#but it still applies to the og story

[keepthemacramesecret]

hi im not done thinking about the empty house actually, it's in the fact that the title literally references the setting of morans arrest but also the emptiness of baker st itself without holmes and watson. and within that, the idea of holmes and watson in baker st as A Complete Home despite the gender and family norms of the time. idk. much to think about

[inmydrcams]

Its so funny to me when you see that the mouse live action folks always get the same feminism 101 packages just to come out with embarrassing af movies that make no sense

[phannibal]

i hate john mulaney but he was right delta airlines is a fucking nightmare

[wolfiesmoon]

Hey I hope you are doing well when ever you are reading this but how do you think the 3rd year boys from twst would react to their s/o (gn reader) cuddling with a huge plush instead of them.

Like this.

Oh boy oh boy this kinda cures my writers block tbh, i have so many drafts but none of em look enticing enough to continue writing (´д｀|||)

I took out a few of the 3rd years bc its too many people for 1 fic but i might make a part 2 where i add the missing 3rd years at some point

i went with the more silly writing style again, hope that's fine by you ○( ＾皿＾)っ

𓏲 ๋࣭  ࣪ ˖ Malleus Draconia

He doesn't exactly get why, but he feels kinda annoyed just laying next to you while you hug a big ol plushie

This doesn't feel right🫤

But then again, you look rlly happy and satisfied so he stays quiet since if you're happy, he's happy (he desperately wants to be in the plushy's place)

When you playfully kiss the plush though, that rule no longer applies. After all, his rightful spot is in your arms🫠

He nudges you. "Put the stuffed animal away."

"You sound angry." You smirk and kiss the plush again, knowing he's probably annoyed about that

without another word, he pulls the plushy out of your hands and settles down in its place

"I am a much better than that object. Just so you know." he smiled smugly, expecting a kiss on the cheek just like you gave to the plushie earlier

you kissed him on the lips instead just to see his eyes widen and his face go red ofc 😏

𓏲 ๋࣭  ࣪ ˖ Leona Kingscholar

basically, it is NOT happening

"hell no." is the only thing he says before ripping the poor plushie out of your arms and chucking it across the room

like actually how DARE you try to replace him with a plushie

"Why would you do that?" You pouted at him, looking at the now discarded plushy from the bed🤕

"You know damn well why." He huffed, laying down on top of you without warning which tends to be a habit of his

"Because that's my spot, got it?" He answered for you. clearly you forgot😒

"Uhhh, right." you answered after a short pause...

"I won't remind you next time." he sounded rlly annoyed. it's kinda funny how worked up he got over a plushy replacing him 🤭

this also means he won't let you get up for like.... atleast 2 hours to atone for your sins

moral of the story: don't do this again unless you want a ripped up plushie and a pissed off lion man😠

𓏲 ๋࣭  ࣪ ˖ Idia Shroud

"This is so unfair. Even worse than an OP boss. " he sighed dramatically, laying down besides you and pouting at the sight og a huge plushie in your arms

"pick up the sock if you have enough energy to complain." you turned away from him, still annoyed with him

being the epic gamer he is (😎💯), he discarded one of his socks in the middle of his room and didn't feel like picking it up later even after you told him to

...which ended with you refusing to cuddle with him until he does pick up the sock

after a short while of very awkward silence...

he groaned in annoyance, begrudgingly getting up and finally picking up the sock, then leaving the room to put it in the wash

you smirked victoriously, placing the plushie away as promised and letting him hug you instead

"The things you make me do, smh." he sighed, relaxing into you 😒

"Picking up a singular sock?" you teased him, hugging him back

He didn't reply so that means it's your victory 😝

𓏲 ๋࣭  ࣪ ˖ Vil Schoenheit

this is an unforgivable offense, just because you had a little disagreement earlier doesn't mean you can just replace him with a plushie😠

love transcends disagreements, after all

does not help at all that the plushie's cute round face reminds him of a certain thorn in his side named Neige LeBlanche😒

he sighs, "I may have been too harsh back there."

your only reply is an annoyed huff and you hug the plushie tighter which makes one of those anime veins pop up on his face 💢

he takes a deep breath "It was not my intention to hurt your... sensibilities." he's trying babe, he's really trying

You don't reply for a moment...

"Ugh." you throw the plushie away and hug him tightly "This doesn't mean I forgive you, just for the record."

"I still stand by my opinion too, just worded less harshly." he gently puts an arm around you, stroking your back

it was only a matter of time until you gave up with your stubborn pettiness, soon you'll forgive him too, he'll make sure of that 😌

𓏲 ๋࣭  ࣪ ˖ Lilia Vanrouge

He's actually surprisingly chill about it i feel like

He wouldn't get annoyed or be jealous per se, he'd just get a little sad it's not him you're hugging😔

he's there, you know? there's no need for a plushie...

"Am I not satisfactory enough?" He asks half playfully half seriously

"In what sense?" you totally knew what he meant but just wanted to tease him back

"Hey, isn't this supposed to be the other way around?" he smiled at you, immediately knowing what you were playing at

"Hahaha, you know me too well." you kiss his cheek, yet you still don't let go of the plushie which makes him pout

"I see you have found yourself a new lover." his eyes travel to the plushie for a moment, the betrayal is real😔🙏🏻

"You got a problem with him?" you raised a brow 🤨

"A little." he hugged you from the back, getting comfy

"Okay fine, maybe my ex is the better one after all." you let go of the plushie and turned around to hug him back 💗

[empty-movement]

Welcome to Something Eternal: A Website Forum in 2023 wtf lmao

It's 2023, and a single belligerent rich guy destroyed one of the primary focal points of uh...global communication. Tumblr is, shockingly, kinda thriving despite the abuse it gets from its owners, but that I will call the iconic refusal of Tumblr users to let Tumblr get in the way of their using Tumblr. Reddit killed its API, removing the functionality of mobile apps that made it remotely readable (rip rif.) Discord, our current primary hangout, has made countless strange choices lately that indicate it has reached the summit of its usability and functionality, and can only decline from here as changes get made to prepare for shareholders. (NOTE: WROTE THIS POST BEFORE THEIR MOBILE "REDESIGN" LMAO)

The enshittification is intense, and it's coming from every direction. Social media platforms that felt like permanent institutions are instead slowly going to let fall fallow incredible amounts of history, works of art, thought, and fandoms. It kinda sucks!

A couple years ago, I posted about a new plan with a new domain, to focus on the archiving of media content, as I saw that to be the fatal weakness of the current ways the internet and fandoms work. Much has happened since to convince me to alter the direction of those efforts, though not abandon them entirely.

Long story short? We are launching a fucking website forum. In 2023.

If you remember In the Rose Garden, much about Something Eternal will be familiar. But this has been a year in the making, and in many ways it's far more ambitious than IRG was. We have put money on this. The forum is running on the same software major IT and technology businesses use, because I don't want the software to age out of usability within five years. It has an attached gallery system for me to post content to, including the Chiho Saito art collection. It has a profile post system that everyone already on the forum has decided is kinda like mini Twitter? But it is, fundamentally, a website forum, owned and run and moderated by us. We are not web devs. But we have run a website on pure spite and headbutting code for over twenty years, and we have over a decade of experience maintaining social spaces online, both on the OG forum, and on our Discord. Better skilled people with far more time than we have can and will build incredible alternatives to what is collapsing around us. But they're not in the room right now. We are. And you know what? Maybe it's time to return to a clunkier, slower moving, more conversation focused platform.

You're not joining a social media platform with the full polish of dozens of devs and automated moderation. Things might break, and I might need time to fix them. The emojis and such are still a work in progress. Because e-mails no longer route in reasonable normal ways, the sign-up process instead happens within the software, and has to be approved by mods. Design and structure elements may change. Etc. The point being, that the forum isn't finished, but it is at a place where I feel like I can present it to people, and it's people I need to help direct what functions and things will be in this space. You all will shape its norms, its traditions, its options...choices I could try to make now, but really...they're for us to create as a group! But the important stuff? That's there. Now let's drive this baby off the damn lot already!

Come! Join us!!

PS. As always, TERFs and Nazis need not apply.

[cowboys-tshot]

Circe and Odysseus in Epic: The Musical

EDIT: DO NOT TAKE MY WORD AS THE 100% TRUTH!!

I took some classes and wrote a paper about ancient Greek culture, but I am in NO WAY an expert. Please read through the reblogs to see some good criticisms and discussion about this topic further. My point overall stands that you can't apply modern rules and standards to ancient stories, but my evidence is undoubtedly flawed! This post has been edited to try and better reflect this.

I'm seeing everyone pointing out the possible issues with Epic the Musical's deviation from the original story of Circe and Odysseus, and as someone who's studied Ancient Greece/ancient Greek myths a bit, I wanted to say some stuff about it. This will be a bit of a long one, so apologies for my rambling!

Note that I'm not trying to shit on SA survivor's perspectives and (completely valid) arguments. I'm just trying to offer some context surrounding the original myth and how it fits (or rather, doesn't fit) with a modern audience. If I'm wrong with any of this, feel free to call me out! Criticize the shit out of me! I like learning about Greek culture and myths and would 100% love to hear other perspectives on this.

So, a few points about Ancient Greek myths to kind of explain the context around Circe and Odysseus:

Greek myths often did not have good views/depictions of women. Women were very often depicted as conniving, selfish, sexually insatiable creatures. There are a few deviations from this trope, the most prominent of which being Penelope herself—she's basically the ideal Greek wife, staying loyal to her husband for 20 years and all that.

Adultery often only applied to women. Husbands cheating on their wives wasn't merely tolerated, but kind of expected. Men often cheated on their wives with various kinds of prostitutes, concubines, mistresses, etc. Although, sleeping with unmarried women (that weren't specifically prostitutes) or married women was still looked down upon. Women didn't have this same standard. They could only sleep with their husbands—hell, their husbands (and family) were pretty much the only men they could even interact with once some really sexist Asiatic practices were brought to Athens.

The original myth has Hermes very plainly lay out how Odysseus' confrontation with Circe will go: Odysseus will eat the moly, draw his sword at her, she'll proposition him, and Hermes directly tells Odysseus to accept. Basically a "sleep with her if you want your men to live" situation. (See this post for more specifics on this).

So, let's apply this to Epic: The Musical. Here's some reasons I think may explain the Circe myth being changed:

The Greek "women being evil" stereotype is... problematic. While I 100% understand that it's important to acknowledge male victims of SA, I don't think the original myth was focusing on Odysseus being a victim—I saw it more of an emphasis on Circe being a sexually selfish woman, as women were often believed to be. Changing Circe to be less conniving and evil deviates from the concerning Greek stereotype.

The SA in the myth is not actually very clearly SA. Yes, with a modern perspective, it absolutely is sexual coercion, but for ancient Greeks, not so much. It made sense to them that sex could be transactional, especially when gods were involved. It's already been established that Epic, while still generally accurate to the original myth, does change things relating to morality/themes in order to better align with modern Western ideas (i.e. OG Odysseus not being as remorseful and merciful, as that was expected of a Greek hero, but Epic Odysseus having more empathy because that's more modernly heroic). If something from the original myth doesn't translate well into modern culture, then it's understandable to want to change or omit it.

In the case that the original Circe myth wasn't SA (I'm not saying one is more right than the other, I'm just covering all the bases), then it wouldn't even constitute as cheating. Like I described earlier, men often slept with women that weren't their wives. Plus, being a goddess, she's already kinda exempt from being blamed if Odysseus slept with her—only women are ever really blamed for sleeping with (or being SAed by) gods, and even then, their husbands sometimes don't even give a shit. But modernly, we would not see it that way. To us, it's not societally acceptable for a married man to sleep with another woman (without his wife's consent, at least). While Ancient Greeks viewed Odysseus as a good (or at least okay) husband, a modern audience wouldn't. Making Odysseus loyal to Penelope and not sleeping with other women (assuming this wasn't SA, but again that's one interpretation) makes him the good, loyal, empathic, modernly heroic man that Epic is clearly aiming for. Repeating my last point: If something from the original myth doesn't translate well into modern culture, then it's understandable to want to change or omit it.

Applying modern perspectives on Ancient Greek society and mythology isn't worth it. Like, we all joke about Greek mythology/Ancient Greece being super gay, but it was often just what we consider pedophilia (it's called pederasty if you'd like to know more). Y'know the Hades and Persephone story? Like, the original one with the kidnapping? Yeah, that was kinda normal in some areas. The myth of Demeter and Persephone is tragic, yes, but it was so normal that a lot of wedding ceremonies included references/recreations of it! Girls got married off ASAP after their first menstruation to men of at least 30 years old. We don't tolerate that shit today (for the most part, at least)! But it was normal in Ancient Greece. Applying modern rules and standards to ancient culture just does not work.

Anyways, I'll shut up now! I'm gonna go keep listening to The Circe Saga lmao

[80rosequartz08]

Some more Hazbin redesigns 🔥⭐

CW/TW: S/H mention, Abuse

I wish they were better quality, but eh, I'll live

Charlie 🔥❤️

Really proud of myself for coming up with the rings/that last name. Like, really patting myself on the back for that one.

Valkyrie ⚔️🪽

She not an Angel in my version, I honestly thought her OG backstory (dying by SH) was much more narratively interesting. Besides, her being an Angel never really made sense to me.

Angel Dust 🕷️❣️

I specifically chose "Colombo" because I thought the meaning was sweet when applied to Angel and his story/character. BTW: The gold accents on him and Valkyrie don't mean the Gluttony ring, they're just a fun splash of color.

In my version Angel is still under Val (or whoever I choose to replace Val)'s abuse and control, but I also really want to focus much more heavily on his relationships with the Hotel members and his Mob ties.

[jeanmoreaux]

okay so i see why this is often recommend to readers of the trc but ngl i feel like linking these books isn’t very beneficial because a) there’s a good chunk of people who love trc for reasons completely different from what summer sons is offering and b) potentially deters people who didn’t like trc but might enjoy summer sons’ edgier take on rural folklore, “magic”, and queerness from picking it up

i am not surprised at all to learn the author of summer sons wrote trc fanfiction in the heyday of people’s obsession with the dreampack

[cyanidas]

⚠️SHSL Detective ! Kazuichi Souda 🕵️‍♂️

I'm hoping to make a small series of fun lil sprite edits with my talentswap AU that scrambles the talents of Class 77 and Class 78, and has its own weird lil story to go with it

(someday I'll think of a cool shorthand title. maybe. perhaps. as a treat. i would also like to write this story someday... we will see, since evidently im allergic to projects)

Headcanons? Headcanons for Detective Souda?

(also a lil comparison between this one and normal Kazu, and some AU info)

For this AU, characters' original body types, general interests/inclinations, and much of their personality is intact - the only parts of their personality that change are things influenced by their line of work alone. A lot of who we are and who we become tends to be influenced by our interests, which in turn is influenced by our upbringing, which also influences who we are... but I intend to keep the characters as close to how they are outside of their original talents as possible.

This AU also swaps the end twists between the 1st and 2nd games, and in some way keeps original relationships (like Makoto and Kyoko's partnership, and Souda's inclination towards Sonia). Some personality aspects are allowed to bloom or forced into hiding, depending on the upbringing I imagine would have been needed to allow these talents to shine within them and rise to Ultimate status.

ok Souda Headcanon Time:

The teeth are actually natural - he has a disorder which effects a number of things but especially effects his teeth, which are sharp as a result (something that evidently exists?? tho i forget the name, and it's not as perfect as drawn here ofc but.)

I think og-Souda would have a great skincare routine, one that Detective Souda lacks, since he never gained the motivation nor inspiration to care more about his appearance in front of others. So, he has some zits.

When he was very young, he was living with his father in their bike shop, but his dad went too far one night. A worried neighbor called authorities on them after witnessing his dad's aggression. At some point, the situation tips over, and Kazu's removed from his father's custody.

The detective investigating his father's abuse took care of him, and eventually adopted him after his dad was incarcerated. New Dad was not physically abusive, and genuinely cared for his new son, but due to his line of work he wound up kind of a sad sack of a person, so he's still a pretty cringefail/wetkitten father figure.

Kazuichi would accidentally stumble across his files around the house, and witnessed far more corpses than he likely should have as a child. Terrified at first, he eventually suppressed his fears in favor of trying to become a stronger person, and insisted on applying himself to learn his caretaker's line of work... inadvertently witnessing even more death and dying than he should have, from a young age.

As a young teen, he took interest in therapy and self care, and came to realize his trauma regarding his father and his guardian / upbringing. New Dad has his full love and respect and he tries to change for his son. This kind of expands Kazu's self-respect a little, while adding new depths to his hatred/fear of violence and conflict.

Due to his new caretaker, he never went to the same schools, and lost his original friends as a result - so he doesn't suffer from the same trust issues as OG-Souda, and as a result, easily clings to the people around him and allows himself to get lost in his head a tad more often than OG.

He specializes in forensic investigative work, because his brain is still wired better for calculations, spatial reasoning, and mathematical speculation.

He also still loves learning about how things work, and now, he's especially interested in how things have happened / come to be - finding satisfaction in analyzing evidence, instead of reverse-engineering parts/machines.

He even still has a mild interest in mechanics! But he is firmly convinced that being handy and technical is nothing to boast about.

He is also now convinced that he wouldn't make a good repairman/mechanic/engineer, anything of the sort. Part of this apprehension is due to his hatred of his father.

He is still pretty timid, and jumps easily at any sudden or loud noise, is afraid of the paranormal, gets upset easily when socializing, and feels terrified when there is any perceived threat.

However, death and dead bodies are some of the things that no longer frighten him. Upset, sure, but nothing like OG-Souda. He sees dead bodies as objects to investigate and solve, as opposed to feeling the horror of seeing a deceased fellow human, or feeling too overwhelmed if it's someone he knew. Because of this, it's easy for him to get lost in his work and feel totally disconnected while investigating.

[mdhwrites]

I have another authorial ask. Whenever I offer a critique on how serious Luz' behavior in the principal's office was and how much trouble she was actually in, stans dismiss it by claiming that was all done for comedic effect. That it was basically slapstick and not to be taken seriously.

From an author's standpoint how does one determine if an incident depicted in a story is to be taken seriously or dismissed as a comedic exaggeration? In an age of school shootings and the fear students and parents have of them how could anyone consider a scene of children running through the halls of a school screaming in terror be taken as comedy. How many times has the actual news shown children fleeing a school building surrounded by police cars? Remember how media was affected by 9/11? How do you tell your readers when incidents depicted in your stories are to be taken seriously or are to be dismissed as comedy? In your opinion do you view Luz' visit to the principal's office and the behavior that brought her there as something to be taken seriously or was intended as comedy?

I LOVE this ask because it is one of the biggest examples of how TOH wants its cake and to eat it too and how that nukes the whole thing. The short answer to this is: Framing. Of course, how to frame something is incredibly complicated so let's get into this.

"You walk into a room and there are three people there. Two are sitting in chairs and the last is a clown."

This would be a neutral framing to entering a pretty shitty birthday party. You can glean additional details by things like how few people there are but it is for the most part very functional. Let's shift it though.

"You can hear the sounds of laughter behind the door. Katy Perry's Friday Night is blaring through the distorted speaker of a phone that has been dropped one too many times and suddenly it stops dead and you hear the shuffling of feet and the slamming of chairs. You open the door a crack, your excitement bubbling up as you see Bozo the Clown standing there, his long, red nose deflating as he says, "Aw shucks, looks like you got me! Who wants to pick the next song?"

This has a more excited, anticipatory framing. It builds in energy as the various elements come together until finally revealing the scene properly. Any potential tension is ended with a giggle as you realize the kids are just playing musical chairs with the clown they've hired. Still not a great birthday party but it has fun, mirth and a warmth to it. One more shift though.

"You hear the stomping of feet and the distorted sounds of a withering speaker, its beats dying midway through each vomited note. The sound is a raucous choir of disharmony, not following the beat, rhythm or flow. It is frantic, scared and in a panic. Then, the music cuts out, leaving you with only the screeching of wood against metal. Then silence. You open the door a crack, shaking in your boots as you peer in. The bulb above is half burnt out, casting everything in thick shadows. Two kids sit in chairs, their heads back and their dead eyes staring at the ceiling as they raggedly gasp for air. Above them, large, red hair casts shadows upon a face as pale as death. His smile is so wide it must be unnatural. His nose, long and pointed is so red that it must only be blood that covers it. He looms over the children, hands flexing as he says, low and gravely, "Aw shucks, looks like you got me. Who wants to pick the next song?"

And there you have horror. The facts of the matter between these three have not changed. None of the details are any different. However, which details to focus on, which to include and which to not, HAVE changed. That creates a frame within which to view the information. So, how does this apply to Luz's montage with the principle?

Well, the OG framing is that of a silly girl doing silly things. We might see some people gasp or cover their mouths but it mostly just focuses squarely on Luz. We also don't see much harm and what harm we see is silly. This is why Luz is the one covered in spiders and not treating it like a big deal, or why the boy who runs with a snake in his hair has a snake in his hair. That's silly and couple with the Azura bit right before creates a vibe on unreality. It makes a tone that supports going a little bit far with a joke to get a bigger laugh out of the audience. Amphibia does this sort of stuff CONSTANTLY. Most cartoons do in fact. It's how you get these episodic plots that in reality would be reprehensible but in fiction are fun. After all, no one is really commenting that Luz might be wrong or might have gone too far. The base level problem is that she didn't do her assignment correctly and was maybe a little too creative.

"You had it good!"

And in one sentence, the frame shatters. Right before the shortening took effect, so that excuse is out the window, we got Yesterday's Lie. An episode essentially about reframing Luz's actions and asking whether or not they were okay. Was she actually right to run from home when she has a loving mom who supports her this thoroughly? Did she have to go so far for attention when others in her town are just as weird as her, like Masha's gang? Are Luz's claims to being misunderstood and rejected when someone not of this world can find more friends than her?

You are bluntly told to go back and re-evaluate episode one... And a framing of unreality doesn't work with that. They joke about Amity almost killing Luz. Amphibia brushes off stuff like Hop Pop's mind control stint. This is because treating these moments seriously breaks their framing because you are replacing it with the exact opposite. These plots are meant to be fun after all and what you take seriously is the lesson learned, not the conflict that taught the lesson. Well... Now you need to pay attention to the conflict.

And what is it? Luz first disrupts a practice session by belittling someone else's accomplishment and people wanting to give her praise to then show off and try to make herself the focus of attention with her own trick. Then she ruins a play performance, MONTHS of work, by going off script and clearly doing things that weren't cleared by her director and fellow cast members, causing them to react in aghast horror. Finally, she releases what appear to be HUNDREDS of spiders in a public school. Worse yet, outside of the montage, she has brought lives snakes with no way to control them into a public school, without permission, and straight up broken the law by bringing FIREWORKS, and them bundled together like a BOMB, to school. Taking that seriously results in WHAT THE FLYING FUCK YOU ATTENTION HOG LITTLE BITCH! What is wrong with you!? Do you genuinely not think about anyone or anything else other than how awesome something is going to make you appear?

And that shifts the framing of a lot of her other actions. Her wanting to go on a quest? Yep, that's just now who she is instead of her being misguided. Her wanting to get with Amity because she wants to fulfill a narrative trope that will make her more special? Sounds about right rather than a cute flair. Her CONSTANTLY fucking things up for other people before going "Shit, right, this has consequences," and then having to go fix them? Sounds like what she's been doing for at least a year. Even going forward, her lying just looks like more of a way for her to look better. So people praise her and let her do whatever she wants instead of actually having to care about other people and admit she was wrong. Ever.

But the show doesn't understand this is what they've done. They thought this was just a dramatic touch for a mid season finale and the framing of Luz hasn't changed at all. That she is still the purely good protagonist that lives in an unreal framing. This is how you get the incredibly tone deaf, hypocritical fact that the Titan condemns Belos for having a hero complex... Before then Luz comes back to life in a big hero moment and berates herself for not having a good one liner. You know, like someone with a hero complex might. Someone who might, I dunno, fully embrace their fictional hero's identity by mimicking almost exactly a speech from them but now with zero pretense of seeing themselves as the hero of the story. Because, I mean, she's just a silly little girl, isn't she?

No. No show. You fucked this. You fucked this ROYAL, especially as it doubled down on trying to treat Luz more seriously and like she potentially wasn't beyond reproach. That she didn't just make mistakes but genuinely needed to change, even as the show refused to commit to having her learn literally anything.

She starts the show as an attention seeking, lying, selfish bitch and she ends the show that way. You just would have never seen her like that had the show not antagonized you to do so. If it hadn't purposefully framed the question right in your face. See you next tale.

======+++++======

I do find it interesting that you (the asker) like to go "By your authorial opinion". I don't mind it but I actually try not to very often go "As a professional writer!" I might bring up my own works but just as examples. I am self published though and even if I were traditionally published, PLENTY of bad writers still become professionals. As such, my job as a writer really does not inform whether you (the reader) should or should not listen to me. That is much more dependent on if I seem to make sense and make compelling arguments that make you interested in hearing more. That is my opinion at least. It's also probably part of how I stay from being as bad as some other author/analysts out there.

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[chaikachi]

Little Red Riding Hood, The Big Bad Wolf, & The Silver Bullet

Aka I did an Oscar as The Little Prince analysis and now I wanna do one for Ruby's allusion in honour of the 10th Anniversary.

I know most if not all of us are familiar, but I'm still going to start with a summary.

Little Red is a story about a young girl in a red cloak who is sent into the woods at her mother's behest to bring baked goods to her sick grandmother. There, she meets a malicious wolf that asks her many questions, to which she answers all truthfully and without hesitation. The wolf takes this information and uses it to beat the girl to her destination where he then swallows her grandma whole and disguises himself in the woman's clothes. There he waits for the child to arrive and come closer so he can swallow her up too.

There are actually two popular versions of this story with different endings that we often look back to.

In Perrault's story, there is no happy ending. They're both eaten up, the wolf is content. The end. But in the Grimm version, there is an additional character... the Huntsman (aka the woodsman). He hears the wolf snoring after its meal and ends up cutting the beast open & saving the victims. Then, with the help of Little Red Riding Hood, he kills the wolf before it can do anymore harm.

All in all, it's a story about childhood innocence being lost, learning not to trust strangers, and being mindful to always follow the correct path. For if you stray too far, you may lose track of time, invite unwanted danger, or find yourself lost.

In RWBY, we have some very clear allusions here since it's the basis for so much of the show as a whole:

Little Red - Ruby Rose

The Mother - Summer Rose

The Grandmother - Maria

The Hunstman/Woodsman - All Three of Them

The Wolf - Salem and her Grimm (but ESPECIALLY The Hound)

They're all pretty self explanatory.

Ruby has the red cloak, her og trailer is clearly inspired by the tale, she loves baked goods, she's referred to as "Red" and "Little Red" by Torchwick & Cinder. She's also a huntress. And, by and large, her entire arc is about losing that childhood innocence and the view that life "is like a fairytale" as well as struggling with what the "right path" to follow is.

Summer is the mother (baker of cookies) and also the huntsman (slayer of giant monsters). The battle axe being her weapon choice alludes well to the alternate name, Woodsman, as well.

While Maria as the grandmother makes the most sense. Another silver eyed huntress that becomes a mentor figure for Ruby.

And while Salem, her war, & the Grimm (that are all emblematic of that loss of innocence) can absolutely symbolize the wolf... There's a reason why I want to focus on The Hound.

All three previous characters are connected by a very specific common denominator: Silver Eyes.

And the hound is no different.

Just another huntsman... but one devoured by the malice of a canine. And, if Ruby's theory is right, that's the same fate that Summer met as well.

And if you think about Silver Eyes specifically... What is one of the most famous lines from the original fairytale?

"My, what big eyes you have grandmother." "The better to see you with, my dear."

Which, when applied to the grimmification of SEWs, is HAUNTING.

Terrifying when you remember "Woah... you have silver eyes". Also thanks to Behind The Scenes content, that Ruby's hair design was always meant to "be a bit wolf-y". And that since Volume 4, Salem has been interested in capturing Ruby alive... I am WORRIED ABOUT HER.

Some interesting things about silver though that ARE worth noting...

1. "In folklore, a bullet cast from silver is often one of the few weapons that are effective against a werewolf or witch."

2. "The term silver bullet is also a metaphor for a simple, seemingly magical, solution to a difficult problem."

3. "In the Brothers Grimm fairy-tale of The Two Brothers, a bullet-proof witch is shot down by silver buttons, fired from a gun."

The lyric "Yeah I'm a girl but I'm also a gun" from Triumph really tells us point blank (lol) why Ruby is so important to this war against Salem, huh.

I'm gonna end this meta on a fun little easter egg; a hidden fifth character allusion to the original Red Riding Hood fairytale: The Woods.

Now I know what you're thinking, the woods aren't a person, they're a location. But they're INCREDIBLY important to the story.

Overall, the woods are the world outside of the cabin that Little Red grows up in. Whenever she travels beyond it, she's liable to meet all sorts of horrible tragedies and monsters. But I want to talk again specifically about The Hound & just where Ruby first meets them: Atlas.

Or, more specifically, Ironwood's kingdom.

For those unfamiliar, while Jimmy's main allusion is the Tin Man from Oz, his last name gives us a hint to another subtle allusion: Járnviðr. Aka the Iron Wood of Midgard in Norse Mythology (a mythos that's been alluded to a lot in RWBY).

Whiiich if you look at a stanza (40) in the infamous Völuspá, a historic poem which is chalk full of Norse myths, you get the following passage:

In the east sat an old woman in Iron-wood and nurtured there offspring of Fenrir a certain one of them in monstrous form will be the snatcher of the moon

A poem that talks all about the Biggest Baddest Wolf of the Norse pantheon, Fenrir... who is the offspring of a powerful Witch...

and is destined to eat the moon...

All within the Iron Wood, a character Ruby spends an entire volume contemplating on whether or not she can trust...

And the moment she does finally tell Ironwood the truth? The secrets she was keeping? The woods become unsafe, the witch and the wolf appear, and everything else falls apart. Resulting her and her team lost and very far from home.

Say what you want about analyses like these but CRWBY knows what they're doing, okay?

[poisonousquinzel]

"the only reason Harley's called Harley Quinn and not Harleen Quinzel or some other moniker is because the Joker manipulated her into thinking the similarity in her name and the name of a specific type of clown meant they were destined to be together and that means she's intrinsically tied to him forever and can't exist as a character on her own because her origin is tied to him" ass take has gotta be the worst one I've seen as of late,,, like really can't lie it's stuck in my head lol 😭

i wish i could go about life misunderstanding characters this much and thinking that one who's been a canonical domestic abuse victim since her og origin episode / comic, who is partly (story wise) inspired by a real life dv victim who survived

In the afterword, artist Bruce Timm shares that their Harley was based in part on a real-life friend who was stuck in an abusive relationship: “I’m happy to report that the ‘real-life Harley’ did finally break away from her ‘Joker’ and has been happily married to another man for several years now.”

[Source]

is a character who's "girlbossified" when she's allowed to grow past and outside of her abuser himself,, and that that means idk writing her without him dilutes her character and takes away everything interesting and flawed about her? that she should never be written without him / without her world revolving around him, due to him being the catalyst in her origin?

The Joker's part of her origin because he was the root cause of her fall, the villain, the bad guy, the abuser. that doesn't mean she's required to be forever tied to him?

This isn't even a problem in the actual comics or anything. It's just absolutely 100% not.

No one even pretends Joker isn't intrinsically tied to her story, or more specifically her trauma. No one in real life and no one in their universe.

Tim Drake literally mentioned The Joker in like the last chapter of her (2021 - ) comic ffs!!! 😭

"Did the Joker make you want to do that? Do you wanna unpack that, Harley? Do you wanna talk about The Joker?!"

Harley Quinn (2021-) #42

But it's almost like people grow and heal and evolve. Her codependency and shit are flaws that are not permanent and are things she (can) and is working on.

She's riddled with flaws and they've gone nowhere! she's just trying her best to stay afloat and better herself bit by bit because she isn't Dr. Harleen Quinzel anymore, she can never walk into a medical building and apply and expect them to not know who she is upon a singular search in the system.

She's just Harley Quinzel now, she still has the skills and experience and schooling, but she also has a long serious criminal record, severe mental health issues and is living in a city that rightfully does not trust her. She can't go back, she can't get her old life back, and she can't go back to being Her, The OG "New & Improved" Harley Quinn who's world revolved around 1 person and him alone, because she would die.

He'd kill her, maybe not immediately, but he would be the death of her.

And she knows that. It's a lose lose.

The only real option she has is to lay down and die or to survive. To float and swim bit by bit until she finds stable ground.

Until she finds a way to live with herself again.

Harley's "obliviousness" is a coping mechanism that we literally see her dealing with since BTAS.

A warped world view that does in fact make her actions more complex,, and makes the aftermath / come down all the harder for her as she has to grapple with the internal traumatic response to Everything with Joker while also dealing with the world she's waking up to and realizing the real reality of her actions and the actual pain it left behind. It's literally been in her character plain as day since her First Personal Comic from 2000!

It's something taken seriously and something she knows, regardless if she even remembers the crime, that she has a responsibility to take accountability for. She almost lets Clown Hunter execute her because she was involved in his parents death, even though she doesn't remember the night, she trusts Batman enough that if he says she was there, she was. And she's going to own up to being there. She starts a therapy group for ex clowns post Joker War, she's become a (court ordered) professor and during all of these arcs Joker and his influence on her and her life are mentioned and acknowledged and present.

He's not been removed as an intrinsic aspect of her story, but he is no longer the center of her world and that is a good thing.

It's almost like character growth after 30 goddamn years is something that happens.

And! you know who else is intrinsically tied to Harley Quinn's character just as much as The Joker?

Poison Ivy and Batman.

Her three primary connections since the Beginning, since the original series that everyone wants to pretend was so so different about her than it ever was, was Joker, Batman and Ivy.

And a primary goal (Harley wise) for 2/3 people she's been connected to since Batman The Animated Series has literally been to get her away from the 3rd. They've just successfully helped save her in most universes now, even when she's the one who pulls the trigger in the end.

It's been over 4 years since I made this blog and I still cannot wrap my head around this fandom's deep seeded hatred and disdain for actual character development.

"Sorry", but that's just such a disgusting take built on misinformed foundations and idk a personal rage for bad guy characters not being bland, predictable one note entertainment for the rest of their miserable existence in comics until they're shelved for being fucking boring one note d-list characters?

[lizzybeth1986]

A Brief History of Alternative Romances in Choices

Series - TRR's Alternative LIs: The "Romances" that Didn't Happen

TW: Mentions of OH2's handling of Rafael (though not in detail), racism.

To be clear, this introductory essay isn't directly related to the rest of this series. TRR operated very differently to the other Choices series' when it came to alternative LIs, so a lot of what I'll discuss here won't actually apply to its specific romance mechanics.

Still, it is important to explore what it means to give an LI an alternative romance in PB, and for that we need to look at what the approach to such romances were. Both in the past, and after TRR became popular. Looking into this gives us a general idea of which specific LIs got an alternative romance, why just them and not others, and what such developments said about the way the writing team viewed a particular character.

The Choices App was introduced in 2016, with three stories that were likely meant to cater to different audiences. Out of the three, the crime drama Most Wanted was the only series that focused on a single romantic pairing.

The other two - The Freshman and The Crown and the Flame - presented players with multiple romance options for their main character(s). TCaTF split its narrative between two main characters - Kenna Rys and Dominic Hunter - exploring both Kenna's fight to gain back and then expand her kingdom, and Dom's discovery of his heritage as a member of the Fire Tribes. Even though Kenna and Dom could be paired romantically, they had other potential LIs. Notably, Kenna had 6 (Dom, Tevan, Raydan, Annelyse, Val and Diavolos) and Dom only 2 serious contenders (Kenna, Rose, Sei, Will Jackson all had romances with him. Of these four, Rose was eliminated early on in the series, and Will was a last-minute addition at the end of TCaTF3). TCaTF didn't seem to focus much on the love lives of these LIs outside of Kenna and Dom, until Book 3 in 2017 - and of the cast only Raydan and Tevan seemed to get hints at other potential romances (with Aurynn and Zenobia, respectively).

Unlike MW and TCaTF, The Freshman's focus zeroed in on just one character. It was the first series to feature a customizable MC, whose experiences and choices alone would move the story forward. The original three-book series featured romances with three LIs - Chris Powell, James Ashton and Kaitlyn Liao. By the third book, two more were added to the roster - Zig Ortega and Becca Davenport.

You could choose a boy/girlfriend by the end of Book 1, and change partners in Book 3 if you weren't happy with your first LI and/or wanted one of the newer ones. The first three books didn't really have any alternative romances for the LIs themselves, but all that was about to change (for two LIs) in The Sophomore (released in 2017).

(Screenshots from the UnruleLee Gaming Youtube Channel)

In TS, the MC had the opportunity to pair James and Kaitlyn up with other side characters if she wasn't dating them. Kaitlyn begins to show an interest in Annisa, the new keyboardist in her punk band. Similarly for James and Reyna, a member of the editorial staff of Hartfeld's student-run newspaper. Both pairings only resulted in long-term relationships if the MC encouraged them enough, and she had both free and paywalled opportunities to do so.

What is noticeable at this point is that there are three LIs that are not given romantic alternatives - Chris, Zig and Becca. Though members of the fandom did headcanon certain pairings that had some potential in canon (such as Zig with his roommate Aaron and Becca with Madison), the narrative itself never indicated any romances for these characters, preferring perhaps to focus on their romance with the MC.

A possible reason for this could have been popularity. At the time, some in the fandom theorized that Chris was the most popular of the OG LIs, and that Zig and Becca garnered popularity quite quickly when they emerged as options in TF3. So there would be a lot more investment from the teams in charge of the book to focus their writing on their MC-centric routes.

James and Kaitlyn received criticism and sometimes outright hate from fans - some of whom complained ad nauseum whenever options to help them with their professional lives or personal development came up, while being largely accepting of the more popular LIs' conflicts. So it is possible that the writing focused on giving these two LIs other romantic options, in a way they didn't need to for the other three.

However, giving James and Kaitlyn other love interests didn't affect their overall writing. The Freshman series handled the balance between all five LIs with a deft hand, ensuring that every LI had adequate growth, development and attention within the narrative. Whether they were single or paired with the MC, all of them had unique stories that allowed the characters to make mistakes and learn from them, to confront their fears and conquer them, to deal with their problems in a realistic way.

James' story wasn't simply stuck on Reyna - he spent most of TS honing his writing skills and developing a novel, and later co-writing a play with the MC. Kaitlyn's story wasn't simply about romancing Annisa - it was about dealing with her insecurities, building her band from scratch, getting over her fears of Natasha sabotaging her again, being comfortable in her own identity. Their romances with Reyna and Annisa felt like bonus side stories that we could get if we were interested enough...not the be-all and end-all of their stories.

Alternative romances for LIs didn't happen in all books. Many didn't bother with one, especially those that wound up being one-book stories. Some books that ended with an elaborate wedding for an MC and their LI also seemed to do away with this too, mostly by eliminating other love interests or making their presence scarce (for instance, in RoE, the other two LIs for "Katie" virtually disappear when she make her choice, only featuring in brief cameos and mentions). Alternative LIs often featured in series' that were successful enough to get three books, so more often than not, two-book series' like #LoveHacks would barely even have the time to develop new characters to date any LI.

The books that did end up following this route often lasted long enough for at least three books (with PM and ATV standing as exceptions), and likely had more than 3 LIs. In certain books the pairing was paywalled, and in others you could choose a number of free options to encourage the romance.

After a while a pattern seemed to emerge in who got such romances. Sometimes the alternative LI was given only to the "forgotten fourth/fifth" of a series (the extra LI who would get the least attention) - sometimes the "lucky" LI would be a character that was NOT a late addition to the roster of LIs, but an OG LI that just got so little attention and buildup it became obvious that they were given an alternative because the writers couldn't be bothered to imagine what their romance with the MC would look like. One can confidently say this because very often the "alternative romance" was written with more thought than the romance with the LI or any of that character's individual problems, and it started becoming very obvious that the writers felt more comfortable imagining the playthroughs where such LIs could only be friends with the MC.

Once the Choices app found its "core demographic" and started churning out more books, there were more and more cases of the writers indicating who their favourites were, early on (through providing a higher frequency and quality of diamond scenes for certain LIs, and through their interviews before the book releases). Which resulted in those characters getting more popular and others less so. And it was this "popularity" that often impacted writing choices and treatment.

Such a system of storytelling results in a vicious cycle, where a team will either assume already that one particular character will rake in more money, and give them a head start over others...or where a writer - through intentional or unintentional bias - could push forward a "favourite" front-and-center to the detriment of other LIs.

Here's a list of books that wrote alternative romances for certain LIs (except for OH, but I will get to that one in a minute). See if you can figure a pattern in at least most of these books:

High School Story 3 (2018) - Caleb Mitchell (Jade Ali), Emma Hawkins (Luis Marino), Aiden Zhou (Cameron Levy)

High School Story: Class Act 3 (2019-20) - Skye Crandall (Lilith Vidal)

Desire and Decorum 3 (2018-19) - Luke Harper (Cordelia Parsons)

Perfect Match 2 (2018) - Sloane Washington (Khaan Mousavi)

Across the Void (2018-19) - Zekei Sentry becomes a love interest both to the MC as well as their sibling Eos Elara.

Endless Summer 3 (2017-18) - Quinn Kelly (Kele), Sean Gayle (Michelle Nguyen). (Technically, almost every LI does get some potential in terms of alternative romance...but Estela and Jake's pairings feature mostly in the AUs shown by The Endless (Sean x Michelle, Estela x Zahra, Jake × Yvonne are all shown - among other AU romances). Quinn and Sean's romances, however, are solidified in the MC's handfasting ceremony with their LI, where the couples could share a romantic look and Michelle even leans on Sean's shoulder.)

In theory, the alternative romance could sound tempting. It allows the MC to demonstrate care and concern for an LI regardless of their romantic interest, or lack thereof. It may potentially give the reader the surface comfort of seeing an LI they rejected lead a happy life with someone they can love. It seems like a win-win situation for everyone.

But it becomes apparent when you comb through both the romantic and friendly versions of these characters' stories, that something is not quite right. I will take two LIs here as an example.

(Screenshots from Abhirio's YouTube Channel (D&D3) and Danni Stone's YouTube Channel (PM1))

Sloane Washington's major character points in Book 1 involve her love for coding and astronomy, as well as her strong bond with her mother. Book 2 (2018) does very minimal work on either of these; once Khaan enters the picture, almost every diamond scene she gets focuses solely on the possibility of a romance with him. The narrative doesn't even focus the reunion with her mother Kim on her!

Likewise, many, many complaints emerged during D&D3 (2019) about the way Luke's wedding was handled. His mother - who is supposedly very close to him - only features in letters and one memory about his brother Ezra's gambling addiction, doesn't have a name, is given a used sprite that isn't even dressed in period-appropriate clothing, and never even attends his wedding. On the other hand, his alternative romance with Cordelia was explored in excruciating detail, to the point where the two are given a wedding and the promise of a future child. It is almost as if the writers couldn't bear to envision him marrying their precious MC.

There are two major things that become apparent the more you observe the above list of LIs who got alternative romances.

One, the LIs that don't get "alternative LIs" are often white and male (Chris in TF, Micheal in HSS, Ernest in D&D, Meridien in AtV) with a couple exceptions. The writing takes care to weave their issues and conflicts into the MC's larger narrative and try their best to ensure that we become invested in whatever they have going on in their stories. A good example of this are Ernest's larger storylines about his stepson Percival and his destroyed house in Book 3. On certain rare occasions (especially when there is no default white man in the LI cast), an ambiguously brown man who can be easily exoticized fits into this role of "Creator's Pet" just as well. The writers spend enough time on perfecting their romances with the MC that there is literally no time for anything (or anyone) else.

Two, in all but two of these books, the LI that gets their 'alternative romance' most often...is a black love interest. On the rare occasion a white character is included in such a list, it is often a canonically queer white woman (only if she is an LI tho, because white female side characters have attention and love practically showered upon them) who ends up in such a position (Emma and Skye from the HSS series'). But besides that, it is usually the black LI - who btw is often one of the first people we interact with and written as the most approachable - that bears the brunt of a narrative that makes it clear that it isn't interested in exploring their story on their terms.

That is why Luke's mother never gets a name or his younger brother is hardly seen. That is why Sloane is sidelined in her own reunion scene with her mother. That is why most of the romantic playthroughs featuring these characters feel so scarce on the details or the nuances, while their white male (or ambiguous brown male) counterparts chew scenery in their own and everyone else's playthroughs.

In narratives like these, the "alternative LI" is no longer the sweet, sensitive, "they deserve happiness" route that it pretends to be...but more a sign that the writers are uncomfortable with writing said LI in a romance with the main character, and the audience they most want to cater to is uncomfortable reading it.

When the intent behind such a supposedly-nice gesture becomes so rife with bad faith, what is the end result? What happens when an 'alternative LI' - a route that seemed to promise happier futures for certain LIs - becomes more of a tool to punish them for lack of popularity? What happens when the company that created this system stops pretending to value the diversity they claimed to pride themselves in??

What happens - is that you get a story like Open Heart 2.

A lot of the stories I mentioned above were written within the space of 2017-2019. In fact, most of the books in the list came out in 2018. During these years Choices was gaining popularity in the choice-based storytelling business, and romance stories were on the rise. Many Choices Books at this point had at least 3 LIs - 2 male and 1 female - and some had more. And most of the writing teams managed to get away with treating their LIs of colour (specifically their black male and female LIs) badly without significant backlash.

At the time of OH2's release (2020), the book had four LIs in its lineup. Ethan Ramsey - like most white male LIs - was meant from the start to chew scenery. Comparatively the other LIs: Jackie Varma, Bryce Lahela and Rafael Aveiro were at a disadvantage and often it felt like the team seemed to work more on writing them out rather than incorporating their stories organically into the narrative. Rafael particularly seemed to suffer from this in the first book, and by this time making one LI the "forgotten fourth" became accepted as the norm. So when OH2's cover showed every single LI except for Rafael, there was a sense of mild alarm.

It soon became clearer, however, that something more insidious was afoot. The book itself began with a funeral, and Rafael was missing in the first chapter. When Rafael stans finally did get to see him, in Ch 2, they would be hit with a nasty surprise - the LI who was utterly devoted to their MC and introduced them to his beloved Vovó, would be shown dating a childhood sweetheart without any explanation or warning.

(Screenshots from Gabbieschoices YouTube Channel)

When asked about the sudden shift, PB's response was cryptic...but also ominous to a fandom who had already seen all kinds of unfair, horrible treatment meted out to a wide range of black characters by then:

For all intents and purposes, the relationship between the MC and Rafael appeared to be over, with very little by way of closure. Even the few diamond scenes they would get later would show friends-only options. As the book went on, it became frighteningly clear that the narrative was planning to do away with Rafael. At one point, Rafael even spoke of leaving the city altogether, and there were hints towards a far, far worse manner of departure in later chapters.

(Most people who were playing at the time remember PB's plans for OH2 Ch11-12, and the backlash, response and hiatus that followed. If you weren't there at the time, PB's Statement following the backlash - "Representation at Pixelberry" - briefly alludes to the issues that people in the fandom had with the writing decisions OH2 took at the time)

As most of us know by now, this ended with significant changes in the existing story - ensuring that Rafael lived, reinstating him as an LI and having Sora break up with him so they could disappear from the book altogether. Post 2020, no further attempts have been made the "alternative LI" route for LIs.

Part of this could be attributed to the change in format. With the introduction of VIP-access and single-LI books, the need to prepare an alternative romance for an LI has reduced greatly. Other factors too could have contributed: the extra romances becoming too much work, possible fatigue among fandom towards such pairings leading to less revenue from diamond options featuring them, certain books having only one or at most two LIs.

No one in PB has spoken of Rafael's treatment or the inclusion of Sora in OH directly...but since OH2 featured the last ever alternative romance till date, it would be safe to say that perhaps even PB recognised that the Sora story crossed a significant line. In any case, this practice hasn't been adopted in recent books in a while.

At the outset, one could argue that the Rafael and Sora situation is extremely different from the "alternative romances" I have listed so far. Unlike all the others, the intent behind introducing Sora was to deny the player a Rafael romance altogether, rather than present Rafael himself with an option. Whatever the problems with the other LIs, at least they got a romance with the MC!

However, I do think the Sora story was rooted in what the alternative LI route had become over time. It may have started with good intentions - with the idea that perhaps if the numbers showed certain LIs being ignored, it may be kinder to give them happy futures with other people who would love them. As long as the alternative romance was just a part of the character's larger story (as is the case with James and Kaitlyn), it felt less harmful and more sweet.

But when the ability to rake in finances becomes a marker of a character's worth, when the writing itself rigs the game from the start of a series, when both PB and fandom find themselves incapable of examining their own biases with regards to said characters...the purpose of such romances becomes warped.

At such points, it becomes more about establishing that this character's romance with the MC is not worth exploring. About delivering the message that it's okay to drop this LI - that as a player, you had more chance of getting your money's worth if you did drop them.

To be more clear, the Sora story is a culmination of what happens when a certain type of LI is set up to fail from the start. There are less opportunities for them to win the reader over, less time, less options to bring in money. In such an environment, the "alternative romance" becomes about considering certain types of LIs "less worthy", and spending far less time developing their MC-route - because as far as the "data", "money" and "finances" are concerned, they hardly have one!

The culmination of such a system, is that the worth of an LI can be brought down so much that the writers become comfortable with killing a non-main and non-white LI. Sora, as an alternative LI, was a way to write Rafael himself out as a romantic option, not a route meant to move his own story ahead. Sora is what happens when PB pushes forward favouritism and racism to the point where the writing is emboldened to take such steps for LIs of colour (particularly black LIs) they deem unpopular.

Which is why - in the present climate - the elimination of such a system is a marginally better prospect. If we cannot trust such a seemingly "nice" process, what's the use of having it around?

This essay series isn't about all of PB's stories, however. It is about TRR. Still - it is essential to explore and understand the original intent behind using these romance routes, and the history of how such storylines developed over time. Considering that TRR released from 2017-2018, analysing the significant patterns of that time places the writing of TRR's alternate romances into context.

TRR's approach to the alternative LI route has been different from other books, in very specific ways. One of the most prominent ways was that the narrative featured romantic options for the three OG LIs, and briefly attempted one for a fourth (the closest parallel to this in another book would be Endless Summer). Even popular love interests were presented with romantic routes, in case the MC wasn't going to marry them.

Does this mean that TRR managed to avoid falling into the same rabbit hole of bias and favouritism, that the other books did? Not by a long shot. The same problems just manifested in very different ways - and in this essay series, I will discuss those problems, romance route by romance route.

Next - Liam and Olivia: When You Prefer the Side Character to the Main

[lilirot]

So, is this basically a reader mode that also adds OG into NB?... I did say months ago that it'd be nice to have something like that. Also, nice it applies to events, and birthday stories, as well. That's one thing I guess I should be nice about to the devs. When it comes to gameplay things they do listen to our whining. Now listen and make your romance game a romance again. Now obviously this raises some issues; Obviously is this gonna lead to the death of OG? They could still keep the game running solely for the events. But, if they truly plan on shuttering it then holy fuck port all the events, chats, calls to NB! Chats and Calls especially because the lessons of OG literally have a plot important calls/chats and I don't know if the devs accounted for that because OG didn't really embed the calls/chats that were important into the lessons. It's actually a problem because you can lose important context. I don't believe NB has any unlockable chats/calls that were ever more then fluff and weren't embed into the story. As far as events go like I've been wanting them to port old events to NB for a while now. Especially all the costumes that aren't accessible in NB. It's annoying seeing them and not being able to actually use them in NB!

[worshippin]

'bard's lament' this 'bard's lament' that'.. it was a pretty solid episode like pls.. all the pieces are on the board. things are lined up. things can and probably will still Happen. like rip to season 3 finale haters but im different lol. it seems SO hilariously dumb to even say anything about characters being ooc, things not happening as they 'should' or whatever tf like..... this very much unlike other IPs. some complaints simply can't apply. the people who play these characters actually personally OWN and wrote them in the first go around. and not only do they understand their characters intimately, they are doing what makes the story flow better in a new medium. which is not to say they are chopping down what's really important, they are actually condensing 4 hours of dice rolling and dick jokes into something coherent and less than half an hour long. they are making it work. and it is working. it's not perfect and i actually really do get some people's disappointment in some choices, but lbr some of them are 1) completely understandable when you take everything Critical Role is into account (kash, for one. i mean i wasn't too happy about it too but i do get it) and 2) things that are not resolved or can be further developed in the future (bard's lament can still happen, in some way; i can already come up with like, three ways -hehe nice-- it could happen in s4). i mean this is fucking season 3, hasn't all of this been said a thousand times over by now? seems pretty weird people are still doubting and not trusting these storytellers know what they're doing. like not only does the og campaign still exist as its own thing but also enjoying an adaptation for what it is is entirely possible. also? having fun is allowed and recommended, i mean, jesus christ

[remedyturtles]

YOUUUUUUUU

Yes, you. I adore you so much you have no idea. FUCK.

I love your latest oneshot about the boys "stare directly at the sun" and I'm going insane. I AM UNWELL. I could write a whole ass essay about how much I love it, how you've written the characters felt so authentic and how you've emotionally broke me in the worst places possible, I've read ROTTMNT fics before, but this one stood out being an alternate setting with character being HUMAN and living normal mundane lives. How much their lives differ from what we know in the OG series yet we can spot things that stayed the same.

I love how instead of being crime fighting Ninja's, while I know that's pretty badass, But these kinds of fics makes the characters feel real for me, there's not much human setting fics of the boys which I'm sad about, (kinda wish there's more) I could literally write my own fic about em but sadly I'm not built like ao3 authors with the time and energy to do so :(( which your fic touched me on a personal level, they are going through school problems, SPLINTER HERE BEING A GOOD PRESENT FATHER GAAAHHH and then having more access in mundane things it holds a special place in my heart omfg...🫶✨

And the fact Leo wants to be a doctor my heart goes out to him 😭😭😭 I'd like to ask what do the other brothers dream to become in the future? What careers they wanna do? I have a few guesses, but I truly wanna know it in your inverse human au you've cooked up with and totally cool if you ignore this part– I don't wanna take more of your time— buuuut I really wanna know more about your human au about the boys;

Are other canon characters still there?

How drastically did you change the world to make it more humanely normal for them?

Do Yokais still exist?

Will this just be a oneshot one time thing or can we expect more of the human verse of your world?

Oahskwbw anyways, thank you so much for existing and writing your beloved fics, I love your works sm you're literally one of my favorite ao3 authors, it's making my heart explode!! Pls do take care of yourself also!!!! <33

STOP you are far to kind to me omg

i am incredibly influenced by the fact that i've read 'problem child' by taizi approximately a MILLION times. also shoutout to 'teenage mutant ninja what now' by tangledinink and the related 'scotch gambit' by like_theletter. OH and of course 'running on low (all the way home) by gibbouslunation. if you've never read human au's before and liked mine, DEFINITELY check out these!!!

writing 'stare directly at the sun' was literally because i had this idea of leo not wanting to be a doctor anymore being like a HUGE red flag and essentially built a story around that hahahaha.

i have zero intent of writing more in this au (i wrote it in 11 days like a fever dream and now i am turning my attention back to firefight haha) but i will answer your questions regardless:

no idea if there's other canon characters. it is genuinely just the real world lol, so no yokai.

raph is currently in university for education to become a teacher, undecided for what age but probably younger. mikey has changed his big ambition at least once a year, anything from chef to professional gymnast to zookeeper. donnie is going to take engineering (to start, he wants to milk the education system for all it's worth so he may get multiple degrees) and he would be accepted at any school he applies to so he will choose whichever one accepts leo haha

cheers mate thank u for the kind words ;__;