to keep you from gettin’ hurt. mind if I touch you?” he asks, the question second nature from dealing with his clients. he knows better than to start without given permission, and he definitely knows he doesn’t want to be on the receiving end of her irritation. “s’fine,” she answers, ignoring the very inappropriate response that her brain comes up with. not now, brain. nasty ass. she really just wants him to hurry up so she can go back to punching, but she supposes she can hold back for a few more minutes if it’s him that’s going to touch her. plus it’s important to do it right, and even through her upset she knows that and is grateful for his help. if he could just be a little faster, though, that’d be wonderful.

he approaches, gently taking her hand in his as he unwraps her binding. “it’s a good wrap, but they shouldn’t be too tight. you gone hurt yourself that way,” he mumbles. his hands move slowly, demonstrating to her as he explains. it’s not in the show off-y way she expected, but direct and intentional instead. she’s glad he’s helping but a part of her is focused a bit too much on how his hands feel, how calming his voice is. “you should be able to spread your fingers. this’ll save your wrists and then some, yeah?” he murmurs, gently tapping her hand. still upset, she hates how soothing the contact is. she doesn’t need soothing, she needs violence.

that… might be dramatic. she knows it. but the week’s frustrations have all built to this moment and she plans to take full advantage of the punching bag in front of her. if he doesn’t pick up the pace, he might just take its place, handsome or not. “gotcha,” she mutters. “can I hit the bag now?” ony chuckles, and she’s mad that she really likes the sound. “sure. do a couple jabs.”

she takes a deep breath, her focus zoning on the bag. his presence fades slightly as she begins going at it, a bit overzealous. he lets her take a few punches, seeing how she obviously needs it. his gaze sweeps her form, watching her hips swivel slightly as she swings. her hits start with a decently healthy form, but the more she gets into it, ony can tell her focus is slipping. “okay, hold,” he murmurs. she doesn’t hear him and continues punching. her breathing is picking up and the cute scrunch between her brows is deepening. “hold,” he says louder, getting her attention. she huffs and raises out of her stance, blowing a stray out of her face. she steps forward and holds the bag to stop its movements, looking over at him.

ony could almost laugh at the way the curl flops right back into place. swears he could almost see her eyebrow twitch. damn, who pissed her off? “you got some good habits and some bad habits,” he mumbles, standing parallel to her now. “need to swing your hips more, not push through your arm. pop the bag, don’t push your punch.” he moves slowly as he speaks, demonstrating his words with his movements. it’s easy to follow, but his muscles are stealing the show, to crys’ dismay. “I was doing that,” she mumbles in response because she indeed was. “mhm, at the beginning. the more you put in, the less you focus on your form,” he says as he returns to his earlier position, arms crossed. “go again,” he nods. “bossy,” she mumbles. she likes it. he’s giving proper tips and doesn’t really care about her attitude, seeming unaffected.

ony chuckles, seemingly knowing there’s no actual anger in her tone, at least not completely directed at him. crys supposes he’s right. when she gets in the flow, her mind focuses less on her form and more on the happenings of the week. she definitely could’ve weakened her stance, and his words bring memories of her previous instructor. he might not be an expert, but he knows what he’s saying for sure. she gets back into her stance and takes a few more hits, more focused on her form this time around. she can’t quite lose herself to the exercise with the newfound focus, and she doesn’t like it. “better,” ony calls out. “keep goin’.” so she does. she follows his instructions to a t, feeling a bit more comfortable with the continued form as she practices.

“nice, real nice,” he murmurs, shifting to hold the bag from behind. he notices the hesitation in her movements as she focuses on her form. “come on,” his deep voice encourages. “where that fire go, huh? tellin’ me you can’t fight and focus?” crys, probably feeling goaded, looks up to him for a moment. ony could laugh again at the look in her eyes, but he doesn’t. “don’t look at me, look at the bag. you mad, I know it. let it out,” he nods his head to the bag in his hands. he doesn’t have to tell her twice. she starts to hit with more vigor, putting more into her punches. “mhm, yeah. control that shit, stay tight. swivel your— there you go, exactly,” he encourages. she’s picking it up, movements smoother and becoming more confident by the minute.

shit’s sexy as fuck.

crys is actually starting to fuck with him more, feeling herself in the workout. the way he’s talking is having an affect on her, and she knows she’ll be thinking back on this very moment tonight. his voice is deep, and slightly raspy as she keeps at it, and the encouraging makes her wonder if he’s like that in… different circumstances. she can feel her breath picking up for several reasons. “had you mad as fuck, huh? had you fucked up?” ony questions, pushing her a bit more. “let that shit out, ma. ain’t doin’ you no good to hold it in.” they both know that he’s telling the truth. she was just about bursting at the seams and his encouragement is helping her tap back into that. she punches harder, small grunts falling from her lips. the week’s frustrations are pouring out of her now and she’s pushing herself so that she can get him out of her head.

the way he’s talking to her in her amped up state just shouldn’t be legal. she’s pretty sure he’s the type to talk his girl through it, probably tease and taunt to get a reaction. damn, she needs to get laid. “form,” he reminds as her focus slips. she gives a quick nod, readjusting herself quickly before taking another shot. ony likes how quickly she responds to his guidance. “hell yeah, you got that shit. keep goin’, mama. ain’t nobody fuckin’ with you, that’s for damn sure.”

damn his fine ass with his deep voice and his face and his pet name.

she keeps going until every ounce of upset is drained, listening to his encouragement and occasional shit talking at a particularly weak punch or slip of focus. she’ll be honest, she feels good. great, actually. she feels as if she actually knows what she’s doing, confident in her moves. the upset has trickled away, but its absence is leaving too much space to think about the man in front of her. his fine ass is pushing her in the way she likes and needs, encouraging but taunting just the way she likes it.

after several more minutes, she steps back, panting. “killed that shit,’ ony mumbles, double tapping the bag. she really did, the difference between her earlier attempts and now is stark. and all because of just a few pointers. he watches as she catches her breath and unwraps her hands. “you done?” he questions. he wasn’t expecting her to finish so soon, she was just getting in her groove. he was honestly expecting a few more rounds.

“yeah,” crys answers as she nods. “thanks for your help, really. just needed to blow off some steam.” feeling better now, she decides that she should finish out with her regular workout. the less angry she is, the more she focuses on that damn smirk on his face, the way his muscles move with each shift of his body, the birthmark she’s spotted on his jaw. she’s trying hard to resist the pull she feels as she catches her breath. she gets another chuckle from ony. “could tell. I almost didn’t even come over. bad day?”

crys gives a sheepish smile, sliding her wrap in her bag. ony likes the smile a lot, but he wants more. “my bad. bad week, actually,” the woman responds. ony shakes his head, uncrossing his arms. “no harm, I get it,” he responds. and he really does, most of the time people’s attitudes really have nothing to do with you. “you should keep at it though, you got good form. at least when you’re focused. with some more practice, you could easily make it muscle memory.” and I’d like to see you more, he thinks. crys smiles and nods. “think I will. thanks again for your help, woulda been pissed if I hurt myself.”

ony’s eyes trail over her features. with the metaphorical cloud gone, she’s shining brighter. her smile is gorgeous, revealing a small gap in her teeth and a crinkle by her eyes. yeah. fuckin’ beautiful. “course. can’t have you gettin’ mad again, yeah?” he laughs, the sound deep as it rumbles from his chest. crys playfully rolls her eyes. “whatever, ony. actin’ like I’m godzilla or something. you can gone back to your workout.”

the two separate, continuing their sessions. but their eyes continuously meet as they sneak glances at each other and they exchange flirty quips. crys questions the amount of weight ony chooses for his sets, teasing that she’d thought he’d lift more. ony calls her out for a weak rep, telling her she should start over for half-assing. they just can’t seem to get enough of each other, teasing and poking at one another like crushing kids in school.

crys is definitely eating their interactions up. he’s fun in a way that isn’t childish, regardless of how he makes her almost giddy like a teenage girl. he’s not afraid to go along with a joke, but it’s obvious he’s not one to be messed with. no matter how many shots she takes, no matter how much she teases, he never breaks a sweat. it’s almost as if he’s welcoming the challenge and crys is more than willing to indulge.

ony likes her fire. it’s invigorating and it keeps him on his toes. he’s used to women being like becca— fawning, overly sweet, and obviously interested. the push and tug he gets from crys is different, and he’s enjoying every interaction, every tease, every glance at that ass. she just draws him in and he can’t get enough. where the hell has she been and why are they just now meeting? he could’ve shown her a lot more than boxing tips by now.

for her cool down, crys decides that since the gym is pretty much empty, she can take some extra time to do some yoga and meditation. she zones in and takes a plethora of deep breaths, regulating her nervous system and releasing tension. grounding herself in the present moment and releasing stress, anxiety, and frustration. it definitely helps as a follow up to the punching bag. she’s always appreciated how centered she feels after even just a few minutes of reconnecting with herself, tending to her mind, heart, and soul and not just her body. she should definitely do yoga often to stay balanced, but shoulda woulda coulda.

the second she starts to stretch, ony’s eyes are stuck on her like glue. she stretches for a long time, he notices. it seems like some type of meditation, the way she holds her hands together and closes her eyes, highly focused as she takes deep breaths almost audible where he stands. it’s interesting how he can notice the shift she makes from her earlier demeanor. she’s much calmer, locked in in a way unexpected to him. of course he knows how to calm himself, how to regulate. but those stretches… not only is he sure he could never replicate them due to lack of flexibility, but he can see the intention in each move, seemingly in each muscle and breath.

it’s weird to him how pulled he feels in her direction. he just wants to know her and is curious if she’d give him the chance. and of course he wants to know her body too… he could definitely help her relieve a lot of that stress. over and over again. probably until she couldn’t take anymore. something about her just keeps pulling him back in. maybe he’s just interested in her newness with his life currently feeling a bit more dull, but he knows he’d be just as interested if it wasn’t. she has spice, a good sense of humor, sweetness, she’s undoubtedly beautiful with all her little quirks, and that ass is the kind that a man would go to war for.

seriously.

especially with the way she’s sitting and stretching with her legs wide, chest flush against the floor. it’s making ony have thoughts, and a lot of them. after a while of being unable to stop looking, he decides to walk over. he stands above her with his arms crossed, head tilting as he looks down at her. “how the hell you even doin’ allat?” he murmurs quietly, almost to himself. and what else can she do? he wonders.

crys laughs in response, still enjoying the feel of the stretch. “I do it often. years of youtube videos, I guess,” she responds. she raises, intentionally moving slow for the practice. it’s just a bonus that she can feel his eyes on her ass. “sit down,” she grins, looking up at him with mischief in her eyes. he had his turn helping her, and now she’s going to do the same. whether he likes it or not. plus, it’d be real nice to spend some more time with him. she likes his presence and his laugh and his little jokes. his looks, his demeanor, the way he’s not scared when she nips at him instead either remains unaffected or nips right back… kind of everything about him, so far at least. “huh?” he asks, eyebrows raising. “nigga, if you can ‘huh’ you can hear. sit down and stretch with me,” she laughs.

ony likes the sound. a lot, he realizes. and her sass really tickles him. so why not? he shrugs, plopping down on the floor next to her.

“yoga’s more than stretchin’,” she begins. “yeah, it feels good for the body, but it’s good for the mind too. it’s a lot deeper than I can explain. it’s one of those things that’s been taken from another culture and kinda wiped of its authenticity.” he watches her as she talks with her hands, her caring a lot more about it than he expected. but he’s interested and following along with her words. “I try to respect it, y’know? it has a lot of benefits. can I touch?” she asks with a tilt of her head. he appreciates how her curls bounce with the movement and gives a simple nod of his head. “sit up straight,” she adjusts his back. “and keep your focus on your breath, keeping an awareness of your body as well. stay mindful of the present moment.”

the moment her hand touches him, he sits up. not because of her words but because of the feel of her hands on him. she’s gentle with her guidance, her touch almost hesitant and her voice has softened in a way that sends a slight chill down his spine. “sorry, are my hands cold?” she asks apologetically. “as fuck,” he answers with a laugh. “keep goin’ though.” crys laughs and pinches him softly. “aht, aht, I’m the teacher now, I give the directions. straighten out your legs.” ony rolls his eyes in response but follows her instruction. he mumbles a soft “yeah, aight.”

she gently bumps her shoulder against his at his sass. “lean forward and reach for your feet, curving your back. take a moment to center yourself, focusing on your breath and how your body feels. don’t think about anything, not even me,” she teases slightly. ony can’t help but smile at that. “you make it difficult, sweetheart,” he mumbles. her stomach flutters in response. he takes a deep breath before closing his eyes, reaching for his feet. “don’t forget to breath, nice and deep. relax your mind and let your thoughts fade away,” she mutters softly. “relax. really feel the peace and the stretch.”

oh, ony feels something, alright. but he focuses his mind on the way his muscles feel. he’s used to stretching, but the mental part has never been the most important aspect. he likes how quiet his mind is, how the peace envelopes him like a warm hug.

she guides him through several more positions, helping him to stay centered mentally. her voice is so soothing, her touch as she adjusts him doing things to him. he feels good. really good. the combination of the practice with her presence is something he intends to make sure he gets more of. she’s so cute with her little chides. a “stretch deeper, ony” here, a “you’re not even trying” there. and her obvious favorite, “you know you can do better than that”. actually, no, her favorite thing to say in reprimand is his name. it’s a pleasant hint of flirting and teasing mixed with gentle guidance and words of calm.

by the end of the night, ony’s hooked. before she can walk to the locker room, he gently grabs her wrist to get her attention. “hey, wait, ma,” he murmurs softly. she looks up at him with those eyes again and he’s suddenly parched. “can I get your number? you know, I can send you some boxing tips.” crys tries to fight a smile but fails. “oh, really? boxing tips? sure, long as I can send some yoga tips.” he laughs a bit, smiling at her tone. “yeah, send ‘em. gotta be on my namaste more, shit was nice.” crys tilts her head back slightly as she laughs. “boy, whatever. here.”

ᥫ᭡

crys is folding. real bad.

at first, she thought she’d just do some light flirting, maybe just tease and taunt and go on about her merry way. she didn’t have any intentions on really following through with the man because he just seems like a threat to her safe, protected little bubble of diy nails and chilling alone at home. but as time goes on, she realizes that she’s in a quicksand situation. swapped informational videos of boxing and yoga are just the beginning. soon, they’re texting back and forth. funny videos sent at way too late at night, a range of questions exchanged as they get to know each other, random voice messages that make her stomach tingle… she looks forward to speaking with him, even changes his text tone so she knows when it’s him.

he’s just so funny in such a simple, straightforward way. sometimes she bites at him and he doesn’t budge a bit, not giving her the satisfaction of a reaction. sometimes they go back and forth like a tennis match. he’s not afraid of her sass and she loves when he actually bites back. he’s just… attractive. in a lot of ways, on so many different levels. she ends up going to the gym late more often because he’ll be there, spotting her while she lifts and helping her with her boxing. ms. becca at the front desk seems to really not like it, but her non-working ass can move on somewhere. crys and ony start a routine that whenever she comes to work out with him, they grab food and sit in one of their cars to goof around. they even decide to power walk with mrs. etta every now and then.

it’s insanity to kt, though. she doesn’t understand why they haven’t ‘fucked each other like bunnies’ already and she reminds crys every time they talk. they’d scrolled his instagram together several times and he’s a popular topic between the two of them, three including kt’s boyfriend. he, of course, has a front row seat to these conversations since ms. kt never wants to use her damn headphones.

one particular night, crys is just really not feeling the workout. she’s more tired than usual and ony can tell. she’s not her usual, witty self. not a single jab has any bite to it, and it’s the same with her words. he doesn’t like it. she’s not supposed to be quiet or sad. he doesn’t like the distant look in her eyes and how she gives a weak smile at his teasing. “hey,” he murmurs. “go get changed and get your stuff.” he watches as she looks up at him with a furrowed brow. “you’re obviously not feelin’ up to it. we’ve done enough, let’s grab sum to eat.”

crys was going to push through, get her workout regardless. “nah, I’m good,” she shrugs him off. “no, you ain’t. quit playin’, it’s not a suggestion,” he grumbles back. that surprises her, but she guesses it shouldn’t really. one thing that she’s noticed is how good he is at reading people, and he’s really good at reading her now. he knows when to push, and has learned how to in several different circumstances. she guesses this is one of them. his tone is different than usual though. it’s set, no room for negotiations, no joking around. his eyes are focused and sharp in a way that almost even she doesn’t want to argue with. “…right. yeah, okay. I can go by myself though, you can finish your workout,” she mutters softly.

“what I say?”

crys didn’t need to be told again. his whole demeanor is looking more immovable than ever, eyes and tone telling her to get her ass to the locker room, basically. if it were anyone else, she would’ve fired back and asked who the hell he thought he was. but at this point, she’s too tired and she really doesn’t want to poke the bear. so she sighs and nods, grabbing her bag as she shuffles back to the locker room to get her stuff. she’s grateful, honestly, because as soon as she sits in the passenger seat of his car, she feels like she’s been hit by a bus but it’s really just a wave of exhaustion.

“you pushin’ too hard, ma,” he murmurs, his eyes on the road as he drives. he’s seen her energy decreasing over time, the spark in her eyes dimming. he’d slide a comment in or two about taking a break only for her to brush it off like it was no problem. she’s stubborn and he knows that, but fully capable of taking care of herself, which is why he wasn’t expecting it to get this far. she’s drained and he’ll be damned if he just stands by and watches her continue down this path. especially with the way her head is leaning against his window. usually he’d say something about her hair products getting on it, but he couldn’t give a damn about that.

“you been slackin’ and you know it. wassup?” he questions as he spares her a glance. she sighs, her eyes closing as he makes the familiar trip to their usual spot. “stress. I’ve just been stressed,” she answers. that much he could tell. it’s not really the information he’s looking for though. “mhm. why?” he presses. his voice is a mix of tenderness and concern but also firmness. he’s not going to let her brush this under the rug. “just a lot of shit goin’ on, ony. work’s a mess, they can barely do anything without me there they’re always arguing and never getting anything done. I’ve been looking for another job for months with no luck and it’s really starting to become a problem because I want to leave soon. and I don’t know, I just want to be in a different situation than I am right now.”

ony hums, rolling her words over in his head. he knows she’s been trying to leave her job, even sent her resume out to a few people he knows just to help out. he can understand her frustration, he was in a similar boat before he started his own thing and became a personal trainer. he gets it, the stress from working in a place that drains you and how so many job rejections can affect a person. “it’s alright, ma. I know that don’t mean much to you right now, but it’s gone work out, aight? I’ll put some pressure on my folks, help see what’s out there. you still got some pto right?” he asks. she sighs, rubbing her forehead. “yeah, but I’ve been saving it for a rainy day.” he could almost chuckle.

“it don’t seem like it’s rainin’ to you?” he pushes slightly. “take some time off. rest and relax so you can come back better. do yo yoga and shit, smoke some, whatever. you need a break, babygirl. no positive change is gonna come from you stressin’ and burnin’ out. it’s a three day weekend coming up, take the couple days before that off too.” she looks out the window as they pull into the drive thru. he’s right and she knows it. it’s just so easy for her to get swept up into the stress and lose herself a little bit more and more until she realizes just how close she is to burning out. she can feel tears gathering in her eyes from the stress.

“oh, pretty girl,” he mumbles, seeing the emotion in her eyes. he pulls off to the side and parks in the back of the lot instead of getting in line. “c’mere, crystal,” he croons, reaching an arm around her to pull her close. she sniffles and her shoulders shake as she cries into his shoulder, letting out what she’s let build up for so long. “s’okay, ma. you really doin’ good shit, providin’ for yourself and workin’ hard. it’s gonna work out, you gotta believe that,” he presses, squeezing her tighter. “but you can’t do this, okay? you can’t wither away like this. your health is important and if you neglect it, it’ll affect everything. I don’t like seein’ you upset and tired and drained. wanna see that pretty smile, get a taste of that sass that irks me so much.” she laughs slightly in his arms, her own wrapping around him as he gives her the most comforting hug she’s had in a while. “you’re right or whatever. big headed ass,” she mumbles.

“there she is.”

ᥫ᭡

after that night, she did exactly what he suggested. she took those extra days off and just recovered. smoked, slept a whole bunch, had a self-care day, and even booked a massage just for an extra treat. of course she talked ony’s ear off, and texted him and her best friend a bunch too, but it was necessary in her eyes. she knows they love her presence, even if they call her annoying. by her last day off, she feels rejuvenated.

she feels less stressed. she has a revamped resume, a mini twist out that’s cute and lets her leave her hair alone, new nails, and a new attitude. but… crys is running out of excuses to give as far as her and ony. his support that night meant more to her than he probably even knew. the way he held her, calmed her down, and comforted her… it’s something that’s been plaguing dancing in her mind. he’s shown that he can handle her full range of emotions no problem and can support her regardless of how strongly she feels. at this point, even she’s started to wonder why they haven’t done anything. she hasn’t made a move, no, but neither has he. he seems perfectly content with the way things are and is starting to become bothersome.

she can’t get him out of her head. his voice, his laugh, his features. every time he encourages her while she’s going at the punching bag, she wants to push the damn thing out of the way and just tackle him. when she can feel his eyes on her while they stretch, she wants to show him exactly what she can do and how her flexibility can blow his fucking mind. she wants to kiss him, touch him, hear those encouraging words that he gives her in an entirely different setting.

but his lack of action is causing her to overthink. is he not as affected as she is? does his heart not pound in her presence like hers does in his? how the hell is she the only one gnawing her lip at the thought of more? maybe it’s because she hasn’t had sex in so long. maybe that’s it. she’s just like this because of her wack ass sex life.

contrary to crys’ perspective, though, ony is losing his shit.

he definitely would’ve made a move by now if these were usual circumstances. he’s just so thrown off by how much he likes her, how much she makes him feel. she’s so much more than that pretty face and that mouth watering body. she’s funny, witty, and she packs a nasty ass punch both with her words and her hands. he likes the full range of crys. mouthy and annoying, intentionally trying to get a raise out of him. flirty and teasing, sensual in the way she draws him in. sweet and serene, almost like an oasis of calm and tranquility. oh, and he can’t forget how expressive she is with every emotion. her anger when her order’s wrong at the late night burger place they frequent, her excitement and joy when mrs. etta tells her about another good scan at the doctor, her sadness when she sees a sad tiktok during rest periods.

he just doesn’t get it. how can one person be so damn enthralling? how can someone’s quirks and flaws be so beautiful? he’s never felt pulled like this, but you know what? he’s fucking with it. she’s done nothing but add color to his life, a great addition that he felt like he was waiting for without even knowing. he loves her presence. she makes him smile and belly laugh, she pisses him off, she lights him up. he can be goofy with her, serious, sensitive even. he just wants more and more of crys, and even when he thinks maybe there’s nothing left to surprise him about her, she whips something new out of her arsenal. it’s just crazy how she has him by the throat but he’s happy to be along for the ride.

but he’s really wanting that ride to go somewhere. he’s always thought that it was crazy that crys is single, he just doesn’t understand it. in his eyes, she’s everything great in a woman. confident, sensitive, hardworking, sweet… annoying but in the best ways, enthralling, sexy as all hell.

when he’s ranting to eren about her for the nth time, the brunette raises an eyebrow at him and asks what’s taking him so long to ask her out. ony blinks. he thought they were… well, something already. but the sense that’s been chasing him for quite a while now finally catches up to him and hits him like a truck. he has to say something. do something. the unspoken thing doesn’t work for adults, and definitely not if he actually wants to keep her. is he an idiot? he wants to say no to his own question so badly, but he knows he would be delusional if he did.

so he quickly decides to get his shit together. the next time he sees crys, he’s asking her on an actual date, and that’s it. this whole thing could’ve been at a different point if he’d taken his head out of his ass and asked her out that first night he saw her in the gym. but it’s too late to try to change the past, and he can fix his mistakes in the present.

ᥫ᭡

unfortunately for ony, crys has a nasty attitude the next time they meet. her answers are short and snippy, and not in the usual, fun way. they had plans to go shopping together to buy mrs. etta a congratulatory something for completing her treatment, both having become extremely fond of the lady and being supportive of her on her journey. ony picks her up, being the gentleman he is (he hates her driving) and it takes no time at all to notice the bitter air around her. he actually realizes it the second she closes the door to her townhouse too damn hard. she huffs and puffs as she gets settled in the passenger seat.

crys doesn’t really know exactly why she’s so mad. it’s another one of those days where the stress has built up so quickly without her noticing, something that happens when her head isn’t fully in the game. she doesn’t want to take it out on ony, never means to, but something about knowing that he can handle that shit keeps her from being as mindful as she should be. “hey,” he speaks, his eyebrow raising at her lack of greeting. “hey,” she greets blandly. “what’s wrong, ma?” he asks, looking from her to the road as he pulls off. she just shakes her head. “thanks for picking me up,” she murmurs. “of course,” he responds.

he’s eyeing her every once in a while, trying to pick up on whatever he can. she’s fiddling a lot, tapping her fingers as she looks out the window. antsy? irritated? what is it, he wonders. but he’s not super fond of playing the guessing game, by now she should know that she can talk to him about any and everything on her mind and in her heart. he’ll listen, he’ll care, and he’ll support. hasn’t he shown that? “you lyin’ to me, ma. don’t like it,” he mumbles. she doesn’t answer and he really doesn’t like that. “what’s the issue, crys? talk,” he presses, his eyebrows furrowing slightly. this isn’t anything he’s used to from her. mouthy sometimes? sure. that’s nothing he can’t handle. but the silent treatment mixed with the tense attitude is not how he was planning to spend this time with her.

“nothin’, just tired.” she murmurs. his eyebrows furrow. “we can reschedule if you want,” he responds, understanding. “nah,” she says simply. she can’t explain it, she doesn’t really want to act like this. she’s just not exactly happy at the moment and the two seem to have very different vibes. guess that’s the theme, huh? she thinks. “mama, you not bein’ fair. tryna talk to you,” he mumbles. she rolls her eyes, looking out the window. “yeah, talk. your favorite thing to do,” she mumbles.

ony pauses, but only for a moment. “and that’s supposed to mean?” crys sighs, as if she’s really just over him. “nothing, ony, m’sorry. are we goin’ to macy’s or ross first?” she’s trying to deflect, and although ony’s not stupid, he lets her. maybe she just needs time, she can be like that every now and then. carrying around irritation from an earlier incident until it eventually fades and she’s good to go. sometimes she just needs to process her emotions, and ony’s cool with that. he’s cool with anything with her, it seems.

they end up at ross first, mrs. etta’s favorite store that she talks about when they power walk with her. they get her random things, little trinkets that remind them of her, lotions and candles, and a few decorative pieces for her house. they move to macy’s to get her a perfume she likes, and a few other random things that draw their attention. last is dollar.25 tree and a couple other craft stores, the mission being to grab a big basket and additional stuffing to make her a custom gift basket with a congratulatory card from both of them. crys is quieter than usual the entire time, but not necessarily agitated. it seems like shopping for mrs. etta is cheering her up.

seems.

once they get to her house, ony can tell by the way she groans as she flops onto her couch that she’s not a hundred percent. at this point, he’s confused and maybe a bit worried. what is it that has her so upset? he doesn’t like when she’s quiet, much rather her be loud and expressive with whatever emotion she’s feeling. it’s eerie when she’s quiet and ony can’t tell what she’s thinking or feeling. he doesn’t like to be in the dark.

“c’mon, ma, let’s go ahead and get this assembled. we can talk and smoke after,” he mumbles, moving to set the stuff down on her dining room table. he wants to sit and smoke, get her to shake herself out of whatever fucking funk she’s in, but he figures it’s a good idea to finish up mrs. etta’s gift. he really wants it to be perfect. he’s known mrs. etta for a while, she was even one of the people that encouraged him the most when he first started training, and he’s extremely happy that her treatment is done. a bratty sigh is heard from the girl on the couch and ony has to close his eyes to center himself. “we can’t take a break? all that shopping. m’tired.”

ony licks his lips and lets out a breath. “sure, ma, take a break. imma get started on this, I’ll chill after,” he responds. crys doesn’t like the little breath he takes, his tone coming across patronizing to her. “you tired of me? cause I can really do that shit by myself,” she responds lowly. she swears she can see a vein appear on ony’s forehead, but only momentarily. “nah. just want this gift to be good,” he mumbles. crys sits up to look at him. “it’s good already, we put a lot of thought into everything. what, you think I can’t assemble it myself?” her head tilts. because she could make the prettiest damn basket all on her own, really. she’ll prove it if she has to.

ony’s on the brink. he’s been patient all day— he’s always patient with her. it’s usually no issue, but today she’s really pushing it. mrs. etta should be the focus right now. “you don’t hear me talkin’ to you?” she asks, her eyebrows beginning to furrow. “yes, love, I hear you,” he murmurs. “just focused.” he’s really trying to keep it together.

crys scoffs, “yeah, well, you can focus and talk. you wouldn’t have to focus as much if you waited on me.” ony wonders what he did to be in this position. he hasn’t done shit to her, hasn’t said anything disrespectful, and he knows that she isn’t usually one to take her shit out on him, so he’s just thinking. wondering what has her so mad. “there you go again, not fuckin’ responding,” she huffs, standing up and crossing her arms. “you can just get the hell out forreal, I can finish this mysel—“

“sit the fuck down.”

crys blinks. and then blinks again. “excuse me?” she asks. she couldn’t have heard that right. he wouldn’t talk to her like that, he’s not insane. but the look he gives when he turns to her gives her second thoughts on that theory. “you heard me. sit the fuck down. I’m not leavin’ and you’re about to act like you have some fucking respect instead of poppin’ off at the mouth. I’ve dealt with your shit ask damn day, trying to be patient and understanding— like I always am with yo lil ass. I’m not playin’ crys. sit down,” he demands. and he really means that shit too, she can tell.

crys’ jaw is damn near on the floor by the time he finishes talking. “who you talkin’ t—“ she starts, only to be interrupted by a slow approaching ony, having put the materials he was working with down. “crys, I swear, if you don’t get some act right—“ he starts, trying to keep his breath even and his body calm. tired of being interrupted, crys decides to give him a taste of his own medicine. “what? what you gone do? talk my ear off? stand there and look at me with your arms crossed? I ain’t scared of you, ony. you don’t do shit and won’t do shit to me.”

“nah. I’ma fuck you,” he answers as he steps into her personal space. if crys’ jaw was on the floor before, it’s in hell now. there’s no way he just said that. “fuck that nasty ass attitude right outta you. you playin’ in my face, ma. you know I don’t like that shit. I’ve been so fuckin’ understanding with yo ass, somethin’ not every nigga is willin’ to do, by the way. you push and you push and I let yo ass. is that the problem?” he tilts his head, chest almost touching hers as he looks down. his eyes are dark, his jaw tense. the vein she thought she saw earlier is bulging now, almost angrier than ony himself. “is the problem that I let yo lil ass keep pushin’ me? cause I swear it don’t mean that I’ll just let the shit slide. and I’ll prove that shit too.”

ᥫ᭡

“fuck,” crys pants, tugging on the sheets in front of her. “please,” her voice breaks. “just— just lemme come. I’m so close, ony, please!”

she’s been on all fours for a while now, face buried in the bed as ony works her with his tongue and fingers. she’s in a pool of her own arousal, thighs wet and pussy drenched from the several times she’s been close to the edge, only to be disappointed each time as she’s denied her orgasm. her bottom lip is bitten raw, toes almost permanently curled and eyes finding a home in the back of her head as she pushes her hips back again and again to coax ony to at least let her have one. if she knew this was going to be the result of her attitude today, she would’ve just asked him to fuck her before they even left to go shopping. she’s waited enough for this, and even now when she’s so close, she’s getting denied.

there’s a harsh but absolutely welcome smack to her ass and she whines so damn pathetically that ony almost laughs. pulls his full lips from her clit with a pop and massages the cheek. “you want me to stop?” he asks, his voice low and raspy in a way unfamiliar to crys. she quickly shakes her head and grips the sheets tighter. “no, please! keep going, wanna come on your face,” she begs, pushing her hips to meet his lips again. the sound and sight of her is addicting, ony thinks. he likes the way she seems so desperate for his touch and tongue, craving that release that he’s been building up for so long. “you wanna come?” he asks, his fingers sliding back into her soaked pussy. he can feel her clench around him almost instantly. fuck he’s going to enjoy tonight. “yes! yes, wanna come!” she pants, rocking her hips to meet the thrust of his long fingers.

“then shut the fuck up and let me have my fun,” he murmurs, diving his face back in as his tongue meets her clit once again. “ah, shit,” she whimpers, her eyes rolling back again at the pleasure that washes over her. “yes, yes, just like that. fuck, you eatin’ my pussy up,” she moans. she’s never been so mad but so pleased at the same time. he’s torturing her and she doesn’t know how much longer she can last before she releases all over him without his say so. she’s already been through so much, she doesn’t want to find out what else he’ll do , even if it’s his fault. “my fuckin’ pussy,” he pulls back to murmur, flicking his tongue quickly over her pearl as his fingers continue to pump. she’s so wet, his fingers move with ease, and the sound that’s made is delicious. “say that shit.”

“fuck, I’ll say whatever you want,” she whines, back arching and toes throwing up gang signs. “s’your pussy, baby! take it take it take it,” she moans, throwing her ass back over and over. she’s so damn close, so damn close. she can almost taste it. her tummy feels like it’s about to burst and her poor pussy is sobbing. he pulls back once again to her dismay, reading her body like a book. “you betta not fuckin’ come,” he murmurs, fingers moving faster as they stretch her. how the hell is she not supposed to come? is he insane? “you fuckin’ kidding meee?” she whines, her head falling down onto the sheets. ony likes how spent she looks already, and he hasn’t even fucked her yet. “you know damn well I ain’t,” he grumbles, smacking her ass again. “arch that shit. it’s gone be a long night if you don’t listen to me, baby.”

in a turn of events, ony’s pussy drunk. he’s enjoying himself way too much, taking in her moans and slurping up what’s now his to pleasure. he’s just drowning in her, hands exploring everywhere he can touch. caressing, appreciating, adoring this beautiful woman falling apart on his tongue. he could do this all day and be grateful every second of it. he’s absolutely aching in his shorts, but something about bringing such a normally mouthy girl to babbles is too hard to turn away from. he didn’t even mean to take it this far, he just doesn’t want to stop. he wants her to keep feeling good, and the way she begs and reaches back for him to bring him closer lets him know that he’s doing his job

“please, I can’t,” she begs, back arching but breath deepening. “ony, I caan’tt, m’gonna come,” she whines. she’s trying, really she promises she is, but it’s just become too hard to hold out. it’s too good, she wants it and needs it. if he doesn’t stop or give her the green light, she’s gonna make a mess of both of them, and she’s not going to regret it. ony groans at her whines, basking in the sound of her begging and pleading. he can feel how she’s clenching, hears the desperation in her voice. she’s gone, melting into a pile of goo at his touch, and he’s never felt more satisfied. not only are they both having the times of their lives, but that attitude is just about gone and she’s actually acting like she has some fucking manners.

he reluctantly pulls back and removes his hand from her, licking at his fingers like a man starved. “flip over,” he huffs, standing and palming his aching dick. she seems to be too out of it, raising her head full of messy curls to look up in his general direction. “w-what?” she questions. ony doesn’t have time for her shit, so he grabs her hips and flips her over his damn self. the way he looks down at her is downright sinful and crys flutters simply at the sight. “fuckin’ bratty ass. you did this to yourself, crys. was gonna take you on a nice ass date, make love with your pretty ass, do shit the right way. but that fuckin’ mouth of yours,” he grumbles as he grabs her by her ankles, pulling her to the end of the bed. “is too damn bold with me. gotta fix that, sweetheart. you gone be my good girl after tonight, I can promise you that.”

she whines and grinds against his hand as his thumb traces circles on her puffy clit. looking down at her, he realizes that this is one of his favorite sights now. her eyes are blurry with tears from the constant denial, her face scrunched in a cute and sexy pout of pleasure, her tits shifting with each movement. ony could watch her like this all day, bringing her to the edge over and over just to see those pretty tears fall and hear that voice of hers crack. that’d only be torture for himself as well because he feels like he’s about to burst. “you so damn beautiful. you want this dick, sweetheart? tell me, I’ll give it to you,” he murmurs, licking his lips as he lets his shorts fall. crys whines and nods, unruly curls all over the place. so damn breathtaking.

“gimme it, please. wanna come all over it, baby. paint it for you,” she begs. her arms reach to hook around the back of her knees, pulling her thighs back slightly to open up for him. her words only serve to rile him up more. “you a lil freak, huh? mmm, you can do better than that, baby. stretch them legs like I know yo lil freaky ass can,” he grumbles, pulling his underwear down and off, his cock hanging low between his legs. crys knew it— she just knew it was big, and she was right. it’s long and thick with a minimal curve, and if she wasn’t so deprived she’d get on her knees and pay him back for the teasing. she whimpers and bites her lip, sliding her hands to hook behind her knees instead. she pulls her thighs flush to her chest and keeps going, extending her legs.

“fuck, yeah, baby, show me that pretty pussy. fat pussy all mine,” he grumbles. he lessens their distance, letting himself rest on her as he takes her in. what a fucking vision of a woman. he takes his dick in his hand and lightly taps it against her before her rubs himself all in her wetness. “look at ‘chu, baby. so fuckin’ sloppy. this all for me?” he asks, tilting his head as he looks back to her face. she goes to speak, but ony considers her next words unimportant in the grand scheme of things. before she can speak, she feels him start to press into her. she lets out a breathy moan, her grip tightening on her legs. “f-fuck,” she moans at the same time ony lets a groaning “shiiit,” pass his lips.

the two pant, looking each other in the eyes as he continues to press forward. crys is seeing stars, feeling the stretch of him. her face scrunches and her eyes begin to close. “mm-mm, keep them pretty eyes on me,” ony‘s breathing heavy , his hand coming to lightly wrap around her throat. “sexy ass. you bet not deny me that shit.” crys can only lick her lips, forcing her eyes open to meet his, clenching at the way he speaks. his words add to the growing fire within her. “there you go, baby. love that shit,” he murmurs, leaning forward to press his lips against hers in a nasty, sloppy kiss. crys is upset at the fact that this man is really bringing her to her knees. “so damn fine. don’t know why I waited so long to be in yo shit. too fucking good,” he groans, pulling out just slightly before pushing back in. crys gasps, pulling her legs closer just to have something to grab, but it just makes him go deeper.

“feels so good, onyyy,” she moans, keeping the eye contact as much as she can. ony’s hovering over her now, watching her with his bottom lip between his teeth and his eyebrows together in concentration. he’s moving slowly, letting her adjust to him and just taking in the view in front of him. “onyyy,” she moans, clenching around him as her pussy flutters. he’s so damn fine and it’s been so long since she’s been touched. he’s deep in her shit and she’s on cloud nine. she wants more, so much more, and she wants it all from him. she hates it took so long to get to this point and hates that she the fact that she stopped herslef from persuing him. she wants this, needs all of him. “fuck me,” she chokes out. “c’mon, please.”

“relax,” he mutters, his free hand rubbing up her thigh. “just keep that pretty pussy open for me. I’ma always give you what you need, sweetheart. always.” and he means it. he’s never going to play with her, not her heart or her mind. but he’ll play with her pretty pussy until the sun comes up, until the cows come home. he’s never felt anything so good, seen someone so beautiful while they take his dick. she’s everything to him in this moment, her curls sprawled around her like the sun’s halo, face showing all the pleasure she’s feeling. her breathing is deep, her eyes staying on his just like he said.

he’s fucked. shit, he might just be in love.

“ooo, fuck, ony,” she keens, her nails slightly digging into the skin of her thigh. “so big. oh my God, baby.” she’s having the time of her life. he’s stretching her so well, and he feels so damn good digging into her like that. ”yeah, yeah. been waiting for thisss,” she pants, unable to keep her mouth shut. it’s just so good and it’s hitting that spot. would could blame her? “give it to me,” she moans. ony groans above her, his hips starting to meet hers sharper and sharper. she’s still so vocal, and he’s eating it the fuck up. “mhm,” he breathes, his hands moving to rest on hers, helping to hold her legs as she falters. “take that dick, babygirl. s’all for you. swear it is,” he groans. she doesn’t know it, but she could ask for just about anything right now and he’d give it to her.

her eyes scan over him, her hand reaching out to lightly scratch down his abdomen. “fuckin’ me so good, ony.”ony groans at the touch of her nails, his gut tightening at the way she’s looking up at him. he pulls out, reaching down to tap himself against her again. she’s too much, her voice, her eyes, her touch… the way she keeps clenching around him. “you fuckin’ dangerous, mama,” he pants. “can I beat this pussy up, baby? lemme take it.” crys bites her lip and nods, looking up at him in a way that makes him grip her thighs a little tighter. fucking minx. he’s beating himself up for not doing this sooner. he adjusts himself on the bed, leaning down to press his lips to hers as he slides back in, the two of them moaning into each other's mouths. he immediately picks up the pace as he sucks her bottom lip into his mouth, nibbling slightly as he presses more of his weight onto her.

crys starts to gasp with each thrust, toes curling and a squeak escaping her when she feels his hands on her clit. “w-wait— fuck, wait, m’gonna come quick,” she moans, fingers gripping ony’s shoulders as he pins one of her thighs to her chest. she wants to come with him, but her earlier pleasure is coming back with a fucking vengeance. ony chuckles— actually chuckles, and rasps down to her, “that’s the point, sweetheart. give it to me.” if she wasn’t on the brink of a mind blowing orgasm, she’d be pissed and annoyed at that fucking smirk. but instead she pants and pants until her breath stops. her orgasm washes over her in delicious waves, and she’s just frozen in pleasure, unable to do anything but come and come, pulsing around ony.

“breathe, mama. come on, breath through that shit,” ony guides, pressing kisses up and down her neck. right, breathing. she forgot about that. crys lets out a long moan, her eyes rolling back as she tastes her sweet release. sweet isn’t even the word, though. the denial and delay just makes things ten times stronger, her orgasm wracking her in a way she wasn’t prepared for. she’s holding onto ony tightly as he talks her through it, breathing heavy as she just takes it. “yeaah, there you go. breathe, baby, I got you. gonna take real good care of you just like I said,” ony grumbles, nipping at her skin here and there and slowing his thrusts and his assault on her clit. he has to pant at the way she’s so tight around him, and he’s just so strained holding back good open release. “you deserve that shit, baby.” more kisses and nips than either of them can count are placed on crys’ neck as crys comes down and tries to calm down as well.

his hand reaches to gently caress her cheek as he presses soft, sweet kisses to the other. “you’re so beautiful, babygirl. you feel okay?” he asks softly. okay? she’s riding down a fucking rainbow of happiness and bliss. okay is an understatement. crys figures that would boost his who a bit too much, so she just tilts her head to rest on the side of his. “mhm,” she hums breathlessly. “so good,” she murmurs. ony’s glad, pressing more kisses to her sweet face. he’s happy he can make her feel good, especially considering how she was sarlier in the day. “good enough to gimme another one?” he asks. he just can’t get enough, so he has to ask. he wants this night to last as long as it can.

crys lets out a breath, wondering just what the hell is wrong with the man. she’s been through the wringer for a good while now. but it’s felt amazing every step of the way, so the answer is yes. of course it’s yes. she nods. “just one more, sweetheart,” he croons, looking down at her dazed face. he pulls out, turning her over onto her stomach, much gentler this time. he guides her on all fours and reaches to rest his hand on the headboard, his other hand positioning himself once again. once he begins to push inside, his arm wraps around her torso to hold her tight as they both moan. his hips start to move again, this time with a slower pace as he braces himself on the headboard.

ony can’t help but feel the shift on the room. it’s much more intimate than before, crys sensitive from one release already. he wants to be so many things for her. he can be a little aggressive, knowing she likes when he bites back. he can be goofy and unserious. and he can be soft. he can be serious with her and about her. that’s what he wants. “wanted this for so long, baby. wanted you,” he murmurs into her ear. the sound makes her pussy flutter, causing him to chuckle again. “sh-shut up,” she mumbles, her hands slowly tightening around the sheets below them. the combination of his intimate confession and his thrusting into her is a double whammy that she didn’t see coming.

“mmm, I’m serious babygirl. want you, been wantin’ you,” he presses, eyes falling shut as his hips continue to move. she feels so good, it’s ridiculous. he’s going to be in it every day if she lets him. “gotta make you mine, ma. I’m forreal.” and he is, because what kind of idiot would he be to let her slip through his fingers? crys let’s her head fall back in a moan as he starts to gently work her clit. everything about this is just insane. who knew what today was going to bring? “y-you never… ah,” she cuts herself off with a moan as he curves his hips, fucking her in just the right way in such an intimate moment. fuck, what was she saying? “I never said anything, I know. s’my fault, no excuse. I was just too busy enjoyin’ bein’ around you,” he murmurs, moaning as he holds her tighter. his hips are starting to move a bit faster and crys is starting to meet his every thrust.

“but you mine now, right? I’ma do— fuuuck, I’ma do right by you, mama. always,” he groans. he means every word. it’s like she has a spell on him and he doesn’t care. if she wants his heart, she can take it. he leans back from the headboard, sitting up on his knees as he keeps her back against his chest. gosh, crys’ heart just flutters. “yeah,” she moans. “yeah, ony, m’yours. f-finally.” that puts a tired smile on ony’s face, his already racing heart squeezing. with one hand massaging her clit and the other now on her hip, ony begins fucking into her faster. “that’s right, baby. and I’m yours. can’t get rid of me, can’t push me away, sure as fuck not scarin’ me away,” he groans. i’d important to him that she knows that, with her lil stubborn ass.

crys reaches back behind her, grabbing onto him. “yeah, j-just like that, ony. me and youuu,” she moans, feeling that familiar sensation again. her body’s almost tired of it after so much teasing and edging and repeating. “gonna come for you, baby,” she groans. she has no fight left, it’s going to rock her and she knows it. “you gonna come for me?” he asks, his voice coming out breathy as he continues to thrust into her. he doesn’t remember the last time he felt as good as he does in this moment. he doesn’t want it to end, but he can’t hold anymore. she’s tight around him, pulsing as her release approaches once again. “paint my dick, baby, just like you said. then I’ma give you this nut,” he huffs, working his hips more and more. crys is a moaning mess, her head dipping as she feels another strong orgasm approaching. “keep breathin’,” ony croons. “want you to feel all that shit, mama.”

she breathes as even as she can, breaths deepening as she quickly approaches that line. “ohhh, ony!” she cries out, her eyes squeezing shut. ” let it out, baby, give it to me. give me that shit,” he groans to her, working her clout faster and faster as he keeps pumping into her. it’s all too much and it brings her over the edge, her toes almost cramping and hips moving without her knowledge. “there it goes, keep breathing. fuck yeah, mama, take that shit.” it’s an intense feeling and she’s chasing it, breathing like ony directs and it makes the difference. she feels the shit down to her toes. her eyes are crossed and she can’t even fucking speak, just taking whatever comes as her eyes shut tight. “that’s it, baby, feel that shit. know you feel good, I know,” he pants.

ony’s fucking into her faster, the way she’s clenching around him making his head spin. his grip tightens on her hip as he chases his own high, watching her fucked out face. she looks so good like that, spent and satisfied and his. “fuuuck, you so gorgeous, crystal. gahdamn you feel good as fuck,” he rambles, praising her over and over just because he can and she deserves it. soon, he’s pulling out and pumping himself all over her ass, groaning as his body jerks. “yeah, ony,” crys coos with a raspy voice. she’s giving a tired wiggle of her hips, encouraging him to spill all over her. “fuckin’ perfect.”

the two pant, spent from such a lovely day together. it’s silent as they just back in the afterglow of their impromptu endeavors. eventually, ony starts to press sweet, calming kisses to her shoulder and back. he appreciates the small marks on her skin, random beauty marks and freckles. “perfect, mama. you were perfect,” he rasps. as far as he’s concerned, today couldn’t have been more successful. crys is… well, crys is out of commission at the moment. her mind is fuzzy in her post orgasm bliss, and she’s catching her breath as she basks in his kisses. “fuck…” she mumbles. that was very unexpected but completely welcome. the wait was more than worth it, and now she can have that again and again and again. “yeah,” ony chuckles tiredly. “yeah, that was crazy. damn.”

the two laugh together, gross and sticky, but so happy with the situation. that line was finally crossed, and there’s no going back. not that either of them would want to, anyway. ony glances down at crys as she rests for a moment, eyes closed and lashes tickling her skin. the earlier tensions are gone, nothing but fondness and connection in it’s wake. he reaches to caress her cheekbone, tucking a curl behind her ear and out of her face. “sorry for earlier,” crys mumbles into the quiet. she really is, she doesn’t like when she projects her upset like that. she nevers wants that for anyone she’s connecting with, especially not ony. he’s been understanding with her in a way that she’s learned to deeply appreciate. “but I’m glad we did this.”

ony hums, pressing another kiss to her shoulder. he can deal with a little push from her, especially since he gets to keep her. she’s a sweet girl, and she invigorates him. he appreciates her expressiveness and range of emotions, and understands that sometimes she’s just human. he’s okay with that. but now that they’re together, he has the ability to take a different approach. sometimes she needs him to snap back at her, and that’s what he’ll do with absolutely no hesitation from now on. there’s a mutual respect and understanding, and ony really fucks with that shit. “just needed some attention… and dick,” he murmurs. and he’ll give it to her whenever, wherever.

crys groans and starts to fuss, turning to weakly slap at his chest. “oh, shut up! go get me a damn towel!” here he goes saying some slick shit, right when the moment is good. he’s such an idiot sometimes, but it never fails to put a smile on her face. ony lets out a bellowing laugh, backing off of her and standing on his only slightly wobbling legs. he hopes she didn’t see that, but she’s already talking shit again. “yeah, pussy got you walkin’ crazy,” she sasses as he starts his trek to the bathroom, watching his sweaty but oh so fine figure walk away. ”better act right or you’ll never get it again,” she huffs. ony laughs again, shaking his head. “don’t make me start this shit all over, crystal,” he calls over his shoulder. she rolls her eyes but nuzzles her face into a pillow as she grumbles under her breath. she’s not scared, she’s just still recovering, is all. “yeah, that’s what I thought,” he laughs.

soon, they’re all cleaned up and on fresh sheets, crys refusing to sleep in the crusty bedspread after everything was said and done. they get into a spat about who gets to sleep on which side of the bed, and then over whether they should sleep with some time of light on. ony also demands to cuddle, but crystal fusses that she’ll get too hot and won’t be able to sleep. for that brief period, it’s war.

eventually, though, after bargains and begrudging compromises, crys is on her back on her usual side of the bed and ony is half-sprawled on top of her, head buried in her neck and hand softly rubbing her outer thigh. a random sitcom plays with no sound and the room is a nice, cool temperature with the fan blowing on the both of them. crys caresses ony’s back gently with her nails, eyes closed as she enjoys the weight of him on top of her. the pleasant feeling is like a weighted blanket, lulling her to sleep. ony is holding crys close, enjoying her warmth and presence. he’s taking full advantage of being able to cuddle with her. they fall asleep like this, wrapped up in each other, and wondering what the next day will bring.

hoooooly moooooly. this was not supposed to be this long. was hoping to post this sooner, but the words just kept coming omg. pls excuse any mistakes lmao. hope you like it! feedback welcome and wanted 🫶🏽

[icewindandboringhorror]

Pages from trying to keep a little sketchbook-scrapbook type thing going for two weeks lol. I gave myself specific rules in hopes they might all end up more cohesive/consistent seeming, but alas, scribbly chaos reigns, it seems

[lgbtlunaverse]

Thinking of the Nie disciple that told Nie Mingjue it was Meng Yao who stayed behind to clean up corpses on the battlefield today.

Nie Mingjue didn't just randomly stumble upon poor lil meowyao eating bread in the novel, he was already looking for him to thank and reward him for his work.

That's what makes it so fun that nieyao's first conflict will end up being about someone else taking credit for Meng Yao's work.

And I'm sure that Nie Mingjue's actual opinions on plagiarism are a lot more nuanced, all we really get from him in this scene is "well you shouldn't kill someone over it!" which leaves a lot of room for what punishments he thinks are appropiate. But I bet that it isn't occuring to him in this moment that the only reason he knows Meng Yao at all, the only reason he got such a capable deputy, is that he noticed someone was taking care of the dead and cared enough to want to know their name. And then the Nie disciples didn't lie to him. The disciple he asked could have said "it was me, Zongzhu" to rise in the ranks himself, but he didn't. He went and asked others, who all also could have taken the credit, but they didn't. Someone saw Meng Yao working and decided to be honest about it and that simple decision is the catalyst for Meng Yao becoming Nie Mingjue's deputy.

Meng Yao can't just work hard to get results, others have to acknowledge that work. If they don't, it's as if he didn't do anything at all.

[prismatiger]

I keep thinking of how I want to taxonomize Siffrin and Loop bc it feels significant to me that Loop and Siffrin both have inherently diverged from the same Traveler Mold they came from. But because I am like a 7 year old I keep sagely nodding to myself going "ah yes... just like mega mewtwo"

[mist-the-wannabe-linguist]

Lately I'm seeing more and more of those "what race do you ID as" polls and i dunno but i can't help but feel kinda weird about them cause like, disregarding the fact that the options are usually ridiculously US-centered in terms of the concept of race (like someone in the notes of one of these polls pointed out - "native/indigenous" to WHERE? I could call myself a native/indigenous czech and it would be de facto correct lol, also some people would not consider slavs white even today), or seem to ignore the existence of massive groups of people (never seen a poll include arab or desi people for example), but mainly it's like

I dunno, maybe I've read too much about Nazi Germany but any phrase similar to "state your racial identity" creeps me the fuck out

[ourceliumnetwork]

apparently we're not out of the woods on holiday trauma responses just yet - i'm hoping we're on the tail end of it but like. good lord.

[stardust-and-fries]

Oh boy!! A chance for me to yap about gender at length?!?!!?!? DON'T MIND IF I DO!!!!!!!!!!!!!!!!!!! [See tags for details. But be warned... I Popped the Fuck OFF writing this one, it's a doozy!]

Sorry if this is rude, but how do you identify? I looked around a bit and couldn't find anything, my apologies

Not rude! Honestly, I don't know these days! Lots of thoughts swirling around in my head. Maybe this is too much, but also maybe saying something instead of keeping it inside will be helpful... I'll put my gender thoughts under the cut... maybe someone can relate and offer some thoughts lol:

Recently, I came to the conclusion that I'm really not attracted to men at all, and maybe, I never have been. Looking back, I can kind of clearly see that any crush on a guy I thought I had was more like "wow, this person is COOL as HELL. I hope we can be really good friends." And then I noticed, that any crush I had on a girl felt... different. The feeling was totally different, and it still is. Have you noticed how most of the men I draw are quite feminine? I also have no idea what's going on with my gender. I know I'm me, a Yugo, I also can't comfortably say what exactly I am. Though by technicality, I am nonbinary, the word doesn't feel QUITE right to use for me. Maybe genderqueer is better. I've never identified as a man, but I have identified as transmasc and taken T. I really do like the results I've gotten from that. But at the same time, I don't really feel close to "manhood" at all, but something about having a mustache sometimes, like I tend to do, feels right to me still. I also like to wear lipstick and stuff. I don't know. I'm also not a "woman" I don't think, but I identify with more... I don't know, masculine expressions of womanhood if that makes sense? I am very androgynous in expression, in short. So basically I don't know what the hell is going on. All I know is I love women LOL. Can anyone relate to any of this? Any ideas?? I will not be offended by any assumptions you might have lol. Maybe I should just make a comic about this.

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[sheeezu]

Yes, this is a new account, I just made this. I don't care if people question the authenticity of my post, my experience as a shifter, or whatever I'm about to say.

I don't know how to use Tumblr, nor do I know how to make my post reach people who need it, nor would I be a narcissist and say "you're lucky if you found my post!" I don't mind if this reaches an audience or not, I'm glad to get everything off my chest.

Yes. I've shifted.

I have shifted realities, more times than I can count on my fingers, and that is for a very specific reason, which I'll explain later.

I'm writing this because I'm about to permashift, and no, I won't hear out any antishifters or people who don't like permashifting in general, I don't care about your opinion so don't waste my time.

Before I start, I'd like to say one thing:

I was irrational minded, I lacked belief in myself and shifting. Shifting often times felt like a chore more than a fun activity, and i have to admit, it became an unhealthy habit.

So? Why did I mention this?

Because I had been lurking around shifting communities and I realised everyone feels like this, a very (mentally) painful feeling where the lack of shifts starts acting as your biggest enemy, and the phrase:

"Shifting needs practice!"

Sounds like poison when it comes from an experienced shifter.

Though, is the phrase actually true?

No, not at all.

Shifting does not need practice!!

Here's why:

(BTW, I will explain my "method", no matter if I have time or not. Also, I don't call this reality "Current Reality", instead I call it Void reality, so don't get confused.)

The "practice" you're doing is only affecting your void reality (taking time out of your day, making you constantly think you're in your learning phase, so it doesn't exactly lead to your desired reality, does it?)

Of course, if you view it as a skill, it will in some way act like that, it'll become a skill for you, and you can never succeed on your first, second, third, hundredth try, because in your brain you have registered the fact that shifting is this grand, universal task, and that it is very difficult (because its common sense that you practice difficult things to get good at them)

Practice is a very humane and earthly act, if people have succeeded doing just practice, then good for then, they're right in their own way, but it didn't work for me, and in my opinion it's the worst way to view shifting, and often times it is demotivating, and you'll mess up you're entire journey.

Shifting is not a skill, shifting is a universal law.

I'll become more clear as I explain my journey:

My journey:

I found shifting from a random YouTube video 3 years ago. I might have only said cool and moved along.

A year later something traumatic happened in my life, which shook me so badly I needed an escape.

First of all, I chose astral projecting, but I realised I was too much of a coward to do so.

Then I came towards shifting, first DR was very typical, it was Hogwarts.

Having no knowledge whatsoever in the topics of spirituality, meditation, I went straight to methods, because they were like guides for me, I was very inexperienced, of course, and looked at other people and what they were doing for guidance.

Alice in wonderland method didn't do much, raven method was too uncomfortable (side note, all this raven method does is make you too focused on your void reality, cmon, in your DR are you laying down like a starfish?) And I was having terrible trouble with my intrusive thoughts (which made the floor disappear from under my feet, made the stairs for the stairs method too short to climb or straight up made them dissappear as well)

I didn't have any luck that year, no mini shifts, no lucid dreams, or sleep paralysis. And my DRs never remained constant. They always changed on a daily basis.

I was big on methods, I couldn't realize they never worked for me.

Although, this year of failure led me to finally figure out where I belonged.

A DR made out of scratch, which I spend much effort in putting the pieces of it together.

The DR, which was called "Home reality" really made me feel settled in my journey.

LOA, and the consciousness theory were the leading factors which made me shift.

And don't worry, it isn't what you're tired of being told, I didn't just apply any orthodox definition of LOA and succeeded.

Background to my first shift:

It was a particularly stressful day, I really missed my home.

I was studying at my college (I still am, but...) and I was dreading giving a chemistry test, I did not prepare. In my mind, one thing was constantly looping in my head.

The scenario of the chemistry teacher coming in, and taking the test, and the next day I get it handed back with a big fat zero.

But then I stopped and wondered, having already known about the consciousness theory, so according to it:

"I am constantly letting this thought run in my mind, and constantly letting this reality dictate what happens next."

Basically, I realized what was about to happen next was indirectly in my control, but with my line of thinking, I was letting this reality control it directly.

I stopped, like actually stopped thinking.

And with a blank mind I thought.

"I won't have to take any test today."

And went around telling my classmates this with a confident tone.

The teacher came in, said we'll instead do some practicals in lab.

So the test got cancelled.

Going home, I got excited, i felt powerful.

I decided to apply this to shifting.

Before shifting, I took a nap during the day, (if you're tired your body insists on sleeping, so your mind will get hazy and you will start acting lazy towards your goal)

And after living how I normally would, before bedtime, I listened to some songs, and look at a Pinterest board which reminded me of my home reality.

My method and what happened next:

First phase of shifting:

When I laid down on the bed to start shifting, I first got comfy (for me, if I feel sleepy for some reason, I laid on my back, I can't fall asleep in that position, but if I think ill stay awake until I reach a "detached state" then I sleep on my side, it's comfortable)

I obviously wasn't checking the time, but I spent about 10 minutes getting relaxed, all I do to relax is:

a) look at the blackness (closed eyes, looks like starry skies) and try to believe I'm looking at the milky way.

b) think about my home reality, just faces of my loved ones, and nostalgia inducing images.

c) Affirm, but don't focus entirely on affirming, usually in the back of my mind I'm repeating "I have shifted to my home reality" "I have shifted my senses to my home reality" "I have stopped sensing the void reality" "I am smelling, tasting, feeling, hearing and seeing my home reality" no other fancy affirmations required. (Now that I think about it, you need to affirm NOW because this method has two phases, one where you are shifting, and one where you have shifted, and you are in the 3D, where you are occupying your DR self, their thoughts, and memories, and popular method usually only have one phase, either you are shifting, or have shifted. So my point is if you affirm later and you'll be affirming when you're supposed to be in your DR, and obviously, your DR self won't be spouting out affirmations about shifting to a random reality for no reason.)

During this time, you'll feel tingly all over. It's a good sign.

And you'll feel a certain detachment, like you aren't exactly here, you have no idea what position you're lying in, and where your feet are. (Please, for the love of God do not start counting your feet or get freaked out that you can't feel your leg, you'll come back to the void reality.)

So you can start the next phase.

Middle phase (optional):

To prepare for the next and last phase, you can do this to get ready, or don't (First read the third phase)

This is all about connection to your DR.

Think about memories from your DR, focus on the faces of your loved ones, the way you act, talk, your mannerisms in your DR, or you can simply say affirmations like these one:

My name is ___.

I work as a ___.

My age is ___.

Don't try to imagine vividly or anything, lightly touch upon the basic details of your DR, the construction and foundation of any reality and the person, who has existed there for their entire life.

(That's you!)

Phase three:

Take a sudden, abrupt stop from your stream of thoughts. (Yes intrusive thoughts will still pop up but don't give any importance to them) when you're in a blank state of mind, not longer than 30 seconds, you need to build up to the last step of your shifting method, and journey.

a) start imagining hearing the voices of your loved ones or just any voice, calling your DR name, your nicknames, with different tones. (For example, i heard my name in an angry tone from my father when he was scolding me, I heard my name followed by a laughter when my S/O teased me.)

OK, for me, I started feeling intense, groundshaking symptoms at this moment. Sudden flashing of lights, extreme feeling of floating, and ofcourse, feeling tingliness so much that it felt like pins and needle on my entire body. (I did ignore the symptoms)

b) plan the rest of your day in your DR, which you will be spending.

AGAIN, PLEASE DON'T SAY IT LIKE THIS.

❌️When I reach my DR ❌️ I will have to go to that eye specialist for that appointment.

Instead: (and the more you personalize it, the better)

Ughhh, I have to go to that appointment- this day will suck.

(Don't mind my example, that was the only thing I could think of at the moment)

c) in this reality, you are constantly thinking of something, your thoughts are definitely what constructs this reality, and your current thoughts are affecting your subconscious. (By this point, your subconscious is grounded in your DR, so don't worry about that bastard.)

Now, you're going to start thinking, thoughts which are going on in your DR self's mind, start with one sentence, with which you'll be able to start consciously thinking like your DR self.

And think in the style, tone, and mood of your DR self, and keep the thoughts strictly related to your DR.

Thats it, but what happens afterwards? And what happened to me?

So for me, I started feeling weird while I was thinking.

And I remember I thought this:

"Ugh, I don't want eggs for breakfast."

(I'm not saying this is the key to shifting, at this point, I had covered various topics, including, weather, my upcoming work assignment, and praised my S/O for a good 5 minutes.)

And I started panting, like suddenly I was trying to catch my breath, the room felt bright, so I opened my eyes, and well, I was in my home reality :)

I was delirious for a few second, my S/O was looking at me worriedly, but surprisingly, it didn't even take me a minute to adjust, it felt all so natural and I wasn't scared.

I didn't even feel emotional, at all, and didn't hug my S/O with tears in my eyes, I straight up asked to be served breakfast, incase anyone was wondering.

So that's it.

Although i have much to say, I'm tired of writing, but I'm more than willing to answer each and every one of your questions, although I only have 7 hours left till I permashift, I'll remain mostly active till then.

And no, I'm not rereading this to fix my grammar, so just ask if anything confused you.

Ask away.

I'm still not sure if this'll reach anyone or not.

[drchucktingle]

a moment to check the gears and cogs

feel like i want to talk a little on the message of a recent post because i think it is an important point. when i say that you do not need to QUALIFY OR DEFEND your love of tinglers or my work in general, i am pointing out an interesting social anomaly that happens with my art and with queer art.

as an autistic buckaroo i notice patterns, and on social media i see them a lot. little phrases that come up again and again with my art. ‘yes THAT chuck tingle’ ‘its ACTUALLY good’ ’my favorite author i have never read’ ‘so bad its good’. these are always added after a POSITIVE comment about me

they also all have something in common. they are trying to distance the posters SINCERE JOY and give them an out socially. it is very very very subtle, but they are all saying ‘yes i like this but here is a sliver of acknowledgment that it is also weird or bad or ironic. in not REALLY fully in'

essentially these are added because it means the poster can escape their very real joy if needed. try applying these phrases to any other popular author. its much more subtle with the first two: ‘i liked all fours by miranda july, yes THAT miranda july. its ACTUALLY good’. what does this imply?

the other examples are a little more blatant but lets try them with other authors anyway. imagine saying ‘youre my favorite author i have never read’ to stephen king. would you EVER say that to someone? what does that imply? how about 'i love your books theyre so bad theyre good'. horrifyingly rude

lets dive into saying 'CHUCK TINGLE is my favorite author i have never read’ sounds unusual when substituting other authors because theyre usually not queer or autistic or making outsider art. to be blunt, why CHUCK gets it all the time is because it really means 'i like chuck tingle but im not gay’

while we have mostly culturally evolved past the idea that saying ‘no homo’ is some kind of joke, that FEELING is still around. it has just burrowed a little deeper. honestly it might never go away, or at least take centuries. remember these people GENUINELY LIKE MY BOOKS but feel they MUST qualify

should also be pointed out that LEFT and LIBERAL people are the ones who say this stuff to chuck. they do not MEAN to harm, and if you ask them directly how they feel about queer or neurodivergent people they would not express the same opinion as their subliminal comments might imply

the final elephant trotting by is while some of this is homophobia and fear of a neurodivergent other, it is also just plain old IRONY POISONING. its conditioning from being raised on an internet where sincerity was ‘cringe' and loving something was a weakness or joke. these problems work in tandem

so whats the point? what can we do? first of all, just recognizing these patterns is a start. i didnt HAVE to write all of this today but i think its important to be aware and to look inward and think about the gears and cogs that churn behind the things we say. NEXT step is trying to push past it

if you have done these things in the past, i want you to know i am NOT AT ALL UPSET. i am not mad or hurt and i do not think any less of you. you can trot by my side any day and you are trying your best to prove love. we are ALL just tryin our best, just consider this a friendly chat between buds

proving love can happen in BIG WAYS and it can happen in SMALL WAYS that we barely see. just take a moment and think ‘WHY am i saying this? WHY am i in this pattern to distance myself from outsider or queer art?’ a little moment of consideration goes a LONG way buckaroos. LOVE IS REAL

[sos717]

Yes, Im Back

Here it is you guys, this is going to be the clearest and most simple explanation I’ve done so far of manifestation and your identity as conciousness and what that means for experience & the world unfolding. Don’t worry if you’re new to this, this will help!

THIS IS A MASSIVE POST, TAKE YOUR TIME AND GRAB SOME WATER, YOUR ABOUT TO CHANGE YOUR LIFE 😉🤭🤭

————————————————————

So around 7 years ago I started stepping into the world of what people typically call manifestation. I went down the rabbit hole of Subliminals, Law of Attraction, Law of assumption, NonDuality and finally to where I am now, the unlabeled.

I want to preface by saying, I have been through an unimaginable amount of turmoil, and growth while on my journey to understanding reality and the way the world appears.

I’ve spent all of my time from back to when I first found out about this side of reality, to today while I’m writing this post, constantly looking at a multiplicity of teachings and teachers to figure it out, except until the very end. I really want you to know this because it’s very important to not brush this off as if it’s not possible for you, as if you have to adapt a technique or secret. This isn’t something that’s to be exhausting. With that being said, let’s move forward.

We all want things, we all have ideas of a life we hope to live, we want to fill it with all the experiences and specific details that match our taste. But this is actually, where the problem begins.

The way manifestation is taught is inherently wrong, I’ve fully stopped watching and consuming content that has anything to do with manifesting all together, because no matter what it is, Law of assumption, Law of attraction, all of the other ideologies that promise your desires, they all have a fundamental flaw, identity.

They usually all entail a similarity: methods, techniques, specific things you can do and ways you can act to make an outcome happen. All the while throwing in a random “because you’re the god of your reality”. And instead of focusing on the phrases that relate to the center of all of it, YOU, it’s simply just brushed past.

And not just the typical “your source”, “your operant power”, “you are the manifestation,

We get it but wtf does that actually mean, and why should you care??? Well, let’s get into this, because once you start from point A, everything else makes sense.

What all these teachings of the world get wrong is the idea that you can want things and desire, as source. Fundamentally this is a paradox, you can’t exist in desire and want if you are the source of reality. It’s not to say you aren’t, but it’s to say, you don’t ACTUALLY want and desire, but the illusion of being separate from the world is what makes you want and desire.

Let’s break the illusion.

Ask yourself this for me. “Am I aware”.

The answer will always be yes. Undeniably. And no matter how many times you repeat this, the answer is always yes, no matter a feeling, no matter a pleasant or unpleasant experience in the world, no matter any circumstance, you will always say yes.

Why is this so important to explore?

Because you are able to see from direct experience what source is.

When you asked yourself that question, did you notice something weird that happened? It’s almost like everything paused for a split second and your attention went somewhere to find the answer, and a response came from there. Look closer, ask yourself the question again, and this time try to find where the answer is coming from.

You’ll find that it comes out of nowhere, and if you try to trace it as far back as you can, to even before you answer yes, there this empty space of knowing that the answer conjures in.

This is consciousness. This is you.

Whether you name it consciousness/awarness or knowing, it doesn’t matter, it’s all interchangeable. But the important thing to note is, this thing doesn’t ever go anywhere. That is your true identity, the starting point of all ideas, the starting point to anything that can possibly be known. Every decision is from here, every expression comes from here, everything leads back to knowing. When there is emotion, it is known, when there is idea, it is known.

You being able to know that you are aware comes from this. This is the unseeable, the thing that can’t be perceived in any way, this is origin, its source, and its you. Take a shot at it, try to see what knowing looks like, its weight, its shape, its color, its dimensions, what its favorite color is, what it doesn’t like or does like. You’ll be left with nothing, as in no descriptions, but definitely knowing that there is a presence there that never goes away. Now try finding its name, its age, its skin color, its voice. You cant, and yet, from this very nothingness comes your undeniable answer that you exist and you are aware of your existence.

You don’t need and feelings to know, you dont need sight, sound, and sense of perception, you don’t even need to acknowledge the body in any way, but you know you “are”.

At some point when there were no worlds and universes, there was an unseeable, dimensionless plane from what everything came from, does this sound familiar? Before there were things, there was no-thing, a presence yes, but no objects. And from this, reality was expressed, but source can’t go away, the fundamental key to everything there is today, has to remain, or else everything else would not exist.

Concouisness is what you are. And it IS the origin.

Now how tf do you live you dream life???

By understanding that the world is also just an expression of source, conciousness/you.

I need you to understand something that I thing we can all agree on, if everything has one source, it would only make sense for everything to be the extension of that thing that gives it life. The world is no different, and trust me I know this without a reasonable doubt. I’ve spent closer to a decade trying to figure this out. Everything exists in/on the field of consciousness/you.

I need you to trust me, because no matter how far you have been in your journey and how tiring it might have been like it was for me, I promise you, this is worth it all.

Step away from the ideas of wanting and needing, put on your neutrality glasses and perceive the world as 2 simple things, conciousness and conscious expression. These are the only 2 things that drive experience itself.

Understanding that you are source, more things become clear. Where do all the stories of all the unfavorable problems in your life activate from? Where does the idea of good events activate from? Where is it that any form of knowing come from, you. Whether it’s about struggling with money, or about someone loving you, the story or ideas, conjure from you.

We already know that we are conciousness, but now let’s acknowledge the second mosy important part, reality begins at us, draw yourself into something that you don’t really like, something you’d like to change, now notice where it activates from.

From knowing. Knowing the idea or story is its creation

Now when we see it casually, as just another thougt about something the world is showing us we brush it off and move on with our day, until we have to face that thing, but, what if this was actually in reverse?

Because if everything is an expression of source, doesn’t that mean the world is too? It would have to be. Doesn’t that mean, anything registered by the senses has to abide by its source? And doesn’t that mean, that the world is not truly something of its own will?

The short answer is yes absolutely. And I can tell you, this is it. THIS WILL BE VERY F$&#*NG IMPORTANT.

Admitting to the idea that there is one source for everything is literally acknowledging that everything can only show up IN ACCORDANCE AND RESPECT TO WHATEVER ITS SOURCE IS.

THIS MEANS, the the world is a PROJECTION of source, IT DOES NOT STAND ALONE. It does not OPERATE ON ITS OWN.

The world is the projection of consciousness.

Following me??

Like a hologram, like a school projector QUITE LITERALLY a projection.

From us, an infinite array of stories and ideas come, and they only become activate or exist if we allow them to, if we give permission to this thing to exist.

That story that you’ve had about SP (Specific Person) or Money or Success, has always been activated by you. TELL ME WHERE ELSE IT STARTS. You can literally even prove this to yourself right now. WHERE DOES THE STORY BEGIN.

And because the world is just an expression/extension of its source (YOU) it is ONLY GOING TO BE WHAT SOURCE IS. Because it is source, just with senses and perception. It is coming face to face with what you are aware of.

The way the world shows and all of its details are projections of whatever you decide to activate. How do you activate something? BY KNOWING IT.

How do you know “red apple” ? By knowing it. That is the origin for this idea. And you can run this test for every single story you play on loop, find its source, it will always be you.

Now, for the important steps moving forward. Stop treating this like an on and off switch, truly stop caring about a feeling, stop letting yourself get so swayed out of understanding your identity as the source, do NOT give up this beautiful opprotunity just because it seems or feels different.

You’ve been taught for so long that the world has to be struggle, so that’s all you know, you’ve been told that things don’t always come easy, this is all you know, take the time, take the days and weeks you need to break out of this useless cycle of exhaustion and understand who you are as source

Do not double down on doubts, double down on the truth, regardless of how you feel, take your time to feel, take your time to be, but never allow yourself to slip back into the brainwashing of the world.

Moving forward you need to understand the world objectively, not with the ideas of wants and desire, but for what it is. Source can’t want, you turn it into desire by creating a sense of divide for yourself. You pretend the world is something to change, drop this. You pretend that the body is all you are, drop it, you pretend that there has to be more to this but knowing, DROPKICK this into the damn ground.

This all is very simple. Everything being the expression of source is only projecting what source (You) are. The world is a direct projection of conscious activity. Whatever is know is given permission to exist, it’s given life. It’s created. THIS. IS. IT.

Whether it be blue butterflies, getting a free coffee, or changing your eye color, it all is just knowing. And this isn’t something that turns off. This is reality, this is you. Start noticing the random things the world shows up as when you were just thinking about it the other day or a few hours ago. It is not a coincidence I assure you.

That friend you were thinking about calling you? Yeah.

That song you were thinking about suddenly popping up? Yeah

That “problem” you were thinking about suddenly reappearing? Yeah

It is all the same, yes it will take getting used to, but please understand me when I say this, it took me a painful amount of time and effort to finally see this as the truth, the amount of months I’ve spent isolating from content and other teachings allowed me to take ONLY personal experience, I tested it day in day out and this IS it.

Currently I expand my comfort on how seamless existing is, and I can assure you, if I can come to this conclusion, you 100% can because it has NOT been easy for me, and it almost didn’t want to accept it. But the moment I did, and kept seeing it to be true time and time again, I knew I had to go fully in.

You create the idea of wanting by doing this.

“I really want Sp to text me”

This is what you’ve given permission to exist, this is now activated, it now is conscious activity, and because the world is source projected with senses the world IS this.

You treat it like an absolute, but when it comes to something like this:

“Sp loves texting me”

You treat it as effort, and something to do and wait on. Now tell me, does that make sense? Does the idea of waiting, wanting, desiring, changing, even make sense with the knowledge you have up to this point? Nope.

You need to understand. The world is not a story, it’s projection, and it can only be projecting you. Stop turning to the world as if it can make statements, as if it’s feeding you ideas, when you’re the one activating them. You NEVER actually change the world, it’s you that activates a new idea. THATS IT. It exists because you know it. A feeling cannot stop you from knowing, the world cannot stop you from knowing, ONLY YOU can stop yourself from activating a story. A story can’t exist if it isn’t known.

So, don’t you think it’s about time you see past the illusion of wanting and see for yourself what you are?

Don’t you think it’s time, to wake up.

[xazse]

I don’t know about the anon but I freaked out when I saw the new fic. It was so good 🤤. I love how you’re giving us so much content nowadays and I’m here for it! Anyway, I was hoping that maybe you could figure something out for snow leopard Gojo and cat hybrid reader (him as a cat jest feels right) ? Imagine Satoru having this in mind ever since he saw you, I mean, big cats mate practically for the solo reason of breeding ?and he's no different- having many pups is a necessity to prove you're his and the best way to show how much he adores you! He’d be very protective about you while you’re carrying, never stepping away from your side and he’s become so needy too because you smell so divine with all those hormones to him.

It makes me think back to that kitty tiger fic where he would lick her and I see this as a continuation of short!

Well, not really since I mentioned a leopard but honestly if you did a tiger and really wrote it as a continuation l'd be thrilled. Do you think you’ll write more because I’d love some Satoru tiger/leopard fics. Have a nice day lovely 💕

Notes: SORRY ITS SO SHORT I HOPE YOU LIKE IT, I HAD FUN WRITING IT!!

Warnings: Pantysniffing + breeding + hybrids + little hybrids + pregnancy + overprotective!Satoru

Pairings: SnowLeopardSatoru + KittyHybrid!Reader

Oh yes of course SnowLeopard!Satoru was in love the day Suguru brought you home, you smelled of that icky place but eventually when you got comfortable he began cleaning you of that filthy, licking you everywhere to ensure you smelled exactly like him.

After scenting you to smell just like the touching started, it starts small with Satoru laying you in his lap or letting you stroke his hair until it got even more physical he was having you bent over balls deep inside of you, this became a daily occurrence where he’d pump you full load after load.

The leopard loved you so much, of course when you started showing signs of morning sickness he was so damn excited, well when he had said that you gave him the nastiest look ever but he had to phrase it as he was excited for the baby!

The first few months were absolute hell for you, Satoru could not and would not leave you alone, he insisted mining everything and anything with you.

You needed a shower? He’s in there helping you get in places your cute little belly prevents even in public he’s always making sure your near him, he keeps a tight grip on your arm so he doesn’t lose you.

He also keeps close because you smell, so fucking good, it drives him damn insane, he keeps you in his lap for hours just sniffing your neck or even having your legs wrapped around his head so he can smell your cunt.

He loves getting into your dirty laundry and smelling your panties, who cares if you catch him jerking off with it around his fat cock, he’ll look you dead in your face as you slowly close the door to let him have that privacy, he can’t fuck your pussy like he used to anymore so this’ll do.

When the babies come it’s so hectic around the house, you and Satoru are constantly chasing the little ones around, they don’t give either of you a break some days. It’s so cute to see how they look exactly like Satoru in some ways, two of them have his hair and the third one looks exactly like you, a carbon copy is what she is.

Their little ears and tail swish behind them so freaking cute, the amount of photos Satoru has in his phone is astonishing, he also posts them on his instagram always, everytime, Suguru also does his hair share with helping with them when you and Satoru are stressed. He’s like their uncle and it’s so adorable to see them braiding his hair or him reading to them.

When you finally get alone time, Satoru’s fucking you like he wants to put even more babies in you, the way he’s groaning is so damn loud it pairs with the way you sound when both of you meet in the middle, but that doesn’t mean you aren’t fucking back on him just as hard, it’s already been multiple orgasms and you’re both still going at it.

[haologram]

stairway to the stars ☆ l.jh [m]

⤷ part of 'a very seventeen christmas' secret santa event! synopsis: your husband has always been supportive of your dreams - from the sidelines. he stays to himself, he keeps his mouth shut. it's you that can't stop running yours when your co-star is all over him. genre: established relationship au, tiny bit of angst, fluff, smut? pairing: husband!lee jihoon x actress!fem!reader word count: 1.5k...it pained me to stop it here. rating: 18+. minors do not interact. warnings: mentions of jealousy, ideation of infidelity, general relationship dynamics. clit play, kissing, in the backseat...you know the vibes. what to listen to: stargirl interlude - the weeknd, lana del rey ; never lose me - flo milli ; the boy is mine - monica, brandy. author's note: hi baby @monamipencil ♡ i hope you enjoy my little segment for you! i did 1000% pull this out of thin air but please let me know if there is ever anything else i can write for you. much love from your secret santa. ♡

"Don't forget about me, sweetheart." It was one of the few phrases your husband burned in your brain when your career really started taking off. He'd only been your boyfriend then, trying his hardest to prove himself worthy of your affections and time. You promised you wouldn't, over shared bottles of heady Cabernet and stolen kisses. The following years proved most difficult – from fighting over not spending enough time together because of your jobs, to vacationing for months on end without repercussions – you were rising to the top way too fast for him to wrap his head around it.

But never once did his love, loyalty, or respect for you falter. He watched quietly from the sidelines, silently supportive of all your endeavors. He'd grimace inwardly a bit if your lipstick stained anyone else's lips on the big screen, he'd clear his throat one too many times if you shed any tears during a scene. He held your waist at events, a silent reminder that your ascend up the stairway to the stars was in good company.

When you finally got a bit of time for yourself, he made it his priority to become someone more permanent in your life. With eyes that never strayed and a heart that only beat for you, he proposed softly as the two of you took a midnight stroll for the first time in a long time. He apologized for not making it something grand, promising your wedding would be to die for and he'd pull every string possible to give you the honeymoon of your dreams – only for you to stop his rambling with a teary kiss to his lips. Telling your friends the news of the proposal was an exciting feat, until it fell on the ears of multiple of your co-stars. You hadn't ever even spoken of a boyfriend (you had, they just didn't remember), and a few of the men you'd worked with questioned the validity of your engagement, of your relationship – and it eventually got back to Jihoon. Whispers of the startup CEO dating an actress filled his office, side-eyed glances made him uneasy in his own skin and he hated it – he hated that people wouldn't mind their own business.

Needless to say, it pissed him off. He'd never been openly possessive, but a part of him knew that neither of you had an issue understanding where you stood in each other's lives. From dating, to girlfriend, to wife – you'd always been open about who Jihoon was to you and what his presence meant. You never shied away from answering his questions if any, and you proudly presented him as your significant other if he managed to attend any of your events. This alone was enough for the two of you to realize that people in your industry didn't take relationships too seriously, and enough for you to hard-launch your relationship by posting your wedding photos on social media.

The industry did not like that, but you didn't care. You and your agent continued to book role after role, your husband continuing to grow his business and make a name for himself in the world of music production…a stepping stone for him, and the first moment of blood-boiling jealousy you'd ever experienced at the side of Lee Jihoon.

Her hand was on his shoulder as they spoke music, and he swiftly moved out of her grasp, sure. The dance floor was full of couples, a dance floor you'd intended to whisk him onto after reapplying your lipstick in the washroom. Someone Like You by Van Morrison played as you stood a few feet away, your face contorted in a fit of envy as you saw your husband push her hand away, the words I'm married, please don't touch me falling from his lips. The woman grimaced – the same woman you'd starred alongside for three seasons of the very same show you were all celebrating a renewal for tonight – and she shrugged her shoulders, before the dreaded words fell from her own red lips.

"So? She doesn't have to know."

Jihoon looked taken aback, and it was almost like he was a moth drawn to a flame – his eyes landed on you, and the way your jaw was tight with anger as you made your way over.

"Soyoung, nice to see you. Did you lose something here, dearest?" You speak softly, staring at your co-star with eyes of fire. She gave you a sleazy smirk, shaking her head. "Not at all, Y/N. Enjoying the party?" "It's lovely, isn't it? Now, if you'll excuse me, I'm feeling a bit under the weather." You gave her a tight smile, your hand wrapping around Jihoon's wrist watch as you pulled him away. He'd never seen you in such a state, eager to get him out of the venue and into the backseat of the black car waiting for you. Your arms were crossed as you sat facing away from him, before he made eye contact with the driver. He raised his brow, and the driver nodded, swiftly raising the partition as Jihoon turned to face you.

"Something bothering you, sweetheart?" He saw the way your shoulders tensed under the wine red straps of your dress, your legs crossed at the knee baring the skin of your thigh under the slit of the skirt. You gave him a glance through the corner of your eye, your lip jutted out in a pout as he cooed at you, making you huff in embarrassment.

"I don't like her." You mutter, "I don't like what she said and I don't like how she was all over you. She's literally my co-star. She knows we're married." "As much as I like your little pout and think you're adorable, I don't like that you're upset. You know I'd never wrong you, especially not like that." He tilts his head at you, making you pinch the bridge of your nose. "I know, Ji. I know." He's not satisfied with your answer, his hand reaching over to graze your knee, biting back his smile at the way your shoulders lose their tension at his touch. Your jaw remains tight, shaking your head in disbelief. "We've been co-stars for three years. You'd think she'd have some fucking respect for me." You were always so calm and collected, never too outwardly expressive of your disdain for people or their actions. He feels almost guilty for the growing tightness in his pants as you click your tongue, facing him as his fingers trace circles into your skin. "You're literally my husband. That's how I introduced you. My husband, Jihoon. Not Lee Jihoon, not the CEO of Ruby Productions, my husband. She's so shameless, I almost pity her." You tongue your cheek with a humorless laugh, and he can't help but feel his cheeks heat at the visual. He's silent as you run a hand through your hair, your earrings swinging as you shake your head again, giving him a pitiful smile.

"I'm sorry, I know this is out of character." You sigh, leaning your head on his shoulder. He nods, shifting slightly as your hand splays across his thigh. You press a kiss to his cheek, stamping your lipstick on his pale skin when you notice the flush on his cheeks. He clears his throat as you stare at him, a look of disbelief glossing over your eyes as you gape at him.

"You liked it?" "In my defense, you're hot when you're mad." He scoffs embarrassedly, making you huff out a laugh. "Jihoon." "I'm sorry." He presses a kiss to your temple as you roll your eyes. "Are you?" "No." He smiles against your skin, and you feel your cheeks heat as he trails his lips down your neck. "I love you, sweetheart. Just you." "I know, Ji." You sigh, feeling a bit of heat pool in your lower belly as he nips at your shoulder with a hum. "I don't think you do. Maybe I should remind you." Your cheeks grow hot as he gently pulls your thigh over his, his teeth nipping at the shell of your ear as he snaps the waistband of your underwear against your hip. "Now you know how I feel. Everyone always has their hands all over you, like you're not spoken for." You shudder as he slips his fingers under the cotton fabric, smirking against your skin as your hand wraps around his watch. You bite down on your lip as his finger traces your clit, your nails barely digging into his wrist. "Ji, not here." Your body betrays your words, your grip on his wrist loosening as he pulls your thigh higher on his lap. "Why? Aren't you mine?" His voice is sultry as you shiver against him, slim fingers collecting your arousal while he nips at your ear.

"Yes, but-" "Oh, there's a but?" He slides a finger inside you easily, your words getting caught in your throat as you whimper. "Hoonie…" "Tell you what, pretty." He slips his hand out as the car slows to stop, the front of the hotel you're staying at coming into view. "We're going to go upstairs and you're gonna take this dress off for me, and I'll show you who the brightest star in my sky is. Go."

You nearly stumble as your husband walks out behind you, his arm wrapping around your waist as he bids the driver goodbye. You feel his teeth on your shoulder, his voice low as he speaks into your ear.

“And keep those heels on for me."

haologram © 2024 || no translations, reposting or modifications are allowed. do not claim as your own. viewer discretion is advised. your media consumption is your responsibility.

[itsclydebitches]

Just finished Good Omens 2 and I'm honestly boggling at the Aziraphale hate because yes, his decision led to the angsty cliffhanger, but it makes SO much sense for his character. Not just in a "Religious brainwashing and sunk-cost fallacy" kinda way but also a "Aziraphale has no reason to believe this isn't the perfect solution" way. That scene among the nebula is crucial because it establishes that Crowley loved being an angel—reveled in his ability to create and allow his creations to grow kinda like plants—and the only problem was that someone else was calling the shots, someone who wouldn't listen to his criticism. Aziraphale has also spent 6,000+ years watching Crowley do good, all the while forced to deny the fact that he's "nice" lest embracing his original nature get him into trouble with hell. Now, Metatron comes along with an offer that fixes everything in one fell swoop. Crowley can be an angel again, be nice without censure, his ideas and criticisms will hold weight because he'll be answering to Aziraphale, and they'll be together.

It strikes me that Aziraphale isn't there when Crowley sees Gabriel's trial, ergo he likewise doesn't see the (non)acknowledgement that there's an institutional problem up in Heaven. There just happen to have been two archangels who called it quits. Same when Gabriel blurts that phrase out to Crowley. Aziraphale has always been more blind to the ways in which Heaven is "toxic" (for very understandable reasons) and this season he's continually sheltered from new evidence of its structural problems. The plot just preaches to the choir: Crowley. He likewise wouldn't see the conflict Gabriel and Beelzebub have caused as evidence of an underlying problem because that's a problem he and Crowley will no longer share. Why would they be worried about Heaven still being unable to accept partnerships between angels and demons when Crowley will no longer be a demon? And that's something he presumably wants based on Aziraphale's memories of him and the ongoing admission that he's lonely.

The way I see it, they got what they thought they wanted at the start of Season 2. Heaven and Hell are keeping an eye on them, but functionally they're left alone. Crowley can spend all the time he wants with Aziraphale and nothing comes of that except that they're both continually named traitors and the higher-ups grumble about it. If Gabriel had never shown up, things should have been perfect based on Crowley's "Let's just run away and have each other's company" standards. Better, even, considering that they get to be together on their beloved Earth, rather than being bored out in Alpha Centauri without any sushi, plants, books, or Bentleys. And yet... Crowley doesn't strike me as particularly happy. Because, you know, based on that kiss he wants to be with Aziraphale, not just literally be with him, but the point of this post is that his "Let's run away and be an 'us'" falls totally flat when he doesn't explain that specific desire to Aziraphale; the desire to change what an 'us' means. From Aziraphale's perspective they're already an 'us.' That was the entire point of "our side" in Season 1 and now they can continue to be 'us' up in Heaven. Plus, Aziraphale likely sees this as a sacrifice on his part. He will give up his bookshop, his Earthly indulgences, take on the responsibilities of leadership (which I don't think he actually wants for a variety of reasons), and spend the rest of eternity in a place where he's felt so small because he thinks that's what Crowley wants. Crowley was happy as an angel. Crowley wanted them to be together without risk of permanent discorporation. They were able to achieve that after not-Armageddon and he still wasn't happy... so surely those two things together will do the trick. Crowley never actually articulates how he wants their relationship to change and the kiss comes much too late, when he's already rejected what Aziraphale must see as a perfect, selfless solution he's secured for them. Even if Crowley wasn't always moving too fast for him, an overture of romance isn't going to go well after that.

Is this crushing and angsty and devastating as a hiatus? Damn straight, my heart it breaking. But it's a good setup. More importantly, it makes perfect sense for their characters, particularly when they're still talking past one another. Aziraphale is someone who has always moved more slowly as a matter of course, as an angel he has remained immersed in the rhetoric of Heaven, his main avenue of breaking free of that (Crowley) has a huge communication problem (to say nothing of his own denial. He only made headway with the help of Nina and Maggie, seconds before Aziraphale shows up), and Metatron (in a no doubt incredibly manipulative manner) has just offered Aziraphale a job that presumably makes him happy AND Crowley happy AND allows him to maintain the moral this-is-how-the-universe-works perspective he's had since he was literally created. Of course he's going to say yes to all that!! And sure, there are problems in Heaven, Aziraphale isn't completely blind, but he can fix them now that he's in charge. How? Well... he'll figure that out later! Kinda like how he's been making plans on the fly this entire season. That seems logical from his perspective, right? It's not like he's gotten a crash-course in the concept of the master's tools never being able to dismantle the master's house...

[felikatze]

ISAT and Ludonarrative Harmony: Combat is a Storytelling Tool

Or: How Siffrin is stuck in the endgame grind, forever

Please Note: This is primarily aimed at an audience that already played In Stars and Time, because I am bad at explaining things, and it's good to already know what the fuck I'm talking about. I tend to only bring up game elements as I want to talk about them.

Spoilers for.... all of ISAT! Especially Act 5!

(image to show how i feel posting this and as an attention grabber over my wall of text)

To pull a definition of ludonarrative harmony out of a hat, game writer Lauryn Ash defines it as follows:

Ludonarrative harmony is when gameplay and story work together to create a meaningful and immersive experience. From a design implementation perspective, it is the synchronized interactions between in-game actions (mechanics) and in-world context (story).

It is, generally speaking, how well game mechanics work hand in hand with the story. I, personally, think ISAT is an absolute masterclass of it, so I want to take a look at how ISAT specifically uses its battle system to emphasize Siffrin's character arc and create organic story moments. I want you to keep this in mind when I talk here.

So, skills, right? If you've played any turn-based RPG, you know your Fire spells, your "BACKSLASH! AIRSLASH! BACKSLASH!" and the many ways to style those.

Well, what does casting "Fire" say about your character? Not all that much, does it? Perhaps you'll have typical divisions. The smart one is the mage, the big brawny one is your tank, the petite one's the healer. And that's the barebones of ISAT's main party, but it's much more than that.

Every character's style of combat tells you something about them. Odile, the Researcher, is the most well-travelled and knowledgable of the bunch. She's the one with the expertise to keep a cool head and analyze the enemy, yet also able to use all three of the Rock-Paper-Scissors craft types.

To reflect her analytical view of things, all her skill names are just descriptive, the closest to your most bog-standard RPG. "Slow IV" or "Paper III" serve well to describe their purpose. The high number of the skills gives the impression there were three other Slow skills beforehand - fitting, considering the party starts at level 45, about to head into the final dungeon. She's also the oldest, so she's the slowest of the bunch.

Isabea, the Fighter, has all his skills in exclamation points. "YOUR TURN!!!" "SO WEAK!!!" "SMASH!!!" they're straightforward, but excited. He's a purposefully cheerfull guy, so his skills revolve around cheering on his allies. He's absolutely pumped to be here, and you see that from his skill names alone.

Mirabelle, the Housemaiden, is an interesting case. She's by all means the true protagonist of this tale - She's the one "Chosen by the Change God," the only one who survived the King's first attack, the only one immune to his ability to freeze time, the only dual-craft type of the game - just a lot of things. And her skill names reflect that facade she puts on herself - she can do this, she can win! She has to believe it, or else she starts doubting. This is how you get "Jolly Round Rondo" and "Mega Sparkle Heal" or "Adorable Moving Cure." She's styled every bit a sailor scout shojo heroine, and her moveset replicates the naming conventions of "In the name of the moon, I'll punish you!"

Even Bonnie, the Kid, who can't be controlled in combat, has named craft skills. And they very much reflect that Bonnie is, well, a kid. "Wolf Speed Technique" or "Thousand Blows Technique" are very much the phrasings of a child who learned one complicated word and now wants to use it in everything to seem cooler than they are, which is none, because they're twelve.

Siffrin's skills are all puns.

You have an IMMEDIATE feel for personality here. Between "Knife to Meet You!" and "Too Cleaver by Half," you know Siffrin's the type to always crack a joke no matter the situation, slinging witticisms around to put Sonic the Hedgehog to shame. It's just such a clever way to establish character using a game mechanic as old as the entire history of RPGs.

This is only the baseline of the way the combat system feeds into the story, though.

The timeloop, of course, feeds into it. Siffrin is the only character who retains experience upon looping, whereas all other characters are reset to their base level and skills. And it sucks (affectionate).

You're extremely likely to battle more often the earlier in the game you are - after all, you need the experience (for now.) Every party member contributes, and Siffrin isn't all that strong on their own, since they focus on raw scissor type damage with the addition of one speed buff. (Of course it's a speed buff. They're a speedy fucker. Just look at him).

At first, the difference in level between Siffrin and the rest of the group is rather negligible. Just a level or two. Just a bit more speed and attack. And then Siffrin grows further and further apart. Siffrin keeps learning new skills. He gets a healing skill that doubles as an attack boost, taking away from both Mirabelle's and Isabeau's usefullness. He gets Craft skills of every type that even give you two jackpot points instead of one - thus obliterating Odile's niche. Siffrin turns into a one-person army capable of clearing most encounters all on their own.

Siffrin's combat progression is an exact mirror of story progression - as their experience inside the loops grows, they also grow further and further away from their party. The party seems... weaker, slower, clumsier. Always back at their starting point, just as all of their character arcs are reset each loop. Never advancing, always stagnant. And you have Siffrin as the comparison post right next to them.

I also want to point out here a change from Act 2 to Act 3 - Siffrin's battle portrait. He stops smiling.

Battles keep getting easier. This is true both for the reason that Siffrin keeps growing stronger even when all enemies stay the same, but also for the reason that you, the player, learn more about the battle system and the various encounters, until you've learned perfect boss clear strategies just from repetition. Have you ever watched a speedrunner play Pokemon? They've played this game so many times, they could do it blindfolded and sleeping. Your own knowledge and Siffrin's new strength work in tandem to trivialize the game's entire combat system as the game progresses.

(Is it still fun? Playing it over, and over, and over again? Is it?)

You and Siffrin are in sync, your experience making everything trivial.

As time goes on, Siffrin grows to care less and less about performing right for their party and more and more about going fast. A huge moment in his character is marked by the end of Act 3; because of story events I won't delve too deeply into, Siffrin has grown afraid of trying something new. And his options of escape are closing in. They need an answer, and they need it fast. He doesn't have the time or patience to dumb himself down, so you unlock one new skill.

It doesn't occur with level up, or with a quest, or anything at all. At the start of Act 4, it simply appears in Siffrin's Craft skills.

(Just attack.)

No pun. No joke. Just attack. Once you notice, the effect is immediate - here you have it, a clear sign of how jaded Siffrin has become, right at every encounter. And it's a damn good attack, too! The only available attack in the game that deals "massive" damage against all enemies. Because it doesn't add any jackpot points (at least, it's not supposed to), you set up a combo with everybody else, but Siffrin simply tears away at the enemy with wild abandon. Seperated from the rest of the party by the virtue of no longer needing to contribute to team attacks (most of the time. It's still useful if they do, though).

Once again, an aspect of the battle system enhances the degree of separation between Siffrin and the static characters of his play. You're incentivized to separate him, even.

Additionally, there are two more skills to learn. They're the only skills that replace previous skills. You only get them at extremely high levels, the latter of which I didn't even reach on both of my playthroughs.

The first, somewhere in the level 70 range, Rose Printed Glasses, a paper type craft skill, is replaced by Tear You Apart. It's still a pun about paper, but remarkedly more vicious.

The second is even more on the nose. At level 80, In A While, Rockodile!, a rock type craft skill, is replaced by the more powerful Rock Bottom.

I didn't get to level 80. If you do, you pretty much have to do it on purpose. You have to keep going much longer than necessary, as Siffrin is just done. And the last skill he learns is literally called Rock Bottom.

What do I even need to say, really.

Your party doesn't stay static forever, though.

By doing their hangout quests, side quests throughout the loops that result in Siffrin and the character having a heart to heart, all of them unlock what I'd call an "ultimate" skill. You know the type - the character achieved self-fulfillment, hit rank 10 on their confidant, maxed out their skill tree, and received a reward for their trouble.

These skills are massively useful. My favorite is Odile's - it makes one enemy weak to all Craft types for several turns, which basically allows you to invalidate the first and third boss, as well as just clown on the King, especially once Siffrin starts racking up damage.

But the thing is. In Act 3, when you first get them, yeah, they're useful. But... do you need them? After all, they're such a hassle to get. You need to do the whole character quest again, you can't loop forward in the House or you'll lose them. If you want to take these skills to the King, you need to commit. Go the full nine-yards and be nice to your friends and not die and not skip forward or skip back. Which is annoying, right?

Well, I sure did think so during Act 4. After all, a base level party can still defeat the King, just with a few more tricky pieces involved. Siffrin can oneshot almost all basic enemies by the time of Act 4. It's this exact evalutation that you, the player, go through everytime you return to Dormont. Do I want this skill, still? Would it not be faster to go on without it? I'm repeating myself, but that's the thing! That's what Siffrin is thinking, too!

I also want to take a quick moment to note, here - all skills gained from hangouts have art associated with them, which no other skills do. This feature, the nifty art, hammers home these as "special" skills, besides just how they're unlocked.

Siffrin also has one skill with associated art.

Yeah, you guessed it, it's (Just attack.)

At first, helping the characters is tied to a hefty in-game reward, but that reward loses its value, and in return devalues helping Siffrin's friends every loop. It's too tedious for a skill that'll make a boss go by one turn faster. You, the player, grow jaded with the battle system. Grinding experience isn't worth it, everybody's highest levels are already recorded. Fighting bosses isn't worth it, it's much faster to loop forward.

Isn't this what all endgame in video games looks like? You already beat the final boss, and now... what challenge is left? Is there a point to keep playing? Most games will have some post-game content. A superboss to test your skills against, but ISAT doesn't have any of that. You're forever left chasing to the post-game. That's the whole point - to escape the game.

As most games get more difficult as time passes, ISAT only gets easier. The game becomes disinterested in expanding its own mechanics just as I ran out of new things to fight after 100%-ing Kingdom Hearts 3. Every encounter becomes a simple game of "press button to win."

The final boss just takes that one up a notch.

Spoilers for Act 5 ahead boys!

In Act 5, Siffrin utterly loses it. His last possible hope for escape failed him, told him there's nothing she can do, and Siffrin is trapped for eternity. So of course, they go insane and run up the entire House without their party.

This just proves what you already knew - you dont need the party to proceed. Siffrin alone is strong enough. And here, Siffrin has entirely shed the facade of the jokester they used to be. Every single skill now follows the (Just attack.) naming conventions. Your skills are: (Paper.) (Rock.) (Scissors.) (Breathe.)

To the point. Not a moment wasted, because Siffrin can't take a moment longer of any of this. Additionally, his level is set to 99 and his equipment becomes fixed. You can't even pick up items anymore! Not that you needed them at this point anyway, right? Honestly, I never used any items besides the Salty Broth since Act 2, so I stopped picking items up a long time ago. Now you just literally can't.

Something I've not talked about until now - one of the main equipment types in this game are Memories, gained for completing subquests or specific interactions and events. They all by and large have little effects - make Odile's tonics heal more, or have Mirabelle cast a shield at the start of combat. For the hangout events, you also gain an associated memory that boosts the characters' stats by 30. It lets them keep up with Siffrin again! A fresh wind! Finally, your party members feel on par with you again!

...For a time. And just like that, they're irrelevant again, just as helping them gave Siffrin a brief moment of hope that the power of friendship could fix everything.

In Act 5, your memory is set to "Memory of Emptiness." It allows you to loop back in the middle of combat. You literally can't die anymore. Not that Siffrin could've died by this point in the first place, unless you forgot about the King's instant-kill attack. This one memory takes away the false pretense that combat ever had any stakes. Siffrin's level being set to 99 means even the scant exp you get is completely wasted on them. All stakes and benefits from combat have been removed. It has become utterly pointless.

Frustrating, right? It's an artistic frustration, though. It traps you right here in Siffrin's shoes, because he hates that all these blinding Sadnesses are still walking around just as much. It all inspires just a tiny fraction of that deep rolling anger Siffrin experiences here in the player.

And listen, it was cathartic, that one time Siffrin snapped and stabbed the tutorial Sadness, wasn't it? Because who enjoys sitting through the tutorial that often? Siffrin doesn't. I don't, either.

So, since combat is an useless obstacle now meant to inspire frustration, what do you do for a boss? You can't well make it a gameplay challenge now, no. The bosses of Act 5 are an emotional challenge: a painful wait.

First, Siffrin fights the King, alone. This is already nervewracking because of one factor - in every other run, you need Mirabelle's shield skill, or else you're scripted to die. You're actually forced to fight the King multiple times in Act 3, and have to do it at least once in Act 4, though you'll likely do it more. Point is: you know how this fight works.

You know Siffrin's fight is doomed from the outset, but all you can do is keep slinging attacks. Siffrin is enough of a powerhouse to take the King's HP down, what with the healing and buff skills they have now, not to even mention you can just go all in on damage and then loop back.

(And no matter which way you play it, whether you just loop or use strategically, it reflects on Siffrin, too. Has he grown callous enough not even death will stop their mission? Or does he still avoid pain, as much as he can?)

This fight still allows you the artifice of even that much choice, not that it matters. The other shoe drops eventually - Siffrin becomes slower, and slower. Unsettling, considering this game works on an Action Gauge system. You barely get turns anymore. The screen gets darker, and darker. Until Siffrin is frozen in time, just as you knew he had to be, because you know how this encounter works, know it can't be cleared without Mirabelle.

And, then, a void.

Siffrin awakens to nothingness. The only way to tell you've hit a wall is if Siffrin has no walking animation to match your button inputs. You walk, and walk, until you're approached by.... you. The next enemy encounter of the game, and Siffrin's absolute lowest point: Mal Du Pays.

Or, "Homesickness," in english. If you know the game, you know why it's named this, but that's not the point at the moment.

Thing is, where you could damage the King and are damaged in turn, giving you at least a proper combat experience, even if its doomed to fail, Mal Du Pays has no such thing.

You can attack. You can defend. But it is immune to all attacks. And in return, it does nothing. It's common, at least, for undefeatable enemies to be a "survive" challenge, but nope. The entire fight is "press button and wait." Except, remember the previous fight against the King? The entire time, you were waiting for the big instant death attack to drop. That feeling, at least for me, carried forward. I was incredibly on edge just waiting for the other shoe to drop. And, as is a pattern, Siffrin is, too. As Siffrin's attacks fail to connect, they start talking to Mal Du Pays.

But he gets no response, as you get no attacks to strategize around. The wait for anything to happen is utterly agonizing. You and Siffrin are both waiting for something to happen. This isn't a fight. It just pretends to be. It's an utter rugpull, because Siffrin was so undefeatable for most of Act 4 and all of Act 5 so far. It's kind of terrifying!

and it does. It finally does something. Ma Du Pays speaks, in the voice of Siffrin's friends, listing out their deepest fears. I think it's honestly fantastic. You're forced to just sit here and listen to Siffrin's deepest doubts, things you know the characters could not say because it references the timeloops they're all utterly unaware of. This is all Siffrin, talking to himself. And all you, all Siffrin, can do, is keep wailing away on the enemy to no effect whatsoever.

So of course this ends with Siffrin giving up. What else can you do?

And then Siffrin's friends show up and unfreeze them and it's all very cool yay. The pure narrative scenes aren't really the main focus but I want to point out here:

A) Mirabelle is in the first party slot here, referencing how she's the de facto protagonist, and Bonnie fills in the fourth slot left empty, which shows all characters uniting to save Siffrin

B) this is the only instance of the other party members having act specific battle icons: they're all smiling brightly, further pushed by the upbeat music

C) the reflecting shield Mirabelle uses to freeze the King uses a variation of her hangout skill cut in, marking it as her true "final" skill and giving the whole fight a more climatic feeling.

It's also a short gameplay sequence with Siffrin utterly uninvolved in the battle. You can't even see them onscreen. But... it feels warm, doesn't it? Everybody coming together. Siffrin doesn't have to fight anymore.

At last, the King is defeated. Siffrin and co. make for the Head Housemaiden, to have her look at Siffrin's sudden illness. Siffrin is utterly exhausted, famished, running a fever. And this isn't unexpected - after all, their skills in Act 5 had no cooldown. For context, instead of featuring any sort of MP system, all skills work on a cooldown basis, where a character can't use it for a certain number of turns. The lowest cooldown is actually Siffrin's Knife to Meet You, which has a cooldown of 1. In universe, this is reasoned as the characters needing a break from spamming craft in order to not exhaust themselves.

Siffrin's skills in Act 5 having no cooldown/being infinitely spammable isn't a sign of their strength - it's a sign that he refuses to let himself rest in order to rush through as fast as possible.

Moving on, Siffrin panics when seeing the Head Housemaiden, because seeing her means one thing: the end. Prior to this in the game, every single time you beat the King, the loop ends when you talk to the Head Housemaiden.

Reality breaks down, the whole shebang. It's here that Siffrin realizes - they don't want the loops to end, because the end of their journey means their family will leave, and he'll be alone again. The happiest time of his life will be over.

Siffrin goes totally ballistic, to say the least.

As it turns out (and was heavily foreshadowed narratively), Siffrin has been using Wish Craft to subconciously cause the timeloop because of their abandonment issues. It's rather predictable if you paid attention to literally anything, but it's extremely notable how heavily Siffrin is paralleled to the King, the antagonist they swore to kill by themself at the start of Act 5. The King wants to freeze Vaugarde in time because it is, in his mind, "perfect," for accepting him after he lost his home - a backstory he shares with Siffrin.

Siffrin has become the exact antagonist he swore to kill, and it's shown by how the next fight utterly flips everything on its head.

Siffrin is the final boss.

In a towering form made of stars, Siffrin looks down at their friends. His face is terrified, because of his internal conflict; he can't hurt his friends, but he can't let them go, either. The combat prompt is simply changed to "END IT!"

This fight is similar to the previous, in that you just need to wait a certain number of turns until its over. However, this time, it's not dreadful suspense. It's... confusion, and hesitance.

You have two options for combat: Attack your friends, or attack yourself.

And... you don't really want to do either, I think. I certainly don't. But what else can you do? It's Siffrin's desires clashing in full force. Attack your friends, and force them to stay? Or attack yourself, and let them go safely without you?

Worth noting, here - when you attack Siffrin's friends, you can't harm them. Isabeau will shield all attacks. And when you attack yourself, Mirabelle will heal you back to full. And the friends don't... do anything, either. How could they? Occasionally, Mirabelle heals you and Isabeau shouts words of motivation, but the main thing is...

(Your friends don't know what to do.)

None of them want to harm Siffrin. Both sides simply stare at each other, resolute in their conviction but unwilling to end it with violence. It's of note that this loop, the last one, is the only loop where the King isn't killed. Just frozen. And now here is Siffrin, clamoring for the same eternity the King was. Of course everything ends in a tearfilled conversation as Siffrin sees their friends won't leave him, even after the journey ends, but I still have to appreciate this moment.

Siffrin is directly put in the position with their friends as his enemies, forced to physically reckon that keeping them in this loop is an act of violence, against both their friends, and against himself.

It's a happy ending. But... what does it mean?

Of course, ISAT is obviously about the fear of change. Siffrin is afraid of the journey ending, and of being alone. However, ISAT is also a game about games. Siffrin is playing the same game, over and over, because it's comforting. It's familiar. It's nice, to know exactly what happens next. These characters might just be predictable lines of dialogue, but... they feel like friends. Have you ever played a game, loved it, put countless hours into it, but you never finished it? Because you just couldn't bear to see it end? For the characters to leave your life, for there to be a void in your heart where the game used to be?

After all, maybe it became part of your routine! You play the game every day, slowly chipping away at it for weeks at a time. For me, I beat ISAT in four days. It utterly consumed me during this time. I had 36 hours of playtime by the end. Yeah, in that week, I did not do much more than play ISAT.

And once i beat it, i beat it, again. I restarted the game to see the few scenes I missed, most specifically the secret boss I won't talk about here. I... couldn't let go of the game yet. I wanted to see every scrap I could. I still do. I'm writing this, in part because I still do. It's scary to let go.

Ever heard the joke term of "Postgame Depression?" It's when you just beat a game, and you're suddenly sad. Maybe because the ending affected you emotionally and you need to process the feelings it invoked, or you search for something that can now fill your time with it gone.

The game ends, for real this time, the last time you talk to the Head Housemaiden. But Siffrin gets... scared. What if everything loops back again? And so, his family offers to hold his hand. They face the end, together.

For all loops, including the ending, you never see what happens after. After they leave the loop for good. Because the loop is the game itself. It's asking you to trust that life goes on for these characters, and it holds your hand as it asks you to let go. There's a reason for Siffrin's theater metaphors. He is the actor, and the director, asking everyone to do it over one more time. He's a character within the game, and its player.

There's a reason I talked about endgame content. This, the way it all repeats, there's nothing new, difficulty and stakes bleed away as you snap the game over your knee - it's my copy of White 2 with two hundred hours in it. It's me playing Fire Emblem Awakening in under 3 hours while skipping every cutscene. Are you playing for the sake of play, for the sake of indulging in your memories, because you're afraid of the hole it'll leave when you stop?

Of note: the narrative never condemns Siffrin for unwittingly causing their own suffering. He's a victim of circumstance. It's seen as endearing, even, that Siffrin loves their friends to the point of rather seeing the world destroyed than them gone. But Siffrin is also told: we'll stay with you for now, but we'll part ways eventually. And one day, you'll have to be okay with it.

Stop draining the things you love of every ounce of enjoyment just because you're afraid of what happens next. I'm not saying to never play your favorite games again. Playing ISAT a second time, I still had a lot of fun! I saw so many new things I didn't before, and I enjoyed myself immensely, reading the same dialogue over and over. But... it makes me look at other games I love and still play, and makes me ask... is this still fun? Do I still need to play this game to enjoy it? Even writing this is an afterimage of my enjoyment, but it's a new way to interact with the game, to analyze it through this lens. Fuck, man, I write fanfiction. Look at me.

All of this, fanart, fanfic, analysis, is a way to prolong that enjoyment without making yourself suffer for it. Without just going through the motions of enjoyment without actually experiencing any. But one day, the thing you love won't be fun to talk and write and draw about. And it's okay. You'll have new things to love. I promise.

In the end.... I'm certain I'll replay ISAT one day. Between great writing, art, puzzles and unresolved mysteries, it's my shoe-in for game of the year.

But I won't replay it for quite some time. I've had enough, for now, so I let my love take other forms.

Siffrin is never condemned, because love is no evil. Be it love for another person, or for a game. And please, if you're overempathetic - it's still a game, at the end of the day. The great thing about games is that you can always boot them up again, no matter how long its been.

A circle within a circle indeed.

To summarize:

The repetitiveness of ISAT's combat, lack of new enemies, and Siffrin's ever increasing strength eventually allows you to snap the combat over your knee, rendering it irrelevant and boring. Though this may seem counterproductive at first, it perfectly mirrors how Siffrin has also grown bored with these repeated encounters and views them only as an obstacle to get past. The reflection of Siffrin's own tiredness with the player's annoyance increases the compassion the player has for Siffrin as a character.

Additionally, the endgame state of the combat system serves as commentary on the state of a favorite game played too often, much like how Siffrin has unwittingly trapped themself in the loop. Despite the game having no more challenge or content left to over, a player might return to their favorite game anyway, solely to try and recreate the early experience of actually having fun with it. This ties into ISAT's metanarrative about the fear of change and refusal to let go of comfort even when the object (here, your favorite video game) offering that comfort has become utterly bereft of any substance to actually engage with. Playing for the sake of playing, with no actual investment to keep going besides your own memories.

Later on, stripping away even the pretense of strategy for a "press button and wait" format of final bosses highlights the lack of options at Siffrin's disposal and truly forces the player into their shoes. Truly, the only way to win is to stop playing.