#but it cannot always be done
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lazycranberrydoodles · 1 year ago
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getting back into the untamed and i had a thought. / follow for more yllz babygirlism
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xxplastic-cubexx · 4 months ago
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oh noooo or whatever
bonus aka The Real Motive Behind This:
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SURPRISE double bonus. textless ver of the first pic under the cut
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anpanman95 · 1 month ago
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“I’ll bring back the gentle version of you from five years ago”
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guys he did
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he did he did he did
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idontmindifuforgetme · 1 year ago
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Was sitting cross-legged on the ground applying my mascara last night when I finally. Mind body and soul. Let go of the whole “we COULD’VE been” mentality that has haunted me all my life. Like for the past month I’ve pretty much been stuck on this one boy bc “we could’ve been really cute” “we could’ve been something” actually no we couldn’t have been bc I don’t even know him that well and the version of him in my head doesn’t exist and it’s just time to let go of that (and of every other time I’ve extrapolated my own fantasies to someone, friend or crush or otherwise). If we actually could’ve been, then we would be. But we are not. Next .
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islandlobster · 11 months ago
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SCHMOVIN' !
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sysig · 1 year ago
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Two skeletons in a trench lab coat (Patreon)
Bonus:
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He’s very careful! Everything was fine before you interrupted!
#Doodles#Handplates#UT#FJdlsafjdsf Handplates fuzzes my brain#I cannot tell you how weird it feels to draw Gaster with the Lost Soul head after all this time away haha#It drops me back into the person I was when I first read Handplates - for better or for worse. It's a very strange feeling#Even drawing Sans and Papyrus again sends me back! Not as strongly but certain little details stand out#Sans' eyes especially... Very strange feeling#Anyhow! Since Fellplates sent me back down the rabbit hole and I've gotten back into rereading lightly - still not a full commitment!#Maybe soon tho 👀 I feel like I always say that haha#But in the meantime thinking of the pre-Plates Handplates time period <3 Since that's the one I'm still most familiar with haha#I love when they're still growing and learning ♪ Scaffolded baby talk! Twin language! Love 'em ♥#And fearless* mischievous little troublemakers hehe#They're so cute <3 I love the little ways they interact as young'uns - like when Papyrus will just lift Sans by his arms lol#I'd been thinking about and then had to go read the one of Sans as a the blanket/coat tickle monster and then - this ✨#''Excuse me sir I'd like One Ticket to the R Rated movie I am an adult Monster'' lol#Probably another one of those moments where Gaster is just *nervously sweats in Dad* lol - stop being so cute!#Also there's no particular meaning to when I use WingDings for his text :P Just convenience and if I remember to lol#Comics where he talks a lot are not convenient XP I have enough trouble editing on this paper ugh I will Not miss it when it's done#Even attempted this comic in as few pencil strokes/erasing as possible and it was still a pain to work with! >:0 Rude#Doubly so that I've had a Handplates comic idea for past like - year lol - and /this/ was the first one I finished pfftbl#To be fair to the other I do want to at least attempt making it a look-alike hehe ♪ You know how it is with Ideas™#I can't be too mad about it haha ♫ It did turn out quite cute after all :3
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poorly-drawn-mdzs · 1 year ago
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Thank you. I'm sorry.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#jin guangyao#lan wangij#jin ling#LWJ shifting into fight mode was so damn cool. He is always ready to start throwing hands.#It's in a way that befits someone with a bit more bloodlust that his calm demeanor lets on - but nearly always in defense of someone.#What a great synergy with his personal philosophies! see that he is a Genuinely Noble Guy time and time again!#Is is also way more hilarious and unhinged than most people give him credit for? Also yes.#Nothing and no one ever said he did not or would not rip off JGY's hat mid-fight. I think LWJ needs to snatch more wigs LITERALLY.#Yes I'm delaying the part where I have to address the emotional turmoil of Jin Ling stabbing wwx. It gutted me terribly.#What is worse that realizing that someone you respected has done horrible things#than discovering someone who did horrible things being a kind and trustworthy person?#What is more horrifying that realizing other people are extremely complex and cannot be categorized into black and white?#When people hurt us or our loved ones we very much want to make them out to be irredeemable monsters. But they are not.#It is not actually such a terrible fate to just be a person. To be forgiven and forgive is possible. To change is possible.#This lesson is hard. It is something you have to actively challenge yourself to do. Black and white is the innate path to go down.#And its *why* I love Jin Ling so much. He is the character who fights the longest and hardest to challenge social and personal beliefs#He gets a pass for stabbing wwx for being so deliciously conflicted and tormented by it.#And with wrists THAT limp I can't imagine the wound was particularly deep
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trappedinafantasy37 · 5 months ago
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POV: Your evil murder kitten's mask has slipped and you can see how deep she is drowning in fear and paranoia.
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gingermintpepper · 3 months ago
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Why did Apollo favor the trojans in the Illiad?
So, dear Anon, I've been thinking about how to answer this question since I got it a couple days ago and I think I kind of want to make something clear before I get into it.
The Iliad by itself as a poem only covers some of the events that occur in the final year of a long protracted conflict that had been brewing for at least two decades and was an active war for ten. Within the space of the Iliad itself, the motivations and affairs of the major players are often referenced but there are many, many parts of the story that are not there because they belong to a different story cycle that has been since lost or was never recorded with words. In the space of the Iliad Apollo's motivations are questioned a lot - his pride is questioned by Poseidon who thinks Apollo should be just as angry at the Trojans as he considering Apollo was treated equally as poorly by Laomedon while they worked together. His honour is questioned by Hera who chastises him for taking the Trojans' side when he'd proclaimed that Achilles would live a long life and prosper at Thetis and Peleus' wedding. His own sister calls him a coward for refusing to fight when Zeus gives permission for the gods to go wild on the battlefield. For all that there's this image of Apollo in the Iliad as some staunch and unwavering protector of the Trojans, believe it or not, I largely think of Apollo as neutral in the war.
Which, I suppose, comes back to the question - why did Apollo favour the Trojans? The truthful answer is that I don't know. The Iliad and all its connected stories isn't something I've done enough research on to have an answer or a reference to an answer off the top of my head. The reasoning I'm aware of is that Apollo was a Patron God of Troy and really a god doesn't need any reason besides that to protect his people but it's not like Apollo abandoned the Greeks either. Calchas is the biggest example of that I can point to - descended directly from a priest of Apollo and one who attributed his mantic power to the god, Calchas was pivotal in ensuring the Greeks even got to Troy in the first place.
From a personal perspective however, I think Apollo was more dedicated to the house of Priam than he was the city of Troy itself. Apollo's affection for that house and all its members ran deep - from his admiration of Hecuba and Hector to his love and attempted courtship of Cassandra to his blessings given to Helenus, Deiphobos, Cassandra, Troilus and even his partnership with Paris - Apollo loved the house of Priam. When you think about the times Apollo lashes out against the Greeks, it's generally because they've done some nonsense to earn his ire. The plague was caused by Agamemnon disrespecting his priest, his aid in the slaughter of Patroclus was because he didn't respect him, his minor grudge against Diomedes too was because he tried to test Apollo's mettle and well, the less said about Achilles the better. Apart from his obvious favouring of Hector in the skirmishes, Apollo doesn't really oppose the Greeks. He has a ton of reasons to by the time the Iliad rolls around, including avenging the death of two of his sons, but he remains mostly satisfied with conducting his father's business and overseeing the war from a somewhat professional perspective. To me, it's always been less about Apollo caring about the fate of Troy as a city itself and more about him just really wanting to protect the people in the city that he's come to love and respect.
Of course, I encourage you to take my words with a big tablespoon of salt - like I said, I don't really know enough about the facts in particular to give a solid, confident answer but I can give you my interpretation of it. Maybe consult someone like @littlesparklight for a more comprehensive and grounded response 🤔
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beetlethebug · 1 month ago
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thinking about emmrich saying "fuck" today. so, i like to think that emmrich is a man who does not swear. it's just not his cup of tea. as any good scholar knows though, there's a time and place to say "fuck," and when he does? my god. like. this man knows the best time to use it--to let something vulgar slip from his lips, especially when rook cannot do anything about it. emmrich knowing that rook is already going to be pent up from a day running around the entire goddamn earth whispering, "i cannot wait for you to fuck me when you return," and rook just has to live with that! has to have the sound of emmrich saying something like that for however long the mission takes.
and the implications of using that word versus any other in his repertoire. "fuck" implies dirty and nasty and rough. it's casual to a fault. it's grabbing hand and gnashing teeth and barely contained passion. emmrich swearing is like...him letting loose to the like umpteenth degree. it's letting himself feel his basest desires. young men fuck. and gods, do you bring out the young man in him.
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goldensunset · 1 year ago
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tbh i don’t know if they’ll ever top ogerpon. first they start by hyping up The Ogre as this terrifying monster in the lore. then you get the stark contrast of the real ogre being a tiny leaf creature looking like (☆w☆). then add on it having a sad backstory. then add on it having at least three confirmed kills. then add on it being the subject of a custody battle following our divorce. then add on it being canonically a girl. no one else is doing it like her
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flowercrowngods · 2 years ago
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part 1 | part 2 | part 3 | part 4 | part 5 | part 6 (these make one big story, you won't understand this part without the others)
day 07: free space a happy ending
Wakefulness embraces him so slowly and gently that Steve’s not entirely sure he isn’t dreaming when he sees Eddie lying next to him, watching him with an easy smile as his fingers tap out a slow beat on his pillow. Steve looks at him, blinking away the remnants of sleep, not quite daring to do anything more than that for fear of it being a dream after all, scared that Eddie would disappear if Steve reached out to touch. 
But then Eddie’s smile widens. “Good morning, sunshine.” 
Steve gasps a little and moves his hand to Eddie’s cheek, tucking a few strands of hair behind his ear, his breath hitching when Eddie leans into the touch. 
“You’re here,” he whispers, his gaze wandering over Eddie’s features, taking it all in and looking for any indication that this is a dream. 
Eddie hums. “And you’re pretty.” 
It hits him out of nowhere, the open sincerity in Eddie’s voice, the fondness in his eyes, the honesty in everything about him. The love, open and free now — or getting there, at least. It’s still so raw, though, so new, that Steve doesn’t know how to handle it yet. 
“Shut up,” he huffs once he’s caught his breath, rolling over to hide his face and the way his cheeks are heating up. He rolls right into Eddie's chest, though, and he's so warm, so close, smells so good that Steve wants nothing more than to bury his face in his neck and stay there for the rest of the morning. Or maybe the rest of his life.
The reflex to pull away is there. The urge to run and hide, to laugh it off, to freeze up and find something else to do, something to occupy his hands and stop them from reaching for Eddie. Years and years of muscle memory telling Steve to leave. 
But Eddie's arms come around him, holding him close and pulling him even closer. And Steve breathes him in, remembering that it can be okay. Remembering that they get a chance now. 
Remembering the words. 
What are you doing? 
Changing the world. 
So he tries that, too. Changing the world. He tries by winding his arms around Eddie, too, and breathing in again and again, learning that Eddie won't disappear if he does. 
Slowly, he dares to move his arms, stroking along Eddie's back in slow, gentle patterns, lulling himself into a safety he hasn't felt in a while. Maybe ever. At some point Eddie begins to hum, and Steve thinks that it's just another one of his audible smiles, inviting Steve and the rest of the world to join in if they're so inclined. But then he detects a familiar melody in the vibrations of Eddie's neck against his skin, and he holds his breath to find out what it is. 
His heart jumps when he recognises the song as one he used to listen to on repeat like a lovesick fool around the time his feelings for Eddie turned into something more, something better, something infinitely worse. 
It skips and he forgets how to breathe as he lets his hands travel over Eddie's back, slowly and tentatively daring to slip underneath his shirt and touch his skin. 
Eddie begins to sing, then, and Steve wonders if he's even been in love with him before, because nothing of what he's ever felt compares to Eddie's gentle, hoarse, sleep-rough voice as he sings Somebody to Steve, to their little bubble, or to the world outside. 
"I want somebody to share, share the rest of my lifeShare my innermost thoughts, know my intimate details."
He closes his eyes as he listens, focusing on the vibrations, on the warmth, on the closeness, on how this moment is everything he's never even dared to want. Everything so perfect that he couldn't even dream it up. 
Everything. You're everything. 
He needs to be closer still, so be buries his nose in Eddie's neck and breathes him in, tangling their legs, filled with a breathless kind of joyful bliss when Eddie's breath hitches, too, and he stumbles over the words of the second verse as Steve tries to climb into his skin. 
"I want somebody who cares for me passionatelyWith every thought and with every breath."
You have me, Steve thinks, pressing his lips to Eddie's pulse point. It's not a kiss, not quite. It's something deeper. It's a promise. 
Eddie's hands come up to hold him there even as his voice carries through the drumbeat of Steve's heart in his throat, running fingers through his hair, lightly scratching at his scalp, making him purr along to the melody. 
"But when I'm asleep I want somebodyWho will put their arms around me and kiss me tenderlyThough things like this make me sickIn a case like this, I'll get away with it."
When the song ends, Eddie's words faded out, replaced once again by the gentlest silence, Steve feels raw. Vulnerable. Open and exposed. But he also feels safe, and loved, buried in Eddie's skin and held there, as though Eddie is just as scared of fading away as Steve is. 
He lifts his head just slightly, enough to meet Eddie's eyes – only to find that they're closed, an expression so serene like Steve has never seen before. Mesmerised and overflowing with affection, he reaches out to trace the line of his brows, down to his cheeks and all the way to his lips, where his eyes are glued for a second. 
The thought of kissing Eddie is right there. The opportunity is, too. But he doesn't. He barely dares to move as it is. But he does roll them over the rest of the way until he lies comfortably on top of Eddie, and tucks his head underneath his chin, finding one of his hands and lacing their fingers. 
"You've got him," he breathes eventually. "That somebody. If you—“ 
"Yes," Eddie says, his other hand finding its way to the nape of Steve's neck to play with his hair again. "I want."
"Good." It's lame; far from what he wants to say. From what he has already said last night. It feels like they're doing this backwards, starting with the I love you and catching up with the slow build-up afterwards. "Good. Me, too." 
"Good," Eddie hums, and there's that smile again that Steve can't help but mirror. 
They fall asleep again like that even though it’s already late in the morning; cuddling and holding and cradling each other, still trembling slightly. Maybe that's what changing the world will do to you. Maybe that's the bravery more than the love. 
Or maybe it's just Steve and Eddie. Steve and Eddie. SteveandEddie. 
I love you. 
~*~
It takes a bit for Steve to relearn loving Eddie. To not associate it with tragedy and sadness and a bone-deep loneliness that'll leave him breathless even on the best of days. 
It takes a while for Steve to learn a whole new kind of breathlessness, a whole new kind of aching when it comes to Eddie. 
And Eddie's not much better than Steve, pulling away when Steve wants him closer, swallowing his words and needing a second, third, fourth try until he learns that he gets to love Steve now. 
Years of unrequited love, or feelings unreturned, of words put out into the universe with no one to receive them, are not easily or quickly unwritten. But every time Steve's breath gets lodged in his throat and he wants to run away, Eddie is right there to remind him of what they can have now. Every time Steve tries to be a little less of who he really is, Eddie is right there to coax him out of his head with gentle touch and a lot of hugs. 
Every time Eddie starts to doubt himself and all the ways he makes Steve the happiest person on the planet, Steve is right there with the words he only has for Eddie. Words that don't get stuck anymore. Words that finally get a recipient. 
~*~
Their first kiss, the first real kiss, doesn't happen that first morning. They spend the first week only holding each other, barely wanting to let go, hiding their vulnerabilities within each other. 
Steve is worried about it at first, seeing Eddie so quiet, so reverent, lacking his usual cheer, his energy and snarky comments. He asks about it one night, ready to prove right that he isn't and can never be enough for him, that all he will do is steal the things that make him Eddie. 
Eddie stops then, lifting Steve's chin with a finger when he's too scared, too ashamed, too vulnerable to meet his eyes on his own accord. 
"Stevie," Eddie says, his voice so gentle that Steve immediately feels stupid for doubting. "I have loved you for ten years. I've had you for three days. Let me bask in it. Let me be unable to be myself with how absolutely and utterly overcome I am with the knowledge that I have you now. That I get to hold you. That I get to kiss you and keep you and... God. I'm not unhappy. I'm so much the opposite of that that I'm not sure there's a word for it. Other than devoted. Smitten. Bewitched, body and soul."
Steve wants to kiss him then. Almost does, with the way they're just staring at each other, breathing the same air —air that smells like Eddie now. In the end, Eddie just holds him, brushing a kiss to his cheek, his forehead, his temple, and whispers, "Let me bask in it." 
And so they do. 
Wayne called Eddie not long after with the words, "Chrissy just told me the wedding's off. Please tell me that means what I think it means." 
Eddie just blushed, reaching for Steve, tucking a strand of hair behind his ear. "Yeah, I, uh. I finally talked to Steve."
There was a very loud cheer on the other end that made Steve laugh, falling into Eddie's side, holding him tight, a weight falling off his shoulders knowing that Wayne was okay with them. 
You know, I always figured it would be you. 
No matter what happens, you'll always be a son to me.
It made his eyes sting again, but he basked in the moment and in the knowledge that Wayne was on their side. Always has been, always will be. 
"You better come here on Sunday, and bring Robin and Chrissy, too." 
"Robs and Chrissy?" Eddie asked. 
"Oh, you're in for a treat. I'll see your asses on Sunday, boys." 
And with that, he hung up. Steve immediately went to call Robin, hopeful and giddy with Wayne's implication, knowing that Chrissy was Robin's person just like Eddie was his. 
"She loves me," Robin said, on the verge of tears, and Steve joined here right then and there. "She's– Steve. She's so– She... God!" 
"Yeah," Steve laughed at the ceiling above his bed, grinning because Robin sounded so happy, not even caring that she didn't have the right words for it, because he could hear Chrissy laughing in the background, too. Laughing and saying hi to him and interrupting Robin's ramblings and groans and giggles with kisses that always left her dumbstruck for a good two seconds each time. 
When the call ended, he went right back to the living room, where he and Eddie started watching Pride and Prejudice before, and fell right on top of him with a happy, happy smile. 
~*~
It happens at Wayne's, exactly one week after Eddie showed up at Steve's in the middle of the night. One week after the phone call. One week after I love you. 
It happens in the soft glow of the fairy lights Steve and Eddie helped him put up years ago. I happens after Wayne hugged him tight once more, after he pulled Chrissy to the side and promised her that she's still his kid, that he still loves her, and that he's happy to see her smile like that. After he promised the same to Robin.
It happens when Wayne's inside to refill their drinks and Chrissy and Robin are caught up in each other that they're blind and deaf to the rest of the world. When Steve turns to find Eddie looking at him with the softest, gentlest expression. 
"Eddie," he whispers, leaning in to rest their heads together, lacing their fingers and stroking his thumb along Eddie's palm.
"Yeah, baby?" 
Baby. It fills him with butterflies, with the urge to scream, to shout from all the rooftops that he loves Eddie, and more importantly, that Eddie loves him back! Baby. Baby.
"I love you." 
"Hmm. I love you more." 
No, you don't. Just longer. "Can I kiss you?" 
He can feel Eddie's little gasp before he leans in even closer, rubbing their noses together, cradling Steve's face with his free hand. "Please," he whispers. 
And Steve does. He captures Eddie's lips, pouring into it everything he feels and more. Sealing the promises he's made and all the ones he's yet to make. The promises to love and cherish Eddie. To be brave. To be there. To stay and keep and bask. 
It's nothing like their first kiss all those years ago. There is no question behind it this time. Only declarations, only promises, only the beginning of a shared future. 
And there are many, many more after this one.
🌷🤍🌷 THE END 🌷🤍🌷
tagging: @sexymothmanincarnate @mcneen @livsters @eddiemunchondeeznuts @abstractnaturaldisaster @steddie-as-they-go @hyperfixationgoddess @goodolefashionedloverboi @stxrcrossed186 @eddiemunsonswife @bidisastersworld @ghost-ly-s @romanticdestruction @walkingaftermidnight07 @anaibis @rainydays35 @mightbeasleep @sunfloweringstories @korixae @tuesdaycats @totoroinatardis @ilovebookshowboutyou @musical-theatre-gay @theluckyalien @copingmechanizm @srra @changelingbaby @sassygoop @obsessivelyme @r0binscript @hardboiledleggs @estrellami-1 @bisexualdisastersworld @space-invading-pigeon @swimmingbirdrunningrock @y0urnewstepp4r3nt @oxidantdreamboat @spilled-jar @phirex22 @littlemsterious @captaingigglyguinea @animecookie95 @sharingisntkaren @haluton @littlemsterious @animecookie95 @suddenlyinlove @bisexual-bilingual-biped @jinx-nanami @makewavesandwar @scheodingers-muppet @morcantinon @hexdbog @homosexualhomocide13
god i can't believe it's over. i thank you, every one of you, who cheered for me, cried with me, screamed and yelled at me, and stayed with me throughout this past week. i have no words right now other than thank you 🤍🌷 and i hope this is okay
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xxplastic-cubexx · 2 months ago
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From the same Storm mini-series 🥹
THE FAM 🥺
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robo-dino-puppies · 1 year ago
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you and Mr. Fell don't ever talk to each other-
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-you never say what you're really thinking.
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lunelicmoone · 2 years ago
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i'm not paranoid, i'm a realist.
I KNOW YOU'RE GONNA KILL ME- AND YOU CAN KISS THE SKIN FROM MY LIPS IF IT MAKES YOU FEEEEEEEEEEEEEEEEELLLLL GOOOOOOODDDDDD!!!!!!!!!!!!!
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blenselche · 4 months ago
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phoebe/fern/finn art pretty please? (if that's okay?)
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the most uncomfortable third wheel in ooo
(that's sugarcane, idr what flame people eat)
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