Ok so since i love sad but bad boys i'm gonna ask blaze for your event-
How about reader(gender neutral or fem your choice) who is blaze's childhood friend and tries to make him realize what his mother wants is not what he wants
Thank you! (☞゚ヮ゚)☞
Hi! Sorry for the late reply! Yaaay a Blaze ask <3
Warnings: None. Word count: 520
(Pls reblog and leave a comment ♥️)
Art by @/moonyasnow
Choose
Blaze sat on one of the rocks closest to the shimmering water of the sea, throwing and catching a smooth, circular rock as he stared at the horizon. It was painted with beautiful purples and oranges as the sun gradually dipped down to welcome the night, giving Blaze at least something to appreciate on this shitty shitty day.
"You should get in," you said to him from your spot within the water, your tail flicking back and forth happily. "The water's wonderful."
"No." Blaze muttered. He didn't feel like changing forms right now. It was such an exhausting process.
An awkward silence reigned for a moment. Blaze kept throwing and catching his rock. Eventually, you spoke. "Your mom again?"
Blaze didn't answer for a while. He stopped throwing the rock and stared at it, turning it over in his hands.
"...I didn't get a main role in our theatre production." He growled out after a while, his voice softer and rougher than usual. "Not even a side character. I'm... 'too wooden'. Mom says she's wasting money and time on me if this is what she gets back for all those acting lessons..." He put his head in his hands. "I'm tyring. I'm trying so hard, but she just doesn't care. Now she wants me to do lessons and advice from Vil fucking Schoenheit."
You didn't say anything for a while. The same string of thoughts you always had every time Blaze mentioned acting flooded through your mind.
'You shouldn't have to be an actor,' you wanted to say, 'Do what you want. Don't you want to choose what to do with your life?'
You rarely did, though. He got so upset every time. But a question on the tip of your tongue escaped before you could stop it.
"Blaze," you said before you could stop yourself. "Is acting what you really want to do? It's more your... your mom's wishes than your own."
Blaze glanced at you, then threw his rock. It skipped across the water before sinking below the waves and into the ocean's depths.
"Of course it's what I want!" He hissed venomously. "I don't even like Alchemy that much. It's just an interesting subject!"
You drew in a breath, refraining from pointing out that you never mentioned alchemy.
"But you don't like acting either." You insisted. "You always hate going to classes. You said you wanted to be in a different club too-"
"Because I hate hearing Vil talk like he's all that when his daddy's money gave him everything! I would like it if that bastard wasn't there!"
You grinded your teeth. "Blaze, you've never been happy about anything to do with acting. You don't like acting. This isn't what you want, Blaze, it's your mom who-"
"Will you shut up?" Blaze hissed. "I'm going to be an actor, and I'm to be Vil Schoenheit levels of famous! You can either support me like a good friend should or get lost."
There was a long pause.
"Okay, well," you said, hiding your hurt. You picked up a smooth circular stone of your own and threw it in the same direction as Blaze threw his. It only skipped a few times before sinking. "Best of luck."
A heavy silence reigned between the both of you. You stared at Blaze. You stared at his face, the way his jaw set in a grimace, and the way his eyes seemed to water.
He could do so much more, be so much more, but he didn't want to. Or he didn't think he could. It hurt to see. But you stayed silent.
You disappeared into the water and left Blaze to sit on his rock. Alone.
-End
A/N: I hope you enjoyed reading! Blaze is a bit mean, sorry :(
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I find it so strange to see endeavor basically failing in all departments, both as atoning father and atoning hero at the culmination of his arc. Despite many people here “not buying” it, his arc is about redemption, it’s pretty obviously written this way. Yet the creator deliberately writes one impossible situation for him after the other, leaving him practically no choice but all the fallout. Neither his introspection nor his sacrifices work.
He gave his arm to protect Hawks and Tokoyami. What happened next? It doesn’t matter because he couldn’t kill AFO. Hawks and tokoyami were risking their lives again and again fighting him. In the end his injury and sacrifice didn’t matter, AFO easily defeated everyone again and who knows what other injuries he caused. Everything enji said he was responsible for. All the blood spilled, including Hawks losing his quirk.
Enji supposedly found new determination to keep paying penance and keep his eyes on toya? Nope! It’s all gone now. Toya is a bomb now, with his mind long gone and there’s nothing enji can do to prevent him from explosion. He can barely move and is struggling to get him out of the civilians and heroes vicinity in time. So he chooses to die with toya. Another set up by the creator for him to fail. I know it’s done for an incoming Shoto big hero moment, for his family and everyone else in Gunga. But did the author really need to make enji such a loser again and bring him down so his family would look more heroic? And he would look more pathetic and useless?
Is it likely enji doesn’t have anything significant to do in this arc anymore? He went all out on AFO and so far it just put more pressure on everyone else and put more people in greater danger than ever before. Now he can’t help his son or his family. A pretty underwhelming conclusion to his arc if you ask me but I bet his antis are gonna love it
It's defiantly getting to the point where I don't see the point of Enji having a character arc at all if he's going to fail up until the last moment. If he's just going to fail over and over again in all aspects than why even bother having him change at all? If the story was a more adult story with the Todofam drama as the center point than i could see it fitting, but in a battle shonen Enji sticks out like a sour thumb.
The reason I loved Enji's arc was because it was more mature and he was a way more human character compared to the rest of the cast. I don't mind the idea of showing him constantly struggling and backsliding or having moments of self refection that don't necessarily lead to improvement. People don't change over night, it takes more than wanting to change, or knowing how you could change to actually succeed. Someone might know what the right thing to do is, but to do that thing requires going against everything they've ever known, and fighting against their own brain.
The problem with Enji constantly failing in BNHA is it's a shonen. This isn't HBO's Succession where the entire thing is about showing the struggle of it's characters to change and failing due to how they were raised and being trapped in a system that rewards cutthroat behavior. This is a story for teenagers about the power of friendship and how all problems can be fixed if you just try hard enough. No other character struggles this much to be a better person. No other character reacts to bad situations as negatively as Enji does. Even Izuku when he was in a bad mental state acted out in a way where he was still fighting and winning, but just doing so in a way where he got a dark design change. He didn't freeze or have inner monologues about how upset he was and once his friends spent a chapter yelling at him, he was fixed.
Because every other character only has a chapter or two (sometimes just a couple of lines) to have doubts before getting pep-talked into being better and having real growth, Enji comes across as a loser in comparison who can't get with the program. Hori refuses to give him anything except mental monologues that reiterate he wants to change, but actions wise he's not allowed follow through, even if it doesn't make any sense.
And I don't really see why. If the point is that abusers are losers who can't ever fix anything or atone why have him even bother to change anyway? The point might be that change is hard, but that change of heart is only this hard for Enji. Everyone else gets to make progress and the end of manga looks like it will end with the main villains having a change of heart in 2.5 seconds. Showing that changing and atoning is hard could have been shown without repeating the same inner monologues three or four times. Progress could have been made without undermining that message.
On top of that Hori has him 'fail' in ways where it only makes sense because of shonen logic. Enji is only wrong to take Touya up in the air and die with him because the theme of the story is hope. As the audience we know there will be some solution to save Touya despite everything telling us otherwise because it's a trope in this kind of story. In a different genre or in RL Enji's choice would be tragic but the only real solution. Not a him yet again failing, but the sad culmination of his past actions toward Touya.
He fails only because of the genre and themes of the story, not because there is an actual real solution he's just not doing because he's a bad father. Which is why when people explain why he's failing they only point out framing reasons rather than actually saying what he could be doing instead.
It's one of my biggest pet peeves in Hori's writing because if he really did need Enji to constantly fail than he could have done so in a way where it felt earned. Touya doesn't need to be on the verge of exploding, that blast doesn't have to be so big that it'll take out thousands of innocent people. He doesn't have to be delirious and screaming like a flaming monster. Enji could just fuck up and stumble over his words so Touya doesn't believe him and continues to attack him while burning himself. There's no reason to make the stakes so much higher, Touya's life being on the line is more than enough--I mean would Shoto not go save him if his death wouldn't cause mass casualties?
More and more it comes across as Enji failing only because the story says so, rather than because he makes real mistakes given the situation he's in. This is an issue with a lot of the characters not just Enji, but it's the most pronounced with him because it happens to him so often. This sort of writing has always bothered me because it makes side characters feel unimportant--there's just waiting around for the main characters to actually do stuff.
Yes, main characters like Shoto need their shining moment but it wouldn't have taken anything away from him if Enji had been allowed to make better choices. He could have said all the right things to Touya and still failed due to Touya's anger and years of resentment, so Rei steps in to help, and than Shoto comes too. The choice to be on the AfO team could have been a more thoroughly discussed decision between Shoto and Enji where they both agree that Shoto would have a better chance because Touya reacts so negatively toward Enji. Enji could have mentioned he was looking for Touya while out with Izuku (because that makes sense), maybe even he does it without Shoto because he's busy learning his new move to help cool Touya down.
Instead Enji is constantly stuck having repetitive inner monologues that go no where and do nothing in this genre of story except make him look inept or even cast doubt on whether he's trying at all. Which if that was the point than Hori shouldn't have wasted the pages on his arc at all. I really love Enji's arc and to me he feels the most real due to how he struggles and doesn't always succeed to do what he wants to, but I'm starting to think his entire arc was a page sink because it's ultimately done nothing that keeping him an asshole wouldn't have accomplished with far less time.
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