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bonefall · 9 months ago

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Clear Sky is a Monster.

Of all the characters in Warrior Cats, I think Clear Sky was the most heavily mishandled.

At every turn, the narrative begs you to sympathize with him, to "understand" the "misunderstood." To this end, his brother Gray Wing is used to "keep faith" in his inherent goodness, his abused son, Thunder, is forced to go back to him over and over, and his second dead wife is completely lobotomized in death to absolve him of all sin.

Because of this, of all this set-up for the "redemption" arc they're trying to tell in the last three books, DOTC is Clear Sky's story. Everything primarily exists to benefit and serve his arc. Thunder and Gray Wing might have POVs, but HE is the character who truly drives the plot. So in order to HAVE conflict for that back half, two evil foreign cats, Slash and One Eye, are summoned to act as contrast.

Their narrative purpose is to display "true evil" to make Clear Sky look less bad in comparison. Unfortunately, Clear Sky is the most malignant, deadly character who has ever blighted Warrior Cats.

The "pure evil" examples they summon aren't effective contrasts because they're flat. Clear Sky is what real abusers look like.

His rhetoric is what it sounds like when a cult leader is trying to keep control over a group. He lies when it benefits him, justifies his actions with his tragic backstory to assuage his guilt and manipulate others, and violently lashes out when his feelings are hurt before blaming his victim for making him angry.

He only made "some mistakes" in that SOME of his actions were accidents-- the vast majority of them were malicious, self-absorbed, intentional choices to punish, hurt, and kill others.

I've spoken about Bumble. I've tallied his body count next to Tigerstar. I've talked about how his infant son's death was his fault in sequel books, and called attention to the infected wound face shoving scene that no one talks about. I can't fit every detail into a single post-- because he's so rancid that I would practically be posting entire books.

So what I want to do here is tackle the heart of Clear Sky. Everything he does, everything he's motivated by, is absolute and utter control over other people. He leverages his "trauma" to evoke empathy from his targets to make them easier to manipulate. He's a dirty liar. He breaks down to physical violence when all other tactics stop working.

He's one of the most severe and realistic abusers I've ever read about outside of very adult literature-- and when I read the reasons why he's attracted to Star Flower, my stomach immediately lurched.

The Killing of Misty

Starvation Rhetoric and the Memory of Fluttering Bird

Aside; a question

Hunger as a punishment; he doesn't care about starvation

Exoneration arc

Predation: Star Flower is a replacement for his son.

I think that index is an evocative content warning. But to say it again; this post contains child and domestic abuse, physical assault, public humiliation, incestuous grooming implications, and a lot of murder.

I need to start with the death of Misty. I see a few people saying that Clear Sky killed her for "being on his land" or trespassing, but this is actually a misstatement that I feel is important to correct.

Misty and her children were on their own land. It was her house. Clear Sky killed her to take it.

This is one of the most important details to remember about Clear Sky, that this is the consistent end point of his obsessive need for power and control. By harassment, by violence, or by death, he will brutalize anyone who does not give him what he wants, or who makes him feel bad, and find some way to justify it.

This territory expansion was for no logical reason. There was plenty of food and plenty of land. Any aggression that's happening on this territory is in response to how he's been stealing land and mauling people.

When it's found out she was fighting to defend her children, Clear Sky's immediate response is to slaughter them too.

Petal doesn't have milk either. It wasn't about the logistics. He wanted to kill the kids, because looking at them made him feel bad, and she just managed to stop him.

Starvation Rhetoric and the Image of Fluttering Bird

It is often said that Clear Sky is doing this because he's "traumatized" from how his little sister, Fluttering Bird, starved to death in the mountains. That the emotion came from wanting to feed people. That's incorrect. It wasn't about food. Fluttering Bird's death, and all the "starvation" he's faced, are used as manipulation tactics to guilt, influence, and control other characters, particularly when he might meet resistance or be held accountable for something.

It was always, ALWAYS, about control.

He does not care about actually helping people; "Starvation Rhetoric" through Fluttering Bird is an image he can invoke to justify the actions that are as bloody and cruel as the one this post starts off with. Either in his own mind, or in the minds of the cats he's manipulating.

He does this to Falling Feather, before slicing her face open in anger when she doesn't buy it. He does it to Rainswept Flower, before he strangles her to death. And he does it in the chapter just before Misty's murder, both to his Clan and then to Thunder,

Clear Sky climbed up in front of an entire crowd and gave a grand speech about hunger and "adjusting" the borders around territory he plans to conquer. When he gets to "forgiveness" he feigns pain to make his point because he is performing. If the sentiment is not a total lie, then at bare minimum, he is intentionally playing this up for the crowd.

He is rallying the Clan to support his violence against the cats whose land he wants to steal, and selling it with his life's hardships.

The audience is clearly well-trained, because several cats recognize the cue, particularly Frost who is praised for loudly comforting him. This signals "loyalty" because showing your sympathy towards his "suffering" is how this type of emotional manipulation works. It creates a persecuted, righteous in-group.

He's also apparently used this tactic before, since this entire crowd knows what "I Would Never Forgive Myself " means.

He's made sycophants out of his followers. Like a cult leader.

His abused son, however, hasn't been fully indoctrinated yet. Seeing Thunder uncomfortable with the idea of expanding the borders for no reason, Clear Sky calls him over for a personal propaganda session.

Clear Sky begins the exchange by calling this a "duty" and a "great honor." Immediately framing what he plans to do as righteous.

He puts on the act when Thunder shows resistance, dramatically pausing to let the guilt trip sink in.

"Thunder waited, realizing that he said the wrong thing."

And then Clear Sky launches into infantilizing Thunder, talking down to him like a child who's too inexperienced to see the "signs of starvation," acting like he's being "patient" in "explaining" it.

And then we get it. "I know what starvation looks like (so stop trusting your own eyes) because I have been through more than you (so shut up and do what I tell you), and I'm being a HERO for what I'm about to do (so opposing me would make you a bad person)."

Thanks to these crocodile tears, looking "moved," the act works. The victim is immediately wracked by guilt because the abuser seems genuinely emotional.

He even lovebombs him over the corpse of Misty in the next chapter, making Thunder feel threatened.

Thunder doesn't have the words to describe what is happening to him, but he knows that this sudden snap to praise isn't natural. That something is very wrong.

A Question.

Before I move on to show that this IS an act, and that he is lying about how important avoiding starvation is to him, I will ask a question. Please think about it, because I promise I mean it genuinely;

Why does it matter if Clear Sky actually believes this or not?

The victims are just as dead either way, yes? Thunder is just as abused and guilt tripped. The entire Clan has been driven towards violence while coddling and cooing at their Supreme Leader. Clear Sky is slowly annexing the entire forest. If you have ever accepted that he had "good intentions" as an excuse for the harm he did, or that abuse and murder was what he imagined was "the right thing," or that his trauma justifies the way he leverages his own pain to make cats do what he wants... why do you think that?

Why does that make it morally better, as the narrative concludes? Would you accept the same for every other WC villain or antagonist? Tigerstar? Slash? Tom the Wifebeater? Brokenstar? Rainflower?

How could you tell the difference, if you couldn't read their actual thoughts on the page? ...are there any other "good intentions" you've accepted, somewhere else?

Don't share that answer with me. It's a question for you. Sit with it.

Hunger as a punishment; he doesn't care about starvation.

...but, regardless, Clear Sky is not deluded about starvation. It's a justification for his obsessive need for control, and always has been. There was no shortage before stealing Misty's land and kits, he is fully aware that there's more prey than they can eat.

He punishes Falling Feather with hunger and harassment for thought crime, by briefly thinking of leaving. But first, he invokes Fluttering Bird at her like he did before, flying into a screeching fit of rage when she doesn't buy it,

"I'm sorry I hurt you... BUT" is THE wifebeater phrase. THE stereotypical line of a domestic abuser. "I'm sorry I hit you... but it's your fault for making me so angry."

She went through the same exact starvation he did, calls out that he's just framing his greed as being for the collective benefit of his subjects, and is assaulted for that.

When we're in his head, we see his REAL concerns are not about hunger. He invoked Fluttering Bird to try and make her shut up and bow down to him; what he's focused on is her "gossiping" and "whining" about the open wound he left on her face. He's still furious at Fircone and Nettle for how Thunder QUESTIONED him. So he will "strengthen their commitment."

When "starvation" DOES enter his thoughts, it is to assuage his own guilt and JUSTIFY what he already did. What he already WANTS to do. It's post-hoc.

He had to suppress his own guilt at how his greed and ambition made these children into orphans, completely unable to admit that he's ever been wrong or has a change to make, so he invokes the starvation rhetoric at himself to excuse it. So he feels less bad.

Everything, EVERYTHING, in this confrontation is about his pleasure at being able to torment his subordinates. To continue the abuse when the initial confrontation is over. If it isn't pride in his power and control over them, it's plain sadism.

He invokes starvation in front of the crowd, again, after being pleasured at the guilt in her eyes, hoping that everyone sees her writhing with shame and embarrassment. Fear wasn't at the root of why he assaulted Falling Feather; rage was, and now he feels better that he got to humiliate the person who offended him.

Starvation Rhetoric is a manipulation tactic.

It goes RIGHT BACK to his twisted idea of "loyalty." Obedience.

A cat who's actually, primarily concerned about starvation wouldn't encourage other cats to steal her food if they feel like it. He wouldn't be using it as a weapon to retaliate against her because she hurt his feelings.

This is paired with the fact he restricts and monitors the diet of his cats. They eat when he allows it, and only what he gives them, in spite of there being piles of dead animals rotting, going to waste.

We then find he personally doles out food from these piles, plucking carcasses off them and flinging them at his cats, one by one. Probably so he can watch how grateful they are to him and make sure they stay a little hungry-- and definitely because it means he can control WHO gets to eat at all.

If Clear Sky chucked a mouse at Falling Feather and someone took it? She would have gone hungry. For not groveling to him. Like when he decides to starve her brother; a hostage who he promised to feed and care for.

He's a dishonest snake. He lied about abandoning baby Thunder, calling it a "test of strength," he lied about Bumble's death, he lied about keeping Jackdaw's Cry fed.

And he lied about starvation to Thunder, because he was just making up an excuse to steal more land.

He wasn't "seeing the signs" of starvation when he moved to "adjust" his borders. Even FURTHER into this so-called "delusional slip" into tyranny, he's freely admitting that it takes months for a person to starve when it benefits his sadistic need to punish undeserving cats.

"Dumb moor cats, always expecting more than they DESERVE."

Not need. DESERVE. It's not a delusion about starvation and it never was. STARVATION is how he CONTROLS SkyClan, and once again he's angry that his pleasure has been sullied.

The massacre at Fourtrees was started over Jackdaw's Cry catching a bat after being starved, on land that Clear Sky has decided RIGHT NOW that he also owns, because it mades him think about being disobeyed.

The bat is forgotten as Clear Sky pivots into a tantrum, wanting to make his family HURT for being 'disloyal' and 'ungrateful.' For leaving him. He LIKES seeing people grovel, cower, and beg, getting PLEASURE from watching how he can hurt and command other cats, and if you don't give him what he wants he will kill you.

Which, make no mistake, is what the "First Battle" actually is. Clear Sky attempting to murder those who don't worship him or swear their undying fealty to him and his twisted dictatorship. Particularly his own son, the most prominent victim of his emotional abuse.

It's not about the bat. It was never even about food or starvation. It's about retaliation for any perceived lack of control.

Once again he breaks out starvation rhetoric to try and manipulate someone, and when Rainswept Flower doesn't buy it just like Falling Feather didn't, he murders her in another fit of entitled rage.

Exoneration arc.

At the end of this battle that was entirely his own fault, we're introduced to the hollowed-out ghost of Storm. She has been flushed of all personality, so that she can be the perfect narrative mouthpiece.

She accepts yet another Fluttering Bird Invocation in spite of how we saw it's not sincere. He was lying the entire time and using starvation rhetoric as a manipulation tactic to get control over his victims.

And that's it.

That's the consequence. Storm's a little mad at him until he says "Buttering Flird" and she swoons.

He doesn't have to be ""afraid"" anymore because the cats just invented an afterlife to believe in. He keeps all of his power and influence and gets off scot-free, because "guilt" (which we SAW him repressing anyway) is supposed to be the best consequence for murder, abuse, and tyranny.

The husk of Storm even materializes again at the end of book 5 to say it outright; he "never drove anyone away." Not even after Book 4 where it's also his fault One Eye took over his Clan for 5 minutes. It was just destiny.

His "redemption arc" is just an exoneration arc. The narrative doesn't think he really did anything wrong.

EVERYTHING about Clear Sky has ALWAYS been about making grabs at power, but since the narrative didn't see a problem with him extorting his personal tragedy and the death of a child, his own sister, he continues doing it. As if these behaviors are normal personality 'traits'.

Even when that sister COMES OUT OF HEAVEN TO YELL AT HIM DIRECTLY,

He finds a way to COMPLETELY miss the point, so he can interpret her words in a bizarrely specific way that will conveniently end with him being the supreme dictator of the entire forest. Just like he ALWAYS does.

It's the entire 5th book. Clear Sky trying to convince everyone, including himself, that it's Fluttering Bird who wants him to grab at power, NOT himself and his own ambition, that THIS time, he promises, for realsies, it's actually about keeping everyone safe.

But just like ALWAYS, because he does not change, when this tried and true tactic manages to work on Thunder, during ANOTHER exchange where he's dramatically pausing and using the cold shoulder to make his pitiable act land harder,

He lapses right back into bullying his child, creating situations where Thunder will have difficulty or be put in pain, so that he can have an excuse to mock and belittle him.

And this all comes to a head when Clear Sky takes romantic interest in Star Flower, his abused son's previous romantic interest.

Predation: Star Flower is a replacement for his son.

Direct parallels are drawn between Thunder and Star Flower. Star Flower contrasts her loyalty to her father to Thunder's "disloyalty" to his own, in an appeal to Clear Sky.

Clear Sky brushes it off for now, citing that he cannot accept her because of who her father was.

But then, Thunder makes the connection between himself and her, because he knows what it is like to be a victim of parental abuse and correctly clocks that they have this in common,

On his vouch, Clear Sky accepts her into the group. She starts trying to offer himself to him; hunting twice as hard as the others, self-imposing harsh conditions like taking a wet sleeping spot. In their second interaction, Clear Sky begins to take interest in her.

Thunder himself points out that Star Flower is seeking an abusive tyrant to replace her own father, which reads like he's deflecting the stress of how his father is abusing him to deny a connection he already made. As if Thunder sees so much of himself in Star Flower that it makes him (rightly) feel sick that his father is romantically invested in her;

Thunder then goes on to follow his own advice and form his own Clan, because Clear Sky IS like One Eye... while Star Flower remains here. At Clear Sky's side. Because she feels like this is what she "deserves," that she "understands" him, truly believing that her crime (warning her father that Clear Sky brought an ambush in case he lost the 1 on 1 death match he requested, which he did) are on the same level as his abuse and murders.

Clear Sky is attracted to Star Flower because, in his own words;

She is young.

She will not betray him.

She won't question him,

and she obeys him.

We've seen what "betrayal" is to Clear Sky-- not taking his excuses or his beatings. To "disobey" is betrayal. To "question" is disobedience.

These are ALL things he's tried to drill into Thunder. We saw him happily exploit their difference in age to tell him he can't have an opinion. He constructed humiliating games in retaliation for ever being questioned. He tried to murder Thunder and his friends for their "betrayal." Even now, being disobeyed causes explosive reactions.

He was previously grooming the things he now identifies as attractive in a young woman into his child.

If your body becomes too useless to serve him, like Frost and Jagged Peak, you're thrown out. If you don't unquestioningly follow his bloody commands, like Falling Feather or Thunder, you're subjected to abuse and public humiliation. If you're in his way, like Misty or Rainswept Flower were, you die.

If you meet all of his expectations...

You will be in a horrific position where you will never have agency over your own life ever again. Every move, every word, will have to be carefully crafted so that he feels like you're "loyal" to him by the arbitrary standard he feels that day. Never step out of line, never doubt his decisions, never live for anyone except him and the children you will give him, not even for a moment, because then you will not be "worthy" of his grace.

Star Flower would be in serious danger if this series wasn't written by abuse apologists. They accidentally wrote a perfect reflection of how child abuse victims often find themselves in unsafe and toxic romantic relationships with large age gaps which mirror what they went through as kids; but this team doesn't clock it, playing this relationship as wholesome and genuine.

He finally has someone who ""understands"" him. Because they think the character they wrote is misunderstood.

but reality is plain to see.

Clear Sky is a monster. The most realistic monster in all of WC-- far, far closer to real life predators and domestic abusers than the "born evil" rogues like Slash and One Eye. The Erins seem to believe that what separates Clear Sky from One Eye is "fundamental" good and "fundamental" evil, when the truth is that they'd be separated by very, very little.

If they had realistic motivations, they would be exactly like the character their existence is meant to excuse.

Slash and One Eye HAD to be kept flat and one-dimensional. If the book was more earnest, the only difference between Clear Sky and One Eye would have been that One Eye is stronger. So strong that Clear Sky needed to manipulate the other groups into helping him.

While anyone can change, not everyone will, and Clear Sky has no reason to. He sees no consequences. He has everything he wants; power, a pretty and obedient young mate, and unchecked authority over a brainwashed forest cult. There is always a victim on a leash, a naive enabler, or a bunch of desperate and gullible marks somewhere in his proximity to bully into doing his dirtywork

Whether his "intentions" were sincere or not (evidence points towards not) at its root it was always about control. Power is something he perpetually keeps, and continues to violently use.

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redhoodinternaldialectical · 11 months ago

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"Murder is Werewolves" - Batman

I don't got the SPOONS to do this thought train justice, I have seriously been trying to write this thing for MONTHS so just, idk, have this half baked skeletal outline of the essay I guess:

I don't believe that Batman's no-kill rule is primarily about rehabilitation or second chances.

His refusal to believe that Cassandra could have killed someone when she was eight years old because "how could a killer understand my commitment not to kill" is absolute fucking MOON LOGIC from a rehabilitationist standpoint. No jury on the planet would think for even a second that she could reasonably be held accountable for her actions in that situation! Her past cannot condemn her to being incapable of valuing human life under a rehabilitation centering framework. However, Batman's reasoning makes perfect sense if he believes that killing is a spiritually/morally corrupting act which permanently and fundamentally changes a person, and that corruption can never be fully undone.

Dick Grayson killing the Joker is treated both narratively and by Batman as an unequivocally WIN for the Joker. The Joker won by turning Nightwing into a killer. Note that this is during a comic in which the Joker transforming people was a major theme! Batman didn't revive the Joker because the Joker deserved to live; he revived the Joker to lift the burden on Dick.

His appeal to Stephanie when she tried to kill her dad is that she shouldn't ruin her own life. He gives no defense of Cluemaster's actual life. Granted this is a rhetorical strategy moment and should be taken with a generous pinch of salt, but it fits in the pattern.

When Jason becomes a willful killer, he essentially disowns him, never treats him with full trust ever again, and... Well, we can stop here for Bruce's sake. Bottom line is that his actions towards Jason do not lead me to believe that he thinks Jason can become a better person without having his autonomy taken from him, either partially or fully.

The Joker is, for better or worse, the ultimate symbol and vessel of pure, irredeemable evil in DC comics now. He hasn't been just another crook in a long time. He will never get better, he will only get worse. If you take it to be true that the Joker will not or can not rehabilitate, then there's no rehabilitationist argument against killing him.

Batman does not seem to consider it a possibly that he'll rehabilitate. Batman at several points seems to think that the Joker dying in a manner no one could have prevented would be good. Yet Batman fully believes that if he killed the Joker, he himself would become irredeemable.

Batman's own form of justice (putting people into the hospital and then prison) is fucking brutal and clearly not rehabilitative. He disrespects the most basic human rights of all criminals on a regular basis. It is genuinely really, really weird from a rehabilitationist standpoint that his only uncrossable line is killing... But it makes perfect sense if he cares more about not corrupting himself with the act of killing than the actual ethical results of any individual decision to kill or not kill.

In the real world cops are all bastards because they are too violent to criminals, even when that violence doesn't lead to death. Prison is a wildly evil thing to do to another human being, and you don't use it to steal away massive portions of a person's life if your goal is to rehabilitate them. In the comic world, Batman is said to be necessary because the corrupt cops are too nice to criminals and keep letting them out of jail. I don't know how to write a connector sentence there so like I hope you can see why this bothers me so damn much! That's just not forgiveness vibes there Batman!!

I want to make special note here of the transformative aspect. You don't simply commit a single act when you kill, no, you become a killer, like you might become a werewolf.

The narrative supports this a lot!

Why did Supes go evil during Injustice? He killed the Joker. Why did Bruce become the Batman Who Laughs? Bruce killed the Joker. Why was Jason Todd close to becoming a new Joker during Three Jokers? Because he killed people, to include the Joker.

Even if these notions of redemption being impossible aren't the whole of his reasoning (people never have only one reason for doing what they do) it is a distinct through-line pattern in his actions and reasoning, and it is directly at odds with notions of rehabilitation, redemption, and second chances.

So why does he give so many killers second chances?

Firstly because this doesn't apply to all versions of Batman. Some writers explicitly incorporate rehabilitation and forgiveness into his actions. You will be able to provide me with examples of this other through-line pattern if you go looking for them. The nature of comics is to be inconsistent.

Secondly the existence of that other pattern does not negate the existence of this one. People and characters are complex, and perfectly capable of holding two patterns of belief within themselves, even when they conflict to this degree. You can absolutely synthesize these two ideas into a single messy Batman philosophical vibescape.

Finally and most importantly to this essay: he has mercy on killers the same way that werewolf hunters sometimes have mercy on someone who is clearly struggling against their monsterous nature, especially if they were turned in exceptional circumstances or against their will. They understand that they are sick, damned beasts, cursed to always be fighting against themselves and the evil they harbor within. It is vitally kind to help them fight themselves by curtailing their autonomy in helpful ways and providing them with chances to do some good to make up for their eternal moral deficiency.

I think in many comics Batman views killers as lost souls. Battered and tormented monsters who must be pitied and given mercy wherever possible. (The connections to mental health, addiction, and rampant, horrifying ableism towards people struggling with both is unavoidable, but addressing it is sadly outside of the scope of this essay.)

Above all, the greatest care possible must be taken to never, ever let yourself become one of them, because once you have transformed the beast will forever be within you growing stronger.

To Batman, it is the most noble burden, the highest mercy, the most important commandment: Thou shalt suffer the monsters to live.

#batman #batman negative #batsalt #okay hopefully that will let peeps who don't wanna see me rant against bats avoid this?#i could write several books on the moral and ethical philosophies at play in the Batfam tbh #I'm like kinda mostly happy with this #pretty good for being slammed out in three hours while baking brownies #inspired muchly by my friend's talk about Batman acting in accordance with Presbyterian predestination #and how he is one of the most carceral of all superheroes #all people merely revealing through their actions what sort of person they already are #punishing them in the hopes they can suffer enough penance on earth to escape hell #how that can look like rehabilitation or redemption at a glance #but functions in a fundamentally different way #anyway hope this mess was an interesting read!#damian's tomfoolery

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smallnico · 2 months ago

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can you tell esper is uhhhhh. ill?

got tagged by @beecreeper for the character insp meme! (check out his here!!) this was a lot of fun, there are a couple of honourable mentions i'll get into under the cut, along with some elaborations for the curious.

list of names, L > R 1: harrowhark nonagesimus -- the locked tomb saga 2: isaac -- castlevania (netflix series) 3: cole -- dragon age: inquisition 4: blackbeard -- our flag means death 5: (bingo free space) 6: seven of nine -- star trek: voyager 7: katya zamolodchikova -- real life / unnnhhhh 8: paul muad-dib atreides -- dune 9: maomao -- the apothecary diaries

1: harrowhark nonagesimus -- the locked tomb saga

if you've read the locked tomb, this one's pretty self-explanatory. but i took a lot of inspiration from harrow's grief-sodden religious zealotry for esper's pre-tadpole self, and i think about harrow the ninth every time i write from esper's perspective during the events of the game. it's the amnesiac goblin madness for me. esper would also absolutely put their bone marrow into a soup to kill someone if that was something they could do. they're extra like that

2: isaac -- castlevania (netflix series)

i just fucking love isaac, man. he's such a fascinating character, taken from a place of pain and degradation into the service of a mad god-figure hellbent on destroying humanity, then banished and forced to just. figure out for himself what he wants to do with his life. and it turns out that what he wants to do is relate to the hellbeasts he raises to use as soldiers, and let them try to eat strawberries and live in houses for a change, take a chance at living as something other than vessels of violence. i love him. that's really all esper wants, too -- to find a peaceful existence after a lifetime of pain and brutality and monsterhood.

3: cole -- dragon age: inquisition

cole is such a vibe. he lives in the attic staring unsettlingly at people and reading their minds and exhuming their pain so he can help them with it, including with his knives. he has that unearthly creepy vibe that esper projects, as well as their tendency to poke around in people's private emotions and their slight uncanny distance from human morality and ethics. making cole more human also ends up around the same for esper -- cole is never quite all the way there, but happy to be truly Among the people whose souls he reads and finally able to experience those things for himself.

4: blackbeard -- our flag means death

apart from the leather and queerness and propensity for violence, blackbeard was also a big influence for esper's journey from "yeah, this violence thing is fun for me, besides it's not like i can Leave this life, i'm stuck here so i might as well enjoy it" to "actually even though it's fun it's also exhausting and all i really want is peace. maybe even a monster like me can love and find a community that loves me."

6: seven of nine -- star trek: voyager

god, where to start? "i was a child who was raised to be perfect, my humanity and individuality were completely overridden and my very body was used as an object for unimaginable violence, and now even though i don't know how to be a Person anymore, i'm cut off from everything i've ever known and i don't know what to do." and now, like seven, esper is just trying their best to build a personality out of the leftover scraps they have with the help of their crew of misfits and weirdos. also, perpetrator trauma -- like seven, esper doesn't feel Guilty about their past actions, but it does haunt them, and they don't really know what to do with it. also, i didn't mean for the two images of esper and seven here to make them look exactly the same, but hey.

7: katya zamolodchikova -- real life / unnnhhhh

this one's more of a bit. i watch unnnhhhh with my wife a lot, and every now and again katya will just say something that makes us both go "that's esper-coded". she has that slightly imperfect balance of genuine darkness and unhinged silliness that esper also teeter-totters between, which results in a specific kind of charisma that you kind of have to see to understand.

8: paul muad-dib atreides -- dune

esper's pre-durge and pre-tadpole backstory draws a fair bit of inspiration from paul's narrative arc lmao. he starts out life as a male heir to a bloodline of female psychic specialists, trains with them, and ends up sacrificing his humanity to fulfil a violent divine path pre-ordained for him. real evil messiah hours. esper has way fewer qualms about killing from the start, and the match isn't perfect, but this is an inspiration, not a stencil.

9: maomao -- the apothecary diaries

another weird one, but probably the most purposeful inspiration on the board here. when i was first playing as esper and trying to sort out their personality, i was also watching apothecary diaries, and maomao's feline predilections and sense of mischief and flawless composure and cunning without ambition had me completely enraptured, so i thought, what the hell. she also shares some backstory elements with esper as the [spoilers] bastard daughter of a disgraced but extremely talented courtesan and a creepy war tactician. like esper, maomao just wants to keep her head down and make enough money to fund her special interests. they also both drink poison for fun (at least, esper does pre-tadpole). i think the main thing they diverge on is that esper thinks poison is for basic bitches.

honourable mentions

jimmy "pickles" hoffa -- jimmyhoffathecat

just look at him. that's an esper. photo credit here

tilly -- my parents' house

pretty self-explanatory for any cat owners out there. esper acts like a cat in general, but they specifically act like this cat. she's so influential and talented and perfect.

towa "murase" -- slow damage

this one is an honourable mention instead of being on the board because i didn't meet towa slowdamage until like 3 weeks ago (well after esper was already realized), but the two of them have so many specific things in common it's actually ridiculous. convergent evolution at its finest.

fenris -- dragon age 2

esper and fenris have very little in common story- or personality-wise, but i can't deny that he was a huge visual influence, especially for pre-tadpole esper. i mean, come on. look at him.

yelena belova -- black widow, hawkeye

i'm not much of an mcu person, but the concept of the black widows in general did influence a lot of esper's pre-durge backstory, and i like yelena. she's like a more charismatic and more down-for-murder natasha. she's not a specific inspiration for esper as a character, but they do have a rhyming vibe.

selcis aureus, umbras heltor -- exodusbound

hello, it's fantrolls! i disqualified selcis and umbras from the inspboard because they're literally other ocs i had a hand in creating, and a lot of the things they have in common with esper aren't public, but they both did (and exodusbound did in general) have a lot of influence on esper as a character. i can't help that i like themes of alienation and life persevering in spite of it all in my characters. art shown here by my wife barbelzoa!

espurr -- pokemon

literally a pokemon, not a character. special place in my heart though because i literally named esper after this thang when i first made them in the character creator. they just had the same dead eyed stare and psychic magic, so i went, yeah, that'll do.

thank you so much for reading this much if you did!!!!!

#loquor #esper #bg3 durge #tag game #the dark urge #bg3 oc #not tagging all the other characters. not interested in clogging tags #OH also #forgot to tag people. idk do this if you want to

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incarnadinedreams · 10 months ago

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Hot Take Time #2309209 (edit: actually this isn't a hot take it's lukewarm at best. it's a room temperature take) but I really don't understand the argument "mo dao and gui dao are different and therefore everything WWX does is completely fine!"

Like, yes, it's a difference that plays into the public discourse vs. real truth themes of the novel to a degree, and I of course absolutely appreciate all the explanations and meta around the nuances and differences. But like. What he actually does with it is... still not good whether it's mo dao or gui dao? And there are many very significant reasons that gui dao is still not great? (Which I won't get into here because there are other people far more qualified with cultural/genre knowledge who have written about it way better than I ever could anyway)

Like y'know. The several hundred people he tortured to death, the thousands of desecrated graves, the mini-harem of pet zombie girls he kept after the war for purely entertainment purposes...? Like, those behaviors aren't inherent to the method (well, except the method sort of uniquely facilitating the keeping of pet ghosts), but they're not... good...? (Note: 'morally good' is completely different than 'fun & sexy, having a great time torture-bonding with shidi, etc'.)

I just cannot agree that keeping a little harem of pet ghost girls nor anything that happened with the Wens is being "gentle with the dead, empathetic and respectful". Even WWX thinks his past self was kinda cringe with it and went way too far!

I do think there's meant to be a significant amount of ambiguity about what elements of his downward spiral are caused by the corrosive nature of his method vs. the trauma of the Burial Mounds and his own, internal, homebrewed mental crisis. The alcoholism, rapidly shifting moods, anger and inability to control his temper, before and after the war. How much of it is Wei Wuxian and how much of it is the impact of the resentful energy he's using, and the use/proximity of the Yin Hu Fu?

I do think there's a reason why there's just as much brutality carried out by characters using orthodox cultivation methods. But in the end, his behavior was a problem, and the novel hints that the methods were impacting his mental state, and it was overlooked because of his usefulness to the war effort, but it did significantly damage his credibility leading up to the parts where he is in the right, which is also part of the point of the story. And you know. The subject of Jiang Cheng's whole 'the flower that blooms alone' monologue in the cave.

Anyway. 'He's using gui dao not mo dao and there's a difference' is super not the same thing as 'Wei Wuxian is morally justified in every action'?

Anyway this book is a lot more fun to me when you approach it from 'look what absolutely insane things these boys will do when they go absolutely feral for each other, it's so cool' with a side of 'look how fucked up he is now, that's hot' and not, like, trying to somehow figure out how to make pet ghost girls into a moral ideal.

So much of the story, for me, is about what desperate, wild lengths a person will go to for survival and revenge when pushed, and then what do you do after? When the danger is past and the revenge is done, what then? How do you come back from that?

#mdzs thoughts #I am a wei wuxian enjoyer #but it feels like I enjoy a different wei wuxian than these people #which is fine... I guess...#people on the internet out here just. having different opinions than me. ugh.#mostly joking but I just find it weird because to me these takes also significantly ruin the cool factor

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razorblade180 · 6 months ago

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I don't know if this counts as controversial but here we go.

I think Neo deserved a worse fate than she got. Instead of getting closure that I don't feel she deserved (I know many others will disagree) I rather have her get killed off while CC still possessed her or Cinder actually successfully killed her. After all the things she has done... she doesn't deserve the send off that she got. Rather give her the Adam treatment.

I don’t necessarily feel strongly either way, but I will say I don’t see any value in the show brutally killing Neo off or giving her a worse fate. It wouldn’t add anything narratively or for our characters.

This is mainly because the show doesn’t actually let us in on Neo’s history and Ruby doesn’t know anymore about her by the end either. Most deaths in Ruby aside from a few feel like they don’t happen to be impactful, but because the writers didn’t know how to use the character anymore and they had to go.

What makes this more sad is in a world like the Ever After, they literally could’ve had Ruby walk through Neo’s life similarly to the Salem Lore episode and that would’ve given any sorta deeper perspective and added weight to Neo telling Ruby at her lowest that the choices she makes make anybody on any side feel like their life is ruined. Cinder killing Neo means they brought her back after a couple years just to die with absolutely nothing changing about Neo after barely doing anything.

Side tangent, even Adam’s death didn’t propel anything aside from Blake and Yang’s relationship, because prior to it Blake took back the WF and the show decided she thinks she has better things to do than worry about him. Despite literally showing up to stop him.

So him dying felt like it came about because they were done writing about their racism allegory and didn’t know what to do with this personal villain that never got a proper back story and could no longer be a foil because their other half is done trying to spread her ideology despite the next location she’s going to being ground zero for why she was brought up the way she was, and why her personal antagonist exists in the first place. Instead she will bring up how she’s in the mine that caused Ilia’s trauma as well as mention once that she didn’t feel good about Murdering Adam.

And you know what the real kicker is? If they kept Adam working with Salem to further his and the other villains’ agendas, it would’ve naturally led to a Blake and Adam fight at the end. Neither of them had to hunt each other because only one of their dreams can come true and their journey to achieve it means eventually they’ll cross. Literally, if Blake decided to stay and join Ruby in V4 then she’s meeting Adam in Haven in V5 without trying at all and so is he!

#rwby #neo politan #blake belladonna #ruby rose #adam taurus #ask me stuff

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lightparty-fullparty · 9 months ago

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Gods okay I need to talk about the Stormblood Antagonists for a hot minute. Whatever personal issues I have with how Stormblood is paced or how certain characters are handled, the villains are absolutely fantastic.

If there is one singular theme that ties the main three antagonists (that being, Fordola/Yotsuyu/Zenos) together. It's the idea of the Ouroboros. The snake that is caught in a self-destructive cycle of devouring it's own tail.

Historical in our real world, the Ouroboros has been symbolic of main things, the cycles of life and death, fertility, even immortality. However, it can also been seen in a more negative light as a symbol of perpetuated suffering. Of being unable to let go of something that only end up hurting you more. And gods doesn't that just sound familiar?

Now I can hear you, in your head saying "But Gengar - Yostuyu and Fordola obviously have those parallels of suffering abuse and becoming abusers themselves, but what the hell are you doing throwing Zenos in there too? He's the abuser." And I get it, I do. Aside from the fact I'm a self-admitted Zenos lover, he doesn't at first glance really fit in with the ladies. But hear me out okay?

It's not just suffering abuse. It's refusing to let go and allow yourself and your perspective to change, even though your current way of thinking and acting is only making you suffer more. Yotsuyu was victimised for *years* at the hands of her Aunt/Uncle/Asahi. Then sold off to an (asummedly) abusive husband, and then sold again into prostitution. She was never offered a shred of sympathy or kindness during this time. And when she was given power, given authority and the means to protect herself physically. She choose to return all of the suffering she endured onto the people of Doma. She did not see them as being in the same position as her, suffering under the abuse of the Garlean Empire. She did not offer them any sympathy or kindness of her own, because (in her mind) they had denied that basic decency to her. Yotsuyu couldn't let go of her hatred until a literal giant wooden beam smacked her on the head and gave her complete amniesia. At which point, she displayed the ability to be kind. To think of others and to try and do nice things for them (Persimmons anyone?). Tsuyu was freed from her self-inflicted cycle of pain. She stopped letting herself be comsumed by her own anger and fear. Fordola was much the same, though her family at least very clearly cared for her. She grew up in an occupied Ala Mihgo. In a family with supported the Imperial force. Out of genuine agreement with the Empire or as a means of ensuring a sightly better life for themselves we don't really know (as far as I can remember at least). Fordola's suffering, much like Yotsuyu's, came at the hands of her own 'countrymen'. People who (rightly) despised the Empire for it's brutal oppression, but who choose to take it on someone more vulnerable and accessable. A child. A young girl who was given a horrible and sudden lesson on just how cruel people can be. On both sides of the conflict.

Fordola chose to join the Garlean Army in the hopes of amassing power for herself. Of trying desperately to carve out some place of herself and her friends where they felt they actually belonged. Where they would be respected. Unfortunately, she found none of this. The Garleans saw her as a 'savage', the Ala Mihgian's saw her as a tratior. Like Yotsuyu, Fordola couldn't let go of her desire for revenge. Her desire to "make anyone who ever looked down on (her) pay!". It drove her to extremes to try and hold onto that scrap of power she had managed to gather. The resonant, the Castrum, all of it more teeth biting into her own tail. So what can Zenos not let go of?

His belief that the only joy he can find in life is from dying in combat. Because let's be honest with ourselves, Zenos has no desire to live here. He wants a meaningful death, a brilliant, climactic, perfect moment and then he wants to not be alive anymore after that. It's why he chooses to kill himself after the Royal Menagiere. You beat him! You gave him his perfect moment! He knows (believes) that there's nothing left for him after this! So he dies. Zenos is infact suffering. It's just not as clear as Fordola or Yotsuyu. He's miserable. He's perpetually bored, and lethargic, and consumed by apathy. A prison of his own making because he has had tunnel vision since he was like 8? 10? that combat was the only thing capable of making him feel anything. So he chases after it, chases after you (the WOL). Trying to push you and push you like he was until you're capable of giving him what he wants. His perfect, transcendant moment of pure joy, and then death after.

Really what it comes down to is that Fordola, Yotsuyu, and Zenos are stuck in their own self-perpetuated misery. Yotsuyu in her fear of powerlessness, Fordola in her need for revenge, and Zenos in his desperation for meaning.

And none of them can see a way to break their own cycles until it someone outside of it comes in to try and do it for them. (Gosetsu/Lyse + Arenvald/WOL+Alisaie)

'Ere does the head devour the tail.

#ffxiv #final fantasy xiv #zenos yae galvus #fordola rem lupis #yotsuyu goe brutus #it's important to me as well that Fordola is the only one to full break out of her cycle #the only one to get a meaningful second chance to try and start over again #because Fordola was the only one who knew what kindness and love was before her cycle started #she was the only one who was able to make connections with people #ghostly rambles

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enchxanting · 2 years ago

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our love is god [ethan landry] pt. 5

read part 4 here || all parts

pairing: ethan landry x fem!reader

warnings: major character death, depictions of murder/suicide

a/n: okay here we get to see the toxic psycho behavior start to come out! this part is so different from the last that it gave me whiplash to write. n e ways hope you like

------------------------------------------------------------------------------

Even before I turn over, I can feel Ethan’s eyes on me.

He grins. “Hey, good morning,”

“Hi,” I say, sitting up against the backboard. “Have you been up very long?” I check the alarm. It’s relatively early still, only 8:15.

“No, no,” he says. “I just didn’t want to wake you. You looked so peaceful.”

There’s an awkward tension between us, neither quite knowing what to do now. Eventually, Ethan clears his throat. “So I, uh, I had a really special time with you last night, and I kinda want to keep hanging out? If you want to, I mean.”

“You mean like, go on some dates?”

“Um, yeah? If that’s cool?”

I don’t know if he’s ever asked a girl out before because he absolutely cannot look me in the eye, but his expression is so sweet that I lean over and gently kiss him.

“That would be great.”

He smiles, and I almost lose myself in this moment, until I remember the rest of last night.

“Shit, shit, shit,” I say, untangling myself from his arms. “I gotta go see Tara.”

Ethan frowns. “Wait, why?”

“I have to apologize. She’s all alone right now, Sam left last night.”

“I don’t see why it’s your job to tell her you’re sorry, though,” he says. “She literally slapped you.”

I pull on some discarded jeans and a t-shirt. “It’s more complicated than that,” I sigh. “I don’t want this to become a big thing. Easier to just apologize now, you know?”

He gets up and wraps me in his arms, resting his chin on my shoulder. “Alright. At least let me drive you? It’s too far to walk right now.”

I know that it’s a bad idea to bring Ethan, but the feeling of his arms around me and the faded scent of his cologne is intoxicating. I can’t help but be persuaded.

“Fine, okay,” I say. “Thank you.”

He gives me one more quick kiss on the neck before pulling away to get dressed.

***

Usually, the drive to Tara’s is ten minutes long. Thanks to Ethan’s driving habits, we make it in five.

Pulling up to the house, a wave of nausea and jitters passes through my body. I’m considering turning around until Ethan takes my hand in his. The non-verbal reassurance calms me down, and we walk into the house together.

I’m surprised to find that the door is slightly ajar, deadbolts forgotten without Sam in the house. I know that she’s still gone– her car is missing from the driveway– but my theory is confirmed when I find a note on the kitchen table:

At gmas. Don’t text. Call when you can have a real conversation -Sam.

“That’s brutal,” Ethan whistles.

“Yeah.” I remember how Sam looked at all of us last night, and it sends chills down my spine. I push it away. “I think I should bring her something.”

Ethan laughs. “Don’t you think that’s over the top?”

I roll my eyes at him. “Oh, whatever. I just want this to work.”

Opening the fridge, I find a bottle of orange juice that Tara once mentioned was her favorite. “Hey, that’ll work.”

Ethan grabs a ceramic cup from the cabinet and hands it to me. “How about making it special? Got any mixers?”

“Like Sam keeps any alcohol in this house,” I scoff, pouring the juice into the cup. “Plus, a mimosa isn’t the best hangover cure.”

“I don’t know… I was thinking something more like this.” He reaches underneath the kitchen sink, pulling out a bottle of drain cleaner.

I laugh, thinking he's kidding, but he doesn’t crack a smile or put the bottle away. “Come on,” he continues, pulling out an identical cup. “She’ll puke her guts out and you’ll get a little revenge before you apologize.”

He pours in blue liquid and mixes it with equal parts orange juice. I can’t lie, I’m a little horrified. “Don’t be a dick, Ethan, that stuff could kill her.”

He pauses for a second, and I can’t read his expression before his face softens. “You’re right, Y/N. I’m sorry. I didn’t think about that.”

He leans in and kisses me unexpectedly, and even though I’m still weirded out by his suggestion, I melt into him, letting the moment take me.

“Is okay,” I mumble into his mouth. “We gotta go. She’s probably waking up now.”

Without looking, I grab the cup from the table, distracted by Ethan’s eyes raking over me. It feels good to be wanted like this. I smirk at him and turn on my heels.

He follows me up the stairs, and together we approach Tara’s door. I know she’s in there by the sound of her sleep music playing softly, even though it’s past 9:00 at this point. Tara’s usually an early riser, but I’m willing to bet that the hangover is preventing her from starting her day.

Out of courtesy, I knock gently on her door. “Tara? Are you in there?”

No reply. Not wanting to give up, I turn the knob and let myself in. She’s laying in her bed, facing away from us. “Hey, Tara?”

Tara turns over, and I can tell she’s not happy to see me. “What are you doing here, Y/N? And with… Ethan?”

Even though she’s trying to ice me out, she’s clearly interested in whatever happened between us. I clear my throat. “Yeah. Listen, Tara, I know both of us said a lot of stuff we didn’t mean last night–”

“Did we?” she interrupts. “I don’t know, you seemed pretty fucking sure of yourself when you got in the middle of my family business.”

Her words hurt, and I can feel Ethan shift uncomfortably behind me. “I know. Can we just forget about it?”

I hold out the cup and she eyes me suspiciously. “What, did you spit in this or something?”

“Jesus, Tara, no,” I sigh. “I came to say sorry or whatever. You said it’s your favorite.”

This seems to persuade her. She takes the cup from me, sitting up in her bed. “If this makes me feel better, I’ll consider accepting your apology.”

This makes me smile slightly, and I can see a glint in her eye that tells me she might not be as mad anymore. She lifts the cup to her lips and drinks, and I relax a little, thankful she accepted my peace offering.

But something is wrong. Really, really wrong.

As soon as she swallows, her face scrunches up. She drops the cup, spilling the contents on her comforter.

“Tara?” I say, “What’s going on?”

She’s hacking now, and I see her start to convulse. I’m full-on panicking now. “Oh my god, Ethan, call 911!”

He’s completely checked out, watching Tara choke. “Fuck, Ethan, just do it!” I scream.

This seems to wake him up, and he grabs his phone from his back pocket. “Jesus, it’s fucking dead!”

This can’t be happening. I take her head in my lap, trying to elevate it so she doesn’t choke, but there’s no use. Tara wheezes and wheezes, then suddenly goes still, blood starting to trickle from her mouth.

I’m frozen. I can’t do anything but stare slack-jawed at Tara’s gaunt face in my lap.

Then it hits me, and I start screaming.

“Oh my god! Fuck, fuck, how could this happen, how could we kill–”

Ethan suddenly slaps his hand over my mouth, frighteningly out of character for him.

“Y/N, stop, please, stop! Someone’s going to hear.” He retracts his hand, and I feel my eyes welling with tears. I’m shaking.

“Jesus Christ,” I say. “I just killed my best friend.”

We sit in silence for a second until the reality of the situation dawns on me. “Holy fuck, what are we going to tell the cops?”

I can see the cogs in his brain turning, and he stumbles around the room. Suddenly, Ethan stops and picks up a copy of The Bell Jar from Tara’s desk.

“Okay. Now, we did a murder, and that's a crime. But, if this were like a suicide thing…”

“A suicide thing?” I don’t follow.

“I mean, you can do Tara’s handwriting just as well as your own, right?”

I suddenly understand what he’s asking me to do, and the thought makes me sick. But we have no other option.

I gently lift Tara’s head off of my lap so I can get up and rip out a piece of paper from her half-full history notebook. “Fuck, what do I say?”

Ethan thinks for a second. “We have to tie it back to last year. Make sure to talk about her fight with Sam last night.

It feels impossible, but I force myself to start writing.

Dear world,

You might think what I’ve done is shocking. To me, though, suicide is the obvious answer to the impossible challenge life has given me.

Though Richie Kirsch and Amber Freeman did not kill me last year, they stole something much more valuable– my will to live.

The absence of my father and sister, the deaths of some of my closest friends, and then the departure of my mother, all combined, made me realize that there is no one left who really knows me, no one who really cares.

I can’t live like this any longer, alone and afraid of an enemy who isn’t there. I died knowing that there was no other option for me. I hope you can understand.

Tara

By the time I’m done, I’m shaking so hard that I drop the pen. The page is stained with my tears, but there’s no time to rewrite it.

I collapse on the ground, and Ethan wraps his arms around me. “I know, I know,” he says. “It’ll be okay. We’ll be okay.”

taglist: @miawastakens

#ethan landry #ethan landry fanfiction #scream 2023 #scream 6 #ethan landry x reader #ethan landry x y/n #heathers #heathers au #high school au #jack champion #scream vi #scream fanfic #scream 6 fanfic

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magnuficent76 · 11 months ago

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Ermmmm huiiii just a thought but what if you... Talked about Mary Caede moreee :) (hides the suspiciously bouquet of flowers looking bouquet of flowers behind my back)

TEEHEEEE HI MANTIS !!!!!! YOU'RE ABSOLUTELY RIGHT !!!! I should talk about Mary. Here I go !!

- Maria is a funny woman. She's unremarkable by many people– just another person trying to get by in the crazy wastelands without getting shot at a million times, making a living by selling whatever produce doesn't die in the harsh climate– yet she's very valued by the people of her community. Maria has always been kind despite there being little place for that in a planet like Pandora, and it's because of that kindness that she slipped out of many life threatening situations before. Some people would argue that it's just a front she puts on so she has some chance of survival, but she'd say that it's more so just cause and effect: The nicer you are to people, the less likely they are to impale you and display your body gruesomely. Besides, most appreciate a break from the near constant mayhem.

- When she was a youngster, this was the exact same reason why she wanted to leave her clan and study medicine. Which she couldn't technically do, due to there being No Real Schools in Pandora and much less Actual Doctors, but when you're bleeding out and far away from the nearest safe-spot, there's no complaining to be done when someone comes patch you up. She was basically a field medic, except she didn't really know what she was doing and had to guess a lot of the time, but hey, it's not like *too* many people died ! She did give up eventually due to how depressing the entire thing was, but not before a certain someone happened to find her with a group of injured men who needed taking care of. And wouldn't you know, that someone was Lucifer Lucio Caede and his devils. That oughta end pretty good for them !

- Maria's clan, The Farmhouse, disbanded a few years after she left. It just wasn't the same without her around, and even though they still loved the brutality... there was nothing to offset it, no one to dispute it, nobody to lead or to at least give *some* direction of what to do when the oven sets itself on fire after you try to bake something. It was a real mess, not the fun kind, but they were all fine afterwards I'm sure, minimal casualties. She played a major role but her time of leading bandits and organizing big crimes against the intergalactic rules were over. Better things to do, don't you know !

- Can't actually shoot for the life of her, which would usually mean a death sentence, but really means that she has experience finding Other Ways to kill people should the necessity to do so rise. Most of her repertoire with weapons includes blunt force, like hitting someone with a big bat until they stop moving, or outside forces, like running someone over with a car until they stop moving. It's only ever in self defense though, because Maria ABHORRES blood. It used to make her nauseous as a teen and even as an adult it's still enough to make her head spin. Living in the Death Murder planet, you'd think it'd give *some* immunity or at least indifference to it, but nope. Well, should some bodies be made, they'll be great for fertilizer anyway, so it's not a huge deal. Hopefully.

And here's a doodle just for youuuuu <333

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soupbabe · 2 years ago

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Ack Wait I'm Sorry I Realized That Last One Probably Falls Under Abused! Reader

Instead May I Request Risotto, Wamuu, And Anasui With A Male Reader Who's Generally Pretty Much The Stereotypical Beefy Boy Head Empty Himbo Simp MaleWife But Their Hobbies And Interests Are Incredibly Macabre And They Couldn't Read A Room Any Better Than A Book Upside Down And In Latin So Every Once In Awhile They'll Drop A Fact About Plauge, Taxidermy, Deaths And Mutilations Caused By Historical Medicine And Beauty Standards (Ect.) With All The Excitment Of A Golden Retriever Chasing A Tennis Ball.

Like Imagine They're Just Chillin On The Couch And Reader Just Goes "Ya Know, Theoretically If Scientists Spliced Ebola And Rabies We Could Have Genuine Real Life Zombies! Wouldn't That Be Wild?! :-D"

Wamuu, Anasui, and Risotto with a Morbid! Himbo! Male! Reader

This was so much fun omg omg and I love doing more Part 6 writing!!

Tagging: @devil-doll13, @michellenero

Wamuu

- I think he's having one of those "humans are so silly" moments when he's around you

- Like ugh he gets heart eyes when he listens to you recall to him ancient torture methods in detail and then immediately confuse sugar with salt

- He notices the way you light up when he recounts his tales of battle, how you cling to every word as he shares his brutal victories

- Absolutely thought about doing some training with you, give you a taste of what it's like to be a soldier like him

- You're definitely built like a warrior and have the guts like one, but he gets genuinely worried when you have any kind of sharp object in your hand

Narciso Anasui

- heart eyes heart eyes heart eyes you're the most perfect man to ever exist

- Like ugh he loves that you're so sweet and so big and he can share his most morbid thoughts with you!

- Of course they're all framed as hypotheticals, as to not put you off

- If anyone tells you "time and place" when you're talking, he's so giving them a dirty glare and encouraging the conversation

- Thinking about him on your lap as you ramble on about historic plagues, literally the most threatening couple in Green Dolphin Street

Risotto Nero

- You disturb him a little bit /lh

- He thinks you're the sweetest man to ever exist, you take care of him so well, but your knowledge of how to hide a body is concerning when you both don't work together

- But he'd be lying if he said he doesn't indulge you a lil bit

- Have you seen Risotto? Of course he's going to have a fascination with creepy things too, the venn diagram of your interests are almost a circle

- Head empty, only the thought of your shared living space being filled with jarred specimens and oddities you both found for each other

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shifuaang · 2 years ago

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Conglomerate thoughts about Guardians of the Galaxy: Volume 3 under the cut. Please do not read if you don't want to be spoiled! TLDR: I loved it.

I suppose I should preface this by saying Guardians Vol. 2 is my favorite MCU movie and that I hold no real affinity towards installments outside of the Guardians in the Marvel Universe. I used to be a pretty active and engaged fan, but Endgame swiftly put a stopper on that. I was very worried about how this film was charged with the task of picking up the pieces of a fractured and, frankly, careless and poorly written conclusion to Phase 3.

Long story short, I should have never doubted Gunn.

Gunn did an expert job at navigating the perimeters that Endgame thrust on him, ensuring that the plot didn't linger on what happened without neglecting the catastrophic weight of Thanos's actions. Bringing alternate universe Gamora into the fold seemed like a monstrous and difficult task. I have expressed before how much I hated the idea of Quill chasing down someone who isn’t even ‘his’ Gamora and trying to win her back, but Gunn handled this with absolute grace, assuring that everyone stayed in-character in their reactions and interactions. There was no backpedaling or continuity with how the Guardians were written in Infinity War and Endgame as I feared there would be. Gunn picked up from where we left off in Vol. 2 while still allowing us space to mourn Gamora's loss. Rocket's trauma and character development was taken seriously again. Every member of the Guardians had a well crafted arc and was given the appropriate amount of time to explore said arc.

The animal and child abuse was hard to watch. It felt way more violent than anything we've ever seen in the MCU, but I'm almost glad that it was. I feel that loss and violence is almost glossed over in the superhero genre. We don't quite get the full scope of devastation and impact that villains have caused in their quest for domination, colonization, and perfection. We've been desensitized to death and torture to a degree. Even the snap™, which most would site as the most evidentiary form of brutality in the the MCU, did not hold nearly as much weight as the actions of the High Evolutionary. Thankfully the plot never seemed like a hit over the head with a message of EUGENICS BAD! It was more a tragic exploration in what eugenics can do to an individual, how it desecrates the environment, and how the quest for perfection is gratuitous and futile.

In spite of the heavy subject matter and darkness of the film, Gunn still maintained the thread of humor that we love from the Guardians. I laughed out loud more than a handful of times, and every laugh came at a point in the film where it was necessary. There were no quips or jabs there to deflect from the seriousness of what was occurring, just enough to give the audience time to breathe. I am so glad that Guardians Vol. 3 was the first MCU movie to get the green light in the 'fuck' department. I can think of no franchise more deserving, and the way it was used was perhaps the funniest joke in the whole film.

I could write an entire essay on Mantis's arc and her development and how much she means to me as a character, but maybe (probably) I will save that for another day. To keep things short, I appreciated her continued empathy and sense of humor in such a bleak situation and after such a hard life. I see so much of myself in her, and it's incredibly moving to have someone represent aspects of yourself that you thought would never be portrayed in the superhero genre because they are more difficult to express emotionally and cerebrally. She's so important and so brilliantly acted by Pom, and I adore how much agency and confidence she was allowed.

As for people who say they didn't like the ending because it 'destroyed' the found family aspect of the Guardians, I never got the impression that these characters weren't going to meet up again and that they stopped being family. There was no discussion on how they were 'bad' for each other or that they'd be better off individually, which is normally the consensus when groups split in media. Quill should spend the remaining time his grandfather has with him. Mantis should go explore herself and her independence after years of captivity and compliance. Drax and Nebula should rebuild, and create, and love on the new occupants of Knowhere, as they've been forced to spend most of their lives being destroyed and being destructive. Rocket and Groot should carry on the legacy of the Guardians, protectors of the universe. And Gamora has clearly established a loving family of her own with the Ravagers, which is what she deserves. Everyone's ending felt pertinent and cathartic, and we were left with a sense of hope and a twinkle of potential for what could come in the future.

Thank you, Gunn and the cast and crew of this film, for making me cry the hardest I have in a theater since Toy Story 3, and for ending my favorite MCU series so beautifully. I honestly couldn't have asked for a better conclusion.

We'll all fly away together, one last time, into the forever and beautiful sky. 🚀

#guardians of the galaxy #guardians vol 3 #james gunn #anti endgame #just in case lol #review #gotg #gotg spoilers #gotg vol 3

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fallouttboy · 8 months ago

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to me, fall out boy has become, and maybe always has been, a love letter to your past selves. love is messy. love is hard. love feels an awful lot like a tsunami and sometimes it’s overwhelming in a bad way, but if the love is there and real, it’s also overwhelming in good ways. awash in the warmth and comfort of a good love yet knowing through experience that in order to feel that warmth, you have to be a little bit cold sometimes. it’s okay. because you know that if your love is truly capital l love, it’ll be warm again, and it’ll come back. that’s fall out boy.

their lyrics are blunt sometimes, cutting to the core on the first slice. the powerhouses of patrick and pete writing in counterpart collaboration: pete brings the words to patrick’s music. patrick knows how to say what pete writes, without words, perfectly. pete could write lyrics for others and patrick could compose for others but together is where their art is most compatible. the swoops of strings in stardust (the record) with pete’s mood swinging, too-deep truth wrapped up pretty in sarcasm and irony lyricism, the brutal honesty of i think ive been going through it, and ive been putting your name to it or love is in the air, i just gotta figure out a window to break out or talking to the mirror, save your breath, half your life you’ve been hooked on death- there is no other way for things to sound as right as they do. composer (patrick)//never composed (pete).

the emotions were palpable through a stream, i cannot imagine how it felt to be there. the band seemed so high in their emotions: the setlist changes, the riffing, the speeches. tonight was about living to see the life you’ve created. living to see the life you’ve been told you’d never have. patrick’s speech about how he deals/dealt with hardcore imposter syndrome, never thinking he’d do much and not thinking he’d ever get anywhere. looking back and calling himself a “fat little eight year old”. i felt the breath hitch of all of the people of the Garden who know exactly what it’s like to be the fat little eight year old, who know exactly what it’s like to feel like you don’t belong and never will. but patrick said it: you belong. he belongs. our fat, eight year old selves belong. and maybe he meant it as a simple statement with no meaning behind it, like saying a baby’s cheeks are fat, but to me it didn’t feel that way. it felt genuine, from the voice of a man who is, at forty years old, finally comfortable in his skin and body. it felt like a love letter to us, the people who are mostly okay now but still have that voice that reminds them that they’re not as small as the others, never have been, not really. and he dedicated the theme for spidey and his amazing friends, a song he composed for disney (!), to that little eight year old. the eight year old who loved spider-man. the eight year old who could never have ever imagined working with/for a licensed spider-man creation, or playing madison square garden, or being where patrick is. he did that for his past self. he did that to say look. you belong. you made it. we made it.

and xo replacing sixteen candles. to the love. to the fucking love. it’s all for love, everything this band does-every word, every note-love never wanted me but i took it anyway. this, paired with pete’s speech that talks about how it’s important to create art, no matter the weirdness, it just shows how much we and the band mean to them. patrick’s reminder of the band hanging all of their rejection letters from record labels on the wall of their apartment back in the beginning of the band, compared to now, sold out at madison square garden; to the love. to the love. to the love.

to bring in get busy living as one of the 8 ball songs is absolutely insane for tonight’s set. not only for the sheer chaos of it, but for the, well, everything, about the lyrics. to me, it’s a queer song. it’s a trans pov song. you like boys like me better, in the dark laying on top of you. not in the light. not where i can be seen. boys like me, the kind of boy who was born with a girl’s body and socialized as a girl, the kind of boy who doesn’t have any childhood photos as a boy, the kind of boy who hopes and prays to who or what ever that one day he will be boy “enough” for you. boys like me, you like “boys” like me. in the dark, without lights, blackout curtains drawn. you can pretend it’s not a dampness you feel against you but a solidity, you can pretend it isn’t too cool and too slick to be real sliding up into and against you. you can pretend it’s not me, then, better in the dark. you don’t see me.

put into context of tonight’s feelings it’s…a lot, to say the least. pete probably didn’t write it with gender fluidity in mind, it was likely a drag on his “bad boy” persona and being more comfortable fucking him when they can’t see who he is, characteristically, rather than through a gendered eye. either reading is tragic though; either scenario involves a party who cannot be seen in an extremely intimate encounter, and the other cannot bear to see them for whatever reason (pain? shame? i’ve always read it as shame of sleeping with someone the same sex as you, and then also someone who is trans, but hey, i’m queer and i could be wrong).

the idea of only being loved for with the lights are off and therefore could be anyone the other person wanted in comparison to the love that was so clearly and fully expressed at tonight’s show is kind of overwhelming in juxtaposition. love that is conditional (lights off) vs unconditional (be weird, create weird shit). love that you don’t know what to do with (through the keyhole i watched you dress//never feeling like you belong). patrick playing his big scoring composition entirely alone, on acoustic, in front of a sold out madison square garden. the whole band playing a sold out madison square garden. there’s that interview from a few days ago where patrick talks about bruce springsteen asking him to take a photo of his (springsteen’s) kids at msg, how patrick was starstruck, and how it taught him “take it (playing madison square garden) seriously, but don’t take yourself too seriously”, and i can’t help but think about it in context with tonight. take it seriously (the love, the venue, the fans) but don’t take yourself too seriously (playing a spider-man theme song).

fall out boy is about love. it’s for lovers. it’s for those who want to be loved. it’s scar crossed lovers, forever.

#mine #w #fob #fall out boy #2ourdust nyc

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atopvisenyashill · 10 months ago

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Since I can't seem to figure out how to repost your tags- I am going to say that Arthur Dayne didn't think Ned Stark would hurt baby Jon simply for the reason he was at the Tower of Joy instead of hightailing it to Starfall with baby and the wetnurse Wylla in tow. Once Jon was born, the need to stay at the tower was defunct. Lyanna dying or not, had bluntly served her purpose. The fate of Rhaenys and Aegon made it crystal clear that any one with dragon blood was in danger from the new regime. Doubly so for a child of Rhaegar and Lyanna. If Arthur was really concern about the baby rather than his own personal honor, his purpose would be to get on a fast ship to reunite with the exiled Targaryens or pulling a Jon Con and raising the baby himself in secret. But that isn't as neat a ending as dying in battle serving an oath to a dead man.

Oh yeah, I was kinda writing off the cuff there bc i’m very tired today lmao BUT

I have seen the main argument for a more sympathetic look at Arthur, Oswell, and Gerold is that they feared for Jon’s life, and likely had some sort of affection for Jon and Lyanna. That is something I can absolutely believe - like you said, the brutal murder of Rhaenys and Aegon is more than enough evidence that Jon is not safe in Westeros. I can certainly understand why, even with the best of intentions, the Kingsguard would be wary of Ned. Even if Ned holds no anger at Lyanna, he could hold plenty towards baby Jon or transfer his anger at Rhaegar to baby Jon. It’s a real risk in attempting to confront the man seen as the number two face of this rebellion with the son of his number one enemy.

But I think from the surrounding events, what most likely was happening was that Rhaegar did not take the rebllion nor his father’s madness as seriously as he should have until after the Sack (I know Jaime and Barristan mention Rhaegar planning beforehand to get rid of his father, but like, clearly it wasn’t that much of a priority considering he abandons whatever plans he made at Harrenhal to chase after, kidnap, and impregnate Lyanna while the realm burned around him SO!). IF he married Lyanna, it was likely after he found out Elia and their children had been murdered, and he was probably panicked over the situation in KL, his alliance with Dorne, and what this means for his prophecy (a far cry from the happy little scene we get in the show), and did it to legitimize what he thinks is baby Visenya as a sort of last resort, but did not ever believe he was going to lose the Battle of the Trident. We have no idea what information was getting to Rhaegar prior to Oswell coming to fetch him, and no idea what Oswell told Rhaegar, or if Rhaegar was even in a proper state of mind to comprehend it. When Rhaegar goes to fight Robert, for all we know, he has no earthly idea that he and his father have lost basically all of Westeros except Dorne and ONLY because of Elia. Personally, I think it’s likely that it’s not until he shows up to command the Dornish forces that he realizes just how fucked he is. The Kingsguard probably felt the same, and when they got word Rhaegar died, just fully gave up, condemning themselves, Lyanna, and maybe even the baby to death alongside their fallen Great King Who Should Have Been, Rhaegar.

Because otherwise, like, what are they even still doing at the tower. They wave off Rhaella and Viserys but if what they wanted was to actually protect the last of Rhaegar’s blood, they should have been trying to link up with Rhaella!! Feels pretty relevant that Rhaella know Rhaegar has another potential heir but they just sit around at the Tower instead for WEEKS after the Trident. It only seems nonsensical on the surface; Willem Darry had not yet given up, had two terrified, very small children suddenly in his care, and did his absolute best to try to take care of them. He has more honor in his pinky toe than either of the those three who saw a 16 year old and a newborn in dire need of help and went “rhaegar was wrong and there’s no use in trying anymore” and rolled over and died. Same for JonCon raising a child that is not his; what those two do is put the life of a child before any other intangible oaths or ideals, acting quickly and decisively under really stressful circumstances. Contrast to the Tower of Joy, where Lyanna doesn’t even have a Maester present to help deliver the baby.

So yeah, I do think it’s likely they worried Ned was a danger, and had some sort of fondness for Lyanna and baby Jon. Doesn’t mean they made the right decisions, or that their affection and fear ultimately mattered in the grand scheme of things. It’s tragic sure, but far more tragic is that they never turned to the dying teenager in their care and ask what her opinion was on how her final days should go.

#asks #riana one #true knights #robert's rebellion #courtly and chivalric love #knighthood and oath keeping

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ilynpilled · 2 years ago

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Why does Jaime not fit as Tywin's heir, or it's not in his nature -- as you say. Very interesting stuff.

Jaime is a very romantic character. Tywin can be delusional too (not that this is synonymous with romantic), to absurd levels, trying to achieve an idealized legacy, but he is not an idealist in the way that Jaime is at all. They also have very distinct values and ways of looking and reacting to the world. Remember when he told Jaime this:

"You cannot eat love, nor buy a horse with it, nor warm your halls on a cold night," she heard him tell Jaime once, when her brother had been no older than Tommen.

It is such a deeply funny line to me. It is at the core of how Tywin seems to operate as an individual. And he is telling this to the character named J’aime. The character whose actions are always driven by some aspect of love: be it love that is destructive and prejudiced, or love that is beautiful and altruistic. Like one of his defining character thesis statements is: “The things I do for love.” The point is that Jaime was always a character with a romantic view of things, especially at the start. His feigned cynicism and nihilism cannot even hide this aspect of his character once we finally get into his disillusioned and blackpilled head. Even when you read the prose in his chapters his descriptions are laced with romantic language. Tywin is so caught up with the image of Jaime, the ideal masculine archetype, that he completely ignores the major issues present with Jaime’s nature and how incompatible it is with Tywin’s outlook on life. Jaime is absolutely not a good candidate to be his “cold ruthless and pragmatic with perfect authority” heir. This is why Jaime ends up giving it all away for the KG, and ruins all his plans. He does this for love. He also cares relatively little about being the head of his family and his main motivations are everything that does not fit with so much of Tywin’s outlook. Jaime is concerned more with abstract concepts like honor, chivalry, and love etc than power and politicking. It is also very apparent how distinct they are based on Jaime’s relationship to his siblings and the guilt he feels over Rhaegar’s children and how he reacts to the brutality and cruelty done to Hoat for example. He also keeps running from Tywin’s legacy. First, he gives it all up because he loves Cersei. Then, when he comes back handless, Tywin celebrates like fucking finally, and then Jaime is like nah I’ll stay KG actually, and gets disowned #epic style. Then, he frees his brother because of guilt and because he cared about him unlike Tywin. This is also an action that leads to Tywin’s death. All of his children keep dooming him because he tried to mold them into something that they are not. He wanted Cersei, a passionate, ambitious, and fiery individual to be a submissive tradwife political pawn. He wanted Tyrion to be hidden with no influence or real power, repressing the immense potential that Tyrion has. This is why they are all destined to destroy him and what he has built in some form. (also, I think this idea is also ever present in how Tywin tries to change the twin swords into pure crimson, and how they physically reject it: link, it speaks to Tywin’s failure to mold his legacy into what he wants it to be, as well as the inability to cover up the darkness (ripples of blood and night) with pretty crimson, but I think it also showcases how he fails to mold all his tools, be it Joff, Jaime, Tyrion, Cers) Even when Jaime seeks to emulate his father because he believes his strength is needed to offer protection to his family, he fails at it. There are numerous anti parallels all throughout AFfC and especially his ADwD chapter.

#jaime lannister #asoiaf #valyrianscrolls #ask #tywin lannister #this is also y the lannister project at the riverlands is gonna fail hilariously badly #jaime was less preoccupied with crushing his enemies and more preoccupied with his oath and his internal transformation and weighing and #reflecting his values #this regime is built on fear #thats the only tool that would have worked atp #diplomacy trust etc etc is a no go #nobody wants the lannisters nobody likes them #its either that fragile violent subjugation or its a lost project #jaime dooms it there lol #and thank god he does #he managed a peaceful change in power but thats just a bandaid on this doomed regime #like lets not be delusional here #this is the groundwork that tywins supposed high iq methods created #violent subjugation where u kill everyone or nothing #it was always gonna be a doomed peace #obeying his father was always pretty low on jaimes ‘so many vows’ speech lmfaooooo #the reason he even tries to emulate him is not what a lot of ppl think it is lol #talked about it a lot before

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smokeybrandreviews · 1 year ago

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God Mode

This is the last thing i'm going to post about episode five of Ahsoka, i promise. It just kind of f*cked my whole perception of the entire franchise, all the way up. Never mind the fact that the Jedi Council was legit grooming child soldiers to send them off to the front lines of a war over f*cking tariff disputes, or the fact that Maul got absolutely bodied by a whole ass teenager, there is a fully realized Anakin Skywalker just hanging out in the World Between Worlds. I'm not talking Clone Wars Anakin who got quadriplegic'd by old man Ben, or the hulking, cyborg, menace of an attack dog for the Galactic Empire, but a full potential Anakin Skywalker. An Anakin who has mastered the Force to the point he has transcended even the ability to project as a Force Ghost. An Ankin that somehow found his way into The World Between Worlds with no maps or clues. An Anakin fully at peace with who is, who he was, and who he can be. The truest version of The Chosen One legend, given form.

The quiet feats he demonstrated during that little training session with Ahsoka, were ridiculous. This wasn't a Force Ghost because he physically fought Ahsoka with a perfectly mastered Form Five. Jedi Knight Anakin Skywalker was considered one of, if not the best, Jedi Duelist in history, and even that from couldn't master Form Five. This wasn't a memory because he referenced the sh*t Luke said to him during his duel, and inevitable defeat, on the Death Star II. “I won't fight you”, Ahsoka said. “I've heard that before”, Anankin replied. This was Grand Master Anakin Skywalker and he taught Ahsoka a real lesson, forcing her evolution into Ahsoka the goddamn White. During this process, he flitted between himself and his Vader form, like it was nothing. Light and Dark at the drop of a hat but, when Vader finally clashed with Ahsoka, it was Anakin's face he wore. I'm talking full power Darth Vader, without the cybernetic handicaps. Sh*t was glorious to see. He was vicious, brutal, but controlled. The anger was there but it was focused. This was Vader perfected but used for a purpose. This Vader was truly the Sith Lord he was under that armor, but lacked the self-loathing. This Vader was more a tool used to show Ahsoka that she, too, can fall. That it was a choice. That she could overcome even the greatest evil, ever, in her mind; Her fallen master, Darth Vader. But those are just glimpses of Anakin's power. This man literally reshaped The World Between Worlds on a whim.

Anakin motherf*cking Skywalker literally warped an entire reality, just to train his Padawan one last time. He took this adult Ahsoka, and reverted her back to a teenage form. He used her memories to, not only reshape the landscape, but draw in actual people she remembered as tangible representations from that time. F*cking Rex was in the Clone Wars flashback, man, in full Clone Trooper armor. Anakin did that through sheer Force of will. Do you have any idea how f*cking powerful in the Force you have to be to do something like that? Just getting to the World Between Worlds is a feat but Anakin can shape it like clay. Not even the Father, The Daughter, and The Son could do that sh*t and Anakin was shown to be stronger than all of them when he was still just a Jedi Knight. The only other entity that i think can come close to this level of power is Abeloth from Legends and she was a f*cking problem that Grand Master Luke Skywalker barely solved. I mean, this version of Anakin Skywalker physically pulled Ahsoka into The World Between Worlds right before she crashed into that sea. That, alone, is a big ass "The f*ck?"

What does Force Entity Anakin Skywalker mean for the rest of the franchise? This thing is bound by nothing, limited by nothing. He exists at the crossroads of all time, all reality. He can shape this core existance into anything he desires and carries a wisdom that only someone who has mastered the Force fully, can even begin to understand. In canon, that's just The Father, i think. In legends, that's just Luke, if I'm not mistaken. Like, he's stronger than the f*cking Whills, man. But, as broken as Anakin has become, that presents a problem for everything which comes after this episode. The sequels, specifically.

Grand Master Anakin Skywalker is the caretaker for the Star Wars version of a Hyperbolic Time Chamber. He is some sort of extra-physical representation of true Force balance. He can physically pull anyone he wants into this Room of Spirit and Time to train them. He literally gifted Ahsoka all the knowledge he possessed, leveling up her Force abilities like they were nothing, and she was already technically stronger than Obi-Wan before that point. Even Palpatine understood that Force Potential alone, was only a part of true strength. That man spent years of his life, studying under one of the most pragmatic Sith to ever live. This version of Anakin has access to so much more of that knowledge, plus his near infinite potential with the Force. That fleeting thought, on it's own, it's just staggering. If Anakin can do that much, if he is some limitless Force God now, how does he let Poppa Paps manipulate his grandson into being just another tool? How the f*ck does Anakin Skywalker, the man who sent the entire galaxy into a murderous, imperial, dark age over the death of his wife, let his own, personal, abuser, do the exact same sh*t to his grandson? How does he not intervene with Luke during his exile? How do these narratives even work anymore now that Grand Master Anakin Skywalker, Keeper of The World Between Worlds, exists?

#Anakin Skywalker #Darth Vader #Star Wars #Star Wars: Ahsoka #Ahsoka #Lucasfilm

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