#but fuck it i'm too mentally ill for that

[deadpoetmagda]

The way everyone now took up in arms blaming women and girls for the elections results and young men turning into the far right truly made something click in me, literally everyone and their grandpa is blaming women, even groups who hate each others are now bonding together like besties just to blame women, so excuse me for ranting on tumblr.com, this is gonna be long :)

What's been happening lately really opened my eyes to how hypocritical everyone is, what's everyone only ever good at is pointing their fingers at women and throwing the blame at us, misogyny and violence against women in all its shapes and forms since the dawn of time till these days didn't cause women to go out on the streets and murder men in masses, yet apparently misandry is real and some comments online made by the evil feminists were enough to radicalize young men and turn them into far right incels and are to blame for the elections in the US, women are always to blame for everything, I'm not surprised with this coming from men but to see women spewing this dumb bullshit too is so disheartening, to me you're no different than the conservatives who blame women for men's "loneliness epidemic" instead of encouraging them to start treating us better, teenage boys and men are shouting "your body our choice" at little girls and young women yet all you fuckers can take from that is that these girls and women are somehow to blame for it!!! A 19 yo girl typing I HATE MEN on her silly little Facebook page or reddit discord after years of nothing but stories of rape and misogyny in the news and in her neighborhood and her school and her home and literally fucking everywhere is to blame for men and boys being radicalized actually, meanwhile the internet is filled with men sharing rape videos and their violent fantasies about us and then they go out in real life shouting and smirking at us admitting how badly they want to strip us of our rights!!

Teenage boys are watching violent porn, men gang rape teenage girls, women and girls get trafficked, raped, beaten, murdered on the daily around the globe, it's statistically proven that husbands mistreat and abuse their wives on such a high scale even in first world countries, not to mention the daily misogyny and sexsism we face, men don't even need to get "radicalized", the majority of men out their don't want us to reach them and be "nicer" to them like you preach, they simply want power over us and to misuse that power, and women and girls who recognize this and see it clearly in the world we live in right now and the thousands of years of recorded history we have and not even to mention personal experiences are the ones to blame... for being aware of it and acknowledging it and demanding change!!!! How fucking dumb are you, or maybe you're just a pretentious hypocrite :)

No one's ever blamed these boys and men for me and other women to end up having radical feminism views, nah they're too busy calling us demented and mentally ill and lecturing us about how to treat men better lest we fail them and blaming us for everything wrong with the world!

Ever since I got introduced to radical feminism and found myself agreeing with some of its ideas and arguments I was always still critical and sometimes even wary of it and never really called myself one, but now if I get totally sucked into it and get "radicalized" myself it's actually all your fault, how about that? Congratulations, centuries of men raping us and creating endless systems to oppress us in unimaginable ways didn't radicalize me, you and your hypocrisy did that instead :)

Honestly fuck all of you dumb shitheads, you can't gaslight us into cuddling men while they keep beating us bloody, I've had enough!

[topsy-turvy-topajade]

So far, with what I know of her character, rather than being a representative of ipc's absolute greed, i see jade as a representation of absolute exchange instead.

i'm honing in on her snake symbol right now, especially the one on her stamp as she crushes us with her heel. Highly speculative at this point, but if she does wind up having some relation to a certain snake eating its own tail, it wouldn't surprise me. When I think of oroboros, i see the give and take of life, its cyclical nature, birth going into death and the movement and vicissitude of seasons.

People may not see it at a glance, but Jade is super nurturing. From one of her messages to TB about 'managing up' to her lightcone 'Yet Hope Is Priceless', Jade cares a great deal about helping up others- especially children - reach their full potential, regardless of how we may interpret her intentions as of now. We only see her more menacing side with the moles, the traitors, who presumably broke important oaths and hence 'committed sins'.

She doesn't strike me as someone loyal to IPC, per se, and we know every one of the Stonehearts is in it for their own thing. Their department has beef with the Marketing group. Also, there is this line on her Character Story 2 that stuck with me:

Witness: The Silverchain Galaxy that once rejected the IPC have now become reliable allies of the 'Strategic Investment Department

She's trying to get them on the side of Strategic Investment Department, specifically.

What is sinister about Jade, to me, is her authority as a senior member of SID, and she's hardly alone in that front– but also the fact that she ultimately has a hand in how people or planets are priced. I for one felt outrageous for the girl who offered three rare gems and third lease on her planet's mining industry, for their planet to be saved from the impending storm, just for jade to go 'nope im taking your soul too. now you're working for the amber lord!!!' or to that effect. She can easily slip into cruelty when need be, as we see her putting the pressure on Old Otti, and that's par for the course for a senior-ranking manager.

[superfruitland]

|| masterpost || previous || next ||

yeah i wasn't kidding about the new update schedule, lol.

but finally, we get to go get into the meat of this story i've been looking forward to for so long! oh but i don't know where to even begin-- oh? what's this? a poll?

you have one week to choose what - or, rather, who you'd like to get to know better first~

[secondbeatsongs]

I know most of the fandom is enthralled by how the relationship between Andrey and Goncharov develops (and I am too! it's a beautiful film, with a compelling power dynamic!), but I really think we need to talk more about Ice Pick Joe.

and more specifically, we've gotta talk about his ice pick, and how he uses it.

it's implied that he's killed a lot of people with that ice pick, but only one of those deaths is shown in the film. it's a hard scene to watch, and some people might want to skip over it, but I think the brutality is part of the point. there's a reason that it's played out with such excruciating detail.

see, ice picks are used as weapons all the time in movies, usually with a stab to the throat or ear, leading to a quick but bloody death. but in Goncharov, the scene is played out slowly, with Joe tying Amarro to a chair before almost carefully putting the pick through his eye socket.

sound familiar to anyone? it should. for a lot of reasons.

Amarro Fiamberti was the name of the first psychiatrist to ever perform a transorbital lobotomy. it was only due to his research that Walter Freeman was able to come up with his own lobotomy technique: one involving an ice pick.

Walter Freeman died in 1972, just months before Goncharov went into production.

and then there's the fact that Joe's ice pick is stolen (where did you steal it from, Joe? from whose operating table?) and the implications that he has his own struggles with mental health (the mention of his sister's murder, the humor he uses as a coping mechanism, the camera angles that give a sense of unreality to any scenes that are from his perspective).

I don't think any of that is an accident or a coincidence.

in my opinion, Ice Pick Joe's story is a tale of revenge - not against someone who wronged him, but against a medical procedure that wronged thousands of people.

and murderer though he may be, he's still my favorite character.

[yardsards]

hot take but you all NEED to stop telling people to kill themselves.

yes, even *those* people. i don't care if you're talking to some monster who puts live puppies into a wood chipper for fun, don't say that shit.

because mx. puppychipper isn't gonna be affected by your words.

but you know who might be affected? some innocent third party reading the words you said on a public website.

because telling people to kill themselves says "suicide is a punishment for being a bad person. bad people, upon realizing they're bad, should simply commit suicide instead of working to atone for their actions."

and that is NOT a message you wanna be normalizing to anyone, but ESPECIALLY people with depression (who, let's be real, make up a higher than average chunk of this site's userbase). whose mental illness is already telling them that 1: they're an inherently terrible worthless person no matter what they do 2: death is an appealing option.

is reading "kill yourself" once or twice gonna make them do it? nah, probably not. but reading it multiple times a day every day is gonna make their mental health worse. it's probably not good for your mental health to be saying that kind of thing, either.

just knock that shit off. the world is already so hostile to people with mental illness, and managing mental illness and unlearning unhealthy thought patterns is already so difficult. you don't need to be out here making it worse.

[necrotic-nephilim]

jealousy really is the driving force of DamiTim as a ship. love that for them. love how Tim has the Robin mantle ripped away from him and he has to suffer the jealousy of watching Dick and Damian bond. how possessive over Dick Tim can be, to have him stolen by Dick.

even more so though, is the jealousy from Damian. how on earth do you cope when you finally get to be Robin, a role you've convinced is your birthright, and no one really likes you? every prefers the Robin who came before you? Dick regularly reminds you that he can always go and call Tim back when you act out? like the complex Damian has over Tim is unreal. Tim, who was born with a silver spoon in his mouth and had everything handed to him his whole life. he never had to struggle or fight for his place like Damian did. Damian has spent his whole life fighting and proving himself, and yet he can't ever seem to truly claw the mantle of Robin away from Tim. even when Tim lets it go, becomes Red Robin, they seem to share it. Tim can slip back into the role of Robin whenever someone like Dick or Bruce need him to, because *he's* the Robin who they need. he's the Robin who was able to find Bruce. he's the Robin that Ra's wants an heir out of. he's the Robin who even Jason respects. in Damian's eyes, everything Damian has fought tooth and nail for, was handed to Tim.

so of course he's going to react to Tim with violence and aggression, especially after finding out Tim has contingency plans for him. no matter how much Damian proves himself, he's never going to be enough, especially not to Tim. and so his deep refusal to see Tim as family, to acknowledge Tim's legacy is all driven by such an angry jealousy. Tim understands aspects of Bruce's legacy that Damian doesn't, like the need to sweet talk and play nice with the elites of Gotham, even if they're corrupt. they exemplify different aspects of Robin, and the aspects that Tim exemplifies are the aspects that Damian knows he'll never fully understand and therefore holds such a deep contempt for. he wants to fight criminals, not play nice with politicians. Tim understands the side of Gotham that's utterly foreign to Damian. if anything, he represents that side of Gotham, to Damian. a pretty little rich boy who's nothing but a know-it-all and not a real son of Bruce. he can't be a Wayne. he can't be Damian's family.

and all of that angry jealousy leading to unhealthy obsession turned a weird, angry crush from Damian is just my bread and butter. that is how DamiTim should be. to me. Damian obsessed over hating Tim Drake so much he accidentally ends up sort of in love with him and that only makes Damian angrier. because he can't prove everyone right by *also* liking Tim. he can't let Ra's win like that, because frankly why wouldn't Ra's be delighted by Damian and Tim getting together. and it builds and builds with angry passive aggression towards Tim that culminates in angry hate-fucking-that's-not-just-driven-by-hate. love and hate are always viewed as opposites in shipping and i think they're the same intense passion just in different directions. and for the best ships, they're very intertwined. what is DamiTim is not the peak of that. "i put so much of myself into hating you i had no choice but to fall in love with you somewhere along the way" core. love that bleeds into hate and hate that bleeds into love. "you make me so angry i regularly passively try to kill you but not with any real effort because who would i obsess over if you were actually gone" core. murder attempts as a form of courting. contingency plans to take each other out as a love language. they're unwell.

[shithowdy]

realized a drawing i'm doing rn is almost identically posed to one i did 8.5 years ago of a different oc, except the old drawing was instantly tainted by one of the players featured messaging me asking if i could take it down because their abusive, possessive rp partner saw it and got jealous of them "roleplaying behind their back" and i said "nah" and it became a whole Thing that i should have walked away from at that exact moment but didn't and the 6 months that followed contained some of the most truly condensed batshit i have ever witnessed in an rp community already well-known for its batshittery.

... anyway i love my friends. so happy to accidentally redeem the pose.

[lesbianwyllravengard]

Wyll breaking up with the player character if Ulder dies so Wyll must become the Duke makes me wanna throw up sobbing because he actually thinks that just because his father's first duty being to Baldur's Gate made him a Bad Father that Wyll himself will inevitably be a Bad Lover because surely no one could match love with duty if his father couldn't, unknowing he has more love in one hand than his father had in his entire body. fuck

[good-to-drive]

Abuse, Silence, And Why Kevin Can Fuck Himself

I recently finished watching Kevin Can Fuck Himself on Netflix, and, aside from being the most brutally honest portrayal of domestic abuse I have ever seen, I discovered a beautifully written examination of narrative as power and silence as abuse and how this manifests in our larger culture. 

Without going into too much detail, the show is filmed in two distinct styles that are interleaved throughout each episode to tell a cohesive story. Allison and Kevin’s relationship as seen by the rest of the world is told through a multi-cam, laugh-track sitcom that depicts a very typical “goofy husband, shrewish wife” mainstream comedy. Allison’s life through her own eyes is told through a single-cam drama/thriller about Allison planning to murder Kevin to escape his abuse. 

It’s an absolute masterclass in screenwriting, but more than that, every episode explores the difference between truth, fact, and reality, and how none of these things are quite as much or as little as story. But while the process of transforming the chaotic and plotless reality of life into a story is as involuntary and essential as breathing, misogyny and the degradation of women is just as ubiquitous in our society, and a story that exists at the expense of another person’s lived reality is a refutation of their humanity. 

It's also just a great show for anyone who likes to engage with history (or reality TV or true crime or “real life stories” in general), because while we have to tell ourselves stories about her own lives, we have to tell ourselves stories about other people as well. Eternal silence is narrative death, and the perpetual silence of an unspoken narrative is often the last death we can visit on someone whose story we’d rather ignore. 

I also pulled up some books – Lolita and Disgrace – that dealt with similar themes, but from the perspective of the abuser. And what strikes me the most is that, across three beautifully written stories about narrative and silence within a culture that normalizes abuse, Allison, who began her story within a state of narrative death, was the only point-of-view character who had any chance of surviving. 

One of the main themes of Kevin is that a compelling story is often a story that reinforces what we already believe or like to believe, and while the story may be factual and true it often also exists at the expense of someone's lived reality. The exact same series of events can be a silly joke or a harrowing tale of abuse depending on the lens through which we view it, but historically we've only been willing to see the multicam, laugh track, sitcom perspective on unbalanced relationships.

The alchemical process of turning a series of disjoint facts and experiences into a narrative creates something new and compelling, and erases much of what previously existed. In this way, it’s entirely irreversible. We spin our experiences into a very thin thread, a story we can tell ourselves that elicits something within us, something we need in order to live with the complex, uncertain, and unsatisfying reality of life. In think in many ways the thing we elicit in ourselves is truth. But truth is both more and less than fact, often more a reflection of our own beliefs and desires than the events of our lives. And in telling that truth we may never stray from the facts, but we almost by definition cannot give voice to another person’s reality.

There's a scene in season 2 of Kevin when Allison is hit by a door – a la the classic excuse – because of Kevin’s carelessness. And while he absolutely did not hit her, the way it's written is such an incredible allegory for how Kevin has curated their story and curated their friends' and family’s perceptions of their story such that even if she tells everyone the exact, unvarnished truth of what's happening to her and begs for help, they will only be capable of seeing the laugh-track, sitcom, “Kevin is a harmless goofball and his wife is a total shrew” perspective on the events of their lives. 

As so often happens with abuse, their friends and family saw Allison being hurt because of Kevin. But the alchemy of creating a narrative around Kevin and Allison is irreversible, and the series of events they witness can only be spun together to a joke, an accident, a silly, childish mistake. Allison’s reality, Allison’s pain and fear, is completely elided. Like a lost sound in the middle of a sentence, her experience goes silent, and their larger understanding of her relationship never has to change. And you feel so acutely how Allison lives her entire life in that silence. 

Storytelling is human, it’s essential, there’s no other way to engage with our own lives. And it’s not lying. It’s never lying to tell the truth. But it doesn’t reflect every reality, either, because another person’s reality can’t be reflected within our own narrative, because that’s what it means to be another person. To spin two different threads.

And because narrative is the essential process by which we understand our reality, denying someone their own narrative, or denying that this narrative be heard, is inherently abusive. To allow someone a voice is to give them humanity, and to suppress it is to strip that humanity away. 

Disgrace, by J.M. Coetzee, follows the story of a professor, David, who rapes a student and then fails to protect his daughter, Lucy, from being raped by intruders in their home. He destroys his daughter’s life  – not through failing to protect her, but through twisting her rape into a story about why the rape of his student wasn’t wrong. The main theme of the book is generally considered to be exploitation, but Coetzee doesn’t deal with the exploitation of the rape. That’s too direct, too immediate, too easy for the reader to understand as misogynistic and wrong. Rather, Coetzee delves into “the innocuous-seeming use of another person to fill one's gentler emotional needs” (Ruden).

The rape is how we understand David as a fundamentally exploitative person, a person who denies others their humanity by converting them into a vessel for his own desires, who erases their voice in order to speak through them and give himself the things he needs. And that’s how we recognize that the way he absorbs and claims the stories of his daughter and his student is another kind of violation of their humanity. Another way of turning women into vessels for men’s pain and fear and need. 

What’s fascinating is that David's student finds her voice – files a complaint against him – and is eventually able to continue with her life. The woman he raped is less damaged by him than his own daughter, because she was the woman he couldn’t permanently silence. 

In Lolita, another brilliant novel about abuse, dehumanization, and storytelling, Humbert turns to the reader at the end and says, “Imagine us, reader, for we don’t really exist if you don’t.” 

It’s not that Humbert knew he was fictional, but that he knew everyone was fictional. Believed the entire world only truly existed in his own mind, because anything beyond that was irrelevant to his needs. He coped with the collapse of his ability to dehumanize Dolores (who he called Lolita) by demanding that his voice be resurrected. Demanding immortality. Demanding his narrative exist in another person’s world, and thereby be given the existence and humanity that Allison and Dolores and Lucy and David’s student were denied. 

Pushing his needs, finally, onto the reader, because we are the only person he has left, and a person like him can only exist through the use of another. In that way, Humbert was powerless. In that way, Kevin and David were powerless, too.

In Disgrace, David’s dream is to write an opera, and at the end of the book he realizes he’ll never finish his magnum opus. He’ll never be able to terminate the process of converting himself, his world, into a story. But he does learn to decenter himself in that narrative. And it’s when he loses all fear of death, and any conception of the self, that he gains the ability to give dogs – who he generally equates to women – a voice within his opera, his life’s work. 

It’s in death that we discover our true unimportance as human beings, that we learn to let go of vanity and our conception of the self entirely. And David had degraded women so thoroughly in order to justify how he used them to meet his own emotional needs that it was only in losing all value for his own life that he could gain the ability to see them as equal voices. To actually put those voices into his own life story. It's at the cost of himself that he allows other people to truly exist, in the death of the self that he finally allows the world to exist outside of himself. It’s almost a positive character arc. Almost.

When Kevin finally loses the ability to abuse Allison, he, like many abusers, loses all desire to live. His world was built on a structure of superiority and inferiority, on beings and vessels, on the inherent value of men and the inherent meaninglessness of women’s lives. The system on which he based his entire reality has been destroyed by Allison’s declaration of the self. And, if he was a being because she was a vessel, then in losing the ability to treat her as a vessel, to fully and completely dehumanize her, he has lost his own humanity. 

It may be perfectly summed up here: “Become major. Live like a hero. That's what the classics teach us. Be a main character. Otherwise, what is life for?” (Coetzee).

If you’re not to be a main character, if there indeed is no split between major and minor characters, between people and the paper dolls that populate their story, between living beings and the vessels into which they pour their need – what is life for?

Nothing. At least, not for people whose narrative must exist at the expense of another. 

And that’s why I say that only a narrator like Allison could survive this kind of story. Despite beginning her story trapped in eternal silence, her reality fully elided no matter how immediate and obvious it became, Allison was the only point-of-view character of any of these three stories who didn’t establish her power through the degradation of another. Who didn’t conceptualize the world via being and vessels. Whose narrative didn’t exist, by necessity, at the expense of another person’s humanity. Whose thread could exist in a larger tapestry without destroying her sense of self.

Don’t get me wrong, she’s not generally a likable character. She’s misogynistic, cruel, selfish, jealous, desperate, afraid, and in pain. Like anyone in an abusive relationship, she’s not at her best, and she’s often pushed to do things that are ugly and disturbing because she’s simply been pushed too far. 

But, for me, the power in her character is in how her last scene never felt like a final scene. Her story didn’t have to be killed, her conception of the self didn’t have to be killed, in order to reveal the brutal reality of stories twisting and intertwining without any inherently superior truth or narrative among them. Allison’s story was one of declaring herself. And that’s why it didn’t feel like it ended at the end. Instead, this felt like a beginning.

[idontwannabeherealone]

I don’t blame you for giving up on me, I’ve given up on myself too

[batbrainrot]

guys please tell me those batman #148 leaks of jason dying again are fake. tell me they're fake right fucking now i can't fucking do this shit right now i'm off my meds

[k3t4min5]

[hiwaga-fucks-up]

it's not so much that 'all the kids nowadays are depressed/autistic/ADHD' as much as it is 'society has become so unfriendly to the mentally ill & neurodivergent that what once was a mildly impairing condition that could've been overcome with a little bit of hard work and coping mechanisms disguised as cute quirks has become genuinely debilitating because of the increasing demands of society'.

[anaalnathrakhs]

love this part of my life where the things that are difficult but challenging and good for me are things i can stop and skip and halfass, but the things that are difficult and painful and pointless are the things i have to live with no matter what

[batfamfucker]

There are four main types of Batfam fans in regard to how people interpret Bruce Wayne as a dad (/Joking. This is mostly satire and should not be taken seriously):

Fans that think Bruce is emotionally constipated and isn't the best at being a parent but still tries (Differs per person). Don't necessarily think he's absuive but thinks he can be toxic or have unhealthy expectations for the Robins. Can smell the Oldest Daughter Syndrome coming from Dick and have Family Line (By Conan Gray) as their top song on their Dick inspired playlist and Daddy Issues (By The Neighbourhood) for Jason.

Fans that choose to believe Bruce goes to therapy in their own canon. Love B:WFA. Thinks the comic can be cheesy at times and so find a balance between B:WFA Bruce and Please Go To Therapy BruceTM as their middle ground. He struggles. They advocate that Bruce is not a bad parent, he just has bad writers that seem to forget Bruce wouldn't hurt kids, especially not his own. Love the humane moments and scenes he has in BTAS and the early JL cartoons. He may not be perfect but he's not literally abusive. Whores for Bruce being able to admit when he is wrong and for Jason and Bruce reconciling. I recommend Grow As We Go by Ben Platt for this one.

A mix between the first two. Was fine-ish when Dick was younger. Didn't help him in the healthiest way but eh. Still emotionally constipated but that happened more so after Dick left and Jason died. Started getting better when Tim came back but was still closed off. Should probably go to therapy with the kids so they can drag his ass about all the things he's done that have actually affected them negatively. Understands his mistakes and is also able to admit when he's wrong, eventually. It's not easy but he starts to do better and learns to be more emotionally available. Still has to get chewed out by Alfred sometimes but definitely better than he used to be and it shows. Reconciliation is slow and gradual but progress is made for everyone involved.

The one's I personally avoid for my own sanity and wellbeing:

Think Bruce is a complete bastard and abuser. Want him to choke. Hate any and all interpretations of him. Some of which will refuse to understand how anyone could have a different interpretation. Will point out comics where, in all fairness, he is a dick but forget that characterisation can significantly differ from one series to the next, as comic characters are constantly passed around to different writers and have been for decades. Not to mention movies, shows, etc.

[de4dlyniightshade]

"you're really rude" cry? cry me a river? i don't care?